#he says he just doesn't really use it which makes sense

[heavysighing-dreamyeyes]

Trinkets

Five presents Jason brought you back from his adventures and one you asked for. (+ one) ~1.2k words of fluff

Jason Todd brings you home gifts from his missions, which wouldn't be a problem, but he never really explains what they are.

The first time it happened, you had laughed at the green ring with a lantern symbol in the middle. It looked cheesy, like one of the fake ones you can buy from the superhero merch stores littered around malls and outlets.

You'd kissed his cheek in thanks, put it on your shelf, and never gave it a second thought.

At least you didn't, until a bright green glow woke you up from your sleep. You'd sat up immediately, jaw practically dropping to the sheets as the ring lifted itself off your shelf and flew out the window.

Jason barely budged, his arm still thrown over your waist. He let out yawn and cuddled closer before speaking, voice groggy and heavy, "Huh. Didn't think they noticed that one was gone."

"They," You half yell, voice pitching as you stare at his outline, hidden in the shadows of the room.

"The Guardians, babe," he yawns out, "They're in charge of the space cops. Just go back to sleep."

Naturally, you do not go back to sleep. You drag him to the kitchen, make tea, and demand he explains why a Green Lantern ring was in your apartment. (He's very happy to)

The second time it happens, you're much more wary of the gift he brings home. But to be fair, he can't really pass off an Amazonian steel sword as something he just picked up.

It doesn't take as much convincing as it should for you to let him mount it on your wall. But it's a sword! No one can blame you for thinking it looks cool in your living room.

It turns out keeping it around is pretty useful, because a few weeks later, your boyfriend crawls through your window, dressed head to toe in armor.

"Hey, doll," he drawls, "Can I borrow your sword?"

"Sure," You chirp back, more preoccupied with your book as he saunters over to the sword, "what for?"

"Artie's got confiscated, and we haven't gotten to steal it back yet," he supplies, stopping long enough to pull his helmet up and kiss your head.

"Oh, that sucks," You answer, offhandedly, "Give her and Bizzaro my love."

"You got it, babe," he chirps already halfway out your window.

He does bring your sword back, covered in green blood, but no worse for wear. It still looks great on your wall.

He brings you a box next. It's kind of ugly looking, but you thank him nonetheless.

"Be careful with it," he tells you as you flip it over in your hands, "It opens boom tubes."

You almost drop it, and if you hadn't already experienced the power ring, you would have shrieked at him. Instead, you manage to put it down very carefully and calmly ask, "It does what?"

"Open boom tubes," he answers, which clears absolutely nothing up, "I figured we could use it to country hop for our next date night. You know, dinner in Paris, drinks in Dubai, dessert in LA."

"Okay," You answer slowly, as if that makes complete sense.

It turns out, it does. Date night is lovely, and making out with your boyfriend on a random beach in Spain is very, very nice.

Batman waiting in your apartment to take back the boom box isn't so nice, though.

Jason tells you it was worth it. He's absolutely right.

The third thing Jason brings you is a plant. Flowers aren't a rare show of affection from him, but ones that move are.

"Uh, thank you, Jason," You start, prodding at the moving petals, they nuzzle your fingers the same way a kitten would, "But I don't know how to take care of these."

"Same way you take care of any other plant, water, fertilizer, nutrients, all that fun stuff," he says fondly, stroking a few of the petals.

"What if it gets sick," You ask, uncertain.

"We'll call Ivy," he says, unbothered.

"Right. Ivy. Poison Ivy. Who you know," You mumble, but the little plant is already worming its way into your heart. (You affectionately name it Daisy, for no other reason then it sways happily when you say that name)

The fourth thing Jason brings you makes you laugh because you know exactly what it is, "Jason, we can't keep this."

"Why not," he pleads, shaking the bright green quiver filled with arrows at you.

You giggled harder, smiling wide as you shake your head at him, "We don't even know what those do. Don't some of those explode?"

"So what," he huffs, practically pouting, "We can ask Roy. And it's not like I don't know my way around explosives."

"I guess so," You relent, trying to stifle your laughs as you inspect the bright green arrows, "How did you even get this?"

His eyes light up mischievously, "Do you really want to know?"

You stop short and narrow your eyes at him, "I would lose my plausible deniability."

"But you wanna know," he says, sly and playful.

You do. (It involves mutated chickens, tar, and one distracted Oliver Queen. You hang the quiver next to the sword)

Jason's getting ready to leave, bags packed and helmet lazy held under his arm, "Can I bring you back anything specific, doll" he asks, his free hand resting comfortably against your cheek, "Lasso of Truth? Maybe something with magic?"

You grin at him, leaning into his touch, "I actually do have something in mind."

"Oh," he prompts, eyes glinting with excitement.

"I want to complete my batarang collection."

He falters, "Your– what?"

"No one has," You exclaim, pulling away to showcase your collection, "I have Nightwings, Batgirls, Batmans, yours, of course, one of Robin's. But I'm missing Spoilers, Batwomans, Signals, and Red Robins."

He blinks at you, "That's– if that's what you want."

You giggle at how dumbfounded he looks, practically bouncing back over to him to kiss him, "Thank you, Jason."

He catches your waist and pulls you back in for another, longer kiss that leaves you both breathless and panting. His voice lowers, like it's a secret, "I'll bring you back some batarangs. See you in a few days?"

"See you in a few days," You echo, and he winks at you as he tugs on his helmet, leaving out your window.

Sure enough, you get your batarangs when he gets home. It takes some convincing, a few kisses that leave you senseless, but you get Jason to help you mount your batarang collection alongside the sword and quiver.

"I should get you a plasma rifle next," he drawls, admiring your growing wall of weapons.

"I think I'd fall over if I tried to shoot one of those," You point out, all smiles.

"I'll teach you," he tells you, hooking an arm around your waist to draw you closer.

Jason's a man of his word, and sure enough, he brings you home a plasma cannon after his next mission.

You only destroy most of the shooting range in the batcave when he lets you try it out.

[mermaidsirennikita]

I gotta say this is also very unsuprising casting when you think about it. Like as soon as the shock had worn off I was like...yeah of course she cast them.

Oh yeah, it does make sense because Emerald isn't about what's good for the project, Emerald is about what makes Emerald happy. Which is why I fundamentally can't get into her creatively.

Because of course, any creative has their aesthetic, their sensibility, their work. And I respect that, as a creative.

But you also have to kill your darlings. And we think of that in the writing sense most often—cut that sentence, that scene, that chapter if it doesn't truly serve the work. Scrap the whole thing and start over if it's truly not what it should be.

I'm a STRONG believer in that, to be fair. Brutal. Maybe too much so? Lol. Or I'd have a book out by now.

But anyway, it applies to every type of creative work, imo. You don't cast someone because YOU like them, particularly in an adaptation of a work as iconic as Wuthering Heights. You cast them because they are right for the role.

Heathcliff and Cathy, especially Heathcliff, are two of the most groundbreaking and influential characters in literature of the past 3 centuries. Heathcliff's lack of proximity (for his era) to whiteness is particularly central to the role, and I don't know anyone who seriously takes this work apart and isn't like... actively racist... who interprets Heathcliff as white. It's so crucial to his character that he is "other" in his society.

It's just TRULY a shame to me that she not only cast someone as subpar as Elordi, but someone so, so white. Like, I wouldn't want a white actor I love to play Heathcliff. And this is a fabulous role for a man of color, too.

The last adaptation did cast a man of color, but it was frankly not a very high profile project and not well done.

(I also think it would be compelling to cast a man of Roma descent OR a man of Asian, specifically South Asian descent because the text literally uses a contemporary term for Indian men to describe him... Though Nelly also speculates that he has Chinese heritage, and there are definitely some implications that he could be descended from presumably African enslaved people. The latter I could definitely see being an interpretation when you factor in the speculation that he's Mr. Earnshaw's illegitimate child. I think there's always this idea that "catch-all" terms were probably being used to describe Heathcliff's appearance, but I've thought for a while that I would personally most love to see a Roma actor or a South Asian actor play him.

But like. Literally any other than a white guy.)

This will be much more high profile, with way more attention, and it just really sucks that Emerald decided to use it to push one of her faves. It tells me that she has very little respect for the text. On what planet would anyone, even in the 1800s, look at Jacob Elordi and think that he was anything other than a white guy.

And again, I think Margot is way too old to play Cathy, and honestly doesn't read in any way as Cathy to me. I say that as someone who, again, considers her a very strong actress when she's in her element. I just. Ugh.

[cotton-could]

The importance of Leorio

Leorio has been a character who was often dismissed, mocked and minimized for not having flashy abilities like everybody else, which is why he was often seen as not important but this is far from the truth. Leorio does bring something very crucial to the table and those are his kindness and honesty. Let me break it down:

1) He's the heart of the time and the main reason why it hasn't fallen apart

⭐️; Almost everybody says Gon is the one that brings everybody together and while there's some truth in it, it's actually Leorio who does it. Notice how the moment they part ways, Kurapika slowly falls into darkness and acts way more aloof than before. He doesn't crack jokes as often as before, doesn't trust anybody and is always serious. Hence, he spent the whole Chairman arc ignoring everybody until Leorio asked help to bring his ass outside and surprisingly, Kurapika is thankful of it.

He knows Leorio is an important source to him and to many people, and it can be seen with Gon and Killua. Overtime, Gon is more likely to act selfish and distant to everybody, not caring if his actions would have terrible consequences while Killua has to fulfill the role of the responsable one, he doesn't get to be a kid and it's taking a toll on both of them (which almost ruined their friendship) but the moment they're around Leorio, they're more relaxed and get to act like kids without worrying about fights. And he's also the main reason why Gon and Killua became friends, and Kurapika joined the group, all because of a dumb argument they had lol.

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2) He brings the best in his friends

⭐️; Something I've noticed is that Gon and Kurapika's moods and morals were at their best in the Hunter Exam, where they've been teaming up with Leorio. See, neither Gon and Kurapika have a reason to keep helping him, in fact, at worst he slow them down as he almost cost them a challenge but they still stick by his side even when they have the option to abandon him.

The fact they're willing to put themselves in danger for him really shows that Leorio did manage to bring their more selfless side by just being his over-the-top self and being unintentionally funny to which I'm sure they find it very endearing and make them want to help him, especially after hearing his real reason to be a hunter. Another important point is Gon waiting for him to catch his breath instead of running like Killua suggested, the normally selfish Gon would listen to Killua as Leorio didn't offered him much but once again, it made Gon's kinder side come to shine.

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3) He's the wake up call Killua needed

⭐️; An important aspect of his character that many people overlook is that he was the key for Killua's development, just as Illumi was manipulating Killua, he stepped in and said the wake up call Killua needed: "You're Gon's friend", it briefly snapped him out of it and made Killugon's bond even stronger.

