Panels. | Series
panel. in manga art, panels refers to the frame that wraps around one moment in time.
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an original Haikyū AU pairing Udai Tenma (the og little giant)
warning!! : containing some manga content.
word count : 3540
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Panel - 1
“Udai-san, this part and this one need to be reworked.”
“Which one?”
The guy with shoulder-length curly hair shifted, almost sending his chair to fly closer to the serious, glasses-guy. His face serious and his tone polite and organized, while beside him, the curly guy in his hoodie is casually listening to everything he says like an obedient puppy.
“The monologue is too long. It seems unnecessary and a waste of time. That’s it from me.”
“Akaashi-san, don’t you at least have something nicer to say to me?”
“That was the nicest I could be.”
“Geh.”
The curly black haired guy was, Udai Tenma, next to him was Akaashi Keiji, the editor.
Akaashi sighs, “There is also one thing I couldn’t agree with on the next page.”
“Which one?”
“This one.”
Following the editor’s finger pointing at a panel, Udai seriously listened to the way Akaashi specified the whole scene as ‘overly exaggerated’.
“It’s either you come up with another idea to picture the entire event, or you find another way not to make this panel look like this.”
In other words, a just-cut-it-out-of-the-page-and-good-luck-coming-up-with-something-more-worth-publishing.
“Do you think so?”
A confirmation from Akaashi had Udai nod in understanding. He takes his phone out and notes down everything the editor said while casually listening and answering what he needs to answer.
After Akaashi wrapped the discussion up, Udai casually decides, “Alright. I’ll hand it in in two days.”
“No can do.”
“Eehhh?” Staring at the editor’s serious face, Udai insistsing, “Why not?”
The editor sighed before he starts, “You have a fansign next month for this edition. Everything has to be published by the end of this month. I can only accept tomorrow at the latest, at seven in the morning.”
Udai started to whine, dropping his head on the table after Akaashi made a decision on the deadline. But to what end, though? The deadline had been decided and the dearest charming editor, Akaashi Keiji, is simply someone too savage to give a damn about anything when it comes to the deadline.
In the end, Udai did have to work hard to finish the latest edition of the manga tomorrow morning at the required hour.
“I’ll see you tomorrow, Udai-san.”
Udai, with a helpless languid look, while hugging the manuscript sheet that Akaashi had corrected, turns around and stares at his editor pityingly. Still having a little determination to negotiate with the charming editor until there is a more humane leniency from him. He put on his most pathetic face in front of the editor, basically trying his best.
“If you understand, please go home and start working.”
Snorting, Udai jerks himself out of the room like some cranky bear, nearly flying, a little uprising against the unfair working hours. Or perhaps, he just hadn’t yet realized that everything is the result of his amazing skill to procrastinate and pile up all his work at one time, forgetting that he is only human and not a manga printing machine that can be pushed to go the extra mile.
But really, drawing is fun.
Since a long time ago, drawing had been an escape from fear, boredom, anxiety, and some random feelings that oftenly creeped up on him.
Whenever those unfamiliar, unpleasantly all too familiar feelings creeped into his mental frame, he would always tear up a piece of paper and start doodling. About anything. Whatever his eyes caught, or whatever his head imagined, or about some places wherever his brain took him to.
In the subtle sound when his pencil met the paper, there was the peace that flushed through, and it almost felt like he was in the heart of a serene forest. Then the chaos inside him would slowly die down.
There is peace in drawing.
Then here he was, back to the room where almost over twenty volumes of his manga were born. In a room where his pen met several strokes of paper in definite or indefinite lines, where his pen met the screen of his computer at busy hours before all those stories were brought to life as some book, namely manga, working for another extra special hour.
Udai Tenma was not a familiar name before the Zombie Knight Zom'bish manga became as famous as it is now. He was just a normal citizen, an ordinary guy living within the framework of a normal story somewhere in Tokyo.
