#good characters can be interesting in their own right

[batmanisagatewaydrug]

Hello! Someone genuinely trying to understand and perhaps unlearn some reactionary tendencies. With the response to that anon about "not asking if you're a pro or anti", the response about "imagine if they put this much effort into protecting real kids" definitely got me thinking. So... Is an adult shipping children and finding that hot NEVER a red flag? Or is it case by case on seeing how that person handles the distinction between fiction and reality in other things? And bringing the issue of real kids into it, if a real kid who has been abused sees someone shipping kids and finds that a red flag in that person, that... No, no I juicy answered my own question on that one. Block them and cultivate your own experience.

hi there anon, and congrats on trying to unlearn some things! and great job catching yourself at the end there, that's exactly correct.

I will start by saying this right out of the gate: fundamentally, I do not really give a shit about what made up scenarios about fictional characters people are jorking it to in private. I am, first and foremost, interested in how they are interacting with actual, real people.

"but Makenzie are you saying people who look at sexually explicit images of real human kids should be allowed near children?" no I'm not. please note that I was specifically talking about people engaging with fictional characters who are, you know, not real and do not have feelings and therefore cannot actually be hurt, traumatized, abused, etc, in any way that actually matters. I want to be so clear about this: you can genuinely think whatever vile things you want about fictional characters. you can enjoy any problematic shit you want with little guys who don't actually exist.

like, here's an example I use a lot: I'm kind of a huge Batman fan. don't know if you could tell that or not, I'm pretty subtle about it. if you spend any time in the Batman mythos, you know that this is a story where you just kind of have to take for granted that our hero is a billionaire using his vast wealth to dispatch vigilante justice with military grade weaponry and a small army of child soldiers and cop friends to help him put people in prison. these are moral quandaries that are discussed and acknowledged within the story, but fundamentally the universe is always going to involve billionaire vigilantism and child soldiers and the so-called carceral justice system. that's just the price of admission if you're gonna read Batman.

and like. I spend a lot of time in that world. I love Batman, I love his child soldiers. he's my little blorbo or whatever. but like, at no point have I said "yeah, fuck it, preteens should be learning martial arts to fight domestic terrorists, actually. I think Elon Musk SHOULD be allowed to put on a fursuit and beat up criminals. cops need more funding." no amount of Batman comics can make me believe or act on any of those things because, you know, I'm a person with a brain and I know the difference between "thing that makes a good story" and "thing that should actually happen for real."

and the thing is that genuinely, honestly, if someone thought that it was a red flag that I like Batman, and that enjoying Batman comics was somehow a red flag indicating that I'm fine with violence being done against real, actual children? I would think that person was a nut, if I can be super real. like, I'm thinking about somebody trying to make the case that I shouldn't be allowed to hang out with my nephew because I enjoy the fictional character of Robin so clearly I'm going to kill my nephew's parents in front of him to try to get him into vigilante justice. or if someone attempted to bar me from teaching my 4th-6th grade sex ed classes on the grounds that I was obviously going to teach them to do karate to clowns instead of how their reproductive systems worked.

(although, lets be real, there are a lot of politicians who would MUCH rather let little kids cage fight each other than learn anything about safer sex.)

this doesn't just apply to morally bad things, either, btw. I also read a lot of romance novels, especially hetero romances. and the thing is, not one of those books has made me want to fall in love with a ruggedly handsome but condescending straight man. hell, none of them have made me want to fall in love with anybody, period. that's not really something I'm interested in for myself, it's just a fun and frequently funny dynamic to explore. I'm hardly the first queer person to point out that the allegations that queer media "turns kids gay/trans" is obviously bullshit since the vertible mountain of cishet media evidently failed to turn any of us straight/cis, you know?

my point being: no, I genuinely don't think it's often, if ever, reasonable to judge someone's actual, real life morals by how they interact with fiction.

I'm going to say something so vulnerable right now, because we're in a safe space here: since you asked me this very reasonable question, you evidently value my judgment and perspective at least a little bit. and I once read and thoroughly enjoyed a fic in which Dr. Horrible, from Dr. Horrible's Sing-Along Blog, gets fucked by a sapient evil horse. and I don't think that makes me a morally reprehensible person, or a person who advocates for real human beings having real sex with real horses. I think it just makes me kind of a weirdo with a bullshit tolerance.

if you want to hear a MUCH more thorough take on this, complete with addressing the issue of shipping fictional children, I cannot recommend Princess Weekes' video essay enough:

[darkficsyouneveraskedfor]

Just Friends: Big News

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: Bucky Barnes

masterlist

Summary: You have a surprise for Bucky.

It’s giving

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

“Hey!” You bounce up to the table. It’s funny how Bucky can look so intent. So gloomy in the midst of the bustling cafe. He sits up as he puts his phone down on the table. “I’m sorry I’m late. I got great news!” 

“Oh?” His brows lower, “well, you’re double sugar frappa-whatever is melting.” 

He points across the table as you sit and roll your eyes. 

“If you tried it, you wouldn’t be making fun of me. They are delicious!” You put your purse in your lap and take a long slurp through the straw. You pop your lips off and let out and ‘ahhhhh’. You smile at him as he gives you that look. 

“I don’t take sugar in my coffee and you barely take coffee in your sugar,” he drones. 

You giggle. He's always so grumpy about the smallest things. 

“News?” He prompts dully. 

“Right,” you wiggle in your seat. “I got you a date!” 

He twitches and tilts his head, “a date?” He gives you a cautious look and shifts in his seat. “Uh...” 

“Yes! This lawyer lady I know. I met her at a trivia night way back and added her on Insta. Well, I saw her post the other day and I was like how did I not think of this before?” 

“Lawyer?” He mutters. “I... you’re setting me up with a stranger?” 

“It’s a blind date. It’s fun. She’s really established and smart and beautiful. Oh my god, she posted this picture of her in a bikini—I could never wear something like that.” You get your phone out and he sighs. 

“Wait, why did you do that?” He grits. 

You look above the screen at him, “well, you said the other day that you get lonely. That’s why you have Alpine, right? And she’s so sweeeeet,” you drag out the word in adoration, “but you need someone you can talk to. Who can talk back.” 

“We talk,” he insists. 

“Yes, but we’re friends. You need someone your own age. Or closer to.” 

“Wait, how old is she?” He wonders. 

“Aha, you’re interested,” you point at him accusatorily. 

“I’m asking questions.” 

“Right, she’s... fifty something? She doesn’t look it. Like you. You don’t look... uh... 1917... carry the one...”  

“Stop that,” he demands. “I know how goddamn old I am.” 

“Ha, yeah, sorry, I...” you scroll through your Insta friends. “Here!” You turn the phone to him and beam a smile in his direction. He glances at it for a split second and shrugs. He sits back and drinks his coffee.

“I’m not really... in that scene,” he says. 

“You should get out there! I mean, you can’t bring Sam and Steve to dinner all the time. You need someone--” 

“Is this what it’s about? Because I showed up at the restaurant?” He asks. 

“No, it’s-- I’m being a friend. You two are so alike and she loves old movies and motorcycles. I could never! I'd fall off or not tie my helmet right,” you chuckle. 

“Dreamy,” he growls. 

“Bucky,” you whine back. “You gotta get out and have some fun.” 

“We have fun,” he counters. 

“We do and that’s awesome—Oh, okay, how about, I got an idea! A double date.” 

“A double—you have... a boyfriend?” He taps the porcelain cup with his metal fingertip. 

“Ha, no way. But I could find someone to come along. Just so you’re not alone. There’s a few guys at the restaurant I’m sure would go for a free meal or I mean I know other cute girls. I’m not picky.” 

He closes his eyes and a line forms between his brows. He pinches his nose and squares his shoulders. “Where the hell did you come up with the idea that I wanted to date?” 

“I...” you sit back and your smile falls. His blue eyes flick open as he drops his hand. The dimple in his cheek ticks. “I’m sorry, I thought it was—I was... trying to be a good friend.” 

He stares at you and the stone slowly eases from his jaw. He looks down and back up. He huffs. 

“I’m sorry, dreamy,” he says, “it’s just been a while for me. Not that I haven’t thought of it, you know? But I don’t know if I’m ready for that.” He shakes his head and glances around the cafe. “The last time I dance with a dame was a goddamn USO tour in 1945.” 

That hits you like a sixteen-wheeler. You didn’t know that. You didn’t think of it. He’s been in this world for a while and he’s handsome and a superhero! You just though he’d have lots of people interested. Charlize sure seemed excited when you asked. 

“And now you’re looking at me like I’m a loser because I haven’t kissed a gal in 80 years--” 

“No, you’re not a loser. If you are, then I am.” 

“Come on, you don’t gotta--” 

“Really. I never kissed anyone. Not lying.” 

He shakes his head and scoffs, “oh no, you’re not lying to make me feel better.” 

You put on your most sober face, “Bucky, I swear,” your cheeks burn and you put your hands on your neck. “I mean... it would be nice I’m sure but it just never came up.” He looks at you quietly. You squirm. “I know you can hear that I’m telling the truth.” 

“Yeah, I know,” he accepts at last. He crosses his arms and clicks his tongue, “fine. If you’re going to suffer through it, I will too.” He looks away as his jaw tenses, “if you’re going to keep pulling that puppy dog face, one day, it’s gonna wear off.” 

“Yes! Bucky’s got a date! Bucky’s got a date!” You sing out of tune. 

“Stop,” he snarls and narrows his eyes at you. You wince and giggle.  

“Yay!” You put your hands up in a demure celebration and he tuts. 

“You’re so cheesy,” he sneers. 

“And you’re a party pooper. No moping on date night, got it?” You try to put on a stern face and he squints even harder. Finally, he cracks and gives a chuckle. 

“You’re ridiculous,” he sniffs. “You and tough, don’t go together.” 

