#how the fuck did they make her.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[claraoswalds]

It's racist, my dear, to be blunt. People come from outside, they think we're all witches and druids. For God's sake, child, you walked into a piece of string!

[luck-of-the-drawings]

THIS THING IS SCUUUFFED AS HELL & ITS ALSO THE BEST THING I HAVE ANIMATED THUS FAR. IM SO IN LOVE WITH EMIZEL. JUST WISH I GAVE HIM MORE STUPID TATTOOS. NEXT TIME THO. NEXT TIME. I ALSO LOVE VEX&VIV SOOOO MUCH. charlies flavor of Deranged is my FAVORITE!!

[your-local-granny]

fall from grace

[im-smart-i-swear]

coming back home.

@barrenclan

[lesbikill]

being so honest right now heathertail should’ve taken every plotline given to harestar and then built on them & it’s a disservice to the po3-oots arcs that she didn’t. she has a disregard for the parts of the code she disagrees with, and she’s been turned away by a member of the three as a result, first with compassion but then viciously, with him swearing her as his enemy and threatening her straight after nearly murdering her mentor. he comes close to killing her and the book tells us she *knows* it.

seeing the dark forest pick up on this rivalry, on the way she’s been unfairly treated by lionblaze, and taking advantage of it would have been really interesting. it would have given way more set-up to her relationship with breezepelt and given her more agency in it then being the wife who fixes him later on. it would’ve given her an arc of her own. it would have given her a long-lasting and present relationship with lionblaze, making his chapters significantly stronger. seeing this rebellious little apprentice go from a friendly presence to a serious threat created by the flaws of the main character & the clan system would be fun.

and then eventually, after lionblaze has lost his powers and is struggling, we would see heathertail grow behind the scenes and eventually ascend to leadership of windclan. maybe they would reconcile, maybe they would remain a bitter reminder to each other of the past and what could have been, of childhood friendship tarnished with clan patriotism and needless violence. who knows. but id love to read about it.

[jessmalia]

Mal's Avatar: The Last Airbender rewatch: The beach 3.05

[jedi-starbird]

I don't care what the hatman says I firmly believe Ahsoka is not describing Anakin as anything other than the most cringefail jedi ever.

When she finds out Anakin is Darth Vader? The same Vader she's been fighting against for a decade? The same Vader who's crimes she's had a front row seat for in the rebellion? Who killed all the friends and family she grew up with and is now also killing the new friends and family she's managed to scrape together in the ashes of everything she ever knew? Who puppets around the 501st, her and Rex's brothers, the men who trusted him with their lives, as nothing more than mindless murderers? Ohoho she wants him dead sooo bad. She takes 3 business days to process then comes back with full murderous rage unlocked. She's outside his evil lair banging pots and pans together telling him to square the fuck up, Master. Her Cain instinct is fully activated. Move outta the way old man, Ahsoka's going to do what she must and she's actually going to follow through with her words.

Obi-Wan's got the cornerstone on depression, Ahsoka's got rage covered, together they almost form one healthy grief response. (I'm imagining them both living at the same rebel base post O66 and the twins going between them for wildly contrasting takes on their dad lmao)

[maburito]

What???!

WHAT???

[s-aint-elmo]

she got too silly

(id in alt text)

[mamawasatesttube]

the more i think about it the more im convinced the way to fix the luthor retcon is just "using the female characters". that's it. we bring in the contessa (say she duped westfield by putting lex luthor's dna in there, somehow, and this is the actual retcon part. it's smaller, and doesn't contradict rots), say that it was some secret plan of hers that never came to fruition. then we get lex being as blindsided by it as kon, and we get the contrast in how he treats baby lena vs how he treats kon (his child vs a failed tool that's nothing to him now). and we can keep the superfam as a found family, with clark, the steels, and the eradicator all reaffirming their love for kon, regardless of whose 0.01% of human dna was used to stabilize him. AND we can keep his eventual bond with lori luthor. best of both worlds!

bam!!! fixed!!! luthor retcon, now with 100% less eugenics, and 100% more of keeping kon's original scifi themes and strong feelings on personhood and conflicted feelings on how he yearns for a family!! that's it babey!!! it could've been that easy!!! the key is just... its the female characters. it's the female characters!!!!

[biblically-accurate-dca]

moon n ballora

[puppycheesecake]

$10.

[simplykorra]

ava + every episode - episode 12 “colossians 3:9-10″

[chessb0r3d]

i cracked the code.

[insanesonofabitch]

What

What

What.