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#huey p long
sadboygrim · 5 months
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Huey P. Long Fieldhouse pool at LSU in the early 1980’s
Artist: C.F. [Mother]
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neutralgray · 2 years
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Huey P Long was based, actually.
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jacksoldsideblog · 11 months
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it's probably good that the narrator could only muster himself up into being an anarchist because if he had any real gumption and goals to him he would've caught a bullet to the head much faster
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lightdancer1 · 2 years
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Huey Newton and the Black Panthers are a good example of why Black Stalinism in actual practice hit that hard stop and then stopped very hard indeed:
Huey Newton was from a family of Louisiana radicals who admired Huey Long enough that he was literally named after him. His experience took him down a path, influenced by both white and Black intellectuals, to endorsing Marxist-Leninism in a specifically Stalinist variant. He conceived of the Black Panther Party as a vanguardist organization in the Stalinist/Democratic Centralist line. A set of cells who would work for specific goals, in this case most of them non-violent and ultimately good things.
He also endorsed Stalinism when even the USSR was abandoning it and when it was the height of the Cold War and this meant that he and his movement were very easy targets. This was not helped by his endorsing Stalinist party management policies including purges and targeting internal enemies that are more forgivable in a consolidated state than in a targeted movement within a state that would have been hostile to it without J. Edgar Hoover and was much moreso with him.
However it must also be noted that he was ultimately right to purge Eldridge Cleaver, who turned into a right-wing Republican and who used his new conversion to keep a feud going after his expulsion.
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stone-cold-groove · 2 months
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Illustration detail from Shell Petroleum Corporation’s New Orleans and Vicinity Road Map - 1932.
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goodpix2021 · 2 months
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Past Times
Train time. I had a pretty nice story about half written. Somehow I added it to my clipboard which I’ve never known how to reach. So I Googled it and followed the instructions which took me deeper and deeper into the inner workings of my computer. Still no clipboard. I’ll start again, but this new post is much shorter and not as much fun. I suppose this has to do with my left hand which…
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readreadbookblog · 2 years
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Kingfish: The Reign of Huey P. Long by Richard D. White Jr.
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https://books.google.com/books/about/Kingfish.html?id=_0CKVuAldzEC
Among Father Coughlin and maybe even Charles Lindbergh, Huey P. Long were the biggest dangers to American democracy during the rising age of fascism in Europe. This book, Kingfish: The Reign of Huey P. Long, by Richard D. White Jr. tells how Senator Long came to be. 
So the book is really more about the political side of Long rather than any biography. It charts Long’s rise and all his time in Louisiana collecting power. The little non-political part of the book is regarding Long’s early life from childhood to salesmen and second election attempt, which was only about forty minutes of the eight hours. In fact I think there is only sentence mention of black people, leaving one to think that he wasn’t racist (something tells me that he was). I also say second because Long lost his first election but the book barely mentions this and really only starts during his second election with references to his failed first. This book is deep in terms of Long’s tenure as Louisiana’s representative. It really details how Long bribed, did favors, and destroyed anyone who refused him. It even tells how Long went to D.C. and in a section that I personally felt was missing some more information that it wasn’t as long the previous chapters.
Some people might enjoy this book but I personally felt that the book was repeating itself at times with Long firing all his enemies and hiring all his friends and allies, ignoring Louisiana law until his is assassinated. But this is probably the best book on Long there is.
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opencommunion · 8 months
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"When the oppressor makes a vicious attack against freedom fighters because of the way that such freedom fighters choose to go about their liberation, then we know we are moving in the direction of our liberation. The racist dog oppressors have no rights which oppressed Black people are bound to respect. As long as the racist dogs pollute the earth with the evil of their actions, they do not deserve any respect at all. And the rules of their game, written in the peoples’ blood, are beneath contempt.
The oppressor must be harassed until his doom. He must have no peace by day or by night." Huey P. Newton, "In Defense of Self Defense," 1967
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axoqiii · 1 year
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Ooh, could you please do Huey, Violet, and Boyd hanging out in the Clean Environment palette?
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im so sorry this one took so long !! here they are :P
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fisheito · 8 days
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wanted to get my thots about mirage of scales in one place so let's go thru this thang again and see if i can ,like, feel things
(gonna list my highlights of each story section so yes, it's gonna be. long.
FIRST OF ALL, WHAT A POWERPLAY TO SHOW US THE SCALE RELIC AS EACH PART OF THE EVENT PROGRESSES ooooh i was getting so excited when the relic was clearing up but they HURT ME IN THE SECOND HALF
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WHY IS IT TURNING BLUE. NO. NO DO NOT DO THIS . DO NOT !I SWEAR TO DDOG MAKE IT GO BACK *bacskspacebackspacebackspace*
then Scales-13 is sitting there all glittery and sooo pretty upon a plush purple cushion like wooow isn't that nice?? look! we made the scale so shiny and vibrant and it's got lively streams of beautiful wisps-- NO SHUT UP DON'T HSOW ME THAT 😭i'M GONNA THROW THAT THING BACK INTO THE SEA (now i'm wondering why they made the final cushion purple. i mean, yes, purple simply does not miss, and it is the most regal of hues, but also. puplelkl? kuya? he's propping up umi in his last act? hm. hmm.)()
Let's get tooo ittt
SCALES - 1
Eiden, yaku, and oli looking for recipes together = me kicking my legs and giggling, looking adoringly, eyes sparkling, soaking in the warm softness and comfort of it all, rolling around in my eternal fascination for finding new things to eat
kuya: lol u thought *(kicks down the fluff with his chunky heels* yakumo: {={pP=P=PPEOPLE EAT YOKAI MEEEAT????!??!?!! kuya: :) oli: dont be scare lil buddy it's just an outdated rumour 💦 kuya: bet u they used to eat them with forks made out of their victims' spines yakumo: {{{{SHAKING}}}}}}
I SWEAR THE MOMENT I SAW THEM INVITE OLIVINE
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I KNEW LOGICALLY THAT THEY WEREN"T GONNA HAVE OLI IN THE EVENT BUT IDK MY DISBELIEF WAS SO SUSPENDED AND MY DREAMS WERE SO LOFTY THAT MY HOPE SOMEHOW SKYROCKETED AND I GOT SO EXCITED FOR OLI TO SAY YES
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CURSE YOU UNSPECIFIED TEMPLE THINGS!!!! TKAING MY JOY AWAY!!!!
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nvm my joy returns thanks to the hilarity of oli's referral i like to think that these two developed a mutual understanding during elysium so oli , with a respecvt for kuya, offers him up as a worthwhile companion..? alternative.lyy, oli trolling like, i don't want kuya stirring up trouble without eiden around (because the universe knows how much of a sulk he'll go thru without his fave plaything around) and the old man is just fidgeting in the corner looking so bored and jUST waITING for someone to invite him on a little trip so why don't i take initiative here ✨✨ invite him for you ✨✨✨
maybe one day i'll get a yakuyoli event11..... one... one day.......... *deflates(*
SCALES - 2
surprised that peepaw endured an entire boat journey without setting the thing on fire. my headcanon that he gets seasick or whatever is shot down. alas. he CAN stand on a boat and not vomit all over the poopdeck. my jokes are in shambles. fine. maybe he got better after all his boat trips with huey. you win this time, foxyboy......
once again, my stupid little optimism was sOOOOOO glad to have the village chief interrupt the villagers hostility to be like "heeeyyy it's ok.... we're not used to strangers but we should let these guys help with the ceremony" i went, oh!!! maybe the elder is indeed wiser than the masses!! and he'll help talk sense into these xenophobic ppl!! ahahaha. oh, me. naive as the snake....... anywa.y.
eiden, i love you for being such an excellent mediator. you speak for the shy but easily shutdown-able yaku and the "first resort: burn it down" lavender diva. thank you for existing, and being here, and knowing words. lov e u. mwah.
SCALES - 3 i ahte these villagers but i love their fabricular gifts unto us (the event outfits) amen. thanks. brb getting yakumo that light rainproof jacket that he will surely need because he's cold all the time probably .
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i am now of the belief that not ALL the vilalgers were pure megadouches. some of them had the foresight to offer *just the right* fits for the three of them. Or maybe they just grabbed 3 vaguely-similar-sized outfits and threw them at eiden, who then got to choose which one kuya/yakumo wore ..... what if it ended up switched and kuya got the fish bikini abnd yakumo got the fluttery deity gear? ...gonna think about that for a while.
SCALES - 4 once again, i was delusional when i thought that kuya was the one to jump into the water to save the kid. inhuman speed? yeah sure kuya can do that! saving a child? uhh,, maybe kuya would do that... if there were no witnesses? saving a human child? uhhhhhhhhhhh ok maybe not kuya why did i even think it would be kuya. he's got his fancy threads on (that eiden might have handpicked) . no way is he getting those wet
it's cvuzz i didn't expect THEIIS THIS!!!!!!
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BRO WHAT YALL NEVE R MAKE NPCs LIKE THIS by which i mean this guy is protagonist coded and yall have only been making neutral-to-evil NPCs with a few exceptions lik.e. water consul. l(whispers: love u) so now you're presenting me with NPC, who has a FACE, and FEATURES, and just SAVED A RANDOM CHILD, AND HE'S BEAUTIFUL? ofdmgidrefgsjidokrdglsjrdhgsoliioldjeiuirhedkjsda let me stare at him please can i add you to my collection i promise i'll give u only the qualityest of feed. what do u want. bloodworms? live snails? fresh crab? I'll fight those crabs for you. i'll pick their finicky flesh from their carapace. whatever you want i'll get it for you
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i'll never tire of this, btw. eiden, who is just a guy, trying his best to be approachable and nonintimidating with gorgeous dudes decorating him like a wreath. it's fine. everything's normal. no need to be alarmed, hydrodynamic stranger
and for the second time this event, yakumo's yokai sense tingles and kuya offers a (patronising?) "GOOD FOR YOOOOUUUUU guess you're not completely human-washed after all"
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SCALES - 5 girl, what?
