free online james baldwin stories, essays, videos, and other resources
**edit
James baldwin online archive with his articles and photo archives.
---NOVELS---
Giovanni's room"When David meets the sensual Giovanni in a bohemian bar, he is swept into a passionate love affair. But his girlfriend's return to Paris destroys everything. Unable to admit to the truth, David pretends the liaison never happened - while Giovanni's life descends into tragedy. This book introduces love's fascinating possibilities and extremities."
Go Tell It On The Mountain"(...)Baldwin's first major work, a semi-autobiographical novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves."
+bonus: film adaptation on youtube. (if you’re a giancarlo esposito fan, you’ll be delighted to see him in an early preacher role)
Another Country and Going to Meet the Man Another country: "James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit." Going to meet the Man: " collection of eight short stories by American writer James Baldwin. The book, dedicated "for Beauford Delaney", covers many topics related to anti-Black racism in American society, as well as African-American–Jewish relations, childhood, the creative process, criminal justice, drug addiction, family relationships, jazz, lynching, sexuality, and white supremacy."
Just Above My Head"Here, in a monumental saga of love and rage, Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the homosexual passion of Giovanni's Room, and to the political fire that enflames his nonfiction work. Here, too, the story of gospel singer Arthur Hall and his family becomes both a journey into another country of the soul and senses--and a living contemporary history of black struggle in this land."
If Beale Street Could Talk"Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions-affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche."
also has a film adaptation by moonlight's barry jenkins
Tell Me How Long the Train's been gone At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable. For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty.
---ESSAYS---
Baldwin essay collection. Including most famously: notes of a native son, nobody knows my name, the fire next time, no name in the street, the devil finds work- baldwin on film
--DOCUMENTARIES--
Take this hammer, a tour of san Francisco.
Meeting the man
--DEBATES:--
Debate with Malcolm x, 1963 ( on integration, the nation of islam, and other topics. )
Debate with William Buckley, 1965. ( historic debate in america. )
Heavily moderated debate with Malcolm x, Charles Eric Lincoln, and Samuel Schyle 1961. (Primarily Malcolm X's debate on behalf of the nation of islam, with Baldwin giving occassional inputs.)
----
apart from themes obvious in the book's descriptions, a general heads up for themes of incest and sexual assault throughout his works.
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tuned into Plestia's live with Rahma Zein's second account (she got shadowbanned). key moments:
plestia talked about her adjustment to living in australia. "it's 1:30am now and it's normal for me and many palestinians who live abroad to be awake hours into the morning. i am scared of sleeping. because of the time difference, i'm scared if i sleep i will wake up to bad news. in gaza i was scared of the sound of the bombs, here i am scared of the quiet."
contacting family and friends in gaza is near impossible. "sometimes i feel like a crazy person, calling 20 times in a row hoping that on the 21st time the call might go through."
on the destruction of entire communities and neighbourhoods: "i'm scared when i go back to gaza i won't recognise it anymore. someone sent me a picture of my neighbourhood, and i couldn't tell it was mine at first. all my favourite places, cafes where the aunties used to give me extra food and ask about my day, have been destroyed. i dread looking at my gallery or seeing snapchat memories because most of these people in the pictures are no longer alive."
rahma asked plestia to talk about one story that stuck with her. plestia said "i remember walking one time on the 'safe corridor', that's what they called it anyway, and i saw an older woman clutching onto a donkey cart where her son's body was, refusing to let go of it. i asked my colleague what the smell was, he said it's dead bodies under the rubble. it was the first time i familiarised myself with the smell. the son's body was decaying and the woman told me about cats and animals eating away at it. i've had children talk to me about birds eating away at their parents' decomposing bodies and not being able to chase them away."
"it seems so silly to go to hospitals for minor sicknesses now. i can't even think about how many palestinian children are going to be terrified of hospitals now. there was a girl who was taken to the hospital to get treatment for injuries by one of the bombs, and while she was in the bathroom another bomb landed nearby. the impact from that sent the ceiling crashing down on her.. she got another injury while getting treated for her first one."
