#half agony half hope

[thegirlthatcriesacademia]

Jane Austen was right when she said “I am half agony, half hope.”

[nymphpens]

hey (with the intention of being half agony half hope for you)

[reallyrael]

That feeling when someone cracks through years of writers block with a simple comment.

Now where is my laptop?!?!

[kajaono]

Wentworth WILL write the letter

Short preview of my trailer break down

We know from the BTS pics this is the dress she wears during the kiss. Not completly sure who the guy next to her is, probably Benwick (edit: it is Harville)

And here we have Wentworth writing the letter.

And you cann see they are in the same room.

So we will get the letter.No clue how they fit that into the story, but considering how sad Anne looks, they probably had a fight prior.

[elinordash]

Colin Firth as Mr. Darcy in PRIDE AND PREJUDICE (1995)

Can you tell me why Mr. Darcy keeps staring at me?

[petaltexturedskies]

Jane Austen, from Persuasion

[fawnilu]

:-(💔

[crazy-ache]

Jane Austen's most romantic letter, if it had been written by Lucien Vanserra (Persuasion x Elucien)

Or what would happen if Lucien overheard Elain have a conversation about the bond? And what if he wrote a gut-wrenching love confession in said letter? Inspired by literature's most infamously romantic letter ever written.

Some text is directly taken from Chapter 23 of Persuasion by Jane Austen.

"We will write the letter to Helion we were talking of, Rhysand, now, if you will give me materials."

Materials were at hand, on a separate table; Lucien went to it, and nearly turning his back to the rest of the Inner Circle, was engrossed by writing.

Elain eyed him carefully, studying the leather strap that held back his long, molten red hair. Clearing her throat, she found Nesta across the room by the open window of the parlor as they were both on the outskirts of the Inner Circle’s political discussions. It was a respectable distance from where Lucien was writing at the desk, although still somewhat nearby. 

“I have a question for you,” Nesta turned to her younger sister, face like stone. “One that I have been thinking about for some time. What do you think our parents would have thought about the mating bond?” 

With wide, brown eyes Elain sucked in her breath. It was an unexpected question, but also a familiar one. For her thoughts had circled the very same doubts and insecurities that plagued her sister. “Well,” Elain wrung her hands nervously. “Mother would have adored Feyre’s, being mated to a High Lord after all. But if she didn’t like the outcome, she would have demanded a way to break it or alter it for her own advantage.” 

Nesta’s wicked grin revealed an agreement, knowing full well their mother would have been furious at her marriage and bond with an Illyrian general, and her matching status as a Valkyrie now. 

“As for father, well, I suppose, based on what he discussed with me in the past—there is a small chance he would have been disappointed.” Her voice dropped in both volume and confidence, barely escaping as a whisper passed her lips. As if she was instinctually afraid someone would hear, perhaps someone sitting across the room. 

Elain felt compelled to explain further. “He always told me the most important thing to find in a husband was true love. That I should not settle for anyone less than a kind, loyal heart who loves every part of me, because that kind of love will never leave you.” 

Out of the corner of her eye, Nesta regarded her with furrowed eyebrows. “And you do not believe that a mating bond can also encompass those very same feelings? That same love?” 

She considered her question carefully, chewing on her bottom lip. “Perhaps it can, but how can you know it is true? That it is not just the manifestation of desire in its place?” It was always that doubt, that fear, that crept into the darkest crevices of her heart. For as long as those shadows existed, she could not bring herself closer to her own mate, afraid she would be unable to determine the answer. In return, she was afraid of what she could possibly want or feel for him.

“I wish I could make you comprehend, Elain.” Nesta frowned, “I wish I could properly convey the feeling of how your soul glows when your mate loves you—”

Before Nesta could continue, Elain found herself apologizing with a hand on her elbow. “Gods forbid that I should undervalue the love and bond you share with Cassian, or Feyre’s either for that matter. It is a reminder that bonds can be true and constant attachments.”

She could not immediately have uttered another sentence; her heart was too full, her breath too much oppressed.