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for a solid minute i thopught we got ourselves into another cult situation like, lining yakumo and eiden up for human sacfirice or smth. toss em into an active volcano style i just thought PLEASE SIR NOT THIS AGAIN WE CANNOT LET YAKUMO BECOME A CULT MAGNET HE'S GOT ENOUGH TRAUMA FROM THAT
....then they end up just putting their hands on the fish scale to make a wish and i feel a bit of relief that this isn't going into maiden sacrifice territory
THE SCREAM I SMERCEAMT
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IT"S HAPEPPPNIGNINNNNNNNNNNNNNNNGGGGGGGGGG THE SCALES ARE OUTTTTTTT NO WAY YOU GONNA PUT KUYA AND YAKUMO IN AN EVENT TOGETHER AND NOT TOUCH ON THEIR ANIMAL SIDES I WOULD RIOT YOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO KAAAAAAAAAAAAAAAAAAAAAAIIIIIIIIIIIIIIIIIIIIIIIIIIIII YEAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA THEY BETTER ALSO TOUCH ON THIS IN THE INTIMACY ROOMS YOU CAN'T JUST CREATE A SPRITE FOR THAT AND NOT USE IT OUTSIDE THE STORY I'M ONTO YALL YOU'RE GONNA COME THROUGH I JUST KNOW IT YESSAAAHSHSHSHHHH o wait yakumo's in pain and the villageres are about to berserk ok focus stop projecting into the whateer we gotta FOCUS ahahahaha look at em scramble around all scared of scaly yakumo
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no. go back to being panic. no brazen. do not eene cen THINK o fit
[[they surround yakuei]] NOT THIS AHGTIJT AGAIN oh thank heavens ok at least the village chief is semi reasonable . not immediate bloodshed. we're fine. probably.
SCALES - 6 eiden: yakumo!! how are you feeling!! that relic really messed you up, huh? yakumo: getting away from it helped. my skin's back to normal me: 😒tsk.
and of course kuya is not going to be a convenient plot device and HELP YOU out of a situation. no. he's gonna lounge in a tree somewhere and watch umi be a Very Good Lad and sneak you out of house arrest. dreamy sigh. thank you magic jailbreaker umi!!!!!!
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and all it took was umi acknowledging yakumo's existence for me to hop back on the yakubicycle ring the bell dingding!!! all aboard!!!! UMI GET ON !!WE GOT A BOY TO GRIND INTO DUST *slaps a helmet on him* *makes my YakUmi dolls touch tails*
and of course
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kuya switching between "ok little one i'm about to give you the schooling of a lifetime because CLEARLY you don't understand how this savage world works" and "oohhhh how could i, a humble little fox of generic stature and lineage, possibly measure up to the greatgreatgreatgreatgreatgreatgreatgrandchild of the Biggest Snake Ever? oh nooooo. i'm but a widdle boy. don't look to me for answers :3" sassy little......
SCALES - 7 yakumo: what,, what if we all just hugged and held hands with the humans??? umi: 😔 kuya: lol nah get a load of this *turns on the projector so that horrifying visions of the past play on the walls* eiden, yakumo, umi: 😨😨😨 MY FISH FRIENDS! NOOOO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! -> had to lie down for several moments after this section. dude.... the massacre... the one-sidedness... th savagery o f those indigenous to the island... euuuuuuuggrrrhhhhhhhhhhrhrhhrgghhhhhhhhhhhhhhhhhh *holds a tiny umi in my palm* WHAT ARE YOU SUPPOSED TO DO... WHEN YOUR LIFE EXPERIENCE IS AT ODDS WITH HISTORY... WHEN YOU LIVED FOR SO LONG PROTECTING THE DESCENDANTS OF PEOPLE WHO DID THIS TO UR ANCESTORS... WHO MAY NOT HAVE COMMITTED THE CRIMES THEMSELVES BUT THEY DON'T ... do they try to atone for it? did they learn from it? does it matter?? jdoSJDAUDAWKDJAWWLAWWOPAEWAEPORL:FKS
oh frick story is happening wait recalibrating
villagers: THEY'VE COME FOR OUR BLOOD yakumo: (visibly shaking) i don't hate humans!! i... i've never wanted to hurt humans! please, we may be different, but-- kuya: (smiling while the storm rages around him)
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me: steadily inching toward kuya in terms of "i agree with this one i'm kinda excited to see yall suffer"
>!>!>!>>!??!?!?!?!??! YAKUMO??? WHAT R YOU DOING??? DID YOU JUST MAKE A GIANT SHIELD?!?!?!?!?!?!? BABY BOY WHAT IS WITH YOU AND THE SHIELD.S. YOU ARE SUCH A SHIELDER. DIDN'T YOU DO THIS RECENTLY IN THE STORY WITH BERSERKER OLI? OHHHhh, i'm so proud of you you couldn't have done this 2 years ago!! you've come so far in terms of essence control and you're always using it to protect people you're doing so good and i-- CLIFF HANGER??!??!??!?!?!?!?!?!?!?!?!??!?!??!?!??!?!?!?!!!!!!!!!!!
a moment to breathe, if you (i) please. a moment to consider: what does yakumo's shield technique look like? hm/ / . more on that later.
SCALES - 8
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WAHT IOSWRONG WITH YOU!!! DUMBASSES!!!!!! no, not dumahzsss. estupido. gonk. IDIOTA
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YEAH!FILL THEIR LUNGS WITH SOUR GUMMIES, EIDEN
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WHAT IS WRORNG WITH YOOOOUUUUUUUUUUUUUUUUU
THESE ppl are so incredibly stupid that i cannot even fathom............ this boy is saving yalls asses with a giant shield (tbh, if he can make such a giant shield he could have chosen to make a smaller bubble shield or smth that only saved eiden/kuya/umi . but he consciously chose to protect ALL of u)
YAKUMO MAY HAVE MERCY ON YOU BUT I WON'T *clambers over the giant wave with my supersoaker full of piss and who-knows-what-else-concoction*
SCALES - 9 imaginging umi sneaking into the lighthouse at night to feed the fish scale his lil blood drips like a pet a pet thats keeping all these ungrateful humans alive
umi: um. why is it doing that. *points to village chief kneeling befor ehim* kuya: what did i mcfkin tell you. humans suck eiden: hella yakumo: my worl d is crashing down was mmy life a lie can humans and yokai really coexist with each other ? yes of course they have to be able to there's no way that humans are evil and to doom them would be too cruel-, adn yet how will the complicated history between umi's ancestors and- umi: i'm not sure how i can help kuya: i mean it's totally your choice. what does it matter to me ? you can do wahetevr you want and ultimately, it's not like any of our opinions matter because nature will reclaim us as it so forcefully reclaims all. why fuss over such trivial decisions when we are but pawns of fate. but yeah. killing them sounds pretty peachy right now ngl
SCALES - 10
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you are too nice umi the paths that require the least amount of effort from you will let the villagers wipe themselves out
the fact that kuya is willing to drop the origins of the relic and how to potentially make a new one?? i guess he's not being such a hermit crab about info... so he's being generous in his own way by sharing knowledge... and umi can make an informed decision.
i gotta say that i was mini-spoiled on this part of the story, compeltely by accident on someone else's part... there were multiple tumblr ppl posting about their reactions to the story and going "IF UMI DIES I'M GONNA BE SO ANGRY" and i, living in a lala ideal world of my own, had never even CONSIDERED that a possibility but once i read other's fears about that potential future i was like NOOOOOOOOO AND NOW THEY'RE GIVING UMI AN OPTION *LIKE THIS* OH NO OH NO OH NO THEY'RE REALLY GONNA DO IT THEY'R EACTUALLY GONNA KILL A NICE NPC WHY WOULD YOU BLESS ME WITH THIS BEAUTIFUL FISH AND TAKE HIM AWAY FOR SOMETHING AS STUPID AS A PROMISE OR WHATEVER
SCALES - 11 cheering, whooping, hollering as kuya sets the village chief on fire
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umi: i;'ll protect these humans with my own blood because i loved one centuries ago yakumo: humans have been kind to me so i'll protect them from a tsunami even when they're threatening my life kuya: idiots. babies. sentimental little fetus yokai. let me bring some consequences back to ur actions mr greedy wretch of a human *starts turning SUPERPURPLE*
hOL Y SHIgha kuya let him go? i was prepared to see some new bbq on umi's floor.. surprising........................... not as vengeful as i thought, kuya.... or rather i guess your senpai senses are tingling and you're ultimately leaving this business up to umi cuz, really, this IS umi's business and not kuya's 😞
SCALES - 12
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sigh... yeah... you're right, eiden.... i need you to inject some Good Sense back into my violent tendencies... biggersigh... i would have loved to doom those villagers to sopping wet destruction but... right, right umi's lived for a long time... and eiden's crew have only known him for this TINY window on that timeline... we dont know him.. we dont know his life ☹ we AREN'T in a position to interfere with his decision...
