#he's the kind of fucked up i aspire to be sometimes

[wormboyfriendcentralstation]

by the way i actually dramatically sympathize with vergilius's stance on don quixote because imagine. you are sitting on a bus as a tour guide. six feet away from you? it's Vlad the Impaler. he goes :3 on a regular basis. he's held in check by his fucked up pair of light up Sketchers that he talks about like theyre people. he has power washed every memory out of his brain. he is collecting action figures. he may or may not be indulging his escapist fantasy of Not Being So Violently Noteworthy To The Hague. vlad the impaler sometimes goes "my aspirations are Being Kind and Just :3" then! commits a felony misdemeanor to that end. he's doing his redemption arc but forgot to remember needing one.

like yup yeah okay fine sure ok no harm, no foul, no wonder he is constantly on the verge with her

[lustytears]

i wanna turn you on.

loser!luke castellan x f!reader

summary: (title is inspired by the smashing pumpkins - today) luke castellan basically watches you from your cabin window and mutually (but not mutually) masturbates with you.

warnings: smut, luke is a bit weird. luke is giving virgin but that’s up to the reader honestly, reader gets sexualized by luke, written in mainly luke’s perspective but it does switch to the readers, masturbation, bathroom breaks (if you catch my drift from the previous tag), luke is a manipulative piece of shit but it’s very hard to know at first read.

You weren’t kidding when you had the sneaking suspicion that one had always been watching you. All of your darkest moments felt violated, invaded, or even threatened.

Maybe you thought wrong. That’s what everyone else thought when you confessed to your friends, saying that “Nobody would bother to try and watch you” or, “You’ll be fine. Camp’s safe.”

What you were unaware of was that Luke Castellan, the brave and noble leader who aspired many at camp for his dedicated devotion to his people and the gods.

Were you wrong to think otherwise?

•————————————————————————•

He was desperate. Desperate to understand you, feel you, and even taste you. His heart (as conveyed by those personal to him) was kind, logical, and even charming. He welcomed everyone who was unclaimed, and those who were claimed. The sweet little “heys” and the “hellos” are what people paid attention to. His demeanor and morality were nothing but pure.

You knew that for some reason, Luke had the right intentions. But for some part inside of you, something twisted his image into something so much more darker and malevolent.

He wasn’t dark, neither any of the things you thought. Contradicting, yes—but he couldn’t help but stare at you whenever you walked past, staring at the back of your body and sometimes your ass. He tried to snap out of it, tried so hard to keep his control, but he couldn’t help it.

He realized that you were his new obsession. Occasionally, Luke would sometimes go to the bathroom stalls to stroke his painfully rock-hard cock that leaked small beads of pre-cum, wiping onto his hand and leaking all over the base of his cock. His mind would drift to how your voice was maternally caring, sweet and dripping almost like nectar. Your lips and the way they would part open and close, rubbing them together against your pink-glossed lip gloss. The thought of the sticky consistency and shiny glow of your lips wrapped around the base of his cock as he steadily thrusted his cock hard and fast into your mouth like it was nothing but made for him would make him grip the top of the stall door.

Luke would try to feel disdained by these thoughts, try so desperately to think of other problems he had. But you were his only problem.

One day around Camp, he noticed how one of the Ares boys were sticking around you like you were some kind of fly trap. The boy would try and lift you up, slinging you over his shoulder like you were some prized possession.

“Put me down!” You laughed as you nudged your body, particularly your hips noticeable to both the boy that was carrying you and to Luke.

The Ares boy took notice of the sudden tension and put you down, before accidentally (but obviously, not totally) pushing your ass into his pelvic region when he grabbed your arms and pulled you back. You’d laugh, the impact of your ass in those little black shorts bouncing against his center drove Luke fucking insane.

Luke ended up getting one of the hardest boners ever to pain him, and he would occasionally watch your body move around, your hips swaying and the way your ass was barely fit into your outfit made him palm his cock, pretending to adjust his jeans.

On a dark night, Luke realized that you had the same routine. Specifically, it was your night routine. He didn’t expect to remember it, but he remembered one specific incident where he followed you to your cabin.

He watched as you opened the door and closed it, slamming it behind you in what may have been frustration. Then, he got the idea to get a closer look.

Luke inched near your window, crouching below the window pane just to see perfectly into the dimly visible light that instantly let him see into your own world. It was so wrong, but it was so worth knowing that the blinds were pulled up all the way, almost as if you personally wanted somebody to watch you like you were a product on display.

You walked around the room, his eyes following your every step, even when you sat down on the bed and looked through your dresser, going through the top drawer that contained your underwear and nightwear. Pulling out a black mesh nightgown, you got up and started to strip down to your bare and naked body. He carefully focused on how the t-shirt you wore hiked up above your amazingly flawless breasts. The way you pulled it off and threw it down to the bed caused the two of you to moan, unknowingly so. You seemed frustrated with something, but he was high as fuck on this moment.

His cock rubbed against the barriers holding him back, and it wasn’t getting better. When your thumb tucked underneath the waistband of your underwear and shorts, you pulled them down and off your legs. Your ass was visible for him to see, and he dared to peak his head up a little more to see how it motioned as you walked to your bed.

He expected you to put back on your nightgown, but he thought so, so fucking wrong. You flopped down your bed and pulled your legs up to show him how your pussy looked dripping wet. His mouth dropped, his hands going down to his pants and subconsciously unbuttoning them so he could stick his dick out through his boxers and thrust his half-erect cock into his fist.

But he didn’t want to touch himself just yet. He needed to see more. What more could you give? It didn’t make any sense, but it finally did when your long and slender fingers tucked under your weight, where you parted your cunt apart with two fingers in a ‘V’ shape. You moaned as the cold air hit your hot and wet pussy. Luke’s hands fumbled to pull his cock out, his eyes glued to the way you were now dipping your middle finger into your sopping wet hole. You pressed a finger into your gummy walls and started to create a rhythm along with your hips and your hand.

He rubbed the leaking pre-cum all over the tip of his cock, pretending like your thumb was doing so. He wrapped his palm around his dick and jerked himself up and down in a slow and deliberately painful manner. Your fingers moved to your clit and began to rub it in a circular motion, your lips all puffy and your eyes closed from the pleasure you were giving yourself. So much was going on for you that your back arched off the bed, and Luke’s cock was being fucked even faster from his own hand. He whined a bit louder, involuntarily thrusting into his own hand. The both of you could sense your own respective releases, and it wasn’t slowing down anytime sooner.

Luke would whisper his name to his own self, pretending like it was you who was calling it out through the muffled sounds of your moans inside of your cabin. Your legs twitched and two fingers were now deep and invasive inside of your tight cunt.

He hoarsely whispered to himself. “Fuck, I’m gonna cum so hard all for you,” softly swearing as he could feel his own semen dripping out of his cock and lubricating his fist.

Your fingers worked harder, and your clit was getting rubbed to the point where it felt like it was numb for pleasure. You let out a steady and sharp moan, lifting your ass off of the mattress and pumping now three digits into your pretty and pink pussy. He watched you, all goggly and eyes wide like he’d miss one second of you. He couldn’t waste the opportunity to miss you cum.

Luke was now practically moaning and hyperventilating as he let out a sigh and came all over the place. Webs of white and hot cum coated his overstimulated cock and the fist of his hand. You followed along, cumming and tightening all around your fingers as you vocally expressed one of the best moans one could ever experience in an orgasm.

All tired and weak, your legs fell down against the bed as your swollen clit pulsated from such intensity.

With realization, Luke snapped his eyes down to see the mess he made just crouching below your window. He groaned, shaking his hand to get rid of some of the cum that was on his hand. His cock was now soft and finally pleased, so he tucked his cock right back into his boxers and pulled up his jeans, remaining low and among the bushes before he know it was safe to walk alone.

When Luke was approached by a wandering cabin mate, he’d just make an excuse.

“Couldn’t sleep. Had to kill time,” knowing damn well with a smile that you just solved his nightly frustrations.

[duke-daemon]

hazbin hotel redesigns wooooooooo

okay so. i'm gonna discuss my thoughts about them n shit, putting under a readmore bc it's gonna get long and rambley. sorry in advance for the shit formatting, i'm on mobile </3

just some general shit about how i would rewrite it. i think the premise of redeeming sinners is entertaining but is executed horribly. i also am a fan of the "heaven isn't great either" idea but again, executed horribly. i'd make the hierarchy of angels more accurate because it's cool as hell and i have autism about it. the characters from hell would swear still (albeit not as much), but the angels would outright refuse to swear or make vulgar jokes ever. this would be partially to further the gap between heaven and hell and make the differences more stark.

hell would also be more like dante's inferno (again because i think its cool). the ars goetia would get a full redesign and would be more prevalent in demonic society.

now for the characters!

---

VAGGIE VALTIEL:

starting off with vaggie, or Valtiel as i've renamed her because let's be honest her original name sucks. Valtiel (Val for short) was an aspiring power angel who wanted to be an exorcist. she looked up to lute and thought the idea of killing demons was really cool and badass. however when she actually was on the field for the first time she discovered how awful this actually was. she tried to help a few demons but lute figured it out and felled her right then and there. the rest of her story is relatively the same. personality wise she's more stoic and less prone to all-out aggression. she still get angry, sure, but it's in a quieter and more menacing way. you DO NOT want to fuck with Valtiel.

