#guess its time to get a free trial lol

[mikahorror]

me before listening to sisterhood of dune

me with 4 hours left on the audiobook

[itsclydebitches]

RWBY Recaps: Volume 9 "A Place of Particular Concern"

Happy start of a new Volume, everyone! 🎉

Shaving off a little more than a month, it’s been two years since I was writing a RWBY Recap. Is that long enough to count as nostalgic? Definitely long enough to inspire a minor existential crisis on the passage of time, so how about we just collectively pretend it’s still 2013, yeah?

Of course, that would mean we were watching RWBY on YouTube and RT’s website, not... Crunchyroll. Listen, I’ll be real with you all and admit I know incredibly little about the site’s sketchy history which, from what I’ve gleaned lately, has led to a number of RWBY fans boycotting its use. Yo ho ho and a bottle of rum. However, I noted the two week free trial and decided to give that a go first, if only to make my life a little easier for the premiere. I’d planned to either shell out the 24-ish dollars necessary to watch the other eight episodes - which, honestly, isn’t much in the grand scheme of things, especially if we factor in my Starbucks addiction... - or don my parrot and eye-patch once I hit that two week mark.

So there was a plan!

This plan was a mistake.

I’m going to go out on a limb here and guess that writing, “Wow, Crunchyroll’s website doesn’t work very well, does it?” maybe isn’t news to anyone else? I read that the new episode was supposed to drop at 9:30am. I then tried unsuccessfully to get it to load through 4:00pm. During this, while trying various avenues in the hopes of getting this video started, I noticed a Google link with a four hour timestamp, which would have put the release at around 11:00 my time, closer to what we’re used to.

Regardless of when it actually dropped, I was finally able to start watching at around 4:00pm. By which I mean I watched the first 17 seconds of the episode. Then it froze. I made it to the minute mark using a different browser. Then it froze again. I let things sit for a while and finally restarted my original vid, completing the episode without any additional problems, but by then I was more than a little frustrated.

Was it my internet? Crunchyroll? The will of the RWBY gods who don’t want me critiquing the hell out of this episode? Who can say, but I think I’ll be hoisting the flag sooner than intended.

“This is the story of a girl who had a lot of problems.”

If you’re thinking that this line sounds at all familiar, it’s because we’ve heard it before. Actually, the entirety of the first seven minutes is made up of our promo clips which, in a fourteen minute episode without opening and credits, is a lot. RWBY has been gone (in its canon state, anyway) for two years. I can’t speak for anyone else, but my impression of the Ruby PoV clip was that it was purely promotional material, not the start of our far-off Volume. So it was more than a little disappointing to finally get my hands on new content only to realize that half of it wasn’t new at all. We’d already seen it, discussed it, dissected it weeks, or even months ago. Combined with how much of our starter material was in our trailer (two emotional shots of Ruby I’ll be unpacking later) and how much the fandom was able to easily infer (Weiss and Blake are captured while trying to retrieve her weapon) it almost didn’t feel like a RWBY premiere at all. There is, almost literally, nothing new for the fandom to sink their teeth into. We knew they were in this Ever After place, we knew the basic plot of the first couple of episodes, we’ve seen glimpses of all the side characters... I’d actually argue that there’s more to analyze in the opening than the totality of our first episode.

Not that that's going to stop me from writing a shit ton about it, you know ¯\_(ツ)_/¯

None of which bodes well and, frankly, this episode is enough of a mess that I can’t even take solace in RT executing the repetition well. Thus, I’m going to move fairly quickly (for me lol) through the first half of the episode, if only because I’ve already given my thoughts on it in other posts. So to recap within the recap:

Yang’s fall into the void and the ways in which this moment differs from the original animation is still a sore spot for me, especially given how the characters react (or rather, don’t) to finding her alive. While I commend RT for trying something different by giving us Ruby’s PoV, Lindsay’s acting grates here and the constant whimpers/gasps just highlight how much Ruby didn’t emote in the original version of the scene. Likewise, the halo of white around Ruby’s vision prior to falling proves that the writers were very aware of her silver eyes in that moment, yet inexplicably decided not to use them. As we’re seeing more and more lately, characters loose all their powers and strategic thinking the moment something needs to happen for the plot. Why craft a legitimate failure for the heroes when you could simply have them forget that their longest-running villain is in the city with them, or have Yang repeat a major mistake she’s supposedly outgrown, or have Ruby not use the one, unique ability that would save her from certain death?

As said, we know this old tune.

A detail I don't think I picked up on the first time around though is that Ruby is reaching desperately for Blake when they fall... and Blake just isn’t paying her any mind lol.

I mean I get it. Of course she’d be looking towards the villains/the bridges that represent safety, but given the non-relationship between Ruby and Blake, it struck me as funny that even when they’re “dying” together Blake barely seems to register Ruby’s presence. ‘I really look up to you!’ Yeah. Sure you do.

Ruby floats through the orange orbs of the void and, given that they show up in our opening, I hope we receive an explanation for what they are exactly. Perhaps the souls of other people who have fallen? Idk, I'm reaching. Neo shows up and fights in various disguises, blah blah blah. Ruby wakes on the beach to someone calling her name.

I feel like I asked this the first time around, but is anyone confident on whose voice that is? It almost sounds like Ruby’s own to me - perhaps heralding the split we saw in the trailer - but it could also be a repeat of Yang’s when she saved her? Honestly though, that second option feels too emotionally nuanced for what we got in the rest of this episode.

Right now, I’m inclined to ignore the voice until something actually comes of it. RWBY history has taught me that such minor mysteries may not last past the twenty minute mark.

As we saw in the released clip, we're immediately given some details of this strange land, including giant flora and twin suns. That’s... pretty tame. I’m of the opinion that if you’re going to do an Alice in Wonderland-inspired story, you’ve got two routes you can follow. The first (and for more satisfying option, I think) is to study the ways in which the original story functioned as a metaphor for the life of a child navigating an adult world and, similarly, use the weirdness of this land to impart some message. The second option (far easier, but still entertaining) is to really lean into the oddities, captivating your audience through the sheer WTF-ness of what you’ve put on screen, even if the strangeness isn’t actually representative of anything other than a "Well damn, that was weird" reaction.

Sadly, RWBY’s “A Place of Particular Concern” doesn’t seem to be achieving either. I mentioned when the trailer dropped that I don’t trust the story to say anything meaningful via its environments, but nor are the environments spectacular enough to engage us through novelty alone. Don’t get me wrong, I think the animators have achieved an impressive feat here, especially given the constraints and terrible working conditions we know they’ve faced before, but the oddness of the Ever After is mediocre at best. Oh look, small things like shells are now big. Real birds like the Dodo now come in flashier colors. A mouse talks!

...in a story where a main character is a cat girl.

Just like RWBY failed to distinguish how magic was different - and, ultimately, more shocking - than semblances, it’s now failing to inspire that sense of awe when our characters already hail from a pretty odd world. Sure, this is a different kind of odd, but the switch lacks any real punch. Compare RWBY’s Remnant/Ever After to Alice’s Normal World/Wonderland. She doesn’t have things like faunus and grimm, so something as relatively simple as a cat smiling unnerves her (and the reader). She doesn’t just see a slightly off bird, she finds out you now use them to play croquet. And she’s at the center of every oddity, experiencing these changes first-hand. Ruby sees a giant shell for a single shot. Alice becomes a giant and deals with the social horror of filling up someone’s house. I knew this was going to be a problem back when our clip dropped because despite being a separate realm supposedly governed by its own rules, we’ve still got a mouse terrified of cats. There’s this implication that the Ever After is oh so strange and horrifyingly unfamiliar... but then we immediately turn around and learn, no wait, most of what Ruby is encountering is familiar. At least enough to get by.

Ruby: “I should have known! I’ve seen plenty of cartoons!”

Volume 9 is playing it super safe with the Wonderland references and it’s really disheartening. If RWBY doesn’t have anything to say via this weirdness, I would have at least liked to see something truly weird.

To get back to the plot, Ruby immediately starts walking into the jungle and I - true story - groaned at the screen. Despite knowing it was coming! Because how can you have a character go through everything Ruby just did and not provide some reflection on it? This girl wakes up in a fantasy world after The Most Traumatic Fight Ever and waltzes off like an automaton following a coded directive. Where’s the shocked examination of her surroundings? Where’s the horrified, “Where am I? Did I die?” questioning? Where’s the post-fight panic where she desperately shouts for her teammates, begging someone to answer her? I literally can’t think of another instance in which a character goes through that much and then, literally, walks it off.

Later in the episode Ruby will inform Weiss and Blake that she spotted an overhang on the cliff and decided to try and get up there so she could survey her surroundings. It sure would have been nice to know about that while she was wandering. During the actual act of her travel I had no idea what Ruby was trying to accomplish other than, in true RWBY fashion, what I assumed was her most logical goal(s) - like finding her teammates. The kicker is that there are a ton of easy ways to keep the viewer informed despite lacking voice-overs. Let Ruby talk to herself as a way to self-sooth. Or use Little as a sounding board (why else is this mouse even here...) Show us a shot of Ruby spotting her target, taking a deep, fortifying breath, and going, “Okay... you can do this. Just make it to the cliff. One step at a time," a goal that’s ruined once her steps start going in circles. You can add a bit of character work by having Ruby remember Tai and Qrow’s training: always get a sense of your surroundings first. You can setup Ruby’s (presumably) Volume-long depression by having her just lie in the sand for a while, the suns passing overhead, staring at them listlessly, only moving when the surf starts hitting her mouth. Hell, is anyone even carrying their scrolls anymore? I don’t care how unlikely it is that it’ll work here, the first thing Ruby should do is whip that out and try to call her teammates.

Watching this moment in the context of the whole episode made it that much worse for me. It’s just so glaring how rushed this entire premiere was, with every logical reaction - to say nothing of the emotional beats necessary after that finale - getting brushed aside so that the team can get back together in under fifteen minutes. We’ve only got ten episodes, Ruby, so hurry it up. Go on, girl, give us nothing!

So we know the rest of this silliness, yeah? There’s the implication that a small amount of time has passed, an annoying dodo bird that must have been animated in later because Ruby doesn’t react to that either, a circular path of the jungle, and the soon to be named Little watching all this from a rock.

I want to emphasize that our first tonal emphasis here is humor. Having Ruby continually ending up in the same place, growing frustrated with cutsey voice acting, and the quick cuts of Little in various poses all function as lighthearted amusement for the audience... which is really fucking weird in a Volume following up on the trauma of last season. This is going to be an ongoing problem for the entirety of the episode and severely undermines the reveal that Penny has died (again). This is the exact thing RWDE folks have been worried about for literal years now, from the moment we realized we were getting a Wonderland-type world. I have little doubt that the fandom is right in saying that the rest of the Volume will likely get much darker than this (it almost always does nowadays), but that doesn’t matter because the damage has already been done. RWBY cannot continually flip-flop like this and expect its viewers to still buy into the serious moments. So many of us have lost faith in the writers’ abilities to treat these subjects respectfully and segueing from the (supposedly) fascist storyline that ends in horrific tragedy straight into, “What a whacky world, am I right? 🤪” is a damn good way to continually alienate viewers who want an emotional connection with this show.

Every time this criticism comes up there are other RWBY fans pushing back with the claim that a show - especially one that began so lighthearted and silly - simply can’t just be doom and gloom all the time. And you know what? They’re absolutely right. However, there are numerous ways to infuse comedy into your story without outright undermining the primary tone. Given that I’m reading it at the moment, I’d like to briefly use Kim Carnby’s Sweet Home as an example.

For those who are unaware, Sweet Home is a webtoon turned Netflix series that follows 18 year old Cha Hyun-soo after both his parents and sister die in a car accident. Given that he’s technically an adult, but without much financial support and already grappling with a deep depression, he moves into a rundown apartment complex and schedules his own suicide. Before he can go through with it though, a virus sweeps through the world, turning people into various kinds of monsters. These monsters - entertainingly creative - are modeled after whatever the infected person’s greatest desire is at the time of their turning, resulting in some benign beings... but much more hungry, violent, terrifying beasts. Thus, the story is centered around Cha Hyun-soo’s attempts to survive, the horrors found in his apartment complex, and the question of why he’s trying so hard to live when he’d already planned to die.

It’s dark, is what I’m getting at.

It also has moments like this:

And just a little while later:

Here, a generational divide infuses some much needed comedy into the story without detracting from the world’s overall tone (note too that Cha Hyun-soo remains looking stressed and anxious the whole time). It would be a problem if our depressed, terrified teenage suddenly started jumping like he’s having the time of his life (Weiss). It would be a problem if the entire first volume, which is meant to highlight the horror of this situation, was constantly peppered with lame jokes involving cutesy animals (the mice). If you’re going to add comedy, keep it subtle, relatable, and in this case bound to the characters’ internal monologue. By having them each compliment the other with age-appropriate comparisons that cause confusion, but without verbally acknowledging that confusion, the humor exists purely for the audience’s sake. The characters aren’t supposed to be laughing it up right now... so they don’t. The humor is for the reader alone, recognizing the miscommunication and enjoying it as an element separate from the dark tone of the characters’ world. Because this is the vibe of the scene directly before:

RWBY fails at this division. A lot. Like, that failure makes up the majority of this episode.

You know what? It’s easier to just keep a count going.

Little’s introduction is Ill-suited Comedy Example #1.

All of which means that when Ruby starts crying - and by that I mean a few sniffles and a single tear track - I have no investment in the moment. Even if the animation were close to what I’d expect after such a tragedy, its impact is obliterated by the, “Look! Cute mouse!” immediately proceeding and following it.