[notebooks-and-laptops]

You know I desperately want a sympathetic qunari viewpoint in DATV (I was low key hoping we'd get a qunari origin because that would have been so fun...like you're in the Qun and you can leave it or stay within it during the game but like...there's not a right choice and you yourself can be the sympathetic view and ANYWAY) and I'm kinda sad our companions don't seem to have a member of the Qun in them. However,,, I do think this is potentially good in terms of us potentially getting a Sten cameo?

Because here's the thing; Sten IS your sympathetic qun character. He isn't like Bull who defects or dies nor is he like Tallis (my beloved) who is struggling with what she wants to do vs. what the Qun wants her to do. Sten is sympathic, he loves his homeland and he misses it and he never conforms or has a 'oh my homeland is bad' revelation. He loves the warden but it doesn't mean he has to not be part of his own culture. And I think thats so fun.

So Veilguard....bring Sten back!!! He's the Arishock now too so we could see how an Arishock SHOULD act if they're not you know stuck in Kirkwall going crazy. It'd be a fun little cameo and a way to remind us of a qun character we love who isn't about to change his ways to fit into the 'normative' southern Thedas ideals but also isn't going to outright betray us and can even help us!

And I mean Varric literally knows Sten now through Alistair in the comics. So there's even like a contact there. It'd be interesting if Bull and Dorian also knew him in some regards or were in contact.

This is rambly. anyway. I have demand Bioware. Bring back my boy

[qiu-yan]

2 and 21 for mdzs please?

sorry for the wait!

choose violence ask game

2. a compelling argument for why your fave would never top or bottom

in terms of "compelling" arguments, i've got nothing. in terms of bullshit arguments i pulled out of my ass, though....

of course, the easy way out is to argue that jiang cheng is asexual and therefore would never come into sexual contact with anyone. an equally easy way out is to argue that jiang cheng is so rizzless that, even if he wanted to top or bottom, no one would do it with him....that's the easy way out of this question, though.

my own opinion is that, if jiang cheng were attracted to men and/or had a partner who was into pegging, he would have way too much internalized homophobia to give bottoming a try. even if he somehow got over himself enough to admit that he was into men (already impossible), he would still buy into the ancient-greek school of thought on homosexuality, wherein "ackshually it's only gay if you're on the bottom." he would be fully convinced that, if he were to bottom - and worse, if he were to enjoy it - he would become Less Man on an existential level. this would absolutely kill him inside, would make him actively more homophobic than if he were just straight or asexual, and would make him a nightmare for any other man to hook up with.

but of course, the more you adamantly refuse to even consider something - the more you fear something, in other words - the more you end up obsessing over it. if jiang cheng were actually hooking up with men in this scenario (entirely possible because he's like 6ft tall and probably can host because he's rich, which makes him a prime catch in the eyes of like 90% of grindr), he would adamantly refuse to bottom. he'd declare himself a hard top. but would he actually enjoy himself? or would he, as he topped in a lackluster manner whichever men were unfortunate enough to give him a chance, imagine himself in their position - first with disgust, as he told himself he was different than them; then with terror, as he feared that he might one day end up in their position; and then with something else?

because jiang cheng's fear - that he might one day bottom and enjoy it - would quickly mutate into a full-on psychosexual obsession with the concept of bottoming itself. because it's repression king jiang cheng we're talking about, said obsession would eventually become one of those things you're so afraid of that your fear ends up wrapping back around and turning into a fetish. because it's jiang cheng we're talking about, this would then lead to him actually bottoming one day. and then, because it's jiang cheng we're talking about and the universe hates him, he would actually end up enjoying it.

does his mindset change? maybe. or maybe he just becomes Worse.

i feel like i've ended up doing the opposite of answer the question.....sorry.....these are my honest thoughts, though.

21. part of canon you think is overhyped

i'm going to get killed for this, but that's the purpose of this ask game, so i'll be honest....."lan wangji as Love Interest." of course, by this i do not mean to say "lan wangji himself." rather, what i mean is the way in which lan wangji is a "love interest" first and a "character" second. in my view, the story is only really interested in lan wangji as "the guy who loves wei wuxian and is unquestioningly devoted to him," rather than interested in lan wangji as a character in his own right.

of course, the story spills a lot of ink on how much lan wangji loves wei wuxian, how much lan wangji has sacrificed for wei wuxian, how unquestioningly devoted lan wangji is to wei wuxian, and so on. and while this is all true and good, in my view, there are also several other interesting angles in lan wangji's story worth exploring. however, these angles instead seem rather neglected by the story, which appears to only want to discuss "lan wangji's devotion to his One True Love."

some angles i consider to be interesting, and which i felt like went underexplored in canon:

how much of lan wangji's support of wei wuxian is because he believed wei wuxian was right, and how much of it is because he loves wei wuxian and does not want to lose wei wuxian again? where does lan wangji's personal romantic love end and his moral compass begin? the novel equates [standing with wei wuxian] with [being righteous], but it is exceedingly easy to design a situation where the morally righteous path entails sacrificing wei wuxian in some way - how would lan wangji behave in such a situation? if wei wuxian himself had not protected the wen remnants (due to canon divergence or whatever), would lan wangji have spoken up for the wen remnants?

to what degree does lan wangji agree with wei wuxian's actions and consider said actions to be morally justified? comparatively, to what degree does lan wangji consider wei wuxian's actions to be morally questionable, and simply wants to shoulder wei wuxian's sins with him out of love? does lan wangji know and/or believe that wei wuxian killing jin zixuan was a genuine accident? if he does not know, does he care?

what does lan wangji's relationship with his family look like? on one hand, in his failed bid to save wei wuxian, he injured 33 of his own sect's elders, which under confucian principles is a massive wrongdoing. have the injuries of these elders healed? does lan wangji feel guilty? on the other hand, lan wangji's family betrayed both him and the moral principles they espoused, by first nearly whipping lan wangji to death and then joining the first siege of the burial mounds. does lan wangji resent his family for this? does he resent lan xichen and lan qiren, or does he understand that they had argued the punishment down from execution? is that why, after lan xichen's world shattered at the guanyin temple in yunping, lan wangji was able to immediately leave the premises with wei wuxian in tow, without once checking in on his brother?

what does lan wangji think of his late parents? does he want to know why his mother killed his father's teacher, or would he rather not know? does his family keep the knowledge from him, or does he avoid the knowledge himself? what does he think of his father's actions - to him, is his father someone who fell from the path of duty and righteousness for the sake of love, someone who selfishly abandoned his duties and forced his responsibilities onto his younger brother, and/or someone who imprisoned lan wangji's mother against her will and perhaps even forced himself onto her? does lan wangji know whether or not he was conceived consensually? does this bother him?

given the whole history of lan wangji's parents, how does lan wangji view his own, how should i say, sexual interests? lan wangji did once pin down a struggling wei wuxian and forcibly kiss him; would lan wangji make a connection between the nonconsensual nature of this deed and the imprisonment of his mother? furthermore, wang and xian's relationship postcanon seems to have an element of d/s and noncon roleplay to it (which i'm not judging them for, good for them); would that also remind lan wangji of how his father and his father's sect brought about the imprisonment of his mother? or are these two separate things entirely?

in my view, these are all highly interesting aspects of lan wangji's story - and all of these are implied by details given in canon. however, canon shirks discussing these aspects of lan wangji's character in favor of focusing on him as the Male Lead: rather than explore any of these angles, which would further define lan wangji as a person, canon seems far more interested in single-mindedly focusing on how sad lan wangji was that wei wuxian died, how tragic the loss of his One True Love was, and how wholeheartedly happy lan wangji is now that wei wuxian has come back and returns his feelings.

to me, it feels like this guy got sanded down from a "full individual" to a "love interest." it feels to me like the story gives us some details about lan wangji's own life, but then nonetheless insists on reducing him from a person in his own right to a satellite that revolves around wei wuxian (the story's real favorite). because of this, MDZS the novel read as less the wei wuxian and lan wangji story, and more the Wei Wuxian story starring Wei Wuxian, in which lan wangji is a love interest first and a person second.

i forget if i said this before or if i read it from someone else's blog, but it does feel like, if you want to love lan wangji on his own, you have to do a lot of the heavy lifting yourself. or at the very least scrub all the male lead energy off of him first, so that the individual underneath can be revealed.

[friendly-emerald-emily]

molly is such a fascinating character to me. and surprisingly, not because of her content in the show. but her lack of content. molly really felt like to me she was supposed to be the break-out star of the HiT era. let me explain why.

in short, it's all down to marketing and merchandise. i'm a massive HiT era apologist, mostly because it's the era of ttte i grew up with, but as i was looking through my catalogue of merch, i noticed something...molly was popping up. a lot. weirdly so.

i have a good amount of those briarpatch ttte board games, and typically they were for 4 players, and as such 4 engines were provided to play as: thomas, percy, james, and...molly? at first it seems weird, but when you think about it, it makes sense. molly rounds out a quartet themed around red, green, blue, and yellow, and also adds in a female character. i think that last bit is important, but i'll get to it later.

so i went digging, and the 4 player briarpatch games pre-molly usually had mavis in her place, likely also to add female representation, just swapping yellow for black. there are a few exceptions, i recall seeing toby and harvey instead, but again, it was mostly mavis.

looking at more merchandise outside of board games in this era, molly got quite a bit of focus. she was part of a set of 4 bath squirters along with thomas, percy, and james, and what i find most shocking, she was one of VERY few engines to receive a trackmaster remote control engine. molly also was featured on a 2008 great discovery trading card, even though she only had one line in the entire movie.

after this, i went digging deeper into the world of the thomas microsites and online games, where molly also had a strong presence. the quartet of thomas, percy, james, and molly continued in the simon-says type memory game (i think it's called 'peep peep!'?) and molly also appeared in the emotions game, but this game featured 5 engines, and the fifth...was emily. remember my point theorizing that molly was focused on because she was a girl? here's where it's important.

