#he's my little blorbo son

[goldendaydna]

Ya know what? I think I will scream into the void about Robbie's character design

Reminder that this is a random person on the internet and what I say below derives from things my silly little brain thinks.

The amount of connections from his human form, his Ghost Rider form and his personality is so dang cool. When you look at his human form and you look at his Ghost Rider form you still know which ghost rider he is even if you take away one of the main components which seems to be his jacket, you can even know which ride is his.

Design wise, I love that his skull isn't your average skull, ya know in a sea of ghost Riders with a lot of them having normal skulls. It makes a viewer just KNOW Robbie isn't you're traditional Ghost Rider. I'd include his car into that but I won't cuz there's been a horse as a ride before and there are so many other vehicles as rides now. (And as it should be cuz it would just be pretty silly if all Spirits restricted their rides to just motorcycles. They need to get things done, lol.). Also I think we can call it a skull cuz like, what else can be done? It's got the shape, and it's not a helmet, there is an organic jaw fused to it, just saying.

The v shaped scar and the single white streak in his hair, boom, the center flame on his skull. Heck it even makes a connection to the blower on the hood of his car.

Adding to that, because the flames on his skull are directed and channeled through holes in the back of his head, the center flame, his eye sockets ,and his mouth; can make for a better gauge on his emotions and what he's feeling due the size, shape, and location of be it flames, sparks, smoke and even the appearance of molten metal.

Just imagine a scenario where Robbie is transformed like

Gabe: Robbie are you ok?

Lisa: Yeah cuz you are sparking and smoking like crazy right now

Ghost Rider Form Robbie who just missed out on a good sale for groceries cuz of Eli's bs: I'm good.

Then there's his car in general. Not only does it have a history with Robbie, it becomes an extension of himself and he would be a liar if he says he doesn't like it. It lets him do things he hasn't been able to do freely before, like race or take his little brother to school or just out the house in general. Heck, it let's him be a mechanic with an actual car XD.

Still going on about the car but I have to say this. The fact that Robbie is a Mexican American and his ride is a car has to be 100% purposeful. Cars have such a rich history for Mexicans and Mexican Americans. Especially in California and Texas, and some of Colorado, New Mexico, and Arizona. From revolting, to artistic expression, to family connections. It's really too bad that the comic's run was cancelled cuz there could have been so many cool topics to mention stuff about it.

Onto his apparel, when he's Ghost Rider it becomes that of a racer. Something Robbie loves to do and is VERY good at. I don't even need to point out his leather jacket in his human form. The tight shirts mentioned in the comics are more of a reflection of his situation. They are too small for him and it's more than safe to assume he doesn't bother with new clothes until they cannot be used anymore, cuz that costs money that he can't afford to spend. Grey jeans, black jacket combined with a white hoodie, or just a simple t-shirt, it's simple monochrome and it's harsh. Much like the hell charger. Also two jackets in Cali? Either becoming a Ghost Rider did something for him to be unbothered or suns heat be damned the drip is just too important.

Now we move onto his eyes and some of the scars. I just personally love it when powers or superhuman abilities are given to characters and they leave a physical mark cuz they are physical reminders to the character in question that they are no longer the same. It can also gives a chance for side characters to make note of or mention.

(This one is more headcanon-ey) Even with his teeth. With some of the other riders all their teeth look pretty flat, at least from what I've seen but it's a pretty safe bet to say genetically Robbie is one of those people who have a set of sharp little canine teeth. That get longer and sharper in his Ghost Rider form which are visibly the most organic part of his skull when transformed.

I will say, I think his white hair streak being something he dyes is a missed opportunity, but that's just me. Eyebrow slits are always cool so there is that. That undercut and the little beard patch just makes sense. The plug earrings, also cool. Just, I love Robbie's character design. It's more modern than his predecessors, and it very much so says "Yes. It cannot be denied, this kid is Latino." And it's fresh and respectful and gives him his own personality. It's a 10 out of 10 for me.

I'm also not gonna talk about weapons, they just seem pretty inconsistent throughout his appearances so I don't got much to say on that.

Did I miss something? Probably but it is what it is lol.