Also, love how Little has never seen a human before, is watching Ruby intently during this entire process... yet makes no effort to engage with her. I suppose I get it given the emphasis on how scared the mice are of predators, but from a character perspective it leaves something to be desired. In regards to Ruby not (yet) utilizing Little as a means of expressing her thoughts to the audience, our first Ever After character is just kinda... there. Ruby stumbles across them. (BTW, is they/them what the fandom is using for our first non-binary rep?) They only speak because they feel obligated to help Ruby after she retrieves the cheese. They come on this adventure because, by their own admission, they simply have nothing better to do. What’s the point of Little again? How are they serving the story? They don’t even lead Ruby to Blake and Weiss - she stumbles across them on her own while Little sleeps. In fact, it’s already a running gag that Little naps instead of doing anything useful. I wouldn’t care so much if RWBY weren’t already a show suffering from character bloat and an inability to manage that (because the former isn’t necessarily a problem on its own). Now that we’ve finally got the girls alone(-ish) and primed for some character development, I don’t want to squander it on stupid mouse jokes.

Given which: Little’s ‘Gimme The Cheese’ dance + accompanying sounds effects is Ill-Suited Comedy Example #2.

I mentioned the first time around that I am weak for a cute, animal companion. That remains true. Unfortunately, Little’s cuteness is only carrying them so far with me. Their negative impact on the narrative as a whole is, thus far, simply too much to fix with grabby motions and snot bubbles.

They ask the thematic, “What are you?” question and introduce a number of other theoretical ideas that, frankly, I doubt the Volume will capitalize on. Is your name your purpose? (Like Huntress Ruby Rose.) How does one "Little"? The team is “similar, but different.” Until the Volume actually does something with these questions, I’m inclined to read them as simple ‘nonsense’ language included to try and emulate Carroll’s style.

With Little planning to show Ruby her village (but doesn't actually succeed in that), we cut to Weiss and Blake traversing the jungle together. How did they find one another? No idea. Why did they find one another when Blake fell with Ruby? No idea. The story tries to bypass this by, as expected, leaning into the illogical nature of the world. If they somehow found each other, then they might be able to likewise find Blake’s weapon, despite the fact that it fell long after her. Honestly, this feels more like a very convenient plot device than an interesting characteristic of this world. Things happen so randomly here! Funny how that randomness seems to solely benefit the heroes.

Sidenote: I really like that Weiss says “Gambol Shroud” because the weapon names have felt only semi-canon for a very long time. Other than Ruby referring to Crescent Rose back in the first couple episodes, have we heard the names at all? I can’t recall off the top of my head, but regardless this makes for a nice moment between Weiss and Blake. It’s a small thing, but it helps sell the idea that they do actually know one another well.

The rest of the scene is... passable. Weiss has a “Blake... I’m really glad you’re okay” line and gets a “I’m really glad you are too” in response. This is one of those cases where I think fiction needs to deviate sharply from reality. Irl that’s probably exactly the kind of awkward, rushed line I’d give a close friend because I myself am awkward and struggle to verbalize my care for others (gift giving ftw!). But in fiction an exchange like that just comes across as wooden. “I’m really glad you’re okay,” says the girl who thought this friend had died and for real saw another friend get killed by a third like, an hour ago. Wow, what a reaction! This is also a case of RWBY’s animation acting as a constraint. As said earlier, I think the animators are doing the best they can under the circumstances, but better writing, time, and funds would likely lend itself to a more expressive reunion for all the girls. It also highlights how convenient the time-skip is. You can easily argue that these two cried and hugged and went through their Face Journeys when they first found one another. No need to rehash that though because it already happened off screen!

All of this is made worse for me by the fact that Blake says that if they’re fine, the others “might” be okay too. Might! That’s a loaded word choice with absolutely no follow up. Remember, this is the girl who was beside herself with anger and grief when Yang “died.” So glad to see that emotion carried over into the next Volume. I mean hell, give me a Blake who’s screaming at Weiss to just ditch her weapon. Why are they bothering with that when Yang is still missing?? Screw vines and mice, I’m going to go find my partner!

If only.

Everything in this episode just rings so hollow to me. I mean, I expected that given RWBY’s track record, but this is a severe failure to me given the intensity of Volume 8. From Penny's death to destroying a Kingdom, the fate of their friends to lost Relics, we needed a stellar start to this emotional journey and we simply didn’t get it.

That includes Weiss dodging the question of what happened after Blake fell. I really enjoyed this on the surface, just not - as is so often the case - in the context of RWBY as a whole. Because what is Weiss doing here except keeping another secret? In her defense, it doesn’t last long and there’s a case to be made about how difficult it is to discuss such things, especially after they just happened, so as said, I think that’s a compelling situation to put her in. It’s just one that also happens to poke at a RWDE sore spot because we had such a strong anti-secret rhetoric for three Volumes. Thanks to that arc, my initial reaction is not, “Poor Weiss. Grappling with this traumatic event.” It’s “See, Weiss? See how hard it is to discuss something horrific that you went through? But oh, you and the others had no sympathy for Ozpin in that regard, so just get over it and spill the crucial information already. Snap, snap, keeping Blake informed is more important than your mental health.”

All of which isn’t even touching on how she explains the situation... but we’ll get to that.

So they have this exchange that’s passable in many regards and fails largely due to the problems RWBY has carried with it for years now. They stumble across Gambol Shroud and proceed to spend a while trying to cut the vines/reach it from a nearby tree. This is how Weiss cheers Blake on.

Weiss: “Yah! Woo!”

Example #3, folks.

Weiss’ completely inappropriate cheer-leading aside, the entire time I’m going, “How is this in any way a problem?” I know Blake has become the useless fighter who can’t take out a single grimm without Ruby’s help, and Weiss has forgotten everything except her summoning, but has the audience forgotten how these girls used to fight? Anyone recall this moment from their very first battle?

Oh no, a giant pile of vines! However will we get past this obstacle?😱

I don’t know, maybe just... jump? Or you could get a little more creative by summoning a clone and doing a cool person-tower move to reach the top? That’s definitely not me pulling from my love of Yu Yu Hakusho or anything.

TEAMWORK, BABY!

My point is that moments like this fall flat precisely because RWBY has spent so much time showing us the group’s extreme abilities. Remember that scenes like the Ace Ops fight hinge on their presumed excellence. This is a group that beat the best team in Atlas! But now they can’t even bypass a pile of vines? The downside of giving your characters great power is that you then have to continually come up with ways for them to still face challenging conflict. Some shows handle this rather badly (like Castiel not just blowing up every demon/mortal that opposes them) and some shows handle it rather well (we establish early on that despite technically having the power to get the crew out of sticky situations, Star Trek’s transporter is prone to glitches and interference from the weather). Basically, you can’t go, “These girls are brimming with power because that looks awesome in a fight! But oh, now they can’t use that power because... uh... because that would interfere with our lame gag?” There has to be a reason. And this is far from the first time RWBY has conveniently forgotten the characters’ abilities. I still cringe at Ruby hanging off the cliff during the Cordovin battle. It’s meant to be a dramatic moment wherein she faces great danger from a fall, but they tried to give that to the girl who can fly.

So this is just incredibly stupid to me. Bad enough that we have gags following the intensity of Volume 8, but RWBY hasn’t even put in the effort to make them good gags. This episode honestly feels like RWBY satire to me, more akin to a Chibi episode, or a YouTuber poking fun, than the content fans waited two years for.

Right as Blake reaches her weapon they learn that the vines were a trap and they move, ensnaring both girls. We knew that was going to occur from the trailer and I thought that this was just another aspect of the Ever After. The vegetation (a bit like Alice’s flowers) is alive, sentient, capable of helping or hurting you. That’s pretty cool and, as I mentioned in regards to the environment responding to Ruby’s emotions, could be utilized in fantastic ways for combat.

However, this isn’t actually the case. Apparently the mice have sprung this trap because... Blake is a cat?

Wait.

So let me get this straight. This village of mice - who have never seen a human before, but have definitely seen cats - assume that Blake is exactly the same because she has cat ears. Then they found her weapon before her, somehow realize it is her weapon (even though Blake has yet to even stand next to it within the Ever After), and set an elaborate trap so that they can be the “hunters” for once, instead of the prey. Blake happens to come along with another human, but who cares? Capture her too! What are they going to do with them then?

Uh... the only thing we know about these mice is that they spend the majority of their time foraging for food and they struggle greatly to get the cheese out of the ground, and this would certainly be a way to both feed the village and eliminate a presumed enemy, so...

You know what? Never mind. I’m not going there lol.

This is stupid and illogical, but not in a wacky Wonderland way. Also, anyone else a little uncomfortable with the mice calling her a cat and Blake just going with it? Is that the stance we’re going with after eight seasons of a civil rights movement? That a faunus girl and an animal are fundamentally interchangeable?😬

They could have used this moment to let Blake explain her identity to someone coming from a place of well-meaning ignorance but noooo, why would we have an interesting conversation with the mice when they can just cheer about cheese instead? “She pulled the cheese out of the ground ON HER OWN!” Little cries, causing another mouse to faint in shock.

Example #4

While all this is going on Ruby shows up because remember, the premiere is trying to get the group back together as quickly as humanly possible. Or magically possible, in this case. We get Ruby asking if Little is drooling on her - “Yuck” - before spotting the village of mice about to do presumably unspeakable things to her teammates. Remember the shot from the trailer where Ruby looks properly horrified and I wondered what could possibly be causing that reaction? Yeah. It’s just this.

Example #5. Sigh.

If you were hoping for a proper reunion between these three, keep hoping. We segue immediately into a practical explanation where Ruby explains, about five minutes too late, what she was trying to accomplish while wandering around the jungle. Little has her freak-out about Blake, explains Ruby’s magic cheese gathering skills to the others, and then decides to tag along to find Yang because, and I quote, “I don’t have anything to do yet.” For a hot second I thought this was going to lead into more information about mouse culture. You know, how Little has already admitted that they don’t have a name, how they equate names with a purpose, and therefore if they have nothing to do in their village yet because they’re so young, they’ll find a purpose by traveling with these humans. We might have even put off Little’s naming to this moment, having them or one of the girls come up with something appropriate to the task ahead: something like Guide, or even Friend (of Humans).

But no, apparently Little is tagging along just because they literally have nothing better to do? In the sense that they’re bored and why the hell not? It’s not exactly a compelling reason and, given that they’ve yet to provide any actual assistance to the girls, I’m continually questioning their place in the story. This is what critics mean when they say that time is wasted with Volume-specific side characters when we could be doing more, better work with the core team.

Case in point: Little says that they’ll be “your trusty guide!” and then the joke is that they’re immediately asleep again once the girls set out.

#6!

I do like the following scene though. As the trio follows a path that they’ve found, Weiss walks ahead with her back (obviously) facing Blake and Ruby. When Ruby likewise questions what happened after they fell, there’s this long pause where Weiss considers how to respond, not turning around. It’s a powerful little detail, refusing to show us, or the girls, her face. It leaves her expression up to interpretation while maintaining the impression that she’s hiding from her teammates, due to not knowing how to address their failure. Her insistence on finding Yang first just highlights that avoidance. Really, I think this moment works quite well and I wish the whole episode had been treated this seriously.

Just as Ruby is about to press the issue they hear a roar from nearby. Following it, they discover a creature that fans have already dubbed RWBY’s version of the Jabberwocky.

"Beware the Jabberwock, my son!

The jaws that bite, the claws that catch!

Bewared the Jubjub bird, and shun

The frumious Bandersnatch!"

Kudos to RWBY for trying here. It’s no secret that I think one of the best grimm lately have been The Apathy, so having another horror-leaning creature was a good decision in my opinion. Unfortunately, I like the idea more than the execution. The twitching motion of the Jabberwocky could have been creepy, but it doesn’t quite capture that feeling of unnatural otherness that makes your skin crawl. A problem with the animation, or something the engine itself just isn’t equipped to create? I’m not sure. Its voice is also a nice touch, with the exception that it’s really hard to understand once it starts yelling. At first I thought RWBY was leaning into the Jabberwocky’s origins. That is, using nonsense words like those from Carroll’s poem whose meaning is understood only in context. Now though, I think it’s just a badly voiced character? I’m not sure because Crunchyroll’s subtitles wouldn’t work for me (of course) and all I got was the “Searching. Stalking. Detecting.” in the beginning.

Which, you know, is an interesting bit of dialogue. RWBY has always straddled the line between fantasy and Sci-Fi, so I’m pleased to see some of the latter worming its way into the distinctly fantasy setting of the Ever After. The Jabberwocky sounds like an AI creation following a coded command. Out of everything this episode, I’m most eager to learn more about it.

Of course, we can’t learn anything now. Despite the fact that Yang stumbles out of the jungle, arm gone, throwing a rock at the Jabberwocky, and looking like she’s been through hell and back. Would you like to know what Yang experienced while on her own here? Or how she came across the Jabberwocky? What she might already know about it?

Would you like to see an actual battle in the combat show’s premiere?

Too bad.

The Jabberwocky just runs off and we get an... interesting reunion for the whole team. First off, Weiss just isn’t a part of this. Given that she’s not Yang’s sister or the Schrodinger girlfriend, she’s shuffled off to the side. Second, Ruby is greeted with a, “Dammit! You weren’t supposed to be here” which I really like. Rather than going the pure fluff route, the writing seems to consider the fact that Yang (as we’ll learn soon) thinks she may have died, so of course she’s horrified to see her little sister here too. This isn’t a joyful reunion for her, it's evidence that her (stupid) sacrifice was in vain. As always, I wish we could have explored that a little more - specifically this idea that Yang thought she was dead and was still trying to defend herself against hostile creatures - but a single line is all we’re given.

Ruby gets that soft smile of hers, kneels down, and says, “If you thought we wouldn’t have come for you then you must have forgotten who raised me.” Aww.

...wait.

Hold up.

The fuck??

First of all, that is NOT what happened. Ruby didn’t come looking for Yang, she lost to Cinder - DESPITE HAVING A UNIQUE ABILITY TO BEAT HER, I WILL CONTINUALLY ADD - and failed to rose-petal her way to safety. Wow, way to imply a heroic rescue that doesn’t exist, Ruby. Also, this simultaneously implies that if they had won the fight Ruby would have dove into the void afterwards to try and find Yang which... you know... I highly doubt. Just given her non-reaction to her sister “dying.” If there was going to be any rescue attempts, give me a Ruby who jumps after Yang as she’s falling and they both go in together.