this five engine ensemble of thomas, percy, james, molly, and emily is repeated again in the plug n' play game 'right on time', a game that i own and remember fondly. emily was chosen again to fill the fifth slot, and i think it's because HiT wanted to have a gender-equal ensemble a la bwba. and i think molly was chosen specifically not only because her yellow paint is unique and for her gender, but because she is probably the girl character at the time that had the most opposing personality to emily. as we all know during this time, emily was interesting and had flaws unlike SOME OTHER ERAS- portrayed as having a very strong and opinionated personality, which would easily contrast towards molly's more shy and sensitive personality. both have also been described as having sisterly attitudes towards other engines. i think HiT wanted to prove in this 5 engine ensemble that they had varied writing for their female characters.

for all of this, i think that molly WAS supposed to be a much more important character than she turned out to be, mostly because she was marketed so heavily and disproportionately than her screen time would lead you to believe. molly also appeared more often than the other HiT newbies (bar rosie), but that isn't really saying much with how little other characters like neville or billy appeared. i don't know why molly was dropped so suddenly when the set up for her seemed to be there? only thing i can think of is that emily had just been moved to tidmouth sheds right before series 9, and that they didn't want to repeat that process?? idk i'm just spitballing because i've been thinking about molly a lot recently. on a small related note, her basis is also very specific and her design is SUCH a standout compared to other new characters at this time, so clearly effort was put into her. i wonder how different the series would have been if molly was elevated to prominent secondary character status like salty or mavis, or even main character status!

tl;dr i think molly was originally going to be important but then she wasn't :(

[door-insurance]

So I played Life is Strange 2 for the first time ever

I didn’t wanna play it for a long time not cause it didn’t have Chloe or max (tbh I got sick of their asses around BtS they’re not even my faves)

By that point I was in college and had lost interest in the whole franchise but also I was very apprehensive of white creatives writing racism with no input from the group they’re portraying, they don’t usually do a good job

Sometimes they make it cartoony, sometimes they trivialize it, sometimes they romanticize it

So years later adulthood kicked my ass and I came back crawling to this franchise for some comfort, I finished True colors annnnd I finally started 2 after hesitating annnnd

^sketched this while playing

SPOILERS

I actually liked it

I liked Sean, the drawing segment he does- he was such a likable main guy, deserved better honestly.

I also liked Daniel, he was very adorable and I never got it when people called him annoying like no shit the 9 year old is gonna act like a 9 year old- just don’t be a jerk to him, I know he can be frustrating but that’s what taking care of a kid is like

And lis had always been about realistic complex characters, y’all can’t handle a traumatized nine year?

I have two younger siblings and two nieces plus I’ve been a bratty younger sibling to two older sisters

Maybe I’m just used to it?? But honestly Daniel wasn’t that bad

The racism portrayal in the first few episodes was not all that cartoony and it actually felt real at times, like I can check for American news rn and find stories similar to what you see in episodes 1-3 (minus the telekinesis)

Although the gas station racist hick spouting trump slogans was a bit on the nose, it’s more of dialogue thing

Some people thought the gas station detainment was egregious but it can happen unfortunately, especially to vulnerable people in rural areas and by someone of a higher systematic advantage

One other thing I did not like was the love interests, I thought Finn and Cassidy were alright characters on their own but why do we need romance in this game where the protagonists are always on the run?

I don’t like to compare lis 1 to 2 but when it comes to the romance the former did a better job as it spent more time establishing it, plus max stayed in the same place for the majority of the game- but you know what? Sean doesn’t have to be in a relationship right? It can be a one off thing, that’s fine

Which brings me to my next point

How old are Cassidy and Finn?

Cause Sean is still 16 and no, being on the road didn’t mentally age him- he’s not “mature” for his age

He is still a kid

So for some reason Dontnod never really specified their ages but some articles described them as teens (they look 30 to me) and they can be around 18 right? Their lives are hard stress ages you- it happens, we can with live that, it’s just a two years difference

But teens or not

why did they animate a whole knocking the boots scene???

Of all the games in the series, the only one that gets a sex scene is the one with the much younger protagonist and his ambiguously aged older looking love interest and I think it’s only with Cassidy you get to do it in the tent

Alex Chen was robbed of a on screen booty call from a beanie wearing lesbian with a sexy radio voice or a buff ass Adonis of a man who was Smokey the bear’s regional manager or something

Anyways I’m gonna move on I’m uncomfortable lmao

*im not hating on people who ship Sean with either Finn or Cassidy, I’m not even tagging your ship names- im just stating my personal preferences on my blog

One last thing I did not like about LiS 2 and it was the one thing that kept me from playing it for years

That one scene from episode 4

So at this point Sean Diaz went through the following:

-lost his father, had to abandoned his loved ones, education and home

-was accused of killing a cop

-had to take care of his little brother on his own while on the run, the same brother with telekinesis and none of them know how to control it

-was harassed, beaten then detained by a racist white man

-had to take refuge in an abandoned cabin with little resources

-the dog that they adopted at the gas station eventually gets mauled

-the one time they found solace at their grandparents house they had to leave abruptly cause the police was hot on their trail

-on their way out they can potentially witness the neighbors kid that they befriended get hit by the police car that’s chasing them

-they find shelter at a nomad campground but oh no they get involved with drug trafficking cause they barely have any other options to make money (unfortunately this happens a lot IRL this isnt egregious)

-Sean now has to deal with the trafficking, making sure that Daniel doesn’t get into any trouble with his powers while fake ass giancarlo esposito is breathing down his neck

-and guess what happens next… Daniel gets robbed into pulling a heist on temu gus fring and it goes badly, Sean can potentially lose a love interest/friend in Finn

-Sean gets hurt, Daniel goes so mad that he blows the whole place up; a shard glass flies into Sean’s eye and he ends up losing it

- Sean wakes up from a coma and learns that his brother is missing and he’s about to be taken to jail

- the one thing that consistently brought him joy during this trip was his art and because of the missing eye he can’t even do it the same anymore cause it hurts now

- Sean has to escape the hospital with a hot wired car, little money and has to drive across two states just to get to his brother

-on the way he dreams of his father, he wants him back he wants his old life back but that’s not gonna happen so he has to move forward

Im not listing all this as examples of bad story telling, a lot of these are real life experiences of homeless people. im just painting a picture of the shit that Sean had went through so far

Cause right after the dream sequence, Dontnod didn’t think all that was enough no you had to see Sean get hate crimed by two lifetime movie, sitcom special of the week racists- be made to either sing or suffer a brutal beating

It added nothing to the plot, it didn’t need a choice system either- it’s a hate crime, you’re not asking Joyce for fucking pancakes or eggs n bacon at the whales diner or hosing down Lisa the fckin plant.

This to me went straight to trauma p*rn category, it’s wheelchair Chloe all over again

I hated it then in LiS 1 and I hated now in LiS 2, this is why I don’t dick ride Dontnod that often

They always had this tendency right before the end they single out a particular character and mentally whip them, they become the writing teams punching bag- they think we didn’t get it the first time that this character is going through it, they just hammer it in with the subtlety of a heart attack and I hate it

“Yeah but it’s there to show Sean’s resolve to find Daniel-“

HE ESCAPED FROM THE HOSPITAL AND THE FEDS, HE HOT WIRED A CAR TO DRIVE ACROSS TWO STATES

He’s starving, dehydrated, suffering from chronic pain

That’s enough

Let the character breathe

You ask why not a lot of people wanna play this game and I’m gonna tell you, as much I enjoyed it myself it’s not an easy game to play- it gets brutal, especially right around the end

I’m not against bleakness or extreme conflict, I’m into that but sometimes that doesn’t translate well to any gaming format- especially a choices matter game that’s meant to be replayed

Some people have asinine reasons not to play LiS 2 like it dealing with racism and those people suck, lis had always dealt with progressive themes like calling out objectification, cyberbullying and sl*tshaming

Racism shouldn’t be the exemption

but misuse of racial trauma and not knowing when it’s appropriate to invoke it is a huge turn off and hella triggering to a lot of non white players and I remember when LiS 2 dropped I’ve seen (mostly white) lis fans at the time proclaiming that not wanting to play it meant that you were racist

Like I said there were probably racists who didn’t wanna touch the games cause of the main characters skin but there were people like me who were apprehensive of the “Let’s go to the mosh pit Shaka brah” people handling racism

This is the same studio that had Ms Grant (one of the few black characters from LiS 1) claim that the white settlers peacefully shared the stolen land with the native Americans

I find that shit harder to believe than the time traveling powers

And they were doing alright in the first episodes they covered stuff like unconscious biases slipping through, dog whistles, polite racism from the grandparents segment, police brutality, racial profiling and being targeted/othered- some of these things I went through when I visited western countries

Then they did the bullshit I feared theyd do…

I really don’t blame myself for being hyper vigilant at the time and honestly I was going through a lot then, even if I wanted to I wouldn’t have touched LiS 2 cause it’s a very heavy tasking game to play

I know I kinda made it seem like I didn’t like this game but I did, its the best one in terms of the choice system

It had more weight to it, seeing Daniel internalizing what you say to him or how you act around him was so cool

Also what the second game has over the first one aside from the choices system is the ending selection- I never liked picking the endings for max, I wanted her to pick the ending or her coding/script to do that

Its definitely more fleshed out technically even though LiS 1 has a special place in my heart it’s always gonna be no. 1- but im also glad that I got to experience the 2nd game for the first time, I liked it

Personal lis ranking

1: Lis 1

2: Lis 2

3: True colors

Discount bin: BtS

My personal fave moments from LiS 2:

- beating up the racist bully and giving him a concussion

-mushroom (rip icon)

- victorias letter

-winning that that bear from that claw machine

-gorillaz song that was not feel good inc

-Brody pointing at a fucked up looking arcadia bay yelling “that’s the past!”- that was hilarious

-Sean paying tribute to Arcadia bay in his sketchbook (this fucking kid man, he’s so sweet he deserves the world- what did he do to make DONTNOD mad at him)

- the wolf animation and the story that plays before every chapter

-this was the worst hate crime in the whole game

[yanderes-galore]

Yandere Husk please

The request for a Sinner darling was pretty much the plot I had for his concept... so I hope it's okay I combined the two :(? It would make more sense than me repeating myself.