[chucktaylorupset]

I think there's something to be said for fanfiction that loves canon in a way that’s rude. Like thank you for this wonderful thematic tragedy made out of this character’s entire arc ending in death, it was emotionally and intellectually moving, but also fuck you fuck you fuck you they live, this time and every time they live, they never died, their flaws are not their undoing, actually they have no flaws, actually they save everyone, actually who cares about a story, any story, where this one dies, actually i cared about that story so much i made a new one, actually i cared so much i unmade the old one, you gave me morals and i left them for the mortal, but they’re mine now and i will never let them die, actually thank you, actually fuck you, strongly worded letter to follow

A kiss for canon and spit in its face all at once, it’s great

[halogalopaghost]

I have truly never felt more protective over a character than I do over Raphael Ninjaturtle. I am the only one who understands him and the rest of you are just floundering around in the dark. You're falling for the narrative, for his ruse. I am the only one who knows him and his twenty three conditions and disorders. He has autism don't you understand

[milkcioccolato]

Aside from The Star Wars Lesbians, Obi-Wan, and Maul, who's your favourite Star Wars character?

HIM

[msfbgraves]

It's so wild to me on a CK rewatch that the writers gave Daniel a son with insane psychological insight who knew:

-His sister was a wanted child and he was an accident;

-His parents demonstrably favoured his sister over him (he's not in the family photos beside their bed for chrissake)

-His parents don't care he knows as he never gets a reaction when he points this out to their face, not even one of reassurance (seriously the heart next to his baby photos in the scrapbook says "gotta love me" - a duty then, not a joy)

-Knew his father has a violent streak he hides even from himself;

-Knew his attention is entirely conditional: you either do what he likes (eating or karate), or he'll ignore you completely unless you act out (case in point: he replaced him with some random kid he moved into the house who did do karate)

-Had "friends" whose love was also entirely conditional, but was so terrified of being alone he was willing to be a bully rather than friendless

-Resented all of this so much he has stopped trying to work for anything, what's the point

-"Anthony you make everything worse"

-Had both an eating disorder and a screen addiction about this at like 12 ("Anthony, stop drinking the butter!")

And then CK went: "Whatever, we only created this kid to show Daniel is a loser who can't parent a Real Man" and promptly forgot about him for the rest of the show

Anthony LaRusso may not be an entirely fun person, but neither is Tory but at least we as the audience get to comiserate with her

The only one we can see give Anthony any positive attention before S5 is his grandma

I bet you Lucille LaRusso is the tech savviest grandma in her whole neighbourhood because she will have shown an interest in him and now she knows how to hack the smartfridges of people she hates

Will someone please make some actual time for this boy....! Even if Daniel was consumed with mad worry and grief over Miyagi right when Anthony was born we've seen Amanda spend more time with Tory than with him and that's his mother!

Yes, he's just some gremlin but under these circumstances, who wouldn't be??

[silverwhittlingknife]

How do you feel about Jack Drake?? What are your thoughts on him and Tim’s relationship?

Anon, I hope you were interested in a novel, because look, I am fascinated by Jack Drake.  He’s key to a whole lot of what I find compelling about Tim as a character, and if I were in charge of DC, I’d bring him back to life.  This would make Tim unhappy but would IMO make for good plotlines.

Jack and Tim’s relationship is Complicated (TM)...

Jack and Tim hug in Nightwing 20 / Jack impulsively yanks a TV out of the wall in Robin 45 / Tim grieves in Identity Crisis

“I could tell the truth.  But I don’t.” - Robin 66

...and it involves a whole lot of Tim lying, and feeling guilty about lying, and thinking about telling the truth, and choosing again and again to keep lying.

And I think that’s great.

Below the cut:

Shorter version - key points about Jack

Really long version - my gentler take (vigilantism is choir and Jack loves sports) vs. my harsher take (Jack has some major flaws)

Final thoughts

Shorter version - key points about Jack:

He’s a bad parent.  He’s self-centered, he consistently prioritizes his own comfort and interests over his son’s, and when upset, he does things like order Tim off to boarding school.

But he’s never a bad parent in an actionable way.  He’s not like David Cain or Arthur Brown, who are abusive monsters.  Jack’s not a monster!  He just...kinda sucks.