So that’s a huge misrepresentation of events and then Ruby follows that up with, “you must have forgotten who raised me"? What exactly is that supposed to mean? Because a lot of people raised Ruby. Is it Tai, Summer, Qrow... or Yang herself? This almost feels bait-y to me, in the sense that the writers must know that mom!Yang has been a huge debate in the fandom for years, so they toss in this ambiguous line that could go either way. Is Ruby referring to her many capable, loving, adult guardians? Or her older sister that maybe, sorta “raised her” while their dad was recovering from the death of his wife? I don’t know, why don’t you all fight about it ;)

But no, let’s talk about the actual bait: bumblebee.

Now, for a long time I’ve refrained from calling Blake/Yang queerbaiting for the simple reason that I’ve expected the show to follow through with the romance in a way I don’t expect that from “real” queerbaiting. Remember, the word originates from a hard “No” on the queer front, that’s why it’s baiting and not a slow-burn towards representation. However, we’ve now entered an age of television where, yes, many couples do become canon, but only in the final hour when the writers don’t have to actually write a queer romance. That’s the modern from of queerbaiting and goddamn, is bumblebee fitting it to a T.

I know the fandom has some memory problems, but everyone recalls the surety that Yang and Blake’s romance would kickstart after Yang “died” right? That having Blake mourn her and then discover her alive would finally push her to go in for a kiss? We pictured a plot where the girls were separated for the first couple of episodes, still believing the others were gone, Blake stumbling across Yang in the Ever After, the confusion and shock and relief at finding her again, the kiss that would finally bring RWBY into 2023--

Yeah. There’s none of that.

I myself said that THIS was the time to do it. If you ever needed an excuse to get the queer couple together (which you don’t) then the reunion after one thinks the other has died is 100% the time to do it. Emotions will never be stronger! Inhibitions will never be lower! Don’t pass up such a golden opportunity!

They totally passed it up.

This reunion is just as generically ambiguous as all the others, right down to Yang hugging Blake with a tenderness that’s equal to what she’s given other characters:

Friends. This is all the same hug. There is nothing coded romantic in this reunion, not unless we want to claim that Yang is also romantically attracted to Ren, Weiss, and her sister.

I’ve already seen some fans talking about the importance of Blake initiating contact when before she always held back and yeah, sure, that can be read as character growth, but that’s the kind of minuscule step forward we needed years ago. Not now. Now we’re firmly in bait territory and need confirmation.

“But, Clyde, it’s just the start of the Volume. They could still kiss!”

I don’t care. RT had an opportunity and they squandered it. If there's a kiss, a confession, or whatever comes later in the Volume, it’s still more time that the show has spent in a will-they-won’t-they dance. I’m so sick of it. RWBY’s queer rep is atrocious and I find that to be particularly insulting in a show that’s praised for and celebrates its own diversity. I watch plenty of television with no queer rep at all, but I don’t give them the same kind of shit because they’re not pretending to be the Pinnacle of Queer Representation. If you’re going to claim that you have a queer main couple, then actually give us a queer main couple.

God I was actually so hopeful I’d be writing a, “We’ve finally confirmed it!” recap. It’s beyond frustrating at this point and I’m continually shocked at the fans who are celebrating that hug like they’ve been given a feast and not crumbs. If I were more emotionally invested in bumblebee as a ship - meaning, if I cared more about the relationship itself rather than how it functions as representation for RWBY - I’d be pissed as hell. Yang “died,” Blake lost her mind over it, we waited two years, and then you give us... that? If I were a hardcore bumblebee shipper I’d be writing about my extreme disappointment in RT, not my happiness that Yang touched Blake’s hair.

Actually no, I grew up in the age of no rep/the original queerbaiting, so really I’d be rolling my eyes at anyone who expected a canonical relationship and instead going off to write it myself as fic. I still believe very strongly that ships don’t need a canonical basis and in some ways fandom has limited itself by only writing about what’s canon, or “realistically” canon ([waves old man cane] “In my day we shipped characters who were never even on screen together!”), but I acknowledge that we’ve entered a new age of television. Viewers expect more. They should expect more and they should get it.

With the disappointing hug behind us, Yang observers that if they’re all here then things must have gone really badly up top. This finally pushes Weiss over the edge and she starts the not-crying that all the RWBY girls do, where she has wet eyes and a single tear track. “Penny,” she says. “Jaune tried to help... but she scarified herself...”

And by that you mean Jaune killed her? Weiss’ recounting of events makes it sound like her own stabbing by Cinder: Penny was hurt and Jaune tried to heal her, only this time it wasn’t enough. When in reality we’ve got Jaune giving up because his “I’ve had a human body for twenty minutes” patient says there’s no hope and then slitting her throat because Penny mistakenly believes all she can do with her life is give it up.

Again: what happened to telling your team everything? Where did the importance of context and the complete picture go? For a team that’s so furious when others provide incomplete or misleading information, they sure do that themselves a lot. We can add, “Weiss horribly mischaracterizes Penny’s death” to the “Yang is keeping the Spring Maiden a secret, twists all their failures into victories to win a fight with Ren, and Ruby straight up lied to Ironwood” list.

In another show I’d have more faith that this would come back to bite Weiss; that the girls will later learn the truth and express some actual emotion at her inability to keep them informed... but who am I kidding. This is RWBY. It’ll be forgotten - or retconned - by next episode.

Ruby faints at hearing that Penny has died (again) and man, I really want to like this moment because it’s definitely more of a reaction than I was expecting based on our post-Volume 3 writing. However, this is primarily used as a way to avoid Ruby’s reaction, wherein she wakes up some undetermined time later and is allowed to pretend to be fine, thereby jumping over any conversation/crying/actual emotion we might have seen from her. I know that Ruby will be grappling with this for the entire Volume - our intro proves as much - but it’s still disappointing that we don’t get to see Ruby grapple with her initial feelings because she was too busy being unconscious.

Also, anyone else frustrated that the same action used to depict horror and grief is used for a gag just a few minutes earlier? A mouse faints at the thought of someone being able to pull up cheese with a single tug! Ruby faints at the thought of her dear friend dying for a second time! This is why all that earlier humor messes with the more serious moments.

Our final scene once again fails to convince me that any of these characters love each other outside of the Grand Gestures delivered post-tragedy. No one is holding Ruby while she’s unconscious. No one has made her a makeshift pillow or blanket. Yang asks once if she’s alright - when she’s clearly not - and then just drops the subject when Ruby says yeah, she’s fine. None of them waited until she’d woken up to have this important conversation. After Weiss’ tears and Ruby’s faint, there are no reactions to Penny’s death. Do Blake and Yang care? Presumably not considering they never had a real relationship with her, but RWBY likely wants us to assume that their reactions exist off screen. Remember, given that we’re primarily following Ruby as our protagonist, her being unconscious means that we also skip over how everyone else reacts too. The viewer only gets to continue seeing the story when Ruby wakes up.

I had low expectations for the Volume 8 follow up, but overall this is pretty bad even by my nonexistent standards. It’s not that the premiere doesn’t give us any worthwhile moments, it’s that none of them are capitalized on. They just sit, unexplored, or outright undermined by what the rest of the episode has produced.

It’s disappointing, to say the least. As are our final lines. Yang admits that she thought she was dead, but there’s no time to let her or the others explore that. We hear a throwaway line that her arm was stolen - which relies a lot on the viewer having seen the trailer to understand how and why that happened, at least until next episode. And then Blake follows a bit of light shining through to them, parting some of the vines to look out across the entirety of Ever After.

“I know how this sounds, but... I think we’re in a fairy tale.”

Our final line, folks! Is there anyone else that would have preferred ending on Ruby’s faint? Feels more dramatic and would have let the fandom theorize a bunch before she wakes up next episode (even if then, inevitably, there would have been disappointment that nothing was done with it). Really, I get why they want to end on the shot of Ever After, but all I could think was, how in the world did you come to that conclusion, Blake? Given that this is a world based off of a real fairy tale and not the fairy tales that exist in Remnant. I would 100% buy a character from our world recognizing that they’re in a place similar to Wonderland, but nothing we’ve seen here reflects the tales of Remnant.

Well no, there is one thing, but it exists in the opening. Blake’s been reading the script again.

So let’s unpack that, shall we?

(Sorry, I need to slam all the important opening screenshots together because tumblr won't let me upload any more images boooo).

Our first shot is of Jaune! 🤦‍♀️

Really? That’s the beginning of every episode’s opening? Jaune crying with his broken, bloody sword? Hmm, I wonder if the character imposing on the girls’ team journey will be important this Volume. We also get another shot of him with a clock motif, making me wonder if the theories about him having (somehow) spent longer in the Ever After will prove to be true.

This initial shot is paired with Neo looking sad, presumably over Roman’s death and her continued failure to avenge him. She appears in the trailer a fair bit which, alongside the Jabberwocky, is the thing I’m most excited for. I’m glad that, at least based on this, it doesn’t look like they’re going to squander her role as a villain here. We see Neo drinking her tea with a fantastic smirk, surrounded by a group of shadowy antagonists.

A huge list of one-off baddies, or the various looks she’ll be adopting to mess with the characters? I’m hoping for the latter, especially since some fans think that one of the silhouettes looks like Jacques. However, I do question whether she can actually pull something like that off. I love the idea of Neo manipulating the group, especially in a Volume hosting a grief arc, especially in a place that, as far as they know, might contain their dead loved ones. For a brief moment I even questioned if that other Ruby we see in the trailer was Neo. The problem is I’m pretty sure she speaks and, thus, it’s very difficult for a villain to pretend to be an ally for more than a few seconds when she’s mute. Combine that with the fact that Ruby knows Neo is here and that all just kinda... falls apart. Which is unfortunate because I would have loved to see a Neo using the Ever After’s impossibilities and her own semblance to mess with the heroes. Still, a final shot at the end appears to show everything stemming from Neo, which makes me think she’s going to be the major antagonistic force this Volume and/or gains control of the Ever After somehow. Fitting, for a woman with control over illusions.

Whether Neo makes much use of her semblance or not, I hope we don’t have another 8+ characters to introduce because there’s already Little, the other mice, the cat, racoon, the forge lady, the knight (same person?), the Red Queen, the creature hiding in the leaves, the caterpillar, the Jabberwocky, and this new girl. People get why that’s a lot to manage, right? Especially in a story with four main protagonists, with two others thrown into the void with them. I get that they don’t want the Ever After to be a wasteland, but RWBY continually has a problem with side characters eating up the time and focus. Then they’re left behind and that work feels wasted. Why spend a Volume developing Little (or Ilia, Sun, Neptune, etc.) just to drop them? This bloated cast means it’s a bit of a relief that Volume 9 doesn’t seem to be trying to jump between here and Vacuo, but damn. Three years to find out what’s happening with the others? The growing chance that there will be a time skip and that the girls will come back to find all these ongoing problems resolved off screen: We somehow rescued all the people from the desert! Ren and Nora are officially together! Winter has long gotten used to her powers! Oscar merged while you were gone and now we don’t have to worry about Ozpin anymore!

Not looking forward to it.

Out of all these new characters, the most important is the young girl. My current theory is that she’s the girl from “The Girl Who Fell Through the World,” with perhaps our opening line - “This is the story of a girl who had a lot of problems” - being the first line of her tale. We know due to Ozpin that many of Remnant’s fairy tales are based on true events, so it would make sense if that one came about after a young woman literally fell into a different world. We see her arrive on the beach before Crescent Rose shows up, implying that she’s been there a long time, and there are some implications that she’s a rather powerful figure now: she leads the group through the various environments (with Ruby lagging farther and farther behind. Perhaps the introduction of a new team leader will increase her feelings of inferiority and failure?), she appears right before an evil copy of Ruby turns around (love that grin), and she's in a painting with another, shadowed figure behind her. Despite the fact that we already have this reference (short of) it gives me Ozma/Tip vibes, wherein the original Wizard of Oz books Ozma is turned into a boy named Tip in an effort to keep her hidden.

Regardless of her role, I have the feeling this girl will end up being more of an antagonist than an ally; a representation of the ways Ever After can twist a long-term resident and likely a foil to Ruby (the true leader) and Jaune (someone who will overcome the world’s allure and return with the girls).

There are a number of other thematically significant shots throughout the opening. All the girls are shown in their various outfits, smiling or smirking, but Ruby grows sadder and her most recent counterpart hides in her cloak, facing away from the viewer.

Her tears - more than we’ve seen her actually cry in the show, I'd like to point out - transforms into Crescent Rose.

The girls try to navigate an impossible maze where the Ruby copy shows up, they run up the tree before being blown back (falling remains relevant then), the girls are once again gloriously saturated in their colors (even if Weiss is still more blue than white), and I really like the shot of Ruby falling past the rabbit. Actually, I like the painted style of that fall far more than I like the look of the rest of the Volume.

However, what interests me the most about this intro is a series of images that may well be connected: two streaks of blue falling through the sky, a massive explosion that engulfs the life tree, and the burning of a book of fairy tales.

Look, I don’t care how awful the gods actually are, especially when RWBY has done nothing to explore that. I don’t care if this is one of their realms and the heroes need to take drastic measures to escape it.

You are NOT going to have the girls destroy a whole-ass world after they destroyed a Kingdom, right?

Right?

On that thoroughly optimistic note, let’s end with a miscellaneous section because we are nearly 10k in and this poor recap needs to be put to bed. (As do I.)

Thanks for reading! :)

Misc. Observations

I enjoyed the little detail of Ruby wringing out her cloak as she surveyed the jungle. Nice job remembering she just came out of the water.

I didn’t enjoy the actual shot of the landscape though. I totally get that there’s wonky perspective stuff going on given how far back the ‘camera’ is, but am I the only one who thinks the jungle looks WAY too small in that opening scene?