CHARLIE:

next up is charlie! i had two ideas for her. the first one (unsettling drawing) has her as a mannequin/doll type demon. lucifer and/or lilith was unable to conceive and as such they built a kid from scratch. she's overall similar to og charlie personality wise, very kind and cheerful despite her unsettling appearance. she struggles with empathy sometimes but really does mean well. her motive for rehabilitating sinners is so they get to see their family again. being able to see heaven from where they are in hell must make them sad, so she wants to help make them happy again!

the second idea for charlie has her as an angel. specifically i casted her as a dominion angel due to their reputation as holy judges. she was once a demon but has been rehabilitated and has risen into angelhood! she now wants to help her former kin do the same and redeem themselves in heaven's gaze. again, similar cheery personality, but a bit more prudish in this rendition

tangent time!

as a side tangent, valtiel and charlie would have a different relationship in this rewrite. their relationship felt shoehorned in in the original show, like it was just there for the hell of it. we didn't see much development between them and it just felt kinda bland. so in my rewrite, charlie and valtiel are amiable exes. they tried dating when valtiel first fell (when charlie was still a demon in the charlie-angel version) but realized their feelings for each other were much more platonic than romantic. they ended things off on good terms, deciding they were much better as friends. they are still besties to this day! later charlie ends up with emily (or 'ellie' as i plan to rename her)

back to the characters

Alastor:

note: i made alastor mixed-race, which could be seen as bad by some due to vivzie saying he's black. however, as many have pointed out, he has no ethnic features whatsoever and i honestly wouldn't be surprised if she said that just to get away with using voodoo symbols (a closed religion) in his imagery/design. like viv, i am incredibly white and have little to no knowledge of voodoo, and even if i did i would not use it for something like this anyways due to the stigma the religion already has and (again) it being a closed practice. as such i removed it from his concept altogether, but made him mixed race (white passing) because.. why not i guess, i forgor my actual reasoning

with that being said...

alastor is by far my favorite of the redesigns and i'm honestly tempted to turn him into a legally distinct oc. i imagine he's somewhat reserved, along the lines of norman bates albeit a bit more extroverted. during his life he was a serial killer with a day job as a radio announcer. he took pleasure in reporting about his own murders on the radio, but that is eventually what got him caught (ie accidentally letting slip info that wasn't released to the public). as a result he was sentenced to death. upon arriving in hell, he quickly rose through the ranks to borderline overlord status and is a feared presence by demons and sinners alike. why is he bothering to assist in the hotel project? who knows... his motives are a mystery, like the rest of what he does

(he isn't actually alastair crowley i just thought the naming convention was ironic. however he may have also dabbled with satanic magic in lifetime..)

Angel Dust:

TW: brief discussion of SA

this is definitely my second favorite redesign. i loooove insect themes and wanted to do more than just Extra Arms, so he now has fucked up legs and a lot of eyes too! story-wise, angel used to be a criminal mastermind, hated by both the mafia and the feds. he was a gentleman thief, arranging massive heists under the cover of night while also partaking in the occasional drag show. he ended up a cocaine addict later in life, which caused his work to become sloppier. eventually he was killed in a heist gone wrong, specifically shot by the police.

i'm not gonna go too in-depth on the SA part of his story, but he is hypersexual due to being assaulted in both his life and afterlife. it would be something he'd be working on in the rewrite. his reason for coming to the hotel in the first place may have even been for help with this trauma. underneath his sultry exterior is a broken guy who really just needs someone to care about him for who he really is and not for what his body can do.

LUTE:

so lute and adam are some of the characters i have the most gripes about. the biggest one being why viv chose adam as the leader of the exorcists in the first place. if she wants a biblical figure tied to demon killing, Archangel Michael is RIGHT THERE, aka the one destined to kill satan during the events of Revelations. if she wants the first human to die, that would be Abel, not Adam. and i kinda doubt abel would want to do the stuff that HH!adam has been doing. if she wants an angel related to torture, Dumah is her guy! an angel that rules over wicked souls and tortures sinners every day except sabbath. so many better options...

with that out of the way, Lute is still the lieutenant of the exorcist, who are a specially chosen group of powers sent to purge hell once a year. think navy seals. she's pretty much the same as in the show, albeit more muscular and visually different from other exorcists (seriously why do they all look exactly the same?????) she's a very repressed lesbian who hasn't had time to work on that due to her duties

i also redesigned the exorcist uniform/armor because those LED purge masks are fugly as hell and their clothes don't even look remotely like armor.

Adam + Final Thoughts

i did start a redesign of adam but got bored of it. regardless, i think he'd be the head of C.H.E.R.U.B. instead of the exorcists. he doesn't want his children to make the same mistakes he and eve did, so together they started C.H.E.R.U.B. to help lost souls stay out of hell

final thoughts uhhhh i'm tired. show sucks, it had so much potential but viv ruined it by being a shitty writer and an even shittier person. the designs are fine i guess but they all look exactly the same and are in desperate need of variety. the humor is dogshit, saying dick and balls and penis over and over and over again doesn't make it any funnier than the first three times you made that joke. anyways that's it, i hope you liked my inane ramblings. gonna go vanish for another forty years or so, adios

[swordoffrivolousthings]

Thoughts about Heroes of Olympus and how it could have been better.

Sometimes I think about what would have made HOO a better series. And I'm not talking about the obvious 'too much focus on romantic relationships' and the lack of usage of certain characters or the dumb ending.

I mean the little things that would change so much (mainly character dynamics but also worldbuilding i.e. Camp Jupiter and Gaia's reasoning)

Some of the points are inspired by @crisisreading and their posts. They are the first I saw raise some of my own points so! part 2

Make the ages vary more in the main cast, trust me

Let Percy, Annabeth and Grover get older by 4-5 years. Let them become adults and find themselves outside the godly war. Let them even finish college, I wouldn't get mad. Let them do anything beside being teenagers.

I promise this would make the dynamics more interesting. Percy and Annabeth will be more mentor figures, than fellow comrades. This would create some distance between some of the them, but ultimately create something fun. Piper would come to see some aspiring female figure in Annabeth (I think this would ether be positive or negative, depending how Annabeth changed as a character over the years, but I tend towards negative). Leo would potentially have someone older to exchange ideas with. Jason would possibly feel intimidated by Percy's vastly superior age, prowess and experience, instead of being able to clash heads with him.

Hazel would have not one, but two that people that would play parent to the others' reckless behavior. (go snort your harmful stereotypes up your ass, Riordan.) Frank, when telling Percy and Hazel about his stick, would possibly find in Percy a kind hand (not that he wasn't kind already, let me explain) and Percy would probably share with him this feeling of vulnerability - not dump it on Frank - about having your life tied to a specific thing. I mean his Achilles heel, with which he would have lived for far longer.

And a whole lot more.

2. Add Grover into the series as a perspective character

You have a new trio dynamic introduced in the first book of the series. Let the original trio interact as main characters and let us see how their relationship has changed.

Grover's opinion on the conflict between the gods and Gaia would be important. He is the Lord of the Wild, and Gaia is the literal personification of the Earth. Let us see his struggle between the loyalty he has to the gods and his friends and his powerful feelings towards protecting nature.

Also, he would act as a protector for the demigods. Because while I enjoy Hedge, he is not enough to keep them safe.

3. Throw the bullshit about Gaia getting revenge for Kronos' defeat out of the way

Gaia, as mentioned before, if the personification of the Earth. One of the first gods to emerge from Chaos.

Gaia can, of course, keep her resentment for the gods defeating the son that freed her from her pain (caused by Ouranos initially). But she is a mother goddess. She should want obliterate humanity because humans are slowly killing her. Painfully. She wants to survive and the only way she sees how if by killing all the humans. She wants to save her children, aka animals, insects, nature, and the only way she sees is bloodshed. Gods are not rational in their anger, no one is. So let her be angry and vengeful and out for human blood.

DO NOT MAKE HER A FUCKING VILLAIN, MAN! Make her an antagonist, but someone's whose ideals are worth taking in and adapting. Kinda like Luke about the demigod and minor god recognition. Where have the themes of the original series gone? Remember, an important theme in BOTL was protecting the environment. It was one of the most important moments when Pan faded. Do not let that go to fucking waste. Especially not now, in the world we live in.

4. Show the effects the war had on Camp Half-Blood. Hint it at Camp Jupiter, when Percy does not have the memories to corelate it with

We've had years since the end of the Second Titan War. How did the gods change the course of events ? (the victors write the histories) How much of Luke's reasoning for starting the war was erased. (hint, all of it.) Show us how much the perspectives were shifted and how much the people that fought in it were made into martyrs and villain, basically becoming caricatures.

Let us feel how much this hurts Percy, Grover and Annabeth. How it had impacted and impacts their trauma, grief and utter horror. The younger, newer campers see them as wonderful, all-just and loyal heroes of the gods. The way they hate it.

Good moment to implement the new cabins for the gods and let the new ones forget that it wasn't always this way. Let Percy's demand to the gods be forgotten, shoved under the rug. The tragedy unfolds, use it.

Since in Camp Jupiter none of the main characters have fought, let us see the subtility. Let the older legionnaires be ragged, scarred. Older and weary, with eyes glassy and suspicious. Have younger recruits have this heavy air around them. They know what happened, what killed most of the older people in the legion.

Have Jason, Hazel and Frank see these things in Annabeth, Grover and Percy too. They realise that oh. oh. these three have fought in the war, of course they would. Show them gain respect for the trio. The same kind of respect they have for the veterans back home.

5. Cut one of the Seven from the prophecy.

I know this seems radical, but it is a symbolism thing, which I think would be more interesting in a world based on Greek mythology.

It is established in PJO that three (3) is an important number: 3 Olympian sisters (Hera, Demeter, Hestia), 3 Olympian brothers (Hades, Poseidon, Zeus), 3 Fates, 3 quest members, 3 Furies, 3 godly realms (the Underworld, Olympus + the sky, the seas). Use this.

Give us six (6) prophesized heroes. It is, after all, the second most used number in the series and a multiple of 3.

