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#how much more simpler can we make it
cesareeborgia · 7 months
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what is happening in Palestine is settler colonialism, military occupation, land theft and ethnic cleansing. there is an active oppressor (Israel) and an oppressed (Palestine). Israel doesn't have the right to exist at the cost of Palestinian lives. do not let western media call this terrorism. it is decolonisation.
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rxttenfish · 1 year
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tbh tho this is EXACTLY what merfolk relationships look like
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and they just keep track of this. in their heads. all the time.
#all the care guide says is 'biomass'#they dont have gendered pronouns but they do have tone modifiers for every other fucking word depending on their relationship to the other#and their mood. and if theyre referring to multiple people at once or just one person. and often layered on top of each other too.#merfolk have poor vision but they DO inherently think of things in a more ''three dimensional'' way than we do#considering they live underwater and youre operating with another axis just to move around anywhere#which then gets applied to the rest of their everything#ESPECIALLY language because theyre nerds who went hard into the sound focus#their visual art in comparison has simpler elements than ours (but a lot more focus on light/movement)#this is why merfolk have some very unique spellcrafts and theyre notorious for complicated and detailed spellwork#like yes a part of it is the fact that theyre older than the other species and have had more time to work on it#but also they can just DO really unique things compared to other cultures because they emphasize layered detail in this way#this is also why - from the outside - so much of miranda's job looks like parties and balls and attending to the courts#because again. its all about the emphasis on who has what relationship with who and how to operate within that.#legal agreements are multilayered and come with terms and conditions a mile long and you need to have a very careful hand on the pulse#of all of this#even moreso because royal families go even harder with treating the lineage as the individual and the merfolk#as just limbs and organs of this equation#this is why it was so important that miranda be good at manipulation and speaking and just *charismatic*#literally making people do what she wants or needs them to do is just what makes the merkingdom GO and operate#and why she (and the other royals) occupy a space a little like a public performer does as well#and why royals showing personal favor and having close personal relationships is frowned upon as#mixing pleasure and business#since those relationships ARE their business and so much of the underlying politics#if youre showing undue favor to someone because you personally just like them then you aren't judging them based off of actual talent#merfolk complicated! merkingdom complicated!#(the merkingdom is also SUPER fucked up but thats tangential from this tangent)
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slugandthorn · 2 months
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pain and agony of having so much to learn to make more things but I need a job/further schooling to learn but I have to have made the things first
#.txt#Painful cycle unable to find value in my art but I already gave up and I'm already trying again some one needs to make this easier#And I think my life would be simpler if I just focused on drawing over 3D and tech anim but the time it would take#To function at a professional level as some sort of concept artist.#Also fine artist and concept artist community is well. Unfortunately unbearable.#Lacking so much animation experience in 2D and 3D I'm having trouble focusing on it to move forward.#The most experience I have is in 3D character art at this point probably but inability to finish things which also plagues#Every other concentration. As well.#I am sitting alone in the room trying to find something of value to express and it will never reach anyone. Existential dread like.#I think it's the searching for storytelling skills limiting me because I do not have the competitive nature#To be that into raw technical skills. Which is killing my ability to make a portfolio.#If I had more time to just keep on keeping on at my part time job I think I would just make the graphic novel I want to make.#To have something expressed and in the world. And then I could actually focus on technical things.#But this thinking has just become a roadblock it is not feasible but I do have several paths planned I just have to.#Recognize what is useful to me. But not just giving up anytime I have a new idea.#My interest goes between implementing animation within a greater scene and also the technical minutia I think is whats killing me.#Making multiple portfolios at once. Which isn't so bad bc ideally I'd be doing generalist work. But generalist means more time limitations.#My brain is convinced it can just work past time as a factor. Which is how we reach the problem I am having now (need money).#I think something I need to recognize is I've always thought my perspective and understanding of stories held some value.#But that only stands from my own perspective and it does not have value outside of that.#Even if it does reach other people it does not retain interest. And while it benefits me internally. I'm not making a career of it.#Which is fine.#I think the things I valued from story can still be found in technical skills. And anyone can develop a technical skill with some time.#If I keep my focus.#I think that's something close to a resolution I've been looking for. Been needing some profound change in my life and I think the desire#And constant failure of communication has been what's preventing me from moving forward.#I want to go out and do things. That is possible. Focus on skill and ability. Maybe the other stuff will come later.#Digesting this and hopefully not spending my days sleeping anymore.
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jonnywaistcoat · 13 days
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What’s your opinion on the contrast between “silly” and “serious” spaces? Do you think people can have very serious interpretations about a genuine piece of media and also be goofy about it? I’m asking this particularly because I’ve seen people in the Magnus podcast fandoms fight about people “misinterpreting” characters you, Alex, and the many other authors have written. Are you okay with the blorbofication or do you really wish the media you’ve written would be “taken seriously” 100% of the time?
And follow up question, what do you think about the whole “it’s up to the reader (or in some cases, listener) to make their own conclusions and interpretations and that does not make them wrong”, versus the “it was written this way because the author intended it this way, and we should respect that” argument?
This is a question I've given a lot of thought over the years, to the point where I don't know how much I can respond without it becoming a literal essay. But I'll try.
My main principle for this stuff boils roughly down to: "The only incorrect way to respond to art is to try and police the responses of others." Art is an intensely subjective, personal thing, and I think a lot of online spaces that engage with media are somewhat antithetical to what is, to me, a key part of it, which is sitting alone with your response to a story, a character, a scene or an image and allowing yourself to explore it's effect on you. To feel your feelings and think about them in relation to the text.
Now, this is not to say that jokes and goofiness about a piece of art aren't fucking great. I love to watch The Thing and drink in the vibes or arctic desolation and paranoia, or think about the picture it paints of masculinity as a sublimely lonely thing where the most terrible threat is that of an imposed, alien intimacy. And that actually makes me laugh even more the jokey shitpost "Do you think the guys in The Thing ever explored each other's bodies? Yeah but watch out". Silly and serious don't have to be in opposition, and I often find the best jokes about a piece of media come from those who have really engaged with it.
And in terms of interpreting characters? Interpreting and responding to fictional characters is one of the key functions of stories. They're not real people, there is no objective truth to who they are or what they do or why they do it. They are artificial constructs and the life they are given is given by you, the reader/listener/viewer, etc. Your interpetation of them can't be wrong, because your interpretation of them is all that there is, they have no existence outside of that.
And obviously your interpretation will be different to other people's, because your brain, your life, your associations - the building blocks from which the voices you hear on a podcast become realised people in your mind - are entirely your own. Thus you cannot say anyone else's is wrong. You can say "That's not how it came across to me" or "I have a very different reading of that character", but that's it. I suppose if someone is fundamentally missing something (like saying "x character would never use violence" when x character strangles a man to death in chapter 4) you could say "I think that's a significant misreading of the text", but that's only to be reserved for if you have the evidence to back it up and are feeling really savage.
I think this is one of the things that saddens me a bit about some aspects of fandom culture - it has a tendency to police or standardise responses or interpretations, turning them from personal experiences to be explored into public takes to be argued over. It also has the occasional moralistic strain, and if there's one thing I wish I could carve in stone on every fan space it's that Your Responses to a Piece of Art Carry No Intrinsic Moral Weight.
As for authorial intention, that's a simpler one: who gives a shit? Even the author doesn't know their own intentions half the time. There is intentionality there, of course, but often it's a chaotic and shifting mix of theme and story and character which rarely sticks in the mind in the exact form it had during writing. If you ask me what my intention was in a scene from five years ago, I'll give you an answer, but it will be my own current interpretation of a half-remembered thing, altered and warped by my own changing relationship to the work and five years of consideration and change within myself. Or I might not remember at all and just have a guess. And I'm a best case scenario because I'm still alive. Thinking about a writers possible or stated intentions is interesting and can often lead to some compelling discussion or examination, but to try and hold it up as any sort of "truth" is, to my mind, deeply misguided.
Authorial statements can provide interesting context to a work, or suggest possible readings, but they have no actual transformative effect on the text. If an author says of a book that they always imagined y character being black, despite it never being mentioned in the text, that's interesting - what happens if we read that character as black? How does it change our responses to the that character actions and position? How does it affect the wider themes and story? It doesn't, however, actually make y character black because in the text itself their race remains nonspecific. The author lost the ability to make that change the moment it was published. It's not solely theirs anymore.
So yeah, that was a fuckin essay. In conclusion, serious and silly are both good, but serious does not mean yelling at other people about "misinterpretations", it means sitting with your personal explorations of a piece of art. All interpretations are valid unless they've legitimately missed a major part of the text (and even then they're still valid interpretations of whatever incomplete or odd version of the text exists inside that person's brain). Authorial intent is interesting to think about but ultimately unknowable, untrustworthy and certainly not a source of truth. Phew.
Oh, and blorbofication is fine, though it does to my mind sometimes pair with a certain shallowness to one's exploration of the work in question.
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prettieinpink · 5 months
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NEW YEAR, NEW ME
( A collab with thee lovely lele @bloombabydoll )
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If you want to reinvent and rebrand yourself, or just continue to make positive improvements in 2024, the first thing is to evaluate your current year. 
EVALUATION
Reflect on how things went for you. Was there continuous growth? Were there many difficult times? Did you discover anything major about yourself and so on. Try to summarise your year in (a) paragraph(s) at least. 
Oversee your goals. Which ones you didn’t, did achieve, difficult ones, easy ones and the impacts it had on your life. 
Compare your dream girl then and now. Is your visualisation of your life currently different to the one you have now and why? 
List any major losses or successes you’ve had in your life, and how they have helped you or why it matters to you. 
This evaluation can be as detailed or simple as you like, but as long as you have a decent outline of your year. 
PREPARING & PLANNING
To prepare for 2024, you want to know what you want life to be like in 2024. Something realistic to a point, but still is a growth journey. 
Think of something that you can associate with 2024. This can be a word, a symbol, art, a song, a book, a movie, a place, or even just all of these things. When you think about your goals and your journey, this is your theme. This is something that should relate to your goals or your dream girl somehow. 
For me, I chose a word and a song. My word is growth because, for me, 2023 was a year for just being able to shed my old self which I did achieve however I just felt there wasn’t much growth as an actual person and not just in my environment. 
For my song, it is Mayflowers by Proleters and Taskrok. This song is the epitome of what I would imagine, is the most polished mindset. I would say perfect, but having a perfect mindset is near impossible. I want to have a mindset glow up because I’ve just been hard on myself lately which has caused my confidence to plummet. 
Before we get into the fun part of the preparation stage, we have to do some organisation in our life. I want you to take a look at your daily lifestyle and your habits, and be completely unashamed about this. 
Then categorise these habits into two sections; Leave and Leap. Leave habits are habits that you are leaving behind in 2023, leap habits are habits that are leaping into 2024 with you. 