I definitely mentioned this the first time I examined our promo clip (and briefly above), but I wonder if the weather here is influenced by emotion, given that the rain appears to start and stop when Ruby cries. I want to say “No” now just because this already isn’t consistent - there’s no rain when Weiss cries, you’d think we’d see some kind of weather influence when Ruby faints - but a part of me is hopeful just because it’s such a cool concept. Especially for a combat show where terrain can make-or-break a battle. As we’ve seen, each little bit of Ever After seems to function differently - Ruby doesn’t hit another patch of repeating jungle, for example - so maybe this is something that will return sporadically?

This is definitely me being nitpicky and petty, but you’ve gotta love that, other than the repeat dialogue of Volume 8 and the faint shouts of “Ruby!” our first words of the Volume are, “Now if only you could help me.” I don’t begrudge anyone help, certainly not the protagonist of a story that wants to be centered around unification, but Ruby has struggled with agency so much I can’t help but roll my eyes a little. Yes, why would we write our protagonist figuring out how to help herself when the random mouse she stumbles across can do it instead? And then, you know, not actually do anything, allowing the protagonist to instead just stumble on what she wants, rather than actively retrieving it.

So you know how Little not-so-subtly mentions that an easy way to get on their village’s good side is to bring more of that cheese? Surely then when we next see Ruby she’ll be animated carrying a couple of those cheeses as a bribe? Spoiler: she's not.

Anyone else feeling iffy about Blake’s description of Yang? The one where she refers to Yang as the scary looking one? As someone who has been frustrated with Yang’s lack of anger management the last couple of Volumes, I’m not a big fan of her “scariness” being played as a cute character quirk.

Ruby remembers right before the non-battle starts that she’s without Crescent Rose. Funny how she didn’t appear to notice its absence before, or go looking for her precious weapon like Blake did. (Seriously, I know I’ve said this a hundred times by now, but the girls’ reactions to landing here and everything they’ve lost are nonexistent.) This also highlights how useless most of the girls are without a weapon in hand. Didn’t we have a mini-arc back in Volume 5 about them learning hand-to-hand? Wasn’t that specifically labeled as Ruby’s flaw? Now it crops back up and she just hangs back, scared? Once again I'm asking what the point of any of that was if we're not going to see the development. Something something only the most recent Volume is canon.

[andrevascreencaps]

I have Saints Row 3 on Steam, however in the years since its release, between the PC part upgrades & OS updates/switches, I started consistently getting a bug where everything would go dead silent, and models would start disappearing from the world, like the car I was driving, and then after a few seconds of that the game would crash. It would happen after 5 minutes of gameplay always.

Soooo how happy I was when they released the Remaster, especially since I didn't know it existed until Epic Games was giving it away for free, because I figured newer game = working game (lol).

Weeellll I mean it DID work, and does work, mostly... Except only the 1st time I launch it after installing. If I try to launch the game a 2nd time, it immediately crashes on startup with a blank Crash Dump log.

After trial & error, doing all the fixes offered on the internet, with no change, I've found that I can get it to work again, but only if I uninstall and then reinstall the entire game every single time I want to play it.

Which... I've had worse functioning games I guess? ¯\_(ツ)_/¯ lol

[bruised-violettes]

The Godfather (‘review’/notes)

"Family Values"

Director: Francis Ford Coppola

Screenplay: FFC, Mario Puzo

Based on a book of the same name (also written by Puzo), apparently, The Godfather's legacy is practically undying. While watching, I kept in mind the quote, "It insists upon itself" a la, Peter Griffin, but the only insisting I found was that of other people upon it, rather than The Godfather upon itself. In sane person speech, I mean that the culture surrounding The Godfather is much more masturbatory than the actual contents of the movie.

I find this to be the case with many iconic 'films for the ages'. For example, The 400 Blows. I think it's generally considered one of the greatest (or I suppose at least most influential) films of all time, but personally, I wasn't so moved by it, even though I consider it to be great. Of course it was the 60s and yada yada it'll feel unoriginal because I've already seen everything derived from it, Citizen Kane style idk, but anyways, my diagnosis is that The Godfather is quite good.

I put off watching it for a while actually. Because it's three hours long, and I rarely have the attention span for movies that long lol. But in all seriousness, in one of my first attempts to watch it, I ended up falling asleep, so I only got tiny little vignettes, and I had no clue what was happening. In all of my attempts following that (up until now), I tried to watch it on the same pirate streaming sites, and I just couldn't get into it because of the unfavorable quality. But this time! I torrented it. Because it's on paramount plus and it's one of the only streaming services we don't have, and I'm not going to bother getting a free trial because fuck that, anyways. This time I was watching a version that didn't sound like it was recorded on a toaster, and I was fully ready to stay invested for the full three hours. And I did! It was very compelling to say the least. Very suspenseful, and after an hour and a half I started sweating whenever someone got into a car.

I do have to say though, that it's not my kind of movie. As in I watch it and I don't feel the desire to imitate its artistry, only its prestige. As in I want to make someone people like as much as The Godfather because other people like it a lot, not because I like it lot. Anyways, I digress, plus I doubt you get what I'm talking about. X_X.

Anyways, it kind of made me feel like I want to have a big loving family of my own, but without the mafia parts of course. Spoilers for a movie that came out 50 years ago; I thought it was stupid how Michael married that one Sicilian girl, and then just went right back to Kay after she died. This seems like a weird thing to focus on, I know, but it kind of ruined their relationship for me. Why did he go back to Kay when he had no intention of ever seeing her again until Wife-1 died? It didn't seem like he actually wanted Kay, but like he was just like "fuck it, whatever", which isn't fair to Kay, you know?

Well, those are my thoughts on The Godfather. 9/10

Also I feel like if you put Sylvester Salone, Al Pacino, and Robert Deniro in a line up, I wouldn’t be able to guess who was who x_x

[religion-is-a-mental-illness]

My boyfriends entire family has always been neck deep into the homeopathic remedies. I suppose they had a bad time with the traditional vaccines and were convinced that all their illnesses came from those vax. I was talking to him about it a little because he went off on something about how the medicine can even cure suicidal tendencies...LOL his argument against it was "Well it couldnt be placebo because, placebo only works if the person believes the medication to work and wants it to work. And, do people with suicidal tendencies actually want it to work? But yet it still does." ???Coincidentally, the entire family is Christian... I almost feel bad for whoever gets trapped in the clutches of this stupid scam because its predatory almost. On some level I guess I can kind of see some plausibility for something like a rash or something topical maybe, but its bonkers how they think fucking Belladonna and alcohol dilution is the cure all substance for Schizophrenia!! Taking a known poisonous plant that causes hallucinations and delusional thinking (yk, cause its poisonous) and mixing it with alcohol and water, so much to the point of where there is hardly any plant substance left, comical as hell. But I guess "like cures like" or whatever.

Some aspects of homeopathy do seem to dovetail closely with religious faith healing. Magical thinking about anointing with oils and magical thinking about "water memory" are not far apart.

Other aspects of it seem to line up with that granola "all natural," "chemical free" mentality. So it seems like the kind of scam that appeals to people of many different stripes.

On placebos, you should show him the below. This study was particular to IBS (Irritable Bowel Syndrome) specifically because it's a subjective ailment (versus, say, tumors that objectively exist and are measurable). The authors admit it needs further study to see how applicable this is to other conditions.

The problem with homeopathy is, of course, not that it's a placebo - it's just plain lucky that it is when they're using Belladonna. It's that they lie about it not being a placebo. They're lying about it, selling it as real medicine, complete with real medicine price tag rather than sugar/water price tag, when it's not.

==

Introduction

Placebo treatment can have a significant impact on subjective complaints.  Furthermore, recent studies have shown measurable physiological changes in response to placebo treatment that could explain how placebos alter symptoms.  A critical question is establishing how physicians and other providers can take optimal advantage of placebo effects consistent with their responsibility to foster patient trust and obtain informed consent. Directly harnessing placebo effects in a clinical setting has been problematic because of a widespread belief that beneficial responses to placebo treatment require concealment or deception. This belief creates an ethical conundrum: to be beneficial in clinical practice placebos require deception but this violates the ethical principles of respect for patient autonomy and informed consent. In the clinical setting, prevalent ethical norms emphasize that “the use of a placebo without the patient's knowledge may undermine trust, compromise the patient-physician relationship, and result in medical harm to the patient.” Nevertheless, a recent national survey of internists and rheumatologists in the US found that while only small numbers of US physicians surreptitiously use inert placebo pills and injections, approximately 50% prescribe medications that they consider to have no specific effect on patients' conditions and are used solely as placebos (sometimes called “impure placebos.”) Many other studies confirm this finding. Given this situation, finding effective means of harnessing placebo responses in clinical practice without deception is a high priority.

[..]

The objectives of this study were to assess the feasibility of recruiting IBS patients to participate in a trial of open-label placebo and to assess whether an open-label placebo pill with a persuasive rationale was more effective than no-treatment in relieving symptoms of IBS in the setting of matched patient-provider interactions.

Design

A three week randomized controlled trial (RCT) comparing open-label placebo to no-treatment controls was conducted between August 2009 and April 2010 in a single academic medical center. Written informed consent was obtained from each patient prior to participation on the study. The Beth Israel Deaconess Medical Center Institutional Review Board approved the design and informed consent.

Patients who gave informed consent and fulfilled the inclusion and exclusion criteria were randomized into two groups: 1) placebo pill twice daily or 2) no-treatment. Before randomization and during the screening, the placebo pills were truthfully described as inert or inactive pills, like sugar pills, without any medication in it. Additionally, patients were told that “placebo pills, something like sugar pills, have been shown in rigorous clinical testing to produce significant mind-body self-healing processes.” The patient-provider relationship and contact time was similar in both groups.

Two-group, randomized, controlled three week trial (August 2009-April 2010) conducted at a single academic center, involving 80 primarily female (70%) patients, mean age 47±18 with IBS diagnosed by Rome III criteria and with a score ≥150 on the IBS Symptom Severity Scale (IBS-SSS). Patients were randomized to either open-label placebo pills presented as “placebo pills made of an inert substance, like sugar pills, that have been shown in clinical studies to produce significant improvement in IBS symptoms through mind-body self-healing processes” or no-treatment controls with the same quality of interaction with providers. The primary outcome was IBS Global Improvement Scale (IBS-GIS). Secondary measures were IBS Symptom Severity Scale (IBS-SSS), IBS Adequate Relief (IBS-AR) and IBS Quality of Life (IBS-QoL).

[..]

Discussion

We found that patients given open-label placebo in the context of a supportive patient-practitioner relationship and a persuasive rationale had clinically meaningful symptom improvement that was significantly better than a no-treatment control group with matched patient-provider interaction. To our knowledge, this is the first RCT comparing open-label placebo to a no-treatment control. Previous studies of the effects of open-label placebo treatment either failed to include no-treatment controls [27] or combined it with active drug treatment. [28] Our study suggests that openly described inert interventions when delivered with a plausible rationale can produce placebo responses reflecting symptomatic improvements without deception or concealment.

Our results challenge “the conventional wisdom” that placebo effects require “intentional ignorance.” [29] Our data suggest that harnessing placebo effects without deception is possible in the context of 1) an accurate description of what is known about placebo effects, 2) encouragement to suspend disbelief, 3) instructions that foster a positive but realistic expectancy, and 4) directions to adhere to the medical ritual of pill taking. It is likely our study also benefited from ongoing media attention giving credence to powerful placebo effects.

Both treatment arms were given in a context of a warm patient-provider relationship. It is possible that this relationship had a positive benefit for the patients, and indeed, the no-treatment arm showed improvement. Given that patients in both treatment arms experienced the same frequency and duration of contact time and the content of the interaction was very similar, we believe that the incremental improvement in our open-label arm was due to the addition of open-label placebo treatment. The magnitude of improvement reported by those on open-label placebo treatment was not only statistically significant but also clinically meaningful.

[..]

In summary, our study suggests that patients are willing to take open-label placebos and that such a treatment may have salubrious effects. Further research is warranted in IBS and perhaps other illnesses to confirm that placebo treatments can be beneficial when provided openly and to determine the best methods for administering such treatments.

[fizzingwizard]

Watched the first ep of Lupin Zero! Unfortunately you have to register for a premium account to see ep 2, and there's a 30 day free trial, but they wouldn't accept my card, don't know why, will try again some other time I guess.

my thoughts below, a little bit spoilery

Episode one was fun and cute but I don't get it. Like, I understand the story, I just don't get why it was made. Why make it about kid Lupin? (answer: because it's Lupin and lots of people will watch it regardless of quality lol) It's such an interesting premise, but the episode is paced So. Damn. Fast. I was thinking this feels more like the summary of a cool episode than a cool episode well-executed - which is how I felt through most of part 6, even though the creative team is different. Kind of a bummer.

There were some really fun bits, like the chaotic scene in the night club, and Lupin and Jigen being little boys (I say that because they pillow fight and stuff, but c'mon, we all know they still do things like that). The scene with the cigarette at the end I loved of course, and the tea/coffee scene was funny (although, since Lupin already put in three sugar lumps, I'm not sure why he still found it bitter. Maybe he usually puts in six? lol) I liked the voice acting overall. They do a good job imitating Lupin and Jigen's speech styles, even though Jigen in particular does not sound like a child. Well, he was probably born with a full beard and smoking a cigarette.

I thought the animation was so-so. Sometimes I liked it and it reminded me of parts 4/5. Other times it was just really missing atmosphere. Like with Youko, her face is great, the expressions are just like Rebecca. But the animators were so concerned with making sure she had gigantic breasts that they forgot to give her proportionate legs... It's possible it just looks that way on my screen, but none of the other characters struck me as out of proportion. She looks freakishly top-heavy much of the time.