Although he no longer yearns for those days, for those who still remember, they might recognize him better by a nickname other than his real name. Call it The Little Giant.
With that name, youths familiar with the volleyball of his day would immediately raise an eyebrow, amused, welcoming with a sky-rocketing expectation in the face of that particular figure who in his days was revered for his outstanding ability despite a fairly obvious weakness. The very figure to conquer the orange court of the famously annual national’s spring high volleyball tournament with some player known as the crows.
But those days are over.
Just like the beginning of a fiction novel, the past was left behind and the reader moves on to the next chapters, looking forward to what might lie ahead.
Udai Tenma is one of those readers who diligently turns the pages of the life story that fate had written for him.
His days as the little giant had come to an end when he decided to turn to the next chapter. Now, he is in the chapter where he is just the ordinary Udai Tenma, the manga artist Udai Tenma, living up to the result of his hard work creating over twenty volumes of manga, and is currently and will always be struggling with deadlines from his editor.
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Udai-san, the deadline is tomorrow by seven am in the dot. Please don’t be late.
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Udai grimaced as he read Akaashi’s message from the notification bar of his phone.
It’s not that he will pretend to be on a temporary memory-lost something funnier.
He is working hard.
Despite almost swallowing some of his curly strands as his mouth is busy munching some chips, his hands are busy working on what he had to fix on the entire panel.
“That damn Akaashi really is a dictator. He’s such a sadist. He really is one.”
His hands take a slight pause, scooping up a handful of chips that are almost gone on the other side of the table and feeding himself. He is busy. Very busy. Munching and working on those panels at the same time.
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Udai could barely finish the latest volume of his Zombie Knight Zom'bish.
He grimaced at the fact that the editor is a sadistic perfectionist who alwa time, valuing time too much.
Of all the things that made him grimace more was how Akashi was always she looked like a pathetic misfit every time he handed in a new script.
At first glance, while waiting for Akashi to finish scanning the revised panels with his eagle eyes that always demanded the best of the best that he, as the artist, could come up with, Udai's feet shuffled anxiously under the table as his brain roamed, thinking about whether Akashi Keiji had ever once looked as pathetic as himself right now.
When Akashi Keiji is working as an editor, the room will be so quiet that Udai swears he could hear a needle dropping from the next room. Udai was even convinced that the charming editor had stppped breathing to look for mistakes that aren't worth publishing, to make sure that they wouldn't slip away from his eyes. But honestly, if anything, Udai couldn’t ask for someone better than Akaashi Keiji of all people.
One of the reasons would be that, "There are chips in the second drawer."
Udai had a bad habit of biting his finger as he waited patiently for the dearest editor to do his job scanning over the revised book. And Akashi, surprise surprise, apparently had gotten used to that bad habit of the manga artist, so, amusingly, he prepared the chips in his drawer. Knowing well that the artist had a high level of addiction to msg.
There will always be only a chip in the drawer and that's for Udai.
The curly-haired guy swears that Akashi is probably a hero who only ate healthy food on a daily basis, probably had been sworn over whatever good and bad throughout the heavens and the earth that he shouldn't eat chips.
Witnessing the way Akaashi Keiji being such a perfectionist that he is, making Udai almost lost the last trace of worthiness in himself.
If Akaashi Keiji is just a normal human being, then it should be that Udai Tenma is just a trash.
"Akaashi-san, you're indeed the most understanding person I've ever met in my life."
"Please eat something more proper at home, Udai-san."
Munching, Udai glanced at Akashi and replied, "I eat properly. It's just that, it's not complete if I don't get chips in a day. It's like my brain's freezing."
He held the chips solemnly in his lap while gazing out the window of Akashi's room.
Tokyo was slowly getting to start its bustling, busy morning as he would soon take a rest after this all was over.
"If you eat chips and work hard for the next volume, I don't have anything to say."
"I eat chips while working."
"You've always been on more chewing terms than drawing."