I suggest Annabeth. Why? because she has her quest from Athena. Let that be her top priority, while hanging out on the Argo II to get to Rome. Let her bond with the younger demigods and have her possible death be always on her mind. Bring her hubris into play and she would think herself the chosen one, the one demigod child of Athena to survive. This would make her falling into Tartarus with Percy not letting her go more taxing on her psyche.

Show us how she hates herself because she took one of the principal quest members to certain death. She feels like she'd jeopardized the whole saving the world thing.

Cut the Seven to Six and let Annabeth die in Tartarus. Show us why a single-man quest is a death sentence. Why three (3) is such a valuable number.

6. CONSEQUENCES!!!

Jumping straight off the last point.

Change why Annabeth would end up in Tartarus. Make her ignore the string around her ankle because she thing that nothing bad can happen to her now. After all, Arachne is gone, right.

Let this be her undoing. I do not care how she dies, but make her choices, her hubris, be her undoing. Do not let her death up to a chance, a mistake or miscalculation. Show how toxic Tartarus is, because we do not see it enough, but make it Annabeth's idea, the plan by which she dies.

Do not make it Percy's fault. Let him try to do everything to keep her alive, but still failing. Attack his sense of loyalty, his self-esteem. Show how the experiences and her death affect him.

Bring the trauma from the last war back in those chapters, in a place where demigods leave something behind.

To less drastic things - let the others get hurt. Permanently. Show how this life affects and damages people physically, too.

Have one lose an eye, another get horrific scars. Lose a limb, a part of themselves. Do not make it seem like any other could have gotten the same wound.

Tailor them to their character, their pride and their skill. Hit them where it hurts most and let us see how it changes them.

Also, about Leo. Kill him too. The fact that he ended up alive is a deux ex machina. He should have suffered the consequences.

Also also, bring back the fatal flaws. They are missing from the series. Play with them, show why they are important parts of their characters. Bring back ancient Greek fatal flaws, and new ones that make sense in a modern world.

Hurt them because what hurts them is part of who they are. Show us why the Greeks invented tragedy.

7. Age up the target age. Go more young/new adult

I understand that PJO was made for middle schoolers. But the target audience had grown up alongside the characters, and as such they have matured.

This is why I said to age Percy, Grover and Annabeth up further. Leave some distance for the old and new readers to get up and personal with the new main characters. Have them find common ground with the new demigods but have their anchor in the old ones.

Make the readers work to understand and refamiliarize themselves wit the older demigods. Because they've changed.

Targeting a more mature audience allows exploring n. 6. The realistic consequences of living with the fear that something will come and eat you. How just a little mishap could change you for life. (or what has been left of it)

Please do not go grim dark. Show that despite this all, their purpose has not stopped existing. A life exists outside of your appearance or disability still exist, and while it would be hard, do not lose hope.

8. Hope, or lack of its importance in the Heroes of Olympus series

Alongside other callbacks and reinforcements of PJO's lore, where is Elpis (hope)? Why doesn't she appear as a larger theme in the books? I don't know.

Elpis is still in the jar, having been used as a threat of defeat. But now Kronos is gone. Have Gaia use it as s symbol for her own cause.

Make hope Gaia's argument. The most important part of why her cause stands. Gaia is waking now because there is no hope for the betterment of the planet while in human - and therefore godly - grasp. She wants to save the planet, but they, the destroyers, are opposing her.

Hope is what she wants to bring back. The hope that death will not be the end of life, but further evolvement and betterment of all species.

This argument is what the counterargument should unravel. All species? Why are humans considered irredeemable, unworthy of becoming something greater?

Why can't they not coexist and why can't humans learn how to care about the world surrounding them.

Make hope for humanity and for the environment not a question of if they are capable to coexist, but how we can manage that. Humanity and nature are not mutually exclusive, but two halves of the same whole that need each other to sustain their longevity. Yes, nature can exist without humans, but humans can't.

This does not mean that the best way forward is to kill all humans.

There is no need for hope in HOO because there are no greater questions being asked about topics that require hope, because otherwise we would descend into nihilism and fatalism.

9. Give the gods reason to act the way they act, or a look at a greater narrative problem in the series

I may be generalizing, but the gods act erratically and make choices convenient for the plot, as it is, to happen.

Hera: how, specifically, does she know that Gaia is rising and what her plans are. Why is she against Gaia, when the older goddess has a track record of helping the Olympians on different occasions in the myths. Why does she decide to act when she does, how she knows that the king of the giants (whatever his name may be) is coming after her right then.

We don't know.

Athena: we understand why she wants the Athena Parthenos back. Why not force the Romans to give it back. After all, she is a goddess, even if the Romans don't respect her as the Greeks did, she has power and sway over them. Why send her children, a supposedly important part of what brings her glory, to a near-certain death. Is it misguided vengeance, an obsession to get the statue back at all cost, or simple cruelty. These reasons could apply very well to sending the Romans, yet she doesn't.

Zeus: why lock down Olympus? Paranoia, which fair, but you are a King, why wouldn't you look after your subjects? (bc Riordan chose to ignore part of his characterization in the myths and part of his godly domain) (I know kings aren't perfect, but after the last war, one would think he would do everything in his power to stop another one before it begins) Why not seek justice for Octavian's lies, that affect their ability to win the war, and kill/imprison him? Justice is part of his domain, as Zeus Nomius.

I know that we wouldn't necessarily need these answers, but without some of them, some choices left hanging seem to be there only to add to the drama and danger of it all.

All in all, I have many problems with the 'Heroes of Olympus' series. Some of them are nitpicks and personal preference as a high fantasy reader in my free time. Some of them would really add to the story and continue the themes of PJO.

Please ask me if something wasn't clear to you. I'll happily explain further.

If you find something you don't agree with, let's discuss. I'm open to changing my opinions.

[danmeiconfession]

This is just an opinion.

I’m sorry, but I can’t support a protagonist like Shen Yuan if he can’t respect the body of the person he’s taken over. The transmigration trope in many of these novels often leads to the erasure of the original soul, which makes me feel sad for them. While I understand why many fans like his character, I can’t root for him anymore. There’s a sort of horror in knowing that he and the rest of the readers pushed for such a bleak ending for Shen Jiu. An omnipotent being forces him to be a scum villain, and the person who condemned him has now taken over his body, his name, and married his abuser, his torturer. Imagine how horrified he’d be to learn he’s married to his own disciple—it’s disgusting. Someone who is just like all the men in his life takes away his autonomy and the name he earned; Shen Qingqiu is literally ripped away from him.

I remember someone mentioning that Shen Jiu follows the formula of MXTX's shou protagonists, and they’re right. The only difference is that he’s not allowed to gain a second chance. When Wei Wuxian tried to save the Wens, it cost him everything, similar to how Shen Jiu’s attempt to save his martial brother set off a domino effect of tragedy.

There’s a difference between Shen Jiu and Shen Yuan. Unlike Shen Yuan, whose path is clear and predictable, Shen Jiu’s very rare but kind actions often lead to dire consequences. Each time he tries to do something good, the world retaliates harshly. That’s why I like Shen Jiu more. I don’t mind a character’s misdeeds if they reveal something profound about them. Shen Jiu’s attempts to do good, even when they backfire, show his sincerity. Shen Yuan’s choices, on the other hand, seem easy and don’t require much moral struggle.

What saddens me is that a rich, lazy millennial is thrust into the body of a traumatized orphan and somehow gets the happy ending. Even if he didn’t ask for it, there’s a moral duty to respect the original character he's inhabited now because without Shen Jiu’s body, Shen Yuan would have no purpose is that even a lie because what goals or aspirations did he even have? We truly have nilch to go off what he's like without he's online persona but frankly he's a bad person to me if he harasses an author and makes no effort to even get himself to express his emotions especially his apathy like the fuck bro what going on here bro?? How do you just not give a shit about anything besides your beloved LBG like he's cuckoo up in the head like a few bolts and screws were lost in the making of his birth.

It actually made me mad, to be honest. I wish the author had never created Shen Jiu as a character because it spoiled my enjoyment of the book that I took as fun entertainment. SVSSS was the first transmigration story I read that gave the original soul such an important role. Other stories often use these bodies as self-insert devices, but knowing Shen Jiu is an actual character made me see him differently.

I also find it unsettling that Shen Yuan has to live as another person for the rest of his life. Sometimes, silence speaks louder than words. If the author isn’t going to do an identity reveal in an MXTX story, what does that say about Shen Yuan’s relationship with everyone else and the ML included? Wouldn’t everything fall apart? Doesn't that mean something is off lol???

This omission to me kinda undermines the foundation of his relationships, especially with the main love interest. Living a lie means that Shen Yuan’s connections are based on a false premise. If those around him, including the main love interest, don’t know who he truly is, their interactions and feelings might be based on their own misconceptions. In essence, the story hinges on Shen Jiu because his life and identity are the foundation upon which Shen Yuan builds his new existence and I find SY careless and disregard of that to be unappealing for a protagonist to follow .

I can see how the System's role in "SVSSS" can be interpreted as a form of horror, especially considering the implications for Shen Jiu. Here's an expanded take on your guys idea a theory of sorts:

The System's reasoning for booting Shen Jiu out and replacing him with Shen Yuan could be seen as a chillingly calculated move. Shen Jiu’s unwillingness to follow the predetermined outline and his resistance to the System's goals could have led to his removal. The System’s primary objective seems to be the satisfaction and happiness of Luo Binghe, the protagonist. Given the tragic nature of "PIDW" (Proud Immortal Demon Way), the System might have sought a more compliant individual to ensure a more favorable outcome for Luo Binghe.

If the protagonist, Luo Binghe, obsessively desires companionship and affection from Shen Qingqiu, and the original Shen Jiu isn't reciprocating, the System might decide to alter the course of the world. This new beginning involves replacing Shen Jiu with someone who not only understands the narrative but is also deeply invested in Luo Binghe's happiness—someone like Shen Yuan. As a form of punishment for Shen Jiu’s disobedience, the System forces him to take a backseat, helplessly watching as events unfold with Shen Yuan in control of his body.