Story-wise... Well, you have a great concept: Lupin as the family heir, unsure of what path he wants to take, and he meets Jigen and they bond through a typical Lupin-style adventure. But there's no tension, no emotional build-up. The story happens exactly as it's laid out. They meet, they save Youko, the animators waste the budget on having her sing to them for some reason, they save her again, Lupin and Jigen unprompted decide to gush about their pasts and problems without issue despite having been close-lipped about it until then, they save the day. Aside from moments of friendly banter, there really isn't anything more going on. So the episode delivers what it promises... and only what it promises lol.

I just have no idea why they need to be kids. I don't know why Jigen stuck with Lupin. I don't know why Lupin decided to gush about his problems to Jigen out of the blue. I just don't know. XD

So I guess from here the question is what is the overarching theme of the series. If there is one. Possibly there's not and it's all just for shits and giggles. If so, the trailers shouldn't have made such a big deal about Lupin's struggle to determine his own path and escape being kept under his family's thumb. But I assume that's going to continue to play a role - it can't have been resolved in this first episode... can it? hahah. I have no faith in anything anymore.

oh also Jigen gets shot. I couldn't believe it. Episode one and he's already getting shot. And this ridiculous sad music starts to play as Lupin just stares at him clutching his bloody arm lmao. It's like the episode tried to make up for its lackluster parts by shooting Jigen. "If we shoot this guy the fans will forget that we didn't crank up the tension at all." lol

I wanna give this a chance, but yeah, the first episode is very forgettable. Not terrible, though. Like I said at first, it's cute and rather fun. Very middle of the road Lupin story is all. Too hyped for what it really is, in my opinion.

That being said. All may change with future episodes. Sometimes first episodes are treated as a summary of what the whole season overall will be like, and that's why they have a bit too much going on. Maybe the rest of the episodes will take better care with their pacing.

[togamicrying]

honey you e got a big storm coming

35, 39, 47, 48, 51, 56, 83 hee hee

MAPLE.

35. A character who should’ve got more character development?

like. sooooo many of them lol. can i say the entire cast of v3? because honest to god that's my answer -- even my faves in v3 leave Something to be desired

beyond that, i actually think that thh and gbd do a really good job of stretching characters to their maximum narrative utility before killing them off, and i do feel like in both games the most narratively flexible ones are the ones who live. i think if i had to say anyone from those games it'd probably be leon or sayaka just because the way the free time events work in trigger happy havoc work mean they get like three events and then they die and you never get to know more lmfaoo (but even then i still don't think their characters are Lacking in the way that the v3 cast is for me. sorry for being a v3 hater lol)

39. Smartest murder plan?

komaeda's, obviously LMFAO. god every time i replay sdr2 chapter 5 im struck by it all over again. like they literally had to guess!! even with nanami revealing herself! even then! they still had to be like well. hope his luck actually worked out! king popped off and the entire trial is SO good for advancing the plot and tying off hinata's dynamics with BOTH komaeda and nanami! the moment of sickening clarity when hinata realizes that he DOES understand how komaeda's brain works, and knows what his intentions really were? nanami and hinata's final goodbye? uuuugh sdr2 chapter 5 i love youuuuu.

rest under the cut bc Long.

47. A headcanon you have about a character?

*pushes two million unfinished drafts of Togami Headcanons to the side* i am going to talk about komaru. i think she's a butch lesbian and every time she's depicted as feminine in fanart my soul dies a little even though butch komaru exists solely in my head. i also think she's really sporty, but i've talked about that elsewhere hehe.

ok i'll talk about togami a little bit. it's 100% projection but i think he's agender. not in a way where he like. actively thinks about it -- even at Full Self-Actualization i'm not sure if i ever see him actually realizing it and actively thinking about himself in that way -- but i just dont think he as any particular connection to being a *man* outside of how it plays into his attraction to other men/his family's expectations of producing heirs. like he just kind of is how he is and doesn't feel compelled to make any particular effort to present as masculine. i could make a joke here about his gender just being Togami, but genuinely i do think that rings true. he's not a boy or a girl but a secret third thing (byakuya togami™️) does this make sense. like. to anyone (<- projecting and insane) whatever. i think he would look nice in a floor length skirt.

48. Favourite OST?

i... usually play the games on silent :X legit i know like 3 songs including mr monokumas lesson. just tried to remember what beautiful days sounded like and the wii sports theme is what my brain supplied (<- embarrassed)

i WILL say that i think drv3 has the best opening track of any of the games. its so jazzy and fun hehe

51. Character you thought you were gonna dislike but loved in the end?

mmm. hard to say, honestly? it's been so many years since i formed first impressions of the thh and gbd casts that i kind of dont even remember what i first thought of them? i have a lot of v3 characters who i thought i would like and wound up feeling kind of ehh about, but that's not the question lol

i think, Big Terrible Writing Choice aside, i was really surprised by how much i wound up actually *liking* korekiyo? like okay OBVIOUSLY they took his character in a terrible direction but before that when he's just like, a weird little freak? that ruled lol

in terms of characters that i've had full turnarounds in opinion over the course of 2012-2022? i remember not particularly liking/caring about kirigiri, sayaka, fukawa, souda, or gundam when i first read the playthroughs of their games, and now they're some of my favorites hehe. but that's less about me going *into* the games thinking i wouldnt like them -- because in both cases i went in completely blind -- and more about them growing on me like a fungus over successive playthroughs lol

56. Best free time events?

ok. take this with a grain of salt because i'm stalled out in my sdr2 replay rn so i haven't redone the free time events for that game in awhile/haven't done any v3 ftes besides maki's and ouma's because im a hater.

i think kirigiri has really good fte's. i love that she gets a little sillay in them and how subtle her progression from "why are you talking to me" to "i care deeply about you" is. i also really appreciate how the game cutting her off as an option for free time at certain points serves to make that progression feel really natural with the game's actual plot. love you miss kirigiri.

mondo's are really great as well, he's such a fun guy to interact with and him talking about wanting to be a carpenter and loving his stupid tiny dog and being too nervous to ask girls out all add such levity to his character and make it SO sad when he dies. like damn that biker gang leader trapped in a murder game really is just like. some guy in high school :-( i also loved that they brought him wanting to be a carpenter back in dr:s! made my heart soar uuuuugh i love you mondo, sorry i never ever talk about you

komaeda gets an honorable mention for his botched love confession. buddy you did So Bad.

83. Least favourite chapter?

[staring myself down in the mirror] i will not hate on v3 this time i will not hate on v3 this time i will not hate on--

chapter 4 of v3 was soooo boring guys. i hated the virtual world and idk if it was just me but the controls for it were just. nightmarish. whatever lets talk about the games i do like.

i also agree with @ovidiomedes about thh's c3 kind of dragging. it's one of my favorite trials, but the actual chapter is. really slow lol. i think part of that is due to the anticipation of chapters 4-6 which are some of my all time favorites across all three games, but i think it has larger narrative problems that contribute to that dragging feeling ://

[almightytrashcan]

TAG GAME: EIGHT SHOWS TO GET TO KNOW ME

thank you @loveisalwaystheanswer hehe

disclaimer: lots of anime recs here HAHAHA im a weeb. also idk how else to describe stuff sometimes HJDSFKJSDHKF it's just different iterations of "wow im floored. watch it." or "this fundamentally changed me as a person."

Code Geass - Brings back memories of senior year in high school where I binged all 25 episodes of the first season during finals week, then binged all 25 episodes of the second season the next week. Season 1 was eh but it was building up for the actual bone-deep pain of Season 2. The Zero Requiem finale still hits man, it's such a perfect way to end the series. Why are mecha animes so steeped in heavy politics. Good for them! Also the Pizza Hut placements were great (we love you Cheese-kun).

Mob Psycho 100 - AMAZING ANIMATION. AMAZING STORYTELLING. WHOLESOME HIGH SCHOOLERS GOING THROUGH THE TRIALS AND TRIBULATIONS OF LIFE WHILE ALSO HAVING THE MOST POWERFUL PSYCHIC ABILITIES. Genuinely feel-good, so many inspirational quotes in here. Made me cry on some occasions because I didn't expect to hear the words I needed to hear from a shounen anime of all things. Also Reigen is babygirl for a REASON.

Peaky Blinders - Where do I start. I like period dramas, and the premise intrigued me. Season 1 is so damaging to me in so many ways like I don't think any other show could get as perfect as those six episodes AAAAA IM SO ATTACHED TO IT. The whole cast are phenomenal and they really carried the show, and the song features are so good too. Also Cillian Murphy is so hot goddamn.

The Promised Neverland - DO NOT WATCH THE SECOND SEASON. Anyway. I read the manga so I know how the rest of the plot goes, but Season 1 is such an amazing display of psychological horror. The visceral fear of realizing Isabella is always one step ahead of the kids, and just generally trying outpace her while acting like everything's normal. Wow.

Attack on Titan - lol. I don't really care much about the new series anymore, but back in 2013 this was the first anime I properly watched (and the rest of the world had its dick and balls gripped by the Salute™ and the Wings of Freedom™ too). I guess I was pretty fucked up as a kid for thinking I had the balls to join the Survey Corps and could live to tell the tale. Formative anime of all time actually.

Avatar: The Last Airbender - A childhood classic. What else do I say, it's just perfect. Amazing. Fantastic. Spectacular. I have official books of that franchise: all four of The Lost Scrolls, one of the Journey Through The Earth Kingdom books, and the Tales of Zuko book. It's just so dear and close to my heart, I wouldn't have it any other way.

Adventure Time - Another childhood classic. I think I watched every episode up until the first few episodes of Season 5, then I just stopped caring SHDFJSJKFH. BUT. But, it's also still very meaningful to me, it's an amazing combination of fun but also unintentionally dark. I should pick up on it again when I have the time, honestly.

Bungou Stray Dogs - I haven't touched anything related to this anime since 2019 but this is really that one show that shaped me for a long while, mostly because I met my internet friends because of this show, and my first few days on Twitter was dedicated to being a BSD fan. The whole concept too of characters based off famous classic authors with abilities names after their most famous works is really a banger, it made me a reader again.

i dont really have anyone to tag so if you see this on your dash feel free to do it!

[ryansjane]

youtube anon here!! omg thank you!! sorry im so late with this i was busy bc deepavali + wanted to make sure id thought of everything to ask ahsjdjdkf and ofc if you decide not to reply to this i understand as well, so really no pressure at all, okay? 😊 what software do you use to edit your videos? what made you decide to start making videos? do your videos get taken down bc of copyright? how do you deal if/when that happens? what are some of your favourite kinds of videos to make, and why? how long do you usually spend on a video (idea conception, filming, editing etc)? and since i know you from this blog, even before you started making videos: do you have any advice about putting out content in fandom? bc you make gifs + write + make videos and like. idk im just wondering if you ever feel shy about posting? (not that you should bc for real everything you put out is great- including all the off pictures you keep posting… thank you for that btw i dont have social media so thats the only way i get to see his beautiful face) i guess it sounds stupid but IM really really shy and the thought of putting anything out there for anyone at all to see makes me want to hide forever sdjfhskjg but like. i kinda want to make video edits too. mostly for myself as like a visual journal thing? like its a personal project. but i thought okay since im putting in so much effort why not share it with other people too? and id love if people discovered new music + shows bc of me yknow? but yeah anyway like. how do you deal with it if you ever feel that way? thats all i can think of for now, wow this got LONG. i hope its not too much rip. and again thank you for letting me ask you these questions ❤️

hi, OOF you really had QUESTIONS lmaooooo

I use the free software shortcut to edit my videos. I hate it & it's very slow which makes my already least favorite part of the video making, editing, even worse (:

I decided to start making videos bc 1) I saw a gap in the youtube market where people who talked about bl either did reactions or short analyses without showing their faces. 2) there were many topics that were easier to tackle in a longer video than a blog post. 3) if I were to be able to make a living off of youtube (which will not happen but wish I had known that then lol) it would solve most of my problems & allow me to combine pretty much all of my interests at once.

my videos ABSOLUTELY get taken down bc of copyright, if you look through my community page I've talked about that many times.

when that happens, I always appeal but most of the time it doesn't work, which means I spent 30+ hours MINIMUM on something that will never see the light of day (: it's in big part why I'm switching to thailand focused content instead of thai series content tbh, it was very heavy on my mental health for a hobby that takes so many hours out of me every week. not worth it.

my favorite kinds of videos to film are definitely my ranking ones or reaction ones bc they demand very little preparation & scripting and are just about me rambling for 2 hours, but my ranking ones take FOREVER to edit so on that part any non scripted video is the worst haha

the time spent on a video really depends, but usually the writing of a video takes me between 3 to 6 hours, the filming takes me 2 hours & the editing takes me a good 20 hours (funny bc I hate editing so much lmaooooo.) but some videos have only taken me 10 hours (short reactions), while others have taken me well above 50 (longer commentary ones.)

about putting out content in fandom, you're right in saying that I've basically done every kind of content LMAO. honestly the faceless one like giffing, writing fics, making fanvids, etc. is easy? like it needs to come from a drive of wanting to do it but bc your personal image isn't really attached to it, I feel like the trial & error is easier? if you wanna stop tomorrow no one will really care? but when I started making videos that demand significantly more time & that have my face clearly attached to it, that's when the doubts started creeping in. I never feel shy bc I just haven't been shy in a while, but I do feel ashamed to talk to irl people about my videos bc they aren't successful & I've invested over 2 years of my life in them so it's just kinda pathetic LMAO. but about you being shy, you can focus on the fact that it's the internet? like if you really don't want anyone to know it's your fanvids, create a new username & post them under it, bc then literally NO ONE will know it's you. to be honest it's taken me years but I've gotten rid of the notion of "cringe" and "embarrassment" out of my vocabulary. just do what makes you happy bc people will hate on you no matter what. I just know I personally want to live my life authentically & not filter it just so MAYBE I'm not as hated. so yeah, I hope you DO get to create the fanvids you want & good luck with that! thanks for the support as well, it means a lot <3

xxx

[creativenicocorner]

for that get to know your fic writer! thing ( ﾉ ﾟｰﾟ)ﾉ 22, 24, 31, 40, 74 ＼(ﾟｰﾟ＼)

Thank you so much!! ✧♡(´⌣`ʃƪ)

22 Are there certain types of writing you Won’t do? (style, pov, genre, tropes, etc) Underage Pedo stuff hands. down. NOT a fan. HATE it. Get that shit out of my face and while you're at it get out of my life. Not interested. THAT SAID! Hmm I don't think there's types of styles or povs or tropes I wouldn't try taking a shot at, within reason. I might find out I'm not that great at it in the process, (looking at you The Journal of Young Miss Addams) but as Jake the Dog Famously said

24 Worst writing advice anyone ever gave you? I'm going to be real with you Babblish, if it was bad advice, or advice I wouldn't wholly consider good...there's a very good chance I'd remove it from memory haha! I'm sitting here spacing out trying to think of something Anything!! And nothing is coming to mind atm XP

31 Do you start with the characters or the plot when writing? This depends on what I'm trying to write, I think. In the world of Fanfic I try to put as much effort in keeping the characters recognizable, and their actions as believable as possible while putting them in Situations™ Well...now that I'm writing this out and giving it serious thought...I suppose my answer IS the characters. Depending on who the character is will undoubtably tinge how the plot progresses. Because each character will have their own way approaching said Situations™ The way Jim Lake Jr would approach a time loop is different than how Reigen Arataka or Moist von Lipwig would approach being stuck in a time loop. Because they're three different people, with three different ways of thinking, objectives, wants, needs, and abilities! Therein lies the fun!