*slams fist on the desk again* GOAWDH, UMI, WHAT WAS SO HECKIN SMPECIAL ABOUT THAT DUDE YOU KNEW THAT YOU'D GO THIS FAR FOR HIM??? UGH THIS POOR LONELY GAY FISH I'M so anGYYYYYYYY 😫😭😭😭😭😭😭 *watching umi fade into the white screen* this is stupid my chest hurts 😭😭😭😭😭😭😭😭😭😭
SCALES - 13
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SCREAMS BEAUTIFUL FSIIH *POINTS*!!!!!!!!!!!!!! BLUE GREEN SCALES!!!!!!!!!!! UMIIIIIIIIIIIIIIIIIIIIIIIII YOU'R EFISH AGAIN??? REINCARNATED? RESET? CYCLE ANEW? kuyaaaaaaaaaaaaaa i hope you used your bonkers godmode gamebreaker powers to somehow scrape the barrel of umi DNA and remake him or like; f;just;;; idk reset the clock on him even tho you don't approve of his decision
GAAAAHHHHHHHH this event!!! suffering!!!!!! suffering ana dammdbiguity!!!!!!! no giggles!!!! only existential crises and racism and reminding us of the different lifespans of humans vs yokai and now i bet all the frreaifsjsekles long-lived boys on my screen right now (yakumo and kuya) are gonna have to make some decisisons about how to deal with their incoming grief about EiDen leaving this plane of existence well before theyre ready tio part a and nOOOO i'm not gonna think about that umi is ok and fish again and he's gonna outlive all the predators and be so super cool and resplendently scaled and shiny the whole time that he gains enough magic power to become a yokai again and then he'll live a happy life with people who don't suck and and and eiden's gonna live forever witht eh power of gay neon gemstone and the elemental spirits kissing him gently on thecheek and nobody will have to sob fat tears over their beloveds ever ok goodbye
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sbrown82 · 1 year
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THE FULL HISTORY OF THE MICK JAGGER & MARSHA HUNT (A.K.A. “BROWN SUGAR”) RELATIONSHIP!!! (PART 1)
First, some background on the model, singer, actress, novelist, playwright, activist, icon, 60s goddess, and the woman who inspired one of The Rolling Stones’ greatest hits, “Brown Sugar”, Marsha Hunt. She is often described as London’s own Josephine Baker and is celebrating her 77th birthday today!:
Marsha A. Hunt was born on April 15, 1946 in Philadelphia, Pennsylvania and is the youngest of 3 children. Her mother, Inez “Ikey” Hunt, worked in an airplane factory during World War II, and her father, Blair Hunt Jr. graduated from Harvard and became one of America's first Black psychiatrists.
Marsha was raised in a middle-class neighborhood mostly by her mother, aunt, and grandmother who had roots in the deep south (Mississippi delta) and who she’s described as an “extremely aggressive and ass-kicking independent woman.” Her father committed suicide when Marsha was 9 years old (but she never found out how or why).
After moving out west to California with her family, she graduated high school at the top of her class and later attended UC, Berkeley in the mid-’60s where she wanted to study psychological anthropology.
While at Berkeley, she became friends with a slew of interesting people like activist Mario Savio and Huey P. Newton, who later became one of the founders of the Black Panther Party.
[TOP LEFT: Marsha’s mother Inez Hunt; TOP RIGHT: Marsha’s father, Blair Hunt Jr.; BOTTOM LEFT: Marsha at her home in Philly with her father & siblings, Pamala & Dennis; BOTTOM RIGHT: Marsha’s high school graduation photo in 1964.]
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Even though she thrived academically and was very involved in student activities, she became bored with college life and wanted to experience life outside of the country and pursue her real passion – music. In early 1966, she sold her car and some books, and trailed off to London with only $1.83 in her pocket.
Around that time, London was THE city to be in, and was even dubbed “Swinging London” for being the epicenter of art, culture, fashion and of course music, especially due to the popularity of famous acts like The Beatles and The Rolling Stones.
When Marsha first arrived, she slept on the floors of mutual friends, took odd jobs (including one as an au pair), and even appeared as an extra in Michelangelo Antonioni's box office hit film, “Blow-Up,” which also featured the British rock band, The Yardbirds.
SHOCKINGLY, in that same year she actually saw The Rolling Stones in concert for the first time during their UK tour at the Royal Albert Hall in London because she wanted to see Ike & Tina who were the supporting act on the bill. Girls were going crazy over the Stones, but of course, she was more impressed by Tina’s show-stopping performance! (Purrrrr 💅🏿)
[LEFT: Marsha in 1966; RIGHT: The Rolling Stones performing at the Royal Albert Hall in London with Marsha in attendance.]
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After roaming the city, making new friends, and trying to find steady work, Marsha ended up auditioning for a blues band fronted by British blues musician, Alexis Korner, who was looking for backup singers. Coincidentally, he was the exact same guy who gave The Rolling Stones their start back in 1962. Later on, she was offered another backing gig for Long John Baldry’s band, Bluesology. John is also a longtime friend of The Beatles and The Rolling Stones.
Though she loved music and worked really hard at it, Marsha always claimed that she was never a good singer. People in England just assumed she was because they thought all Black Americans had talent.
She then lived with English blues singer, John Mayall, who actually wrote a few songs about her including, “Marsha’s Mood” and another song coincidentally called “Brown Sugar”. Around this time, she became good friends with the founding members of Fleetwood Mac, famed British artist Kaffe Fassett, and keyboard player for Bluesology, Reg Dwight (a.k.a Elton John).
[LEFT: 19 year old Marsha sporting a wig in London; RIGHT: Marsha with a young Elton John].
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Around the time Marsha broke things off with John, he was also putting a new band together, which included a young guitarist named Mick Taylor, who showed up at the audition without a guitar. He later became another good friend of Marsha’s.
In late 1966, Marsha met musician Mike Ratledge from the British rock band, Soft Machine. At the time, she was having trouble getting a visa extension to stay in England, so the two got married on her 21st birthday. She later claimed it was a marriage in name only as they were not romantically involved and “never held hands and never kissed".
[LEFT: Guitarist Mick Taylor & John Mayall in the mid-60s; RIGHT: Marsha’s “husband” Mike Ratledge of Soft Machine.]
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That same year, Marsha’s hair started to fall out from using chemical relaxers, and after wearing wigs for a while, she finally cut it all off and vowed to never straighten it again. Hence, why she started sporting her iconic afro hairstyle which made her quite a showstopper in London.
In 1968, she found luck when she was cast in a buzzy new rock musical with an ensemble cast called “Hair.” The musical became an instant hit in London’s famed West End. And even though her character “Dionne” only had two lines, she suddenly became the face (or the hair) of “Hair”. The show was a huge success, and also became quite a sensation and a social landmark because it highlighted controversial subjects like drugs, casual sex, profanity, nudity, and anti-war rhetoric. While there, she met another close friend, actor Tim Curry.
[BOTTOM: A poster of the hit musical “Hair” that debuted in the Shaftesbury Theatre in the West End, 1968.]
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Her life completely changed overnight and she instantly became a PHENOMENON, attracting wide media attention. In fact, after the musical’s opening night, the editor of British Vogue sent her a huge bouquet of flowers and wanted her to pose for a photo session, which ended up being a 4-page spread with a written profile. Marsha was also the first Black woman to appear on the cover of Queen magazine as well.
[LEFT: Marsha pictured as the first Black woman on the cover of Queen magazine; RIGHT: Marsha photographed for British Vogue in 1969.]
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She immediately became a sex symbol, celebrity, and the face of the “Black is Beautiful” movement, which was already taking over America in the mid-60s. This helped her snag lots of modeling gigs and everyone wanted to photograph her. (I mean, sis was booked & busy!!!)
[BOTTOM: More of Marsha’s most iconic shots. *The melanin was melanating, 4C afro was on deck, eyelashes poppin’, lips bussin’...she was a *bad bitch*!!!]
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In March 1969, she signed a contract with Track Records, the same independent label that also repped the British rock band, The Who and Jimi Hendrix, as she later said, “There was one luxury that London celebrity afforded me: the freedom to be myself without a single apology for my gap, my freaked-out hair, my brown skin, my slave-class ancestors or my radical views.” 
Around this time, she also had a short-lived love affair with Marc Bolan, the singer and founder of the English rock band, T-Rex (even though he was much shorter than her 😂.)
She scored a few minor hits during her underrated music career with singles like a cover of T-Rex’s “Desdemona” and her debut single, a cover of “Walk on Gilded Splinters”. 
[BOTTOM: Marsha performing the T-Rex cover “Desdemona” live.]
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The record soon went to the charts, and that spring, she was asked to perform on various shows, including a popular British TV program called, “Top of the Pops”. During her live performance on the show, the tight bolero suede top she wore nearly came undone and partially exposed her breasts, a wardrobe malfunction that gave her the reputation of a “bad girl.”
NOW…Here’s the part y’all have been waiting for. Get your popcorn. Y’all got it? Ready? Good!!! 🍿
After her performance aired, Marsha soon received a phone call out of the blue from Jo Bergman, the then secretary for The Rolling Stones on behalf of the band’s frontman Mick Jagger who was actually watching the show live, asking her to pose semi–nude for a publicity photoshoot to promote the band’s new single, “Honky Tonk Women”. She said, “The picture was going to be of a girl dressed like a sleaze bag standing in a bar with the Stones and they wanted me to be the girl.”
[BOTTOM: Marsha performing "Walk on Gilded Splinters” on ‘Top of the Pops’ in May 1969. This was also the exact moment Mick Jagger first laid eyes on her!]
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Marsha, who was not a Stones fan, was already established and didn’t really need the extra exposure. She later declined because she had her reputation to think about and said she “didn't want to look like [she'd] just been had by all The Rolling Stones.” She also claimed, “The last thing [Black women] needed was for me to denigrate us by dressing up like a whore” among a band of white men.
ENTER MICK JAGGER:
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When she tried to get in touch with Mick to say, “thank you, but no thank you”, he later returned her call in an attempt to change her mind and even suggested he come over as he was very intrigued that a girl would turn him down.
Mick then showed up at her apartment around midnight as she claims, “He was framed by the doorway as he stood grinning with a dark coat ... He drew one hand out of his pocket and pointed it at me like a pistol. His silly 'Bang' was precisely the icebreaker we needed to get over my ungracious hesitation before I invited him in, not sure how to salute a notorious rogue who rings me just before midnight and suggests he pop round on a pretext of loneliness.”
They talked for HOURS, well until the sun came up about any and everything from music to social issues and politics, and according to her, Mick “made me squeal whenever he used Melanigian slang (aka Black vernacular/AAVE).” 🙄🤦🏾‍♀️
Marsha didn’t really find Mick physically attractive at first, stating, “He wasn't beautiful or even striking” however, he was boyish, open, direct, yet seemed quite awkward and shy. She found it a relief that he was nothing like other musicians she’d known or the image the media had portrayed him. He was incredibly charming, intelligent, funny, radical, and straddled the racial line, much like she did. She also quickly noticed that he had a penchant for Black women, as he claimed “They [Black women] just do something to me”.