"i hate how people talk about our resilience - as if it's okay that this is happening to us. we are only surviving because we have to, because we have no other choice."
rahma brought up the way family homes are set up in palestine and asked plestia to elaborate. "basically, there are floors. someone will live on the ground floor, and then their married son lives with his children on the floor above them, and then their successors above them and so on. so when family homes are targeted, they wipe out entire families. many families officially no longer exist."
"i used to wear my journalist helmet and vest all the time, felt naked without it, even slept with the vest on sometimes until i realised it only made me more of a target. they didn't give me any protection, only headaches and back pain."
"i am an optimistic person, i loved covering sweet sentimental things, like at my graduation asking parents of top graduates how they feel about their children graduating. that's what i love reporting on. i wanted to cover things like that when i came back to gaza, show the beautiful side of gaza that the media didn't really show, but i didn't have the chance." "do you think they'll give you right of return?" "i can only hope."
plestia mentioned how hard it was being a journalist with limited access to the internet, charging facilities, no mics, lack of equipment and how difficult it was uploading things. rahma asked her what's one story that wasn't really recorded or posted due to these constraints; plestia said "the evacuations. sometimes they informed us about them, sometimes they didn't. you have no idea how hard it was, everyone looking for their family members, making sure every one was there, taking to the streets in 5 minutes and not knowing which way to go. i remember i went to my friend's house for shelter for 30 minutes before the first evacuation was announced and we ran to another family's house, stayed there for 2 days before another evacuation was announced. me, my friend, and that family all evacuated together to another family's house. there were already so many people there seeking shelter, it wasn't just one family staying there. none of us knew how long we had in any place."
before october 7th, palestinians were used to limitations on electricity. plestia used to plan her day's tasks around when the electricity was working. "for example when the electricity was on from 12 to 4, i would say i will do my laundry and charge the phones during this time. life wasn't exactly 'normal', but all of us pray to have those days back in comparison to what we are experiencing now." plestia also said that cars are running on cooking oil now because there is no fuel.
on hygiene: "many pregnant women have to give birth without any pain medication or medical attention. once we ran out of medicine, that was it. women who had to get C-sections couldn't stay to recover or get followup treatments because someone else needed the bed. we have no water, no tissues, no pads, barely any bathrooms. in the shelter schools you have to wait an hour before even getting to use the bathroom because of how many people are there."
"something you don't hear about is how many people die because of sadness. there's so many ways to die in gaza, because of the bombardment, because of starvation, the lack of resources, but i also know many elderly people who died because their hearts couldn't take it anymore. i have been in gaza before and lived through 4 aggressions, but nothing compared to this one."
a recurring sentiment that was echoed in the video: "sometimes i thought to myself: who am i recording this for? because we've already shown everything, we've already talked about everything. everything has already been said, the proof is everywhere, nothing i talked about today is new." rahma said the first video posted about what's happening in palestine should've been enough.
she is 22 today. plestia's closing words: don't stop talking about us, don't stop boycotting, don't stop protesting, please don't get bored of fighting for palestine.
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Whumptober 2023
Welcome to Whumptober 2023 — the sixth year running!
COMPLETIONISTS/PARTICIPANT BADGES CAN BE FOUND HERE
To those of you who participated last year, welcome back! To everyone joining this year, welcome!
Please make sure to read the Event Info carefully, as most of your questions will be answered there already. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.
This year’s AO3 Collection can be found here.
And this years playlist can be found here.
There are 139 prompt options in total this year - this is including the alternatives list! A special thanks goes out to those who took part in our trope vote back in July. From the 1526 responses to our list of 223 tropes, we looked through the popularity results, as well as your honourable mentions, and were able to produce this years prompts list. Stay tuned, as we will be posting some of the results at a later date!
We’re very excited to see the community come together once more and be a wild, chaotic bunch of creators and consumers of whump. Go wild with the prompts, and support your fellow creators - we wish you all the fun!
Best of luck and happy whumping,
Mods Vanne, Yenn, Kitty and Surro
(All 31 Themes + Prompts, Event Information and FAQs are posted below the cut!)
Whumptober 2023 Prompt List
No. 1: “But now this room is spinning while I’m trying just to fill in all the gaps.”