Any habits that are self-destructive, addictive or generally harmful are leave habits. Beneficial habits and self-building are leaping with you into the new year.
I want you to do the same for people in your life, all environments (school, work, online etc) and anything else you believe needs to be sorted out. 
This works better if you can reason with yourself why it is a leaping or leaving habit, but don’t try to convince yourself a bad habit is good or vice versa. 
Now, I want you to document an honest paragraph about who you are right now. List your bad and good habits, your strengths and weaknesses and your behaviours. This one requires a bit more detail. 
Then, write a paragraph about who you will be in 2024, your dream girl. List her habits, lifestyle, behaviours, mindset, strengths and anything else extra. I’ll explain later but do not include materialistic desires in this your dream girl. Once again, this one also requires details. 
Stemming from those paragraphs, I want you to create specific and achievable goals. SMART goals are best, but I want to introduce you to how I set goals. 
I divide my year into quarters. For each 3 months, I have 3-5 goals for those months. Usually, it’s one from each area of my life. Then, I break down these goals. 
Questions and How They Help 
Why do I want to do this goal - For motivation and commitment. 
How it’ll benefit me - For the sake of improvement. 
How can I involve myself in this goal - To achieve your goal.  
I prefer this method because it is a lot simpler for me, as I am just a young girl and my bigger goals are more in the future in which I’ll utilise SMART goals. 
To create good goals; Make sure they align with your current values and life principles first. Try to avoid creating goals that you have just taken from the internet. Those goals just aren’t it and you most likely won’t follow through with it. 
Be specific. Don’t say you want to eat more healthily, instead say you want to include (a certain group of veggies/fruits) in your diet and reduce the intake of ( food/drink). 
E.g using eating healthy example
I want to eat healthy -> I want to start including foods that boost my immunity system and support my skin while reducing those that have the opposite effect. 
Then break down those quarterly goals into monthly, weekly and daily goals. Make these habits that you can establish in your lifestyle and have a way in which you can refer back to your progress. 
EXAMPLE GOAL BREAKDOWN
Quarterly Goal - Read 6 books.  
Monthly Goal - Finish 2 books.
Weekly Goal - Be or near half way of one book.
Daily Goal - 20 minutes of reading per day. 
AREAS TO SET GOALS IN YOUR LIFE
Academics
Spiritual
Fitness/sport
Health and wellbeing
Mental health
Personal life
Relationships
Hobbies and recreation
Now for the best part- vision boards! Collect all of your favourite images that embody your quarters or the whole year, then put them in one place where you can see them regularly!
Some ideas are a scrapbook, Pinterest boards, mood boards, playlists etc. 
Choose your theme; It can be your healthy girl era, your academic come back or whatever you want. You can have more than two btw.
Use quotes! Then actually say them in your daily life as a way to shift your mindset to reflect said quote.
Include inspirational people. It doesn't even have to be a millionaire or a very well established person, it could be your friends or someone on the internet.
Be imaginative. Your vision board doesn't have to realistic in my opinion, as the whole point of it to me is that viewing it daily and considering it to be part of your life one day allows for you to open up to those opportunities.
Materialistic Wants
I feel obligated to make this a separate section. This section is practically tangible objects that you want.
However, when choosing this said object that you want, mindfully think about why you want that thing specifically.
It doesn’t have to be meaningful, but as long as each thing on that list has got a purpose to you, and will serve you, I think it’s all good!
Conclusion
If you want, you can definitely start implementing habits before January. However, I believe that as long as you go into 2024 at least knowing who you want to be and shedding away any limiting beliefs, you’ll be fine.
Make sure to incorporate some self care rituals into your daily life as well✨
To end this, I hope everyone has a very merry Christmas! And that 2024 they will achieve to close that gap with their current selves and their dream girl selves! 💖🙏
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In the couple of hours since my last post, my Nan has called me 7 TIMES!!!
To take her to the toilet, make her hot water bottles and coffee and finally, to just talk to her...
I look and feel like death, she made clear she doesn't want to catch my cough, yet she will not leave me alone.
As you can tell, my patience is very low right now
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elysiansparadise · 4 months
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Composite Chart observations
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🤍Jupiter or Part of Fortune in the 1st house not only indicates that you feel more joyful with the other, but that when or after being with the other, many opportunities of any kind can come to you. The relationship will bring with it a lot of self-improvement for both and a feeling that things in life become simpler.
🤍When Sun it's in the 7th, 8th or 12th house we find ourselves in a mirror relationship, in which you will show each other the other sides of yourselves that you had never been aware of. They will be more similar than they look, because in terms of core they can be very alike. The other will openly display behaviors that you repress.
🤍A peculiarity of Mars and/or Mercury in the 11th house is that both are likely to have very different personal opinions but very similar goals. They may be very different at first impression and even have very different ways of behaving, but they can understand each other well and go after what they want as a team.
🤍I have noticed that when Saturn is making just positive aspects on a composite chart, it is capable of helping the tensions that some squares can cause, as it adds stability and durability to the dynamics of the relationship, but above all the willingness to solve problems by fact that both see in this relationship something to maintain in the long term.
🤍The Moon-Venus conjunction gives us that relationship in which if one of the parties is moody and the other enters the room, their day immediately brightens. It seems that they only need to see each other to be happier. They evoke a lot of sweetness and tenderness in each other. They will love to take care of each other in every way, from the most practical to the emotional side, without forgetting to mention how comfortable they feel simply being by each other's side.
🤍Jupiter or Saturn in the 10th house cause there to be a mutual and very strong admiration for the person the other is, what they achieve and their ambition. If these planets positively aspect the Sun, Venus or Mercury will constantly let each other know, and even other people.
🤍Having a Stellium in the 11th house makes the dynamic lighthearted, fun and very pleasant for both of you. You will feel that you can be yourself uninhibitedly and be able to express your ideas and emotions without being judged. Likewise, they will have a great willingness to help each other and will awaken the empathetic and altruistic side of the other. They can have very similar worldviews despite differences in temperament and attitude.
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🤍Venus in Aries allows the duo to spend many moments of joy and laughter. They may have many similarities between them and love to joke with each other. It is an indicator of playful teasing, of a lot of enthusiasm and fun. They really love each other's company, even if it's just few minutes. They highly value being authentic and transparent with others.
🤍When the Moon or Venus is in the 12th house, it shows us a duo or a couple who is affectionate or more affectionate in private, they may prefer a moment of greater intimacy since it makes them likely to be very reserved people with their feelings but, surprisingly , very open between them.
🤍Neptune in water houses favors emotional connection and the ability to intuit the feelings of the other, also giving the sensation of understanding each other without words and without much difficulty. They can have a very great feeling of adoration and fascination for each other, as well as devotion.
🤍The Moon-Neptune aspects make them deeply connected to each other on an almost inexplicable level. Both not only read and understand each other like no one else, but they seem to quickly feel what the other feels. They can infect each other with their moods. It is even likely that, for example, if one is thinking about the other, the other will send a message or call them on the phone. They absorb each other's mood and can quickly adopt their usual behaviors or phrases even without realizing it.
🤍With Pluto in the 9th house, both will profoundly change the way the other sees things. Being together and having a regular conversation with each other entails many epiphanies, seeing things from other perspectives and feeling that things finally make sense. Both have the goal of teaching each other a lot and fully trust that the other positively influences their lives. They simultaneously add depth and fun to the other person's life.
🤍Having Mars in the angles makes both of you motivated almost instantly. Being next to each other makes them feel energized, motivated and they easily make the other feel capable of achieving and going after everything they want. They can bring out the confident and sociable side of each other.
🤍When you have Venus or Moon in the 10th house, the duo shows others, consciously or unconsciously, the high degree of affection and appreciation they have for each other. People tend to see them as very similar and compatible like each other and they tend to provoke adoration in others. It may even be a couple or pair of friends that others find admirable or your dynamic may be something that people would like to have in their lives.
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ma1dita · 4 months
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a wish your heart makes
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a 'partners in crime' installment - luke castellan x dionysus!reader
words: 1.4k
summary: (established relationship) The one where you share dreams, burn cookies, and it still reminds him of home. You try to do something nice for your boyfriend and everything goes wrong, or so you think. Luke Castellan x fem!Dionysus!reader
a/n: I thought about May Castellan, alone in her kitchen, baking cookies and making sandwiches for a son who would never come ho—OH FUCK OFF, UNCLE RICK. sidenote this haunted me.
(posted 1/26/24 unbetad)
Luke’s dreams were always different from yours. 
Both when he’s awake and holding your hand up until sleep finally rips him away from your earthly embrace, he’s always been certain of who he was and what he wants to achieve. To be a hero providing salvation for the needy, to be a half-blood son worth the love of a god, and to be a fierce soldier, leading his troop into battle for glory. These are the thoughts he routinely pounds into his brain, so much so that anyone who knows him knows of his aspirations.
You don’t think you’ve ever met anyone so insistent on wanting to be remembered. Luke wants to leave a legacy worth dying for, worth talking about for millenia to come. And your boy persists, despite the trials of life, the ignorance of his father, and the strings of the Fates.
Your dreams, however, were always much simpler. 
Cuddled under your covers and brushing your lips against Luke’s forehead to quell the growing unease that occupies his brain, you whisper what you deeply wish for.
“We’re getting old,” you mumble, and the breath of his laugh tickles your ear. He lazily runs his nose against the slope of your collarbone, sighing when he finally hears the steady beat of your chest, “We’ve definitely surpassed the average life expectancy of a typical demigod. Look at us…” he jests.
Your breath jumps in amusement as you feel his lips against your sternum, and then your boyfriend is smiling against your heart, using you for comfort as you both pass the time waiting for Hypnos to come calling.
“In a year, we’ll be nineteen…And I know you never wanted to stay here forever, so… What’s next?”
You hold in a bated breath, always unsure of where to place yourself in rank of his priorities. Who were you if not his biggest supporter?
Luke contemplates for a moment in the silence of your bedroom. It’s much easier to think and have more adult… conversations… without the many meddling children of cabin 11 always asking for one more lullaby, one more glass of water, and one more tuck-in goodnight. Here in the privacy of your room, he gets to be a boy void of his responsibilities besides hiding under his girlfriend’s duvet, giving her another shirt of his to wear, and kissing her until Apollo’s rays of light gently help you wake.
“You tell me, trouble. What does the future have in store for us?”
Us.
He’s sweet to indulge in your fantasies like this, and you stroke your fingers through his curls as you speak, ‘I think it’d be nice to go to college. Made it this far, so maybe being normal won’t be so hard…”
A soft noise leaves his throat, urging you to continue as you bite your lip and smile.
“Maybe someday, we could get a house. One on top of a hill. I don’t need much, something like the Big House, but one we can call home.”
You can feel the teeth of his sleepy grin against your skin as he whispers the next words into your heart.
“We could do that. House with big bay windows, and the smell of my mom’s chocolate chip cookies in the air. Sounds nice, baby.”