“You’re a good sister,” Nesta replied affectionately and Elain wonder if her sister could see past her tenderness, if anyone could witness the mask of kindness that Elain could so easily put on for the sake of others to hide her own feelings. The conversation faded as Feyre now joined them with Nyx on her hip, a welcome distraction for Elain as the three of them turned to him. 

“Ready to go?” Cassian’s voice eventually broke through the hum of the room, an echo across the parlor. “We need to meet with Vassa and Jurian.” Lucien was folding up a letter in great haste, and either could not or would not answer fully.

“Yes,” he said. “I will winnow us. I will be ready in half a minute.” 

Cassian left to wait for him at the front door, and Lucien, having sealed his letter with great rapidity, was indeed ready, with a hurried and agitated air, as if he was greatly impatient to leave. Elain could not understand it. Cassian had given her a smile and shoulder a warm squeeze as he left the room, but from Lucien himself, not a single word. He had passed out of the room without a look.  

Elain moved closer to the table where he had been writing, when suddenly she heard footsteps returning; the door opened and it was Lucien. He gave her a polite nod and gestured to where he had forgotten his gloves, instantly crossing the room to the desk. He drew out a letter from under the scattered papers, placed it before Elain with eyes glowing in longing fixed on her, and hastily collected his gloves, once again out of the room before anyone could even be aware he had been in it at all. 

The interaction was almost beyond expression. The letter, with strokes of pen that were hardly legibly, as if rushed, read “Elain Archeron,” was evidently the one which he had been folding so hastily. While he had supposedly been writing to Helion, he had also been addressing her. On the contents of that letter depended all which this world could do for her. Anything was possible. Sinking into the chair which he had occupied, succeeding to the very spot where he had leaned and written, her eyes devoured the following words:

“I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when this bond first snapped, two and a half years ago. Dare not say that a mate’s love cannot be true, that his love is influenced by our tether. I have loved another, but none like you. Unjust I may have been, distant and resentful I have been, but never inconstant. You alone have brought me to Velaris. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these past few days after Solstice, could I have read your feelings, as I think you must have penetrated mine, I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish your true thoughts through the bond when they would be lost on others. Too good, too excellent female! You do us justice, indeed. You do believe that there is true attachment and constancy among males. Believe it to be most fervent, most undeviating in your mate,  L.V. I must go, uncertain of my fate; but I shall return hither, or follow the court, as soon as possible. A word, a look, will be enough to decide whether I enter the Night Court this evening or never again.” 

Such a letter was not to be soon recovered from. 

[aziraphalesspock]

It's been 55 days

I'm just a girl standing in front of a gif, asking it to stop breaking my heart.

Who else cannot stop thinking about this moment? My fragile heart. It is half agony, half hope for season 3.

[stop-breaking-my-heart-telltale]

I think for all the discussions we have of "everyone hears the jokes and the piano; after that, they stop listening" surrounding Louis, we tend to still simplify his connection to the piano.

Yes, it's very cute that he sings Clementine a little song when they first meet, and it's very cute that he plays a little prank on her while "tuning" the piano. It's super cute that they carve their initials into the piano and Clementine carves a heart around them. It's mega cute that he names his song he wrote after her when she confesses her feelings. Louis playing Don't Be Afraid at the party is, in my opinion, one of the best moments in all of TFS.

But here's the thing: That piano is Louis' heart.

I don't mean to go all metaphorical on you, but I'm dead serious—the piano is Louis' heart, and when you think about his arc and his romance route with that in mind...?

That piano is his one comfort in a world where the dead walk. It's been with him from the beginning of the outbreak. We know from his backstory that Louis wanted to take singing lessons so he could be a real musician, and his father denying him of that was what set him off to be a "vindictive fuckhead." Louis never got those singing lessons, and it's a very real possibility that Louis taught himself how to play.

