#his favourite people

[lazylittledragon]

kit's drawings of his fam are impeccable lmao

he’s v talented

[cemeterything]

btw i think it's so awesome and fun when older people dye their white hair purple or pink or blue or whatever colour they fancy and 'overdress' in bright eye catching ostentatious outfits and have quirky interests and styles. you don't have to be young to have fun and be confident! you can still enjoy life when you're old! who cares what anyone else thinks, you've lived longer than they have and know better than to waste it being miserable just to fit in.

[fluffyartbl0g]

Holy crap this is like world record breaking pace guys

Speedrun/Time Travel AU masterlist

[tezzbot]

I really like the headcanon that a very select amount of people are allowed to actually call Tails 'Miles' and Shadow is on that list, it's very cute to me ^_^

[deserthusbands]

cody, handing out stickers to his men: aright, troopers, excellent work today. you all get a gold star sticker for your exceptional performance.

obi-wan, watching with a fond smile: cody, that's positively adorable.

cody turns to see obi-wan approaching, and he chuckles.

cody: i figured a little morale boost couldn't hurt.

obi-wan takes a sticker from cody's sheet and gently places it on cody's chestplate, smoothing it over with his thumb.

obi-wan: and you, my dear commander, deserve the biggest gold star of all.

cody's cheeks flush slightly as he looks down at the sticker, then back up at obi-wan with a small, crooked smile.

[deathlessathanasia]

Tip: If you claim that you like a particular figure from Greek mythology, but you feel the need to change almost everything about them, rewrite their personality, ignore those aspects of them that you find uncomfortable, , and in short turn them into your original character, consider that you probably don't actually like that figure from Greek mythology.

[saturnsorbits]

Sero Hanta, early-twenties, sat in a small room with his pants around his ankles and a small pot in his hand. There’s porn magazines all over the place, something he’s never quite cared for, but he still manages to deposit his sample with the nurse within a break-neck 10 minutes. Blame his youthful exuberance and the fact he hasn’t touched himself for almost two weeks leading up to his appointment, he guesses.

And you, fifteen years later, with your son. A lanky boy who’s too tall for his age, with a mop of black hair and eyes of such a richly, dark brown they’re often mistaken for black.

[meidui]

Steve Rogers in Avengers: Endgame (2019)

[sodamnbored]

Catching Up

Thalia: So what happened after Juno took you? Where did you go? Were you safe, happy?

Jason, uncomfortably brushing her off: Well, it’s a long story and kind of a bummer haha. You don’t wanna hear that right now.

Thalia, softly: Jason, I’ve waited thirteen years to hear your sad stories.

[echoesofcamelot]

Never over how happy and carefree Arthur looks when he is with Gwen and Merlin.

Look at him he is glowing! You can tell he doesn't need anything else. He has his whole world with him.

.

.

.

BONUS: Merlin and Gwen reading him like an open book

[kaltacore]

the way cole makes varric conflicted is so delicious i think. most of the characters are uncomfortable around him because they're genuinely terrified of demons and the fade and magic in general but varric is a completely different case. the thing is, he doesn't see cole as a demon at all because he doesn't want to.

he acts like he doesn't care about this stuff. that's a little weird kiddo around here and he wants to befriend him. teach him something even. why not. that's a little guy who's a little too good with knives and can't pick up a single social clue at the same time.

but there it is. the "he could have been a person" line if cole is made more spirit. varric is so upset about it because it's not like he saw cole as, well, a spirit who got a little too human. for varric, he was a human first, a weird kid second. the spirit part didn't even come into consideration because. well. it would make him question things. you know where it goes.

every time he starts bitching about anders he brings up justice. justice drove him mad. justice took over him. justice this, justice that. justice is a scapegoat because the thought that someone varric was friends with was actually willing to blow up the chantry and it wasn't just some evil demon's wish is a very unsettling one. varric's friends may be crazy but they're cool and make no irreversible life decisions of that extent, don't they? blondie turned out this way because he let a demon possess him and make him do terrible things. completely out of the blue.

it's either varric's ex-friend has never been driven crazy by some inherently evil entity and there was a whole other person around him all along and that anger he used to mock was coming from the same place as compassion's urge to become a killer or that little weird but kind kid he started to care about has never been and will never be a real kid. he can't have both. a bitter pill to swallow for someone who has never picked a side in his life

[antimony-medusa]

The thing with RPF

Okay, I don't tend to engage much with RPF. I have read it, but only when recommended by someone whose taste I trust (I think it's all supernatural aus that I've read, to-date), and my intention is not to write it. Not really my scene.