And it does.
Luke’s eyes flutter shut shortly after, but your mind is awake with how to make the dream you now share a reality. Perhaps you couldn’t give him glory, or pray hard enough to Hermes so that he’d talk to his son, but you reckon that chocolate chip cookies would be easy enough. 
At least, it was supposed to be—until you set off the smoke alarm again.
“Oh for fuck’s sake!” 
Clouds of grey are billowing from the communal kitchen oven after your multiple attempts of trying to get this right. The dryads had both partially given up on the havoc you wrecked upon their workspace as well as your increasing frustration towards them. It wasn’t their fault, you knew that—but as a perfectionist who followed the recipe to a t, how was it possible that everything was still going wrong? The first batch, you got too excited and mixed all the ingredients together, making them lumpy and inconsistent. The second batch was over-creamed, and you had to scrape them off the tray, and with this one… well you had the oven setting on a bit too high.
You sigh deeply, pressing the palms of your hands into your eyes as you try to will away the mania creeping up your neck. Being the daughter of the god of insanity was hard, having to consistently control your emotions for the sake of others. Taking a shaky breath, you stare blankly at the darkened cookies, close to being burned to a crisp. The jingle of the windchime against the door rings across the room and you barely hear it until you feel Luke’s hands skate past your waist to go open a window.
“What’d you get into now, trouble? Been looking for you,” he says, coughing lightly from the smoke.
You groan, trying to cover the mess behind you on the counter and accidentally catching your arm on the hot tray, making you flinch.
“Ow! Ugh, babe, you’re not supposed to be here yet! I thought you were still sparring…”
Your boyfriend approaches you, squeezing your arm to examine if you’ve gotten hurt and tugging you towards him.
“That was an hour ago—how long have you been here, baby?” Luke pulls you into his arms, placing a kiss on your warm wrist, instantly soothing your anxiety until you see his eyes meet your latest failure.
“You bake now?”
“Clearly not, Luke, I’m sorry…I tried but I kept getting it wrong and then I got mad at myself for fucking up something so…” your voice weakens, tears welling in your eyes again thinking you’ve disappointed him.
Luke steps away from you and towards the kitchen counter, warm cookies browned to a crisp. He reaches out to pick one up before you can stop him, crunching down on it, the bittersweet taste filling his mouth as he sniffs.
Just like his mother would make them, through her madness and all.
He’s transported back to a memory of a house with big bay windows, kind of like the one you two dreamt up last night, but he’s nine and sitting at the kitchen table drinking Kool-Aid while his mom makes peanut butter sandwiches. May Castellan forgets the cookies in the oven again, and for a moment, Luke forgets that the last time he saw his mother was a lifetime ago. 
He doesn’t realize he’s crying until he feels your fingertips brushing away the saltwater from his cheeks.
“Didn’t mean to make you cry, angelface, I’m sorry…” you mumble, but stop speaking when you see him take another bite.
“They’re great.”
“What?”
He chomps on another singed cookie, his lips quirking into a soft smile. Luke’s not going to let you throw the rest of this batch out. Chuckling weakly, he lifts you onto the kitchen counter as he slots himself between your legs, rough hands patting your thighs.
“Well, they’re not great. But they’re perfect. Just the way I remember them,” he smiles, kissing the furrow in your brow. You don’t bother trying to comprehend his statement, happy that you didn’t mess up a memory he holds dear. 
Luke wonders if maybe he’s been blessed by his father after all, to have such extreme luck to exist at the same time as you. He doesn’t answer to the gods, to fate, but he does answer when you call his name, and settles into your arms. Love is an action after all, uncontained by just words, and he knows you tried your best, which makes it more than enough.
“She would’ve loved you, I’m sure of it,” he says rubbing his nose against yours before you can interject again, “I love you, so I know she would’ve too.”
Luke presses a tender kiss against the palm that caresses his jaw, before meeting you in the middle and finding your lips. It’s a dance you two have memorized, sweet and breathless as you meld both of your grins together. To him, you taste like chocolate chips and feel like home.
“I love you too, angelface. Almost burned the kitchen down for you,” your chuckle is cut off when he goes to press against your pout again hungrily, tracing patterns against the soft skin of your thighs as he just eats you up. The sound of your moans escapes between kisses as you wind your legs around his waist and it dampens the sound of the kitchen timer when it goes off. 
(You forcibly have to detach from Luke’s embrace, much to his displeasure so that you don’t burn the next batch too.)
"Your name is humming inside my chest. I think this is what it means to love. I think this is what it means to be living." -Emma Bleker
ask to be added to general/luke taglists!
luke taglist (some won't let me tag, turn on my post notifs?): @kissingyourgrl @dorcas4meadowes @lorarri @andrewgarfldsgf @noodlesketchbook @10ava01 @poppysrin @ashisabitgay @timhalamet @liv1104 @leeknows-wife @mxtokko @bugcuti3 @luvvfromme @midmourn @2hiigh2cry @yuminako @niktwazny303 @lukecastellandefender @intergalactic-padawan @iliketopgun @annybah @dangelnleif @thegrinningghost @alyssajunelle @obxstiles @m00ng4z3r @visndcaitswhore @b0ok-lover @elegant-face-tree @this-barbie-is-having-breakdowns @amortencjja @idonevenknow1359 @maliaaaa @targaryenluvs @sakyira @dhdjdjjdhsjdiri @number-onekidqueen @nininehaaa @bradynoonswife @stevenknightmarc @hoodedhavok @happy-mushrooms @homebyeleven @anotherblackreader @too-deviant @liviessun @lilacspider @theadventuresofanartist @sucker4seresin @simpforsunwoo @zanzie @starrystormwritings
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biceratops7 · 9 months
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I’m gonna SCREAM-
We’ve already established as a fandom that Metatron could teach a masterclass on gas lighting, but I wanna talk about how he specifically validates the things Aziraphale cares for while simultaneously devaluing them under the surface.
First off, this moment?
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Tells us everything we need to know. It sets the scene for exactly the games Metatron is playing. He makes Muriel feel important while openly insulting them (flat out calling them stupid), aka seamlessly reinforcing the idea that they’re less than to both them and anyone else in the room. He knows he can get away with this easily, he knows that Muriel, lonely, overlooked little Muriel, will be completely distracted by the fact that someone so important is taking an interest in them.
This is already horribly clever, but then later on you realize it’s doing even MORE heavy lifting when he appoints Muriel to run the bookshop. “See? What’s important to you is what’s important to me! I’ve graciously taken the time to ensure your beloved shop is looked after by Muriel. You know, the dim one!” …let’s suffice it to say he’s ensnared too birds with one net for this one, and that a pattern is already starting to arise.
So when Metatron says Gabriel came to Aziraphale because he’s a “natural leader” and “doesn’t just tell people what they wanna hear”? Yah he’s full of shit. Aziraphale struggles with his sense of purpose when he doesn’t have someone or something guiding him, and for thousands of years he’s been terrified of sharing his true feelings and opinions to 90% of people he’s known. Completely just trying to butter him up. Wanna know the real reason Gabriel seeks asylum with Aziraphale?
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Exactly this. Gabriel just says so point blank. It’s not because Aziraphale is this person for him, it’s because despite knowing nothing, he has this instinct that Aziraphale is the only one who can possibly understand why Gabriel did what he did. He is, I mean as far as we know, the only other angel who has fallen in love. (In general, let alone with a demon.)
But nope, can’t have that. We can throw the promise of restoring Crowley in the mix to sweeten the pot, but we can’t acknowledge why he’d want that so badly in the first place. So now it’s cause they work so well together. We can praise the angel for the fallen archangel Gabriel himself coming to him protection and guidance, give him a gold star. But we couldn’t DARE imply that it was by virtue of Aziraphale’s courage to choose earthly love over heavenly. How Gabriel didn’t need a leader, but a friend who’s truly known the joys of adoring that “particular person” and the pain of needing to hide it.
Cause then Aziraphale would start getting crazy ideas, like that his silly little human feelings have a great deal of worth. That they have the power to inspire, form cracks in the institution, fundamentally weaken what has controlled and harmed him. We wouldn’t want him to know the true value of the cards he holds when he has the ace in a match against you, now would we? After all…
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Metatron uses this ingeniously sinister tactic of taking away Aziraphale’s choice while giving the illusion that he’s actually opening up doors. Notice how he tells Aziraphale he would have the authority to do something as extraordinary as turn a demon into an angel, yet he never once puts the much simpler alternative of just working with a demon on the table? The sleight of hand here is that he’s being offered the opportunity to freely be with Crowley… but he’s already freely with him as is, no bargain to be made. In fact he fought to be. Metatron disappears this accomplishment right before our eyes, while seamlessly maintaining the illusion to Aziraphale that he (Zira) is in control.
He sets Aziraphale up for failure by only providing the option he knows Crowley will not only decline but be deeply hurt by. It’s all so cleverly planned. Once this plays out exactly how he wants, he delivers the finishing blow by diminishing Crowley and his “damned fool questions”. Suddenly doing a complete 180 and emphasizing how foolish and troublesome he is. Metatron was offering Crowley by Aziraphale’s side as The Carrot. Now he’s telling Aziraphale it was stupid of him to want The Carrot, un-heavenly.
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Aziraphale’s life, love, happiness, it’s all not only a massive inconvenience for Metatron but a liability. He has successfully taken a weapon from Aziraphale’s hands he didn’t even know he had. Metatron sees the writing on the wall, and he wants it contained.
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lady-raziel · 23 days
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and alright, here's my last (let's hope) and boldest take yet. lots of people have been talking about the level of staff (around 25-ish people) at watcher, and whether downsizing that number could have been a potential avenue of reducing costs before just jumping to a subscription model. at first i was like yeah, i'm not sure that there needs to be 18 people involved in making a lets play. i was in the fucking trenches in the unus annus days and i'm still amazed how markiplier and ethan nestor managed to put out pretty well edited videos every day for a whole year with only a handful of editors and a couple people filming. what unus annus was trying to do and what watcher is trying to do are obviously pretty different, but the point is that you really don't need a whole crew of people to make lots of different types of content and do it well.
i still think there probably doesn't need to be a whole production crew involved with the creation of some of the simpler types of content watcher puts out. however, i don't think the size of the staff is the real problem. in fact, i think the staff of watcher probably should have been larger.
let me explain. if i begrudgingly go to one of my most detested websites (linkedin. *bleeegh*) and look up watcher, i can see that pretty much every person on staff is in a creative role of some sort by their own admission. at first glance, its like, oh, that makes sense. they're making creative products, it's natural that they should all be in creative roles. however, once you think about it for a little longer from a business perspective, that fact is really concerning.
after all, by watcher's own definition, this is a production studio. this is a company. So in this sea of creative roles, who's doing corporate planning? Who's managing finance? Who's doing payroll? Or brand outreach? Or human-freaking-resources??? you can hire outside groups for all this. i'm aware. but those services cost a lot of money to contract too. i'm just finding it concerning that there is pretty much no one on full time staff that is there to at least do some of this stuff. if watcher wants to be a big-boy company, that's fine, but that means you have to pay some people to be part of your company to do the not-fun business stuff like accounting. or resource management.
if they want to be a real company, they should actually have a lot more people on staff to deal with all the non-creative parts of running a company. even if they contract out most of it, you want at least a few people that are your people and don't actually work for someone else. that's how you don't get screwed over or end up in a contract you can't get out of.
which leads me to my last train of thought. like, as i go through the staff of watcher and look at what they do, it really seems like one of the ONLY people who's job it was to look at the business side of things WAS steven lim in his role as CEO. and thinking about that, i'm like god, can you imagine?? here's a guy who just wants to create cool stuff too but as one of the few people who has to think about the realities of Brand and the Business, HE has to be the one to burst the bubble. He as CEO has to say no to people and make decisions to make sure the company survives. In a group of creative people who just want to make things they're interested in, no expense spared, he was probably the guy who had to stay at least a little tethered to reality.