"For the record, I came just in time before the deadline, Akaashi-san. Let's not forget about that."
Udai ignored that Akashi sighed just after he spoke. It was the loudest and clearest he ever heard.
It was quiet for some time until Akaashi turned the last page and all the checks were completed.
Glancing at the table, Udai was still half-chewing when he asked, “Are you finished, Akaashi-san?”
Akaashi confirms, then adds, “If there are no obstacles, the publication will proceed as scheduled.”
Udai nods, “I guess I can rest now.”
“Please.”
Udai almost complains, but instead he helps himself to stand up and excused himself. “Then. I’ll go home and rest. Ja ne, Akaashi-san. I’ll leave the rest to you.”
Udai had stepped away when Akaashi called out. So he stopped and turned back to the editor who immediately greeted him with a question.
“Are you free on the weekend?”
Udai frowns. He did not expect such a question coming from a guy at all.
“This weekend?”
Akaashi showed two tickets to Udai who was increasingly confused about what he was dealing with. “I got extra tickets for the theater show on the weekend.”
Udai paused for a moment, trying to figure out the best response in the midst of his confusion. Wait a minute. “We’re... going together?”
“No. I’m busy this weekend.”
Of course.
Udai feels betrayed by Akaashi’s flat, nonchalant answer. Something so obvious shouldn’t have been said out loud like that. And how do he explain this… he feels rejected and uncomfortable as his head went everywhere, to the most ridiculous things he could think of.
“You can go with anyone with those tickets.”
“Anyone?”
“Anyone. Someone of your friends or maybe your girlfriend.”
“Girlfriend?”
Then Akaashi’s question came like a bolt of lightning, “You don’t have something like that?”
Udai laughed blandly. “No.”
His laughter was gone but a smile was forced to line his lips when he rewarded the editor with a more or less the same question. “Why don’t you take your girlfriend instead?”
“I told you I’d be busy this weekend.”
Udai was caught off guard. He was half taken aback when he asked, “You have a girlfriend, Akaashi-san?”
“Yes.”
“Eeeehh? But who?” It would not be an exaggeration to say that Udai was almost shrieking at that surprisingly unexpected fact.
But on the other hand, Akaashi was too casual about it.
“Of course it’s none of your business.” The editor responded. This time he added, “If you can’t take these tickets, you’d better go home and rest. Please reduce your eye bags by getting enough sleep and eating regularly. Your fansign is next month, Udai-san.”
Udai laughed, he shook his head as he said, “Akaashi-san, you must have been a strict nerd with an angelic heart.”
“Thank you. I don’t know if I have ever been a nerd for even once.”
“Geeeh.”
Akaashi’s brows lifted, watching the curly-haired manga artist, “hm?”
Udai turned after bowing very politely to Akaashi, forcing the editor to return the bow properly. He then excused himself politely and closed the door very quietly. Weekly Shonen employs one hell of an editor and it’s Akaashi Keiji.
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After a long and fairly strict process, the 22nd volume of Zombie Knight Zomb’ish was finally released. Reader responses were varied, but positive responses dominated. Then after all the process was over, the long awaited fansign that had been scheduled had come.
If asked about how familiar he is with fansigns—given that he is a manga artist—then Udai would honestly say that to this day he is still unfamiliar with some interaction with fans or fan service in modern words.
At his first fansign, Udai barely said anything and just kept his head down, focusing on the part where the fans came to ask him to sign their books. It wasn’t until Akaashi came whispering to him, telling him what he should say and do when his fans came, that Udai improved.
It wasn’t just a newfound nervousness. Since long time ago, Udai had never been very good with people. He had never really grasped the full feeling of being attached to his surroundings. Or maybe, he had, but only briefly.
Today, however, as the manga artist Udai Tenma, when he was confronted with fans lined up to wait their turn for just a few seconds with him, he had to overcome that weakness of his.