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4) His kindness, honesty and bravery are his greatest weapons

⭐️; Leorio isn't the strongest member of his team nor has impressive nen abilities but one thing we can't deny is how his qualities (indirectly and unintentionally) earned him the love of his (powerful) friends and allies, the respect of veteran and legendaries hunters and the attention of Hisoka. You see, at first I found it odd how many characters started to like/respect Leorio even when they mostly saw his abrasive side but now after re-reading it, it all make sense; he shows the values a hunter must have and the values people needed to see. How so? Well, Gon and Kurapika are people who value honesty and loath people who goes against what's right for them; shallowness and dishonesty. And both of them sensed good vibes in Leorio and saw his kindness in action when he didn't realized it. Leorio used a jerkass façade in his introduction but it was quickly broken when he tried to save a guy who was about to fall in the water and quickly grabbed Gon's leg. This moment was what made Gon and Kurapika realize he's actually a selfless young man and it won't be the last time they'll see his kind actions. When he took care of the examiner, the guy said he was treated with great compassion by Leorio (who was embarrassed by the reveal) and was the reason why he passed the exam, of course neither Gon nor Kurapika are impressed by the reveal because they already know he's a softie. Kindness is an important key to be a great and respected hunter, because kindness is what keeps the world spinning.

Later in the Hunter Exam, Kurapika confronts Leorio about his jerkass façade and why he really wants to be a hunter. Even when Leorio acts like a shallow man, Kurapika no longer buys it because he knows he's actually a humble man with good intentions so when Leorio tells him the truth, he's satisfied with it and grows closer to him because Leorio is what Kurapika really admires in someone (but that doesn't stop him to sass him).

Killua also took note of Leorio's character. After he saw Killua kill a man, he was understandably scared of him but he doesn't treat him like a monster. He continues to treat him like a kid and still act abrasive to him, just like to everybody else. This continues to be like this for the rest of the serie, he acts like the adult Killua needed and he defended him from Illumi, without caring he might get killed by him. This genuinely touches Killua a lot, to the point he considers him his friend and threatened Milluki to not hurt Gon, Leorio and Kurapika. What Killua valued the most about Leorio were his kindness, bravery and honesty. Even when he knew Killua is an assassin, he doesn't act like a doormat to stay on his good side nor act two-faced around him, he's still his loud but tender self around him too which (secretly) earn Killua's genuine respect and care.

About the hunters, this one is actually the funniest yet the most impressive one because all Leorio did was punching Ging and awkwardly admit what he has been doing but still tell them he wants to see Gon healthy again and this hilariously earned the respect of legendaries and famous hunters, beating veterans like Bisky, Linne, Ging, and so on. Leorio doesn't realize they respect him for being shamelessly honest and not caring about getting in trouble if it meant his friends are alright. He got all the qualities Ging doen't have and it's his tenderness towards Gon, his dedication to his loved ones and goals, his kindness, his care for other people, etc...

Now Hisoka... We all know he's interested in power but Leorio doesn't even have a strong power and he isn't interested in getting stronger because he wants to be a doctor. So why would a guy like Hisoka be interested in a normal dude like Leorio? Well, when Hisoka was testing the characters, Leorio passed but why? He passed because of his bravery, he and Leorio knew he had 0 chances in beating the clown but he put his own life at risk to bring some justice and this trait was what Hisoka admired in him and decided to spare him when it would make more sense to kill him. Leorio, unknowingly shows a trait Hisoka respects the most and this was best seen when Hisoka killed some of the spider members to spite Chrollo as a punishment to be a "coward" (using the crowd to fight him instead of fighting himself). Leorio has never used someone else to fight for him or to hide behind them as a shield and it's very remarkable for a guy like him. And it's not the first time he caught a villain's attention, Illumi took note of him aswell and it was once again for his bravery. It surprised him how Leorio wasn't scared of him at all.

In the end, his friends ended up paying Leorio's kindness back to him. Gon with continuing to help him in the Hunter Exam, saving his life and caring for him. Kurapika with helping him in the badge challenge (when he had nothing to gain in exchange), looking after him and being more open to him (allowing himself to let his guard down and be his sassy but kind and playful self around Leorio and the kids). Killua with killing Leorio's opponent (Killua could've killed anybody else but HE choose Leorio's opponent of all people wich I firmly believe he wanted to help Leorio back), being a trusted ally to him and caring for him.

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5) He's the greatest ally you could ask for

⭐️; Leorio compensate his lack of combat skill by being a trustworthy ally who will always be there for his friends, he lend an ear to listen and give advices, put his life on the line to give them time and/or to fool his enemies, look after them, reach out to them, and so on. His presence is enough to make Gon, Killua and Kurapika safe and more relaxed. When he pretends to be an angry boss, you can tell Killua and Gon were very happy to see him and know they can always count on him when they need it. This gets better when Killua calls Leorio in the Election Arc, because he knows Leorio will always have his back in case Gon isn't available.

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6) He's a great friend

⭐️; He's the friend Gon, Killua and Kurapika needed. He manages to be a good balance for everybody.

🎣; With Gon, he's the (older) male figure Gon needed in his life, he cares for him and is very protective of him, he guides him in areas Gon can't handle it (such as making money or having businessman skills) but still act like a fun brotherly figure who gets into silly arguments with him in the Hunter Exam but when things get serious, he drops everything and makes sure Gon will be safe or get what Gon needs (seeing his father). He's a reliable resource Gon can be safe with because he's the only man who he got to see more often while he rarely saw Kite and Ging was barely around his life.

🛹; With Killua, well, he's everything Illumi failed to be; caring, understanding, protective (in a genuine and healthy way), honest, selfless and so on. Despite not interacting much, Leorio and Killua has a lot in common (I'll talk about it in another blog) and Leorio is the second person who Killua clicked with the most and after getting to know Leorio more, Killua finally gets to act like a kid without being punished but also asks Leorio for help/advices when he sees he can't do it alone and knows Leorio is a softie who will always be there for him when he'll need it. It speaks volume how much Killua trusts in him when Killua always come for him when he's in a problem he can't do it by himself. (Their friendship are so underrated 😔)

⛓️; With Kurapika they both get to open up with each other and reveal private parts of their backstory. After confirming Leorio is a good guy, Kurapika started to joke around more often and appreciates his precense even more, in YorkNew, Kurapika slowly became more aloof until he saw his friends again and opened up to them again. Leopika still look after each other in spite of Kurapika's change with Leorio's moments of maturity and his compassion are what keeps Kurapika on line. Even after Kurapika has been ignoring Leorio's calls, he still deeply cares for him and will forever be thankful of his kindness.

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TLTR: Leorio is epic whether you like it or not.

[thewebcomicsreview]

As per the ask you got in may .What did tatsuya ishida say about the Holocaust ?Or draw ?im high right now

I can't really do a day-to-day on Sinfest even if I wanted to because it's increasingly just racist caricatures that'd get be banned for posting them, even to mock, but to quickly summarize where it's at since you asked politely and are in the right headspace to receive this information.

Tatsuya Ishida now worships Odin. Like, unironically he has a whole arc about how the Jews overthrew the Norse gods, who are the true gods, in order to impose monotheism on the world. I don't have as much knowledge on the inner workings of neo-nazis as I probably should be (there's a sentence for 2024, isn't it?), but they're super into all this Norse shit, which is why a lot of white supremacists like to use Norse symbols, like the Valknot, a set of three interlocking triangles.

That one, yeah.

(Not to be confused with the Triquetra that's' all over Jill's design in LoTH, which is also an old rune but mostly is just used as design shorthand for "Celtic" and hasn't been appropriated by Nazis because it doesn't have enough sharp angles for their sensibilities, but that is a Celtic cross in panel 3 up there to remind me there's a non-trivial chance I have to take LotH down one day over this. Sigh.)

Anyway, the year 2024 is burned as a witch, which stops time, which revives her as a Valkyrie because Odin is the true god and thus timeless. You may have noticed that doesn't make any fucking sense, but we are long since past the point where that matters. So, 2024 is fighting YHWH now.

No no, not the puppet guy that's been god this whole time! That's old Sinfest, which has no connection to modern Sinfest any more. God has been redesigned to be a racist stereotype stuck to a wall

I probably don't need to blur this but I'm not taking chances. Anyway this strip is important because it's Tatsuya Ishida explicitly calling for violence against Jewish people and saying it's justified because Jews are behind everything bad that has ever happened (earlier strips literally have the Happy Merchant appear and say that Jews are behind black people, communism, the gays, school shootings, and "assassinations". Basically everything Tats doesn't like is because of those wacky Jews, keeping themselves busy).

And one of YHWH's attacks is summoning "holocusts" and...yeah. Tats thinks the holocaust didn't happen, but that it should happen, and is at the point of saying so explicitly. We haven't seen a swastika yet, but we're at the point where it wouldn't even matter if we did. Tatsuya Ishida is a White Supremacist Neopagan worshiper of Odin who wants to kill all Jewish people. That's not an accusation I'm making, Tats says it himself.

[wilcze-kudly]

Using the Avatar state scenes as an example and saying this is katara relationship with aang is so vile 🤦‍♂️

https://www.tumblr.com/sunandmoongobrrr/662596151677190144?source=share

Ugh this take again. It honestly always exhausts me to see this because the thing about Aang going into the Avatar state is that it is, at it's core, a defence mechanism. Aang goes into it in life threatening situations, or otherwise, incredibly distressing situations. I've even pointed out its similarities to panic attacks:

Katara is an incredibly empathetic person, and she is able to emphasise with Aang's pain. Because a) she's just that type of person and b) her and Aang share the trauma of genocide and loss.

Katara's interactions with Aang when he is in the Avatar's state aren't based around tempering his anger, but providing comfort and reassurance. It almost seems that Katara just reminding Aang that she is there and that she cares is usually enough to calm him which makes sense. Because, at the core of it, Aang's greatest pain, likely the root of most of his nrgative emotions is that he is the last airbender. His people are dead, have been dead for ages. He is alone, the last of his kind, and it destroys him.

Aang: [To the winged-lemur.] You, me and Appa; we're all that's left of this place. [Looks at the lemur.] We have to stick together.

Enter Katara, who reassures Aang that she is with him, that she cares, that she won't leave him. Because she sees that he is hurting. She hugs him as normal people hug their friend when they are upset, and later, when their relationship is more established, it's just enough for her to make eye contact with him and remind him that she's there.

Katara : Aang! I know you're upset and I know how hard it is to lose the people you love. I went through the same thing when I lost my mom. Monk Gyatso and the other airbenders may be gone, but you still have a family. Sokka and I! We're your family now!

And I truly don't think Katara does this out of a sense of obligation or fear. She does this because she sees her friend, and later, romantic partner, is hurting. And she knows that pain intimately. So she offers her comfort. Of her own free will, because she cares.