He genuinely loves Tim. If Jack’s aware that Tim’s disappeared or is in trouble, he’s always worried and upset.  He periodically resolves to be a better dad, and IMO he’s always sincere.

And Tim loves him, a lot.  Tim’s protective of him and worries about him when he’s kidnapped or in danger, and when they’re reunited, Tim’s really relieved and usually hugs him (and Jack hugs back!). 

...But they have very little in common, and that’s a problem. Jack doesn’t value the things that Tim values, or respect the people that Tim admires, or care about the things that Tim’s interested in.  Tim lies to him a lot, but that’s partly because he correctly guesses Jack wouldn’t respond well if he knew the truth of what Tim’s up to.

The Batfamily is a surrogate family that Tim’s drawn to because of the ways his real family doesn’t meet his emotional needs…but also he feels guilty about that and disloyal. (And to the extent that his dad recognizes what’s going on, he's jealous and resentful!)

Very long version:

(LISTEN I HAVE SO MANY THOUGHTS ABOUT THIS)

Okay!  So first: Jack’s a character who IMO is pretty up for interpretation.  You can interpret him very charitably, and make excuses for the bad behavior, and fill in the blanks sympathetically when situations are ambiguous; or you can interpret him uncharitably, and emphasize the bad behavior. I don’t think either approach is invalid - it depends on what kind of story you’re interested in!  I have enjoyed Bad Dad stories and also stories that redeem Jack.

My personal take on canon is that Jack and Tim’s relationship is in a gray area.  Jack's definitely neglectful, and he does prioritize other things over Tim, but he’s never so bad that Tim can easily reject him, and he's never so bad that Bruce could justify taking Tim away.  He's just...not great.  Tim loves him, and feels loyal to him, but it’s a very mixed-up complicated love.

I have a gentler take and a harsher one which I switch between as the spirit moves me. xD

My Gentler Take (tl;dr: vigilantism is choir and Jack loves sports)

Here’s the core conflict: Jack and Tim are very different people with different values.  Tim idolizes Bruce and Dick and vigilantism, and secretly gets involved, knowing his dad will hate it. He gets increasingly wrapped up in his secret world and lies to his dad...because if his dad finds out, he’ll make Tim quit.

This is a great setup for an ongoing comic.  It’s practical, because it provides endless potential for plotlines, and it’s nicely thematic, because it maps closely onto relatable real-life situations with extracurricular activities:

Tim the drama nerd whose dad thinks he’s playing football and not in the school play; 

Tim the closeted-queer kid secretly getting involved in his school’s politically-active Gay-Straight Alliance; 

Tim the choir kid whose dad only values making money and wants him to go into the family business (and Tim keeps promising himself he'll give up choir soon, definitely soon, but maybe he'll stay in just a liiiittle longer, because they need him, you see, the last tenor left town, so...); 

Tim the computer geek with the sports-obsessed dad (this one’s just canon);

etc. etc.  

The extracurricular metaphor works pretty well for Tim’s relationship to vigilantism.  Tim's involved in his "extracurricular" because he genuinely thinks it's important and fulfilling, and he values it and wants to be good at it. He idolizes Bruce and Dick because they're good at it. He's been collecting information about it since he was a little kid, and hiding it from his parents because he knows they wouldn't approve. And mayyyybe there's also an element of low-key rebellion against his dad, and maybe that's secretly part of the appeal. And yet also as Tim gets more and more invested, he starts to daydream: maybe I could tell my dad and he'd be proud of me and supportive. But he doesn't, because actually he knows his dad would be upset and angry and make him quit.

And - again, just like with lonely kids and extracurricular hobbies - one of the things that happens is that Tim starts getting his unfilled emotional needs met ... by people he knows through this secret hobby. And people like Bruce and Dick start turning into a surrogate family. Which Tim feels guilty about. And also as Tim gets more and more wrapped up in their world, he has to lie to his dad even more, which means the distance between Tim and his dad gets bigger and bigger and more and more unfixable.