Sitting behind the the table was Udai, dressed more neatly than usual: not in a hoodie or plain t-shirt wrapped in his usual dark jacket, but in a light blue shirt with the sleeves rolled up. His hair, well... his hair remained in its usual style. Only, this time, he tried his best to avoid Mr. Akaashi always-demanding-the-best-of-what-one-can-give Keiji protests by styling his hair a bit neater.
From beside the desk where he sat, it was Akaashi who stood watching him like an owl from time to time.
“Good afternoon, thank you for coming and reading Zombie Knight Zomb’ish!”
In front of him was a quiet middle school student, reminiscent of the days when he was a student: the aloof, hostile, not really stood out, high-schooler Udai Tenma.
Udai wrote down that fan’s name after he spelled it and signed in the same place as where he signed it to the fan before him after learning that he had no special requests. Just like that, the youngster excused himself quickly from the spotlight. Udai was intrigued by the bit of the past that the fan brought before him, catching a little fragment of himself that used to hate attention in more or less the same way.
His smile lingered as he greeted the next fan who was surprisingly excited to meet him. Without prompting, she expressed her thoughts on his work. It was always pleasant to hear some people express their likeness about how good his works are, but to hear someone passionately declare an addiction to his work was something quite ridiculous and amusing.
Just before security let the next fan in, from behind came Akaashi who commented, “At least that person won’t be having an msg overdose.”
Udai still had a chance to reply, “Come on! It’s not that I’m addicted to some weirder things.”
“Alright. Please turn around and say hello to your fans, Udai-san.”
Udai returned to being the manga artist his fans had been eager to meet.
“Good afternoon. Thank you for coming and thank you for always reading Zombie Knight Zomb'ish!”
Udai didn’t expect that someone would talk about anything other than how much they loved and appreciated his work. He did not expect that the day would come when one of his fans would say something about him.
“Seeing you in person really amazed me. You have a very handsome face and a very sweet personality.”
“Eh?”
Udai almost stopped when he realized that of all people, he was the one who objected most to what was said about him instead of feeling grateful that one of his many fans was saying nice things about him in person. No, instead he was amused at himself blushing over the unsubstantiated accusation.
He swore he wanted to say something in his defense if only their time was not up and he had to attend to the next fan immediately. In the end, in a low tone under his breath, Udai said, “You must have the wrong person.”
Behind him, he caught an amused huff that made him take the time to slightly threaten the dreamy editor through his gaze. He had just enough time to return before the next fan arrived, more than enough to hear how the first thing the fan noticed was that the very editor standing behind him had a cute face.
That was definitely not something new. It was no secret that Akaashi had a charming face that attracted attention from the moment Udai first met him. As a man, Udai admitted that Akaashi had everything that made him worthy of being called a handsome man: a certain amount of coolness, a charming face, a serious and hardworking tendency in everything he did, a dexterity that he picked up from his days as a setter at one of Tokyo’s powerschools, and a fashion sense that was definitely a ladies’ delight. But definitely not with how fans express Akaashi Keiji in their dictionary.
Udai swore that he desperately had to hold back his laughter when the fan said that Akaashi looked like a baby owl.
If only Udai had enough time to pull out his cell phone, he would have taken a picture of Akaashi blushing. A super rare sight.
From then on, after the fansign, Udai started bringing up the fan’s words. It was clear to see how the strict editor Akaashi Keiji was caught off-guard by a fan praising him out of the blue.
At lunchtime, Udai didn’t stop teasing Akaashi about it, being so serious when stating that soon, the editor might be getting his own fans, or might soon be holding his own fansign considering that, at the end of the fansign, some fans had gathered and questioned whether the editor-san could get into the photo.
After quite happily colonizing Akaashi with the childishness he suddenly developed at the last minute, Udai excused himself and went to the toilet.
When he finished, Udai was walking at a leisurely pace. But fate wrote something different by still making him bump into someone even at the most leisure pace he took, even when he made sure that he paid attention to his surroundings this time.