40 If someone were to make fanart of your work, what fic or scene would you hope to see? ♡(„ಡωಡ„)♡ bro if I get any fanart I'd be over the freaking MOON about it!!! Like the sheer thought that my silly words were coherent and moving enough to get someone to draw??? for Me?!?!!?! I have to lie down just thinking about it!!! That being said...ooo boy...I'm sitting here staring at my works nursing a coffee and, I really don't know... Perhaps the tearful goodbye in AU REVOIR ? Or the tense conversation between Ainsel Moist Kaspar Müller and Otto in Trial Runs and Errors  Or even the end of chapter 3 where Adora reunites with her family and he's just watching, having a moment, and Maurice is like "C'mon kid, lets blow this joint" LOL I'd be honored if someone did something for Glow Worms or rather: In the Depths of the Safflower Hills just to see what moment inspired them to draw Or!! lkgjdflkgj the baby with Dimple's face in Reigen's dream in Cold Green Tea and Colder Feet OR!!!!! The sexual tension in Hand Rolled when Moist appears at Adora's side during her meeting, with a hand rolled cigarette to slide between her fingers and a light. UGH! Okay I gotta stop hahaha But really I'd be touched with Anything!! What's absolutely fascinating about fic fan art is just, the tenderness of it, you know? Someone was moved so much about a moment that they sat down and drew something?! with their Own Free Time?! Okay I gotta...sit on the floor for a bit...consumed with feeling and the cycle of inspiration amongst artists across mediums

74 You’ve posted a fic anonymously. How would someone be able to guess that you’d written it? The...the length of the fic perhaps? Considering my most well known fic is known mainly for its length - I think its safe to say that might be a tell. HOWEVER I have been told on more than one occasion I have a specific writing tone or 'voice' -that could be it as well!

(♡˙︶˙♡) Thank you so much again for your ask!! ♡ They were fun to answer!

Best wishes! ♡

[cielospeaks]

and this time for the real yr in review!

statistics:

grade- no grade babyyy im an adult (but no. im working. lol)

how i spent birthday- actually did something for once! got together w a friend and went to the conan cafe + conan movie! it was fun!

first date to come to mind- oh its gotta be jan 18

why?- using expert (average) strategy i had calculated it to be my only day to go to nwh at an imax theater in order to get the past 8:00 discount and the free stickers. turned out i had work which i wasnt told abt but that was ok bc like i said the movie was at 8. went leisurely shopping in seria and went to royal host tho i had no appetite bc of nwh hype and also i was reading death on the nile. then the imax show was amazing and i still have the stickers, they are my prized possession

something u gave up- i think i gave up caring abt fgo plot bc it all sucks lol. but actually i switched jobs. turned out it was not better, but not worse. absolutely necessary but there are still problems. but thats for me this year to figure out.

someone hot- like :/ how you gotta tell me this. i do completely platonically think the characters from that movie were hot/attractive/nice to look at. theyre just there and im down to see their shenanigans.

best media- i really liked reading mysteries oh my gosh. also seeing the raimiverse movies at last was very good.

worst media- i think its gotta be g b f. like. g o is bad but ive known it would be bad, so its not really notably so. f e h is the same way, like b6 was bad, the tempest trial painted its protagonist in a disfavorable light, but tbh i didnt mind it bc everyone stayed in character unlike last years. g b f has characters as interesting as captain fucking nemo and messes it up. i think the one event i didnt dislike this year was the disciples one and that was just bc it was true neutral. no big bad, no “oh player character you’re so op swoons”, no hamfisted morals, no fetishizing actual problems people face irl, and thats considered a win. not like i like g b f writing considering i stopped playing around the muse event, but they messed with garebear specifically so they earn my ire.

favorite things overall- idk. i wouldnt say favorite bc its actually really frustrating but i feel like having to face more like. irl problems (like mortality, the passage of time, interpersonal strain, ect) is good for me. i dont like it ofc but i do care about people around me so for their sake and my own i need to deal with these too, rather than just get pissed off abt second rate authors of games. that being said a real favorite thing (tho even thats a little bittersweet) was def n w h. like from january to the summer at least i was on a high feeling of hype and happiness abt the story and overarching franchise. im still not a m c u enjoyer but im a huge nwh fan. oh and also things like the g b f museum and g o fest turned out to be surprisingly like. super fun! so that was great!

what ur looking forward to next yr- its up in the air now but itd be nice to get a steady job that pays decently and covers things but doesnt sign me up for things i cant afford. like that would be ideal and id like it to happen. but again idk. i guess im looking forward to seeing what the year holds, good or bad, and trying to make the most of what happens. idk i cant think of anything in particular. except junko nendoroid. oh and sal and izou standies w my gofest goods! and the conan movie! and- (cut off rambling abt fandom stuff)

[retrogradedreaming]

With the way the series likes to play with parallel imagery, do you think we'll end up with a scene in Season 2 mirroring Jayce's S1 trial, but with Viktor getting banished?

Ohhh I hadn't even thought of this!! I've only watched the show one and a half times, I've never played LoL, and I don't know much of the lore, so take what I say with a grain of salt.

My short answer is no.

My slightly more thought out answer is that Viktor is so often overlooked in S1 that I don't think they'd figure out he's doing anything concerning until it was beyond the point where anyone could do anything about it. He's already doing dangerous experiments on himself, largely BECAUSE everyone else is like "oh well, guess you'll die" and the only one besides Viktor who even seems to want to help him is Jayce, who is distracted by a bunch of other things, and even more so the longer he stays on the council and gets involved in other things.

Aside from that, people have always treated Jayce as the face of Hextech while Viktor is treated as Jayce's assistant more than his partner. Which isn't all that surprising, given how the world treats disabled and chronically ill people, and I think that would play into how they would treat him if he were discovered to be doing something dangerous (as in, it would be treated like "oh he can't do something like THAT," kind of in the same vein as people think Viktor keeps Jayce in line - which I know isn't SAID in canon, but. I believe it).

I don't think they'd banish him, at least not right away, and it might become impossible for them to banish him, depending on what kinds of advancements he makes (I don't know much about the Machine Herald stuff other than...Viktor becomes that - I don't know how, though, so if someone else does, feel free to come in and just overwrite everything after this point). I could see him becoming more powerful than they expect (again, since they've sidelined him this whole time), and by the time they're like "hm wow this is some kinda problem" Viktor would already have planned what to do next.

I also think he's got a gift for working himself into and out of situations as necessary. He has a sharp wit, he knows the system, he knows what people expect and how to catch them off guard, and he's dying (which someone else pointed out in another post is basically like...we're seeing him at his most desperate, and he'll do anything to stay alive and keep doing magical science). Viktor is so fucking smart and he knows it, but he's not egotistical about it (HE doesn't sign every page of his notes), and I think that works to his advantage when it comes to things like getting himself out of certain situations.

Plus, I think Jayce would advocate for him here. He'd find a way to buy time for Viktor, even if Jayce isn't the one "saving" him. But I think whatever he does would encourage the rest of the council to be like "well, we can't benefit as much without this guy." So that would probably discourage them from banishing him, because if the council sees that Viktor is a way to make Piltover and themselves richer, they'd be more hesitant to remove him from the equation. This would, of course, backfire, because Viktor is so dedicated to science for its own sake and for the sake of bettering the lives of people beyond the already rich that after a point, I think he'd stop caring what they want him to do.

Anyway, that was a long tangent, but basically I think that because people already sideline him, they wouldn't bother trying to banish him. They'd probably try to deal with it quietly/behind the scenes, and then by the time they actually figured out there's a real problem, Viktor would just be like "no" and do whatever he wanted anyway.

[emmys-grimoire]

Lesson 48 - Oop

The cursed karaoke continues.

And jealousy brews.

Lucifer is up!

Can’t wait to see him flail and--

YOU ASSHOLES!

I WAS LOOKING FORWARD TO BAD LUCIFER SINGING, TOO.

They yeeted Lucifer immediately when his turn came up, after he admits he isn’t the best singer.

This game just can’t make him look bad, can it?

I was hoping Diavolo wouldn’t just offer the limp platitudes we’re limited to and I wasn’t disappointed. The guy is good at dishing out genuine praise. Lucifer can take a page or two out of his book, honestly; positive reinforcement can make all the difference.

They take too long to discuss their plans and Crowe makes Diavolo sing next with a randomly picked song, in spite of Levi’s protestations. Diavolo aces the song... and gets yeeted too anyway. MC and Levi are free to leave, but without Diavolo + his brothers. Levi is less than thrilled, and insists on freeing them. He sings, and they’re freed.

Yaaay.

Levi then goes to hole himself up in his room again.

D’aaaw. Now I feel bad, because we’re then immediately paged by Diavolo.

And guess what...

IT WAS HIS PLAN ALL ALONG, OF COURSE.

You know, one of these days this curiosity is gonna backfire and have nasty consequences, but he has such a sad puppy dog face that it’s impossible to stay annoyed at him.

Though he does have a time-travelling butler that can go back and just reverse anything bad that may happen... Diavolo is really, really spoiled in this sense. Others -- say Solomon and Michael -- don’t have such a tool at their disposal; their mistakes stick.

You are lol

But it’s okay. It’s not like cursed karaoke is a matter of life or death. And Levi got to be the hero for once.

Ahh, the jealousy is rearing its head again and making Diavolo act out to get MC’s attention.

It’s getting dangerously close to a full-fledged confession. He’s intent on continuing but then --

*RECORD SCRATCH*

Oops.

This definitely isn’t going to cause problems.

It turns out that Diavolo is the owner of a hotel chain in the human world and due to Barbatos’s mishap, he was allowed to make his official debut on television. Both realms are making business inroads into the human world now so it gives them an excuse to continue hanging around MC.

Belphegor accuses Diavolo of taking advantage of Barbatos’s mistake and Diavolo sort of bristles lol. He’s not wrong, though. That’s the thing with Belphie: he’s an asshole, but he’s usually dropping facts.

Diavolo says he wants to continue the conversation where they left off, and Lucy gets all weird and ellipsis about it... but all he does is give MC the second star they need for their exam. Apparently all that was the trial of generosity/charity.

It never fails to amaze me just how bad of a liar Lucifer is. You can tell through his texts.

You know how they were hyping up a big fight happening between Diavolo and Lucifer in season 2 that didn’t really happen? I wonder if this is a prelude to an actual fight, because it’s feeling like it. Diavolo can trigger Lucifer’s insecurities in a way his brothers simply can’t, and it’s particularly tangled because Lucifer is oathbound to obey Diavolo. Poor guy, he can no longer take solace in the mistaken belief that he is inherently better than all of his romantic rivals.

The next lesson is going to be interesting. Thankfully, the boss fight this time was much easier than the last two.

[caguaydreams]

A thorough analysis on why Vah Medoh’s dungeon theme makes me want to cry

Yep, that’s an accurate title. Hi there! do you have a moment to hear about Breath of The Wild soundtrack? posting for yet a third time in hopes that tumblr won't hide it. I'm so tired

What started as a quick and harmless post, pretending to simply point out a couple of things, rolled downhill, out of my grasp and turned into a massive snowball of a short essay. How and why did this happen? Well, I assume a lot of people know about this song, and know what I’m talking about when I say that it makes me tear up and sob uncontrollably with every change in key as the seconds tick by and I spiral down into a dwell of misery from where I struggle to find the exit and to later recover.

……No?…..At the VERY LEAST it makes you a little uncomfortable. And I state this with much certainty, because after reading hundreds of comments everywhere online where this song is present, I picked up on a vast majority of people who expressed to feel the same way I did when it came down to our current music subject. See, statistics don’t lie… normally. So, naturally, my intrigue got the best of me. I wanted to find out exactly why this soundtrack was mercilessly stirring up everyone’s emotions, so I caved in and we ended up with this.

Buckle in, fellas.

Out of all Divine Beasts’ dungeon themes, Vah Medoh’s is the one that I can’t sit through. Not without growing antsy and wanting to turn it off as soon as possible. I find it genuinely difficult to listen to, and it’s not only because Revali is my favorite character and the song is just, plainly put, depressing, mind you.

We’ll start from 0 terminals activated.

It opens up similar to the other three dungeon themes; the pace is slow but eerie, gives off the impression that it sounds broken somehow. Something is off here, and it’s easy to figure out what that is from the get go: you’re basically entering a majestic, ancient, mechanical mausoleum, where everything went terribly wrong a century ago. Someone is gone, someone you knew, someone who was probably close to you, but it’s impossible to be sure. You don’t remember a thing, and this entire ordeal is confusing at best, and terrifying at worst. It’s your duty to make things right again.