I love this dilemma. It's simple, it's recognizable, it provides endless sources for conflict, and there's no obvious solution! Tim can't tell Jack: he'll make Tim quit! And Tim doesn't want to quit, because he loves choir / art / theater / whatever.  Yeah, it’s difficult, and there are challenges, and sometimes he has doubts...but at the end of the day, he cares about it a lot.  And everything he values is there, and all the people he admires and cares about are there, and all he wants in the world is to feel like he's one of them and belongs there. So he has to lie, even though he doesn't want to lie, and he feels guilty about it...

...but also he ends up lying more and more.

(Sidenote: I think it's important that Tim chooses to keep lying - Tim's narration often glosses this as "I have to lie to my dad," and that's certainly how it feels to Tim, but this... isn't quite true. He has to lie to his dad, because if he doesn't, his dad will get mad at him and try to stop him, not because he literally has no choice about it.)

Other Reasons Why I Like The "Secret Extracurricular" Interpretation

(tl;dr it complicates not just Tim's relationship with his dad, but also all his other relationships)

Tim's problems have some obvious parallels to Steph and Cass, who both become vigilantes while rejecting their evil supervillain dads. But Jack isn't evil. And that means the Tim-and-Jack relationship is ambiguous and complicated in ways that I like. Steph and Cass can just leave their Bad Dads in prison, and say good riddance, and feel very righteous and triumphant about it! Tim’s more complicated. Tim gets into vigilantism ostensibly out of duty and altruism, but secretly, he's also involved for straight-up selfish self-fulfillment reasons. He's lonely, and bored, and his life feels pointless, but he thinks that Bruce and Dick are cool and amazing and he wants to be a part of the things that they do.  When his dad gets jealous of Tim’s relationship to Bruce, and feels like Tim’s looking for a surrogate family, he’s... not wrong.

And the ways in which Jack is not Actionably Bad complicate things from Bruce's POV.  If Jack was a straight-up villain, it’d be an easy call to keep in touch when Jack finds out and makes Tim quit...but he’s not a villain, not really.  So what do you do?  Do you try to surreptitiously stay in touch with Tim even though you’re ignoring his dad’s express wishes and thus forcing Tim to sneak around?  Do you respect his dad’s wishes and stay away from Tim even though you have a years-long relationship at this point?  

Again: a bit similar to the extracurricular analogy.  Say you’re the choir director and you’ve built this whole relationship with a kid in the choir, and you’re an important mentor to him and you care about him etc. etc. etc.... and then right before a big performance, his dad finds out he’s been secretly involved, and yanks him out.  How would you react?  Well, maybe kind of in some of the ways Bruce reacts.  You replace him. You’re annoyed with him. You miss him. You want him to come back. You’re also worried about him.  You’re upset with his dad.  But also... what should you do, exactly?

Bruce and Alfred and Dick care about Tim as if he were part of their family, but he’s not part of their family, and there’s a lot of interesting tension there.

My Harsher Take

Jack never hits his son.  But his temper is a big deal.

In his worst moments, he takes out his anger on Tim’s stuff - wrecking his room, or ripping his TV out of the wall and confiscating it.  When he’s worried about Tim, he usually expresses that fear by yelling at him / punishing him / sending him away - threatening to send him to boarding school in Metropolis in Robin III, or threatening to send him to military school abroad in Robin 92, or actually forcing him to go to an all-boys' boarding school post-NML.  

This is bad behavior!  It is Not Good!  

And you can easily connect the dots to a bunch of Tim’s terrible coping mechanisms, like the constant lying and or the fact that Tim’s go-to methods for dealing with interpersonal conflict are 1) repress it and pretend it never happened (most of his fights with Bruce), 2) withdraw from the relationship until he can pretend the conflict doesn’t exist (when his friends get mad at him in YJ, he quits the team for a while), or 3) literally run away from home.

Also, Jack is a Manly Man with firm opinions about how men behave vs. how women behave, and he thinks boys shouldn’t be scared and thinks Tim should date hot girls and pushes Tim to work out and wants him to play football and expresses period-typical sexism, etc. etc. etc. ... and though obviously this wasn’t what the writers had in mind at the time, all of that is certainly interesting to read backwards in the light of Tim as a queer character.