Right in front of the corridor, a cell phone fell to the floor, followed by its owner he had just bumped into who immediately bent down to apologize and immediately followed to pick up her cell phone at the same time as Udai who also rushed to grab the phone for her.
Udai did not immediately get up when his eyes caught something he did not expect. Something unfamiliar yet familiar and warm in his memory. He stopped when the person he bumped into walked past him.
The sound of her footsteps gradually moving further away from her back, then stopped.
Seconds slowed in his world. The bustling sounds of the shopping center were drowned out by the silence that suddenly erupted through this unexpected coincidence. His heartbeat slowed down as if accounting for every second that passed. Inside his head, questions about this and that swirled around. He was not exaggerating anything to say that his world had once a blizzard. When the voice came, the snow in his world melted away, forcibly driven away with the unfamiliar warmth of spring bursting from the bottom of his chest when the voice rang in his ears.
“Udai... san?”
There were a few seconds that he missed before he helped himself to turn around, welcoming a presence he never dared to expect to be anywhere before his eyes.
His world turned into a black and white panel as all the color he knew returned to the girl.
“You’re... Udai-san, right? Udai Tenma-san. Right?”
Udai knew what name he would call, what he would say when his senses reconnected with that presence. Her.
He swallowed, swallowing all the feelings that came together in this unexpected encounter, trying to stem them with a little courage to open his voice.
“Sasaki?”
Sasaki Tsubasa, the one who is staring at him with a glimmer of newly flushed pleasure in her eyes. Her smile amused. Her eyes warm. Steadily, not awkward like him, she helped herself to face him properly.
“Oh. It’s really you, Udai-san.”
The time her smile bloomed, his world that once was a black and white panel, turned colorful. Just like when cherry blossoms bloomed during the first day of spring, she was there to color everything again.
“Thankfully, I didn’t get the wrong person.”
—
next chapter coming soon.
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FEATURE: The Top 10 Anime OPs of 2020 According to YOU!
As we near the voting period for the Anime Awards where we will collectively determine the anime bests of the year 2020, the well-worn adage of “never skip the OP” comes to mind. I’m confident we’ll make the best choice, but there were many great OPs this year that won't make the cut to be highlighted in the nominations. So let’s take a look back at some of the year’s greatest not determined by our admittedly extremely qualified panel of judges, but by numbers and you, the fans.
We’ve been posting up OPs on YouTube all year and have even made a playlist for 2020 — so what better way to unbiasedly look at the year's best than with the most important votes of all? Views. Below I’ve composed a Top 10 list of anime OPs featured on Crunchyroll Collection YouTube Channel by views at 30 days so as not to give an unfair advantage to OPs posted earlier in the year. This is not a perfect metric — as I’ll get into a bit later — but delivers either an interesting look at what people have been watching this year or, at the very least, some great new additions to your playlist on YouTube ...
10. Black Clover - "Everlasting Shine" by TOMORROW X TOGETHER
The collision of anime and K-pop will become a theme on this list, so it’s only natural that it should begin with the collaboration between TOMORROW X TOGETHER and the anime that has never missed an OP. Black Clover hit off its next slate of anime-original content under the supervision of Yuki Tabata with a killer opening highlighting the magic knight captains. "Everlasting Shine" cleared 800k views in its first month and joined the series’ killer playlist snuggly between songs by Snowman.
9. HAIKYU!! TO THE TOP - "Phoenix" by BURNOUT SYNDROMES
BURNOUT SYNDROMES brought in the new year with a bang, heralding the beginning of Haikyu’s spring tournament arc with yet another absolute banger of an OP to compete with their own iconic "Hikare Are" and "Fly High!" Phoenix rose to claim 900k views in 30 days, especially impressive since Karasuno had no highlight opponents facing them down in the first half of the new TO THE TOP season.