@okchijt helped me out with this to make sure I got the character right and filled this with good ideas ^^

Yandere! Husker Concept

Pairing: Romantic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Overprotective/Possessive behavior, Stalking, Drinking, Trauma, Emotional Manipulation, Clingy behavior, Murder briefly mentioned, Blood mention, Biting mention but not done, Scenting, Dubious relationship.

For how moody Husk is most of the time, I imagine he'd care for his obsession very much.

It's said he lost the ability to love long ago... which he no doubt believes to be true for a long time.

Even when his obsession begins Husk would still be in denial of the idea.

There's no way he's feeling love towards another sinner here.

Yet here he is, worrying for you more than any other.

His obsession would be the most likely to occur with someone who's in the hotel.

So another sinner employed to help out the hotel or looking for redemption.

For the most part, Husk tends to stay out of the way and observe.

Most of his behavior is obviously cat-like.

Which means he'd keep his distance and watch you... just to see how you behave and what you're planning.

Husk's obsession is slow... gradual.

It's not like other yanderes who feel an immediate spark only for it to grow.

He watches you for a bit... Then slowly talks to you over a drink, then you become close.

His mood can put people off.

He's always drinking, always grumpy, apathetic, and gruff...

Yet he really does like to listen to people and help.

In that case... I can imagine one of your bonding times is opening up over a drink.

Maybe you're anxious about the hotel or some other thing.

The cat's good at listening... soothing your nerves with a drink and advice.

You'd swear he's the hotel's therapist more than the bartender.

However...

A good drink certainly would start a bond between you two.

Observant and empathetic... Husk would care for you once he shows some interest.

It's certainly not romantic immediately to him...

But it is a curiosity.

He's patient with you and often knows if you lie to him.

Which at first is revealed by something innocent... like you trying to hide some problem you have.

Yet that ability can turn sinister later on... like if he feels you're lying to him about something to distance yourself from him.

Husk is said to be sweet and protective of those he likes.

Naturally, as a fellow sinner in the hotel, Husk often keeps track of you.

He looks forward to sharing a drink with you or playing a game of cards.

You don't even have to trauma dump on him, he enjoys your casual conversation in his normally dull day.

He doesn't even realize he enjoys your company so much until someone, maybe Angel, points out he's purring when he sees you.

This would probably occur within a couple months.

You two often chat as you work and get along pretty well.

Better than he thought apparently if he's purring when he sees you.

He can't seem to help it...

You just stir something in him... It's familiar but... it can't be anything serious....

Husk is a subtle yandere for a couple reasons.

One reason is he's in denial of being in love for a long portion of his obsession.

He often tries to rationalize with himself that he just sees you platonically.

That he's just a shoulder to cry on....

Another reason is this... Even after he comes to the conclusion he does love you...

There's Alastor.

Husk's soul is still owned by Alastor, the radio demon is his master.

He can't show his love for you much as he fears Alastor will pick up on it.

The last thing Husk needs is causing you more stress because Alastor needs leverage against him.

Such a thought forces him to keep his obsession over you out of sight.

Both out of shame and fear.

Doesn't stop him from accidentally dropping hints, though.

When you two talk in private, or even in public and he lets his guard down too much, you can hear Husk purring around you.

He denies it the whole time, of course.

When alone, Husk tends to be more affectionate once he accepts he's in love.

However, he excuses it to try not to give himself away.

For example, if you're having a stressful day, he may hug you and start purring.

When you question him, he claims he's just trying to get you comfortable.

After all, did you know a cat's purr supposedly eases the mind?

In reality... He's trying to excuse his urge to touch you... just to keep up his facade.

So you'd just keep venting while he nuzzles into you to "cheer you up".

Apparently....

Husk is limited in his obsession.

Kidnapping and physical isolation would draw too much attention.

Alastor would definitely find out then.

Although... Emotional dependency and social isolation?

He can make that work.

In fact, making his darling dependent on him is core to his yandere tendencies.

It's easy since you already come to him for help anyways.

He wants to be the only one you're vulnerable around.

Husk wants you to seek him out for help, comfort, and company.

Perhaps even love eventually.

Making you dependent on him makes you his... Yet keeps Alastor out of it.

... Hopefully....

Because you vent to him, Husk knows nearly everything about you.

More than you know yourself sometimes.

While such secrets and info would be great blackmail... Husk wouldn't want to ruin your trust.

Instead he uses it to his advantage, a way to gain your favor.

He'd use the info he gained to help you.

He knows what you like, what you hate, what situations make you uncomfortable...

He's always around and ready to tug you out of a situation you hate.

He acts like such a caring friend, he's even protective of you.

Husk may actually leave his post at the bar to follow you and check on you.

He does some stalking but has to make it subtle.

If someone was messing with you or hurting you, Husk is quick to step in.

Considering how he handled those Loan Sharks in the show...

Safe to say you're in mostly good hands.

The only time he'd murder is if your life is in danger.

In that case... Surely you can ignore the blood in his fur?

Not like it's very new to you, though....

Hell's violent... Which is another reason Husk hates you wandering off alone.

While Husk is subtle... I can see him scenting his darling in secret as he nuzzles and purrs.

He may even be into biting you... leaving marks to show you're his...

Yet since he has to be subtle, he reigns in such urges.

Overall, Husk is a subtle protective yet possessive yandere who would make his obsession vulnerable and dependent on him.

This way, you're kept safe and cared for...

All his... even if you don't know it yet.

[alexanderwales]

I'm going through a profound period of writer's block, except I've always maintained that writer's block is really like seven different things.

Right now it's just ... aversion. I sit down to write and immediately want to be doing something else. I write a hundred words and it's fine, I'm having ideas and things, I know what comes next, but I finish those hundred words and it's like my brain is so ready to be doing something else. The writing is, in my opinion, not suffering from this, except that the output has been pitiful. The flow state is particularly elusive.

My all-time best day for writing was 16K words. That's like ... three chapters in a single day, maybe four if they're on the shorter side for my chapters. I was going unsustainably fast, fingers flying, neglecting my family, neglecting my body, really in the zone. That's not something I can replicate, but I remember the feeling, and it's so close. It doesn't feel like that me was a world away.

I think I would like to figure out the cause of the aversion. It's coming after a period of deep depression, maybe the worst I've had in twenty years, and maybe that came from anxiety of some kind, but not being able to write at the level of output I want is definitely not helping with the anxiety I've been feeling, so I don't know.

My plans for my next web serial, the one after Thresholder, are premised on being able to reliably write and edit 10K words a week, all killer no filler, as little wasted words as possible, new and interesting things around every corner, stellar fight scenes, meaty character interactions, but I'm feeling like a floppy baby, unable to hold up my own head, and if I can't maintain that pace ... I don't know. I can only scale back, and obviously if you want to make money writing for people on the internet, scaling back runs contrary to that goal.

I would feel better if I had what felt like a good path forward in terms of the writing muscle, if there were some life hack that would work for me. I think I'm at the point of wanting to try sprints again, which have historically been good for me but also a great way to burn out. I don't know how you get over an aversion to something you actually enjoy doing, but I'm not really a stranger to aversions. Usually I just buckle down and get it done, which I don't think is going to work if that feeling of aversion is with me for one of the primary things that I do.

This is mostly a gripe rather than me seeking solutions. I think this is probably a personal thing for which the solutions you might want to offer in the spirit of helpfulness would not actually work. Mostly, if you read my stuff, I want you to know where I'm at right now.

[the-grubdog]

Heritage Theory is Canon

I rise back from the dead (read: college kicking my ass) to say that MY THEORY WAS JUST CONFIRMED CANON. Look at the Japanese website:

Image transcript: The ruins and treasures of this planet, although different in size, are somehow similar to those we know, and sometimes even feel nostalgic. According to "The Shepard Complete History" written by the successive rescue team captains, the ancestors of the Kagiya [Giya] planet came from a "beautiful blue planet". If that was the planet PNF-404, we may have returned to our mother planet after a long time.

I WAS LITERALLY WORKING ON AN UPDATED VERSION OF MY THEORY POST WHEN THIS WAS POSTED.

I WAS RIGHT YA'LL.

I don't think I'll upload that updated version of the post, as it is (a) mostly unfinished and (b) kinda pointless now! Just know that evidence also comes from (all in Pikmin 4/related material):

Other parts of this same site

Olimar's notes on the Buddy Display, Heroic Shield, and Memory Fragment (Center Right)

A conversation you can have with Olimar post-final boss fight

Olimar's notes on the final boss

The Shepherd Family history

Also I want to share some more lore this site brings up. Because it also gives us some juicy Wraith Lore(tm) and some possible explanations for why some ships crash and others don't.

ALSO ALSO: This is all machine translated. If anyone has a human translated version, or is interested in making one, PLEASE let me know so I can reference it instead!

Image transcript: Consideration 1, small size, it doesn't have the engine power to escape the planet. Consideration 2, entering at a high speed, like a shooting star, it crashed into the planet at high speed.

Basically, the S.S. Beagle is small and entered at a high enough speed to escape the planet's grasp.

Image transcript: Unlike the space-time of the universe we know, it is believed that each time the stranded person observes the planet, it transitions to a different phase. The changes are so great that it's as if the planet itself has a will of its own.

This comes after a long description of how the planet changes every game. Just for further context.