More Disorganized Thoughts on Jack Drake

Tim’s our hero, so we’re naturally more sympathetic to him, but it’s also true that relationships are a two-way street, and Tim doesn’t value any of the things his dad values, either.  Jack at various points is shown to care about grades, business, money, boarding schools, archeology, football, a kind of macho bragging-about-dating-hot-women ethos, and a very public and performative kind of caring. Tim tends to respond with discomfort or disinterest or even disgust.  When Jack gets on TV to try to rally the government to save his son from No Man’s Land, Tim isn’t touched—he’s mortified.  When Jack makes some bad investments and loses money, Jack’s deeply upset and his self-image is majorly impacted, and far from being sympathetic, Tim’s annoyed and kind of contemptuous of the idea that this is a problem.  Jack thinks fishing in the early morning and going to tennis matches is a fun father-son activity; Tim finds it exhausting and tedious.  And so on.

This means that Tim often longs to be closer to his dad in theory, but this longing is more tied to fantasy than to reality. He rarely seems to enjoy spending time with His-Dad-The-Actual-Person.  So for example, when Tim’s deadly ill with the Clench, he has an extremely poignant fever dream about telling his dad the truth and getting hugged…even as he insists in real-life to Alfred and Dick that he does not want them to tell his dad what’s going on.

The same is true of Jack, who IMO genuinely wants to be closer to his son and is continually declaring that he’s going to turn over a new leaf and get closer to his son…and just as continually backs out of activities or loses his temper when faced with spending time with his actual son.

Tim and his dad sadly get along best—by far—in Absence Makes the Heart Grow Fonder situations.  When Jack gets kidnapped or is in danger, Tim worries for him (and Tim grieves him deeply when he dies).  When Tim disappears or runs away, Jack’s genuinely worried about him.  So e.g. they have a really moving emotional reunion and hug when the earthquake hits Gotham, and Tim panics about his dad’s safety and comes running home (and meanwhile Jack’s been panicked about Tim’s safety!).  It’s the day-to-day, regular life stuff where they don’t connect.

Jack's written quite differently by different writers. Mostly, Tim's parents are at their least likable in his early appearances and early miniseries (this is where you get, for example, Jack and Janet being nasty at each other while a pained employee looks on, and Tim disappointed to once again get news of where his parents are via postcard - "I guess that sums them up! Never know where they’re going to be–or when–or even how long!” - and Tim alone on school break, and Bruce and Alfred thinking there's something weird going on with Tim's parents, etc. etc.). Jack's more sympathetic but still often unlikable in most of Tim's Robin solo, and he's almost invisible (but positively treated if he does show up) in Tim's team books.

For obvious reasons, Jack's remembered way more sympathetically after his death. Tim's completely devastated by Jack's murder, which he arrives moments too late to prevent, and he basically never gets over it. We see him grieving Jack again and again in Robin, and also in Teen Titans, and also in Resurrection, and again in the Halloween Special, and again in Batman: Blackest Night, and all the way up to the end of Red Robin. Tim also grieves for an extended time over Janet - he hallucinates a happy reunion with her when he's feverish in Contagion, and hallucinates her in the final issue of Robin, and the reveal-your-buried-emotions song in Robin 102 brings up his grief for her too (meanwhile, other characters dance or laugh or otherwise get giddy).  Tim’s grief over his parents’ deaths is intense and long-lasting.

I'm not going to clip comic panels because this is long enough, but if you're curious, here's a nice and fairly lengthy compilation of comic panels with Tim and Jack.

If you're interested in a Jack-centric story with a softer-but-still-recognizably-canon take on Jack, I really like the way Jack’s narration is written in the one-shots Heart Humble (set shortly before Jack dies) and Never a Hero (Ra's resurrects him during Brucequest, and Jack's archeology skills turn out to be unexpectedly useful).

[bandtrees]

Guys he’s so special to me.it’s been five seconds did you know

[lovelydrusilla]

you're just a greedy, twisted little sadist🥰🥰🥰

[frankenstein-ate-my-left-shoe]

the gang’s all here 🥰

[blueberryfruitbat]

Anyways have this drawing that started as a little cute doodle and slowly tumbled into a whole rendered scene because I love these lads way too much, likely more to come.

