Homelander & Yulia "Empress" Bellam.
art for my planned homelander x oc fic,
The Hand You Wanna Hold is a Weapon. 🖤
( art by Toyryla )
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I've been brainstorming a LOTR marathon party with meals... here's the food and drink I've spotted so far that I'm keeping in mind (time stamps included):
0:09- Pastries (Hobbits’ only real compassion is for food).
0:17-0:19- Tea, cheese, jam, sponge cake, and…. I can make you some eggs if you’d like!
0:20 A night to remember, a cake to remember!
0:45- If I take one more step….. I’ll be the furthest from hungry I’ve ever been. (First breakfast?)
0:52-0:53 Carrots, cabbages, potatoes, and a shortcut to mushrooms.
1:00 IT COMES IN PINTS?
1:06 Second breakfast.
1:11 Nice, crispy bacon. (I saved you some!)
1:23 No food, just the best part of the movie.
1:50 Second and a half breakfast.
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Day 23: Fancy seeing you here
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I was rereading second half of DN this weekend and I swear to god I can't believe anime just skipped this particular plot.
Bc a) Mello has more active part in story and actually had his own way of using Near b) those two kinda cooperating is sexy as hell c) more Mogi bc Mogi is amazing
(I really like the Polish translation of this moment "He is manipulated but not necessarily with he notebook" which imho has slightly different connotations)
Also, this fucker doing this I love him so much the little bastard
And this
(also Near and Light just hating each other so much is so so entertaining, like honestly their dynamic is 👌)
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Not a bad get from work's sample sale the other day tbh 😌
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i was having a chuckle to myself last night about Gristol, and how his plans are basically:
Restore Ford Cruller's memory
Find Maligula
???
Profit
but then... of course they are, right? this is Gristol we're talking about. Fatherland Follies drives home again and again that he's still operating on a child's logic, a warped and reductive version of the world that he never bothered to grow out of. both of his memory vaults center on the images of his childhood, this idealized version of the past that he clings to no matter what. and that's still how he remembers Maligula, too - as this saviour figure, who rushes in to help him when he's in trouble.
[ID: Two slides from Gristol's memory vault, Glory to Grulovia! Left: Gristol clings to Maligula's back as she summons waves to sweep away his assailants. Right: Gristol and Maligula waving from a balcony as the people cheer. Gzar Theodore brandishes a dagger in the background.]
like so much else, Maligula represents a return to this idyllic childhood - to the peace and simplicity of his youth, when he was free from worries and responsibilities. in his mind, he doesn't need to make any further plans - once Maligula's back, everything will go back to normal. Maligula will make everything better.
...is what i thought, but then i remembered this line:
[Screenshot source. ID: Gristol, in Truman's body, bows on his hands and knees in front of the newly-awaked Maligula. The caption reads: "Yes, High Priestess! I am here to correct the mistakes made by my father!"]
and that's kind of interesting, right?
to be clear: this happens directly after Maligula sees Helmut-in-Gristol's-body, and recognises him. her line before this is:
"Little Gzesaravich! Have you come to pay for your father's sins?"
my first thought was that Gristol hadn't expected to still be in Truman's body by the time he managed to find Maligula, and this was him trying to placate her and buy some time until he could explain the situation. but watching the cutscene back, that's clearly not what's happening here. Gristol is answering as himself, and his response of throwing himself to his knees before her is, as far as i can tell, genuine.
so what is going on here?
in Fatherland Follies, there's this line in the ride narration that stuck out to me:
"Why didn't the Gzar help Maligula in her time of need? No one knows, but historians agree - it is Gzar Theodore's biggest failure."
other lines mention Gzar Theodore's "mistake", and it's wording Gristol himself echoes in the screencap above. evidently, he believes that his father abandoned Maligula, leaving her to her fate at the hands of the Psychonauts, and it was that mistake that lead to them being driven out of the country - that mistake which he seeks to correct. maybe he even feels like he has a debt to repay to her for his family turning their backs on her all those years ago.
the 'High Priestess' thing, though - that's kinda weird, and threw me for a loop the first time i played the game. it took me until my second playthrough to connect the dots, and remember how the room in the Lady Luctopus - Gristol's room - was full of Delugionist scribblings and symbols.