8. Black Clover - "Stories" by Snowman
Black Clovers 11th OP had a lot of weight to carry introducing the first post-manga content the anime had to offer and nailed it with a Snowman collaboration so good that the group not only got signed to return for OP 13, but Daisuke Sakuma voiced an anime-original character designed just for him in Episode 140. "Stories" came just under 1 million views in its first month at 950k, joining the pantheon of hit Black Clover OPs.
7. Rent-a-Girlfriend - "Centimeter" by the peggies
I don’t know about you, but ever since Sarazanmai’s spectacular ED "Stand by Me" featuring the peggies, I’ve been waiting for more anime music by the group, and it is absolutely not a surprise to see their next collaboration on this list. They delivered an absolutely addictive song which TMS elevated with some great dance moves and brilliant color work. A smart move, as we’ll see later in this list.
No metric for measurement is perfect and "Centimeter" may be the best example of where this list sells an OP short. The song barely cleared 1 million views in its first month and placed the peggies in the Number 7 spot, however, the viewership on Rent-a-Girlfriend’s OP has only accelerated since, and it now sits comfortably at 6 million views, tying it for second place in overall viewership. Looking back again in another six months, it might even be Number 1 ...
6. Black Clover - "Black Catcher" by Vickeblanka
The original Black Clover OP artists returned to close out the anime’s last wildly-escalating manga-adapted arc with a killer OP that got served up twice. First in a dark black-and-white aesthetic going into the series climactic battle, then again in brilliant color after the conclusion of the epic conflict.
"Black Catcher" brought in 1.1 million views in what is an astonishing sweep in popular viewership for this list. Every OP Black Clover dropped this year made it into the top 10. A spectacular feat for a series that serves up a new one every cour.
5. Re:ZERO Season 2 - "Realize" by Konomi Suzuki
In a series so notorious for outright ignoring it’s OP and/or EDs for the majority of its episodes to pack in as much extra time as possible for Subaru’s continued suffering, it’s absolutely amazing how quality each of its OPs has been. "Realize" rapidly ascended to 1.5 million in its first month and has since aged like a fine wine as the events of the series slowly added context to many of the unusual and intriguing visuals therein.
4. JUJUTSU KAISEN - "Kaikai Kitan" by Eve
Launching one of the most anticipated new series in years and adapted by studio MAPPA, who has acted as the headline studio of 2020 with multiple hit productions, "Kaikai Kitan" was a shoo-in for this list. JUJUTSU KAISEN didn’t disappoint with a slick OP directed by one of the all-time animation greats and Naruto alumni Shingo Yamashita. "Kaikai Kitan" cleared 2 million in its first 30 days, and if anything, is only accelerating as the series’ sterling production continues to draw more fans. Also, TOHO released the video early on their own channel, where it’s performing even better.
3. Boruto - "Hajimatteiku Takamatteiku" by Sambomaster
This ED stands out as a love letter to Naruto in an anime that is essentially one big love letter to Naruto. Returning to the franchise after crafting what may have been the original Naruto’s most iconic OP, "Rhapsody of Youth," Sambomaster delivers yet another bop, while Pierrot seeded the visual sequence with references to many iconic Naruto OP visuals. "Hajimatteiku Takamatteiku" cleared 2 million views in its first month and was the perfect introduction for the series' slow build toward the manga’s Kara arc.
2. The God of High School - "Contradiction" ft. Tyler Carter by KSUKE
Subtlety is not The God of High School’s thing and "Contradiction" dropped like a punch in the face with some completely wild visuals and music. Techno doesn’t often make appearances in anime OPs, so a song composed by KSUKE featuring the American metalcore vocalist of Issues, Tyler Carter, was a galaxy away from ordinary even in a year where an avalanche of K-pop has been dropping into anime. The accompanying visuals could only be described as aggressive with fight scenes set under a color-swapped psychedelic blacklight style effect. 2.5 million viewers tuned in in the first month, and the song recently cleared 6 million to continue competing with Rent-a-Girlfriend's "Centimeter" from the same season.
