Hi, other anon! First ranty anon here. Thanks for adding the bit about Rhys and Taika! In my head I included them in the cast and crew who helped shape their characters but actually didn't put that in the rant... 😅 And I gotta rant again, sorry! Please yell at me if I'm annoying. I just gotta rant at somebody.
But of course canyon op downplays their contributions! They're straight, they don't count! Only Con does since he's the only queer one in the "main three" cast! Besides who cares about how wonderfully adorable and romantic their little ad-libs made Ed and Stede! Nobody cares about Ed and Stede!
/sarcasm
Never mind the (admittedly slim) possibility that either Taika or Rhys or both could be queer and just publicly identify as straight. I don't know or care if they are or aren't, that's their business. But downplaying their contributions to the show just because they identify as straight is not the best look. Same with trying to villify Jenkins for his original plan (which still doesn't matter because he scrapped it) just because he's cishet.
"Jenkins never meant for this show to be so kind to queers!" they say as if Jenkins had nothing to do with the casting of so many queer actors and the hiring of the astoundingly diverse writers' room. He asked for queer writers and actors to help him shape this! Why does canyon op try to paint it as queer actors subverting a straight showrunner to make something awesome when he asked them willingly to contribute? Is it not better that this cishet man went to members of the community to help him make his show a wonderful celebration of all types of queerness because he recognized his limitations? Do they not realize just how rare it is to have that? Do we not want more awesome queer media that treats the community with love and respect, no matter who makes it? Why try to paint one of the few truly good things we have like it's just barely dodged being yet another lame "queerbait" when it's anything but?
(sorry again but I just saw their additions and justifications and like...did you not read your own tags, canyon op? you are trying to turn people against Jenkins with your post and you are twisting his words to turn him into a villain and downplay his involvement and make the show entirely the result of the cast dodging around him and...I'll stop now. sorry! 😆)
I think the original poster blocked me, which I'm more than fine with, but I still do find it quite funny that I literally didn't realize they were going for a "David Jenkins bad!!" narrative.
It's hard to say who shapes what in a show like this; again, it seems pretty indicative that Jenkins is collaborating with others and not simply forcing through everything himself. The whole point of allyship is for those in positions of privilege and power to use that to hold the door open for others who aren't. (I know there are lots of people who take issue with Taika, for different reasons that are perfectly legitimate, but he has undoubtedly held the door open for others, and it seems that Jenkins has too.) So to criticize Jenkins for making a poor choice and then deciding he could make a better choice, and that turning into what we see on OFMD, seems not at all about allyship or queer rep, but about personal animosity.
Same goes for Taika and Rhys. Again, plenty of actors can and would categorically refuse to do the queer romance. Others would be entirely uncomfortable with it and try to brush it off. I know nothing about these men personally, but every interview has them talking about how proud they were and are about what they've been able to do. (It's also, TBH, unusual to see two straight male actors being so openly loving about each other, which I think is nice to see.)
What struck me and so many others about the first season is that...they actually did that. I kept waiting for the other shoe to drop and it didn't. They're gay. It's a romance. There are bisexuals and trans/nonbinary people and asexuals and polyamorous people. The cast is hugely diverse. One of the leads is a biracial indigenous man and the other is the whitest man on the planet and they're shown falling in love (look at media history sometime and let me know how common THAT is). The big villains are toxic masculinity and colonialism. Classists get burned alive. Racists get their hands stabbed.
It is very much not a perfect show, and there are things it could do better, but what it does is fucking remarkable. You will not find someone more leery of white male artists than me, and it is always possible to be disappointed by a direction a show takes, even when its first two seasons are so good. But we should embrace it when art is done right and this show, so far, is done right.
I sure as fuck will not let a teeny group of dingbats mad that it doesn't conform to the story in their heads ruin that.
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Serious question.
Do you think we’ll see the parents/family of each of the guys???
Like, We’ve been TEASED with Ace’s brother, that I’m starting to think it’s just a reference to that Alice in Wonderland park character in Japan and nothing else….
Jack’s family, Ruggie’s grandma, Falena, Maleficia, Ms.Rosehearts, Just now Vil’s dad is in the picture which I am really happy but now I’m wondering about his mom, and so Deuce’s mom.
I mean, some HAVE a silhouette!! It could mean they do have a design in the making/ready to show. They could’ve shown us Falena in the Tamashina (hope I said that correctly) event, but didn’t (prolly to make Leona not so σ(▼□▼メ) and it’s understandable)
Anyhow, any idea/headcannon about this? Who do you want to see first?
I'm wondering if everyone might eventually get a travel event? like they've now introduced with Vil's that it doesn't have to be specifically hometowns, so that opens things up a lot! (especially if they have to figure out how to do three separate Coral Sea visits) (how would that even work otherwise)
but yeah, I hope everyone gets a chance! there's a lot of backstory characters I would LOVE to meet. :D :D :D though I do think some of them don't really suit the more light-hearted tone of the events (pretty sure you're right about that being why Falena wasn't in Tamashina-Mina, that would've just been. too much for Leona.) so like...we're probably not ever going to meet the Rosehearts. or Maleficia (although I maintain that this would be THE funniest possible way to introduce her outside of the main story, and actually I would love this a lot, can we please Twst) (I need to see her to put Malleus in a froofy little outfit and tell him what a handsome boy he is). but they've sprung surprises like Kifaji on us, and honestly anyone who shows up and tells embarrassing stories about characters' childhoods is good in my book!
characters off the top of my head who I most want to meet: literally any of the Zigvolts, Azul's mom, Ace's brother, Che'nya's grandfather (<- I think he would be a good one for Riddle) (please just any non-terrible adult in his life), any member of Rook's family because I need to see how they managed to produce him, and...really just whoever they can come up with for Silver.