The two of them had a lot in common and just clicked right off the bat. And things eventually turned hot as they ended up having sex. From there, they embarked on a passionate, but very private, deep romance and year-long affair, at a time when interracial relationships weren’t widely accepted yet.
Marsha didn’t expect to hear from him again, as he had a wide selection of women to choose from, but surprisingly, Mick wanted to see her and talk all the time, mostly because she was great to look at and he could count on her. Marsha said, “He knew that I adored him and that he could depend on me…he realized I respected him as I respected myself.”
Mick’s friend and interior designer Christopher Gibbs once said often when he dined with Mick, women who had slept with him would come up to the table and “he’d have absolutely no idea who they were.”
[LEFT: Mick photographed at the ​​Shaftesbury Theatre in London to see the new musical “Hair” for the first time; RIGHT: Marsha performing in the show.]
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1969 was a very rough year for Mick. He was having trouble with his band The Rolling Stones (which he was practically running by himself) because the founder and guitarist, Brian Jones, was becoming increasingly unreliable and spiraling out of control due to his deep drug addiction and legal troubles that led to him having difficulty getting a US work visa to go on an upcoming tour. Mick’s personal life was also a mess because his long-term girlfriend at the time, pop singer Marianne Faithfull, was also a very serious (and sloppy) drug addict, who often embarrassed him and became more dependent and difficult to be around. Things had gotten so bad between them, their relationship grew to be strictly platonic by this time.
Mick and Marianne were quite destructive together and often found themselves in legal troubles due to drugs. Marianne was also quite messy as she previously slept with Mick’s bandmates Brian Jones, Keith Richards, and even left her husband, John Dunbar, for Mick who was dating Black soul singer and former Ikette, Pat “P.P.” Arnold, when they first met.
P.P. also later claimed in her autobiography “Soul Survivor” that the three of them would often engage in drug-fueled threesomes much to Mick’s delight. 
[BELOW: Soul singer & former Ikette, P.P. Arnold, who dated Mick from 1966-1967.]
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While in London, Mick was still messing with P.P. who later became pregnant with his baby in 1967, but they both agreed to have an abortion, partly due to his growing relationship with Marianne.
[BELOW: Mick arriving at a courthouse with his then girlfriend, singer Marianne Faithfull in 1969.]
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Marsha on the other hand, was stone-cold sober and didn’t do any drugs (NOT ONE), which was like a breath of fresh air for Mick, though he dabbled with hashish, LSD, and marijuana among other drugs himself. But unlike those around him, he was able to control his habit.
Even though their relationship quickly turned sexual, they were really, really close friends. Mick often retreated to her home to relax, he told her all his secrets, his troubles – he just trusted her. He was completely enamored of Marsha, who many describe as warm, intelligent, sensitive, funny, and very easy to talk to. He liked that she didn’t go gooey-eyed and weak-kneed in his presence like most (white) women/female fans did. Instead she had a crisply forthright manner and was almost quite “butch”. The Rolling Stones then manager was even quoted as saying that Mick was “obsessed” with Marsha as she was very exotic, and he even gave her the nickname “Miss Fuzzy” due to her afro hairstyle.
Ironically, Marsha enjoyed their well-kept relationship and is one of the only people who often calls him Michael instead of Mick, to distinguish him from his Rolling Stones rockstar persona.
Since Marsha was a fellow recording artist, they were able to be seen together in public without any arousing suspicion—in any case, London still had almost no paparazzi. They would often go to the same parties or events, even with Mick’s girlfriend there, and no one questioned it.
Mick would often pop into some of Marsha’s studio sessions with her band White Trash, and everyone around would be in awe of him.
Later, after officially firing Brian Jones from the band, Mick and the rest of the Stones were in desperate need of a new guitarist. Marsha promptly suggested her good friend, Mick Taylor (Yes, Stones fans – thank Marsha Hunt for that one!), as a replacement for Brian just days before he was mysteriously found dead (he sadly drowned in a swimming pool at his home) on July 3, 1969.
Additionally, when Mick sought a replacement for Jo Bergman, the secretary who handled all The Rolling Stones affairs, Marsha also suggested her friend and tour manager, Peter Rudge - (The same guy responsible for getting the Stones all those huge tours in massive stadiums. Again, thank Marsha!)
Two days after Brian’s death, the Stones played a free concert before a crowd of over 250,000 people in Hyde Park, London, which was previously planned to debut their new guitarist, but turned into a memorial/funeral for Brian. Mick invited both Marianne (who looked a hot ass mess and was in withdrawal from heroin at the time), and Marsha (who showed up looking sexy af with her titties bustin’ out of her buckskin suit) to the concert, and rudely and distastefully opened the show with a song called, “I’m Yours and I’m Hers.”
[BELOW: Mick & Marsha at The Rolling Stones tribute concert to Brian Jones in Hyde Park, London on July 5, 1969.]
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Marianne who sat on the other end of the stage with her 4-year old son Nicholas and the other Stones wives/girlfriends, actually saw Marsha that day as she was placed right above the stage in the scaffold VIP section at the request of Mick so that he could look at her while he performed. She later said, “I saw her [Marsha] you know. And she was stunning…If I’d been Mick in that situation, I might have done exactly the same thing.”
Mick arrived at the concert with Marianne that afternoon, but left with Marsha and spent the night at her place where they made love.
A day after the concert, Mick kissed Marsha goodbye, and flew with Marianne to Australia to shoot a biographical film they were both cast in called “Ned Kelly,” based on the infamous bushranger. However, Marianne who was reeling from the recent death of Brian Jones and a horrible miscarriage just a few months earlier, overdosed on 150 Tuinal barbiturates while traveling with Mick, and fell into a coma in their hotel room.
[LEFT & RIGHT: Mick & Marianne arriving in Australia to film “Ned Kelly.” Marianne slipped into a coma just hours later from an attempted suicide.]
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At the last minute, Mick was forced to film the movie without her, but phoned and wrote to Marsha, who was extremely frantic and worried about his mental health and emotional well-being, almost everyday. She was scared that he didn’t have the stamina to deal with yet another crisis. He sent Marsha over 10 handwritten letters (some even written on the same headed stationery paper of Chevron Hotel where his girlfriend just tried to kill herself) about his deep feelings for her, his experience filming on set, being in the Australian outback, his new interests, the historic day of the moon landing of 1969, future career plans, his regret at missing her performance at the famous Isle of Wight Festival, and other aspects of pop culture (including “John & Yoko boring everybody…”). The letters also reference the recent death of his former bandmate Brian Jones, Mick’s increasingly difficult relationship with Marianne, and another letter even had the full original lyrics for The Rolling Stones song “Monkey Man”, which was later rewritten.
Mick’s letters also went on to mention the foul Australian winter weather and an unpleasant virus that swept through the film unit, a fire that destroyed most of the film’s costumes, along with various other accidents – including a prop gun that backfired in his right hand. He was just having a real shitty time. So, he found solace writing to Marsha.
His letters to Marsha showed how pensive and romantic he was. He said things like,“I feel with you something so unsung there is no need to sing it...” and “If I sailed with you around the world, all my sails would be unfurled.” He also thanked her for being “so nice to an evil old man like me”. And in another steamy note, Mick promises Marsha: "I will kiss you softly. And bite your mouth too."
[RIGHT & LEFT: Mick’s private letters sent to Marsha while filming “Ned Kelly” in Australia during the late summer of 1969.]
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Mick also celebrated his 26th birthday while filming in Australia and Marsha sent him a huge package of books (which he loves) and albums, including her friend John Mayall’s record “Brown Sugar.” Along with his gifts was a note stating how she missed him desperately.
While still trying to rehabilitate his hand from the prop accident, Mick toyed with a new guitar he had and started work on a song he had in his head, which was partly inspired by Marsha and that he initially titled “Black Pussy.” He decided that name was a little too direct and changed it instead to “Brown Sugar” with the lyrics:
[Verse 1]
Gold coast slave ship bound for cotton fields  Sold in the market down in New Orleans  Scarred old slaver knows he's doing alright  Hear him whip the women just around midnight 
[Chorus] 
Brown sugar, how come you taste so good?  Uh huh Brown sugar, just like a young girl should
[BOTTOM: Recording of “Brown Sugar” by The Rolling Stones later released on their Sticky Fingers album in 1971.]
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Mick later confirmed in a 1995 Rolling Stone magazine interview that the song is a double-entendre: “brown sugar” being the street name for unrefined heroin and of course also meaning his seemingly equal addiction to having sex with Black women. The song was a huge commercial success and ended up becoming a huge #1 hit around the world, making it one of the Rolling Stones’ best-selling records to date.
[TOP: A movie poster of “Ned Kelly” which was released in June 1970; BOTTOM: Mick with his guitar composing “Brown Sugar” during filming.]
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While Mick was still filming overseas, Marsha was booked to perform at the iconic 3-day outdoor concert, the Isle of Wight Festival on August 30th, 1969. At the time, it was the biggest open-air concert in music history and she was the only woman billed to perform. She was there alongside acts like The Who, Joe Cocker, and even Bob Dylan who hadn’t been onstage in three years.
Mick told her in a letter that he was so proud of her and promised her that he was “there in my head and in my heart.” Keith Richards, Charlie Watts and his wife Shirley, and Jo Bergman were also in the audience watching Marsha perform.
Marsha also made headline news as she wore custom-made leather shorts to which the press ran with and by the next fashion season, short shorts were featured in every fashion magazine. She was the first person to popularize “hot pants”.
[BELOW: Marsha performing with her band White Trash at the Isle of Wight Festival in 1969 with members of The Rolling Stones looking on in the audience.]