I'm not about to say that steven lim isn't to blame here. everyone involved in making the decisions that have led up to this point is part of this. but shit, it absolutely sucks to have to be the person at the end of the brainstorm session when everyone is coming up with their best ideas and to have to say "guys, i don't think any of these things are possible unless we make some big decisions."
is that what happened at watcher HQ? i don't know. at this point, with radio silence from everyone, speculation is all we've got. but if you follow the thread of a bunch of creatives striking out on their own to make their own business after being burned by their former employer, despite not knowing really how to run a business, and then only hiring fellow creative people and not other people who actually run business things... well, all of this starts to make slightly more sense in WHY none of watcher's actions make sense. everybody wants to stick it to the man and be their own boss with their own business, until it actually comes to the hard parts of doing that. at that point people start to realize, "oh, maybe some of the things that existed at my old job were there for a reason, actually."
all this is why lots of creatives striking out and starting their own businesses don't work in the end. they're thinking about in terms of creative products still, when they really need to be focusing more on the "business" part of the "creative business." it's sad. it sucks. it destroys a lot of good ideas and good people, because one person in every company like that has to be the one who thinks practically. could this have been avoided if watcher had been hiring people all along to manage this business and not just adding people to add to the creative output? maybe. even then it might not have been enough to curb other predictable impulses that led us down this path.
i feel bad for watcher, and i feel bad for the fandom. but i can't help but wonder if this was always the kind of situation we were going to end up in, and we just missed some of the warning signs because ALL of us were thinking, "well, that could never happen to us. we're different. not the Ghoul Boys."
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foone · 7 months
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It's a time gun. A gun that shoots time. Not a gun to shoot time, that's a terrible idea. Time is messed up enough as it is without some fool shooting holes in it.
No, it shoots bullets of concentrated time. How much depends on the caliber. This gun is chambered for 24 hours. (Although the weird thing is that despite anti-time definitely existing, this gun has no anti-version: there's no anti-gun of time. Instead you just load the gun of time with anti-time bullets.)
So what's it do? Well, you know the saying that time is a river? Well, rivers have splits and tributaries, where some of the stream is split off and eventually catches up with the main body.
This shoves you off into one of those, as you're given more time than the general world has. You get some time that no one else has, until you resynchronize. You're in a frozen world of no time, with only you and any other simultaneously desynchronized people able to move and interact.
This may seem powerful and useful for those hit by time bullets, but it's less useful than you'd think. Your ability to interact with the world is quite limited. And the length of the time you have is critical: 24 hours is a good amount because it's quite survivable, any longer and you're likely to die of thirst or hunger. You can't eat atemporal food or drink atemporal water. Some nasty chronomancers have been known to build time guns of months or years, meaning their victims are instantly replaced with a shriveled corpse, knowing it wasn't a quick death, but a slow and painful one in a lonely world of unfeeling statues where the sun never sets.
You can still breathe, though. That one is... Well, if you can figure out why, there's a prize from the University of Towers for you. Since the existence of the temporal aether was disproven we really have no idea why that happens.
Still, a short trip into personal time can be safe and useful, if properly prepared. Pack provisions and books and writing implements and take it in short jumps, and you can get weeks worth of writing or studying done in a single night.
Anti-time bullets are simpler, at least simpler to explain. They similarly desynchronize your personal time stream, but it results in you Not Being until the timelines align. From your perspective, that happens instantly, with a moment of the standard temporal nausea. For everyone else, you're just gone until you can make up the missing time. So it functions very much like a time jump forward. A 24-hour bullet of anti-time brings you to this time tomorrow, with no time having passed for you, due to your temporal deficit.
It seems safer, at first glance. No risk of starvation, no isolation, just a blink and it's later.
But there's always the problem of telefragging. The universe doesn't like when two things occupy the same space, and while you're gone, your former and future location are accessible. There may be nothing but air there when you return, or there may be a wagon, a person, or a rock. And the results when you return are not pretty, or even explosive.
It's been experimentally verified* by chronomancers that the end result depends on how much of the returning being overlaps with the existing matter. Less than half, and they merge, in ways that are gruesome and almost always fatal. At best, you might lose a limb or a digit due to the overlap. At worst, you're dead instantly and your body is now merged with some other object in ways that will make the funeral closed-casket, and the casket will be an unusual shape.
More than half... Well, the universe REALLY doesn't like it when matter overlaps with other matter. It explodes, violently. Very violently. One chronomancer even suggested this might be used as a weapon of war, by building a siege engine that collides a large animal like a ocean-whale with a large block of limestone, utilizing a short anti-time trip to overlap them. This idea was shot down immediately, as was the chronomancer who suggested it. She'll be officially censured when she reappears, around 28 years from now.
* the tests were performed on standard laboratory voles**, not human (or other sapient) test subjects. All experiments were done with ethics board approval and whenever possible, time loops were employed to unperform any experiments that resulted in the death of test subjects.
** rats, often used elsewhere in science, can't be used here as their natural temporal abilities interfere with the experiment. See "there is only one rat", V. Tollens, U. of T. Journal of Time, TE 436.
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wip · 15 days
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A very very minor thing I have been curious about for a while, and I'm finally asking: why do you calculate queue posting times the way you do? For example, if I set my queue to post 3x a day, naively I would expect it to post every 8 hours. But in reality it posts every 6 hours with a 12 hour gap between days. Why complicate the math like that?
Answer: Hello @circumference-pie!
Buckle up y’all, it’s story time again!
First: nobody who works at Tumblr right now was a part of the work of planning the default queue implementation, which was more than ten years ago. So the full story behind “Why does it work that way?” has unfortunately been lost to the sands of time. All we can do is tell you how it works today and surmise some reasons why. The queue is actually a very clever system and part of how it works explains some of why it works the way it does. Also, there have been attempts to do what you ask—we still have “Queue 2.0” available in your Tumblr Labs settings, which tries to get closer to how you expect things to work.
Anyway! How the queue works today is not actually a queue in the traditional sense. There is no single list of posts that are in “your queue”. Instead, when you “Add to queue” after creating a post, we’re actually scheduling it to post at a future time, as if you had used the “Schedule post” option instead. We’re just calculating that time on your behalf when you use “Add to queue”, based on your settings, and how many other scheduled posts you have already. We use a secondary “index” model, called “ScheduledPost”, to keep track of posts you have scheduled on your blog. We do mark the ones that are a part of “your queue”, but the data model doesn’t keep one list of your “queue” per se.
You can see this in action on your blog, hiding in plain sight. If you add a bunch of posts to your queue, and then schedule a post for a specific future date, you’ll see both in your blog’s “queue” list, side by side. Because technically to us, they’re the same thing: queued posts are really just another kind of scheduled post, relying on the same always-running service to publish scheduled posts across all of Tumblr. Here’s a fun fact: we typically have about ~14.5 million future posts to publish from this list at any given time and are publishing hundreds of these scheduled posts every second.
So when you’re adding a new post to your queue, what we’re doing behind the scenes is starting at the beginning of your “day”, and creating time slots based on your queue settings. If a time slot is already filled, we move on to the next one. That’s why the default queue scheduler works how you describe—we’re trying to fill those “slots” based on the start of the day, rather than trying to divide the calendar day evenly. This just makes it much simpler for us to understand, scale, and predict when our “peaks” will be. At peak times, the publish-scheduled-posts service is publishing tens of thousands of posts in a manner of seconds. We did rewrite that post-publishing part of this architecture a few years ago to improve its efficiency and solve a lot of “lost post” bugs, but we didn’t change how “Add to queue” works.
However, the Queue 2.0 project available in Labs was an attempt to change the queue system to work as you expect—instead of starting at [beginning of day] and creating enough slots to fit [number of slots] every [number of hours], it tries to divide the calendar day into [number of slots] and fit the result back to the original algorithm’s mapping of the day. We never productionized this alternative approach, because it has a few bugs that some blogs hit in extreme cases, and we’ve never had time to fully fix them. It also can cause a bit of weirdness when time zones diverge, like with daylight savings time. Also, a lot of people prefer the default algorithm, and we haven’t thought of a nice way to transition everyone from one to the other. So for now, both options exist, and you can choose which algorithm for queue-slot-generating you want to use. We hope that makes sense! 
While complicated, it is a great example of a system built by engineers to make sense and be scalable and predictable. But sometimes these kinds of systems, while clever, aren’t very intuitive to understand without digging into how they work.
Thanks for your question, and keep ’em coming. 
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writersdrug · 2 months
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Nectar and Bane - Pt. 1
Pairings: Hunter!König x Witch!Reader
Pt. 2
Summary: König is hired to hunt down a pesky witch by a warlock, who paints you as the most evil thing in the past three centuries. With the promise of finding true love (or, the closest thing the warlock can offer: a brainwashed woman who is forced to dote on the hunter), König sets out on his journey. However, you aren't what he was expecting at all, and he develops a newfound obsession with making you become his.
Warnings: dubcon, mentions of rape, manipulation, kidnapping, sex pollen (kinda? If you squint? not really, but better safe than sorry), corruption kink, mentions of blood and violence, mentions of consuming human organs, unrequited pining, angst at the end, death (not for main characters), cowgirl, missionary, mating press, biting, hair pulling, nipple play, power imbalance, handjob, obsessive thoughts and behaviour (please let me know if I missed any!)
Notes: thought I'd try my hand a fantasy au version of cod, or at least of König. This is really long (over 15000 words) so I split it into two parts. The next part is pretty much done, I'm just exhausted and wanted to at least crank out half. Let me know if you would like to be tagged in pt 2!
ps if anyone has any suggestions or tips on how to make collages or banners for fics, pleeeaseeee lmk
translations at the end
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Watch your every step. From the moment you step foot into those woods, you can’t trust anything you see.