[cowboyskeletons]

thinking about my au where after the trial the dads are actually just transported into another universe where jodie was transplanted and they replaced their alt-universe selves.

so there are small details that the kids notice (except for nicholas) that are kinda... off, but it's not big enough of a shift to notice until reminiscing about childhood memories and like it doesn't matter (it does matter but that's only half of the story)

point is that without them, their home universe kinda crumbles, as the narrative is about Them and why even exist if there's no purpose? so everyone kinda just fades away over a short span of time (thinking around a week) as the world loses its flavor.

....buuuut nick's still there.

because the dads are The Dads, right. it's their defining characteristic. they need to have children to be dads (if the child is dead it doesn't matter, just needs to exist in the universe). the children are... kind of like anchors.

so if their children stopped existing, what then? well, it was a simple solution-- they got linked to the new verse kids. done done. new anchor, continued existence, "forever" relevance, hoorah.

only problem is that glenn doesn't have a kid. and he's not a dad anymore. so like, what's the point of his being there? nicholas is technically completely unrelated to him. in the new verse, it's said that he's darryl's friend who's just. there. in-auniverse and in a more meta concept sense, he really shouldn't have been there.

(eventually, glenn won't need an anchor anymore because of the relationship he develops with nicky but for now he needs a weight to assert his existence in the narrative)

erasing him from existence kind of goes against the court ruling because then why all the shenanigans. so he still has an anchor, though the new universe is unaware of it

so nick is still there.

nick is... not fully what he used to be. he seems overall the same, but he's in a sort of... stasis? like the most obvious effect is not aging but there are mental effects too. his and glenn's relationship and place in the world can't really change, so he doesn't.

he's like an ice sculpture now metaphorically-- fading like the rest of the world, but his process is slower because he's connected to glenn and he's still important to the story. he has approximately until the s1 finale until he starts getting into the danger zone. the worlds aren't exactly synced up time-wise, but time shifts and flows and the universes drift so there's never a concrete ratio-- usually worlds sync by story beat but. yea

so he's just wandering the world as it breaks apart. he's the only reason that it's still there, actually-- it becomes weaker as he does, as it loses its purpose completely.

by some chance, nicholas manages to contact nick then Stuff Happens.

cue shenanigans, primarily with nicholas and nick but several other people come into play too like glenn and jodie and morgan

(yes nick still dies in the end but there is Closure with the family okay. can't spell closure without close. do you get it)

[nav-i-nav]

I rotate Omori (the character) inside my brain like a microwave. He is special to me, therefore he gets to be inside my brain 24/7. Thank you.

[welcometoteyvat]

Xingqiu slumps onto his desk, defeated. The deadline for a special volume of A Legend of Sword is scarcely three nights away, and yet he still hasn’t progressed past the first fight sequence. Every word he pens feels inadequate, his characters are becoming more and more crooked, and the sentences are crawling away from him like silkworms off the page—one, two, three, four… Wait—but the next arc… His valiant unnamed hero will claim a narrow victory against the Tai-Shogun’s cyborg samurai, and then—and then…

When Xingqiu’s eyelids flutter open again, the lantern by his window has dimmed considerably. He cannot have dozed off for that long, can he?

At least his father and brother are asleep. It would be best if they never find out about his sleeping schedule.

The shadow of his hand is so sharp against the pages of his lantern-lit draft. Xingqiu traces the ridges of his knuckles, a flickering black silhouette on the page beneath it. From this angle, it almost looks like a dragon’s mouth, one of the Natlan kinds… Maybe he’ll be able to see one in person someday…

He should try to finish this chapter, since it’s almost done anyways… Oh, but didn’t Calx mention something about their alchemy experiments in their last letter? Perhaps they know a potion that could increase his inspiration… it wouldn’t be too late to ask about it, right?

His eyes shut slowly.

“—qiu. Xingqiu. Hey, bookworm. Aren’t you a sorry sight, hm?” Someone is poking his shoulder. He wishes they would stop. He knows that voice. It—

“…Wh— Hu Tao? Isn’t it late? How did you even get in?” Where is she? Xingqiu can only stare blearily in the direction of her voice, strangely disembodied in the pitch-black room.

