Married ╾ L
I made the mistake of Thinking.
There are some parts that don't seem very L-ish to me, perhaps because of the perspective I wrote from.
Angst.
★━━─・‥…━━━☆
It was only a little thing.
Lost between the aisle and vows, the rows of empty seats that weren't really rows or seats because does a tree really fall if nobody needs it for timber?, it was only a little thing.
L cut the cake and he gave the first slice to you. It tasted like frosting and unevenly cooked chocolate batter. It was delicious.
L took you home. You failed to consummate. Can you fail, if you don't try? It was only a little thing, of no matter. You were tired. You cuddled instead. Both start with C. Interchangeable. You had a husband. You only had to hold him close.
One year later – just under – and it was winter on the other side of the globe. Summer where you sat, winter where L crouched. It was cold in a big bed alone, but what's to be expected married to a workaholic and you only needed a little thing, that voice call every other week.
Very soon, he returned.
Everything was perfect. It WAS perfect, what a little thing, that capitalisation, but how it changes the meaning. L returned, and because he did, everything was naturally perfect. Meant to be perfect, because you were meant to be. L held you close for a minute. Your husband. You only had to hold him.
Yellow. That was the colour of the cushions you bought together. Yellow. L's favourite colour wasn't yellow. Considering the shade and pattern, it wasn't yours either. But they brightened up the place. Brightened up the mood.
Only at night did the colour sap out with the warmth, dark blue through the house. Dark blue between the two bodies on the bed. Space.
Until death do us part. It's only a little thing. A promise, we will part.
Four more months and four more days. Kisses on the cheek when cooking dinner. Trying to be closer. He scooped you up in his arms one day and took you dancing around the kitchen, held your hand.
Only for a night.
Random, wasn't it? How we met? you asked. Random, wasn't it? How we fell in love?
Everything that seems random, seems chaotic, has pattern and reason when viewed in a big enough frame, he answered, and went back to his ramen. No magic. Only a little thing, that bit of wonder in life. L, do you see the magic? is what you ask, hand left hovering above the paper towels. But L, do you understand me? Do you sympathise? is what you mean.
Verfremdungseffekt, he tells you with a grin, and just laughs when you don't understand.
Even the prosperous inevitably decay said your grandma, sic transit gloria mundi if you had asked L, all that's fair must fade said the writer. Same phrase different words. Same words different phrase?
Regardless, the autumn leaves always begin colourful, dancing in the dusty wedding photos on the mantle, but they fade by the end of the season. Outside the brown leaves crunch, die, are ready for white snow to hide away the misery. A little thing, a leaf. How little in the breeze. It falls off the tree to die. It's only a little thing.
Awake all night. Usually that was L's job but tonight it was yours. Look at his face. His body, curled up in defence. His face, the tightness in his expression even in sleep. Look. How closed off he was. You reached out and brushed his hair. He turned his head away.
No matter. You turned your head away and stared out the window. No magic. No yellow cushions to brighten it up. A cold chill, L's skin, the thin blankets and the air. Winter. Winter where you sat. L was as far away as the summertime. Spring was fair. Autumn was bitter. Winter was dead. Summer had hope. Perhaps you ought have been married in summer. But it was still autumn, the last day, so very close.
Dull. But you had a husband, and you held him close for a night. He gave you the cake. A little thing. Danced with you. But there was dark blue space. A little thing again. Verfremdungseffekt. L, you say and he doesn't stir, L, do you hear me?
Air void of an answer. It was cold. L's skin was cold. There were warm clothes in the cupboard. There were warm cafés in the nighttime. What music was out there tonight?
December. Winter.
A little thing.
You left.
★━━─・‥…━━━☆
𝖎𝖋 𝖞𝖔𝖚 𝖑𝖎𝖐𝖊𝖉 𝖎𝖙 ˏˋ⋆˖⁺˖⁀➷ 𝖕𝖑𝖊𝖆𝖘𝖊 𝖗𝖊𝖇𝖑𝖔𝖌 + 𝖋𝖔𝖑𝖑𝖔𝖜
tags → @maevearcher @rinneroraito
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I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then
SIGHS...
Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.
I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:
There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.
Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.
I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.
No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."
Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).
So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?
This is an extremely significant turning point dressed up as a dress-up scene.
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P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.
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