Katara : Do you remember when we were at the air temple and you found Monk Gyatso's skeleton? It must have been so horrible and traumatic for you. I saw you get so upset that you weren't even you anymore. I'm not saying the Avatar State doesn't have incredible and helpful power ... but you have to understand ... for the people who love you, watching you be in that much rage and pain is really scary.

I think the emphasis on "the people who love you" is important here. Katara isn't afraid of the Avatar state itself. She is saddened and scared for Aang, because she knows he is in pain. And he is someone she loves, be that platonically, or romantically.

Side note; I always found it so cool that when Aang went into the Avatar State in the Avatar State episode and wreaked havoc on general Fong's base, Katara, who was literally in the middle of it, remained completely unharmed.

See, the theme with Avatar is that holding onto anger and pain can be incredibly self destructive. We see this, of course, with Zuko, but also with Aang and Katara.

Of course, we're shown how one's anger affects others, but we also see how painful it can be on oneself. Which is a very poignant theme that isn't often explored.

This is what Aang was trying to communicate to Katara in The Southern Raiders. And this is what people like this, who commented under OP's post don't get.

Oh, something crazy? Like for example going against her entire morality and do something she might regret for the rest of her life? That type of crazy? Hell, look at how strongly "The Southern Raiders" ties back to "The Puppetmaster", an episode about a victimised Southern Waterbender driven to near madness by her grief pain, and rage.

Aang isn't stopping Katara from feeling anger, he's trying to make sure she doesn't do something that will weigh on her and compromise her morals and ideals, because he knows how important they are to her.

Aang: The monks used to say that revenge is like a two-headed rat viper. While you watch your enemy go down, you're being poisoned yourself.

Hell, he even supports and believes in her, letting her take Appa and believing she would make the choice right for her. Which she did, in the end.

Aang: I wasn't planning to. This is a journey you need to take. You need to face this man. But when you do, please don't choose revenge. Let your anger out, and then let it go. Forgive him.

And no, I don't think he was trying to save face, since he has never had a problem disagreeing with Katara before, for example in the Avatar State episode, where he followed his sense of duty as the Avatar, despite acknowledging and valuing her criticisms of the matter.

Aang and Katara's relationship is one of mutual support, particularly in helping alleviate each others pain, since they are both genocide survivours, both lost a parental figure to the fire nation, both value their cultures and desperately try to perserve them etc.

I think some excellent aymbolism of this can be in how Aang tries to help Katara with her dismay and discomfort around losing her mother's necklace, something she's expressed was very valuable to her due to her loss. First by making a symbollic replacement, and then risking himself by retrieving the necklace from Zuko.

I also genuinely enjoy that in both of these instances, Katara put the necklace on herself? Like it would be so easy to just make a cliche meaningful scene where Aang puts it on her and "proposes" but theres almost something more appealing to me of Katara taking the necklace from Aang and putting it on completely on her own.

Katara does not need Aang to calm her down when she's angry, because, with the exception of the Southern Raiders, her anger is usually benign squabbling which is completely normal 14 year old behaviour. Wheras for Aang, his anger usually rears its head on rare occasions when he's in deep distress.

But Aang is there to comfort Katara, to bolster her confidence, to support her, make sure she's having fun almost whenever she needs it.

These are just a few examples of Aang providing comfort to Katara.

These actions may not be as bombastic and awe worthy as Katara ripping Aang out of a state of deity like power, but they are nonetheless important to Katara and make a big difference.

Aang and Katara's live language with each other is providing comfort, in any way they can. Be it by alleviating anger and pain, making the other feel good about themself, or connecting over the horrific genocides that brutally deprived them of their loved ones. You know, just normal couple things 💗

And this is where I could slander Zutara, but I'll simply tactfully say that Zuko... prioritised things other than Katara's comfort and happiness.

Also, incredibly rich that one of OP's examples of Aang going into the Avatar state out of anger was in the comics. OP neglected, however, to include the scene leading up to this where Aang is extremely calm and nonconfrontational until Zuko grabs Katara and refuses to let go of her despite both Aang and Katara telling him he's hurting her and then attacking Aang after Aang knocks him away from Katara.

Like hun this is not a good look.

And another point I'd like to raise is this persob in the comments who apparently watched the show blindfolded.

why are we still here just to suffer etc etc. Like have you folks even watched the show why do you have beef with a twelve year old who commited the crime of loving a girl his age. If you're that fucking upset about it you can just not have him do that in your mind palace you don't have to pick violence.

Aang is a genuinely amazing character who deserves so much more than what his haters say. It's fine if he's not your fave character I just don't understand why people have to be dicks about it.

Genuinely the only good thing I get from examining this type of bullshit rethoric is that it lets me inspect Kataang more closely and find new things I genuinely love about it.

[venus-is-thinking]

DRDT Chapter 2 Episode 14: Initial Thoughts

What an episode! I can't believe that we're probably starting to near the end of the Trial. But, considering we're almost there, we DEFINITELY have a lot to talk about. It's a longer episode, and there's a LOT to go over, so buckle in!

SPOILER WARNING FOR DRDT CH 2 PART 2!

T/W: Murder, hanging (with depictions)

The Reactions

Hu is literally so pretty.

I wasn't expecting her to get a whole mechanic defending Nico, but it makes sense. Letting other students cut in during the Class Trial is a great way to draw specific attention to a character point, and it's very clear that Hu's over-defense of Nico is going to be important moving forwards.

RIP to my "using the weight rack as the carousel" theory. The fan probably makes more sense. I just still have no idea how the 300-ish pound or whatever weight rack managed to get knocked over in the struggle.

I'm glad they directly pointed this out. Trying to kill everyone in the Class Trial was the EXACT thing Hu was so pressed about David doing. It's a weird double standard to be so forgiving of Nico when they tried to do the same thing.

Insane thing to say if Eden is the culprit and killed Arei because she didn't believe her. Then again, if my explanation for a lot of Eden Trial dialogue is "she's speaking out of regret for killing Arei now that she knows Arei was being legit," maybe she's just calling herself cruel as well.

This is honestly very valid.

Do you think "here" implies Nico trusts someone in the outside world? Based on their secret, it seems like they probably didn't have many friends. Could also be referring to animals? Or Mai Akasaki?

Big psychic damage to Hu though, considering we know she thrives on other people relying on her. She wants Nico to be someone who relies on her sooo bad, but they just... don't.

Like, girl. They literally JUST said that they don't trust anyone. That includes you.

She's clearly projecting in some way, though, which is definitely an oof. I wonder if Hu wishes she had someone who was undeniably on her side in the past...?

(To be clear: I think Hu is a very well written and interesting character. She fits the fucked up vibes of Despair Time, but coming from a more surprising angle of "that really nice and caring person can also be fucked up." She's just clearly in the wrong here, so I get to clown on her as I clown on everyone else.)

Ace is honestly so valid for this. Like, yeah he's kind of a bully and he sucks sometimes, but. Like. He did almost get murdered and people are, like, mad at him for it? Huh???

If Ace does end up being the Chapter 2 killer because he snapped, I honestly think he's so valid for that.

It is my personal agenda to record every instance of J being notably anti-murder. I don't know where it's going but if it does go somewhere I want my credit because it is Apparent.

(The entire fanbase nods in agreement.)

I know some people definitely still think/thought that Hu and/or Nico was responsible for the crime, so we've all DEFINITELY been squinting at that alibi. I fully believe it's true, but that doesn't change the fact that I wouldn't put it past Hu to make a fake alibi to protect Nico. Idk if Nico would go along with it, though.

I got so jumpscared by the Closing Argument-style CG.

I'm so glad we did get a definitive answer on how this thing worked. I was so afraid that we were just gonna solve the Arei murder method and the exact solution of Ace's would be a "left to audience interpretation" kind of thing.

I'm not exactly sure where the blood on Ace's fingertips comes from? Maybe he cut his hand on the wire when he was trying to struggle after he woke up or something.

This makes so much more sense than anything I saw theorized though, lol. The fan falling from drop hanging totally checks out as a way that the murder mechanism could fail.

I have NO fucking clue why Nico opted for this as the murder mechanism, though. I get wanting to use Hu's wire to frame her, but why didn't you just cut Ace's throat with the wire in the first place???

where did their cape go :(

Potentially suspicious line from Ace? I don't know what he's referring to as "go through all this." Like, maybe just reliving the murder attempt, I guess...? Could also be going through the Class Trial, though, if Ace killed as a result of Nico trying to kill him.

*Levi's secret quote looms*

Things that make me think Nico is either a victim or a survivor. Like, are you really gonna say this and then go try to kill someone else? ...Or Ace again, I guess??

Fun fact: this was actually what guided me to my initial killer picks, before I discussed with anyone else or read any theories! I thought the killer was trying to frame Nico, so it had to be Eden or Ace. The tape and everything else was just what locked it in for me. It's fun to see Teruko follow more or less the same path that I did when I was trying to solve the mystery :)

TAPE TIME :D

The use of the Bound Wrists truth bullet actually really confused me at first bc I didn't realize we were just talking about the tape. I was like, were Arei's wrists bound because Ace's were and it was intended to be another similarity???

Maybe Eden's just being nice, but I find it really suspicious that her instinct after all this time is "didn't MonoTV take it" and not "oh I guess Ace is probably the murderer."

Teruko has now outlined two different ways that it makes sense if the killer was in the gym that night. If I were Eden, and I were innocent, I would be realizing that there's a very small suspect pool left, and I know that I'm not the killer, giving me additional information. Instead, she's questioning the validity of the tape argument, which isn't useful for narrowing down the killer-- it's useful for keeping the suspect pool wider and not leaving herself as one of three (but basically two) options.

I kinda get why people are upset with Rose here, but it's also kind of an oof because they're only mad because Rose is really smart. Like, no one's out here like "oh my god Ace you didn't recognize the tape??" Y'know, because they think he's stupid. Rose has a really good memory, which raises the standards really high, which sets Rose up for failure.

In Rose's defense, she also never saw the tape in Nico's gym murder OR on the carousel for Arei's murder. She only saw the pieces in the trash can, which seemed to be inside out. Against Rose's defense, it would probably have been for the best if she'd gone in to look at the crime scene.

Am I tripping, or is "fish misunderstanding" a weird way for David to phrase this? The misunderstanding with Teruko was assuming that the murder happened last night, which was in fact because of the fish-- but the thing Teruko should have noticed, which makes it Teruko's mistake specifically, was the body swinging.

I'm probably reading into things too hard, but it's so hard with David. What do you know!!!

Damn, Teruko is SPEEDRUNNING this character arc. Considering we basically know she's locked in for all 6 chapters, I'm really surprised to see her making this much progress this fast.

I'm guessing that this means that Teruko is probably due for a major setback sometime sooner or later. But, interestingly, this makes me feel like Teruko realizing that working alone doesn't work isn't her character arc's end destination; it's the willingness to open herself up to caring about others even in the face of the consequences of losing someone you love. Teruko is closing herself off from everyone because she knows she's going to lose them. Maybe her end destination is allowing herself to love people, even if she might lose them someday.