That’s what the sorcerer had drilled into his head before he had begun his journey. He called you dangerous, cunning… “A sneaky, meddling bitch…” he had grumbled over the table in that crowded tavern.
Two small pouches, one of silver, one of gold, sat in between the two patrons on the table. Stains of ale and coffee rings littered the unvarnished wood. The wax of the thick candle had trickled down and formed small, hardened pools at the base – its flame flickered weakly, casting unflattering shadows against the man’s weathered features, and making the portentous hood covering König’s face only that much more ominous.
He'd listened warily as the sorcerer described the witch – you. Tens of centuries old, too much knowledge and too little wisdom to use it sensibly. You take whatever you want by whatever means possible, and your favored method was using your physical assets and the promise of sexual devotion to coerce those within your web to do your bidding. “Sometimes it’s for her personal gain – sometimes, she does it for fun.” The warlock added bitterly. “Akin to a serpent, she winds you into her embrace, and then crushes your bones before she swallows you whole, saving your heart for last.” You’d done it to him, ensnaring him into your alluring trap, before stealing his spellbooks, his potions, his most prized collections… and vanishing into thin air.
An enchantress, König had concluded.
The warlock’s request? “Kill her. And be quick with it. The sooner this earth is rid of that swine, the sooner we can all rest. And, better yet – bring me her eyes! Potent things, witches’ eyes can be – of course, that is if they’re still working. If the bitch has gone blind, don’t waste dulling your dagger. A handful of her hair would do just fine.”
König had killed much worse for much less, and this sounded like it would be on the simpler side of things. A few days’ worth of hunting and a quick, efficient kill – hopefully, one of his easier jobs, although with the way the sorcerer described you, that might not be. He’d dealt with magicians before; up until now, they had been rather boring to hunt – tedious, but nonetheless, boring. Most of the time, they tried to end him with some elaborate incantation in the few seconds remaining of their life after he’d ambushed them. His silver blade would be slicing across their throats before they could utter five syllables. They were always so intent on murdering their victims slowly and in a flashy manner. With König’s preference for a more immediate result, he was usually the one collecting the fingernails, teeth, and tongues.
(Over time, he’d had noticed that it was always sorcerers ordering the assassination of other sorcerers. He wondered why they had so much of an issue amongst themselves, but he didn’t question it. Whatever kept him fed and paid for his room, he would do it.)
The picture the warlock was painting of you, however, made you seem much craftier and more calculated. You couldn’t resist the glamorous ways of murder via magic – it was written in your nature as a witch. But you played the game with your charisma and wit, too; something magic users didn’t typically rely on (half of the time, because they weren’t charismatic, nor witty). You waited until your assailant would fall to your wicked charm, before dissecting him like nothing more than a toad for your cauldron. If not an easy kill, you at least sounded like you would be an exciting one – but König knew he could get something more from this client for killing you.
“What more can you offer me?” he asked.
The warlock chuckled. “The gold is insufficient, is it?” he leaned forward and hunched his shoulders, speaking in a hushed tone. “Tell me, what do you desire? Recognition and respect? Revenge against someone who’s crossed you? To bring back a loved one from the dead? Or, perhaps, to find a love of your own?”
König’s shoulders tensed, and the rest of the warlock’s utterances fell on deaf ears. Could he possibly give him a chance to find himself someone to love? Someone that he and only he can worship? It was true that he would be happier to live alone, in whatever way that would allow him to be independent of society… but the thought of being able to live alone with someone, someone who was devoted to him, someone who could decorate his hut with signs of life and warmth, someone with a kind smile and a sweet voice, someone who he could spend hours upon hours with, memorizing each curve of their body, the taste of their nectar on his tongue…
He called it love. Others would call him insane. He’d heard it all before – how no one would ever love him, given his profession, his awkwardness in carrying a conversation about anything normal other than how sharp his knives are, and how he uses them… that, and the fact that he never shows his face (“He must be hideous under there…” they would speculate). Nonetheless, he still craved the devotion of an obedient, warm body waiting for him in his cabin at the end of the day – once he did get a cabin. Why should he be denied what everyone else wants?
He knew he was a hypocrite; he couldn’t expect someone else to be so willing to leave everything and run away with him. Not with his insane ideations and obsessions – hell, not with who he was as a person. But if he killed enough healthy rabbits to keep her fed, and if he fucked her hard enough that her eyes rolled back into her head and she couldn’t muster enough strength to escape the mattress… would she ever care about what kind of man he was?
The warlock smiled slowly. “Of course… that’s what all of you sick bastards want.” He said, leaning back and folding his arms. “If it will seal our contract, I will give you whichever woman you choose. I’ll make her yours, and only yours, with unconditional love – even for your damned soul.”
A fair deal, König had thought. Which is exactly what had him currently trudging through the dense woods, searching for any traces of a witch – a sack with two loaves of bread and some apples hung over his shoulder, along with his well-worn tashka stuffed with the coin he had earned over time. His sword was strapped to his hip in its sheath, his dagger (a short sword, when it was compared to the average person) stuffed into the lead-lined, deerskin sheath on the side of his boot; and a pelt, heavy and thick, hung around his shoulders. All he had to his name.
König had done a day of research on you – testimonies and sightings of you ghosting the perimeter of the woods at an early age, hoping to lure some poor soul away as your very first victim. “I imagine she was a succubus in her previous life,” the warlock had spoken, “maybe too much of a whore for even the devil to handle.”
He had caught you one night by luring you to his cabin with the scent of a savory meal. Guessing by your inexperience, and the way you avoided using words as you snarled and thrashed in the warlock’s grip, he assumed you had not yet reached one hundred years old. You were still young and fresh-faced, appearing no more than twenty to human eyes. “After a few decent meals, and reintroducing her to the work of her past life – she’d settled in as the perfect student. It almost felt like having a pet.” He added with a smug smile.
König questioned how happy you were with being reintroduced to the work of your past, but he didn’t comment on it.
After living with the warlock as his student and whore for a few centuries, you turned into a strong, young witch. You didn’t care to go into town, preferring to stay at the cabin and watch over the brews whenever he had to make deliveries or run to the shops. The warlock had no complaints about your desire to stay holed up in his home – fewer people to ogle at you, fewer glimpses into a more civilized life that might tempt you to run away. He’d much rather you be a brooding, antisocial bitch, than watch one of his clients stare at you with a yellowed, lustful grin, like you were some harlot in the window of a brothel.
On one particular day, without any indication of what you were planning, he had returned home from his rounds to an empty cabin – not just empty of you, but of his potion stock, his rarest ingredients, and his most prized spellbooks. He’d run into the woods in fury, screeching your name and hurling threats into the trees around him – but you were gone. Not a trace of you could be found within a five mile radius of his home.
It was like you had never been there, save the absence of his personal belongings.
In König’s opinion, you didn’t strike him as an extremely dangerous individual. Sure, the warlock had harped on and on about how cunning and deceiving you were – but all you had done was lie to him. And from the way he had described the conditions you were under, König didn’t exactly blame you for running away. Maybe this job was a waste of his time…
Still, he couldn’t find it in him to complain, despite the nip of the mid-autumn air, and the fact that he was embarking on what might be one of the most treacherous endeavors of his career. He was getting a decent payout for it – that is, if he lived to finish the job. Additionally, the scenery was a comfort to his journey; wiry birch trees stood high and thickly clustered, their brown and black spots like ever-watchful eyes, staring at the gargantuan hunter as he moved. Their golden leaves mimicked the light of the sun, the real thing blocked out by the overcast skies. A whisper of wind flew by his ears, carrying down and blowing the leaves further along his path with a gentle sigh. As if nature herself was telling the world to be quiet, be still, and prepare for winter.
It was times like this where König became unsure of himself. What if he hated having someone else to care for? What if, deep down, he preferred the silence and the solitude? But then, the loneliness would strike him. The longing to be understood (if that was humanely possible), and the desire to have something warm, alive, and sentient to acknowledge him. It consumed him on those sleepless nights, perfectly warm by the hearth of whatever inn he resided at, yet so hollow without having someone to wrap his arms around.
A swaying movement in the branches above pulled him from his thoughts. Hanging down by a twine thread, tied to one of the spindling birch branches, was a tiny, burlap pouch. It reached a few feet above König’s head, and was drenched in a dark, thick liquid that dripped rhythmically onto the forest floor. Looking to where the drops landed, he noticed the matter on the ground was decaying – a steaming pile of rot was all that was left of the leaves that were once there.
He frowned. The trap was clever – for a witch in their first century. König had expected something a bit more dangerous for someone your age. Maybe the last hunter had been too gullible, and you stereotyped them to all be oafs. Or, maybe you were too old and couldn’t craft traps with the same skill and precision as your younger self.
He drew his dagger from his boot and quickly sliced the twine thread. The pouch dropped to the floor with a squelch, landing in the very puddle of death it had created. The liquid beneath it bubbled and hissed, and the bag soon dissolved to reveal its contents: bits of bone – a kind of reptilian foot, from the looks of it – dried pomegranate seeds, and a fuzzy layer of mold, all appearing to be drenched in some kind of blood.
He carefully stepped around the stinking mess, his eyes turning back onto the path to continue his hunt. He both hoped for and against finding more evidence of your existence. He wanted to get back to town as soon as he could, so he could hole himself up in an inn until his money began to run out – all the same, his mind craved a puzzle and a chase. Though, with how old you were, he doubted there would be much of a chase.
More leaking, swaying hex bags hung from branches as he trudged on, pointing him in the right direction. He didn’t bother to quiet the sound of the leaves beneath his footsteps – the rustling of the wind through the foliage was doing the job well enough. He held onto his dagger tightly, his other hand on his longsword, as he carefully toed through the dense forest. He had to be close – the smell of fennel and turmeric settled around his presence, along with the babbling of a nearby stream.
The sound of a distant tune danced through the trees. The voice was soft, yet clear, and whoever it belonged too was much too confident that they were alone in these woods. König wondered if it was actually you, and not some poor soul who had been foraging for the autumn mushrooms and berries – but he was nearly a day’s trek into the forest. No one would dare come out this far, unless they wanted to be alone. And, they were potentially hiding from something; their own past, perhaps.
He cautiously followed the sound of the tune, still disguising the sound of his own steps within the rustling leaves and wind. His heart thrummed with both uncertainty and excitement; he always did get too thrilled at the idea of a struggle and blood covering his hands. He took a deep breath in through his nostrils, focusing his attention on the voice that carried through the trees, pulling him closer and closer… He gripped his dagger tightly as he crept, reminding himself of the warlock’s warning: cunning, sneaky – be on your best wits.