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After Mick came back from Australia, Marsha was offered a part in a film called “Welcome to the Club” which is a comedy about three Black USO performers sent to Hiroshima in the 1940s to entertain the troops on an all-white base. The film was being directed by Walter Shenson, who had produced The Beatles' films “A Hard Day's Night” and “Help” and shot it entirely in Copenhagen, Denmark.
She was also asked to fly back to London to shoot another cover for American Vogue which was shot by photographer Patrick Litchfield. (They‘d never had a Black woman on the cover before.)
Mick began touring in America again, his first since 1966, and with the number of girls he had access to, she knew he was keeping himself busy on and off stage.
[LEFT: Mick on stage at Madison Square Garden during the Stones’ 1969 tour; RIGHT: Marsha filming “Welcome to the Club”.]
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He even started a short-lived relationship with yet another Black singer and Ikette Claudia Lennear, as well sparking up a fling with Devon Wilson, a notorious rock & roll groupie and the girlfriend of Jimi Hendrix who famously wrote the song “Dolly Dagger” about their affair.
[LEFT: Mick arriving at Madison Square Garden in November 1969 with Devon Wilson; RIGHT: Mick backstage at the same event with singer Claudia Lennear.]
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But on December 6, 1969 - everything changed dramatically when an 18-year old concertgoer was stabbed and killed during the Stones’ free concert at the Altamont Speedway in California by the Hell’s Angels Motorcycle Club, who was the band’s security. Members of the Hell’s Angels blamed Mick for the incident and subsequent to the concert, put a hit out on him and threatened to murder him. This marked the third major tragedy to happen since Mick and Marsha met each other.
[BELOW: A scared Mick looks on as 18-year old Meredith Hunter is stabbed to death by the Hell’s Angels in front of the stage while the Stones performed at Altamont Speedway.]
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Marsha stayed with Mick after the chaos at Altamont, which the media dubbed “The Death of the ‘60s”. By this time, he had officially split up with Marianne and moved Marsha into his house on Cheyne Walk where she helped him to transition and readjust his life. It was then their relationship intensified!
This is around the time she got a chance to know some of Mick’s friends who lived on the same road, including Keith Richards and his girlfriend, actress Anita Pallenberg, who just had a son, but was hooked on heroin. She thought they were both nice, but they’d visit or show up unannounced to their home all the time. Their hard drug-taking also scared Marsha, so she kept her distance and didn’t voice her opinion. 
She also met Mick’s parents, Eva and Joe Jagger, along with his little brother Chris who was a bit of a hippie and had just returned from India with his American girlfriend. They both had no work, no money, and nowhere to stay, so Marsha kindly gave them a job, one included painting her new apartment.
That Christmas, Marsha got Mick a puppy and Mick, for the first time, told her that he loved her.
Marsha was in a good place. Opportunities were coming to her fast, she had a new apartment, and she was in love with Mick. She had newfound stability and independence. 
In January 1970, they were having dinner at the celebrity hotspot restaurant Mr. Chow’s when Mick said that she’d be a good mother and that they should have a baby together. Prior to this Marsha thought she was just another girl he fancied, as he was a notorious womanizer. But the talk of having a baby made her feel special to him. Her feelings for him were so deep that she also claimed, “I would have died for him.”
She knew Marianne miscarried around the same time Keith Richards’ son Marlon was born. Mick also missed family life with Marianne’s son Nicholas, so wanted to give having a baby a second try.
This fool literally made Marsha take out her birth control and IUD coil, they proceeded to have sex like rabbits, and when she found out she was 3 weeks pregnant, she told Mick who was ecstatic.
Marsha literally said to him, “Listen, if you’re not ready and you changed your mind about this, it’s okay.” She was totally ready to get an abortion. But he assured her that it was what he wanted and he was happy.
They had their first argument when it came time to naming their baby. Mick wanted a boy who he could send to the prestigious Eton School (the all-boys school where Prince William & Prince Harry attended), and he proposed that they call the baby ‘Midnight Dream’. Marsha wasn’t having it and even said, “Imagine sticking your head out of a window to call your child home and yelling, 'Midnight. Midnight! Time for tea.’”
She'd known that he and the band were leaving England for tax reasons and moving to France in the coming year. The Stones were also gearing up for their upcoming European tour.
Even though she loved Mick, he was young and she claimed she was “all for Mick doing his own thing”. They were supposed to be the sophisticated embodiment of an alternative social ideal — parent-hood shared between loving friends living separate lives.
This was around the time of the sexual revolution and people were exploring different types of relationships. Marsha didn’t find gratification in being “Mr. So and So’s” wife, plus Mick wasn’t the marriage type either. He was the type of guy to get up at 2pm to start his day - so marriage was sort of off the table. Though, unbeknownst to Marsha, Mick has thought of proposing, she claimed their relationship “thrived off her being supportive” and she loved to see him “run free”. And since she grew up in a matriarchy, the ideal of a man and woman living together seemed nice but unnecessary. They agreed that Mick would be a good absent father while he made his music and toured with The Rolling Stones, and Marsha could still have her own life and career. It was all very modern!
Marsha also feared that her association with Mick would crowd out her own identity. She didn’t like the limelight because it was a discomfort. She also never wanted to be known as Mick Jagger's girlfriend (can you blame her? So many of his girlfriends tried to commit suicide). Like him, she wanted her own independence.
By June 1969, Marsha told her band and the press that she was pregnant, but did not give up the name of her baby’s father. However, one little clever ass reporter actually found out it was Mick Jagger and threatened to print it. She thought of suing but asked the Stones PR team to link him to another girl. She managed to get through her pregnancy without a media frenzy or being linked to Mick even though they had stepped out together many times, and he was ready to have it reported. 
While Mick was away touring in Europe, his phone calls got less frequent. The tour was a bit crazy, and although Mick invited her to go to Paris, he knew she'd refuse – she didn’t want to get caught up. But he told her he was lonely and had met someone in Paris that he was taking to Italy. Her name was Bianca. She was Nicaraguan and spoke little English. Mick didn't mention her again, but after the tour, Marsha knew that she had moved to his house in England. 
His publicist sent her an invite to the premiere of his corny movie, “Ned Kelly,” but he didn’t show up. He also invited his parents to the event and it was there she realized that the bastard didn’t tell them that he had a baby on the way. Mick hardly lavished praise on his parents and even once told the press, “I owe them nothing. They are my parents, that is that…but there are no dues to be made by me to them!”
By her third trimester, having a baby became her whole reality and his passing fancy. He started to forget that the baby was HIS idea. 
Despite Marsha carrying his child, practically all references to her and the baby were quickly airbrushed out of his life. Chris O'Dell, Mick’s PA in the early ‘70s was even quoted as saying, “I never remember him talking about their child. In fact, I wasn’t aware of a baby being around at all. It was almost like [his first child] didn’t exist.”
Marsha was put in a difficult position because it was too late to go back and sometimes he’d phone her like nothing ever happened. She claimed his mood would change so quickly, he was like Dr. Jekyll and Mr. Hyde. She also said, “I've discovered that he can burn hot and suddenly cool to below zero.”
She started to worry that he didn’t care anymore, so, she tried to squeeze in any and every piece of work she possibly could to hold her up during and after her pregnancy (tv shows, photoshoots, etc.). She also volunteered at a local mental-care center in the autistic unit caring for a 12 year old boy to keep from feeling useless.
[BELOW: A heavily pregnant Marsha performing in late 1970.]
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At the same time, Mick also did a lot of peculiar interviews, either stating he wasn’t interested in having children or flat out dissing Marsha. During a 1970 interview with London’s Daily Mail newspaper he even said, “For me, life has always got to be on the move and exciting. I love kids, I really do…but it’s not something I’m thinking about.” He of course failed to mention that Marsha was expecting their first child.
[BELOW: Mick during an interview referencing Marsha & his unborn child in 1970.]
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Once it was time for her to give birth, a hard-up Marsha was ashamed and reluctant to ask him for any contribution because he never once offered. Mick ultimately gave her a measly £200 to get by, which came with a note saying “I know I haven’t done right by you” and he also “loaned” her a ring he always wore.
She had initially planned a natural home delivery to keep the press at bay and because it was the “it” thing to do at the time, but was told by her OB-GYN that her baby was in danger and that she had to go to the hospital the next day. 
On November 3rd, she dragged her own luggage and hailed a taxi to the hospital only to be told there weren’t enough beds. Panicked and scared, she went back home quite sure she was going to die from an unassisted childbirth.
When she went back to the hospital the next day for an induced labor, she checked in with her married name “Ratledge” to protect herself (and Mick). On November 4, 1970 after hours of labor, she gave birth to a girl she named Karis and phoned Mick first and then her mother. That day was the first time Mick actually told his now girlfriend, Bianca, that Marsha and his baby existed.
While waiting in the maternity ward, the nurses also forgot to feed Marsha who was so hungry. But being on The National Health, she didn’t complain.  
When she checked out of the hospital, Mick sent a bouquet of red roses,  a miniature muse figurine for the baby, a silver spoon, and some cheap Indian earrings for Marsha. He “dropped by” two days later to see his baby but was in a hurry to be somewhere else.
10 days later, he paid another rushed visit, but she eventually took him to the side because she wasn’t in the mood to entertain his detachment.  And she was kinda like, “Hey! What’s up with you? Why don’t you call or come around more often for the baby” trying to get some genuine reaction out of him instead of keeping her at bay with the polite chitchat bullshit, in which he snapped and yelled at her, “I never loved you” and told her that she was “mad to think that he had”. Of course Marsha, hormonal, stitches still in, burning and all, did not expect for him to stab back and immediately started to cry, which only made him more angry. The piece of shit even had the audacity to threaten to take her newborn baby away from her if he chose. She stopped and in a stern voice said, “Try it! I’d blow your brains out!!”
In that moment, the loyalty she had for him was gone. She had no choice but to push forward and tried to find as much work as she could to support herself and her baby.
[BELOW: Marsha & Mick after the birth of their first child Karis Hunt in late 1970.]