Image transcript (with an error fixed for readability): Pikmin are always found near those lost in distress. They are friendly and devoted partners who cooperate with us to achieve our goals. However, isn't this a little too convenient? If the Pikmin are calling for a good leader to ensure the survival of their species and are preventing us from returning, it would be better to think that we are the ones being used. It falls into this category.

I don't think pikmin are evil, FAR from it... but they are still animals, animals that act to survive. You know? If pikmin ARE crashing the ships, then it's no more evil then how bulborbs eat pikmin to survive. Those are my two cents anyways.

Image transcript: According to Olimar, while inside the Amenyudo's [Plasm Wraith's] body, he dreamed of "giant humans similar to ourselves living with Pikmin and lots of other creatures." In addition, the roller-shaped stones of the Amebouzu [Water Wraith] have been found to contain minerals found in meteorites, which may suggest that they may be involved in the crash of the Dolphin. Perhaps they are dreaming of living with humans again and are causing the spaceship to crash?

WRAITH LORE. Also, note the translation of "human". There's a word on the site that the characters use to refer to themselves collectively, which the machine translator translates as "human". Based on me looking the word up on Jisho, an English-Japanese dictionary, this appears to be correct. However, as I don't know Japanese yet, I'll also clarify that "people" might also be a valid translation.

Anyways. Humans once lived with these weird creatures, wraiths and pikmin included. The wraiths missed us. Please ignore how they're also homicidal towards the starfolk.

Image transcript: One theory is that the planet meets the definition of a living organism, meaning that it is somehow beckoning us to it, and that everything we experience here is being orchestrated.

Planet is alive.

I have no idea how else to end this off.

But the planet is alive.

And it wants us back.

[thewalrusespublicist]

Two of Us Play: Thoughts or 'This Could Mean Nothing: The Play'

I saw Two of Us and I have thoughts. and feelings. Frustrated feelings.

What I liked: the mental health angle, the details, the research, the bones of the story and the acting for the most part (good actors, poor direction basically).

What I didn't like: First off the script needs work. At the minute it plays more as a spot the reference rather than one coherent story. This doesen't feel like convo between friends but a recap of Beatles lore with no train of thought that gets satisfyingly resolved and whilst hitting off the movie beats rather than building to them. The pay off feels less like a cathartic journey and more 'cool it's Mclennon I guess..'. Next the chemistry is off, the two leads don't feel like platonic soulmates/best frenemies and they don't fly off of each other as John and Paul did. Instead the energy is super low, even in their heightened fight scenes it doesn't feel like two people duking it out. There's no screaming and shouting, it's like two old but never that close friends going from awkward to semi awkward and back again repeatedly without ever hitting any moments of sizzling connection. This I think is partially to do with the 'nice Paul' characterization, which please lord can it end! Let our beloved alpha bitch be beloved and alpha bitchy, it's good for his skin AND MORE REAL.

I think the chemistry/energy problem is linked though to the main problem and the elephant in the room: the 'latent' homosexuality. Latent is probably the best word for it, but that's only because of the play's fear of its own implications. To be clear, with a slightly more daring director unafraid of the material, the latent would be BLATANT. The dialogue is BLATANT. John's wordplay is loaded with suggestion: 'best fuck you've ever had', 'you should have married me' and there's a closeness when they are singing on the piano which was 👀👀. The 'I love Paul' badge is also there with a 'lucky Paul' comment that COULD have built to a potentially interesting character moment. But they just fly over these bits like they haven't been said. The candlelight dinner as well that John puts on for Paul is by its nature loaded, as is John offhandedly calling him 'my love' when fiddling with the stereo during that scene.It's so casual that it feels like an accidental slip on John's part. But nothing is made of this, no pause, shift in the air, comments, nothing. This was the worst with the KISS which was initiated by John and yes, way way way too long for it to mean nothing and the Epstein jokes are completely omitted. Its a wild moment, but the play can't seem to handle what they've just laid down so just ... skates past it. Its like HAHA WEIRD RIGHT THEY JUST KISSED ANYWAY ROOF SCENE.

But the implications also aren't consistent as the whole thing is too attached to the 'Paul is a jilted victim' angle. It's Paul who is jealous of Yoko, but save a line about being surprised about Linda, John seems neutral (weird considering its JOHN making the overtures and was IRL not Linda's biggest fan). The ending is the strangest for this. They have the SNL thing like in the movie but it's weirder as Paul is CRYING. OBVIOUSLY CRYING. CAN HEAR AUDIBLY FROM A DISTANCE CRYING. The whiplash of John throwing down these implications and suggestions to just ... nonchalantly giving a hand grip goodbye and ignoring Paul's tears after going on this whole journey together is WEIRD and makes him look like a user and a selfish, insensitive prick. Like bestie your bestie is crying you can call Yoko back??? Also the end is meant to be a love you to both each other and their wives but Paul's is clearly to mostly John and John's feels mostly to Yoko. It's not a good look on John and its not a good look on his relationship with Yoko (yh John could free himself from the prison he's made for himself and was about to but the darn Yoko pull is just too strong guys). Again this would be sort of sad but fine if it was Paul making the overtures or there were no overtures but it isn't and there are! John is both the mooning would be romancer and the unavailable ex. Once again nuance and coherency (as well as Paul and Linda!) are sacrificed for the traditional John and Yoko angle. Wholeheartedly, it feels like there has been a layer of implication added onto the script, a layer which means that the original elements of the script would need to change to work but they haven't done it so you have this Frankenstein's monster of a traditionalist narrative fused with loaded suggestion.

So yeah, I think the whole thing had a lot of potential as a play but the script needs an overhaul, the actors need better chemistry and if you are going to go there, for gods sake GO THERE.

[abyssalzones]

You mentioned in ur Transfem Stan stuff (really good btw. Love it) that it made you appreciate Stan as a character more, and I was wondering what held you back on her character before?

shrugs..... I think I might've been largely influenced by prior negative experiences with gf fandom. which is Never something you want. but essentially the way stan's characterization often gets flattened for the purposes of angst or comparisons to ford, where she's the one who was "right" all along in their conflict and always has pure of heart intentions... is not something I find very interesting. so I suppose I forgot about the actual nuance of the character! whoops.

then again, I've also just never been the type of person to get attached to male characters with a strong "I have to do this for my FAMILY" angle. interpreting stan as transfem and butch does largely 'fix' this for me because I find it puts a lot of her behavior into perspective in a way that's really interesting (she has to be the protective Man of the house but feels like a fraud when trying to perform traditional masculinity, family is immensely important to her but she's still the black sheep of her own family, etc) but I did also just naturally come to appreciate stan as a "family oriented" character whose behavior and motivations are extremely messy Because of that. often the family "man" in fiction is a noble, paternalistic savior figure who enacts violence against perceived outside threats as a necessity to protect the structure of The Family, and you do actually see this in stan but interestingly you also see how damaging this family-first mentality can be when it comes to her relationship with ford (and projecting their problems onto the younger twins).

basically stan suffers the role of "fandom favorite whose writing gets flattened like a pancake in popular interpretation" and being a fordliker since 2016... jades you......

[hollowed-theory-hall]

Hi!! I just read your answer about Harry s treatment at the Dursley s... How do you think did he manage to grow up as a kind and mentally stable boy despite it (not that he was happy, this influenced his development a lot, but it could have gone so much worse )?

Or was it just necessary for the story that he does?

Well, people can react to trauma and abuse in a lot of different ways. Some lash out, some try and be kind and helpful, and some want to keep as far away from people as they can. Humans are varied and react to a lot of different things in a lot of different ways. There is no universal "right way" to respond to trauma and abuse. Yes, Harry could've been worse, but then he wouldn't be Harry. There's a discussion of nature and nurture here that I won't go much into, but Harry's nature, and who Harry is outside of his trauma and abuse affected how he responded to it. And Harry is an incredibly strong-willed person, so his response to trauma innately isn't to break — it's to fight. We see it often in the books, and I think the reason he turned out the way he is, is because this aspect is part of his nature. Enough part of his nature that he could resist the Imperius on his first try.

Besides, Harry has behaviors that are a result of his abuse, they're just more subtle. But they are definitely there. Harry doesn't trust easily, and when it comes to adults and people of authority who should keep his interest, he trusts even less. He knows he can't count on them. This is why he takes so much responsibility for himself, the adults in his life could never be trusted. He is incredibly feisty, always guarded and ready for something to come at him. This constant vigilance is a result of his abuse. You see the years of the Dursleys in how protective he is of his friends, of how desperate he is to fit in in first year that he changes his behavior to be more similar to what everyone else is doing — so he won't be a freak. How unwilling he is to hear that he's special, because at the Dursleys — special was bad. How Harry doesn't let Umbridge see he's in pain when she makes him use the blood quill because he knows that's what Vernon and Dudley wanted to see and he isn't giving them the satisfaction. How quiet Harry is. Because Harry doesn't actually talk a lot when compared to other characters, his voice was never something the Dursleys wanted to hear and he's good at pretending he doesn't exist.

Harry's anger (which I adore) is a defense mechanism. His anger issues are likely the result of being constantly in this hypervigilant state and constantly feeling under threat. Harry is ready to fight at the drop of a hat because he's constantly in fight or flight mode. This is a trauma response. Reaction to abuse and trauma doesn't need to be obvious and glaring and what you expect. It could be a lot of little things. and Harry's reactions and behavior all show signs of him having experienced trauma that he didn't quite unpack. He can come off as okay because he's trying very hard to appear that way, it's part of his defensive mechanism. Acting like everyone else so he won't be called a freak — but it also hides his abuse and his responses to it. Only in books 4 and 5, do we start to see Harry being more vocal in his sass to people other than Ron and Hermione and inside his own head. Like, he overcame things within himself, he had a small, subtle arc, but that's a lot of times how these things are. Subtle.