The voice brought him to the edge of a clearing. The birch trees parted and encircled a few meters of earth, and a few bushes huddled along the far edge, dotted with purplish berries and thorned branches. A wicker basket, woven clumsily and rather lopsided, sat on the ground and caught each berry and branch that was tossed into it. A figure knelt in front of the bushes, carefully plucking the berries with thin, delicate fingers, stained purple from the juice of the berries, and nails that might need a trim soon, unless they were intended to be claws.
The cloaked figure confused König. The voice was too melodic, too clear and fresh for an old witch. He had assumed you weren’t much younger than the warlock, but still old. He remained a few yards away from you, shrouded by the trees and dense foliage outside of the clearing.
It was when you turned your head, dropping your handful of berries into the basket, revealing your face, that he realized how wrong he had been in his assumption.
Your skin was soft, he could tell even with the distance between the two of you. Your lips delicately moved as you sang your tune, your eyes sparkled in contrast to the dull autumn colors that surrounded you. Small wisps of your hair danced around your cheeks as the wind caressed it. Your entire body looked soft, warm, and pliable… exactly what he needed. Craved.
It wasn’t hard for him to imagine it: leaves tangling into your hair as he pressed his fingers around your neck, pushing you to the cold ground and watching as you gasped for air. He’d use his knife, but not to kill you. He’d drag it over your hardened nipples, watching them perk up even more at the prickling sensation, before he’d carve his name into your stomach. Smear your pretty blood all over your pretty face, watch as your eyes widen with horror, as you question how someone can be so deranged and cruel, how he can take so much pleasure in something so vile and horrible-
Or maybe, he could convince you that he just wants a fuck. You looked like you could use one – when was the last time you’d had someone’s lips on your breasts, or their cock in your cunt? It had certainly been too long for him… he couldn’t imagine how long you had gone without being thoroughly ravaged, living in these woods all alone. He could take care of that. He could be gentle, for a little while; holding your wrists above your head as he pushed you against a tree, whispering praise and encouragements into your ear, “… so gut, so Schön, genau so…” taking you from behind as your nipples perked up from the rough texture of the bark, listening to you whine and moan in that sweet voice of yours as he lets out months’ worth of pent up frustration by thrusting his cock into your warm pussy, over and over and over until you scream and tighten around his length, milking the cum right out of him as he fucks you deep, maybe sinking his teeth into the junction of your neck-
He growled quietly, palming his rapidly-growing erection as he tried to clear his head. Stay focused. Kill the witch, and then you’ll get what you want.
Remember the warlock’s promise.
Even if he didn’t need you to satisfy his needs, he could still make this interesting. Not like you could outrun him, anyway.
He stepped into the clearing, and as if by some ironic joke, the wind died down immediately. The crunch of his heavy boots was enough to make his presence known to any living thing within a mile radius.
Your singing stopped. You whipped your head in his direction, and immediately a look of fear fell upon your face. For a moment, the two of you were frozen in a staring contest. You reminded him of a doe, staring at the crossbow of the hunter you had noticed, wondering if this being was actually dangerous, or nothing you needed to worry about. He wondered what he must remind you of, and he wished to hear the panicking thoughts flitting through your mind.
Finally, you broke the trance – you gasped, stumbling backwards and awkwardly standing as you ripped a pathetic, little knife from your boot. You faced him and pointed the knife at him – you held it improperly, and if he truly wanted to make this messy, he could easily make you stab yourself in a struggle. He wondered what it would feel like when your nails dug into his rough skin, dragging marks down his forearms (or his back, if he played his cards right).
You pulled the thick cloak tighter around your body – you were tiny. Well, everything was tiny compared to König. But you were unexpectedly small. With the way the sorcerer had described you, he had expected you to reach his shoulders at least. But there you were, craning your neck to look up at him with fearful, owlish eyes.
“State your business!” You demanded, your voice cracking slightly.
König chuckled in response. You really were too pathetic for your own good, weren’t you? He took you in – your lips were pulled into a frown, parted slightly to reveal your perfect teeth, the way the fabric of your cloak quivered where it bunched in your fist… perfectly ordinary things that ordinary people do. But, besides the fact that you were a witch, something about you made it all so captivating.
“Hey!” you shouted, bringing his eyes back to your gaze. Your fear had given way to a judgmental ire. “Gods, have you ever seen a woman before?!”
König scoffed. “Woman? Yes, of course. I’ve seen witches, too. None as young as you, however.”
Your eyes widened in panic once again. You stretched your knife out towards him as he stalked over to where you stood. “S-stay back! I’ll kill you!”
Your meek threat didn’t slow him down. He continued his advance until he had corralled you against a tree, your one hand bracing against the trunk behind you, and the other holding the knife under his ribcage. The only thing between his flesh and your blade was his linen tunic, which wouldn’t do much to protect him should you decide to stab him – but were you capable of that? Your eyes were so filled with fear as they stared at him, your chin to the sky to take all of him in. Your fingers trembled around the handle of your knife as if the prospect of having to nick him made you uneasy.
“Not with magic?” he asked, his eyes flitting to the bush next to you. He plucked one of the berries between his thick, gloved fingers, rolling the onyx sphere between his thumb and middle finger before squashing it.
You pouted (a sight König could never grow tired of). “I’m not a wi-“
He snatched your forearm, and you yelped, dropping the knife to the forest floor. His fingers easily wrapped around you; he wondered how easy it would be to break it.
“Don’t lie, now.” He ordered, his eyes narrowing with a hint of annoyance. “You’re not good at it.”
He released your arms with a shove. You scrambled back with a fearful expression, swiping the blade from the ground. He watched with interest as you stood several yards away from him, pointing your weapon towards him once again.
“Fine.” You said, holding yourself a bit taller. “You’re right. What’s the crime in that?”
For a moment, König was lost. Why weren’t you trying to weaponize your magic? It was almost as if you had forgotten you weren’t a human. For someone who was supposed to be a cunning bitch, as the warlock had put it, you weren’t very smart.
“I’m not here for justice.” He replied, wiping his glove on his shirt. “Just doing my job.”
“Hunter?” you asked.
He extended his arms – gods, he could have crushed a pillar between those arms – as if presenting himself to you. “Was it not obvious?” he asked, and you could hear the smirk in his tone.
You huffed. “Well, you’re not a very good one. Most hunters don’t make conversation with their prey.”
Prey. He liked that you understood your position, that he was the one in charge here. Maybe you were a clever girl…
“I like to listen to the begging.”
“Begging?”
“For your life.” König folded his arms over his chest, inspecting you closely. The only thing you had to protect yourself was your cloak, and that hardly provided a shield against the wind. Even though you were obviously wary of him, it wasn’t wary enough. You had spoken too many words with the hunter, and had it been anyone else, you might have been dead long before now.
You seemed malleable – book-smart and spitfire, yet all too gullible. Easily manipulated. Just what he needed to brainwash you into loving him. Or, at least, being his pet. You’d never truly love him, he had come to learn that from experience. But maybe, if he could somehow convince you that you needed a big, scary man, who could protect you and fuck you nicely, it would be enough to make you stay. After all, you were too naïve to be alone out here, weren’t you?
Could the warlock perhaps make you his prize? It’d kill two birds with one stone, he could convince you to return whatever knickknacks you had stolen, and your presence would never bother anyone ever again – besides him, but of course, it would never be a bother to bed you every night.
Your expression turned sour. “I don’t beg.”
The tone of your voice sent a shiver down his cock. He’d have to pound that little attitude right out of you.
“Who hired you?” You asked indignantly. The knife in your hand had slowly lowered, now pointing at his feet. Your initial fear seemed to have worn off. Were you brave, or just that stupid?
“It doesn’t matter.” König replied.
“It does to me.”
“You don’t know? How many people have you wronged?”
You scoffed. “I haven’t wronged anyone. People just don’t like it when you call them out on their atrocities.”
König hummed. You had a point. “Your teacher – the warlock.”
For a moment, you scrunched your face in disgust. Teacher. Only a fool as mad as the warlock himself could consider he was any such figure in your life, other than a torturous one. Then, you sighed, shoulders slumping defeatedly, the knife now aimed straight at the forest floor. “That old toad can’t even kill me himself…” you muttered. “What payment did he offer you?”
“He promised me anything I desired of your possessions.” König replied, taking note of the change in your presence. He purposely left out the warlock’s promise to find him a “companion.”
“And what would you do with cursed fig seeds, or stag’s blood?” You asked, folding your arms over your chest (which, König noted, framed your breasts perfectly). “I have no gold – not enough to be a reward for the trouble of killing me.”
“He gave me three hundred gold coin, too.”
Your lips turned down into a scowl. “That’s all?! That absolute hypocrite!” You lodged your knife into the tree behind you and placed your hands on your hips. “I took everything from him, save that disgusting old shed he called home, and that’s all he’ll pay to kill me?!”
Your outburst pulled König from his obsessive staring. “You’re… insulted?”
You turned back to him and huffed. “Well, obviously.” You retorted. “I stole all he had to his name, and he treats me like a fly buzzing in his ear. I deserve a bit more recognition than three hundred gold coin.”
“You admit to it, then.” König said, stepping closer. You appeared to be too angry to notice how near the hunter was to you. “You are a thief.”
You laughed – a sound that König did not expect to be so sweet. “I’ve done much worse than thieving, mind you.” You shook your head. “And he’s done even worse to me.” You sighed, pulling the dagger from the tree trunk and sheathing it back into your boot.
Once again, he was reminded of how small you were. Why weren’t you afraid of him? Sure, you had the advantage of magic while he did not, but you weren’t even acting defensively anymore. You treated him like a traveler who had stumbled across your path, starting up conversation and sharing your story.
“What has he done?” he asked, his interest in you growing by the second. An outcast, despised, hated by others. He felt that the two of you were kindred spirits, and he would not risk losing a connection so rare – one he had never felt.
“You mean he didn’t even tell you?” you said, sounding more hurt than anything else.
“He did.” König sheathed his own dagger as a peace offering. “But I’m coming to think he was not entirely truthful.”
You sighed, looking down at your basket, then back at König. “I suppose I could tell you, since he brought you all this way to kill me. Walk with me – but keep your dagger away. And if you try anything, I’ll slit your throat. Understood?”
He suppressed the urge to laugh. Could you even reach his throat? “The warlock said you would lure me away to your hut, and carve out my heart.”
You huffed disappointedly, walking back to the bush near König. Completely calm, like he had only ever come up to you with the intention of finding a friend. “And yet, he’s still alive, after all the chances I had to kill him. We can stay outside of my hut, if it eases your mind. I’ll let you make your own tea, too. But if you aren’t set on killing me right this minute, I really should return to start drying these out.” You held up your basket. “Before too much time passes, and I can no longer use them.”
König had never given his prey more than a few moments to try and beg their way out of his crushing hands. He couldn’t believe he had even given so much lenience to your baseless trust in him – what he should have done was take the opportunity to grab your face and snap your neck. But he was starting to doubt the warlock’s testimony; you were a thief, yes, but had you really committed any crime? Or were you simply just taking the revenge you deserved from your captor – or, as the warlock called himself, your master?