This scenario adds a layer of horror, as it portrays the System as an omnipotent force capable of rewriting lives and fates to suit its goals. Shen Jiu’s autonomy is completely stripped away, and he’s forced to witness his own life being manipulated and his identity being overridden. By replacing Shen Jiu with Shen Yuan, the System ensures that Luo Binghe’s desires are met, but at the cost of Shen Jiu’s existence.

.

[thewertsearch]

Ask Comp 17/7

@shelbybunny asked: a note most people havent noticed from my observations: kanaya tied eridans cape around her stomach wound

Kanaya absorbs the fashion sense of anyone she slays. She's basically a goth Kirby.

@deshah asked: I have caught up on reading your live blog just as you reach one of my favorite action sequences! Kanaya is brilliant and I am so excited that you are reaching this point in her story. On an Aradia note: I think that you should listen to '(kind of) still alive' and 'Almost There' Aradia version (in that order) because feels. You have motivated me to listen to homestuck parodies again. Not to mention revisit my (many, many) homestuck crossovers… Thanks for the liveblog, it is so much fun! Also i saw your recommendation list was missing hemostuck which is just such a shame. I think it constitutes spoilers? Although it is very AU. That one is by roachpatrol and urbanAnchorite on ao3. Also! Space Bro by JumpingJackFlash, also on ao3 (definitely spoilers) there's even a song about that one! I hope these are okay to send? I'm not 100% on the etiquette. Anonymous asked: howdy wert! dunno if you answer stuff on this blog still but I figured it wasn't fit for the main one -- in your long break, did you check out any of the various media recommended to you? :0 (<- totally didn't recommend something and definitely isn't now wondering if you read/liked it, unlikely as it may be with the long list of recs)

I've added them all to the list! Feel free to recommend anything else, too - but I probably won't get to any Homestuck fics for a long time, since they're a bit of a spoiler minefield.

So far, the only recommendation I've followed up on was Hollow Knight - and I'm glad I did. I've played it, like, three times now. If your own recommendation isn't a Homestuck fic, let me know!

@segfaultvicta asked: i just found your liveblog and I've been doing nothing but reading it since. i have no idea if it's complete, if it's stalled out somewhere, or if it's ongoing, or when it started; i have deliberately kept all of this information from myself, i just hope that regardless of anything else your asks are still on so i can tell you how absolutely fucking MAGNIFICENT your analysis is and how much of a joy it's been to read. bravo. <3 @segfaultvicta asked: there are so many things that you're correctly understanding, or at least digging into at the right level and with the correct approach vector, that it took me MONTHS of puzzling out and later information to grok, and i'm good at this kind of nonsense. it's WILDLY impressive even if/when you are barking up the wrong cosmic apple tree. this liveblog continues to be an utter delight.

Hell yeah. Welcome to the show!

It's a great motivator, knowing that there are people having this much fun with the blog. Sometimes, on quiet days, I'll notice my notification counter is ticking up by a couple of notes a minute or so - and 90% of the time, that means someone's just discovered the blog, and they're binging the whole thing.

That's so cool, I don't even have the words! I look up to binge-worthy livebloggers!

Anonymous asked: Vriska really do be the kinda person who's like "I love a woman who can kick my ass." She probably only saw Kanaya as a potential matesprit after she proved herself powerful. Before that, she likely didn't view her as one because she saw her more like a harmless 'mcfussy fangs'.

You could have had it all, Vriska - if you'd only turned to look at her.

Truly, you are your own worst enemy.

Anonymous asked: I'd like to just adress the fact that Eridan, the troll who had 'aspirations' of killing every troll below him on the hemospectrum, only permanently killed the SINGLE troll that was above him on the hemospectrum. Good job, Ampora! ~DJ @manorinthewoods asked: It's comical how pathetic Eridan was. He seems to have power but it's always immensely fragile. Pathetic in life, pathetic in death, pathetic in ancestry. It's no surprise that his final step in the dance is to be sawed in two to prove Kanaya means business. ~LOSS (20/6/24)

Dude took more Ls than a Countdown contestant. Seeing Feferi confront him in the Bubbles is sure to be cathartic, and I, for one, cannot wait.

@manorinthewoods asked: Who the hek coded Trollian. ~LOSS (2/7/24)

That's Sahlee's endgame, naturally. My fic will be as self-fulfilling as Homestuck proper.

@bladekindeyewear asked: Quote you: "You Want An Auspistice? Then I’ll Give Your Legs Some Space From Your FUCKING TORSO" Funnily enough, on Andrew Hussie's ask blog back then, he ALSO jokingly described this well-justified murder as Kanaya auspisticizing between Eridan's upper and lower torso, after forcibly auspisticizing her way through the rest of the showdown members. "Putting Space between them" is a nice added pun of you though!

Hehe. I didn't originally intend to make an Aspect pun, but I noticed after I'd written it, and decided to leave it in.

Anonymous asked: "If the Bubbles do preserve doomed souls, then we might also run into […] the Jade he couldn’t save. That’s a pair of ghosts I’d be very interested to meet." Are we sure a doomed Incipisphere would have resulted in a doomed timeline on Earth for Jade to die in? Dave and Rose said as soon as John went off to die, they never heard from Jade OR THE TROLLS again. Karkat told John during ectobiology that Earth was a divorced temporal context from the kids' game outside of chat/timing convenience.

Yeah, I think there's a decent chance of that. It was weird that the stranded Future Jade never tried to contact her co-players, and one of the simplest answers was that she'd simply stopped existing. I live in hope, though!

@elkian asked: A really interesting thing I've noticed about Homestuck (lampshaded by Hussie's commentary) is how often the perspective switches away from fights, usually so smoothly or jokingly it's not obvious. I've heard the Hobbit/LotR books do something similar. We don't see Bro die, his opponent becomes unkillable by him and he's dead a few pages later. The Trolls' Black King, the Guardians' deaths, etc. It's a very interesting narrative choice. @elkian asked: belated followup to last ask ig - not sure what the given reason was but I think Hussie avoids showing us fights with foregone conclusions unless there's a good story reason. We know the trolls beat their BK before we even met all the trolls (and obscuring that fight lets Hussie pull fun things like the Bard of Rage reveal). Vriska vs Tavros was never in his favor, but it meant something for their character development so we saw it, etc.

Yeah, I really liked how this was done with Bro, specifically.

Cutting away from this confrontation highlighted how completely pointless it would be to depict it. We all know what happened here, and seeing it happen would give us no new information. Bro, like any mortal, was instantly one-tapped.

Besides - we saw the end of that fight.

It ended right here.

Anonymous asked: its funny how dd, the character associated with diamonds, is textually implied to be jack’s moirail ‘lousy dignitary, keeping your murderous tendencies in check’ Anonymous asked: I feel like you probably noticed this and just didn't say anything, but it's still so hilarious to me how clear it is that Andrew Hussie knew exactly what he was doing showing us the walkie-talkie scene just now with DD and his diamond card suit symbol "keeping [Jack's] murderous impulses in check"!

Damn, I actually didn't pick up on that. It's consistent with the rest of the Crew, though - Hearts is a romantic shipper, and Slick is all about hate. It seems CD is destined to become a mediator.

@mhafanlol2000 asked: What do you think LE looks like?

Occam's Razor would suggest he's a Felt creature - but since Jade would be 'terrified' by his true name, I suspect he's actually someone we've already heard of. After all, Jade would have no reason to be terrified of a name she doesn't recognize.

Anonymous asked: what if sburb is modded minecraft

tired: joining the wertsearch gigasession wired: joining the wertsearch minecraft server

Anonymous asked: Oh yeah we've all be there, I remember one time I got really obsessed with tinkercraft, not cause of the actual crafting system, but because of the furnace, and decided I Must build a furnace from bedroom to build height and fill it up

Update: I've built two nuclear reactors so far, for fusion and fission respectively. Between them, they produce a gargantuan amount of power, but that's only secondary to their main function - namely, antimatter production. Once I get that sorted out, we'll be, like, 5% of the way to the AllTheMods Star, which will finally allow me to make Creative Mode items.

Then we're starting on the Gregstar. If you don't know about the Gregstar, you don't want to know about the Gregstar.

[samubytheocean]

here’s to that fire in your heart

Living. Loving. Maybe the reason why those two words are so similar- maybe those aren’t two different things after all.

fluff

You look at his eyes, and you see what soldiers went to war with. You see what they brought with those photographs lingering of lipstick kisses. The way his voice becomes so clear when he talks about the life he is building for himself. You see him, and you know what being human is all about. You see him, and oh every time, it’s like the first dive of the summer.

He stands with his head hung in that angle you’ve come to acknowledge. Contrary to popular belief, it’s not just a personality. You know the way he gets up everyday. Everyday. With that strict list of rules he has set for himself, even with clenched jaws and tired eyes. He has a dream to accomplish, and he’s not stopping- because why should he? He was born. And that’s all he needs. Maybe except you, of course. That behavior some might call cocky? That’s knowing what he has sacrificed. That’s pride in how he handles his time, how he gives his full in all he is given. And you see all that.

You’re not coming off lazy, either. You both have something to prove for yourselves. That same passion. Solely being present, everyday, one by one, improving, growing. Regulating control over your actions, your words, your feelings. Always giving your all, of course sometimes failing, and shit it stings- but you look at your man soaring. Yeah he’s going nowhere without you by his side. Being more and more human. You see this life in front of you, and you’re going to build a beautiful one for yourself. Scratch that- you both have a life to build together. There’s no other option to be worried about.