Safety Net | Swooning | “How many fingers am I holding up?”
No. 2: “I’ll call out your name, but you won’t call back.”
Thermometer | Delirium | “They don't care about you.”
No. 3: “Like crying out in empty rooms; with no-one there except the moon.”
Journal | Solitary Confinement | “Make it stop.”
No. 4: “I see the danger, It’s written there in your eyes.”
Cattle Prod | Shock | “You in there?”
No. 5: “You better pray I don't get up this time around.”
Debris | Pinned Down | “It's broken.”
No. 6: “Do or die, you’ll never make me; Because the world will never take my heart.”
Recording | Made to Watch | “It should have been me.”
No. 7: " “I paced around for hours on empty; I jumped at the slightest of sounds.”
Alleyway | Radio Silence | “Can you hear me?”
No. 8: “I’ve got soul, but I’m not a soldier.”
Overcrowded ER | Outnumbered | “It’s all for nothing.”
No. 9: “Learning everything ain't what it seems, that's the thing about these days.”
Polaroid | Mistaken Identity | “You're a liar.”
No. 10: “Can’t you see that you’re lost without me?”
Broken Phone | Stranded | “You said you'd never leave.”
No. 11: “All the lights going dark and my hope’s destroyed.”
Animal trap | Captivity | “No one will find you.”
No. 12: “I haven't slept in days but who's counting?”
Red | Insomnia | “I’m up, I’m up.”
No. 13: “It comes and goes like the strength in your bones.”
Cold Compress | Infection | “I don’t feel so good.”
No. 14: “Feed me poison, fill me ‘till I drown.”
Flare | Water Inhalation | “Just hold on.”
No. 15: “I don't need you to help me I can handle things myself.”
Makeshift Bandages | Suppressed Suffering | “I’m fine.”
No. 16: “Would you lie with me and just forget the world?”
Gurney | Flatline | “Don’t go where I can’t follow.”
No. 17: “You’re the lump in my throat and the knot in my chest.”
Collar | Touch Aversion | “Leave me alone.”
No. 18: “I tend to deflect when I’m feeling threatened.”
Blindfold | Tortured For Information | “Hit them harder.”
No. 19: “I’ll take one final step, all you have to do is make me.”
Floral Bouquet | Psychological | “I’m not as stupid as you think I am.”
No. 20: “People don’t change people, time does.”
Blanket | Found Family | “You will regret touching them.”
No. 21: “See the chains around my feet.”
Vows | Restraints | “Don't move.”
No. 22: “They never saw us coming, ‘til they hit the floor.”
Glass Shard | Vehicular Accident | “Watch out!”
No. 23: “It’s gonna get me by the end of the night.”
Shadows | Stalking | “Who’s there?”
No. 24: “I’ve got a head full of chemicals; mouth full of ridicule.”
Goodbye Note | Neglect | “I thought they were with you.”
No. 25: “You’re not delivering a perfect body to the grave.”
Storm | Buried Alive | “They’re not breathing!”
No. 26: “Sometimes I get so tired; I don’t even know myself.”
Seeing Double | Working To Exhaustion | “You look awful.”
No. 27: “You drew stars around my scars; But now I’m bleeding.”
Matches | Scars | “Let me see”
No. 28: “We might not make it to the morning; so go on and tell me now.”
Bloody Knife | Sacrifice | “You'll have to go through me.”
No. 29: “I only sink deeper the deeper I think.”
Scented Candle | Troubled Past Resurfacing | “What happened to me?”
No. 30: “It’s okay, just to say, ‘I’m not okay’.”
Borrowed Clothing | Bridal Carry | “Not much longer...”
No. 31: “I thought that I was getting better.”
Emptiness | Setbacks | “Take it easy.”
Alternatives List:
Betrayal
Aftermath of Failure
Brass Knuckles
Decoy
Body Modification
Playing Cards
Examination
Hunting
Drugging
Shaking
Panic
Broken
Miscommunication
Lab Rat
Reluctant Whumper
Event Info & Rules
~ Please read our extensive event info posts before sending us an ask ~
WHUMPTOBER is a month-long, prompt-based creation challenge (think: Inktober, but whumpier). There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like. The 'theme' of each day is the line of lyrics.