This was fruity as hell btw. I'm starting to think Rose may be our replacement support if Charles does die in Chapter 3.

It's so funny that this is basically Teruko claiming in-universe protag privilege. Go off, queen.

I also said something along the lines of "Hu are we really doing this again." Totally forgot that the BDA is still relevant, lol.

I personally find the way Veronika phrased this to be very telling from an author's POV. Veronika doesn't say "she must not have committed the murder," she says "she must not have witnessed the murder." It would be totally reasonable for any of the students to forget that the rule is written in a way where a killer could fail to see the moment of murder, but DRDTdev wanted to draw attention to the rule's exact phrasing again, which is a deviation from the phrasing in the canon games.

To be clear here, I stand by this even if Eden isn't the killer and the BDA group really is Eden/Whit/Teruko. I still think it could be a reminder for a future chapter when it comes up. But, I don't think it makes sense to change the phrasing of a base rule unless there's a specific reason you want it to be different. Whether now or later, this feels like a reminder that it IS possible for the blackened to trigger the BDA.

I don't necessarily "believe David," per se, but I do think it's interesting that we're drawing attention to this. I don't really think it matters, especially because I doubt the characters remember, but I'd place my bets on Eden being the last one because of that, "Teruko, wait!" thing.

It doesn't matter because, if David or anyone else saw the body, no one can confirm which two of Teruko, Whit and Eden set off the BDA, but it's an interesting note.

It's so funny how no one, fanbase or in-universe, can tell if David is lying though. Like, he COULD have seen it, but he also easily could just be making shit up to try to throw the Trial again.

will I EVER understand what the fuck this man is cooking

Why. I thought you wanted to end the killing game to finish what Xander started. I don't know what's happening :( /pos

My guess for now is just that he's still trying to kill Teruko, in keeping with Xander's plans?? Idk how making her more distrustful makes her more likely to die, though.

I do find it very interesting that Eden's approach/reaction has been to be very quiet and freaked out whereas Ace's approach/reaction is to freak out VERY loudly. Ace's is fitting because what does he do other than freak out loudly, but I might have expected Eden to do... idk, something else? It makes enough sense though, considering either the group is right to suspect her, or she's still coping with losing Arei a little bit ago.

...*squints REALLY fucking hard*

The music and voice acting in this section is REALLY fucking good. It's sad/charming/soft enough that it feels like it could be genuine, but there's still a little something that makes you have to question whether or not it's real. You WANT to believe Eden, but it's so hard to do so fully.

Y'all think Eden's crying is reminding Teruko of whatever Arei's crying reminded her of?

i'm out of images :(

I really like Teruko assuming that Eden is innocent first. She's too distrusting and also reasonable (it is life or death after all) to just hard clear Eden based on nothing, but she's offering a bit of a reprieve to Eden. Eden's friendship means that she isn't going to get immediately targeted in her most down moment, and that's it. It's a small way to show Eden she does care.

On another note, the fact that Eden got to hug Teruko and that Teruko said the "let go of me" NOW is honestly one of the main reasons I trust Eden more. I felt like that was obviously going to happen, but I was expecting the post-Trial. Putting it here is wild.

Theory Update/Analysis

Oh boy, it's accusing time! It makes sense that we're going to start with Ace. At this point, I can honestly see it going either way. Major props to DRDTdev either way, but ESPECIALLY if Eden really is the culprit. I was so confident in it, but they're really making me question my assumptions.

I think that both Ace and Eden have good reasons to be the blackened or not to be, and good reasons to die here or to not. I'm going to do my best to make a list of reasons for both characters and give a bit of my thoughts on them. They're roughly ranked in most to least important order imo, but I didn't think too hard about it.

EDEN

Reasons Eden Would Be The Blackened:

THE TAPE: It would be easier for her to take the tape than Ace, as attention was on Ace in the gym. The tape's disappearance from the background also happens to coincide with Ace knocking her over and her standing back up.

THE NOTE: Eden already knows all the info she would need to know to write that note. She could have put the note back together to give herself a defense, to try to disprove herself as the culprit with her handwriting, because Rose was going to do it anyways, and/or to frame Arturo if she didn't know he had an alibi. I think any of these reasons, or a combination of these reasons, are enough to make it possible, and while Ace could've overheard, it's definitely less easy for him.

NOT BELIEVING AREI: Both Arei and Charles have, in this trial, been shown to question whether or not Eden believed Arei wanted to be Eden's friend. If Eden simply did, this plot point goes nowhere.

A GOOD PERSON: Eden has been called a good person, but other than that freaky CG, nothing has really come of it. Is the plot relevance of Eden being a good person really going to resolve by saying "Eden is a good person, she'd never kill her friend!"? If a good person isn't gold, Eden still feels like a missing piece of that puzzle.

INCENTIVE TO FRAME NICO: This one's a bit more of a reach, but I don't really understand the point of framing Nico if you're Ace. Of course Ace is going to insist Nico is the murderer no matter what. If you're Eden, you have a direct audience to setting it up similarly: Ace. If you can get Ace to go all in on Nico, that's one less person who was in the Gym who suspects you. Eden and Teruko feel less likely to say "oh well it looks like Nico's murder so it MUST be Nico."

HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter death's important content shortly before their deaths. Eden has been one of the most prominent characters this chapter, which could be a bad sign.

Reasons Eden Wouldn't Be the Blackened

HER EMOTIONAL REACTIONS: I think I stand with everyone else when I say that the thing giving me pause with Eden!Culprit is how devastated she truly seems to be. I do still think it could be a combo of guilt and panic over the prospect of dying, but it's hard to justify everything.

HER FRIENDSHIP WITH AREI: Sort of a spinoff of the last one, but Arei was at least offering to Eden to be friends and to protect her. If Eden did believe that, to any extent at all, it's hard to imagine her killing Arei in cold blood.

THE FISH: The biggest question when it comes to evidence as to how Eden could be the killer. If Nico fed the fish and they were all still there last night, and Eden had an alibi until after the Relax Room closed, how would she have gotten the fish to add to the crime scene?

THE BDA: Easy to ignore imo considering we've already called it into question within the series proper, but still worth talking about. For Eden to be the culprit, either someone else saw the body first and isn't claiming to have (or it's David), or we're burning the "Eden didn't witness the crime and thus could still trigger the BDA" card here.

GENDER BALANCE: Possibly an irrelevant point, but it is true that we've had 2 women and 1 man die so far. If a man was the killer, it'd keep it even. Unlikely to be relevant as any disparity could be easily balanced out in Chapter 3 with (presumably) 3 death slots.

Points About Eden That Could Go Either Way

THE FORK CG: I firmly believe that this could be setting up for Eden being a more important character throughout the series or to die after a moment of intrigue, possibly letting us explore/imply more in her post-death bonus episode.

RELATIONSHIP WITH HU: Hu has lost David as a sane ally. Nico is telling her that they don't want her speaking for them and that they don't trust her. Would DRDTdev prefer to fully isolate Hu moving into Chapter 3 by getting rid of Eden, or to leave Hu with one friend who still believes in her.

CHARLES HAVING EDEN'S SECRET: By telling us Eden's secret ahead of time by Charles revealing it to Teruko, extra focus was given to Eden's secret. Was this just the easiest way to get everyone's secrets revealed based on character dynamics, or was it meant to imply that Eden's secret is extra important? Is that because she's the killer? Is it a #ArEden sweep???

ACE

(why are they both orange)

Reasons Ace Would Be The Blackened:

NO EVIDENCE-BASED ISSUES: This is the biggest and strongest point across the whole board imo. There is no tangible, evidence-based reason why Ace COULDN'T have done the crime. Out of all 13 currently surviving students, he's the only one who that's true for. That obviously makes him a viable suspect.

WOULD ABSOLUTELY FUCKING DO IT: Ace has been Freaking The Fuck Out this chapter. I could VERY easily see him deciding to kill here. I don't think anyone is trying to argue that Ace is too emotionally attached to the cast to try to kill all of them, because he clearly isn't.

WHERE DO WE GO FROM HERE?: I'm not really sure where Ace's character is going to go from here. I'd be interested in seeing more from him, but, like, where is his character arching to if not a killer? Ace is so disliked and intense that it's hard to imagine him really, fully pivoting and caring about others, but if he can't do that, is he destined to be a killer eventually?

HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter's death important content shortly before their deaths. Ace has been one of the most prominent characters this chapter, which could be a bad sign.

Reasons Ace Wouldn't Be the Blackened

OBVIOUSNESS & POINT OF CHARACTER: Of course Ace would be willing to kill Arei or whoever and the rest of the students. This is kind of the inverse of my "would absolutely fucking do it" point-- I don't know exactly how much surprise it would carry if Ace were to be the culprit. And, more than that, I feel like the point of Ace is that he is a victim here, but he's so unlikable that no one wants to acknowledge that or believe in him. I think it'd be an interesting comparison, if everyone really wants Ace to be the killer, but he just isn't. To everyone's dismay, Ace is still here. Now what?

SECRET LARGELY UNRESOLVED: Ace's secret hasn't really had any plot relevance yet. It seems like most people's do. I'm like lowkey expecting them to bring back the starvation motive from SDR2 in Chapter 4 and have SOMETHING happen with Ace there. Either way, while it could be reserved for his bonus episode (a la Min and Xander), I'd expect that his secret would have more main-story impact before he dies.

EXISTENCE OF SCRUM DEBATE: We're suspecting Ace first, but we still haven't done the scrum debate for this trial. Unless the scrum debate is "do we just vote for Ace without ever really pursuing Eden" and the answer is "yes," I don't see how we get out of this suspecting Ace period with a scrum debate without at least entertaining the idea of Ace's innocence.

STRONG CONNECTIONS TO OTHER CAST MEMBERS: Ace is very relevant to the Levi, Nico and Hu plotlines right now. Are they really going to just... get rid of him, when that's what both Nico and Hu would want?

ABILITY TO FIGURE OUT THE CONTRAPTION: Ace would not only have to recognize the way in which Nico was trying to kill him (which, to be fair is easier if he did wake up partway through), he would also have to conceptualize and figure out how to make the playground contraption successfully. I think Eden's clockmaking skills and... generally higher intelligence imo would be better suited to that.

COWARDICE: Ace is so fucking scared of everything. Would he want to put himself into harm's way by becoming the killer and having a do or die moment in the Trial? But, is he more scared of dying as a victim in the killing game, after seeing how close Nico came to killing him?

Points About Ace That Could Go Either Way

TAYLOR LORE DROP: Ace's friend, named Taylor per a Q&A with the dev, got vagued about in this Trial. Is that something to be pursued in a later Ace free time (following the one with Levi), or is that something that's going to be explained further in Ace's bonus episode (which could VERY easily be about friendship, considering it's Mai fucking Akasaki as the other person in the convo).