However, I really think this fandom could stand to stop treating RPF like it is the devil.

If you engage only with someone in the form of like an hour a week of video of them performing for an audience, particularly if that video is edited, like, when you start mentally rotating characters to create with, your brain isn't gonna draw a huge difference between the guy from the scripted thing you watched, and the person from, idk, mythbusters. Love to see my guy make a big explosion.

In both situations, you don't know them as people, you know them as like, personas, characters. You are essentially engaging with them as fictional characters, cause you only see the small segment of their lives that they put into the video, and whatever story they're telling with that. You don't know them as people, because how could you? So your brain going "hehe what if hunger games au" is just one of the ways brains work.

And idk, as long as you know you're doing that, I think that's fine.

It's fiction. You're writing/reading fiction. It's in the name. You know that it's not true, you're dealing with fictionalized versions of like, stage personas, or teaching methodologies, or historical records, and you can make your little fictions, and you show it to the eight people who are also really into *spins wheel* Ancient Egyptian RPF or *spins other wheel* Taskmaster UK TV RPF or *continues to spin the wheel* Polygon (web series) RPF. You all shake each other's hands and go "man I really like [person/character] and I think about them a lot" and someone else goes "I also think about [person/character] a lot and I think that if he was a warrior cat he would be a kittypet" and someone else goes "I think if [peson/character] would boil an egg the egg would explode cause he's really bad at boiling eggs" and you go "go on". You are all silly together, and you are all doing fiction, and you go on your merry way.

Like that is A Thing People Do On The Internet, and that stays in its its designated space, and that's fine. Might not be your jam but it's fine. That is not more weird than inventing an elaborate imaginary religion for a minecraft world, or working out the emotional nuance of an arranged marrige au between fictional detectives, or carefully making an elaborate interlocking series of stories where someone from a children's cartoon is horribly tortured, rescued, recovers, and gets their vengance. All of that looks weird from the outside, and is a fine and honourable thing to do in your little circles on the internet.

The part where this becomes a problem is when you take your fiction (lies we tell recreationally) out of the designated circle of people enjoying the fictions, and you shove it in the face of the person it's based on, and go "do you like this" or "is this okay" or "I found this and I think it's bad is it bad".

When you are doing the fiction you are engaging with the person as a character which is like, fine, and a truthful reflection of how much you actually know them (not at all, you don't know them), but in shoving it in their face you are going "I don't know you but I want you to react to this for my entertainment/justification, because I think this reflects on you, and apparently I think I deserve your time and attention, and also I think I already know how you're gonna react and I'm gonna use it for my callout posts", which is like, so much ruder than just making fictions about people you don't actually know.

Like writing a superhero au about the person you watch video game speedrun— based. Love the imagination. That is making something from nothing, a great creative act. I could not do that at all but I salute you.

Telling the speedrunner about it? No were you raised in a barn. You are not writing it for the person to approve of— they don"t know you— you are writing it for fun and the enjoyment of other speedrunner enjoyers. Keep it locked down.

As long as we're all aware that RPF is fiction, and we keep it in circles where we're circulating it as fiction— ao3 archive locks exist for a reason! this is not something you want to show up on a google search!— this is just a thing people do for entertainment. Don't bring it up to the person it's about, and you're fine.

And I've been thinking about this because like, I don't think what I'm writing is RPF, but BOY from the outside people seem to think it is! Including the creators! Which means that even while I'm doing my best to adhere to character beats from the story and not just streamer personas, and differentiate between the dude in england and the dude in 3rd life, also I should be aware that if the creator hits it, he's probably gonna think that I'm just writing this about him.

Things go SO MUCH BETTER if the creator only finds it if he goes "huh I wonder what people are writing about me" and deliberately goes to look for it, not if he's just going along thinking about disney movies and someone comes screaming into his field of view like "people are writing about you on the internet". And then he's gotta deal with the ways he's percieved, and whatever weird warrior cat situation people were putting him in, and the fact that people don't know him but think he can't boil an egg, and the 3rd life cannibalism aus, and and and— it's a mess. Please don't do that.

All of this to say A) RPF is fine actually that's just like one of the ways storytelling works— we're not writing RPF but it isn't the devil either. B) STOP TELLING PEOPLE ABOUT FANFICTION.