1. Keep Your Hands Off Eizouken! - "Easy Breezy" by chelmico
It really couldn’t have been anyone else. Storyboarded by Masaaki Yuasa himself and animated with some surprisingly analog techniques by the talented French animator Abel Gongora, "Easy Breezy" cleared 3 million views in its first month and has breezed its way past 10 million over the course of 2020. This OP was easy, it was breezy, and it was super meme-y. The riffs of the girls of Keep Your Hands Off Eizouken! dancing to chelmico’s addicting tune were absolutely legion and for good reason, the loud colors, the simple style, and the Drake references were a perfect breeding ground for some truly inspired fan content, making it, in my opinion, the only choice for OP of the Year for 2020.
Gotta say I’m overjoyed to see Eizouken at the top of the list even after spending half a year working that earworm out of my head, as well as so much love for Black Clover's OPs which have really been an achievement in quality even against Pierrot’s own storied legacy in Naruto and Bleach music.
And don’t think I’m stopping here. While many fans studiously never skip the OP, I also never skip the ED ...
What's your favorite OP from this list? Let us know in the comments. And tune in tomorrow for the top EDs of 2020 according to YouTube!
Peter Fobian is an Associate Producer at Crunchyroll, writer for Anime Academy and Anime in America, and an editor at Anime Feminist. You can follow him on Twitter @PeterFobian.
Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!
By: Peter Fobian
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My Top Five Favorite Anime Opening Themes
Ever since the beginning of self-quarantine, I’ve somehow regressed back into my middle school anime phase. Over the past few months, I’ve managed to finish a whopping 33 animes, and I know this list will just continue to grow. Due to me falling back in love with anime, I was reminded of how much I love anime openings (OPs). There’s something about the memorability and catchiness of anime OPs that pushed me to create a playlist full of my favorites. So, here is a list of my top five favorite anime OPs counting down from 5:
5. Masatoshi Ono - Departure! [Hunter × Hunter]
Staring off at number five we have “Departure!” by Masatoshi Ono. This theme has a bright upbeat sound that suits the overall happy nature of the beginning arc of Hunter × Hunter. Listening to this song reminds me of the joyful adventures main character Gon Freecss shares with his friends, and just puts me in a happy mood with every listen. The lyrics also fit this joyous sound, as well as display the journey Gon goes on throughout the anime. “You can smile again / Basking in the sunlight / You can fly away / Time to rise up. Shine your light. Show the world you can make the climb!” [translated from Japanese]. The lyrics of this theme are both inspirational and motivational, which is one of the many reasons why I like it so much!
4. BURNOUT SYNDROMES - FLY HIGH!! [Haikyu!!]
With the Haikyu!! manga ending this past week, listening to this song brings such nostalgia that I knew it had to make the list! Out of all the Haikyu!! OPs thus far, “FLY HIGH!!” by BURNOUT SYNDROMES from season two takes the spot as my favorite. The high upbeat intensity of the song fits the similarly high intensity show. The lyrics of this song also parallel a big point of symbolism throughout the anime: flying/birds. Haikyu!! depicts the main character, Shōyō Hinata, along with the rest of his volleyball team at Karasuno High School experiencing the highs and lows of high school sports while learning important life lessons along the way. No surprise, the team’s mascot is a crow. In the anime, the characters are shown to slowly “fly” higher and higher: achieving their dreams and goals one step at a time with many hardships and victories along the way. With lyrics [translated from Japanese] such as “With your wings that shine with sweat, blood and tears, / leave everything, everything behind, / And fly, fly; fly high” the song gives both an inspirational feel as well as fits with a huge symbolic point in the anime.