König sighed. He gestured his hand out, signaling for you to lead the way.
You frowned. “First, give me your word.” You demanded.
“I will not harm you.” He said, with a hand over his heart. He didn’t care about forcing you to make the same promise – you were harmless enough. He did, however, make sure to avoid saying that he wouldn’t touch you. Although he was developing a few ounces more of respect for you, who knows? Maybe you would find a reason to drag him into your hut and satisfy both of your needs – and, if he was lucky enough to get that far, maybe you’d offer for him to spend the night in a warm bed, and he could be saved from sleeping on the cold earth for one night.
His word seemed promising enough to you. Threading your arm through the handle of the basket, you began marching through the woods, watching the ground carefully as you stepped over roots and twigs.
König followed by your side, watching you from the corner of his eye. You really were helpless – all it would take is a strong push from him, and you’d be tumbling down, maybe hitting your head on a stone, or rolling down the mountainside until your neck snapped. Even if the fall didn’t kill you, he could easily land one hit to your chest and pierce your lungs with your own ribs. But here you were, worrying more about the uneven forest floor than the lumbering creature by your side.
“What did he tell you?” you asked, pulling him from his fantasies. “About the beginning, when he took me.”
König laughed in pity. “He made it sound like he caught you, not that he took you.”
You sighed. “He didn’t catch me… well, I suppose he did. More like how animals are caught.” You adjusted your grip on the basket, still watching the ground beneath you. “I was the botanist’s assistant before he came along. Stared at me like I was naked. He would come more often than he needed to -  asked me where I was from, who my father was – things I didn’t understand why he needed to know. I still don’t.”
König didn’t understand himself. He continued to listen, the sounds of his footsteps drowning out your quiet ones. He began to wonder just how much of the warlock’s testimony was true.
“He came to the shop one night.” You continued to recount the story. “I was lighting the lanterns in the greenhouse. It was storming, and I didn’t hear him. He bludgeoned me and dragged me into the streets like I was some sort of animal.” You paused, turning your own words over in your head. “I suppose I was, to him.
He brought me back to his cabin – that’s when he started the curse. All I remember when waking up is feeling sick. I tried to stand, but it- everything felt heavy, like I was stuck in mud. I managed to crawl outside, and he was there. Saying my father wouldn’t recognize me, that he had killed the old lady at the botanist, that everyone would think that I had killed her… that I would be burned if I returned to the village. That I would forever be an outcast as long as I lived – as a witch. As what he made me.”
You paused again, for longer this time. König looked down at you, observing how your face twisted in… disgust? Anger? Your eyes were somewhere else, possibly somewhere where you could light the world on fire, drain the life from everyone who had ever done you wrong. König had felt that same hatred before, and he had learned to let it pass. You were still stuck there, wishing you could drive a blade into the warlock’s neck – and more.
“You stayed, then?” König asked, returning his gaze to the trees before him. “Why?”
You scoffed. “It’s not like I could go anywhere, not during the change. For the first fortnight, I couldn’t do anything but crawl on the ground and wail. And he let me – I’d get to the edge of the woods, and he’d be there to drag me back. Drug me into the hut at night and held me, fucked me, saying he was protecting me and similar bullshit. Of course, he was right; at that moment, I was as good as dead if I had ventured out on my own. And once I’d gotten my strength back, I was still a new witch. I’d never be accepted into the village – witches never are, despite the warlocks being the vile ones – and I had no idea how to live as one. So I relied on him for a while, until I knew enough to make it out on my own.”
König hummed in thought. Despite the initial desire to snatch you himself and have his way with you, his fists clenched at the thought of you being dragged around by the warlock. This life wasn’t one you had chosen, and yet the very person who had forced it upon you was killing you for it. It made something within him boil, something deep and buried, that he had thought had been tucked away for good.
You didn’t deserve any of this. He was fighting with himself in that moment, but the desire to show you what you should have been given was consuming him. He wanted to tell you that he knew what it was to be an outcast, he knew what it was like to feel lonely and crave being alone at the same time. To wish that you had the power to hurt anyone you deemed deserving of it, yet to have that someone who would never hurt you.
He would do it. He would be that person for you, he would be the one to kill for you. He knew he was getting ahead of himself – after all, he was hired to kill, you, not fall for you. And he knew it was just another one of his delusional fantasies… but he couldn’t help himself. You were like him, which was something that he had not yet been able to find. Something primal in him told him to sink his teeth in, to hold onto you until you stopped your struggling and realized that this would be good, for the both of you.
He was insane. But did it matter what he was, as long as he could give you what you needed?
“So, yes-“ you continued, bringing König out from the depths of his thoughts. “- I stole from him. Took the books he used to teach me, maybe a few ingredients for potions, a few seeds to start my own garden… but compared to what he took from me, I might as well have taken a loaf of bread.”
You stopped suddenly, and König came to a halt beside you. You nodded your head to the scene before you. “It’s not much, but it’s home.”
König looked ahead: the trees parted into another clearing, larger this time. A rickety hut leaned against a wall of rock, made of thin, birch logs and mud slathered on top to keep out the wind. In the center of the clearing was a large stone, positioned near a pile of ash and rocks. A log lay near it, possibly another place for someone to sit. A small garden sat closer to the creek before your hut – it didn’t look to be doing very well, but that was expected as winter approached.
By the creek, there was a large, twisted oak. Its roots hung directly off of the bank and down into the water. Its leaves had fallen to the earth and mingled with the rest of the foliage by now – the entire thing had crimson paths winding around it, hauntingly similar to blood-filled veins. Several pieces of clothing and fabric hung from the branches and swayed in the autumn wind.
As you marched ahead, placing your basket down by the makeshift firepit and disappearing into the hut, König took a few, cautious steps forward. He was both charmed by the simplicity of it, and despondent that you were forced into this lonesome sort of life. He wanted to drag you from this measly hovel and show you something better.
But how? He was no better off than you were. All his earnings were spent on a room at the nearest tavern and a decent amount of ale to help him fall asleep. He never cared about having a home, as long as he had a place to keep out the cold. He didn’t think it would be good enough to drag you back to the village and convince you to spend the night with him in a thin-walled, noisy inn… but, even if he didn’t end up killing you today (something that seemed more and more likely with each passing second), he refused to leave you in this hell. If it was a cozy cabin, built so far away from civilization for the sole purpose of privacy and comfort, he could understand. Maybe even plead his case to you so you would let him stay. But this – this was a last resort. A broken down spot in the woods that you made for your banishment, for hiding. This wouldn’t do.
Call him insane. Call him crazy, hopeless, sick in the head… maybe his desires were founded on the thought that he would give you what he had never received.
You emerged from your hut, the thin, wooden door clanging shut behind you. You looked at him with a puzzled expression. Why was he still standing at the edge? You wrapped your cloak tighter around yourself and made your way over to him, your hair blowing across your face.
He watched as you stopped in front of him, your brow creased with question. Your head tilted back to look up at him, yet any traces of fear that you had shown earlier were gone. You looked at him like you’d known him for the past hundred years. It made his heart ache within his chest.
How could anyone have painted such a wretched picture of the woman who stood before him?
“Is everything alright?” you asked, tucking a strand of hair behind your ear. “Like I said before, if you’d rather we stay outside-“
König interrupted you, reaching down and grabbing the sides of your arms firmly. You sucked in a breath warily, but you were still not afraid of him.
“I- you-“ Scheisse, what is he trying to say? He wanted to take you away, he wanted to show you how similar the both of you were to each other, he wanted to show you what (he thought) love was – slow, gentle, possessive, and strong. He wanted to keep you in his pocket, both to keep you safe from the world, and to make sure you couldn’t be taken from him. He wanted you, you, you –
This is insanity. He knew it. But that didn’t stop the fire in his chest, and the questionable throbbing in his trousers.
You knew. Your eyes said everything as they softened, as your lips pressed together into a knowing, sad smile. Were you going to turn him down? Would you say that you preferred it this way, that you liked being alone and living like a prisoner on the run? You took his face in his hands, and he had a foreboding sense in his gut that you might tell him to leave.
Quickly but gently, he cupped one hand at the back of your neck and pulled himself down to you, pressing his lips to yours before you could speak. It was only right, he thought, as he held the kiss – you didn’t understand that he could help you, he could build the life you deserved and keep you safe from any other hunters and warlocks. He placed his other hand on your lower back and pulled you in, moving his lips against your own and praying you wouldn’t deny him.
Like an angel answering his prayers, you tilted your head and wrapped your arms around his neck, standing on your toes and kissing him back. He tugged his teeth at your bottom lip, and you so graciously allowed his tongue to slip past your teeth, letting him taste you. He whined, flooded with relief that you didn’t try to shove him away and call him deranged.
His cock was quickly growing hard, but he ignored it. Right now, he needed to figure out exactly what he needed to say to make you-
A raven’s call tore through the air, piercing his thoughts. It was much too close than any bird would naturally be.
He tried to turn his head in its direction, but you dug your fingers into his hair, making him stutter and freeze on the spot. He grabbed your hips, about to pry you away-
You pressed your lips firmly to his, and he heard you faintly muttering incoherent words against him. The world around him was suddenly showered with colors: purples like the berries that had stained your fingers, oranges like the leaves that were scattered across the ground, silvers like the thick clouds that blanketed across the sky… The black spots on the birch trees suddenly blinked and flitted across his vision; thousands of them stared at him, and he heard your sweet laughter echoing in the distance as the world spun, spun, spun…
He felt the cold earth press to his cheek, and the last thing he remembered was a sickening ache in his stomach.
He should have heeded the sorcerer’s warning.
- - - - - - - - - - - - - - -
"… so gut, so Schön, genau so…”
... so good, so beautiful, just like that...
450 notes · View notes
meidnightrain · 1 month
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HE IS LOVED❞ - aventurine
summary: he has been many things in his life, loved is one of them
warnings: reader is gn, angst, spoilers for 2.1 penacony quest
notes: maybe this counts as hurt/comfort, i'm not too sure actually. we have another one week to go before his release :)))
taglist(open): @akutasoda , @ryuryuryuyurboat , @toorurs , @yvnaology , @tragedy-of-commons , @staarri , @rainswept
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“what am i to you?” the words falter even before they leave his lips, willing himself not to let his guard down even in front of you.