You see him, you see your goals. You see the kind of person you aspire to be. But in some strange way- some might call love- those things, all of them, you realize that they feel all the same. It’s all just so painfully, agonizingly human that it overwhelms your lungs with love. Love in the same way you would pronounce hope. Empathy. Passion. Effort. Sacrifice. He looks human. He lives so humanely, he speaks of it so surely. And he loves you oh so fully.

He lives. He loves. And you live. You love. He loves you, and you love him- you live him- wait what? The mess up in your words sounds so natural, you stop your thinking to touch his blissfully asleep face. He leans into your touch, with a sheepish drowsy smile forming on his lips unconsciously. You graze his familiar lips, and you wonder what he is dreaming about.

Yeah you know what he is dreaming of, alright. His skin is so warm, liquid fire ablaze underneath that pretty skin, of that beautiful dream, that beautiful person he is becoming. It’s also your dream. To live. To love. And he’s your love. So you solemnly swear to live- with him. You gently whisper your heart on his wispy bed hair. Again, he leans towards in his sleep. It’s the best way you could say I love you to him. And it works- because he is so fluent in your language of being human.

He is so human. So beautifully desperately dignifiedly human.

All for you. With you. By you. Of you.

OIKAWA (he matches my freak fr), HINATA, TANAKA, GOSHIKI, BOKUTO, IWAIZUMI, KITAA

YUUJI (fuck I love him), INO, and maybe m!nobara cuz I also relate to her in a spiritual way

JEAN!!!, EREN

[emo-nova]

Update time for some good ol' Teen Wolf, ig? i'm on episode 7 of season 2, and now I am definitely seeing some clips that i saw that was making me interested in the show as well as aspects within the fandom spaces.

Never understood the whole idea of Pack mom Stiles thing until I saw Stiles basically be the first to clock that 1, she is in seizure, 2, she may have an issue with the kanima venom (more than others) and 3, to be able to help her he needs to go to Derek cause Scott defo doesn't know. I didn't see it in the beginning, but I can see what people are seeing in it.

Another aspect, Stiles predicting Matt as the villain was such a rewarding scene. Mainly because I have been spoiled, I don't mind them, sometimes I actively look for them to see how the writers handle certain characters plus a summary isn't always true to what actually happened depending on interpretations.

You know what wasn't? Stiles' dad not being told. Or Melissa. Can these two be in on it now? Please? I'm mildly done with the charades on both ends mainly because the friction between two parties is simply miscommunication, plus it would be interesting to have Stiles' be open to this now so that we can see more of a struggle for the Stilinski family when the Sheriff *carries on* heading into danger when he knows. Same with Melissa, I think it would help create more stakes, but it will needed to be handled with care, that she can notice when a patient might have been involved with the supernatural which she can tell the sheriff. It'll make a good feedback loop for the adults, me thinks.

Onto Scott and Alison, I am noticing the writers are now ramping up a more heaviness to their relationship. This is no longer about puppy love but genuine wanting to carry on together, on both ends. And the touch with Jackson being used as the mouthpiece of the writers to foreshadow something more sinister lurking within Alison's future and her decisions. I honestly can not wait for Alison's either degression or progression as a character, as an aspiring writer who likes to study stories of any kind, I would have her digress to create a more nuance version of her character especially with her and Scott creating friction between each other. The friction I'm talking about is Alison's fear of being truly hopeless, unable to actually help herself out of a situation, this could be due to her being raised to be independent and to be a leader within the Argents. Scott on the other hand has a total Hero Complex, wanting to save as many people as possible, yada yada (mild affection now, he's grown on me), wants to be there for Alison *always* which contradicts Alison's want of independence.

Derek, so far, has been following a characterisation I would do for him (after that abysmal training set) cautious and careful with his betas, almost paranoid about their safety with mild disregard for his own in time of the full moon. I would like to see more Boyd though, you have an entire episode on him, and he doesn't get to appear in that scene??? BS, I want Boyd, Erica and Isaac have a moment of annoyance at Derek for being so careful with them. Would I have Derek explain to them why he's so cautious? Not fully, no, I would have Derek explain simply "I am your leader, I look after you and train you. And I need to look after you by ensuring you don't get caught between the Kamina and the Hunters."

Let Derek be a vague, paranoidly responsible Alpha that noticed that his first method didn't help for shit and changing the curriculum for these three because Scott's training was a *mess* and not some fucking dictator alpha guy. But knowing the writing team they most likely will mishandle Derek's character like a child given a machete in the garden which is disappointing.

That's all I got so far, but enjoy my ranting about what happened so far.

Also thank you to the kind soul that told me the timeline of season 1 and 2, I didn't realise that it was such short periods of time! Thank you again :)

[hannahssimblr]

“That bit is upside down,” Jen chews her lip, holding two halves of a tent pole. “Or is it? I don’t know. Maybe you were right.”

“I have no clue, to be honest.” I hold my hands up in surrender and back away from the crumpled heap that is our shared tent for the weekend, the sight of which fills me with increasing dread. “You know what I’m like. I can’t do stuff like this.”

“Like read?” She scrutinises the crumpled instruction sheet for the tenth time. “This shouldn’t be so hard for us. Do you think we should have been assessed in school?”

“For a learning difficulty? What? No. There weren’t classes for this kind of complicated stuff. It’s not our fault.”

“It’s piss easy,” Shane comments. He assembled both his tent and Claire’s and Evie’s in the time it took Jen and me to wrestle our tent parts from the bag. “You put the poles together, thread them through the tarp, and stick the pins in the ground. What’s the matter with ye?”

“Dunno. We’re just fucking stupid, I suppose.”

“Push over, I’ll do it.” 

Jen lets the poles roll off her palm onto the ground and we let him, watching uselessly as he slots the poles together with some sort of insane, military efficiency and has the whole thing standing neatly, our perfect, nylon dome, in about two minutes flat. 

“Thanks,” I say. 

Jen echoes. “Yeah, jeez, cheers for that.”

“Do you ever think the real world is, like, going to come and bite ye in the arses?” Shane wonders, wiping the sweat from his face with the hem of his t-shirt. “When you go off and start living on your own, I mean. Do you ever worry you won’t be able to hack it?”

I look at Jen, and she at me. I shrug. “I’m moving to a city, like, do you think there’ll be wilderness excursions there, or something?”

“You might eventually need to read instructions, is all.”

I grin. “Someone else can do it for me.”

“Right, yeah.” his brow furrows. “I’m just saying, like, you might get a bit of a shock when you’re out there on your own.”

“I’ve been alone though,” I argue. “It’s not like my parents do everything for me. I’m not one of those kids who was-”

“Yeah, not with all things, just some things. Like, what if you ever needed to earn your own money, to get a job in a restaurant or something? Do you not think you’d need a bit of know-how, a bit of practical experience?”

I scoff. “Why would I need to do that?”

“Because sometimes people have to work.” I hate the way he’s saying it, and feel my body stiffen like hackles are rising along my spine. Of course, Shane is going on about this. Proper job this, practical experience that. 

This is the tone that accompanies every tactful reminder that he comes from a hardworking family and I, apparently, do not. Like my parents’ academic backgrounds lessen their credibility. Like it makes them snobbier, lazier, more willing to sneer at ordinary folk. What's true for them does not automatically extend to me. To think so is an insult. 

Shane’s dad is the head chef in some hotel in Tullamore, his mother a florist who works seven days a week, and they have drilled into him and Kelly their extraordinary, frankly ridiculous work ethic. They think it’s normal, aspirational even, to get up at five in the morning for some mundane job. But I know something with more truth to it: that there’s merit in taking it easy, with relaxing, sleeping in, and spending time with the things you enjoy. And, by the way, what does all of this have to do with a tent? 

I plaster on my best laid back smile and drop a hand onto his shoulder. 

“This is a boring conversation.” I insist, in the hopes that I will embarrass him out of putting me through this conversation. “Let’s grab a few drinks, yeah? Talking about future stuff should be off-limits for the weekend.”

He shrugs. “I suppose, yeah. I’ll drop it.”

“Thanks, mate.”

I amble over to where the girls hang out on the grass and join them, getting Claire to pass me of the drinks we smuggled through among an inaccessible pile of socks and underwear at the bottom of her bag. I crack it open and swish the beer around my mouth. It’s warm, horrible, but it’s wonderful in another way. It’s the most authentic experience possible. Here I am, in a field, drinking warm beer with the sun on my face. Carefree, with the rhythmic beat from the main stage pulsing through the earth beneath me. I could get used to things being simple.

Beginning // Prev // Next

[fromthemouthofkings]

A thing about LOTR that I actually find quite charming and endearing is that a lot of our protagonists are so good, wise, thoughtful, articulate, poetic, kind and emotionally astute, they are constantly asking those wiser than them for council, discussing what weighs upon their hearts, supporting each other, reciting songs, making Very Serious Plans and listening to each other–they are so Good and emotionally literate that it almost, at an uncharitable reading, starts to feel a little bit like Ye Olde therapyspeak.

Except it never hits, for me at least, that threshold of "he would not fucking say that" such that it breaks my suspension of disbelief, which is what makes therapyspeak so annoying to me personally in writing. Partly I think it's that there are plenty of other characters who inhabit this world that clearly don't talk and behave this way, so our protagonists stand out, but it feels intentional–but also I think it's just because it feels true to the characters that they would fucking say that. They would make these choices. And it's just very interesting and comforting to read a story that is actually full of very kind, decent people. Our protagonists are not always perfect, not always in agreement with each other–but they are allowed by the narrative to struggle really really hard against impossible odds while remaining good, kind, honorable people, and they aren't forced to sacrifice that for the sake of doing the right thing. Tolkien is, in general, very very leery of the idea that you can put in bad means and get out a good end result–he emphatically does not believe in using the devil's own power against him. To a one, everyone who tries to do that fails because their choices end up biting them in their own ass.