“The same way I always do; don’t tell me you already forgot? Anyways, there was business at Wuwang Hill tonight. It takes a long time to walk back.” There's rustling, the tap-tap of shoes against the sandalwood floor, and then a crackling of fire as Xingqiu's lantern flickers to life again. It illuminates Xingqiu’s room, his manuscript, and the girl leaning against his desk, idly twirling her hat round her thumb. A smile dances across Hu Tao’s peach blossom eyes, and her merry lips quirk up at the corners, greeting him warmly. Xingqiu is impressed by her liveliness at such an hour; anyone normal would never be in such a good mood in this dead of night. Of course, Hu Tao has never settled for normalcy. And he would be delighted to see her any other time, but…

“Hu Tao, I appreciate your visit, but you should head back to Wangsheng. I need to focus, and you should rest too.” Xingqiu straightens in his chair, and immediately grimaces—his back is aching. Hu Tao’s eyes narrow, and Xingqiu resigns himself. He’s never been able to hide much from her: not his double standards, his avoidance, his fatigue.

“You’ve been in this slump for at least a week, and you’re still putting on a brave face? It’s unbecoming for a chivalric hero to refuse help in dire straits, Xingqiu.” Hu Tao’s voice is rarely so serious, and Xingqiu can feel her studying him, her gaze quietly burning. He looks away. When had she become so adept at instilling that indescribable feeling of shame-guilt in him?

“How long have you been working on this dialogue? You know, inspiration won’t strike you like a lightning bolt in this dead of night, or it would’ve already.”

“I—” Xingqiu looks back at the draft. The last sentence trails off illegibly, and there are ink splatters all over the page—it seems his brush control is no better with less sleep. He sighs.

“Aiya… look at you, already so despondent. Isn’t your deadline still three midnights away? Come on, you’re already turning into a dull and uninspired young master. If you go on like this, soon I won’t have anyone to trade verses with anymore.”

“Hey! I’m not becoming dull or uninspired! I just… I just need a bit more time.” Yeah, that’s it. He just needs to get used to the flow of his story again. After all, there’s never been another way out, has there?

“Hm. Whatever you say, young master. Listen, let me tell you about the hanged ghost mystery that cropped up a week ago; it’ll send chills down your spine for sure. I guarantee it would make for an incredible plot point!” There’s a warm lilt in Hu Tao’s voice—a rare teasing fondness that makes Xingqiu raise his head. She is looking at him expectantly, eyes alight with the promise of a good story, words waiting to spill from her lips like the sweet melody of just-ready rice wine.

Really, this girl. It’s scary how much she understands him.

“Oh? Then, if it pleases Master Hu to continue, my attention is all hers.”

———

notes: i have no idea how hu tao could get into his room tbh i just accept she's better at being a prankster than i am lmao. peach blossom eyes does not just refer to hu tao's pupils, it's an eye shape classification! i thought it fits her <3 (putting this note here since I already described it like that 2x) also just imagine that xingqiu usually has relatively fast reflexes but he's eepy and tired so he isn't as alert against intruders. also, smiles serenely. they could be each other's muses and inspirations (high honor). this is rlly just xingqiu going through The Horrors (writers block) but i hope it's decent i love him dearly. i dont actually know if hu tao was written that well tbh something about writing in limited perspective kinda fucks me up idk. the more i look at this the more things i find wrong with it but i need to be free from it now or it's never getting done

also this is irrelevant to this snippet but i choose to believe in shit eyesight xingqiu who got the teyvat equivalent of contacts and/or lasik eye surgery. he would've needed glasses but he doesn't want to look like an Old Man!!!! (baizhu: ._. )

[somerandomdutchfangirl]

Random headcanon/au thing brought to you directly from my brain:

Swan hybrid Jack Rose

Like mans just straight up has wings (swan wings ofc, they're red with pink tips because i Do Not Care about realism but instead about color schemes and vibes). Little down feathers in his hair. Talons as nails. Perhaps even tail feathers? And definitely feathered ears

Like,,,, imagine the fluff potential y'all.

Or better yet... Imagine the angst potential

[redwayfarers]

pov you just told him something nice

art by the sweetest @likemesomesalads, thank you so much for Cass beloved

[breenheath]

Crushed.