[k-kaez]

joel genuinely gets so excited when he builds and it makes me so excited GOD HES SUCH A GOOD BUILDER

[fuckmewithyourtoespj]

jamie tartt in ted lasso 3x03, “4-5-1″

[severaltuesdays]

Mori and Abuse

I’m making this because the BSD fandom has 2 modes for interpreting Mori and it’s either evil evil child abuser or spineless bastard and I HATE both of them.

Mori is an abuser, yes, but the way he abuses characters is very atypical, and not at all what most people expect. His abuse is almost all psychological, the only character we can say for sure has been physically abused by him is Yosano, and we’re only shown one instance of that.

For simplicity, I’ll be referring to his abuse of Dazai, Chuuya, Koyo and Yosano, but I believe it could be said that Kyuusaku and potentially the Akutagawa’s have suffered because of him.

To understand why Mori has abused certain characters, we must understand a bit about him as a person. This is potentially why Mori’s actions are so wildly skewed by the fandom, because no one wants to observe him too closely (but that’s a whole other post). Simply put, Mori is a military man. He does anything and everything to achieve the “optimal solution”, he has a plan and if he has to get his hands dirty to reach his goal, he will. Emotions and attachments go out the window for him, most of the time at least, because he would sacrifice anything, and anyone, to achieve his goal. Most of the time at least. That’s why he used Yosano, because what’s the life of one girl to the safety of his nation? That’s why he manufactured Oda’s and his orphans deaths, because the prize outweighed the cost.

Mori is logical and reserved, so we must observe all his actions with the lens that he has a reason for what he does, because he (almost) always has a reason.

I’ll start by referring to Mori’s abuse of Dazai, because he’s a bit of a special case and also the one that the fandom overall gets the most wrong. Mori’s abuse of Dazai is usually twisted to be sexual or physical, when there is absolutely no evidence of that. People like to bring up Dazai’s abuse of Akutagawa, or that one throwaway line from The Day I Picked Up Dazai as evidence, but neither of those hold up in my opinion.

Firstly, just because Dazai’s abuse of Akutagawa was partly physical, doesn’t mean he himself underwent physical abuse. Just like Mori, Dazai always has reasons for what he does, and his reason for what he did to Akutagawa was tailored to Akutagawa and his ability, therefore not something that Mori would have done to Dazai. Not to excuse Dazai’s abuse of Akutagawa, of course, but the fact of the matter is that Dazai’s abuse was a test of Akutagawa, and a punishment because Akutagawa didn’t adhere to Dazai’s standards. This abuse is the result of Mori’s own abuse, yes, but it’s not as straightforward as “Mori hit Dazai, ergo Dazai hit Akutagawa”.

The line from TDIPUD is also poor evidence, as all it is is Oda telling Dazai that what he’s doing won’t hurt and Dazai responding that Mori says the same about the needles he gives him. The fact that this is taken as abuse is really weird to me, why is that the assumption here? Mori is a doctor, there are multiple reasons for him to be giving Dazai needles. And the fact that Mori says it’s not going to hurt just sounds like the typical “doctor giving a kid a shot” exchange.

Dazai hates pain, so obviously Mori would lie and say that it isn’t going to hurt. Mori cares for Dazai’s well-being, which is what makes Dazai a bit of an outlier, as Mori shows care for him before he’s found a reason to justify that care. This is evidenced by their exchange in the beginning of Dazai, Chuuya: Fifteen, which is very important as it gives us an insight into Mori’s perspective during that time, where he panics because he hasn’t achieved the “optimal solution” by keeping Dazai alive, but then justifies that action by deciding Dazai is too good an asset to throw away.

And here-in lies the actual abuse that Dazai went through, not being hit or shamed or any of that, but emotional coercion, a slow cultivation of the parts of Dazai that Mori saw as useful, and a creation of the mindset we see Dazai use. This is most prominent with how Mori plants ideas into Dazai’s head. This is referenced in Chapter one of Fifteen as well, establishing that Mori has taken somewhat of an instructor role to Dazai, but that’s something Dazai rebels against.

This exchange is a perfect example of that conditioning, instead of giving Dazai information directly, Mori gets Dazai to deduce his answers using information he already has, something we see Dazai does very often in the current plot. But the main example of this conditioning comes in the form of Dazai’s plan to use the Sheep against Chuuya, a plan that comes DIRECTLY from Mori.