And Tolkien is realistic about the fact that those who choose to hold true might be dooming themselves to death or failure by doing so. He's honest about the fact that it's fucking hard. I don't think anyone could read Frodo's journey in particular and come away with the idea that choosing to do the kind, decent thing is easy, or glamorous, or destined to automatically succeed. But these characters are allowed to keep faith anyway, to hold out hope, to do the kind, decent thing trusting that, even if they don't succeed, it matters that they tried.

And yeah, it's oversimplified. In the hands of a lesser writer, I think this world could end up feeling very flat. Like oh, we have our heroes who are good people, and the bad guys who are ontologically evil and a lot of boring sometimes-misguided ordinary folk in the middle. And there are major criticisms to be made for sure–like how the orcs are handled, for instance.

But still, it's comforting, it's aspirational. It's escapist in a hopeful kind of way, a gentle kind of way–self-aware, I mean, that this goodness isn't destined to win, but–wouldn't it be nice? What if we tried–what if we hoped–what if we charged out and did our best, to whatever end? What if that was enough?

I don't know that I believe it, exactly, but something something about how humans need the little lies to help them believe the big ones. Show me one atom of justice, one molecule of mercy. Maybe it's a lie–but it's a good one.

[bullet-prooflove]

Valentine's Day Bingo: Commitment - Alexander 'Tig' Trager x Reader

Tagging: @mortal--soul @thatonesexycancerian @chaoticqueenie98 @buddinglinguist @fleureeee @spookyboogyuniverse @thanossexual @anime-weeb-4-life @redpoodlern @nu1freakshow @lexondeck @adaydreamaway08 @goblinenby @fanfic-n-tabulous @just-a-girl-who-wrytes @ankhmutes @keyweegirlie @lora21 @trublu2u @thebaileybugle @joyfulfxckery @jp1019 @im-just-a-mississippi-girl @multiflixshelves @luvvstvrkeyy @goosterroose @parkersbunny76 @hatersaremymotivators @@fictional-fantasy @courtney-elizabeth93 @fanfic-n-tabulous

Crazy, Fucked Up Kind of Love - Tig discovers your secret.

Not Leaving: - Tig tells you he's not leaving.

Show You - Tig shows you how beautiful you really are.

Welcome Home (NSFW) - You welcome Tig home in a very special way.

Bonnie - Tig brings home a new addition to the family.

Special Delivery - Tig and you get a special surpise on Christmas Eve.

Hitting the Expensive Jewellery Bingo Square

You’re playing with the baby when Tig gets in that night. Both you and Matty are lying on his playmat, his tiny fist clasped around your finger as he kicks his legs and burbles to you. Tig can’t help but smile at the sight, he never expected to fall in love, have a family but here you are with his son, in the home the two of you share.

When he puts Matty down in his crib that night, he spends a long time standing over his son, watching the raise and fall of his chest.  Sometimes he can’t believe that this is real, that he can be this lucky. He knows he doesn’t deserve it, he’s done some terrible shit in his life but when he looks at you and Matty, he counts his blessings because he’s never been as happy as he is with the two of you.

You’re folding laundry in the bedroom when he finds you. You smile as he wraps his arms around your body, drawing you back against his chest. He buries his face into the curve of your neck, his lips trailing lightly over your skin.

“You know I’d be a shitty husband right?” He murmurs into your ear as you reach up behind you, your fingers threading through his unruly dark curls.

“I’d be a shitty wife.” You remind him.

It’s a familiar conversation. The women in his life before, they wanted to settle, get married. Crow eaters aspire to become old ladies and getting pregnant is the ideal way to trap a man. It doesn’t matter with who.

You’ve always been an anomaly in his life, unpredictable and unrelenting. You don’t want a ring on your finger, you don’t agree with what it symbolises, you belong to yourself and yourself only.

 For Tig the idea of marriage feels like a stranglehold, he’s been there done that and he hated every single second of it. The love he has for you it goes far beyond anything he’s ever felt for anyone else but a wedding ring isn’t where it leads.

He withdraws the necklace from the pocket of his jeans, his fingers fiddling with the clasp before he drapes it around your neck. Your fingertips skate over the three little circlets entwined together, gold for him, silver for Matty and rose gold for you. He’d had it made especially by a jeweller up in Stockton because whilst neither of you wants a ring, he wants to show his commitment to you, his dedication.

“I love you Suzy.” He whispers as you settle back into his arms, his cheek coming to rest upon the top of your head. “I hope you know just how much.”

Love Tig? Don’t miss any of his stories by joining the taglist here.

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Like My Work? - Why Not Buy Me A Coffee

[rachelsshowerthoughts]

https://www.tumblr.com/princess-of-the-corner/756384559964258304/ml-roleswap-when-the-divorce-first-happens-mari?source=share

Wait, sorry which roleswap AU is this? I am intrigued.

oh, ok, so like.

Someone on @princess-of-the-corner suggested a "Roleswap" for Marinette and Adrien, but not like. Role in the show, more what I started calling a "RichSwap" - instead of the Agreste's being the Uber rich, it’s the Dupain-Chengs. And I sort of had a brief burst of "wait ideas!" cause why are the Dupain-Chengs rich? Why didn’t Gabriel hit it big in fashion? And what I vaguely came up with is-

Sabine has that world famous chef brother, right? Well, here, he hits it big as a TV chef or something, and he works close with Tom and Sabine as he's getting these chains of restaurants up and running. As a result, Tom and Sabine ALSO hit it big, and in "current canon" have chains of bakeries in Paris and the greater France area as a whole, as well as partnering with bistros, coffee shops and the like. So the Dupain-Chengs are the rich and well-known ones, with Marinette as the heiress to "DC Delights" (company name). However, this doesn’t actually change much about the Dupain-Chengs themselves. Tom and Sabine are still warm, compassionate, kind people who love their daughter, and are very supportive of her desire to be a fashion designer. Meanwhile, Marinette is mostly the same, but growing up in privilege has made her a bit . . . naive? Like, she's AWARE she grew up super rich, and that not everyone has the money she does, but sometimes that sort of privilege effects her views, or those of others in unexpected ways (there has definitely been a moment where Marinette said something like "Why don’t you just buy a new one?", or similar, not MEANING to sound condescending or privileged, just kind of . . . oblivious on occasion).

Also, because the Dupain-Chengs are the ones with wealth, they're the ones who are friends with the Bourgeois family, with Marinette and Chloé growing up as childhood friends. All that said, I honestly couldn’t see Tom and Sabine being cool with how Audrey and Andre treat Chloé - plus, I've read too much fic recently of Awful!André, and I'm kind of sick of it - so I decided this was "Decent!Dad" André (the one we kind of had before TA decided Chloé was the devil incarnate) who has actually divorced Audrey, and has taken primary custody of Chloé. Tom and Sabine were André's supports through the divorce process, and André himself is aware he isn’t the best dad. Instead of how we put him in the AwareAU, he's closer to how we wrote Roger, before he gets his kick in the ass. A bit toxic, kind of self-involved, but genuinely loves his kid. So, here, André has gone to therapy, and done his best to ACTUALLY be a good dad to Chloé. He doesn’t always get it right, and he fucks up on occasion, but he at least ACKNOWLEDGES these fuck ups, and does his best to fix them. Also, he doesn’t try to buy his daughter's affection.

Meanwhile, Audrey took the divorce REALLY BADLY. Not because she actually gave a shit about Chloé or André, but because she saw the divorce and André taking Chloé as a personal attack. André getting Chloé was, to Audrey, as if he'd stolen a prize that was rightfully hers. So, Audrey is actually a bit more involved in Chloé's life, cause she keeps turning up to try and "win her" from André. That's how she's using her visitation rights. She keeps showing up to try and "win" Chloé's affection, and turn her against André. This isn’t exactly consistent (Audrey still has her Style Queen job and other things to do) but at least two or three times every six months or so, sometimes more, she shows up to harass André and try to "win" Chloé back.

Chloé herself is a bit . . . mixed. She and Marinette were, like, 6 when André and Audrey divorced, and I'm not sure how well the parents explained to the kids what was happening. It probably also didn’t help that Marinette, aspiring fashion designer, idolized Audrey a bit as a fashion icon. Now, closer to current canon, Marinette has started to realize Audrey kind of sucks, while Chloé is more torn. Like, she's aware Audrey is rather . . . rough, with most people, but here, while still driving Chloé to be Exceptional(tm), she's actually been more affectionate, and somewhat (for Audrey) loving, cause she wants to "win" Chloé from André. Chloé, of course, isn’t aware that's why Audrey is doing it, so believes her mom is just a bit blunt with others, and also believes she can win enough affection that her mom might stay in Paris.

(Sidenote, I desperately wanted Roger to also be better here, and somehow that dovetailed into him and André meeting in therapy, eventually dating and getting married, so Sabrina and Chloé are step-sisters. I don’t care if that makes sense, I'm kind of attached now.)

So, that's roughly the Dupain-Cheng's, with a side of the Bourgeois. Now, onto the Agreste's.

Gabriel and Emilie Agreste, rather than being big names in fashion and the entertainment industry, instead own a small but highly successful clothing boutique, Gabriel's, making and selling clothes. Emilie's done modelling, and acted in some commercials and smaller projects, but never anything big name, while Gabriel has designed for some very wealthy clients, but never broken out into big business. Why? Well, I thought about how, in canon, Audrey "discovers" Gabriel, right? Same here, but Audrey was Audrey, and Gabriel told her to "shove her 'patronage' up her ass", so Audrey has done her level best to kill his career, with middling success. He does have his own business, but has never risen higher, and thanks to Audrey, likely never will.