ACE'S BREAKDOWN @ LEVI: When Ace said he didn't fall for Levi caring about him at all, was that him affirming himself that it was the correct decision to try to kill, even if it'd put Levi's life at stake, who he previously kinda liked? Or was he lying to himself, and, at least previously, he wouldn't have wanted to kill Levi, no matter how harsh he seemed on the surface?

Well, that's all I got! Please let me know if you can come up with any more points for any of the 6 categories, because I'm very very curious to hear them! I'm thinking I might try to do an expansion on this in a separate post before next episode if I have time, exploring the ins and outs of each point with more textual evidence to back it up. I'd love to discuss any reader-suggested points too, if y'all have some in mind!

For now, I'm still personally leaning towards Eden as the culprit over Ace, but I wouldn't be surprised to see it be either of them. Well, other than the fact that my reaction to the killer being revealed is going to be :O no matter what.

[everythingne]

double dealing: two wheeler (ls2)

there's no real need for you to get on two wheels--considering logan's four work just fine. but it comes in handy sometimes (requested by @dozyisdead, thank u love!!)

double dealing verse / last logan installment

notes/warnings: this delves into more of the 'double dealing' esc side of this whole little series sooo... illusions to planned car accidents, minor injury, smuggling documents

a call from Alex so late at night is unprecedented. Sure, its not the most random thing on the planet, but its odd considering you're not even in Austin yet. Zipping along the highway, you send him an auto reply message, a quick 'I'm on my bike, I'll stop and talk to you soon!' but the Thai driver doesn't seem to care.

He calls again. And then again, and by the time you've found a safe spot to pull off--down an exit ramp and in a gas station, he's called sixteen times.

It's two in the morning, so you park your bike to get gas anyways, and answer his incessant calls.

"Alex, what the hell is going on?" You huff out, poking the 'Regular' button on the gas pump as you hear the phone connect.

"Hey, Carrie... what highway are you on?"

Oh, motherfucker. You think, he's using codenames.

You shove the nozzle into the tank, clicking back the pump's trigger as the fuel pours out. It can't move fast enough, "Uhm... after I get gas, I'll be back on I-10, is there a problem?"

"Yeah, uh..." Alex sighs and you can picture the way he's gripping his shifter as you hear his car roaring under his voice, "Bandit's caught in the mix transporting some goods, we think there was either a mix up with Godfather's intel or if Payday's got some sort of bet going on."

You watch the price of the gas click up, your hand tensing as you wait for the meter to fill, murmuring to Alex, "Doesn't he have the newbies with him?"

"That's the reason we're calling you in." Alex's car screeches and you can imagine him Jersey sliding into an exit lane, "I'm with Lion and Shades, we're gonna divert the goods with Bandit, see if we can figure out what Payday and The Minister are doing. All I need to know is if you can fit the kids on the bike."

The loud clunk of the gas filling up has you slamming the nozzle back in its holder and closing your tank, kicking up your stand as your bike roars to life, "If Ollie can hold on to the other kid tight, then yeah, probably."

"Meet us at the Walmart in Manor--off 290." Alex says and you nod sharply, pulling out of the gas station. You're not far, like maybe twenty or so minutes out.

"Got it. See you in twenty." You say and end the call. You don't know Texas well enough, but luckily tou knew Manor was somewhat close by. You'd gotten off at Exit 720 for Brenham, following Highway 290 up to Austin. Originally planning to stop for gas and food when you got low, which ended up being in McDade.

McDade to Manor, twenty minutes roughly. But you were sure you could shorten that.

The streetlights pass in a blur of color as you dip between the few cars--and ride alongside the big rigs, in the mostly empty roads. You can't even really think, or breathe right, until you pull up alongisde three cars in the back corner of a Walmart parking lot. Which is.. painfully American. Alex's--or, Smokey's 1970 Pontiac LeMans, Max's--or The Lion's 1999 Subaru WRX, and finally George's--or Shades' 2000 Porsche Boxster.

"Here's the deal," George is quick to say as you click up your visor so they can see you better. You find taking the whole helmet off would be redundant. You'd just delay departure at that point.

"Bandit's got two newbies with him. They were supposed to be with Goss but he was out of commission. So, we figured since this is a low urgency run, it would be fine." George rubs his jaw and shrugs, "seems like someone caught wind."

"Which," Alex cuts George off, "makes no sense. No one should be going after this, it's a deal from the county police chief. If we do this run, they won't bother us with the racing, classic corruption shit, y'know? We do it everywhere, building rapport, doing favors, and what not."

Max nods, walking over to lean next to George, "Obviously, we don't want the kids--if you can call Franco a kid, I guess, in all this shit so soon. They're supposed to do the basic shit, the street racing, the parts running. Not this stuff. We also wouldn't pull you into this unless it was dire."

You nod. Logan had told you countless stories about 'ascending' through the ranks. How the most senior racers, like Fernando or Lewis, handled the most egregious shipments and situations while newer drivers like him or Oscar did base level stuff. You were also surprised to find out all of it is voluntary, and for a lifetime, when Logan did a run with Sebastian Vettel a few months back.

So, even if Logan went to Indycar or NASCAR, or wherever--if he was in the area and they needed him, and he wanted to, he would go.

"We need to get Franco and Ollie out of that car. They aren't even really indoctrinated into this all yet." George hums, "The others in the area are on a bigger drop, or just not able to come out. Hence, why we reached out to you."

"You know Bandit's driving style well." Alex hums, "and while we distract Payday and whoever's with him--I think it's... Minister, we should be able to get him to a secure location and pass the kids to you."

Max eyes your bike carefully. You can tell he's not too keen on the idea of shoving you and two lanky boys on one bike, but it's all you have. He hums, then murmurs, "Can you even fit with two of them?"

"It'll be a tight squeeze and not at all safe but... I think as long as they hold on we can make it work." You eye your bike, having absolutely no idea how to make it work, "If possible, could we do it somewhere close to a drop off point?"

"Yeah." George nods, "I can call Hotshot again and see if he's in Austin now can swing by and take them from you... probably somewhere between Austin and Cedar Park. Bandit's southbound, maybe twenty minutes out from Cedar Park now, so we should get moving."

You nod, "So I'm just trailing Bandit?"

"Pretty much." Alex nods, "stay close, follow hand gestures. We'll have to get you a radio to communicate with us for next time."

"If. There's a next time." Max hums, then nods his head to his car. George quickly follows suit, but Alex pauses to give you a fist bump.

"We got this. Don't worry about it." He smiles. As the cars roar to life, you follow suit, and out of the highway the four of you go. Just a year ago, when you had been in Australia with Logan and Oscar, when you'd gotten all tangled up in this... you hadn't owned this bike. But afte expressing your love for highspeeds and the feeling of the wind rippling across your skin, you'd sold your car and bought the bike.

Less practical, sure, but a hell of a lot more fun. Plus, Logan's car could fit your suitcases and whatever you needed for traveling, so it didn't matter to you.

The three cars in front of you move at perfect speeds, and at Alex's command, you all go dark and slowly exit off to 183, where Logan should be travelling southbound. Luckily, you are able to spot him zipping down, two cars hot on his trail. The first car dips in, a sporty Porsche Cayman, and nearly knocks the back of his car.

Logan dodges, but nearly skids into the gaps in the guard railing. You don't want to imagine it piercing his car, but you can't help it.

You grit your teeth as Alex turns on his lights and dips across the grass median with Max behind him doing the same. They bound acorss, but perfectly time slipping into the gaps in the guardrails right behind where Logan's speeding down the highway--Alex nearly plowing into the side of the Porsche.

George stays on the other side of the road and signals for you to follow him off another exit. Blowing two red lights--and praying that this run is successful so that won't come to bite you in the ass later, you end up about two miles behind Logan and the rest.

Pulling up alongside George, he waves for you to stay back, and peels forward. You stay within eyesight, but hold off a few hundred feet. You can see Alex has put himself between the Porsche--which you think is Lance's, and the Toyota 86 you know is Checo's. All three cars are a bit dented up, you assume from the cheap shot pit maneuvers Lance was attempting.

Max comes up alongside Checo, and through hand gestures, you see the Toyota come back, falling alongside George. And you're waved up. You come between the two cars and a small parcel is handed to you from Checo, and you toss it into George's passengers window--very precariously, before backing up again at your cue. You don't want to think of what it is.

Looking ahead, it seems like they're having a harder time getting Lance to get off Logan's ass, and so you drift off to follow the right hand lane as they see what they're doing.

Eventually you realize they're trying to box Lance into the left lane. Max splitting the lanes in the front, Alex on his right side with Logan ahead of him ready to peel off, and George and Checo holding up the back in the back.

You can imagine the radios filled with excessive swearing as Lance nearly ramming into the back of Max's car is met with George tapping the back of his car.

Finally, Logan dips off to an exit and you gun off, following him and glancing aside to see George swerve big time to avoid Lance just absolutely obliterating the side of his car. You follow down, flicking your headlights off when Logan does. Your heart is in your throat as Logan merges off into a side street and slows down significantly. You boht move, only lit up by streetlights, before coming to park under an overpass.

As Logan's car slows to a stop, you glance back behind you. Other than houses and trees, the area seems vacant. Logan's car shuts off and you follow suit, propping your bike up on its stand and throwing your leg over as you clamber off it and watch the three across from you.

"You guys alright?!" You shout and the three nod. Logan helping the two climb out of the back seat. Even in the hush of the back road, there's a lot of tension from Ollie and Frnaco, the two almost jittery as Logan slams the drivers door closed once they've gotten out.

You can't blame Logan for being pissed, the lives of two kids who weren't even really involved was in danger.

You take off your helmet, setting it on the seat, and make your way over to where Logan's popped open his trunk and is digging in it for something. You look over to where Franco and Ollie stand off to the side, murmuring amongst themselves, then back to Logan as he places his helmet in your hands with a bit more force than needed.

Unluckily, you catch a glimpse of what he's been asked to smuggle--a few guns, semi-automatic weaponry you try to blink out of your eyes as the trunk slams shut. It's the loudest noise in the area, other than the hum of someone's air conditioning unit down the side road.

"You can fit them?" Logan asks gruffly and you shrug, reaching out to intertwine one of your hands. A soft, soothing rub of your thumb along his skin as you hum out your reply,

"Don't have much of a choice."

Logan lets out a low whistle, and you can imagine when there's more time and more context, you'll talk about the whole thing during a late night drive. Probably back home in Florida.

"We both need to get moving." He murmurs and you nod, pulling him closer by the hand for a chaste goodbye kiss, and you're both murmuring at the other to be quick and safe. The night chill on your hand is more prominent when Logan lets go, making his way back over to his car.