AVENTURINE has dreaded asking this question, lingering in his mind the first time he knew that he wanted you. your eyes twinkled under the fluorescent lights; they are stars in the lifeless abyss that is his. when the world comes to a standstill, the blaring music of the bar does not bore into the crevices of your brain any longer. everyone is frozen around you; only you two are unaffected by time.
you make him feel like he’s gambling, his heart racing faster than a car trying to beat the red light. it is not exhilaration; it is fear. it is his hand clenched under the table, shaking so violently, waiting for luck to run out eventually. the voices in his head grow, swirling like a sandstorm back on sigonia-iv. 
failure discarded selfish useless pointless coward murderer gambler blessed discarded loser chosen-one mother goddess's beloved crazy murderer
it’s the same feeling he gets when he prays to the mother goddess for the dice to fall in his favor, or his heart will be the price. the sand stings his eyes; it burns him. it takes him back to a time when all his problems were simpler than they are now.
blessed failure discarded loser pointless coward murderer chosen—one selfish, blessed, discarded loser
how does AVENTURINE live, knowing that everyone is gone because of him? why would you ever like him, who has the blood of innocents on his hand? why would you ever care for him, who has brought doom to his entire family? why would you ever love him, who is not worth more than a few copper coins? 
“are you okay?” your voice is soft under the howling sandstorm, and his breaths come off as ragged as he nods your concern away with a gambler’s grin. your lips move, but he cannot hear a thing. the world is too loud for him to hear, and he is suffocating. he faltered—one step, then two. he brushed it off; he stood straight, but he tripped. he is sinking; the floor is made of quicksand, but no one is there to pull him out. it’s overwhelming—the flashing lights and the booming bass—and the colours blur together in a dazzling display that makes him sick and makes him small.
and he can feel you shaking him by the shoulders in an attempt to snap him out of this daze, but he sinks deeper and deeper into this feeling that he has struggled to repress all this while. it makes you feel helpless, his mind spiralling down to where you cannot follow, watching him crumble due to your silence.
chosen-one loser discarded pointless coward murderer gambler blessed discarded useless loser chosen—one selfish mother goddess’s beloved
he does not realise that you have whisked him away to one of the private rooms of the casino. his chest is heaving with every breath he takes; it's like the hourglass he's in has tipped over and AVENTURINE is drowning in sand.
“how can you love someone who can’t even love himself?” his voice does not crack; it shatters in all the wrong places at the wrong time. he is not humiliated, nor is he embarrassed; he is exhausted. he has hidden for so long underneath rose-shaped lenses, kept his cards close to his chest, and hated himself so much that he could never imagine himself being loved. he is undeserving, he is a burden, he is unlovable, he is unlucky, and he is cursed. he is a loser. 
loser loser loser loser loser loser loser loser loser loser loser loser.
you are calm, and the storm quells at the touch of your hand on his shoulder. the sand clears, the grains dissolve from his eyes, and he can see you. he can see the crinkle of your smile and the way the wind plays and tousles your hair; he sees all of you, and you see all of him. "by loving you. with everything that i am, you are not unloveable."
"you may not be able to love yourself right now, but i love you enough for the both of us." your arms enveloped every part of his trembling figure, and he held onto you for dear life, unwilling to let go.
AVENTURINE will never love himself. he doesn’t need to if he has you by his side. for all the love he had, it belonged to only you and his family. 
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© AVENTURNE 2024. DO NOT COPY, REPOST, SHARE, TRANSLATE OR REUPLOAD MY WORKS ONTO ANY OTHER SITE WITHOUT MY PERMISSION
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literaryavenger · 2 months
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Not So Bad
Summary: It's Bucky's birthday, but he doesn't want to make a big deal out of it.
Pairing: Bucky Barnes x Reader
Warnings: Language. None, really just fluff. No mentions of Y/N. My poor attempts at being funny.
Word Count: 1K
A/N: He's my second story for today. Happy birthday, Bucky! Thanks to @ordelixx for the idea and @mrsbuckybarnes1917 for read proofing it.
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Ever since he’s rejoined society and gained the closest thing he can have to a normal life, being a supersoldier and all, there’s one thing that Bucky can’t bring himself to do: celebrate his birthday.
The more memories he regains, the more he remembers a time where he used to celebrate his birthday with his family and his friends.
Sure, they didn’t have much, but he had his mom and his sister and Steve. It was a simpler yet happier time, and he now all he feels is gloomy.
So every year he treats it like any other day. He trains and goes on missions if he has to, and if he’s in the compound he chills with a book or maybe takes a motorcycle ride, never once even making it known to the rest of the team that it’s his birthday.
“Seriously, Buck? That’s how you’re gonna spend your whole day?” Steve asks Bucky as they walk down the hallway towards their rooms.
“Yes, seriously.” Bucky answers with a roll of his eyes. Every year Steve tries to get Bucky to do something more to celebrate his birthday, but Bucky never budges. “You know damn well what I think about my birthday.”
Steve groans and stops walking, causing Bucky to stop too, and tries one last time before leaving Bucky to his sulking. “I know, but come on! Let’s at least do something together. Let’s celebrate your birthday like we used to, go to Coney Island or something. Don’t spend the day alone!”
“We spend everyday together, Rogers. Sometimes it’s nice to get a break.” Bucky jokes with a smirk before he starts walking again and leaves Steve to chuckle and roll his eyes before he walks to his own room.
What neither of the supersoldiers realized is that they had stopped right in front of your room to talk, just as you were about to walk out. You stopped in your tracks and listened to their conversation.
It’s Bucky’s birthday? How did you not know that? Sure it’s not like you’re the best of friends, but you’re still pretty close. You should’ve known that.
So you decide to do something nice for him today while still respecting his wishes of having a low-key day. You take your purse and jacket and head to the garage, getting into your car and driving towards the city.
Truth is, you’ve always had a crush on the Sergeant. It was hard not to when he looked the way he did, and he was as sweet as Bucky was. 
As intimidating as he might look, you knew how shy he could be. He got flustered easily when he got a compliment, and you found him so adorable when he started blushing and stuttering.
You go to the bookstore you know Bucky loves to browse when he is in the city, it’s a small store that’s filled with second hand books. Bucky always said that he loved to give books a second chance, just like he got one after Hydra. 
You look through the books until you find the perfect one: Of Mice and Men by John Steinbeck.
The team saw the movie together when it was Steve’s turn to pick, and as you sat next to Bucky you heard him quietly talk with Steve about the details they remembered from reading the book in the 30s. 
You go to Bucky’s favorite bakery next and buy two dozen of his favorite cupcakes, and when you see that they sell different colors of candles you have to buy a gold and black one.
You drive back to the compound and, after dropping the rest of the cupcakes in the kitchen for the team, you take one, putting the candle on top of it and taking a lighter. You go to Bucky’s room, cupcake in one hand and gift bag in the other, and knock on his door. 
“Come in.” Bucky says from inside, thinking it’s Steve coming to bother him again.
You open the door slightly and look inside, seeing him sitting on his bed with his back against the headboard and a book in his hands.
“Am I bothering you?” You ask hesitantly.
“N-no, you’re not. Come in.” Bucky says quickly, closing his book and sitting up straighter.
You open the door completely and enter his room, taking a couple of steps towards him before stopping. “I… I got you something.”
Bucky’s eyes widen a little as he sees the cupcake and the gift bag you’re holding out to him.
“Did Steve tell you?” His eyes narrow a little, and you squirm a little under his gaze and shake your head.
“I overheard you talking about it…” You say quietly, a little embarrassed. “I get that you don’t want a party or anything, but I thought… I don’t know, I just wanted to do something nice for you on your birthday…”
You start to second guess yourself as he just looks at you and, just as you’re about to backtrack on your stupid idea and leave him alone, he smiles brightly at you, sitting on the edge of his bed and patting the spot next to him.
You sit next to him and you put the bag on his bed so you can light the candle and hold the cupcake out to him with a smile. “Make a wish.”
Bucky thinks about it for a second. He knows what he wants to wish for, the thing is he already got his wish: you in his room, sitting with him on his bed. But he makes his wish anyway before blowing out the candle.
He wished for you to be his.
You smile at each other for a moment before you snap yourself out of it, shaking your head a little and picking up his present and giving it to him.
He puts the cupcake on his nightstand as he takes the bag and opens it and you can see his face light up when he sees it as he runs his fingers down the cover before looking at you with a smile. “Thank you, doll.”
You smile back at him and lean in to kiss his cheek. “Happy birthday, Bucky.” You say before getting up and leaving, letting him have his peaceful day of relaxation. 
Bucky watches you go with a slight blush, his hand over his cheek where you kissed it and a goofy smile on his face.
Perhaps celebrating his birthday is not such a bad thing after all.
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autistichalsin · 3 months
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Halsin's autism coding really jumps out in his camp confession scene
Both the romantic and platonic one. Starting with the romantic one:
He thinks asking about his past lovers is a sign of interest (I notice a lot of autistic folks like us tend to never get it "right"- when we guess that someone might be interested because of cues we were told were romantic, we get it wrong, whereas when someone is showing certain cues, we think it's just friendly!)
The way he feels the need to explain why he thinks you're interested in him before you accept or reject. This one isn't explicitly explained, of course, but it is very easy to read it as an autistic person afraid of being harshly rejected/told they're insane to think there was a connection, so he puts out an explanation first in the hopes of softening the blow if he turned out to be wrong.
Halsin completely, and adorably, misinterprets the player if they tell him "maybe your heart stirs easier than you think"; he doesn't understand that the player is partially slut-shaming him (which is rude af on the player's end, but he misses this because he's honestly un-slutshamable, so he would never be offended here) and partially asking for clarification- how can you have had many lovers yet your heart doesn't stir easily? Not understanding this, Halsin goes on to tell stories of his past exploits, which are hot and very welcome, but also very much not what the player as getting at.
If the player is an absolute asshole and mocks him by comparing him to a deep rothe, he is crushed, but stays calm, simply telling them that they could have just said no- he doesn't call the player a jerk like they deserved. Just feels very true to the 'tism experience.
This line alone could stand as proof, I think: "Nature gifted us our desires, and the means to act on them. But we muddied its beautiful simplicity with rules, social strictures... clothes." He hates social structures for their complexity, and prefers something simpler. The dislike of social structures, of their nebulous nature, is a core autistic experience.
If the player says they only helped because he's a useful ally, he once again misreads; he misses that the statement was a rejection, and responds earnestly that he sees them as much more than an ally.
For the new platonic path:
If the player tells him they just want him to carry heavy things for them, he responds differently based on his approval levels to them (I.E. based on how close they are and how kind he feels the player is); at low approval, he is deeply hurt by this, and sadly muses that "perhaps not all friendships are destined to be balanced and reciprocal." Yet... he still considers it a friendship, even though that is in practice no friendship at all. A lot of autistic folks have this experience of being friends with people who don't share the same level of affection, or even outright mistreat, us.
In fact, the same thing happens in another variation: if the player snarks about Halsin inviting himself along (a way of saying "get lost"), he laughs and warmly says that he guesses he did invite himself along, and that he will be "more tactful when trying to make friends in future." Declaring oneself friends with others is such a classic autistic experience, but even MORE so is declaring yourself friends with someone who only tolerates, or even actively dislikes, you. It's quite sad- but also very endearing, because I feel so SEEN in that moment.
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