It’s the same for all four Divine Beasts upon entering, save for the obvious little differences that separates them from each other and make them unique. Ruta’s is played on a major key, adhering to a sense of hopefulness. Naboris’s begins with a startling smashing of the piano keys, much like thunder of a sudden lighting strike. And Rudania’s theme starts threatening, dangerous, like scalding lava.

But now, back to Vah Medoh. The tone here is… alienating. The dissonant chords are all over the place, and feel disconnected, cold. It’s almost as if someone doesn’t want us to be here, or just like the elusive key, our presence is unexpected. Fitting, for a Divine Beast that’s high above the land, impossible for most to reach, yet we somehow made it. Apart from the piano, we have the occasional hint to rito culture, in the shape of a short, synthetic version of the rolled chords at the very beginning of Rito Village. A quiet reminder of where we come from. There is also, of course, the morse code distress signal, but we’ll talk more about that later.

As soon as this formal introduction is over, we finally get to the more, say, intimate stuff. Oh, and wouldn’t you know, it’s just tragic.

One terminal activated.

There’s no better short way I can describe this passage, other than anxiety-inducing. Especially when the strings come into play, and there’s two reasons I can think of why I feel this is an important thing to point out:

1- Characters and Symbolism.

I tend to associate stringed instruments, all of those which compose the violin family, with rito culture. And Revali, most specifically. In Creating a Champion we can see the early concept art and designs for all or most major characters in the game, and Revali’s highlighted rough design might be the one that changed the most throughout proper development of the character, out of all champions. He looks quite different from our usual depiction of him, it’s fascinating. What truly catches my eye, however, is the design of his bow.

You thought bird puns were bad? Oh boy, how do you feel about Revali having a bow that looks like a violin/cello/viola??? And do you need a bow to play it also??? Like, is it even an instrument or it’s nothing more than a mere fashion statement?-

Anyway. I believe this was originally going to be a not-so-subtle wink to rito culture, being heavily musically inclined as we can see and conclude for ourselves. Perhaps Revali was going to be a musician as well, now how cool it that!

Needless to say, the idea was eventually scrapped. But one detail I am CERTAIN carried over to the character we know and love today(okay not all of us love him but seriously if you dislike him why are you still here lol): strings. The association between bows(weapon) and stringed instruments, aside from being a quite clever and creative one, goes beyond the concept art and remains strong as part of Revali’s character, settling for having a presence via score. After all, Revali is a master of archery, so in that way it makes sense to keep strings as symbolism to reinforce the idea and drive it home.

But can you guess what other thing Revali excels at? That’s right: flying. He’s the only rito we know of who successfully managed to take advantage of wind currents and bend them to his will. And do you know what musical instruments are often used to evoke the feeling of flight and gale? If you thought of bowed strings, you’re correct! Unfortunately, I couldn’t find much support on this topic online, so you’ll have to take my word for it. I am most certain that this is fact, although not something worth discussing on the Internet, by the looks of it.

Anyhow, violins/cellos/etc are ever-present whenever we’re close to Rito Village or dealing with a rito related mission. Attack on Vah Medoh, for example, features a sequence of strings that is meant to evoke the strong winds we’re fighting against in that particular moment(*). Another great example is The Final Trial, the song that plays at the shrine of resurrection nearing the end of the Champions’ Ballad. Preceding the activation of each terminal, you’ll notice that a new instrumental element joins the crowd: the first one corresponds to the tambourines, related to the zora and Mipha; the second one are strings, referencing the rito and Revali, etc. I tell you, the moment I heard this during the trial I almost started crying like a baby. And, although strings have a lot to do with Rito culture in general, they tie most strongly to Revali, since he was the champion of his people, and his legacy carried over throughout the years. His accomplishments became material of folk tale, a legend, a source of pride and inspiration for the village. And let’s not forget that, at the end of the day, Revali is the crucial and foremost connection Link has to this place. Other than appeasing Vah Medoh, Link’s responsibility here is to free his past fellow champion’s spirit from Ganon’s malice. The soundtrack is referencing Revali first, and by extension his devotion to his home.

With all that in mind, let’s move on to our next point:

2- Nowhere to Go.

You shoot the canons, land on top of the Divine Beast, do what you gotta do, activate the first terminal and the soundtrack goes off unannounced. Like some sort of surprise anxiety bomb. The rhythm turns fast, the melody erratic, incredibly desperate in its execution. There’s this sheer despair, fear, this feeling of suffocation almost, which are so well achieved in this particular piece.

And that is, partially, because a quite familiar resource is used here as well; one that we’ve heard before in songs such as Rito Village or Revali’s theme. You could even think of it as a motif: two notes are played in an semitone interval, repeatedly and in quick succession. For the sake of later convenience, we’ll call this the Flight Motif, now let me explain why. In Breath of The Wild, this semitone loop is often followed up by some form of resolution. In Rito Village, formerly known as Dragon Roost Island(**), that resolution consists of a graceful descent of the melody, from a high that was built up previously during the motif. On the other hand, if you listen to Revali’s theme, you’ll notice that the interval repeats itself for a couple of times as thought charging up, to then rise fast and determined into a triumphal reprise of Revali’s distinctive assigned melody. This juxtaposition supposes the difference that lays between common rito flight and Revali’s trademark ability; both musical sequences are speaking of flight, albeit in two different languages depending on the way to achieve it. While the rito traditionally use their wings to glide and let themselves get swayed by the air currents Buzz Lightyear style, Revali takes full advantage of his flying capabilities to somehow create an updraft of his own, rising meters above the ground whenever he likes or needs to.

So, now that I layed out my base of thought when focusing on the strings, this’ll be much easier to explain. We’ve settled what the instruments themselves are a symbolic representation of Revali, in this scenario specifically. He was the only one inside Vah Medoh, and the score is, in a way, a retelling of what we can vaguely assume went down here during the Great Calamity, as much as it is what sets the tone and ambience for Link’s mission. But what are we hearing exactly? What we talked about, the Flight Motif, is being repeated nonstop. And that’s the thing, remember how I mentioned that this sequence usually finds resolution at the end? Well. Inside Vah Medoh,… it never does. The melody picks up in numerous occasions, but it’s not nearly as graceful, or calculated, as we’ve grown used to by now. It gets tangled and lost, and then inevitably falls to the ground in disarray. The pattern repeats itself, reaching higher after a handful of failed attempts, but no matter how much it tries, the cycle never ends. What used to tell us about flying and freedom in the skies, has morphed into an almost sinister musical incarnation of a tornado, and there is no way out of this trap. What do you think it must feel like to mindlessly flap your wings against wind currents so strong and violent, that it is impossible to get anywhere nearby, let alone take off every time you lose your balance. Or every time you’re shot down. On top of that, trying to aim and fight back in whatever short breaks and opportunities you get, at an enemy that’s much more powerful and relentless, who’s using your own element as a weapon to destroy you… it’s a risk Revali surely had to take in order to put up a fight. Even knowing full well that the odds were not in his favour, that he was most likely going to lose this battle, that he was going to die. Let that sink in. I’ll skip the activation of the second terminal, since there’s barely any change registered in the theme in general. So-

Three terminals activated.

I know this post is supposed to be a breakdown of the song purely, but that doesn’t mean there’s no place for a little theorising, and the following scrutiny is also quite relevant for our discussion. Bear with me for a bit. I’ve read almost everywhere about people’s most common interpretations on the Divine Beasts SOS signals, and how everyone thinks that Revali’s coming in last (a few seconds later than the other champions) has to do with him holding on for longer. Or, also, overconfident as he was, it means that the idea of calling out for additional support didn’t cross his mind until it was too late, and that’s why the beeping sounds more frantic and panicked than the others’ when it does appear. After giving it some thought myself, I’m betting on the latter option holding more ground, and that’s not all. I want to touch upon a detail of the piece that I never acknowledged was there until very recently(after seeing myself obliged to listen to this song fully and a handful of times, suffering every minute of it for the sole purpose of this analysis. It’s okay I didn’t need my heart anyway). Soon after activating the third terminal, the SOS signal disappears, or grows distant and faint enough that we can’t make it out from the background anymore. In its place, we’re confronted by this… shrill, piercing and painfully slow tune. It sounds synthetic, artificial, devoid of life. And it’s funny, because you know what it reminds me of? I’ll tell you:

A heartbeat flatline sound.

And I want to highlight that this doesn’t happen in any of the other Divine Beasts themes. All their SOS signals carry on, but Medoh’s is no more. This abrupt stop, followed by this bone-chilling tune…. makes me believe that Revali was the first of the champions to fall. A few days ago I came across SuperZeldaGirl’s video on a similar topic, theorising that this could very much be the case. There is not much evidence to support this claim other than some visual cues that could be suggesting to it, but after I found this in the soundtrack, and if we’re to rely on it for anything, I believe Revali was either the first champion to be ambushed by Ganon, or well…. the first to be killed. It is plausible, because short after Calamity Ganon unleashes his power, Revali parts from the group and flies directly to Vah Medoh, and he very well could’ve been the first pilot to arrive.

On this note…. we’ll have to wait and see for ourselves, when Age of Calamity provides long-awaited answers to many of our questions.

Four terminals activated.

An interesting melody is being played on what, for me, would qualify as a glockenspiel or a celesta, which are keyboard based instruments that produce a sound similar to that of a music box(***). If you want to pay more attention to it, I suggest listening to Vetrom’s Instrumental Mix Cover of the theme, where they practically zoom in on this part of the song (keep in mind that it uses the All Terminals’ time signature so it’s being played faster). For some reason, this particular addition makes me feel profound empathy. The sound of this instrument could be described as cute or childlike, magical, even. It is more often than not used to represent innocence, but I highly doubt that’s specifically the intention here. Much like the leading strings’ melody, the melodic contour of this one is trapped in a loop of going up and down constantly, but the difference is that this time around it sounds more under control. And much more uniform too. It doesn’t lose focus or takes risky, fruitless leaps, but rather chooses to stay on a path of waves that consistently rises and falls without taking detours. Like a determined battle strategy, giving it your all. You fall, but get back up again, and try again, and again. It reminds me of Revali’s approach to training, being persistent to the point of overworking himself. He had discipline nailed down to a tee, which I also think served him well in combat. It’s not just about being hard on yourself, either, but being confident and having complete faith in your abilities; believing that you’ll make it.  For this to appear now, that the SOS signal is almost completely gone, is significant because it means that by this point, being so close to success on Link’s behalf, the music is sparing genuine encouragement for once, in spite of the tragic outcome of the past and the danger of the current situation. But, in all honesty, this is probably just me reading too much into it. Perhaps the composer just thought this addition sounded pretty bitching and there’s not much else to it, which is completely fine. Although, intentional or not, sometimes coincidences do happen, and at the end of the day, interpretations like this are a form of appreciation for an artist’s work and for what they can unknowingly accomplish.

All terminals activated.

This is the moment when the song finally lightens up. Notice how the strings abandon the wave pattern for a more even contour. The beat quickens, the melody stabilizes. At first I thought, coming from our flight analogy, that this meant a cease in movement entirely, and it was partly one of the reasons why the song in general makes me anxious. But thinking about it now, …there is something different going on here. The strings are playing on a steady rhythm. It resembles a march, it’s like a pounding heart. It’s a lively, hopeful statement. And what’s interesting is that, up until this point, there was so much fear and helplessness present in the score, even going as far as to reach a dead end when we activate the third terminal. But that’s it, isn’t it? the music just keeps going further. 

It’s saying: this isn’t over yet. Even after complete and utter defeat, there’s still hope and an underlying wish to overcome this predicament, and we started to hear this as soon as a fourth terminal is activated. The melody we previously talked about? it’s here as well, and its beat is much more daring and confident.

And I just want to say… this is so powerful. Because this sentiment is deeply tied to the game’s story and Revali’s character arc. You see, he is introduced as someone who resents Link for being the manifestation of his failure, in a way, because Revali has trained arduously his whole life to be where he is, to be recognised. And yet… this hylian gets chosen by a magic sword and some tale of divine destiny and, apparently, that’s all it takes for him to be deemed the hero that will save the land. In Revali’s eyes, Link has done nothing to prove his worth before him, so it is easy to see why he despises the silent knight so much; he is yet another individual that was born into their destiny. Meanwhile, Revali has had to build his reputation from the ground up, earning him a place among the greatest warriors of Hyrule, and even then he finds himself surrounded by people who grew up praised for being born gifted.  We can see how Revali is the odd one out, and can map out the reason for him acting so antagonistic towards Link.

But once we’re on Medoh, things start to change. When Link enters the Divine Beast, Revali greets him with disdain, as per usual. Of course, Link has no recollection of whatever happened a hundred years ago, other than a small glimpse of the rito champion talking down to him, a memory that came and went in a flash. So as Link, we more than expect Revali to act cold and mocking, which he does. He provides us with as little help as needed in order to free Medoh, reluctantly, shielding his wounded pride over having to wait for Link, of all people, to come to their rescue. But you can hear him starting to open up bit by bit(I wish I could translate his dialogue directly from Japanese but I’ll make do with a couple of dubs and other numerous sources from translators online). With each little step Link takes towards success, activating the terminals, the perception Revali has of him shifts from one of resentment to one of genuine admiration and respect. By the end of it all, he is willing to not only cheer on Link during the boss battle, but to trust him with his life’s worth achievement. And once left alone, he admits defeat and lets go of his bitterness, realising that he was wrong to underestimate Link, and later wishes he could’ve had a chance to measured up to him. To take all of this into consideration and work with it in the soundtrack I think it’s genuinely splendid. And for once, I am grateful that it ends in somewhat of a positive note that puts my soul to rest. I still have a hard time listening to the first two thirds of the entire thing, but now I can look forward to a hopeful and earnestly heartening conclusion for all the pain that this composition puts me in. I must admit that it’s beautifully and brilliantly crafted, and that I am enamoured of it regardless.

