♡ A ditzy, forgetful and artsy girl, who is not immune to falling into daydream land most times of the day.
♡ She has a strong kind heart , but careful she has a stubborn side when standing up for what she believes in. Won't back down when challenged.
♡ Word of advice? Do not interfere when she's 'cooking' - she won't give up. Just get the fire extinguisher ready.
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I’m literally sobbing at the latest Swanatello’s update. They were just two little girls and now they get to go be happy forever together with their Mom. Thank you so much for giving them such a gentle happy ending. <3
*sobs into keyboard*
THANKS!!! ; w ; I'm glad y'all liked it... when I originally imagined this part of the story out I figured there would have to be some dramatic Final Confrontation, but I really couldn't figure out how I wanted to have that happen and how I could make that work in a way that flowed well and lent to the story... And then the more I thought about it, the more I questioned if I actually needed to have a confrontation at all. If that was really the best move for Odile's character and her piece of the story.
And I ended up deciding that I felt a lot better giving her a gentle ending. Odile's a lot like Donnie. She never wanted to hurt her family. She didn't hunt Odette by choice, she did it because she was compelled to-- because she was forced to play a part by means outside of her control. I like thinking that at the end of it all, she and Odette could finally have a chance at all the things they never got to try in life. Like being sisters.
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I don't have a strong opinion on the Jack and Sally dolls as I'm not a fan of the franchise itself, but I am a little irritated that they could give Jack a completely unique and accurate body and head sculpt but couldn't be bothered to give Elvira even slightly bigger tits.
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If Ishmael gets to kill the 'bastard' in her canto and finally gets the catharsis she needs, wouldn't it be kinda symbolic if she cuts off her hair to symbolize her letting go of the weight of avenging/looking for her crew.
Honestly I'm just writing this because I want to see Ryoshu pulling out her odachi and going "BBG, IGY" when Ishmael throws the idea of cutting her hair around after canto v
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next up in my revamped kj designs: jet star!! 💫
she is so important to me… the space puppy tattoo is partially because of @eggbagelz’ headcanon which i saw and thought “oh definitely jet would LOVE laika” and the design is (with permission) one of my lovely friend @andpierres’ tattoo flash designs and tattoo tickets are available on his kofi if YOU would like to have a space puppy tattoo on your own skin! :)
as with the last two posts, untextured version under the cut for cleaner details and accurate colors!
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when jane's powers return in season four (and because they were regained by her confronting and accepting her past, rather than being retraumatised with it!) they're stronger than they ever were. when she starts getting a handle back on them, she very quickly comes to realise not only have they affected her, but her mother, too. one of the biggest losses that came about with her losing them was the fact that she could no longer visit terry in the void; while there was no real communication there, it did allow jane to sit with her, and gain a little more connection than she could in the real world. when she first visits the void after their return, it takes her three hours to find terry, something that is both unexpected and incredibly worrying. but when she does, it's something of a miracle. jane's increased strength and control over the void actually wakes terry up from her catatonic state, but only in the void. there's no way to help her mother physically, but she does do so (unbeknownst to her) mentally. terry is reborn in jane's newfound control over the vale of shadows; she becomes the woman she once was, and while her body remains frozen in a "good dream", her mind connected to jane's own allows her some freedom. jane is able to speak to her mother in the void, is able to be held by her, and while it's still unfair and jane cannot stay in there forever, it's something. this only lasts for about eight months, as each visit slowly begins deteriorating terry's physical and mental state, and jane's health begins declining after spending hours upon hours in the void each and every day.
when jane finds out these visits are actually killing her mother on the outside, she deems to stop, but terry expresses the importance of them being able to speak, that she'd prefer to die on the outside, if it meant she could have just a few months with her daughter like this. terry and jane's connection was always so strong, which ultimately led to terry "waking up" in the void, but even jane's newfound strength cannot save her from the harsh realities. each visit nearing the end of those eight months, terry fades more and more, becomes weaker in the void, and her real body eventually gives up. jane's in the void when her mother eventually passes on, and physically feels their connection weaken, like some part of her suddenly becomes lost in the shadows, a part she'll never find again. jane falls into a depressive state for weeks after her mother's death, given she's technically lost her a second time, but soon comes to realise she was lucky to have even shared those eight months together. it was better than nothing at all. there is a proper burial and funeral, (and when jane dies, she's buried next to her mother) which allows jane some sense of closure. she never fully recovers from losing terry, nor from the fact that she never had a proper relationship with her, but she does eventually find some peace with it all.
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