it was a thing for awhile in the fandom (and still is) to focus on one demographic a character is a part of while ignoring others like they can only exist one at a time (primarily being erasing disability traits or experiences the characters describe, usually by taking a trait meant to indicate one thing and claiming it can only indicate a separate thing and never anything else)
but the absolute biggest offender will always be when Rick and Mark Oshiro just fully did that in The Sun And The Star. like. oh okay. this is what we're doing now. and fully said it too. "Nico only likes Mythomagic to look at the hot men on the cards" ah yes of course it's definitely not because. he has adhd (and autism coding) and Mythomagic is his hyperfixation/special interest. nah that couldn't be it. Because of course Nico's only trait is "Gay" and that's the only thing that can inform his character Ever. How could i be so silly as to think otherwise? (sarcasm sarcasm)
anyways the fandom could really stand to learn about intersectionality that'd be great. rick too probably. also just remember disability exists in general and is kind of very central to the series and nearly every character. thanks.
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Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....
And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.
The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.
And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.
Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.
HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.
But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.
That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:
His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.
Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.
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fsa is placed at the end of the four swords subseries timeline and as such ganon canonically never breaks out of the seal of the four sword despite him being able to break out of seals in multiple other games. i like to think that the reason for this is because the four sword just straight up ate him over a long period of time. like from inside the seal
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I think we should put more emphasis on how Akutagawa's love is killing him. Descriptions of his feelings for Atsushi should draw from death imagery more. Atsushi's smile is devastatingly beautiful to Akutagawa. His laughter is lethal. Atsushi's touch feels scorching hot. When he's near, the air around becomes unbreathable. He hugs Akutagawa, and Akutagawa feels like his bones are being crushed under those new and overwhelming feelings. Akutagawa drowning in Atsushi's eyes, sinking in his embrace. Akutagawa's love for Atsushi is piercing, painful, Akutagawa's heart is wounded and bleeding. Akutagawa is smitten. All contributing to represent how Akutagawa's love for Atsushi is going to be the end for him. And it was! And he is doomed by his very love, by his very ability of feeling human emotions. Akutagawa's love for Atsushi is going to be the reason he dies.
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talk about the new imposter au please? you have captured all of my attention
Yeah! Been debating whether to outright state the twist or try and wait until the whumptober piece comes out, but yanno what I'm in a sharing mood so. yeah:
Basically, at some point during his fall in MotO, Cole and an oni who doesn't have a name yet but I've been using Eri as a placeholder... swap memories. Like, entirely. Eri wakes up in the form of Cole with all of Cole's memories and none of his own, and is thus convinced that he is Cole and not once does he question any of it. Cole wakes up convinced he's an oni serving under Omega, and is eager and ready to get back to it... as soon as he can manage to shift back into his true form and away from this weird disguise he doesn't recognize.
This, as you might imagine, is going to cause problems. The ninja don't realize that "Cole" (ericole??? coleri??? actually yeah for eri-disguised-as-cole we're gonna call him Erico, and then we'll call cole-convinced-he's-eri Coleri) isn't Cole, and Erico isn't about to realize he's not Cole either! And then while Coleri gets left behind when the oni are driven back, he also doesn't realize the obvious and thinks it's because he's a shit oni who lost the ability to shapeshift! There's gonna be a lot of imposter syndrome going around in this AU, hence why I didn't change the name 😌
so yeah tl;dr cole and a random oni swap memories and thus identities and this causes problems both for others and for themselves
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I always laugh whenever i remember that Boi factually have the power of the sun. Like the literal sun. A fucking star.
Lightning, wind, earth, water, ice, fire, plants? Oh no yea thats normal element stuff
*shines a light over solar* but this? THIS IS A FUCKING STAR PEOPLE
Funny whenever thats remembered, boi could just use him too at tough moments
But then he chooses fusion instead with him
Thats like also a 'new' element in his timeline
He uses all the elements, probably because solar is mostly impractical or more of a one shot murder
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