Mori makes sure that Dazai is in the room as he baits Chuuya, uses the weakness of the Sheep against him, and then breaks down EXACTLY what has happened for Dazai. “Just some food for thought” my ass.

Then when discussing his plan with Rimbaud, Dazai brings up a theory taught to him by Mori. 15!Dazai is such a little parrot, it’s all “Mori says, Mori says, Mori says”, just word-vomiting all the thoughts Mori puts in his head, there is a CLEAR influence here.

Just like Mori, Dazai uses the Sheep against Chuuya. Mori shows Dazai how to control people, how to make them listen and how to make them obey. The reason Dazai treats people like pawns, the reason he KNOWS how to manipulate people is because Mori taught him.

Just like so many of the characters, the fandom forgets that when Mori met Dazai, he was a child. He was a broken child who needed a guiding hand and the hand he got was Mori’s. Morí crafted the Dazai that we see, shaped the way that he thinks, THAT was his abuse.

Chuuya as well is a special case. Like Mori, he is a leader, and that is a quality Mori admires in him. In turn, Chuuya looks up to Mori, sees him as an inspiration for what it means to be a leader. This is another example of Mori’s manipulative abuse. To Chuuya, Mori makes himself out to be a saviour, someone who will teach him how to be better, how to protect the people he thinks he has failed. Mori takes Chuuya at his weakest point and gives him a new chance.

And with that, Chuuya is loyal to the mafia and Mori has Soukoku. Never mind that Mori was the brains behind Dazai’s plan that got Chuuya into the mafia in the first place, by getting Dazai to do his dirty work, Mori gets to appear to Chuuya with a halo and wings (I could also talk about Mori’s involvement with Stormbringer and how that locked Chuuya into the mafia, but that’s another tangent).

Mori has done the same with Koyo. She’s loyal to him, but clearly does not LIKE him, so where does that loyalty come from? It is because he has freed her. Koyo suffered under the rule of the Old Boss, she had no freedom, the man who cared for her was executed, she was restrained within the mafia. And then Mori takes over and she ends up an executive. Suddenly she’s got POWER, she can change things, under Mori she’s given the ability to change things and take charge. He sees a girl in chains and loosens them, not enough for her to escape, but enough that she can move. And having been chained up for so long, that feels like freedom. Koyo is loyal to Mori because he’s better than the alternative, because if she can’t be free, at least she can move.

I left Yosano for last, because again, she’s a wild card. Unlike all the other people Mori has coerced, Yosano’s abuse took place during a time where every second was precious. There was no time to do it delicately, the way Mori handled everything else, it was war, win or lose. Mori’s tactics were a lot more brutal, Yosano wants the soldiers to live, so Mori shoots the one she cares about so either she WATCHES her friend die, or she can save him. Unlike with Dazai, with Chuuya, with Koyo, Mori isn’t Yosano’s saviour, he’s her captor, he gives her a choice, but its one where neither option is made to look kind. He makes it clear, she heals them, or they die, whether it’s at his hands, or the hands of the enemy, and he knows she would never let them die.

Mori works through coercion and manipulation, he shapes the way people think of him carefully, moulding his appearance in the eyes of others. To Dazai he’s just an old man that Dazai has under his thumb, who tries and fails to manipulate him. But that’s not the truth. To Chuuya he’s a benevolent leader, someone so gracious as to grant him a place in the mafia. But that’s not the truth. To Koyo he’s the safest option, not someone she wants to follow, but someone she will follow, because at least she’s free. But that’s not the truth. To Yosano he’s evil, cruel and harsh and he takes lives as easily as he breathes with no remorse, he’s the God to her Angel of Death. But thats not the truth. To the audience, he’s a monster, a filthy pervert who is nothing more than a pedophile. Is that the truth?

Mori is like a spider, ensnaring people in his web with carefully constructed lies and appearances, his abuse is not physical or sexual, it’s a psychological coercion, careful at times and brutal at others, his abuse is a targeted attack of an individual’s weaknesses, and a cultivation of the parts he sees as useful.

Every person is his tool, and he likes his blades sharp.

@1seaweedbrain1 for you <3

[james-sunshine-potter]

Regulus wouldn’t have a photo for any of his contacts in his phone expect for James.

And that’s only because he set up his new phone with James and when it got to transferring his new number into the phone, James took a photo of himself when putting it in.

Regulus hasn’t removed it. People ask why and he says he doesn’t know how. But will actively decline the help when people offer.

Because the reality is that he likes it too much to get rid of it.