Opposite of him, you make your way over to Franco and hand him Logan's helmet. Ironically, it fits well enough. So you shove your helmet on Ollie's head.

"Listen," You point at them and challenge them with your best attempt at a stern, motherly tone, "I have no idea if this is going to work, but you two need to hold onto me like you will die if you let go, because you will."

Your phone buzzes, and you look down to a text from Alex. 'District park nearby, go there.'

You quickly plug the address into your phone, luckily the place is only fifteen or so minutes away. Logan starts his car and you wave him on as he peels off into the night, and after four or five attempts, you manage to squeeze both Ollie and Franco onto the back of your bike. Driving much slower than you usually would, you take the backroads to the park, and are delighted when you see Lando waiting outside the gates.

It's a bit of an adventure getting them both off again, and as you kill your bike and pop it onto the stand, Lando claps, his voice chiming with his hysterical laughing, "I'm impressed no one fell off!"

"i almost did!" Franco complains, popping Logan's helmet off his head and shaking out his hair, "because Ollie can't sit up all the way!"

"I had nowhere to go!" Ollie whacks Franco's arm, and as you watch, you can't help but laugh to yourself. It's just absurd. How the hell did you get all tangled up in this? You have a feeling it won't be the last time.

After the Austin GP, you're sitting on Logan's trunk. Your bike is parked alongside his car, the modernity of your bike somehow working with his older bodied car.

"Ay!" A voice chimes and you glance over to where Ollie jogs over with an almost happy hop to his steps, very much like a puppy, "guess who finally got a callsign!"

"A radio nickname," A much slower Charles Leclerc trails behind Ollie, but pauses at the sight of your bike and whistles, "Nice two wheels, Logan."

Logan hums in confusion before looking at what Charles is ogling, and you can't help but giggle at the mans shock when Logan informs him the bike is yours.

"I wasn't aware your girlfriend was cooler than you." Charles smiles, crossing his arms, and Ollie launches into the story of fitting him and Franco onto the back of the bike. And now, you feel like Charles thinks bikes are death traps a little bit more, just judging the white sheen that crosses over his face in the track lights that illuminate whatever race is going on.

"Did you ever figure out why Payday was on our ass?" Ollie asks Logan, and you watch your boyfriend sigh, leaning on his trunk and smiling at Ollie.

"I did, yes.." He trails off, glances to Charles, and then out onto the track, "we'll call it... bad faith and bad intel."

"Come on, I've got a name now! I should get to know." Ollie complains, and you smile as Alex and George drag Lando and Oscar over, laughter ringing in the air. These were the moments with the racers you loved the most.

"You're just a driver." Charles hums, giving Ollie a whack on the arm in good faith, "Not even a runner yet, Ollie. Don't get a big head about it now."

Ollie nods, a little bashful, and is quickly swept off in conversation with the group about what car he's gonna get and 'not-tracks' they want to take him on to see how he can drive out on the highways. Logan pats your thigh to gain your attention, and when you glance over, Alex hands you a little box--inside, a kit for a motorcycle radio.

"We convinced Max." He smiles, "Welcome in Carrie."

You smirk, giving Alex a fistbump as Logan leans into your side, the night stars twinkling above, the rumble of cars zipping by on bet fueled races. Nights like these you could get used to. But you might need to invest in a side car or something.

double dealing taglist (open!)

@colmathgames2 @sialexia

general tag list (open!)

@d3kstar

[mayxo-hxh]

okay 2 questions....

do you think its more likely that illumi kills hisoka or hisoka kills illumi and how do you think it will go down?

what would you WANT to happen with one of their actual deaths?

You're not really going to like my answer here because it completely negates both questions.

I don't think either of them will die or kill each other.

I think it's natural to think so considering the current setting of the arc and what was revealed and their characters, but how I see it, their relationship has proven to be very nonsituational. As in, they aren't really hanging out and helping each other just because they happen to need each other here and there. They hang out and help each other because they unironically see each other as friends.

Illumi had no reason to help Hisoka out in the hunter exam, yet he did anyways. And they stayed together most of the time. Illumi had no reason to help Hisoka out during the yorknew dilemma, yet he did anyways. It's not even in his area of work to just disguise as people for a few hours before leaving. He's an assassin. Hisoka didn't have to help Illumi out during the election arc, Illumi was more than capable of finishing this entire mission alone. And yet he did anyways.

Goes without saying that Hisoka constantly calls Illumi his friend behind his back and also did so in front of him, and Illumi made no move to correct him.

So I can't really imagine, with all this said and done, that they'd actually have a reason to hunt and kill each other on the black whale. I understand the doubts with the stuff Illumi said in their marriage chapter but im still much more inclined to believe theyre working together against the troupe, as that would make much more sense. They've done nothing but work together against everyone in the entire anime and both Illumi and Kalluto worked against the troupe with Hisoka in yorknew after all.

I also feel like this is a general Hisoka misconception but-- Hisoka doesn't want to die. I feel like people think he hired Illumi to "hunt him down" because he wants Illumi to actually kill him and I have to disagree. Yes, it does speak volumes about what Hisoka thinks of Illumi, as in he truly is capable of killing him because theyre equals. But does Hisoka actually want Illumi to kill him right now? Negative.

Some people even say Hisoka has always wanted to go out in a huge fight or whatever-- I genuinely have no idea where tf they get that from lol. Hisoka brought himself back to life for a reason. He wants to live. He never planned on dying against Chrollo. He never ever plans on dying against people he fights. If Illumi and Hisoka were to ever truly fight, Hisoka would never let Illumi kill him without giving it his all. He WILL fight for his life.

And the same goes for Illumi. Illumi doesn't want to die and has no reason to want to actually die by Hisoka's hand. He has duties and responsibilities as a Zoldyck eldest and he's not going to throw it away in the name of... twisted love? lol

And I think lots of people find all of this hard to believe because theyre very used to villains getting bad endings or getting "what they deserve" in anime which is completely fair but let me, no, ALLOW ME to point you to one of my favorite villain groups in hxh that had a good ending despite being complete pieces of shit that would've deserved worse than death.

Genthru and the bomber team.

Genuine shitty people that scammed lied massacred people. They only cared about each other a lot but saw everyone else around them as lower than useless scum. They would've deserved to be left for dead. And yet, what happened? They were healed and they lived. They went on with their lives. Togashi could've very much made Gon just kill genthru to show how powerful he is and his sense of justice blablabla but that just isn't what the anime is about. Everyone in hxh is morally grey. At the end of the day Gon, Killua, and Bisky just wanted the cards from genthru and his friends and moved on.

A lot of people fail to realize this when it also comes to Hisoka and Illumi. They can just get a good ending like that. Do they deserve it? No. Does it matter whether they deserve it or not? Nope! This is hunter x hunter. And as far as I see it, its an anime about the power of platonic and romantic love. And Hisoillu are a specific type of love that is going to get a happy ending despite not even remotely deserving it. We got the meruem and komugi sad love ending. And we're getting the gay version of it except theyre unredeemable and horrible and they still get to be happy. Those are my thoughts.

Also in general I just genuinely cannot see Togashi continuing the anime without his favorite babygirl Hisoka being alive. Like even when he killed him off he revived him like 2 pages later in the same chapter he can't stand the idea of even letting his death marinate for a single chapter lmfaoooooooooo

[l-in-the-light]

The most embarrassing series of posts about Lawlu you will ever read: edition Whole Cake Island (part 12)

Lawlu in Whole Cake Island? There is none! Actually... do we really need Law to be present to analyze it, come to think of it? Luffy is really all we need; to watch his behaviour, things he says, his determination, to guess how Law's influence would show and how partying ways with him (even if temporarily) would impact Luffy.

This is the Alice in Wonderland Arc of One Piece, which means Luffy's main struggle will be to face himself, his own weakness, fears, and maybe even his own self-hatred. Which is why this time it won't be the usual scrutinizing analysis of frame by frame, but instead I will take a deep-dive into Luffy's mind. Are you ready? :D

Luffy starts Whole Cake Island arc in a rush. Because why wouldn't he feel in a rush? There's a wedding to stop! There's a chance they won't make it in time, after all. But... seeing how Zou ended, there's probably one more reason why Luffy is so irritated and wants to get things done as fast as possible... there will be someone waiting for him in Wano, alongside the rest of Luffy's own crew. Luffy could tolerate being seperated from his own crew for two years, but this two weeks trip to Whole Cake Island seems like a torture to him. What changed exactly between timeskip and now? Oh, right, Law got added into the picture ;)

"See? She didn't have any problem with my yeeting!" and I wish he could add "Law also had no trouble after I yeeted us in Dressrosa, you should be more hardboiled like him!", because I swear, this feels like the thing he actually means. And he is right, Law hated being yeeted, but he dealed with it just fine in the end, keeping his clear mind and sense of direction intact.

And then, out of nowhere, Luffy gains an interest in cooking. Luffy, of all people! The very same Luffy who thought a musician is more essential on the crew than a cook!

He even compares Nami's nutritional knowledge to a doctor instead of a cook. For Luffy, a cook is just someone who makes your food look and taste extra great, but it's not neccessary for a kid who grew up in a jungle eating everything the way it comes or simply by roasting it over a fire. So why is he suddenly so interested in cooking?? Is he missing Sanji that much? Is he trying to make his crew miss Sanji so the reunion is more emotional? Good guesses, but they have one flaw: they don't take Luffy's personality enough into account.

Back in East Blue, Luffy agreed to recruit a cook before a musician only because his crew wanted one and also because he's a freaking glutton.

"You guys are really rude, I made this food for you!" now that doesn't fit with Luffy's personality of "I want to eat all the meat". Suddenly, it's for them, hm?

Then he tries his own "kitchen sink curry", spits it out, shouts that's it's inedible and flips the table! Why so mad? Oh yeah, because as we learn soon after, he tried cooking multiple times and it's still something that can't be eaten. He tried so many times that he wasted a stock of food they had that was supposed to last them for a week, for all of them! And it's all gone in one day.

Luffy's frustration is understandable then, because this is what he considers to be "his best attempt". As we learn from SBS, Luffy's best dish is just a bowl of meat (in other words: pieces of meat put in a bowl lol), which means he would not prepare "curry" or any sort of exquisite dish for himself. He indeed did this dish with others in mind. He would be more likely to just roast whatever he caught and shove it towards them, asking "you want some?", if it was only about him.

Despite his constant failures, he's still not getting discouraged and wants to learn how to cook edible things for people to enjoy. Nami though stops him and tells him "to never go into the kitchen again", ouch. They have been starving for days as the result of Luffy's "cooking attempts" and Luffy almost lost his life as the result (eating poisonous skin of a fish they finally caught), so her reaction is understandable. But this should make us realize that Luffy, thanks to this whole (mis)adventure, understands Sanji better without even realizing it. After all, Sanji was also told to "never cook again" by his father.