The prompts are merely to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is "flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be related to the 'spark' of a relationship. It's truly up to you!
In total, there are 4 prompts for each day: there's lyrics, an object, a trope and a line of dialogue to choose from. We want to give everyone as much creative freedom as possible, as well as increase event accessibility for folks with triggers and squicks.
Creators can PRODUCE work in any media they choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). Creators can PARTICIPATE as much or as little as they want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.
When uploading Whumptober content to your blog, be sure to tag the with:
#whumptober2023 …..(the event tag)
#no.1, #no.2, #no.3, …..(day number)
#lyric, #bruises, #stabbing, …..(the theme or specific prompt you chose)
#fandom or #OC, … (ironman, originalcontent, oc …)
#medium …..(gifs, fic, podcast, art, etc.)
#teeth, #gore tw, #etc …..(trigger warnings & any additional tags. Add "tw" AFTER the trigger/content warning. )
#nsfwhump …..(only for nsfw content)
#your own tags go here
PLEASE BE DILIGENT WITH YOUR TAGGING. Only properly tagged posts are considered for archiving on the official @whumptober-archive blog. They must be tagged in the order above. An elaborate post about our tagging system can be found [here]
Unfortunately, due to the sheer number of participants in recent years, we cannot guarantee your work will be archived. A random selection of properly tagged posts from all genres will be reblogged each day.
Whumpers who produce content for 31 total theme days are considered event completionists and will be tagged in a masterpost at the end of the month. A form will be published at the beginning of November asking you to tell us if you completed the event. You do not need to post anything you have created, we rely on trust and we will not check this.
Questions not addressed in one of our many event info posts can be directed to this blog. We will not answer any questions that have been answered in the FAQs or rules already.
Frequently Asked Questions
Q. How does this year’s prompt list work? What do I have to choose?
You can create something based on:
The overall theme/lyric of the day
Prompt 1, 2 or 3
One or several of the alternative prompts
A combination of the above
Q. Is [specific anything] allowed?
When in doubt: JUST DO IT!
Q. Do I have to do all 31 days?
Participate as much or little as you like! Just be sure to tag your posts properly (ex. #no.7, #radio silence). If you create works for 31 total theme days you will become a completionist. But apart from that, there are no repercussions if you don’t fill prompts for each day.
Q. Can I post early/late?
Yes, you can post whenever you want. We will only reblog posts during October, but you can use our prompts all year round. The day you post will only affect your probability of being reblogged.
Q. Will you reblog my post?
Due to the sheer number of content posted during Whumptober we can’t promise to reblog every single post. We will make a random selection trying to capture a wide variety of content. The following will increase your chances at being reblogged:
tag your post properly
post within 2-3 days of the theme you want to fill: if you fill the prompt for Day 1 your chances of being reblogged during October 1st to 3rd are highest and will go towards zero afterwards.
Q. What if I don’t understand a prompt/theme?
Send us an ask! We’re happy to help with wild, unhelpful clarifications or brainstorming. That being said, the themes are entirely up for interpretation. Don’t take them too literally. For example: You can be choking on a cherry, someone else can choke you or you could be choked up on emotions, etc.
Q. What kind of content can I make? Can it be NSFW?
This is a MIXED MEDIA event! You can write fic, post meta, doodle or paint, create a gifset or photo edit, link a song, or get crafty with video - anything goes. As for NSFW, make what you like, we just hope that you’ll tag your work accordingly so that others participating in the event can stay safe.
Q. Can I combine Whumptober with other creation challenges?
Absolutely, as long as the other challenges allow it too.
Q. Can I upload/repost my Whumptober content to other social media platforms?
Of course! You can post your own content wherever you like (or you can opt to not publish it at all). Additionally we’ve created an AO3 Collection to archive any fics posted there. It can be accessed here. The tumblr blog @whumptober-archive is the official archive, so please respect the boundaries of any closeted whumpers in your social circle.
Q. Can I use prompts to write a new chapter for an existing fic?
Yes.