I think his compassion is an inherent part of him. Like, I mentioned nature versus nurture, and I think a good chunk of his compassion is a result of Harry's nature. But, his nurture (that is, the Dursleys' abuse), I think, did exasperate it in a certain way. While abuse and trauma can make someone less sympathetic, it could also make them more so. In Harry's case, I think a lot of his compassion comes from a place of sympathy. Of being able to see himself in someone else's shows because he knows what it's like to be treated like you are worthless. So, he'd never treat someone else in the same way. Even when Harry hates someone, his hate comes with some, well, I'd call it base-level respect. Even people he hates are people in his eyes. He is willing to kill them and hurt them if he deems it necessary, but he never forgets they are people. Even if they're house elves or goblins.

As for if it was necessary for the story, I mean, Harry Potter wouldn't be Harry Potter without the cupboard under the stairs. So, yes, him having a good childhood would change the books, but would he be kind and compassionate without years of abuse? Probably.

[m1ckeyb3rry]

── PURSUIT // PROLOGUE

Series Synopsis: When your cousin goes missing right before he can challenge the Champion of your region, you must embark on a journey of your own in the hopes that one day, you might finally find him — wherever he may be.

Chapter Synopsis: Your cousin, Shoei, sets out on his journey, leaving you behind with a final gift as a farewell.

Series Masterlist

Pairing(s): Nagi x Reader, Barou & Reader

Chapter Word Count: 2.5k

Content Warnings: pokémon au except i make the world emo and infest it with blue lockers, angst, character death, familial bonds, found families, male-female FRIENDSHIPS, a slow burn so insane the main love interest isn’t even in a solid amount of chapters, it’s my world i do what i want which means liberties are taken, near death experiences, this story is long bro literally everything happens in it the amount of arcs i have planned is insane, original characters because reader will NOT be the only girl i refuse to write in conditions like that

A/N: this is SUCH a niche crossover i’m actually crying but ykw at least it’s different from the typical aus LMAOOO anyways um please be sure to read the warnings and if you enjoy this then like…reblog or comment or send me an ask or smth HAHA (only if you want though i can’t control you)

tag list (send an ask to be added): @sharkissm

The last time you saw Shoei Barou, he was pressing a Pokéball in your hand. His backpack was slung over his shoulder, his typical scowl on his face, and his Houndour sat at his feet, wagging its tail at you. The surface of the Pokéball was glimmering, ruby on top and a pearly white on the bottom, and because you could not bear to look at him, you trained your gaze on the watery sunrise it reflected.

“She’s yours,” he said. “I registered her under your name.”

“Guess that makes me a trainer, too,” you said.

“Don’t start on your journey for a while,” he said. “Or else you���ll catch up to me. Wait until I’m good enough that I’m someone you want to chase after, and begin then.”

He was embarking on his journey later than usual, but you had no doubt that he’d quickly surpass those with five or even ten years of experience on him. Shoei was like that, and so was his Houndour. What they lacked in battle prowess, they made up for with dogged tenacity, and it was impossible to imagine either of the two struggling for any amount of time.

“I won’t,” you said.

“Good,” he said. “Look, she’ll probably be better off if you just leave her in her Pokéball until you start training seriously, so don’t worry about that.”

“Won’t she get bored?” you said. He shook his head.

“Being in the Pokéball is a kind of stasis for them. She’ll know the time has passed, but it won’t be the same as if she were actually living it. It’s better that way, trust me. She’s the destructive type, and I won’t be around to help you if she acts up,” he said.

“Ah,” you said. “I see. I’ll do as you recommend, then.”

He reached out and placed a hand atop your head. You swallowed, staring at the dirt path beneath your feet, the worn toes of your old sneakers, the frayed cuffs of your too-short jeans — anything but him. You couldn’t bear it if it was him.

“You’ll be okay,” he said. “Y/N.”

“Yes,” you sniffed, though you had sworn to him so many times that you wouldn’t cry.

“You’ll be okay,” he repeated. “I promise.”

“Yes,” you said again. His hand balled into a fist, and then he knocked it lightly against your brow. Unlike you, he was smiling, and you did your best to quell the trembling of your lower lip when you made eye contact with him.

“Hey, kid,” he said. “Enough with the bawling, okay? How am I supposed to call you my cousin when you’re like this? We can’t be related if you get so upset about every little thing. That’s not how it works.”

“I can’t help it,” you said, and then he sighed, hugging you tightly. His Houndour barked, rubbing his head against your calf, which was the only method the small Pokémon had of comforting you. “I can’t help it, I know I should be happy but—”

“Be happy,” he commanded you, letting you go and placing his hands on your shoulders. “Y/N L/N. Be happy. I’m going to be Champion one day, and that’s nothing to be sad about.”

“Will you come back home once you are?” you said.

“No,” he said. “No, of course not. I’ll be busy with the duties of the role. Have you seen how many television appearances Mr. Mikage does? But I’ll bring you there with me, you and your parents and mine, and all of us can live there together. Is that enough of a consolation?”

“Okay,” you said, even though it really wasn’t. But it’d be a cruelty to stop Barou, akin to clipping the wings of a Pidgeot and telling it to fly. He was as restless as his Houndour, who even now sat and stared out at the horizon instead of the home it was leaving behind. The both of them were turbulent, impossible to cage, and if one tried to hold them back, then they were little more than a brazen fool.

“I’ll see you later, Y/N,” he said. “Try not to be to sad without me, alright?”

The Pokéball was cold and heavy in your hands as you watched him and Houndour walk off. Neither of them turned back, not for a moment, and then they were over the crest of the shallow hill in the road which led to the nearby cliffs, disappearing from your line of sight for good.

“Y/N!” It was the same boy again. He had been bothering you since you both had entered secondary school, mostly because that was around the time that Shoei had begun his league challenge. Of course, he had obtained all of the gym badges in quick succession, but conferences were only held every four years, and so he had had to wait until the next one before he could attempt to storm through it and reach the Elite Four, hence the delayed interest in his talent.

“Hello,” you said. He had never bothered introducing himself to you, and you were at the point now where it would be awkward for you to ask, so you generally pretended like you recognized him and hoped your conversations never grew to be too long.

“Did you hear the news? I mean, he’s your cousin, so of course you did, but still, still, can you believe it?” he said.

“What are you talking about?” you said.

“Barou!” he said. At the mention of Shoei, your Pokéball grew warm against your hip, and your left hand instinctively flew to the thin chain around your neck. “He’s actually done it — he beat Noel Noa!”

“Noel Noa…the last Elite Four member, right?” you said. The boy nodded at you. He was grinning as hard as if it were his own cousin who had mastered the league, or indeed as if he were the victor, but the truth was that besides you, there were very few in the entire city who could claim to know Shoei, so his pride was unwarranted.

“Yup! No one’s ever beaten him but Mr. Mikage,” he said.

“Well, Mr. Mikage is the champion,” you said. “So what’s next? Does he battle Mr. Mikage?”

“Pretty much,” the boy said. “Although he’s allowed to take his time in between and train his team. The conference win and Elite Four victories are only prerequisites, but it’s not like you have to do it all at once. In fact, hardly anyone ever does. Your team needs to rest in between battles, and besides, challenges to the Champion position are so rare that they need time to set it all up.”

“What do you mean, ‘set it all up?’” you said, sitting down at your desk at the back of the classroom. The boy didn’t usually sit with you, but today he was too excited, so he collapsed rather awkwardly in the chair at your side, leaning over with his elbows digging into his thighs.

“Didn’t you know? All Champion matches are televised!” he said. “The entire region will be able to see him battling. He’s amazing, you know.”

“Of course he is,” you said matter-of-factly. “That’s good that it’ll be filmed. It’s impossible to get tickets unless you’re a league official or have more money than you know what to do with.”

The boy coughed, his face turning red. Your eyes flicked to his belt, which was conspicuously devoid of any Pokéballs, just like the rest of your classmates, and then you curled inwards when you once again recalled that amongst your peers, it was only you who required the league-issued stipend for trainers to afford your tuition.

“Anyways,” he said, pursing his lips — a reminder to you that he had sat in the stands of the last league conference and was in fact one of those such types that you had been referring to earlier, “I’ve heard they’re thinking of moving towards broadcasting the entire conference andany Elite Four challenges instead of just the Champion matches.”

“Really?” you said, eager to change the subject. He nodded.

“Yup, it’s the case. The TV studios and news stations have been pushing for it. As long as they can throw in some advertisements and sponsorships between the battles themselves, their profits will shoot up like crazy,” he said.

“Well, that makes sense,” you said. “Why hadn’t they implemented it earlier?”

“They’ve been trying, but supposedly, there’s been a lot of pushback from some of the league officials. They think they’ll lose money if people can just watch battles online, since there’ll be less of an incentive to buy tickets to watch them in person,” he said.

“Ah. So what changed their minds? Aren’t the league officials notoriously stubborn?” you said. He snorted.

“That’s what my dad says. He’d rather deal with a Slaking than any of them,” he said. You couldn’t quite remember what his father did for a living, but if you had to guess, it was something financial-related, given the boy’s unnatural interest in the field. “Apparently, they tried it out in Johto to great effect, so they plan to give it a go here in Kalos as well.”

“Interesting,” you said. “I guess it doesn’t mean much to me now, since Shoei’s already through, but I’m sure it’ll be helpful to someone or another in the future.”

“Maybe we’ll see you onscreen next, eh, Miss Trainer?” he said. You rolled your eyes at the nickname; coming from him, it wasn’t so horrible, but it wasn’t always like that. Most of the time, you hated when the others brought up your trainer status, because it only set you further and further apart from the rest.