But I think this adventure has one more meaning. Whole Cake Island is basically a tale about the good and bad sides of food industry, but also how food creates connections between people. And I think XxXholic covered the latter part better than I could ever put in words, so forgive me for the unexpected crossover here. You don't need to know XxXholic, its plot or characters to be able to follow the quotes, they also don't spoil anything from the plot, so don't worry. We're just following one of the many, many side characters there.

First of all, if you want to repay a debt or show your gratitude, the best way is to offer food and good drink. And the best way to do it, is to offer stuff you cooked yourself, because they require your own time and effort, and include your feelings (of gratitude and love) for the person you cooked it for. If someone does you a favour, it's a good idea to say "thanks" by preparing a dish they like, for example.

"I would like to cook with you and then eat it together. And then I would really like to know more about you. And for you to learn about me, as well" says the protagonist to one of his clients. Cooking together is a big thing because it creates an equal, mutual bond: you get to know me, I get to know you, and we can both try to become better at cooking together, but also better people for each other as well. Because by cooking we learn more about what the other person likes and dislikes, but also about their personality: their usual way of problem solving, about their patience, flexibility, stubborness, ability to learn etc. Your prefered way of cooking can also reflect your personality this way and you try to offer your best through a dish you put a lot of effort to make, for someone to enjoy.

You can learn a lot about yourself as well through cooking. If you compare your own cooking to someone else's, you can realize your own personality traits you wished you would have never noticed (for example impatience, like Luffy flipping the table in anger: even Nami called him out on it, Sanji would not approve of that action!). You might also realize that someone preparing food for you did it with lots of feelings, of kindness and love, and that's why that food tastes good. And if in comparison your own food is terrible, bland, without flavour or personality, it just shows you don't really share your own love with the world through the act of cooking. In Luffy's case up there, his food was so terrible (though definitely full of his personality lol) despite him putting in his best effort and feelings. How did it make him feel about himself? Perhaps like he has nothing good to offer to people he loves? But his final reaction is always this: try to be better and do better!

Luffy offering his failed attempts to his crew serves the same purpose: he's offering them what he has, even if the result is disgusting. But this is the kind of person Luffy is at the moment and he has nothing better to offer!

The sidestory in XxXholic has a happy ending, the struggle continues on and the woman's significant other supports her efforts and says they will wait for as long as it takes. Now, what does that have to do with One Piece? The reason this woman couldn't cook something that would taste good wasn't because she's clumsy, or didn't put any effort in or lacked knowledge (she actually studied cooking like it's an university subject, it clearly mattered a lot to her!).

What she lacked in the end was love, not for others, but for herself. She hated herself so much that she believed anything she would do would turn out bad (which is exactly what happened over and over), almost like she was subconsciously self-sabotaging her own efforts. And since she didn't have love for herself she had nothing to give to others either, despite caring for them and being so grateful to people who loved her the way she is, imperfect, disbelieving in her own worth, broken. She just didn't feel like she has anything to offer to all the great people around her.

Sounds familiar?

"What can you do?" Arlong asks Luffy. "You can't do anything, you're a disgrace as a captain". And Luffy proceeds to say he has great people who support him (which means he does not think of himself as great, he knows he lacks in so many ways), but there is one, just one thing he can do for them back: it's to beat up people like Arlong.

And yet despite that, in Whole Cake Island, Luffy attempts to do what he literally can't do: to cook. He knows he can't do it, but he tries it anyway, knowing very well what the end result will be. It's not that he lost his mind. We mustn't forget why he's doing a stealthy mission on WCI. It's exactly because he can't do what he usually does: beat up Big Mom. He promised he won't do it. But what *can* he do then? It's his struggle to become better and get out of his comfort zone, and he starts that from attempting cooking. It won't be the first or last time that he will fight against himself in this arc, even denying things he had the most confidence in. This is the arc in which Luffy loses the sight of what he can and can't do, and needs to come up with a new answer or rediscover the one he already had all along. This is Luffy in a crisis.

Now is that related to Luffy being seperated from Law and dealing badly with it? Or Luffy realizing how much he knows Law has faith in him and he wants to live up to it? Because like we established before, Luffy is doing this stealthy attempt only for the sake of his alliance with Law, he would not bother usually and would just destroy Big Mom because she's in his way. I can only imagine Luffy's inner struggle when he tries to come up with a new solution here but can't get any, nothing works out if he just can't beat up the bad guy and move on. Luffy's later refusal to eat anything that isn't Sanji's cooking, not even the syrup rain, must reflect how Luffy feels about himself in this moment: he feels pathetic and useless and he must hate himself for it.

There's one more angle to it. Luffy suspiciously wants to cook as fast as they're seperated from Law. He thinks nutritional knowledge is something a doctor does and he's impressed with it. Law is a doctor. It's not a stretch to think that Luffy wants to learn something new to impress his favourite person upon return. It's highly likely he wants to cook for Law as well (and he's using his crew for taste-testing for now), because he has feelings of love and gratitude he wants to convey to him, but he doesn't know how to do it. But Luffy always had Sanji who used his cooking exactly for that: to show his feelings of love for people (and was very vocal about it!). Luffy is just trying to do the same, but he realized he can't do it no matter what. By the end of the arc he comes back to terms with himself and finds the old truth again: he will leave the cooking to Sanji and rely on his crew. He can try to be a better person in other ways, but he will keep on searching for a way to show love and gratitude to them.

And we will not talk about Luffy suddenly remembering people smooch each other and talking about it in context of Sanji's wedding, uhum. If that's on his mind all of a sudden when it wasn't even once for last 80 volumes, then you can guess why it suddenly would be. People who love and care for each other smooch, so maybe he was considering... things...

Another odd thing Luffy does, which is to check on the map and comments, frowning "it's weird". He has a point, because we learn later it was a deliberate trap. But he's paying attention here because he tries to be useful and does things he usually wouldn't be doing. Just like with cooking.

Same here. It's probably the first moment in which Luffy realizes that having a longterm plan would be actually a good thing. Yeah, Luffy of all people. That's because he must be thinking "if it was Law, he would definitely have one". I feel like other people were pointing it out to Luffy before, but it's the first time he actually shows that he kinda cares and isn't answering with "I'm just here for the adventure. And become a king of the pirates, no plans included!".

Look here. This is Luffy in a crisis. "I have to get back and I'll destroy everything in my way if I have to!" Not only he's not supposed to destroy everything or beat up Big Mom, which he points out a moment later, but Luffy is clear here, he made his decision: if he can't go back, he will simply get rid of everything on his way. Getting back is the most important thing, everything else be damned.

Except... are we really talking about Sanji here? Get back where, Luffy? To Wano perhaps, where your crew and Law will be waiting?

"I'm not going to die in a place like this!!", "I made him a promise, but it's not here!!". I'm just saying, this applies both to Sanji and the promise Luffy made "to meet up in Wano". And if he wants to get back no matter what, it's because he knows he can't die here, he can't force a certain someone to go through a big loss again. He would rather tear off his arms than not return at all and break his promise.

And we get Sanji with his "I didn't tell you to wait..." and Luffy just laughs in reply. This particular laugh he used only once before, btw, and I don't recall anywhere else:

When he was telling Zoro how much he's worrying about Sanji. Because why wouldn't Luffy know that Zoro and Sanji are the most important people for each other? Zoro is his best friend and his first crewmate, Luffy just knows what's in his heart, the same way that Zoro probably knows who is so important for Luffy as well.

Do you still think Luffy-Sanji scene was *only* about Luffy and Sanji? That the whole promise talk was only about Sanji? And not two particular people waiting for both of them in Wano? It was always about both reasons.

Luffy says he can't be the king of the pirates without Sanji. And demands that Sanji says how he really feels (which is "to go back on Sunny" ❤). Imagine if Luffy said both of those lines to Usopp in Water 7. Maybe a lot of the conflict could have been avoided. Especially if Luffy would also follow his very own advice, because he was not saying his true feelings in the quarrel with Usopp. What changed since Water 7 in Luffy? A lot, actually. Ace, timeskip, Dressrosa, Law... All those things are huge milestones in Luffy's development. But there's also the promise he made. He promised Zoro his crew to bring Sanji back. And that promise also changed everything.

WCI is also the first arc in which Luffy says he is ready to drop everything, even his own dream, and go save whoever needs to be saved for his crew's sake. It's very ironic how in this scene he also needs to struggle against himself, this time with his enormous hunger, that seems to sabotage his ironclad determination. For once Luffy doesn't do things for food and that despite the whole arc being exactly about food. That's how serious he is.

Now we have to talk about the alliance with Bege. Here is Luffy's initial reaction: "what an awful person", "Bege is gonna get it!". He does not like Bege at all, he also wants to punch him for what Bege did to Pekoms. In other words, Luffy doesn't think Bege is a good person, at all.

But just a moment later, when Jimbei tells him "you should work together with Bege", Luffy changes his mind immediately. He's all up for this alliance. His crew, that has been with Luffy the longest (Nami and Sanji) can't believe their ears. What an interesting change, isn't it? Like I argued at the beginning of this post, Luffy has to do things differently this time instead of doing what he usually does. The problem is, he's not good at anything else than "beating the main bad guy". That's why in this case he's determined to do something he would usually never do. And forgive me for the callback again to XxXholic, because I can't resist:

Luffy has the same idea as the protagonist here. "This is all I can do", and "if this person was with me, they would be able to find a better way". In other words, Luffy agreed to this alliance because he thinks this is something Law would do as well. Luffy is constantly wondering in Whole Cake Island how Law would handle the situation and he knows he can't come even close to his level, but at least he will try to follow in his footsteps.

Of course Luffy wants at first to punch Bege for Pekoms. He's still trying to make this alliance a friendship, and if he hits Bege then they will be even, so they can try becoming friends. That's basically the idea.

But he doesn't get to do that and in the end, Luffy agrees to alliance based on "common goal" or "allignment of interest". He did not become friends with Bege in the process and didn't make things even between them. This proves Luffy knows what an alliance is and it's not friendship. I wouldn't say this means Luffy finally learned what an actual alliance is (though it's tempting, ngl). I would rather say he always knew that, but he chose to make it a point that whatever he has with Law, is friendship firstmost, alliance second.

And here is Luffy listening to Bege's plan. He's trying, okay. Not his fault he's constantly getting distracted, sidetracked and overfocused on making a silly entrance party trick (jumping out of the wedding cake). Bege is just not Law, and Luffy's tiktok's level span of attention is struggling here, heh. Also please notice Luffy's unusual focus on the smooching lol.

Oh, so that's Luffy's idea for the wedding surprise. He just wanted to do ninja's shadow clonining trick, definitely inspired by Raizou's show in Zou.