Sure, others could've taught him; we know Minerva was musically talented, perhaps she showed him a thing or two. But learning piano, or any instrument, is brutal even with professional guidance. It takes hours of practice until numbness wears fingertips raw; dedication to memorize every key and finger placement to make music pleasing to the ear; self-discipline to keep going through every fumble, every failure, every single cruel thought of self-doubt; intelligence and a creative ear to write his own songs.

And yet, it's severely under-appreciated by everyone. It's annoying. It's distracting. It's unimportant. It's an excuse for Louis to mess around and not do any real work. He doesn't have any actual talent. The music and the piano are brushed off, unheard.

Yet, Louis keeps playing. He keeps singing. He keeps making jokes.

Creating music, the one thing he wanted so badly as a kid that he destroyed his parents marriage, was possibly the greatest comfort he had... a welcome distraction to disassociate from the horror and death happening around him.

It's bittersweet, like a purpling bruise that you can't stop pressing on; it hurts, but there's something else below the pain. The piano is out of tune and it's something that brings him joy... but will always act as a constant reminder of who he was and what he did, why he's at Ericson to begin with.

We first meet him while he's playing; Louis' heart is exposed, but is it really? Is he playing to his true potential? Louis hides behind the mask of a charming, charismatic goof. It's what is expected of him, so he plays a silly song intended to poke and prod at Clementine, to gauge a reaction. That's something we see him do at multiple points in episode one. In fact, we can consider a majority of episode one to be like the song he's playing when we meet him; it's mostly cheery or fast-paced.

Louis is able to soothe AJ with his "alluring" music after the kid bit Ruby is an indication that the two of them will share a bond. Louis is a natural at communicating and bonding with the younger kids [another talent that's overlooked] so it's interesting that he praises AJ for being a natural at piano, as well.

But the song stutters just a bit when Louis and Clementine are in the woods together, though; "There's only one guarantee: this moment. That's the only you got, only thing any of us got. Might as well enjoy it." ...Only for Louis to compose himself and send her away.

It's only when Clementine has a gun in her face, held by Marlon, that the music isn't fun anymore; it's rainfall and thunder and the words "I thought you were more than that" sung through the wind in a melody only Louis can hear.

Then Marlon's dead. The song is over, and reality has arrived.

I've talked at length about Louis in ep2 and his vote in the past. It's one of the most compelling things about Louis' arc and romantic route. It's a tragic mistake driven by trauma and guilt. It's people simultaneously telling him to shut up and telling him to be angrier than he is. Telling him to stop burying his head in the sand when he's never been more aware of everything happening. It's AJ peering up at him with pleading eyes that Louis can't stand to look at. It's Clementine wrapping his heartstrings around her fingers and tugging just enough to hurt, but not break.

Louis missed Clementine. He says as much when Clementine admits she missed him first. I don't even know where to begin with that! I can think of no other way to describe it other than they are half agony, half hope over this... and if you get that reference, you get a gold star. I just- the ache, the tension, the conflicting feelings of finally having a quiet moment to talk but Louis not being ready yet.

Y'know how someone carved "you suck at playing" in the side of the piano? It's something you might not initially notice while playing the game, just as Louis' insecurities aren't apparent at first.. but they're carved in him; never fully healed, still scabbed and bleeding... Until Clementine offers him a bandage.

She won't clean the wound for him, but she'll be there. She'll help him figure out how to do it himself so he can heal. She'll listen to him, not belittle his feelings or pain. She'll make an effort to know his keys and notes and practice playing his song until she understands.

When Clementine chooses him to spend time with him, it's a mirror of their first time meeting... but this time, Louis plays something real: a song he wrote, one that I believe he crafted during the two week time skip... a song he wrote with Clementine on his mind, for better or worse.

If the piano is Louis' heart, he literally asks her to sit there and try to tune it, which ends up being a joke but I say she's already tuned your heart, my guy. It's there before them, changed in the warm candlelight. He plays for her and opens up about how no one actually listens, but Clementine did.