Of course, almost everyone had a Pokémon or two as a companion or to make the activities of their daily living that much easier, but there was a difference between a Pokémon owner and a Pokémon trainer. Trainers were the ones who were registered with the government, who were sent a monthly stipend by the league to pay for their and their Pokemon’s upkeep, and who made a career out of the sport. At least, that was what they were supposed to be, but nowadays, genuine trainers were few and far between; more often than not, those with the distinction were like you, with a single Pokémon that had never known the heat of battle and a desperate need for the extra income that their status, passive though it might’ve been, brought them.

The school-issued Gogoat that was designated to escort you home trotted along beside you, its tail bouncing with the gaiety of its pace, its ears perked against the wind as you went along. You sometimes wondered if the Pokémon you supposedly owned was anything like that, but based on Shoei’s description, you had mostly decided it wasn’t.

“Thanks for taking me back, Gogoat,” you said, patting it on the forehead when you reached your doorstep. It bleated at you, nuzzling you happily and then bounding away. You watched it go with a smile, incredibly fond of it though you knew it wasn’t actually yours — just a vehicle assigned to you because the school knew that most of its students weren’t proper trainers. The institute didn’t want to be held liable in case there was some kind of an attack, so the Gogoats had been trained to accompany students to and from their classes as well as to protect them as best as they could.

Supposedly it was a common practice, one that had been invented in Aquacorde Town, but there they used Arcanines instead of Gogoats, so privately you thought that those of you in Coumarine City got the better deal.

“Mother?” you said, peering into the kitchen, smiling when you saw her there, stirring a pot of something that smelled delicious. “I’m home.”

“Y/N!” she said. “How was school today?”

“It was fine,” you said, self-consciously drumming your nails against your Pokéball. “This guy told me that Shoei’s going to challenge the Champion soon. Mr. Mikage. They’re going to film it and everything. We should ask Uncle and Auntie if they want to come over and watch with us.”

“That sounds like a good idea,” she said. Shoei’s father, your uncle, was her brother, and they had remained so close throughout their adulthood that it felt at times like Shoei was less your cousin and more a genuine brother of your own who occasionally slept in another house. “Imagine if he can become Champion!”

“He will,” you said, unclipping your Pokéball from your belt and setting it on the table, where your mother’s Espurr was sleeping. At the movement, she sat up, giving the unassuming ball a disgusted look and climbing to the top of a shelf where she could continue to nap. “All everyone talks about is how strong he is. There’s no way he’s losing, especially if he beat Noel Noa.”

“It’ll be great for the family,” she said.

“Yes,” you said. “And for him.”

“Do you know when the match is scheduled for?” she said. You shook your head.

“No, I don’t. The guy said people usually take a break in between defeating the Elite Four and challenging the Champion, so that their teams can rest and all. I’m sure it’ll be announced well in advance, though. It’s not everyday that somebody fights Mr. Mikage himself,” you said.

“That’s true,” she said. “In the meantime, how’s this for dinner?”

“Looks good,” you said, though it was out of distraction, not approval. Your mind was racing as you tried to picture how the battle between Shoei and the Champion might go. Would he look different? Of course, he would have to, it had been a while since you had seen him last, and it might be a while more until you saw him next, depending on how long he took to put in the formal request to battle. Two weeks, or maybe even three.

Yet weeks turned into months, which turned into years, and still he did not appear to face Mr. Mikage. Eventually the excitement faded into a distant memory, and soon, if his name was brought up at all, it was as nothing but the Never-Champion, the one who was too frightened to fight against the undefeated head of the league and the Mikage Corporation alike.

At first you weren’t worried, but as time stretched on, you resorted to begging the police, the local Gym Leader, anyone who would listen, just for a chance at finding him. Yet one by one, they each refused. After all, what could be done? He was a top trainer, they worked in mysterious ways, everyone knew that. Any day now, he would reappear and that long-awaited battle between himself and the Champion might finally happen. Nothing about the situation was abnormal in the slightest. Maybe the cowardice was a bit uncharacteristic, but otherwise? There wasn’t any cause for stress.

And so, for that reason, nobody but you ever thought of actually looking for him — they never even knew that they had to.

[rowanisawriter]

writer q&a

thanks for the tag @luvwich i love talking about myself lmao

tagging… @mashamorevvna @yourworsttotebag @swordbisexual no pressure

When did you start writing?

10 or 11 handwriting a three part series in notebooks lol i still remember the plot of my first book which was basically xmen AU. fic writing also started around that time

Are there different themes or genres you enjoy reading than what you write?

not really, my writing and my taste in reading usually align. even poetry which i read a lot of but don’t write, somehow still sneaks into my writing because i like making things read pretty

Is there a writer you want to emulate or get compared to often?

idk about fic but for published authors i like sally rooney and her character work, and i also love t. s. eliot’s rhythmic style in poetry, im always trying to emulate them

Can you tell me a bit about your writing space?

i have a toddler to the answer so this for now is my phone on the couch or in my bed in the middle of the night lmao. i’ve learned how to write under weird circumstances, but hopefully once she gives back some of the mental capacity she takes from me daily then i’ll sit at a table or something

What's your most effective way to muster up a muse?

can’t do it easily lol it comes to me in visions, usually after i read something or see a piece of art but if it’s not there it’s not there

Are there any recurring themes in your writing? Do they surprise you?

i write a lot about religion… no that’s not surprising…. i also write a lot about love… that’s not surprising either lol

What is your reason for writing?

i like stories a lot, and i like being praised, so writing stories and having people read them checks two boxes for me lol

Is there any specific comment or type of comment you find particularly motivating?

all comments are precious, but comments where people find something that i didn’t consciously put into a fic those are my favorite comments. i put a lot of myself into everything i write, sometimes i write things i don’t think about, when someone points it out it feels very personal (good)

How do you want to be thought about by your readers?

hope i don’t come across as insane, i want to be aloof and interesting but then people find me on tumblr and learn the truth

What do you feel is your greatest strength as a writer?

hopefully emotion, i focus a lot on that instead of setting or plot most of the time so if i get emotion right then that’s good, as long as i can make someone feel something then they’re compelled to continue reading (conversely when i am reading something and don’t feel any emotional connection to the thing then i put it down)

How do you feel about your own writing?

i like it very much, it’s the exact thing i want to read, and it was a very long road getting here to my true voice and style. i reread my own work constantly i really like it

When you write, are you influenced by what others might enjoy reading, or do you write purely for yourself, or a mix of both?

i can only write for myself, the motivation to write is only there if it’s something i want to write, even challenges and prompts i struggle with because there is some aspect of “this isn’t truly my idea” that i struggle with. i’ve written things that just aren’t popular (weird ship, quiet fandom, etc) but i wrote it anyway because i wanted to. obvs i want to be read otherwise i wouldn’t post online but i have a good audience now so usually no matter what i write it does get read anyway, so may as well just write what i want lol

[tater-tot-jr]

Yapping time! Spoilers for DRDT C2E14

So the entire episode was great, but there’s one part I’d like to talk about most. David’s monologue towards the end. Specifically the second half, where he gets away from his logical stuff and into the more interpersonal stuff. I’ll break it down line by line.

“All I want is for Teruko to distrust others.”

Okay we are starting off interesting. Now, due to David’s nature we can’t trust him to be honest. We cannot take this as explicit confirmation of any sort of goal. With that said, his goal appears to be fucking up the class trial in some manner. We don’t know his motive, but that goal seems consistent enough to work with. So let’s work with it. Teruko is literally one half of this classes helpful trial participants. Her and Charles are the entire brain of this class. Charles can be killed, he has a glaring flaw in a debilitating fear of blood, he’s easy enough to deal with when the time comes. Teruko is stupidly resilient. To everything. The one thing she obviously struggles with is her trust issues/paranoia. If you’re looking to get under her skin that’s where you gotta go. Saying this is a clear demonstration he intends to poke at Teruko emotionally, which is an interesting thing to admit out loud. If I had to guess, it’s because he’s trying to kill two birds with one stone and make the class start to distrust Teruko as well.

“That’s why I’m doing this, telling such obvious lies.”

This is him saying he’s lying about seeing the body, I think. He’s doubling down on inciting paranoia, in both Teruko and the class. It’s interesting he would say this out loud. He’s hyper focused on fucking with Teruko and it shows. If you take out the brain, the body goes as well. It’s certainly a strategy of all time.

“There is no other proof of Eden’s innocence.”

As far as we know, this is a true statement right now. Unless I’m unaware of something that was the biggest piece of evidence meant to clear her name, and he brought it into question.

“As long as there’s a possibility that the evidence is false, as long as there’s even the slightest reason to distrust others, then Teruko cannot trust Eden.”

Oof, he’s got her dead to rights. I don’t think there’s a good faith argument for him being wrong. It’s cool to see how much he understands the cast. It’s an interesting way to show how Teruko’s thoughts process works without betraying her guarded nature. Having a character so ready to pick at her weakness is a good writing choice, and I hope they keep David around for a time. Teruko is the least trusting character I’ve ever seen in any fangan game, granted I haven’t played them all but still. There’s a chance the story doesn’t have any sort of lesson, and we’re just gonna watch Teruko suffer. The idea that she can’t bring herself to trust if there’s even a 0.001% chance of something being false is such a good character flaw. She’s clearly terrified of risk, and she doesn’t know how to get rid of her paranoia, even though I think she wants to.

“Isn’t that right, Teruko?”

Ohohoho you smug piece of shit. You fucking dick. This is more proof he’s not just saying these things in an objective way. He’s just trying to hurt her, as far as we can assume.

“…”

Yeah she’s fucking rocked. Teruko really doesn’t take things lying down. Befitting of her backstory, she’s the type to struggle and fight back against anything she can. But here she has nothing to say. David has read her for filth and they both know it. Now that I think about it, this probably also plays on her fear of being vulnerable. What could possibly be more vulnerable than someone telling you your own exact thought process?

“It’s in your nature to distrust people.”