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it just sucks because nothing is ever fucking made for you, and if it is made for you like 75% of the time it gets chopped into little pieces by every person alive because this is the one thing you have, so it has to prove itself to you.
like, a thing can't just be for women. men need to assign it to women. women have to experience "must" or "should" before their hobbies and passions - women are allowed to do silly, passive things like tuck our ankles and titter behind a fan, or something. women are allowed to, they are welcomed to. like the world is a house and we are supposed to be in the kitchen and now we are being given the divine right to enter the living room if we bring chips
because when it becomes for you, or about you, that is when the thing is vile. you should/must wear makeup so you can appear beautiful to men. once you wear makeup for yourself, or because you yourself enjoy putting it on, then you are no longer doing the right thing. there is a reason men hate certain fashion trends. there is a reason men hate things like the pumpkin spice latte - because it's not about them. you are buying it because it is good for you. they degrade your passions and interests. there is a reason women-led fields are largely seen as being "not a real" profession. when you are a good cook, that is because you can provide for him. close your eyes. you're not going to be a chef, be honest. that is a man making food for himself.
bras are made so breasts will be appealing to men. they are rarely about comfort or support. you have given up entirely on the idea of pockets. young girls have to worry about a shorter inseam on their shorts. a girl on instagram gets her septum pierced, and men in the comments are rabid about it - i just want to rip it out of her face. she'd be beautiful without it.
and fucking everything is for them. even the media that is "for you" is for them, eventually. remember "my little pony"? remember how hard it is to convince any executive to believe that little girls are worth selling to? in the media that is for you, you see little ways that you still need to make it accessible for them - the man is always powerful, smart, masculine. he is a man's man. the media usually forgives him. it usually says okay, some men are awful, but hey! gotta love 'em. because if you don't hold their hands and say "this is literally just a story about my lived reality", they shit their pants about it. they demand you put them into the media that's for you.
these are people who are so used to glutting themselves on the world. they are used to having every corner and every dollar and every place of leadership. so you say can i please have one slice of cake, just for myself, please, holy shit. and they fucking weep about it. they say you're being unfair, because some of their one-thousand-slices aren't beautiful, and your singular cake slice doesn't have their name on it. and aren't you being rude by not offering to share?
and honestly. fucking - yeah, man. you were kind of surprised, because the cake is a little basic (you bake at home, you're way past this stuff). but holy shit, it was nice just to be offered cake in the first place. you're used to having to starve. you're used to getting nothing, but going to the party anyway, because you're expected (professionally) to show up. you liked that it is a simple cake, and that it is warm, and mostly: you like that there is, for once, a cake-for-you.
in the real world, outside of metaphor, it feels like fucking being slapped. barbie didn't even say anything particularly unusual; it literally just made factually evident points. there are less women in leadership than men. we can look at that fact objectively. that is a real thing that is happening. and the movie is aware that it has to defend itself! that it has to spend like half an hour just turning to the camera and saying: i know this is hard for you to understand, but this is a real thing that women experience.
it's just - this is that one kid on the playground who thinks its allowed to hog all the toys. he builds this hoard that nobody else is allowed to even look at, or he'll get aggressive. everyone's a little scared of him, so they let it slide, because his daddy gave him the golden touch. he hates when people cry and thinks bullying is cool. he writes boys only! on a big sign and makes all his friends take "alpha male" classes.
and then girls pick up barbies, because there was nothing left for them. and in the void they've been given, with their scraps: they make long, spiraling narratives about how barbie is actually descended from snakes and has given her righteous followers magical (if concerning) powers and can speak 32 languages (2 of which are animal related) and has big plans for infrastructure (beginning with the local interstate). and the boy comes over, and he has a huge fit about how the girls aren't "including" him. he wants to know why the girls aren't making the story about ken.
"we didn't like your story." the girls blink at him. they point to his war stories and the gi joes and the millions of male-led narratives and how still in the modern day men get two-thirds of the speaking roles in movies and they point to men making mediocre shows that don't get lambasted and they point to men encouraging toxic masculinity and they point to men everywhere, men and men and men. and they say: "how is this our fault? you had ken."
"no!" he is already back to screaming and stomping his feet and tearing at his hair and intentionally reminding them that men are holding back thinly concealed violence and he says: "if it's not for me, it's actually sexism."
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I want to see Aziraphale do the apology dance in S3.
But not in modern day. I want to see him do the apology dance in a flashback, mostly because I literally just want to see Aziraphale doing the apology dance. (He'd be so friggin cute!!!!)
He shouldn't do the apology dance in modern day because that implies he was entirely wrong and Crowley was entirely right. He's not. They are both right and wrong at the same time. That's it that's the post.
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james and p03 comic panels i tried to recreate from a dream i had last night
the entire thing was way longer and involved conversations and shenanigans between them but i can not remember any specific panels besides these 5
the first three were the very final panels, james had a revelation and he and p03 start getting very cuddly together, the other two were just somewhere in the middle.. p03 forcing him to listen to a telephone and james saying That
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