And remember, this is the night of the raid. They don't know it's coming, but they know it'll be soon. Louis understands that he could very well die, so what does he do? He carves his initial into the one thing he's always had, and he asks Clementine to do the same.

I'm sorry, how are we NOT more feral about this? Prior to this scene, the only thing we see carved into the piano, into Louis' heart, is an insult. This thing that Louis cares so deeply about, this instrument that's become so intertwined with who he is... he wants to leave his mark on it just in case he dies. A reminder that it was his and he belonged to it just as much. Something so important, and he asks Clementine to carve herself into his heart where no matter what, they will be immortalized together in this moment.

And when Clementine carves a heart around their initials? Yes, his reaction is very cute and that's great... but she's not ashamed of him, or her feelings for him. She wants everyone who looks upon his heart to know that. She tells him how she feels and Louis is so giddy, and warm, and he names the song after her and I am going to start biting anything that moves, I can't-

Oh, and let's discuss the party scene in episode three, shall we? Y'know, where the heart covered initials are on full display? Where Louis tells the story of why he was sent to Ericson to everyone?

Louis is so... vulnerable. Sincere. Ashamed of what he did. This is the exposed nerve, the one he was so afraid of showing Clementine but there it is... and she doesn't reject him. Sure, she can say it's fucked up if you choose to, but she doesn't break up with him over it.

Also the fact that everyone sitting around him finally listens when he's at his most unshielded only for Tenn to ask him to play Don't Be Afraid for them after...? How do you not see the connection? Are you trying to make me cry? In that moment, Louis' heart was heard and appreciated and beautiful and strong and-

Listen. I am fine. I'm so normal about this. And fine. I'm fine.

But I also have to add that during the walk in episode four, if you let Louis choose what to add to the imaginary house, he picks a brand new piano because he wants a new heart to reflect the confidence and growth Clementine helped him achieve and because he loves her and AJ so much that wants the new heart to not just be his but also theirs and I am so fine with this, okay.

[bethanydelleman]

Jane Austen Charted #3

Wentworth’s Persuasion Graphed

X Axis: Time

Y Axis: Emotion Level

Possible Emotions: Agony, Hope, and Half Agony, Half Hope

[okaywhatabouthades]

I love him.

It is like Jane Austen said after all, you pierce my soul. I am half agony, half hope.

And it is like Mahmoud Darwaish said after all: You're killing me and you are keeping me from dying. That is love.

[lavampira]

maybe. maybe I will share the paragraph from the ongoing wip that set off some big sidalia feelings today

Their shared silence is a companion beneath the blanket of the moonlight. It casts a silvery glow over Sidurgu as he faces the sky, the unguarded slope of his shoulders and arch of his neck leading to a slight curve of his lips as he watches the stars visible through the tall trees surrounding the village, and she dares to drink in the sight with a shallow breath. Her treacherous mind supplies the impulse to reach for him, to gently turn his scaled chin until he meets her gaze, and what he might think if she did, if he would close the gap between them and press that rare smile against her lips, too.

[milflewis]

trying not to wail on the bus back home as a i read “you pierced my soul. i am half agony, half hope. tell me not that i am too late, that such precious feelings are gone forever. i offer myself to you again with a heart even more your own than when you almost broke it eight years and a half ago. dare not say that a man forgets sooner than a woman, that his love has an earlier death. i have loved none but you. unjust i may have been, weak and resentful i have been, but never inconstant.” for the seventy sixth time

[stonecoldsilly]

i truly believe that at this point in the filming that Brennan is already working on his Big Romantic Speech for the final episode just for the most tense resolution of ruehob pining possible and we’re all going to witness it and be changed forever

[godlizzza]

When will Herbert and Dan scandalously sit on the same couch together and slightly brush their hands together in TLODH because I’m going to need a massive TW, or I will be clutching my pearl necklace in SHOCK, saying shit like “My word!!”

Woah woah, slow down bucko. They need to stare longingly at each other from across the room as they ball dance with other people first. Maybe they can accidentally be jostled together in the carriage when they run over a stray rock or something.