This is a more interesting statement than it appears at first glance. Specifically because he says it’s in her nature. To him, this isn’t a choice she’s making because of the killing game. It’s not circumstance that has pushed her into this. No, this is who she is, and this is who she’ll always be. Which is a horribly insulting thing to say, because it’s within most humans nature to trust each other somewhat, and it’s life circumstances that push them away from collaboration. He’s saying that Teruko is so fucked in the head that she’s fundamentally different from the standard human baseline.

“Everyone you know has already betrayed you. There’s no one in this world who won’t hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don’t you?”

…Jesus Christ. He really is just the devil on her shoulder. These are her worst thoughts said out loud and back to her. Do you think she considers someone dying on her and leaving her alone a betrayal? Is that a part of this? Him saying “even the people you love” is interesting, does she really even have anyone she loves in the cast? Or does she just tolerate them. He’s making grand, sweeping statements about her life potentially before the killing game and hitting the nail on the head every time. An impressive feat of manipulation and perceptiveness.

“So distrust in others. Because that’s the only way you know how to live.”

Ow. Ouch. Owie. Not only is this a banger way to end the monologue but it’s just so telling. Teruko doesn’t even say anything in response she just waits for Charles to change to subject. Also, is he even really wrong? She tried to afford people trust and then she got stabbed and everyone else blamed her. She’s definitely swung too far the other way, but it’s not like she was good at knowing how much trust to afford people. This life is really the only way she knows how to live. How things are now, she’ll suffer any other way. It’s such juicy character writing. Damned if you do damned if you don’t. David has definitely been watching Teruko’s behavior, and quite frankly he has her figured out. He’s perceived her, and she hates it. I think we all know Teruko is lonely, she deeply wants people around her. But between being a danger to them and all her trust issues she shuts herself away. David is doing everything he can to keep her as far away from forming meaningful connections as possible. He’s clearly got some sort of plan.

—

There’s also a few things I want to talk about that I didn’t have the ability to put under a spoken line, so I’ll yap down here.

Firstly, Teruko extending some “trust” to Eden doesn’t prove David wrong. If anything, it strengthens his argument. Looking at the actual content of Teruko and Eden’s back and forth, it’s barely a scrap of trust and it’s completely conditional. Teruko basically said “because you helped me last trial I will trust you enough to investigate you second” which is still incredible progress for her, but it’s nothing close to genuine trust. This is not to diminish the progress Teruko made in that scene, but it’s nothing close to countering David’s claims.

Secondly, THAT VOICE ACTING HELLO?!?? David’s VA has always been great, but combined with DRDTdev’s wonderful writing and sprite design/choices he really brought this scene to life. He was perfectly smug and condescending. He had a voice that really portrayed that “I’m 100% right about you and you can’t do anything about it” vibe. Just a total piece of shit. 10/10 would listen again.

[catboygirljoker]

Free Pass Ask to talk about In Depth Luxu Analysis in case of no one sending in the right question to go off with

ok! here's my ~1600 word post about That One Scene At The End Of Dark Road. grins smilingly.

You know the one. Right after we see Baldr easily kill most of the cast of the game, right after a boss fight against him, right after we witness firsthand how powerful he is, we see a flashback of him confronting Bragi with the intention of killing him. And Bragi just...casually flicks his keyblade out of his hand. Bragi fully knows what Baldr's actual deal is, knows that Baldr has killed people, and is completely unthreatened by him. For good reason, it would seem!

So, Luxu's a badass, obviously. He made the big villain of the game into a jobber. And I think that's certainly one of the purposes of the scene. Luxu is about to be one of the primary antagonists of the franchise, and this sets him up to be very powerful!

...But I don't think it's the purpose of the scene. That is, I don't think that's the entire story. Because there are a couple questions left by this scene.

What happens at the end, there, when Baldr runs up to him and attacks him? And why doesn't Bragi reappear until long after Baldr is already dead?

I think we can piece together at least part of an answer.

In the earlier montage where Baldr says he killed everyone, we see a brief scene of Baldr slamming Bragi down onto an island in the Underworld. I assumed that this was a visual representation of Baldr lying and claiming he had killed Bragi when he didn't. But Bragi is the only character in this montage who we don't see die on screen. I believe we're meant to understand that this scene actually happened, and that this is what immediately follows the Luxu reveal cutscene.

Which seems contradictory with Bragi being such a badass, right? Was Bragi disarming Baldr a fluke? The thing is, when Baldr attacks Bragi at the end of the cutscene, Bragi is completely off guard and unprepared for the attack. We already know that Luxu can misjudge people/situations, to his own downfall.

Consider in Dream Drop when he seems to fully believe Sora will join the Real Organization XIII, or Days when he's unthreatened by Xion right up until she knocks him out and leaves, or Re:Mind when he finds out Luxord decided not to simply obey orders without question this time. So him being defeated by Baldr doesn't necessarily mean Luxu is weak if Bragi was defeated due to hubris.

(As a side note—I do think that this would be part of the reason the cutscene cuts off when it does. Luxu still needs to be a threatening villain in the upcoming games, so the audience has to have a strong impression of how threatening he is. We get the full cutscene of Luxu being cool and powerful, and only little glimpses of the fate he meets directly afterwards.)

I think what happened is Bragi sauntered off all cocky and smug, not believing Baldr would attack him. Then Baldr attacked him, and Bragi, realizing what a threat Baldr actually was, pulled a trick we've already seen Luxu pull before. (Seemingly so well that Hades himself is fooled.)

Baldr believed he killed Bragi and saw no reason to be like, "yeah, and also Bragi said some weird mysterious stuff I didn't understand, but the point is that he's dead, too."

Now for the question of why Bragi didn't reappear until long after everybody else was dead. If he's such a badass, surely he could have helped stop Baldr and saved lives. Why didn't he?

From here, I can really only speculate. In my view, there are a few options:

Luxu didn't care about his classmates and left them to die as soon as he realized what a threat Baldr was.

This is...possible, but not very interesting to me. It's the option that results in the least emotional complexity. I think it's most interesting to read Bragi in Dark Road as the second-to-last step on Luxu's downward spiral, rather than just another point on a straight line—that his personality as we see him in the current-day games is informed by the trauma of him losing all of his friends to an opponent he could have stopped but didn't.

Also, maybe this isn't very convincing as evidence, but in his appearance in the graveyard, Bragi's attitude isn't smug or mischievous, it's somber, possibly remorseful. If we were meant to understand that he didn't care about his dead classmates, we'd get, like, a smug grin or something.

So the other options assume that he did care about his classmates:

Luxu sincerely cared about his classmates, and wanted to help them, but was injured so badly in his fight with Baldr that he was physically unable to come to their rescue.

Like I said, I think this is more probable and more compelling than if he didn't care at all. And there's potential tragedy in him trying his best and still failing, or having the best intentions and being unable to follow through on them, for sure. However, in general, I'm more interested in characters failing because of the mistakes they make and the flaws they have, rather than failing due to chance or unavoidable circumstance.

Also...we already know Luxu is the kind of person to stand by and allow terrible things to happen without doing anything to stop it. We know he has been specifically instructed to do so. I think it's more interesting and more consistent with his character if he could have saved his classmates and stopped Baldr, but didn't.

This last option, then, is my favorite, and in my own writing would be the interpretation I go with:

Luxu sincerely cared about his classmates and had the power and strength to protect them from Baldr but, through his own decisions or inaction, still let them die.

Luxu's classmates were all children or barely adults, younger than him by perhaps centuries. But he hung out with them. Actively participated in conversation with them, asked them questions, joked around with them. He seemed to like them. They were his friends. And he let them die.

There's variety in the potential specifics. Maybe Bragi fled and hid until everything was over just to save himself. Maybe he grit his teeth and made the conscious decision to do so; maybe he was motivated by pure animal fear for his life. In either case, he still had a role to carry out, after all. A role that, as I mentioned, has already required him to stand by and allow people to die. If he could swallow the keyblade war, he could swallow the events of Dark Road.

Maybe he believed he had an excuse to run away. In his confrontation with Baldr, Bragi says Xehanort is onto Baldr, and seems to believe Xehanort would be able to stop him. This is before Baldr attacks and seemingly defeats Bragi, but maybe even after that, Bragi still really believed in Xehanort, and believed he could let Xehanort do the rest—misjudging Xehanort's ability to stop Baldr before any more death could occur.

If you wanna get really angsty with it, maybe Bragi did try to save his friends. Maybe he rushed to the scene of Baldr's next murder and saw children with keyblades fighting for their lives, heard the clash of metal on metal, and was suddenly immobilized by the voice of his Master telling him to watch. And by the time he was able to overcome this trauma response, it was already too late.

Whatever the specifics would be of why he left his friends to die, I'm aware that this is the option that casts him in the worst light. If he didn't help them because he didn't care about them, then he's just a coldhearted villain and we can't expect much better from him. If he cared about his classmates and tried his best to help them but failed, then he's a sweet goodboy and uncomplicatedly sympathetic. If he, for any reason, decided not to try to save his friends from a powerful entity that has killed and will kill again, then he's pathetic, morally repugnant, a weakling or a fool or a coward or a combination of the three.

But I like when characters are flawed and stories are messy! I like that, even before you get to the events of Dark Road, Luxu is a messy, complicated, but still sympathetic character! Many of my other favorite Kingdom Hearts characters are messy and complicated in ways that I feel get frustratingly flattened by the fandom. I'm Team Messy and Complicated forever. I hope the games keep making Luxu even worse and more sympathetic and more tragic.

anyway thats my post i hope you liked it haha whee! i once again had to keep deleting detours and tangents about like. redemption arc flags, riku/terra/luxu parallels, luxu/MoM and luxu/xehanort parallels. but the were just that, tangents, and quite a lot of them were more headcanony/watsonian/speculative than i usually like to go with my Analysis. in any case thankyou for coming with me on this journey