[Screenshot source. ID: left, the walls of the hidden backroom in Gristol's hotel suite, covered in scrawlings of eyeballs and Maligula's name. Right, the pinboard from the hidden backroom. On its surface are photographs and newspaper clippings connected by pieces of string.]
i mean, look at this stuff! he had a whole conspiracy board and everything!
we learn very little about the Delugionists and their beliefs as a whole during the game, but i think drawing the connection here suggests two important things. one: that Gristol was in deep with this stuff. i don't know how he linked up with them - maybe via old family connections, or just good old-fashioned digging (we know he's skilled at worming his way into peoples' good graces, after all) - but it seems likely that he's begun to internalise their ideas, maybe even warping his own memories of events. and two: the Delugionists themselves are, if you'll pardon the pun, pretty far off the deep end.
like... i understand why PN2 didn't go heavy on the "mass-murderer cult worship" aspect of things, in the end, but man this is such a tantalising glimpse into the wider mythos around Maligula. Gristol is proud and haughty and thinks himself above everyone else; the fact that his first reaction seeing Maligula is to throw himself to the ground at her feet says so much about the way he's come to see her. he's not just trying to bring back Maligula, his childhood bodyguard. he's trying to bring back Maligula, the High Priestess of the deluge, the semi-mythical figure whose supporters believe even death couldn't stop. he doesn't even flinch at the way she confronts him, and maybe it's because he's bought in so completely to this deified figurehead, this idea of Maligula; more a living force of nature than a person. and it all comes back to the same place: an abdication of responsibility, not just to the person who protected him when he was little but to this avatar of floods and destruction. Maligula will make everything better.
i'd write more about my thoughts on the Delugionists but that'd be taking a hard turn into speculation, and this is already kind of long and rambling so i'd better end it here. but what an unexpected and evocative line, right? it's some of the only stuff we have to go off of regarding the Delugionists as a whole, but i think it does such a good job of hinting at the wider story - at teasing another layer to the mythos surrounding Maligula, one whose ripples we see throughout the game but which never quite breaches the surface.
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rlly torn abt whether to actually pursue that major CC for troj for a championship (very few shows that give them, most very far away, very high entry numbers, mostly allround judges which tends to not be Troj's audience) or just idk. retire her for now, bring her back out in 4yrs time as a veteran if she ages well
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I hope you all are excited to see this cosplay, because as of today the con is in two weeks and I have already been in full-on con crunch mode since last Sunday.
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✨ weekend wip exposure club ✨
rules: post 7 sentences/a snippet of an unfinished work
@theotherwhybietoldmeso & @killerandhealerqueen
I'm late, I'm late, I'm late. Forgive me. I was fighting demons (imposter syndrome, crippling self doubt, fatigue, and a wild pack of mental illnesses). (◕દ◕) But! I'm finally back after like three ass weeks. <( ̄︶ ̄)> So, here! A v unserious snippy from my we have to stay silly modern kidlaw au (yeah, shocker, it's them bastards again) that I've been doing sometimes on the side just for shits n giggles. 〜(꒪꒳꒪)〜
The call connected and Killer's accent crackled out of the speaker. “Law? What's up?”
“Nothing urgent. I just need to know if Eustass h—”
“Yeah, his phone’s dead again. He's in the shed. You want him?”
“What?”
“Hang on. I'll get him.”
Law pinched the bridge of his nose. Squeezed his eyes shut till he saw pinpricks. “No, I just need to know if—”
"Oi, Kid! Your boyfriend wants to speak ta ya!"
Law snapped his eyes back open and nearly crushed his phone as his hand clenched in a useless attempt to smother the speaker.
Ahead of him in the aisle, hands in his pockets, Cora stopped. His leg held out in front of him as he froze mid-stride.
Dammit.
After a beat, as if he'd been waiting for what he'd heard to start making a little more sense, Cora slowly turned on his heel. His other leg still stuck out in front of him and the hem of his heart-covered button-up twirling with him.
He stared wide-eyed at Law. The embodiment of flabbergasted. His raised boot absently clicking down on the supermarkets’ bland tiling like an accompanying exclamation point.
Dammit!