That is why I wrote roughly 4k words about it! I hate myself!

If you’re as crazy as me about the soundtrack of this game, I recommend you read the published cd interview with the composers themselves! if you haven’t already. I just found it yesterday(unbelievable but it’s true) and… after writing all of this and checking it out, I felt validated. It sure is a one of a kind feeling. 

Alright folks, we’ve made it to the end. Congratulations for sticking around and thanks being interested in my nonsensical rambling! 

I also hope that you, like me, will now be unable to listen to bowed strings without being reminded of Revali. Good luck!

————– Annotations/Sidenotes/Whatever

(*)The Flight Motif(in point number 2) is also present in this track. We can hear it in the background right after the Rito leitmotif, as per usual. It starts with a clarinet, I think, before the strings take the lead. (**) Note that the Flight Motif only comes into play in the Breath of The Wild rendition of the song. (***)I strongly associate this instrument with Mipha, given that it is used in her theme, in every “response” to the initial melody. It can be heard in Attack On Vah Ruta, as well, it enters the scene when the notes Mi(E) and Fa(F) are played. The initial tune, Si and Do(B and C) are played on a clarinet or oboe, wind instruments just like the flute that leads Sidon’s respective theme. The celesta can also be heard inside Vah Ruta, activating the first terminal…. when the song really takes a turn just like Medoh’s. Mipha has nothing to do with the song of this analysis, however. We must understand that instruments, although they are attached to characters/various story elements in some cases, can always be used outside of that context, for that is the nature of an orchestral soundtrack. If you have this many tools at your disposal, you will make good use of them.

[subtitledjerma]

is there somewhere you learned how to subtitle? i'm wanting to sub videos and clips, but really struggle to have a style as clean and accurate as i find yours

no, actually! ive been meaning to look more into it to make sure im doing it properly, but i honestly just started doing it how i thought it should be done, & i guess it worked LOL -- but i can share the software i use, which is filmora 9*. it has a default subtitle text overlay, so i just use a tweaked version of that. if people want, i can try to put together a visual tutorial on the steps i follow for timing the text & stuff!

past that, it’s just about transcribing and getting a feel for what’s accessible/easy to read. i try not to add anything unnecessary to the subtitles, and i try 2 keep it as faithful as possible to the audio without cluttering it. also thank you, im glad it reads as clean and accurate ^-^ !

*filmora 9 is paid & has a free trial version (i use the paid version). right now, the one-time fee is $60, + there’s subscription plans. you could pirate it, but idrk how many good torrents there are. THERE’S ALSO davinci resolve, which is totally free + known for being a rlly solid program. i haven’t used it (yet), but ik that it also has a subtitle feature. i would check this one out first since its free! i don’t know if it’s as user-friendly as filmora, but i’ve literally only seen good things about it, so...yea!

i hope this helps!

[washymylifeaway]

Haikyuu SakuAtsu fanfic recs: series edition ;)

ALRIGHT LOVES, BUCKLE UP! IM FORCING MYSELF TO FIND MOTIVATION LOL

As I was making that cursed SakuAtsu fanfic rec post (it really is cursed, but it’ll get done eventually cause I do love the SakuAtsu too much, when tho? only god know LOL), I decided that if I’m gonna finish it, imma have to break it up. SO that’s why this is our lovely series edition post LOL. Originally, it WAS writers, tags, series, then single fics BUT I decided to scrap tags and even then I was like it’s too long..... And so, this post materialized LOL (mayhaps writers next? who knows anymore cause I certainly don’t LOL). These are ONLY some of the series that I absolutely adore, and I say some because 1) the tag is literally like 4k fics long and I was on like page 20 something and I have SO many tabs open rn for SakuAtsu, so chances are I missed one or five LOL :’((((( and 2) my ao3 account hasn’t been made yet (should’ve done this a looooooong time ago) and so I don’t have them all saved anywhere :( (these just sound like excuses LMFAO) So these are just the ones I saw and was like OOP I LOVE and then added LOL (and so they’re in no particular order hehe). I also didn’t *** any of them cause they’re all so freakin good and even if you randomly chose one, you will not be disappointed.

As per usual, pls check WARNINGS, TAGS, and SUMMARIES for series and each individual fic before reading and make sure you’re taking care of yourselves (since mental health is key!) Stay healthy loves <3

I would also be more careful cause there are a lot more TW in these fics than other ships!

Terminal Curiosity by favspacetwink, moonlumie (E) // CHECK WARINGS, TAGS, and SUMMARIES!!! this is one of the BEST series I’ve read for this ship and even though I tend not to read WIP, IT’S WORTH IT! Please read ALL the tags before going into any of the fics in this series because there’s some real spicy stuff that may not be your cup of tea!

your highs and lows by astroeulogy (T,M,E) // this fic made me go on a roller coaster of feels from start to (tentative) finish :))) It’s great and I love it AHHHHH The progression in their relationship is just so ajfkjsf, and I just adore how Atsumu just broke(?) during that first fic and the number of double takes he did, v relatable LOL.

Different Kinds of Dysfunctional by DeathBelle (T,E) // I LOVE the entrance to this fic and how it flowed so well. I think Atsumu is characterized really well throughout this series (I could totally see Atsumu bringing the same thing up over and over again LOL), and his development was done beautifully (You just want to make me say it.,,, Kinda, yeah.). I really freakin love this series so please go ahead and read it don’t be shy hehehe.

we call everything on the ice, "love" by awkwardedgeworth (T) // I LOVE this fic omg,,, it’s in series, but it’s only two fics LOL... Anyway, Notte Stellata is one of my favorite SakuAtsu fics and I have reread it way TOO many times and the fanpage fic IS SO AMAZING (AND FUNNY ASF PLS). I really love ice skating AU’s too so this really made this ‘series’ all the more better <333333

know you better & related stories by theglitterati (T,M,E) // this is definitely one of the best relationship development series I’ve read, I love it so much! It really touches all the bases, and the progression is just SO good. It really is the fic version of the get along shirt, extended edition LOL.

flutterbird (a collection of sakuatsu one-shots) by wordstruck (T,M,E) // this series is such an easy pick up because it’s a bunch of one-shots (esp. if you’re not into smut cause there is some), BUT all of them are def worth a read. Personally, the third one, the sakusa kiyoomi listography, is my favorite (cause imma sucker for Sakusa), but that’s just personal preference hehe :)

Atsumu + Sakusa + The National = ? by isaksara (syailendra) (T,M) // this is another stand alone fic series but with AUs :D I don’t even know like most (ie. all) of the references (LMFAO), but I still read all of them LOL. Again, a personal favorite (without any references LOL) is the second one, famous angels (never come through england), it’s really funny and good and I just love it okay?

Better For Us Both by abrandnewheart (M) // (this was CP from my angst fic rec post LOL tho it is slightly edited cause istg my writing style changes every post LOL) THE MUG FIC. There is a sequel and when I saw it, it took me another week to read it cause I was like,,, am I ready to have my heart break again? No LOL. But the sequel is actually not as angst (but there’s still angst), so if you want to be like semi-broken or whatever, just read the sequel LOL (also it’s Sakusa POV HEHE). It’s so sad and it made me physically hurt every time someone even mentioned mugs afterwards (LOL why am I so dramatic but it’s the truth :///). Go ahead and hurt with me. You should read it even if you don’t like angst because you know what they say, no pain no gain :’)

parallax error: angle of inclination by min_mintobe (T) // okay so technically this ‘isn’t a series’, but it is two fic that are related, and what is that if not A SERIES :DDDDD Anyway, I really love this fic enough that I would find loopholes in my own dang post to recommend it LOL. I really love the service ace bet between Sakusa and Atsumu (I do think it is a superior headcannon (it’s hc right?)) but I also love what’s left unsaid by both in each other’s POVs hehe. If you want to go straight to Sakusa’s POV (cause their different POVs of the same fic), here it is parallax error: line of sight. You can read either first, but I recommend you read both eventually :)

to make any other mistake by honeymilktea (rosevtea) (T) // I, myself, am a very big fan of college Haikyuu (tho idk if it seems like that LOL), and this fic is very much up my alley hehe. I really like the idea that they are both TA’s and that Atsumu would totally bribe Sakusa into fake dating him as well as Sakusa wearing his brightest outfits to spite Atsumu.

How Do You Know? by awkwardedgeworth (T) // these fics are both so funny omg. The google search histories, the trial and error, and just everything in these two fics gives me so much dopamine LOL. There’s one POV for both end of the ship, though their tragedies are slightly different.

the human disaster chronicles by firtree (G,T) // is this another Atsumu gay panic fic? Yes, yes it is and I have absolutely no shame in recommending it hehe. I realllllllly like this fic and Atsumu having a break down cause Sakusa didn’t follow his routine? It is the move. Anyway, pls read this series cause like the title suggests, it really is a disaster (but at least there’s love right? LOL).

I Love You (Though it's Inadvisable) by Anubis_2701 (T) // okay the series itself is a wip (as in only one fic for now LOL), but the fic is so good, I couldn’t leave it off :))))) First, I do love a good soulmate AU and although I’m not a big fan on the body switching AUs, THIS one was SO good!!! It gets really cheesy and fluff at the end, but the beginning of this fic was just so immaculate, that we’re gonna ignore how much the ending made me want to stick my head into a hole (cause it was so FLUFF OMG).

The Germaphobe and the Asshole by metaandpotatoes (T,E) // so this series is also actually a WIP, but it’s okay I only read the first and the last one anyway cause they’re basically stand alone’s LOL. This series focuses a lot on Sakusa’s mysophobia, so if you’re not a fan of the hc, you should prolly pass hehe. TBH, my favorite is the third one, Avoidance Behavior, but that’s mainly cause I really like SunaOsa and I love the brother bond in it!

you are the cause of my euphoria by SugarHighs (T) // ajsfljksadhjkdfk is my first thoughts while reading this series cause ATSUMU WOULD. He would start posting thirst trap pics (which really reminded me of Wonho) in order to prove he was the most good looking member of MSBY. Tho, we do love the clowning of one Sakusa Kiyoomi, as done in the third fic (PLEASE NUMBER 17 AND Cheezel). Even if you can’t get yourself to read the other fics, read the third one, 5 Ways To Tell If The Person You're Dating Is The One, for the free serotonin boost plsplspls.

'basis' - noun. the underlying foundation for an idea or process. by auvelli (T) // like I said, college AU is a great AU, love it. This one, I do love indeed. We do stan having microwaves and mini fridges hehe. I support the ramen endeavors but oatmeal is gross, I said what I said. Anyway, I love the tags in the second fic, so even if you don’t end up reading it, read the tags,,,, they’re funny okay?

and i press you to the pages of my heart by volchitsae (T) // I LOVE THIS ONE, teehee again the college AU makes another appearance LOL. I REALLY love this writer, and this one is so funny but cute at the same time. It’s another two POV fic, but you’ll want to read this one in order hehe. Again, the ending is so FLUFF, that my head wanted to take a visit to the underground BUT ITS OKAY.

affection and acid reflux by volchitsae (T) // so the first fic is ~angst~ but IT GETS BETTER OKAY, happy endings. HAPPY ENDINGS. Anyway, there’s some really cute Sakusa in this one (esp. when he talks to the boy at the village LOVE HIM) and a healthy amount of angst as well. I really like this fic and guess what it is? Say it with me, COLLEGE AU LOL.

how big the hourglass, how deep the sand by volchitsae (E) // did I just recommend the same writer three times in a row? Yup and I think that says something LOL (tbh I like some of their stand alone fics more tho LMFAO but that doesn’t mean these series are bad nononono not at ALL (this sounded sarcastic but that was not the intention LOL)). This one is ~magical~ (v literally) and has some kinky stuff (holy water ftw) in it, so tread carefully :) I would make sure to read the tags before each one because it gets kinda steamy LOL.

^^ if I had to choose between these three, I liked and i press you to the pages of my heart the most just cause the plot was my type LOL. But they’re all good hehe.

a study on you(th) and reverie by sieges (G,T) // this series is such a sad series :( The first two are the only SakuAtsu but the third one is an angst Osamu one so there’s that LOL (and ofc the fourth one is KuniYama (is that their ship name idk)) But the first one is a moving on fic (which I liked) and the second is like basically a fake break up (which I liked more LOL) and both have some nice shares of angst and fluff so choose your battles wisely (or just read both LOL).

Burden of Blame by DeathBelle (E) // CHECK WARINGS, TAGS, and SUMMARIES!!! ah yes, the mafia fic LOL. I REALLY LOVE THIS FIC. I felt so bad for Atsumu the entire fic and yes it is, ATSUMU BEST BOY time. Did I really just recommend this series AGAIN for the THIRD TIME in THREE SEPARATE POSTS? Apparently LMFAO I didn’t even know TBH LOL. I just really like this one,,,,,, okay? But pls Atsumu just here for the ride man cause he BEST BOY. Anyway, if you want to see my other comments of this fic that I forgot I did links here :D (links and here are two separate links to two separate posts LOL).

OKAY so that’s most of the series that I saw and was like gotta put this here LOL. And do you see how long this is (I know I’m missing so many series I like istg when I find them later imma cry or just make another post LOL).... Can you imagine how long my actual fic fic one is LOL (i’m not kidding tho it’s so long I might just do fics with their actual summaries instead of adding my invalid, piss poor reviews :/). Ugh the more I think about it, the more I lose motivation to finish LMFAO, so imma go be no thoughts head empty, but I hope you enjoyed reading these series! I love SakuAtsu SO much, so there’s lots more to come (is that good or bad idek). I know I was kinda lazy on the warnings (my bad), so I hope you all were attentive and made sure to check before reading! Also if there are any errors, send me a message/ask! PLS, they’re v embarrassing LOL. (Also tell me if I forget to cap my I’s bc I do that sometimes and I can’t tell cause of the font LMFAO.) The way my posts get slightly more chaotic every time I post LOL.