As for Adrien himself, he's still mostly homeschooled. He grows up in his parents clothing store, is taught to sew, and even helps out during rush times. His "model smile" is here his customer service face, and while he's modelled a few of his father's items for the boutique's website, it isn’t his job or the only thing he does. Here, because his parents aren’t made of money, his homeschooling isn't with private tutors, but done through local homeschooling groups and the like, so Adrien does actually have friends (like Luka, for example. It’s pretty accepted fanon that Luka was homeschooled because of his "Heartsong" ability making going to regular school difficult, so here, I imagine he and Adrien are friends). He goes out and explores, is probably still in the fencing club and so on. However, his parents are still over-protective, and Adrien often feels stifled, wanting to go out more on his own, so he DOES still want to go to regular school. By current canon, after a lot of pushing, his parents have reluctantly agreed. Mostly cause the Hawk Moth stuff is about to go down, and it'll be easier to hide that from Adrien if he's out of the house more.

Yes, Gabe is still Hawk Moth. But no, Emilie is not is a coma. Let me explain.

Here, rather than all the nonsense from canon, Gabriel found the Peacock and Butterfly Miraculous in an antique store, and bought them for inspiration. Maybe also the book, but less important right now. He and Emilie, upon learning what the Miraculous are, do start using them, PURELY to inspire designs, or complete work (maybe they did one or two rooftop runs, but shhhhh!). Cause, and here's the big thing, here, Adrien is NOT a Sentimonster. He's Emilie and Gabriel's biological kid. Whether they went through the absolute pain of IVF, or maybe Nathalie carried him for them - oh yeah, Nathalie's still here. She works as the Boutique's manager, handles calls, mans the cash, helps out around the store. Also, she, Emilie, and Gabe are in a relationship, Adrien's grown up calling her "Aunite Nat" or "Maman Dua" (Mom 2) - anyway, regardless, Adrien is actually their kid, so they had no reason to make a Senti-baby. However, the Peacock was still broken, and Emilie still used it, resulting in her becoming sick.

Now, she isn’t in a coma, or in any immediate, serious danger. Think a little closer to how Nathalie is in canon, after she uses the Peacock. Emilie is a bit like that, but she is, currently, ok. However, she is getting sick. It is totally possible that, without magical intervention, she could get sicker, and eventually fall into the canon coma. Gabe and Nathalie are getting a little desperate, so yes, Gabe is planning his Hawk Moth debut. And again, since they aren’t made of money here, he doesn’t exactly have a "secret lair" to hide in, so if the Agreste’s want to pull this off, unless they want to tell Adrien, they need him out of the house more.

I think the big thing here is, with a few NOTABLE exceptions, this AU has most of the more neglectful and/or parents as more decent, down to earth, more willing to notice their own faults. Like, André and Roger have both gone to therapy. They aren’t perfect, but they are SO MUCH BETTER than canon. Or the most extreme example, yes Gabriel is still going Hawk Moth. But, because Emilie isn’t in a coma, he hasn’t totally fallen off the deep end. He's a bit more reasonable, easier to negotiate with. Also, Because Emilie's illness isn’t as extreme, the Akuma thing is two-fold. Gabe is gunning for the Ladybug and Black Cat, but if he can’t get them, he hopes that by experimenting with the Akuma, he can create one that will heal Emilie.

The only other big change I can see here is that Kagami also isn’t a Sentimonster. Like, I think you can still have Felix be a Senti - Amelie is Emilie's sister, she might have lent her sister the Peacock for the Canon fertility problems. Heck, maybe that's how they find out it's broken, when Colt starts getting sick (I mean, he also seems to be nuts, and starts abusing his kid, but that’s a separate issue). But because Gabe isn’t a big name, he and Tomoe never interact, so Kagami wouldn’t be a Sentimonster. I think, in the line of making most of the parents more reasonable, actually empathetic beings, I'd have Kagami be illegitimate. Like, Tomoe is mostly upright, firm in her honour, her duty to her family. But she had a one-night stand at some point, which resulted in Kagami, and it’s a HUGE DEAL in the Tsurugi clan that Tomoe had a kid out of wedlock, to a random nobody. Like, other members of her family look down on her, and on Kagami, for it. (Not sure how much Japan cultural knowledge you have, or even how accurate this is, but as far as I can tell, legitimacy and fidelity are BIG THINGS in Japan, as is bloodline, so Tomoe having an out-of-wedlock kid, and not even being able to name the dad would be a BIG DEAL, and probably seen as bringing shame to the family). So, Tomoe is very strict, and drives Kagami hard, not to be malicious, but because she knows that her family will always see Kagami as "less", and so pushes her to overcome their prejudice. Whether Kagami is aware of the reason, unsure, but Tomoe would have to learn that she's probably taking it a bit too far.

Some small shit that didn’t seem to fit elsewhere:

So, I think this is Reverse!LoveSquare. Marinette is crushing on Cat Noir. Adrien is crushing on Marinette. Marinette was really taken with the smooth talking cat who built up her confidence, while Adrien quickly falls in love with the designer girl - he's grown up around designers, he knows talent when he sees it, plus she's so sweet, so kind . . .

I think, first day, there's a bit of drama, in that Chloé actually knows who Adrien is. Her mom probably told her about him, in a "if you ever meet this kid, oppose him, his whole family in Unexceptional (tm)" so there might be a bit of tension there. And cause everything else is mostly the same, Alya is also starting school that day, so she befriends Adrien instead of Marinette. Also Nino, cause like. Come on. The Nino-Adrien friendship is pretty universal here.

I think I made the Gorilla the Agreste's next door neighbour? Like, he doesn’t talk much, and clearly has some Trauma (tm) (I posit here, rather than bodyguard, he was in the army for a bit, which was Not Fun(tm)) he's polite. He helps out around the store once in a while, and has volunteered to drive Adrien places.

Don't have much else, so . . . tell me what you think, or if you have any ideas!

[crookedfandomquill]

Alright, folks, I rewatched the Bo’re Life arc this week, and I have thoughts and a newfound appreciation for it (what? Me? Liking the Bo’re arc?It’s more likely than you’d think). As my mom used to say at the start of road trips or our semi-annual family viewing of The Sound of Music: buckle up, chitlins. 

Okay, first off: this arc is a lot easier and more interesting to watch the second time around. I suspect that’s because I’m not chomping at the bit to just get back to Tantai Jin and Susu in the real world, since I already know what happens. This time, I can settle in and appreciate Bo’re Life without the urgency of “when is the actual story going to come back, fuck you writers”. It’s also very fun for me to draw parallels and find foreshadowing I didn’t notice before. And, having done so, I present the following thesis: the Bo’re Life arc strengthened the overall story both as a tragedy, and as a “happy” ending.

Addendum: I have a lot of thoughts about what constitutes a happy ending, and my thoughts on TTEOTM in this regard are complicated. Essentially, I would argue that the ending, while certainly sad, isn’t a “tragedy” in the narrative sense. While the individual happiness of the characters takes a real blow in the end, they do accomplish their ultimate goal. It’s a pyrrhic victory, but a victory nonetheless, and it’s implied that they will get a much happier ending as individuals sometime in the future. That doesn’t mean it was as satisfying as it could have been (it seems clear that TTJ will come back but I'm pissed we didn't get to see it), and I know a lot of viewers will totally disagree with my opinion. But I digress! Let’s get into Bo’re Life.

Bo’re Life threw a LOT of information at both protagonists, and the roles they played in it didn’t correspond neatly with their own destinies, which kind of baffled me the first time around. Ming Ye represented both what Tantai Jin could aspire to be, and the mistakes Susu needed to avoid in neutralizing him. Sang Jiu represented both Susu’s traumas and doomed loveline, and Tantai Jin’s fate if Susu failed as Ming Ye had.

The parallels between Bo’re life and real life perfectly underline the tragedy of the story: both protagonists are shown beforehand the choices they must not make, but because of who they are, they make them anyway.

Susu was an idealistic and traumatized woman with a mission, so she was always going to fail like Ming Ye did by putting the greater good ahead of love and communication. Tantai Jin was a disempowered and naive man falling in love for the first time, so he was always going to be just like Sang Jiu and give his fragile heart too fully, then shatter under the weight of betrayal. Bo’re Life both foretold the tragedy, and failed to prevent it. 

It could be argued that Tantai Jin and Susu played the wrong roles in Bo’re Life to avoid tragedy in the Jing arc, but they played the right roles to avoid it in the cultivator arc. In the mortal world, Susu needed Ming Ye’s experience of losing everything because he neglected his heart. And Tantai Jin needed Sang Jiu’s experience of subsuming herself in another person so recklessly that she lost her soul to it. Neither of them got that, and so they repeated the tragedy of 10,000 years ago: Susu by loving and then betraying Tantai Jin, and Tantai Jin by allowing his obsessive love to run unchecked.

But as cultivators, 500 years later, they both ended up relying on the virtues of the roles they played in Bo’re Life. Susu channeled Sang Jiu’s optimistic love and staunch loyalty to repair her relationship with Tantai Jin and become someone he could genuinely rely on. And Tantai Jin needed Ming Ye’s sacrificial love and dedication to the greater good to understand and execute his subversion of destiny.

This time around, they were both where they needed to be, playing the roles fate assigned them… but drastically changing the lines. Susu became a goddess, just like her mother, the only being who could defeat the Devil Lord. And Tantai Jin became the Devil Lord, just as he was born to do. But there was no battle between them, no great war like 10,000 years ago. Just like during their dance at the Jing water festival, Tantai Jin played his part, then surrendered.

And, just as she removed his mask 500 years ago, Susu saw through his act to who he really was, who he’d always been.