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READ ‘PART 2’ HERE!!! ☕️☕️☕️
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The Unofficial Black History Book
Huey P. Newton (1942-1989)
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'The Revolution has always been in the hands of the young. The young always inherit the revolution.' - Huey Newton
This is his story.
Huey Percy Newton was born on February 17th, 1942, in Monroe, Louisiana. The youngest of seven children to Armelia Johnson and Walter Newton, he was named after former Governor of Louisiana, Huey Long.
His family relocated to Oakland, California, in search of better economic opportunities in 1945. His family struggled financially and frequently relocated, but he never went hungry or homeless.
Growing up in Oakland, Newton recalled his white teachers making him feel ashamed for being African-American, despite never being taught anything useful. In his Autobiography, ‘Revolutionary Suicide’, he wrote – “Was made to feel ashamed of being black. During those long years in Oakland Public Schools, I did not have one teacher who taught me anything relevant to my own life or experience. Not one instructor ever awoke in me a desire to learn more or to question or to explore the worlds of literature, science, and history. All they did was try to rob me of the sense of my own uniqueness and worth, and in the process nearly killed my urge to inquire.” 
He also had a troubled childhood; he was arrested several times as a teenager for gun possession and vandalism.
Huey was illiterate when he graduated from high school, but he taught himself to read and write by studying poetry before enrolling at Merritt College. 
During his time there, he supported himself by breaking into homes in Oakland and Berkeley Hills and committing other minor offenses. He also attended Oakland College and San Francisco Law School, ostensibly to improve his criminal skills.
He joined Pi Beta Sigma Fraternity while still a student at Merritt College and met Bobby Seale, a political activist and engineer. Huey also fought for curriculum diversification, the hiring of more black instructors, and involvement in local political activities in the Bay Area. 
In addition, he was exposed to a rising tide of Black Nationalism and briefly joined the Afro-American Association, where he studied Frantz Fanon, Che Guevara, Mao Zedong, E. Franklin Frazier, James Baldwin, Karl Marx, and Vladimir Lenin.
Huey had adopted a Marxist/Leninist viewpoint in which he saw the black community as an internal colony ruled by outside forces such as white businessmen, City Hall, and the police. In October 1966, he and Bobby Seale founded The Black Panther Party for self-defense, believing that the black working class needed to seize control of the institutions that most affected their community.
It was a coin toss that resulted in Newton becoming defense minister and Seale becoming chairman of the Black Panther Party. Newton’s job as the Minister of Defense and main leader of the Black Panther Party was to write in the Ten-Point Program, the founding document of the Party, and he demanded that blacks need the “Power to determine the destiny of our Black Community”. It would allow blacks to gain “Land, bread, housing, education, clothing, justice, and peace.”
The Panthers took advantage of a California law allowing people to carry non-concealed weapons and established armed patrols that monitored police activity in the Black Community. 
One of the main points of focus for the Black Panther Party was the right to self-defense. Newton believed and preached that sometimes violence, or even the threat of violence, is required to achieve one's goals. 
Members of the Black Panther Party once stormed the California Legislature while fully armed in order to protest the outcome of a gun bill.
Newton also established the Free Breakfast for Children Program, martial arts training for teenagers, and educational programs for children from low-income families. 
The Black Panthers believed that in the Black struggle for justice, violence or the potential for violence may be necessary.
 The Black Panthers had chapters in several major cities and over 2,000 members. Members became involved in several shoot-outs after being harassed by police.
On October 28, 1967, the Panthers and the police exchanged gunfire in Oakland. Huey was injured in the crossfire, and while recovering in the hospital, he was charged with killing an Oakland police officer, John Frey. 
He was convicted of voluntary manslaughter the following year.
Huey was regarded as a political prisoner, and the Panthers organized a 'Free Huey' campaign led by Panther Party Minister Eldridge Cleaver. And Charles R. Geary, a well-known attorney who was in charge of Newton’s legal defense.
Newton was found guilty of voluntary manslaughter in 1968 and sentenced to 2-15 years in prison. However, the California Appellate Court ordered a new trial in May 1970. The conviction was reversed on appeal, the case was dismissed by the California Supreme Court, and Huey was acquitted.
Huey renounced political violence after being released from prison. Over a six-year period, 24 Black Panther members were killed in gunfights with the police. Another member, George Jackson, was killed in August 1971 while serving time in San Quentin Prison.
The Black Panther Party, under the leadership of Newton, gained international support. This was most evident in 1970 when Newton was invited to visit China. Large crowds greeted him enthusiastically, holding copies of "Quotations from Chairman Mao Tse-tung," as well as signs supporting the Panther Party and criticizing US imperialism.
In the early 1970s, Newton's leadership of the Black Panther Party contributed to its demise. He oversaw a number of purges of Party members, the most famous of which was in 1971 when he expelled Eldridge Cleaver in what became known as the Newton-Cleaver split over the party's primary function.
Newton wanted the party to be solely focused on serving African-American communities, whereas Cleaver believed the party should be focused on developing relationships with international revolutionary movements. The schism resulted in violence between the factions and the deaths of several Black Panther members. The Black Guerrilla Family (BGF) was one of several factions that had broken away from the main party.
Then, in 1974, Newton was accused of assaulting a 17-year-old prostitute named Kathleen Smith, who later died, raising the charge to murder. Instead of facing trial, Huey fled to Cuba with his girlfriend at the time, where he remained for three years. The key witness in the trial was Crystal Gray. And three Black Panther members attempted to assassinate her before she gave her testimony.
Huey returned to the States in 1976 to stand trial but denied any involvement. The jury was deadlocked, and Newton was eventually acquitted after two mistrials.
In 1978, he enrolled in the History of Consciousness program at the University of California, Santa Cruz, and earned his Doctorate in 1980.
"War Against the Panthers: A Study of Repression in America," his dissertation, was later turned into a book.
On charges of embezzling Panther Party funds, Huey P. Newton was sentenced to 6 months in prison followed by 18 months on probation in 1982.
On August 22, 1989, Newton was assassinated by a member of the BGF, named Tyrone Robinson.
Huey was 46 years old at the time of his assassination. Robinson was convicted of Huey’s murder in 1991 and sentenced to 32 years to life in prison. 
His wife, Fredricka Newton, carried on his legacy. 'Revolutionary Suicide,' his autobiography, was first published in 1973 and then republished in 1995.
Huey Newton was not perfect, but he did fight to protect the rights of the Black Community. The rights that we're still fighting for today.
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“Revolutionary suicide does not mean that I and my comrades have a death wish; it means just the opposite. We have such a strong desire to live with hope and human dignity that existence without them is impossible. When reactionary forces crush us, we must move against these forces, even at the risk of death.” – Huey P. Newton, Revolutionary Suicide
“It seems to me that one ought to rejoice in the fact of death—ought to decide, indeed, to earn one’s death by confronting with passion the conundrum of life. One is responsible for life: It is the small beacon in that terrifying darkness from which we come and to which we shall return. One must negotiate this passage as nobly as possible, for the sake of those who are coming after us. But white Americans do not believe in death, and this is why the darkness of my skin so intimidates them.” – James Baldwin, The Fire Next Time
Aaron Bushnell, before self-immolating in front of the Israeli embassy in Washington, D.C., sent notice to a few radical platforms including CrimethInc. (henceforth: the Outlet) informing them of his decision to commit “an extreme act of protest” against the ongoing genocide in Gaza. He asked simply that they preserve the footage of his action and report on it. Most complied, but in the face of such a humble request, the Outlet was confused: “All afternoon, while other journalists were breaking the news, we discussed how we should speak about this. Some subjects are too complex to address in a hasty social media post.” It’s telling that they self-identify as journalists.
Still, the white man’s burden of “anarchist” journalism demanded that they not ponder too long before releasing a statement , even if half-formed. Within hours, they hastily published their garbage take. Putting Aaron’s actions in the context of another self-immolation that occurred on December 1st by a woman in Atlanta, (who, despite the Outlet’s misinformation, is still alive) they said: “It is not easy for us to know how to speak about their deaths.” Such dis-ease surely disquieted the spin-doctors and self-appointed spokespeople of revolution. For a project which only contributes to struggle by knowing what to say, the imperative to speak is paramount. In light of what they wrote, it would have been better for them to contemplate a little longer, or just say nothing at all.
After grossly overestimating their importance as journalists “speaking to people of action,” they ultimately write:
“Just as we have a responsibility not to show cowardice, we also have a responsibility not to promote sacrifice casually. We must not speak carelessly about taking risks, even risks that we have taken ourselves. It is one thing to expose oneself to risk; it is another thing to invite others to run risks, not knowing what the consequences might be for them. And here, we are not speaking about a risk, but about the worst of all certainties. Let’s not glamorize the decision to end one’s life, nor celebrate anything with such permanent repercussions. Rather than exalting Aaron as a martyr and encouraging others to emulate him, we honor his memory, but we exhort you to take a different path.”
While it would be easy to dismiss this as the Outlet cautiously mitigating any potential liability if self-immolation generalizes, the rejection of the framework of martyrdom demands attention. The question is not whether Aaron qualifies as a shahid within the Palestinian context, although demonstrators in Yemen have proclaimed Aaron a “martyr of humanity” and an argument can be made for him having become an anarchist martyr in the lineage of Louis Lingg, Avalon, and Mikhail Vasilievich Zhlobitsky. The bigger issue: the Outlet’s assertion that an individual’s death, particularly in the context of the US, is the “worst of all possible certainties” reveals a deep disconnect with the context of this entire decolonial struggle. In the days following October 7th, anti-colonial anarchist thinkers such as Zoé Samudzi argued that the figure of the martyr marked a fundamental contradiction for the secular left’s ability to fully comprehend and act in solidarity with the Palestinian resistance. The martyrs constitute a force in the present for all who live and continue to struggle. Aaron framed his self-immolation as “not that extreme” compared to the ascension to martyrdom of tens of thousands in Gaza. By implying that Aaron’s choice was too extreme, the Outlet dishonors the reality of the struggle within Palestine and undercuts the potential of Aaron’s sacrifice.