Coincidentally, that's the technique that was Law's request and made Law so damn impressed. Yeah, this is for sure a coincidence, that Luffy chose to do it like that, even though he didn't really have to have multiple copies of himself here to make it work. I bet he just thought "if Law would be here, that would impress him, I'm sure!" and I bet he's looking forward to telling him all about this adventure later on and seeing his face.

But it was essenstial for his plan to create chaos! He didn't do it just for fun! Are you sure? Because it was Brook who hid himself in the midst and did the deed with Mother Carmel's photo frame, and Luffy did not tell him to do this. Luffy simply wanted to be cool, okay, he didn't think that far ahead. He was supposed to cause chaos, he delivered.

And in his fight with Katakuri, Luffy is the one who has to have faith. Law had his faith moment in Dressrosa, now it's Luffy's turn.

Luffy found his answer about what he can do and how to become a better person for someone. It's to master his observation haki. Which, coincidentally, is Law's forte.

Luffy's curious, very strict words to Jimbei. "Don't let even death stop you, we'll be waiting in Wano!" It's basically Luffy's own promise he made before leaving Zou, just said in more deadly serious manner. That's because his experience in Whole Cake Island made him realize it himself: he will go back to Wano and not even death can stop him from achieving that. Because he promised that to Law people.

I'm sure for Law this would be indeed the most important thing, not to lose anyone ever again, especially Luffy who he (miraculously) managed to save all the way back in Marineford. I don't know how Luffy knows this or if he knows at all about Law's deepest fear, but he's determined not to die on him, that's for sure.

This is also the first big seperation for Luffy and Law. Luffy deals with it, treating everything like an adventure to tell Law later so it feels like Law is there with him even though he's not. But also treats it like a challenge, to become a better and stronger person so he won't disappoint him.

Still convinced there was no Lawlu in WCI? Oh well, if that's the case then all I can say is: I tried my best :D

If anyone wants to read all the parts of this series without going to my masterpost, then just click "love is a hurricane" tag :3

[dorkydegeneracy]

Just now seeing Ryan's birthday video from the cast. It has opened up a lore wormhole for me so bear with me while I overanalyze the shit out of a 31 second video.

It starts off with the illustrious Jennifer Love Hewitt saying that she's passing the phone to someone with "a really cute lip skirt." Cool, we are talking about Ryan and we cue to him combing his lip skirt.

Next, Bryan passes the phone to someone who is "easily the best dancer on the show." No need to explain that one. DUH!

After Ryan strutting his stuff it passes to my BFF Aisha Hinds, who is passing the phone to "the donut dealer."

This is new information. The video doesn't really match up with the assertion but I am just going to assume that Ryan is the certified donut runner for the cast and crew. Cute! Who doesn't love a good donut every now and then (or every day)?

The video then suddenly takes a turn and the cute pattern that's been developed goes to hell. These three idiots fucked up the cutesy pattern!

Oliver passes the video to "the new guy."

What is this? Is this an inside joke between Oliver and Ryan? Was Ryan just off screen watching Oliver record the bit and they didn't want him to know it was about him? (More on that in a bit).

Ryan is obviously not the new guy, so this one really doesn't make any sense. And obviously it's not supposed to.

Even more bizarre, instead of passing the phone to Ryan doing something goofy or, I don't know, tossing it back to the infamous "What a Man" scene where he actually was the "new guy" we pass it to Ryan who is actively passing the phone to someone else.

What probably happened here is that they came up with a ruse to make sure Ryan didn't actually know that the passing the phone bit was about him and had him pass the phone to Kenny, whose birthday is October 20th, as a coverup. Smart, but why would they actually use the footage?

Instead of just leaving Ryan's part out they left it in there because it shows the weird but beautiful dynamic the cast has going on.

But Ryan can't pass the phone to himself, so he has to pass the phone to Kenny so he can pass the phone back to Ryan? Weird and inefficient. But okay, I guess.

Then Kenny passes it to "eight pack." Yes. 1000% yes. Have you seen him. They really should have posted one of those pictures where the eight pack was out. Would have been the cherry on top!

Anywho, this is literally the most unserious of the birthday vids. Which matches Ryan's goofy side to a tee. I needed a laugh!

I can't with the three amigos! Maybe it's best that Kenny wasn't at Family Feud. It would have been a guaranteed L.

[matrixbearer2024]

I just realized that two of the three triplets use Latin phrases as a sign-off like daddy dearest except for one who just doesn't even bother LOL

Like, Aeschylus carries a journal around with him to jot down notes about his day to day. More like a diary than something for research but it's spliced in there, he signs off with "Vincit qui patitur" which directly translates to: "He who suffers, conquers" which is just another way to say: "He who perseveres is victorious". Literally copied his old man with another flavor of: "Through hardships to the stars" LMFAO

Athena always signs off her prose or writing with her alias, but when she writes academic papers or letters, she signs it with: "Audaces fortuna juvat" otherwise known as "Fortune favors the bold/brave". She's a risk taker unlike Aeschylus so it makes sense that she uses this phrase. It's still funny to me that she even signs off with a Latin phrase to begin with but we ball LOL

Meanwhile Alex doesn't even use sign-offs thinking it's too old fashioned or geeky. He just uses the ordinary letter sign-offs compared to the fancy things his siblings pull.

Of a similar vein, imagine somebody asking you and Ford who your favorite kid is. The answer should be really straightforward right? That they're all your favorites?

Yeah, and that is true for you since you love the triplets all the same. Ford's system for it however is so convoluted it's actually hilarious how saying that all of them are his favorite is true by sheer technicality.

If Aeschylus doesn't randomly bring home some random thing or creature he found in the forest- automatic favorite.

If Alex doesn't come back tracking mud in the cabin after a long day of play- now he's the favorite.

If Athena doesn't burn down the kitchen trying to create something edible- then she's the favorite.

If Aeschylus doesn't return home with any injuries whatsoever, he's once again the favorite-

Then if Alex returns without any random thing or treat he swiped since he has sticky fingers- he's the favorite again!

Pile on Athena not trying to take apart any of her toys? Back to her!

And it switches and switches and switches so often that they all really are his favorites.

You couldn't help but sit down and laugh when he explained everything to you in such great detail one night that you legitimately wondered how long he thought it over for. Stanford couldn't help but pout when you just kept giggling after he explained, he just wanted to make sure the triplets were loved equally and for who they were.

It wasn't a privilege he was granted as a kid after all, as much as he hates that fact.

You both spent that night watching movies and talking about the triplets, thankfully those three were already asleep in their beds at this point and time too.

Now... to figure out how to put your husband in the same restful state as them. Sometimes you don't know which is more difficult between them all to enforce bedtime, Stanford or the kids.

Ford simply rolled his eyes at you when he noticed you giggling again, what could you possibly have found funny now???

[failyaoi]

Khaos Reigns Spoilers my thoughts on everything xd

well starting off there's a lot I'm upset about and a lot I'm happy about. so I'll air out my grievances first -

I'd like to say I actually had a feeling from the start that Sektor was genderbent in order to be shipped with Bi-Han...but I didn't feel that was fair to her so I didn't really say anything... when I saw this I just had all my fears confirmed 😭 WB didn't want to do a gay relationship so they just genderbent Sektor. I'm honestly really upset about this because it's just.........weird. it makes me scared for the future of lgbtq rep in MK..... as a bi & trans person it's honestly saddening to see that happen, especially because they took classic subscorp from us. I don't have a problem with girl Sektor or Cyrax at ALL btw. I love them, this is just really crappy on WB's part another thing I'm upset about is the lack of our main characters and the introduction of new ones- I don't like the multiverse stuff as much as I did when Mk1 first released because it made sense. but I personally didn't feel bad for Emperor Rain or Tanya, because I don't Know Them (their designs were really cool though) and new variants coming from different timelines and being the main focus feels........ODD. for mortal kombat. I was expecting a lot more focus on Raiden and Lao but we didn't really see much of them. not impressed with Titan Havik's defeat. he felt very weak after being hyped up the entire time. I actually like Titan Havik as he is a really good mix of chaotic, silly, and evil. he had a lot of cool things like the maze (which I would've REALLY loved to see the earthrealm champions in, btw) and the pit. seeing Noob/Bi-Han defeat him THAT easily with not even an invasions style boss or anything was really disappointing but 😭 for the last thing... I'm actually a little disappointed no main character actually died . I was expecting maybe Smoke or Lao to die because... THIS IS MORTAL KOMBAT 😭😭 like main characters tend to die, and they're just not, and it doesn't feel right because this franchise has had a lot of angst over the years and missing that feels empty NOW FOR THE THINGS I LIKE!!! :3

The visuals in this dlc are amazing

the attention to detail is really cute-

and as always I'm so happy to see all the characters again >_< BI-HAN'S SMIRK

OKAY I actually really , reallyyyyy liked the writing with these 4 here, it shows more into their friendship and that they've obviously been friends for a while now. I got so emotional seeing them hanging out again

glad to see Orin back but she's terrifying omfg. WHAT DID HAVIK DO TO HERRRRRRRRRRRRRRR

beautiful wife appreciation:

GERLIU AHHJAFHAWJFBWF THEY HEARD MY PRAYERS THEY HEARD MEEEEEEEEEE the way Liu didn't even flinch oh myyg gdododdffdd

also Kenshi eye scars confirmed ???? WE WIN ??? WE LITERALLY WIN ?????? the animalities are really really cool and I'm actually about to go play some mk1 ranked and try out all of Lao's new moves and stuffs and to check out all the new junk....I'm very excited and happy at where this game is at game-play wise ^_^ I LOVE YOU MORTAL KOMBAT!!!!!!!!!!!!!!!!!

[a9saga]

Was talking to a tutoring coworker about how I think I wanna reward myself with a switch after graduation, cause I haven't played zelda since middle school on my ds and I fuckin miss some of those Nintendo games, and he told me "I can sell you my switch" with a grin on his face, and oh boy does that sound appealing.

[uncanny-tranny]

If somebody in your life offers to knit or crochet or, really, create anything for you, please be an active participant in the creation of the piece they are making. I adore making and gifting things, but nothing bums me out quicker than a person who passively just goes "okay," to my ideas about what I'm making them - it can send the message that they won't like it, or that they don't care, even if they're happy about my offering. The back-and-forth feedback is a great way to make sure that you are being gifted something that was truly worth the time, effort, expertise, and money that will inevitably go into the gift!

I know it's really hard to be an active participant, believe me, I'm an anxious ball of horror, but it will only do good for both parties to interact in this situation. It is a big deal to be offered a hand-crafted gift, but it's also something we want you to love and use, and that can only happen if you tell us what would make you fall in love with what we create.

[kqluckity]

if my brain worked properly I'd be able to say this better, but since I'm an idiot idk how to explain why, but i think genuinely that the only two enchanted blades that were forged using a human (or human adjacent) soul are enten and magatsumi

[lovesodeepandwideandwell]

Once again I prove victorious (in my own head) (in the battle of whether I should do different work than I have been doing)