They redeemed the very mistakes they made at the end of their story in Jing: Susu, who couldn’t trust him and destroyed him as a result, finally gave him her trust, even as he wore the image of her greatest fears. And Tantai Jin, who was so desperate for her love that he killed her trying to keep her, finally let her go to save the world. 

The Jing arc ended with both of them as the worst versions of themselves: Susu vengeful and traumatized, Tantai Jin obsessive and broken. As she died, Susu threw Tantai Jin’s destiny in his face, calling him the greatest curse and rejecting him in this life and the next. In his last days in Jing, Tantai Jin devolved into despair and denial, unable to cope with the grief and betrayal. They didn't learn the correct lessons in Bo're life, not this time around.

By contrast, the cultivator arc ended with both of them as the best versions of themselves: Susu capable of trust and forgiveness and elevated to godhood, Tantai Jin whole and loved and able to overturn his evil destiny. They learned, not just from their own mistakes, but from those of Ming Ye and Sang Jiu. And it helped them win.

[artdcnaldson]

oh i know we're on the topic of best friends sisters and whatnot but can i offer an absolutely out of left field alternative? best friends brother with dodge

as in ur daynas friend from high school, u guys have always been pretty close, but dodge hasn't seen u since they moved away, but now they're back and ur in his living room and oh shit, uve grown up. i mean, he has too, obviously, he graduated high school, hes taller and stronger and over that awkward gangly teen phase he was in when you met him. but you. u wear shorts, around his place, those ripped denim ones with the fraying hems that show off the glimpse of a waistband of pretty pink panties. and tank tops, sheer, tight tanks to fight the scorching texas heat. and you laze around his house like youve always done, drinking his sweet tea and eating his food, chatting with his older sister about things he does it care about.

and you're cool, and older, and pretty, and interesting, and hes so surprised to hear about how youre single (from dayna, in passing), a string of bad exes behind you. cheaters and losers and broke idiots. dodge would never do that to u. dodge would treat you right. like a real man should. dodge would make you feel really fucking good. and hes determined to prove it to you.

-kit (going insane)

YEAHHHHHHH

Sigh whenever I think abt any dodge AUs I just want to lean heavy into small town aspirations that fail and send you right back to where you started. Maybe you leave the city for Dallas, or a suburb of it, auditioning to be a cheerleader for the Cowboys. You were the cheer captain back in Carp, but things are different in cities with a population over 5k.

So you come back, work at the salon in town painting nails. It’s the perfect job— all gossipy, surrounded by the sweet smell of lotions and shampoo.

Maybe you have a reputation around town for dressing kind of skanky, for being a little ditzy. Rumors of you stealing husbands and boyfriends (untrue!). But Dayna was your friend in high school, and she’s still your friend now. One of your last remaining ones in Carp. So you lounge around their house, spilling all the gossip you learned from work in his sister’s ear, giving her free manicures in the house since the salon on Main Street isn’t wheel chair accessible.

“I can do your nails, Dodge,” you offer with a pretty smile. “Just clean ‘em up a bit. Half the men in town come to get manicures from me.”

He makes a face, lips twitching into a grin. “I don’t need my nails to be hooker red, thank you.”

You shrug, apply another coat of pale pink on Dana’s nails. “Bring ‘em over here. I wanna see.”

He sighs and takes a few ambling steps towards you. When he’s close enough, you grab his hand and hold it up to the light. Your nose wrinkles, and you raise a dissatisfied brow.

“Hands say a lot about someone,” you say as you trace your fingers along the back of his hand, then the rough, work-worn palms and fingertips. “Wanna know what yours say?”

He makes a face, but concedes. He’s handsome, grown up a lot in the two years since you left for Dallas. Nineteen now, more sure of himself. More muscular? Jesus, the rodeo had been treating him right. “Sure. Why not?”

Your thumb strokes over the back of his hand. “They’re rough. These are a workers hands. They say you know how to take care of the people you love. That you’re real hands on.” You pause, grin. “But the dirt under your nails… that tells me that you aren’t taking care of any ladies.”

His cheeks turn pink as you and Dayna grin, and he forces a sarcastic laugh as he pulls his hands back. “Wow. Thanks.”

You meet his gaze and offer a pretty smile. “Really, let me clean your hands up sometime. I’ll bring you Whataburger, or Sonic, or Dairy Queen.”

He laughs despite himself, shrugs. “Maybe.”

Dayna slaps your arm once Dodge slips away to his bedroom. “Stop hitting on my little brother. Its weird.”

You grin, but say nothing.

It’s a week later that you’re back in his living room without Dayna in sight. You’re holding a bag of Whataburger, sprawled across the couch. “Can I do your nails?”

How can he say no?

————

@gamesetart this took forever but I need him <3 I love this concept it’s so fun

[gabetheunknown]

@after-the-end-times

Ah, there it is! I saw a post like this the other day and I could not, for the life of me find it back, so I'm glad I get to share my thoughts about this after all (not that anything would've stopped me) Prepare for the essay, I never keep things short!

The Rockrose and the Thistle, is in my opinion a love song of sorts, but a different kind of love song that Extraordinary Things is, focused on the first part of it. Both songs are very similar in more ways than just recurring notes. Both songs are written in Dminor. (wheras Extraordinary Things has Minor Melodic elements that raises the 6th note to create the G major chord he plays when he sings the lyrics ‘extraordinary things’ and sings an A on top which sounds really pretty and immediately caught my ear) 

The notes everyone is referring to are in the intro of Extraordinary Things, D C D E F E F G A B♭ A G A  (I put it on a scale because I can and I’m a nerd. I also love the harmonies)

And it doesn’t just come back in the Rockrose and the Thistle, there’s two other songs written in Dminor in the Horror and the Wild and that is The Horror and the Wild, where the repetition of these tones are beautifully audible in Madeleine’s ‘You are the son of every dressing up box’ and Farewell Wanderlust, where they immediately accentuate that B♭ (which is the 6th note of the Dminor scale) in instrumentals. In Farewell Wanderlust they also play with more chromatic elements as they add a flat second note and a flat seven. The use of chromatic elements (half note distances) isn’t new for Joey and Madeleine and in my opinion it just adds a lot to the musicality of it all, it’s clever, it immediately catches my ear, it’s subtle things like that that make me keep coming back to their music. Rather than a melodic minor scale, Joey could’ve just added that half note distance to add a major G chord to his scale, because the use of major chords in minor scales is just chef’s kiss in my musical opinion, especially in combination with the words he sings. The notes he uses are not uncharacteristic for Joey’s music.

NOW LISTEN, I LOVE this ask because it means I can break down every aspect of what I love about Joey’s singing and what different things I love about Jaskier’s singing. Because oh my god the TALENT, to still make people go ‘wait I just found out that Joey Batey sings both in the Amazing Devil and as Jaskier in the Witcher’ to this day astonishes me and I’m never surprised when someone stumbles upon that realization. The breathiness he uses on his voice in both the Rockrose and the Thistle (and more TAD songs) and Extraordinary Things blows my mind. But there’s a difference to the way he uses it in both songs, let me try to explain. He sings with an aspirated voice (Which means to sing with a breathy voice) in The Rockrose and the Thistle, but in Extraordinary Things, it feels like sometimes he is just breathless and it’s so beautiful and small and soft and intimate, considering the words he’s singing. We, as singers at the conservatory, were taught to make our breaths as inaudible as possible, to remove as much breath from our voices as possible, when singing on record. So needless to say it is a DELIGHT to hear Joey just put his whole heart and soul into every breath he takes, he’s considerate of every syllable, the volume of his voice, the clearness or lack thereof, the shakiness of his breaths fucking kill me dead… ALSO what astonishes me the most about the difference between his TAD songs and his Jaskier songs is the change in vibrato. Jaskier uses more vibrato in his voice than Joey does in the Amazing Devil and I go INSANE about that because my teachers have always said that vibrato is a hard thing to control and requires a lot of training and he’s just out there, mending it to his will as if it is no big deal, like :-) King? I’m jealous, hello? 

I’ve nothing else to say about this for now (lies) it’s already become a full on essay, so I hope this satisfies your needs for now lmao

[dabisbratz]

(everyone is 18+)

do you ever think about how heavy eijirou’s daddy kink becomes over the years..

Imagine being his little himbo apprentice, Well-built, But oh so soft-spoken, With the cutest little giggle that drives him up the fucking wall.

He loves flustering you, Grabbing you by the chin to make you look up at him..

He makes you feel so stupid :(

“Could you pick that pen up for daddy?”

“H-huh?”

“What? I just asked if you could pick up the pen? You’re so ditzy y/n..”

And you know you should report him to HR, But.. the attention feels so nice.. You feel so seen.. so safe..

He wants to destroy any of your aspirations of going pro, He wants you at his house, Working out and playing with yourself 24/7, Gettin’ ready for daddy.. <3

omgomg right!!! n kiri is really good at gaslighting dumbification, it’s so easy to chalk up what he’s sayin to just…..kiri bein kiri. his apprentice bein so sweet n kind!! always helpin eiji out, bein so eager to please! so at first when kiri tells him he’s too dumb to help out on patrol, that he should leave that stuff to the stronger heroes his boy is straight up whining, shakin his head n tryin to tell him he’s got this!! he can do it!! but kiri knows better, knows what’s best for his boy. even if he can’t see it yet.

n honestly.. he’s right! his apprentice, as strong as he is, is always trippin over himself. his words, his feet, his quirk. so clumsy. most of his bruises scattered on his body come from himself… not villains. n kiri has to patch him up all the time, sometimes resorts to just…pickin him up cause it’d be less bothersome. always mumblin ‘this is why daddy’s here, hm?’ to himself whenever you’re hurt. n he refers to himself as daddy so much you don’t really question it anymore… in your head it’s kinda jus clicked like it’s always been that way! you even find yourself whinin the title when you need his help. rlly he’s conditioned you!!