In denouncing any action taken with “such permanent repercussions,” the Outlet reproduces the anti-death paradigm of capitalism itself. The philosopher Byung Chul-Han, commenting on an exchange between the filmmaker Werner Schroeter and Michel Foucault, says:
“Schroeter describes the freedom unto death as an anarchist feeling: ‘I have no fear of death. It’s perhaps arrogant to say but it’s the truth… To look death in the face is an anarchist feeling dangerous to established society.’ Sovereignty, the freedom unto death, is threatening to a society that is organized around work and production, that tries to increase human capital by biopolitical means. That utopia is anarchist insofar as it represents a radical break with a form of life that declares pure life, continued existence, sacred. Suicide is the most radical rejection imaginable of the society of production. It challenges the system of production. It represents the symbolic exchange with death which undoes the separation of death from life brought about by capitalist production.”
The fact that an anarchist media syndicate cannot recognize the anarchic nature of a sovereign death, or the symbolic exchange of a uniformed US airman’s self-immolation (which cannot be simply reduced to suicide) is in and of itself a disgrace. Even worse, this conforms to a long established pattern where every time a comrade’s actions pass a certain threshold of intensity, the Outlet is first in line to call for restraint. While Michael Reinoehl was still on the run after shooting a fascist, they wasted no time issuing a hasty social media post denouncing his action and urging their followers to “reject the logic of the guillotine.” The Outlet preferred to remain palatable for liberal eyes, ears, and politicians, rather than express solidarity with a comrade on the run for his life.
In his “Letter to Michael Reinoehl,” Idris Robinson exposes the logic at the heart of the contradiction of those who chose to parse Reinoehl’s actions as nonstrategic:
“What the double-standard with regards to your situation reveals is how violence in America will always necessarily have a profoundly racial dimension. And it is precisely this—the terrifying core of racialized violence—that they are trying to repress when they lie to both themselves and others that their issue with what you did is a question of strategy or tactics. I mean, give me a break: in a country that is literally saturated in violence, from blind mass shooters to murderous police, no one can honestly claim that the few shots that you let off could in some way be construed as an escalation. There is simply no way to avoid the spiral of violence that began at the very moment when the first wooden ships reached the shores of the Atlantic.”
While the Outlet has no problem sanctioning enlistment in the fascist-dominated Armed Forces of Ukraine or calling for the US to keep troops in northern Syria, it seems even a single white death in the United States is a red-line they refuse to cross. For them, the self-sacrifice of a white person in the US military (a fact they fail to ever mention in their response but that was, without question, important to Aaron’s action) in solidarity with colonized people might be even worse. Rather than a liberatory or truly life-affirming position, this timidity betrays a fundamental discomfort with anything that challenges the fragile unity of whiteness and the American racial order. Neoconarchists at it again!
The Outlet quotes Kropotkin (who broke with anarchist internationalism by supporting the Allied imperialists in World War I and is therefore a fitting predecessor to their brand of pro-NATO anarcho-liberalism) on the contagious nature of courage, yet their analysis downplays Aaron’s courage again and again. They call death “the worst of all certainties,” showing that they share Western civilization’s pathological fear of death, yet feel confident in making pronouncements about the impact and efficacy of Aaron’s offering mere hours after it happened. Those who are truly comfortable with uncertainty know that it remains to be seen what the full repercussions will be. The Outlet assumes the universality of a rationalist teleological perspective in the context of a gesture that is best understood deontologically: its essence, independent of outcome, is of distinct and ineffable value.
It’s clear that the Outlet fears any form of struggle that challenges the sanctity of liberal democracy that they feel comfortable operating within. Echoing a line they have often used in the past, they frame themselves as protestors and militant lobbyists, not insurgents or practitioners of direct action (which is not about influencing government policy, but rather creating direct results of destruction and ungovernability.) They say: “The kind of protest activity that has taken place thus far in the United States has not served to compel the US government to halt the genocide in Gaza.” While Aaron did call his self-immolation an “extreme act of protest [within U.S solidarity with Palestine],” the resulting question for anarchists should not be what more effective forms of protest might be, but rather how to honor Aaron’s act of personal refusal through our own deeds. His action was directed towards the rest of us. He looks us in the eye and asks: “What will you do?”
While the authors of the Outlet have called Aaron’s decision “self destruction” and “sacrifice,” we read little in their text of the long tradition of self-immolation as an ultimate form of self-expression against repression and war. They make only a diminishing reference to Tunisian Mohamed Bouazizi’s self-immolation to protest police bribery, which lead to the Sidi Bouzid Revolt and impelled the Arab Spring. In 1965, Thich Nhat Hanh wrote to Rev. Martin Luther King:
“The self-burning of Vietnamese Buddhist monks in 1963 is somehow difficult for the Western Christian conscience to understand. The Press spoke then of suicide, but in the essence, it is not. It is not even a protest. What the monks said in the letters they left before burning themselves aimed only at alarming, at moving the hearts of the oppressors and at calling the attention of the world to the suffering endured then by the Vietnamese. To burn oneself by fire is to prove that what one is saying is of the utmost importance. There is nothing more painful than burning oneself. To say something while experiencing this kind of pain is to say it with the utmost of courage, frankness, determination and sincerity…
The monk who burns himself has lost neither courage nor hope; nor does he desire non-existence. On the contrary, he is very courageous and hopeful and aspires for something good in the future. He does not think that he is destroying himself; he believes in the good fruition of his act of self-sacrifice for the sake of others…”
The Outlet claims that Bushnell, in the rhetorical tradition of the notion of the selfishness of suicide, was “denying the rest of us a future with [him].” But the monks who self immolated in the sixties teach us that perhaps that is the pain we must bear as witness, just as those who chose fire bore the pain of their death or injury for the expression of their will.
“But why does he have to burn himself to death? The difference between burning oneself and burning oneself to death is only a difference in degree, not in nature. A man who burns himself too much must die. The importance is not to take one’s life, but to burn. What he really aims at is the expression of his will and determination, not death.”
Pain can be a motivating factor towards life, just as the witnessing of an autonomous death can inspire us to live deeper into our convictions now.
The question remains: what is the “different path” the Outlet urges readers to take? They admit that no act of solidarity in the US, however massive or targetedly destructive, has been able to slow the war machine. And yet they claim what the ruling class fears most is “collective action.” They give no examples of what said action might be. It doesn’t take too much creativity to imagine how disenchanted members of the US military could strike against the war machine, especially if they’ve overcome the fear of death. We could list those actions of desertion, sabotage, and fragging (and their long history in the anti-war movements of generations past) and theorize on their efficacy. However, we have no desire to reduce ourselves to the indignity of the anarcho-commentariat, issuing self-serving hot-takes about the grave actions of someone more courageous. We can only imagine what they will say when (not if) the war is brought home in even more escalated ways. What are they to do when a revolution based on summering in squats in European social democracies and engaging in ritualized playfights with police is no longer intelligible? Their greatest fear is not of state or economy but of an epochal shift that will render them incoherent.
The Outlet’s pontification on the inappropriateness of Aaron’s action is beyond disrespectful. Faced with such acts of self-sacrifice, the appropriate responses are pause, prayer, contemplation, remembrance, and solidarity. Instead, the Outlet doesn’t fail to make the selfless about themselves: “Choosing to intentionally end your life means foreclosing years or decades of possibility, denying the rest of us a future with you.” Lacking any real other direction, this future seems to amount to years of patient readership and faithfully following the lead of well-platformed self-declared strategists. Their obnoxious tendency to quote their own past texts illustrates their narcissism and self-importance. This self-reference demonstrates a deepening dogmatism on their part, a commitment to stay the course on a sinking ideological ship.
The ill-timed call for recruitment is made explicit in the closing paragraphs: “Prepare to take risks as your conscience demands, but don’t hurry towards self-destruction. We desperately need you alive, at our side, for all that is to come.” Just as in recent weeks they celebrated those who fight side-by-side with the Azov Battalion in the Ukraine, they would prefer active US military personnel alive and well, ready to fight for Western interests at home and abroad.
The time has long passed to dispense with these bloggers who, through their appeals for restraint and moderation, stand in the way of the resistance movements they imagine themselves to lead. The Outlet’s inadequacy was already evident in the “both sides” narrative of their initial coverage of Al-Aqsa Flood. Instead, we choose to act out of affinity and solidarity with the resistance axis of the Palestinian struggle itself. Compare the milquetoast equivocations of the Outlet to the statement of unconditional solidarity with Aaron Bushnell and his loved ones issued immediately by the PFLP:
“The act of an American soldier sacrificing himself for Palestine is the highest sacrifice and a medal, and a poignant message to the American administration to stop its involvement in the aggression.
The Popular Front for the Liberation of Palestine affirms that the act of the American soldier Aaron Bushnell from the U.S. Air Force by setting himself on fire in front of the zionist embassy in Washington, D.C., in protest against the war on Gaza, which he called for the “liberation of Palestine,” confirms the state of anger among the American people due to the official American involvement in the zionist genocide war being waged on the Gaza Strip. It also indicates that the status of the Palestinian cause, especially in American circles, is becoming more deeply entrenched in the global conscience, and reveals the truth of the zionist entity as a cheap colonial tool in the hands of savage imperialism.
The Front expresses its full solidarity with the soldier’s family and all the American sympathizers who took a honorable stance and whose struggle and pressure to stop the genocide on the Strip have not ceased, confirming that the act of an American soldier sacrificing his life to draw the attention of the American people and the world to the plight of the Palestinian people, despite its tragic nature and the great pain it involves, is considered the highest sacrifice and medal, and the most important poignant message directed to the American administration, that it is involved in the war crime in Gaza and that the American people have awakened and are rejecting this American involvement, calling on the American administration to stop this support and bias for the zionist entity.