Q. An existing fic I am currently writing contains many of the Whumptober prompts, can I use it?
If you are actively writing this fic at the moment with the Whumptober prompts in mind, yes. If you’ve previously posted something that checks the boxes, we ask that you not include it retroactively for this current year. You can, however, add new chapters relating to one or more of the prompts.
Q. What kind of characters can I write for?
Fandom characters, OC characters, human, furry, alien, cyborg, RPF, whoever you like. You can use the generic “whumpee” character or have specific ones.
Q. Does it have to take place in a specific fandom?
No, you can create works for your own worlds or for fandoms or for both. You can also create more generic or pan-fandom works. You can do cross-overs or use OCs, whatever you want.
Q. Can I use a prompt multiple times?
Yes, but it only counts once towards being a completionist.
Q. If I’m not comfortable with one day’s prompts can I use a prompt of a different day as a substitute and still be a completionist?
No, you can’t exchange prompts for different days. However, if all four prompts of a specific day make you uncomfortable, we have created an alternate prompts list that you can draw from. You can exchange any prompt with these, but please make sure not to use them twice.
Q. Where can I post my work?
Post where and how you want. You don’t have to (cross)post it to Tumblr or at all. Just keep in mind if it’s not on Tumblr we will not be able to add it to the blog archive.
Q. Can I start posting early?
You can, but this is an October event and wouldn’t it be more fun with everyone doing it at the same time? That being said, you can post early, but we won’t be reblogging any work predating October 1st.
Q. Do I have to finish a fic I started/can I post WIP’s?
Yes you can post WIPs. And you’re not obligated to finish it in October for it to count towards being a completionist.
Q. Is co-writing allowed?
Yes, absolutely, and it would count towards being a completionist for both/all of you.
Q. Do I have to create 31 standalone pieces to be considered a completionist or can I write one continuous story?
One continuous story is fine. The challenge is to write something for 31 prompts. If that’s spread over 31 fics or just one, you are still considered a completionist. (The same goes for every other media you choose.)
Q. Is there a min/max limit on word count?
There is no limit.
Q. Can I combine prompts? Is there a limit on how many?
No limit and combine as many as you’d like.
Q. Is a hc/angst/emotional whump focus ok?
Of course! We are not going to establish a threshold for whumpiness. If you think it’s whumpy enough, then it’s whumpy enough. It can be physical, psychological, emotional, or any combination of the three.
Q. What’s considered nsfw?
See this post
Q. What is whump?
Typically the genre includes situations where a fictional character is hurt, be it emotionally, psychologically, or physically. Fanlore provides information here.
Q. My interpretation of the prompt isn’t whumpy at all, does that count?
If you don’t think your interpretation is whumpy, then it doesn’t count for Whumptober. Remember that whump comes in many forms, though, and that we don’t have a whump-checker or a threshold for how much whump needs to be included. If you think your interpretation contains enough whump to count, then it does.
Q. Can I start working on the prompts before October?
Absolutely! That’s why we post the prompts a month in advance. We recognise how difficult it can be creating for 31 days in “real time” so feel free to start creating early!
Q. How do I tag triggers?
tw at the end of the word, ex. #gore tw
Q. Do I have to use your tags?
Yes, if you want your work archived on the blog. If not, feel free to use whatever tags you want.
Q. Does combining prompts count towards completion?
Yes
Q. Can we @ you?
Yes but we mostly rely on the #whumptober2023 tag.
Q. Is there anything we are absolutely not allowed to write?
There are no rules, but please make sure to properly tag your trigger warnings. And keep in mind Tumblr’s policies if you are posting it here (or the policies for whatever site you use).
Q. Where can I go for brainstorming help?
Here on Discord or come into our ask box.
Q. My characters are minors, is that ok?
Yes, but as with everything else, use clear and descriptive tags.
Q. Can I cross post on other blogs?
Yes, multiple platforms and blogs are perfectly acceptable. You can also post different works to different accounts under different names, without posting them everywhere at once.
Note: This is a creation challenge, please don’t repost your old work under our tags (unless it’s been changed or edited for the event).
Thanks for reading, and happy whumping!
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