an underrated supergirl story i feel a lot of people would like is “convergence: adventures of superman”. i understand why it would fly under the radar, because the event as a whole wasn’t very good. but the story was. it’s two issues and in them a pre-crisis version of kara finds out she’s going to die soon. it’s written by marv wolfman, the same guy who wrote crisis where kara’s death took place. the story also has cute moments between kara and clark and that’s never something we can have too much of.
the story is basically like the happy many returns storyline in the 90s supergirl series except better. would definitely recommend.
25 notes
·
View notes
hi jess! as someone who has never seen a godzilla film, where would you suggest i start to get into the franchise? sorry if this question has been asked a lot, if so then feel free to use this as an excuse to gush about the franchise :3
I think there are some very good places to start with Godzilla. I’m gonna give met recommended starting points here, and then I’ll elaborate under the “view more”
So, my list of Godzilla starting points in no particular order.
Godzilla (2014) - this is a reboot and it’s the beginning of the monsterverse series
Godzilla (1984) - this is a reboot and it’s the beginning of the Hesei era Godzilla series that runs until 1995
Shin Godzilla - a stand alone movie. No sequels to prequels
Godzilla (1954) - it’s the original Godzilla story and it’s good, but I also understand that older movies can be intimidating for newer viewers
Godzilla Against Mechagodzilla - Not to be confused with Godzilla vs Mecha Godzilla, this millennium era Godzilla movie is part of a self contained duology that I personally really enjoy
Now, I’ll explain why I recommend these as staring points bellow:
Godzilla 2014 and Monsterverse
Godzilla (2014) is probably my favorite place to start new fans of Godzilla, even if it’s not my favorite Godzilla movie.
G2014 is the first movie in the Monsterverse series, and there are still Monsterverse projects coming out today. Godzilla X Kong the New Empire is coming soon, and Monarch season 1 is releasing right now. It’s fun to watch something and be a part of something while it’s new and coming out.
I think you will probably enjoy all of the Monsterverse movies, but pay attention to which one you like the most, because it will act as a good indicator of which Godzilla movies to watch next because the Monsterverse movies do a really good job of capturing the tone and feel of different eras of Godzilla movies. It’s like watching through a sampler platter of the entire franchise. G2014 is a beautifully shot cinematic movie that holds its own when compared to the best Godzilla films, while Godzilla King of the Monsters is an action packed monster melee reminiscent of the Hesei era films. Godzilla vs Kong is a campy monster movie that feels like the Showa era films, and Monarch is shaping up to be an introspective look at society that feels in line with the more recent Godzilla projects (shin Godzilla, Singular point, Minus 1).
The monsterverse franchise feels like a love letter to the entire Godzilla franchise, and it makes it the perfect starting point.
Godzilla 1984, and the Heisei continuity
My favorite Godzilla movies are the ones from the Heisei era. Godzilla 1984 was made as a reboot of the franchise, and it’s the start of a solid continuity that lasts until 1995s Godzilla vs Destoroyah. These movies have incredible practical effects and have aged very very well. There are tons of cool monsters and they are just fun. To me this era of Godzilla movies will always be the best, but I also understand that it’s not for everyone.
Shin Godzilla and the Reiwa era
I like Shin Godzilla a lot. It feels like a new philosophical direction for Godzilla as a franchise, while still being respectful of the series roots, but it’s also a hard movie to talk about without spoiling the film. (Don’t worry no spoilers here). Shin Godzilla and its success opened the door for some very interesting projects (like Godzilla singular point, G vs G, Godzilla Minus One and Godzilla earth). I have mixed feelings about some of the Reiwa era Godzilla projects, but I appreciate that they are taking risks with the franchise.
Godzilla 1954 the original
Obviously the original movie was going to be on this list. I think it’s a movie that everyone should see, but I actually don’t think it needs to be the first movie you see. It’s an excellent starting point but I also understand not being in the mood to watch a 70 year old movie. That being said, when you are in the mood for an older movie, you should watch it.
Godzilla Against Mechagodzilla and the millennium era.
After the Heisei Godzilla movies ended they rebooted the franchise again, but instead of starting a new continuity they created a series of stand alone movies that were each in their own continuities. The only exception to this is the two part story of Godzilla Against Mechagodzilla, and Godzilla Tokyo SOS.
You could watch any of the movies from this era without having seen any other Godzilla films, I just happen to like Godzilla Against Mechagodzilla the best. (Godzilla 2000 is a close second).
These are in my opinion the best places to start, but In actuality you can start anywhere. Even the movies with the most continuity around them are pretty stand alone and self contained, so if none of these movies appeal to you then just find one that looks fun and start there
60 notes
·
View notes
I don’t usually make posts like this, but I’ve been seeing a lot of anti-intellectual junk lately, and I really think we need to put the word “pretentious” up on a shelf until people learn what it actually means.
It doesn’t describe someone who likes artsy-fartsy deep meaning media. People who are pretentious are fake. They’re posers trying to be sophisticated and unique, not like other girls. They pretend to only like stuff they think will make them sound cool when they talk about it. They want to act like they know something you don’t, and they want attention for it.
By definition, if you genuinely enjoy something, you can’t be pretentious. If it resonates with you, and you analyze it, and you don’t care what people think, that’s the polar opposite, actually. If you love obscure experimental prog music, if you watch underground high concept indie films through English teacher eyes, if you spend hours in a modern art museum reading each piece as a vessel for storytelling, if your backpack’s full of poetry books that inspire you, if you play underrated games that were someone’s passion project, if you have an interest in studying the classics or the masters, you are not pretentious.
Of course, some people just don’t like some stuff, and that’s fine, but that’s not what this is about. Don’t let anti-intellectuals shame you for enjoying things just because your interests are inaccessible to them, because they refuse to be brave and put effort into critical thinking. You’re not stuck up for refusing to overlook the craft of artists.
138 notes
·
View notes