The Front sends a message to the Arab soldier to take this American soldier who sacrificed his life for a noble cause like the Palestinian cause as an example and role model, and to leave the trenches of waiting, incapacity, and move to the trench of confrontation in support of Palestine and its people who are being slaughtered, besieged, and starved in full view and hearing of the world and just a few kilometers from Arab lands and meters from the borders.
Palestine will be victorious as long as it has deeply engraved itself in the conscience and consciences of the world, and history will record in golden letters the names of all the sympathizers and free people of the world who stood with it and sacrificed their lives for its sake.
The Popular Front for the Liberation of Palestine Central Media Department 26-2-2024″
Those golden letters of history will not record the name CrimethInc., whose version of anarchism cannot hold, comprehend, or move with the young militants taking increasingly bold and dire action. While the pro-Ukraine anarchists continue to stumble again and again over the question of militarism, Aaron’s act of self-negation resolved the contradiction. This is not to say his was the only way to resolve the contradiction, but it was a powerful way that threatens the worldview the Outlet desperately clings to: a view inextricably affixed to Western epistemological hegemony. The decline of the neoliberal consensus indicates the inevitable illegibility of their explanation of the world. The coming days and years will surely see a proliferation of increasingly drastic actions, marked by an intensity which surpasses what the Outlet can accept or condone, positioned as it is. For the Outlet, the death of this world conjures the existential anxiety of dissociation. For others, ourselves included, the end of this world is essential for the legibility of our perspective.
Aaron left us a will. That will, in the many senses of that term, is our inheritance. It reads: “I wish for my remains to be cremated. I do not wish for my ashes to be scattered or my remains to be buried as my body does not belong anywhere in this world. If a time comes when Palestinians regain control of their land, and if the people native to the land would be open to the possibility, I would love for my ashes to be scattered in a free Palestine.”
Whatever Aaron was in the preceding years of his life, he died as an anarchist, and will be remembered as one. His action points to a new organic anarchism emerging out of the present moment, one disconnected from the scenes, subcultures, and cults-of-personality that constitute the anarcho-mainstream. This development threatens the hegemony of the anarchist talking heads as much as the rest. His death is already drawing unprecedented attention, at new levels, to the cause of Palestinian liberation, and likely to anarchism as well. Those who cannot adapt to the changing tides will be washed into historic oblivion, toward which they’re already careening. The rest of us must act within the unsayable. Deeds must speak where words fail.
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damnesdelamer · 10 months
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Self-determination and national independence cannot really exist while United States imperialism is alive... Israel was created by Western imperialism and maintained by Western fire power. The Jewish people have a right to exist as long as they solely exist to down the reactionary expansionist Israeli Government. Our situation is similar in so many ways; we say, that morally perhaps, the Jewish people can make a case for separatism and a Zionist state based upon their religion for self-defense. We say, morally, perhaps we could accept this, but politically and strategically we know that it is incorrect. In the first place it is perpetuating nationalism; perpetuating reaction, if nationalism is reaction, and I think that the United States proves this by using nationalism to rape the world and dominate everyone else. In other words, it went from nationalism to the natural conclusion which is empire or imperialism.
~ Huey P. Newton, Founder and Commander of the Black Panther Party
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rauthschild · 2 months
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Communist History Of V. P. Kamala Harris
 This is a really revealing history of of this nation's Vice President and presidential candidate. It is a long article but is necessary because it is so very important for you to know. This editorial is by Major General Higginbotham U.S. Marines (Ret)
This timely editorial that exposes the hidden background of Kamala Harris is from the Combat Veterans for Congress Political Action Committee. It is posted here with permission of the author. CVFC PAC supports the election of US military combat veterans to the US Senate and House of Representatives.
The editorial begins:
Kamala Harris' father was an avowed Marxist professor in the Economics Department at Stanford University in Palo Alto, CA. Both of Harris' parents were active in the Berkeley based Afro-American Association; Fidel Castro and Che Guevara were the heroes of the Afro-American Association. The group's leader, Donald Warden (aka Khalid al-Mansour), mentored two young Afro-American Association members, Huey Newton and Bobby Seale; they created the Maoist inspired Black Panther Party which gained strong support from Communist China; the Black Panther Party served as the model for creation of the Black Lives Matter Marxist organization Khalid al-Mansour subsequently went on to arrange financing and facilitated for Barack Hussein Obama to be accepted as a student to matriculate at Harvard Law School.
Following her graduation from college, Harris returned to California and subsequently became the mistress of the 60-year-old married Speaker of the California Assembly, Willie Brown, Jr. Brown's political campaigns were supported and funded by Dr. Carlton Goodlett, the owner of The Sun Reporter and several other pro-Communist newspapers. Brown was elected as Mayor of San Francisco, and strongly endorsed Harris' Marxist political philosophy; he guided Harris' political rise in California politics, leading to her election as California's Attorney General. Willie Brown, Jr. is a well-known long-time Communist sympathizer.
Willie Brown, Jr. was initially elected to public office with substantial help of the Communist Party USA. Today, Willie Brown is widely regarded as one of the Chinese Communist Party's best friends in the San Francisco Bay Area. While serving as San Francisco District Attorney, Kamala Harris mentored a young San Francisco Radical Maoist activist, Lateefah Simon, who was a member of the STORM Revolutionary Movement; Simon currently chairs the Bay Area Rapid Transit (BART) Board. Simon has always been close friends with the founder of Black Lives Matter Marxist Domestic Terrorists, Alicia Garza, as well as STORM member and avowed Communist, Van Jones. Harris has been openly and aggressively supporting Black Lives Matter Marxists; Kamala Harris is still closely associated with Maoist Lateefah Simon and Marxist Alicia Garza.
 Kamala Harris's sister Maya Harris was a student activist at Stanford University. She was a closely associated with Steve Phillips, one of the leading Marxist-Leninists on campus and a long-time affiliate with the League of Revolutionary Struggle, a pro-Chinese Communist group. Phillips came out of the Left, and in college he studied Marx, Mao, and Lenin, and maintained close associations with fellow Communists. Phillips married into the multi billion dollar Sandler family of the Golden West Savings and Loan Fortune. He funded many leftist political campaigns, and the voter registration drives in the Southern and South Western states in order to help his friend, Barack Hussein Obama, defeat Hillary Clinton.
Phillips has been a major financial sponsor for Kamala Harris's political campaigns for various California elective offices. Harris' husband, Doug Emhoff works for the law firm DLA Piper, which "boasts nearly 30 years of experience in Communist China with over 140 lawyers dedicated to its 'Communist China investment Services' branch. He was just appointed to Professor at Yale to school future lawyers in the fine points of Communism. When she was elected to the US Senate,Kamala Harris appointed a Pro-Communist Senate Chief of Staff, Karine Jean-Pierre. Jean-Pierre was active with the New York-based Haiti Support Network. The organization worked closely with the pro-Communist China/Communist North Korea Workers World Party and supported Jean-Bertrand Aristide, the far-left Communist former president of Haiti and the radical Lavalas movement.
Fortunately for Harris, but potentially disastrous for the Republic, elected office holders are not subject to the security clearance process. If the FBI did a Background Investigation on Kamala Harris, she never would have passed, because of her 40-year close ties with Marxists, Communists, Maoists, and Communist China. Harris would never have been approved for acceptance to any of the 5 Military Service Academies, been appointed to a U.S. Government Sub-Cabinet position, or would have been approved to fill a sensitive position for a high security defense contractor. Yet, since Joe Biden was elected, Harris could be a heartbeat away from being President. The U.S. constitutional Republic is being threatened by the People's Republic of Communist China (PPC) externally, and by their very active espionage operations within the United States. The People's Republic of Communist China (PPC), with 1.4 billion people, is governed by the 90 million member Chinese Communist Party (CCP), that has been working with Russia to destroy the U.S. Constitutional Republic for over 70 years.
 If the American voters read the background information (in Trevor Loudon's article) on Kamala Harris, they would never support her election as Vice President of the United States. Joe Biden is suffering from the early onset of dementia and will continue to decline in cerebral awareness; he will never be able to fill out a four-year term of office. Since Biden was elected, the Socialists, Marxists, and Communist who control Kamala Harris, are planning to enact provisions of the 25th Amendment, in order to remove Joe Biden from office, so Harris can become the first Communist President of the United States. Since Biden was elected, because Biden would not be up to it,
Kamala Harris would lead the effort to appoint very dangerous anti-American Leftist, Communist, Socialists, and Marxists to fill highly sensitive positions in the Washington Deep State Bureaucracy. She would fill all appointive positions in the US Intelligence Agencies, in the Department of Homeland Security, in the Department of Defense, in The Justice Department, the Department of State, the FBI, the CIA, most cabinet positions, the National Security Council, and in the White House Staff. American voters must alert their fellow Americans that Kamala Harris is a very serious National Security threat to the very survival of the US Constitutional Republic; she has been a fellow traveler of Marxists, Communists, Maoists, Socialists, Progressives, and Chinese Communists for over 35 years.
President Trump had much more background information on Kamala Harris than we presented here, and he was correct, when he accused Kamala Harris of being a Communist subverter.
Geoffrey B. Higginbotham Major General, USMC (Ret).
Ernest Rauthschild's Response
Further, Geoffrey B. Higginbotham is standing in front of the foreign corporate British Territorial United States and Vatican Municipal United States BANNER; and not our Autochthonous Preamble Posterity General Government Flag enacted by the General Congress Assembled July 14th, 1777.
None of the "presidents of the United States" in my lifetime have been elected either in accord with Art. 2, Section 1 or Amendment 12 of the United States Constitution. There is no Constitutional provision that allows the Winners of the partisan conventions, who somehow become a candidate the Electoral College Select from, to choose or pick the candidate for Vice' President.
Since Congress has never declared war during Higginbotham tenure and lifetime, his resume is merely that of a foreign corporate Indentured 13th and 14th Amendment White Negro Slave in a foreign corporate Mercenary uniform.
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stone-cold-groove · 1 year
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Scenes from home, past and present.
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