3. Linked Horizon - Shinzo wo Sasageyo! [Attack on Titan]
With Attack on Titan being my favorite anime, it was definitely hard picking my favorite of its opening themes, especially considering how much I truly adore each of them. However, I finally decided on “Shinzo wo Sasageyo!” by Linked Horizon, which opened the second season of the anime. The title of the theme translates to “Dedicate Your Heart!”, which directly refers to the Survey Corps’ (also known as the Scout Regiment) salute where they put their fist to their heart. However, this doesn’t necessarily relate to a happy theme of the scouts dedicating their lives to making the world a better place for future generations to come but rather to physically putting their lives on the line when working to rid the world of man eating beasts known as “titans”. Despite the energetic sound of the song itself, the lyrics take on a darker theme that parallel the darkness portrayed throughout the anime. The lyrics touch on how the scouts must wage war against these awful beasts, putting their lives on the line “until [their] hearts have stopped” [translated from Japanese]. I appreciate the almost ‘anthem feel’ of this song, as if you can imagine the actual scouts chanting this song on their way to battle.
2. LiSA - Gurenge [Demon Slayer]
LiSA, whose real name is Risa Oribe, is a popular Japanese singer/songwriter/lyricist. She’s written opening themes for popular animes other than Demon Slayer, such as Fate/Zero and Sword Art Online. “Gurenge” is a song perfect for blasting in the car and screaming the lyrics. LiSA’s strong, raspy voice mixed with an almost punk rock sound make for such a memorable song, and the type to get stuck in your head for weeks. Lyrics such as “If you can become stronger for someone / Get up again and again” relate back to the journey of main character Tanjiro Kamado. This theme has always been one of my favorites to get me hyped up, and considering Demon Slayer’s high intensity feel, the song suits the anime well.
1. TK from Ling tosite sigure - Unravel [Tokyo Ghoul]
Last but certainly not least, we have “Unravel” from season one of the popular anime series Tokyo Ghoul taking the first place spot. Even after listening to this song for the first time in years, I was reminded of how amazing it is. The lyrics themselves speak on the struggles of the main character, Kaneki Ken, who is burdened with two opposing minds: the human mind and the mind of a ghoul. You can hear the raw passion in the singer Toru Kitajima (TK)’s voice as he belts the lyrics atop an instrument-heavy melody. The strong drums throughout the chorus make this song as memorable as it is, and perfect for blasting in the car on a long drive or playing loudly in your earbuds late at night.
Special Mention: Fuyunohanashi [Given]
Though this isn’t technically an anime OP, I have such a special place in my heart for this song that I just had to mention it. Everything about this song, from the lyrics to the tone of Mafuyu’s character who sings it, sends chills down my spine every time I hear it. I remember the first time I watched the scene where Mafuyu sings this song, and I started sobbing because of how emotional it was. The lyrics truly speak from his character’s heart, and by including this scene at the climax of the anime it really left a lasting impression. My favorite part of “Fuyunohanashi” is when you hear the character Mafuyu scream as it fades into a guitar riff, as he finally lets out all the emotions he was holding in for so long. On top of all of this, “Fuyunohanashi” is such a strong instrument-heavy song mixed with a memorable guitar riff, so much so that it sounds like it could be released by any famous artist rather than just being apart of an anime. Though the song is filled with passion and longing, it closes with the translated lyric “As I try to move forward again, even though I couldn’t say goodbye / You’ll always be here with me”. This resolution completes the song in such a striking way, showing the main character’s growth after so much suffering.
We’ve finally reached the end of my top five anime openings list, and I hope you enjoyed it! To all the anime fans reading this, I hope you spotted one of your favorite animes or opening themes. But if you’ve never watched anime before, I highly recommend doing so! There are so many different types of anime out there, so you’re bound to find one that you like!
If you’d like to check out more of my favorite anime OPs, here’s a link to my Spotify playlist: https://open.spotify.com/playlist/4KVNNJt2qTAtU7cEJGTCVq?si=sELGxzVOTRi54dyOAZSugQ
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