"He's not my damn boyfriend!" Eustass yelled, taking the words out of Law's mouth.
The heavy rock blasting from the shed’s stereo lowered enough in volume to not blow out Law's phone speaker and Eustass' voice dropped several octaves as he brought Killer's phone up to his ear.
“Miss me, did ya, sweetheart?”
His eyes bulging, Cora took several steps back in bewilderment and tripped over one of the restocking boxes stacked in the aisle.
"Shut up, Eustass!" Law snapped. His face igniting alongside his fury. "You're on speaker!"
There was a pause so pregnant it had reached its third trimester. Then Eustass chuckled. It had a grotesque amount of facetious glee in it.
"Am I now?"
So. That had been a mistake. But Law could only double down now.
"Behave," he said through clenched teeth. "Or I'll—"
"You'll what? Don't go making promises you can't keep, princess."
Cora toppled back over the box trying to get up and landed on his back with his legs sticking straight up.
"I'm going to—!" Catching Cora's eye from down on the floor, Law sighed. "Doesn't matter. I'll deal with you later. Cora-san wants to know if you have any dietary restrictions.”
He scrunched down into his jacket. Tense. Gritting his teeth. Law still wasn't sure how Cora had talked him into letting him come over and cook dinner. But if it had been a bad idea before, it was a horrendous one now.
Eustass Kid was an arsehole. Always had been. Always would be. Always was. There wasn't a chance in hell he could be trusted not to—
"Hold up. Cora's there?"
"Yesss," Law hissed, ready to brain him.
“Put him on then.”
“Don't tell me what to do!”
Cora looked from Law to the phone and then accepted it when Law clicked his tongue on his teeth in irration and offered it down to him.
Tagging @schwazombie (no pressure. You keep working on those kidlawgust prompts if you're still on a roll 😊) and anyone else that wants to give it a whirl ✨✨
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Need to stop saying yes to people while I’m running on empty. I rly don’t know why I do this, but between preparing for my neuro hospital internship / studying full time for one of the hardest national exams in the states / volunteering at 3 places / like 8282727 other things I genuinely do not have the energy to be around people and present. Especially bc people are used to a more bubbly version of me and I am just!! Tired!!! And cannot be that right now!! But I also do love my friends and don’t want to self isolate. Life is so hard when you’re a busy girl who gets her energy thru being around people but literally does not have the time
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After many years, guess who decided to try their hand at bookbinding again?
That's right, me! And of course I chose I giant of a fic, because I am nothing if not ambitious XD. I think it's 3 inches or more thick, and came to a whopping 1088 pages! The fic is Count Your Blessings by @madmothmadame , a Founders Era Tobirama centric fic and I cannot recommend it enough <3 <3 <3
My cover fabric and end paper are pretty simple, one part because I thought it suited the story, one part because I had them on hand, and one part because I'm a raw beginner and that's about as good as I could manage XD
It took a lot of waffling on my part (graphic design is NOT a great skill of mine) but overall I ended up really happy with how the title page came out - if I had the artistic skill to paint/draw it or the supplies to transfer it, this would have gone on the cover as well. Alas, for now it shall remain inside only.
A little detail that gave me some grief, as I waffled on font style and size a bit, but ultimately I'm really pleased with it - I used a plum blossom branch as the scene break throughout the book. If you've read the fic, you probably know why I picked that particular image for this and the title page ;)
I realized after printing that some of my paper had gotten a bit aged, even though it was stored in the printer. I wasn't about to waste the paper, ink and time for a reprint though, so I left it. Since the book is for me, little things like that are no bother. I was just glad I didn't fuck up in the printing or signature sewing order X'D
I included the authors notes from the end of each chapter as a bonus section at the end, so they'd be preserved with the story but not breaking up the flow of reading the book ^_^
Final view, this time from the spine - think I left the gap a little to wide between the cover boards and spine but eh, again this is just for me and only my third binding ever (and certainly the largest! XD) so I'm still really pleased overall.
A very fun experience, and I'm looking forward to my next re-read of the story, where I'll be doing it with my very own chonky boi version held in my hands :3
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To the beach! 🌅
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first batch of art fight!! all revenge babeyy
for @trucbiduleschouettes, @sallymiakki, and @paristandard respectively :]c
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