#i also loved a lot of what they did with more secondary charact

[laufire]

I'm seriously going to need to rewatch The Marvelous Mrs. Maisel soon, because that final season? FUCKING. FANTASTIC.

after so many disappointments when it comes to female characters' arcs this show (that I enjoyed but wouldn't have claimed among my favourites) has truly delivered for Midge and Susie, and Midge&Susie, beyond my expectations.

so, yeah, I'll definitely want to watch it again and see how everything holds up in light of this.

[cakeyouareoh]

peter’s name really is extremely fitting to both his character, and his character’s role.

[masterhallmark]

Rant incoming

I feel like the problem with a lot of Disney's live action remakes (and arguably Wish) is they're trying to appeal to a crowd that no longer exists, namely the people who used to claim that the Disney Princesses were sexist.

All the interviews tend to include, "Well she's not chasing a MAN anymore" which...almost no one sees the princesses like that, anymore. Virtually NO ONE still believes the princesses are man-chasing sexist caricatures of women.

Cinderella is now hailed as an abuse victim who stayed strong long enough to get help to get out of her situation. Anyone who says she should have saved herself is basically regarded as a victim blamer. And it's very clear in the film she wasn't looking to marry the prince, she just wanted a night off. She was the only one who wasn't in line to meet him. She didn't find out she met the prince until he went looking for her!

Snow White is now hailed for her negotiation skills, ability to calm down after extreme stress (she had a moment of panic and had to cry for a bit, but who wouldn't after finding out The Queen hired someone to kill you?), and ability to take charge of a house of adult men. And again, she was an abuse victim, this time trying to escape ASSASSINATION ATTEMPTS. While she dreamed of her prince, it was secondary to her main goal of SURVIVAL. There are also entire video essays about how Snow White gave hope to people during The Great Depression.

Everyone acknowledges that Ariel wanted to be human BEFORE meeting Eric. We all know she was a nerd hyperfixating on humans, and also standing up to her prejudiced father.

We understand Sleeping Beauty wasn't the main character, the Three Good Fairies were, AND PHILLIP WOULD NEVER HAVE BEATEN MALEFICENT WITHOUT THEM! He literally depended on them! WOMEN SAVED THE DAY! But even then, is it really such a sin for a girl to fantasize about romance and fall for someone with corny pickup lines?

We all understand Jasmine just wanted someone to treat her LIKE A PERSON. She rejected every Prince before Aladdin because they treated her like a prize. So why did they need her to want to be Sultan? How did that make her more feminist when she already wanted to be treated like an equal and have a say in her future? Is it only empowering if you want a career in politics?

We admire that Belle, despite living in a judgemental village, was kind to everyone (even though she found the village life dull), and her story teaches girls that the guy everyone else loves isn't always a good guy. What's sexist about teaching girls about red flags? And she didn't start being nice to The Beast until he started treating her with respect and kindness.

Do I really NEED to defend Mulan or Tiana? I think they speak for themselves.

Rapunzel was yet another abuse victim who just needed a little help to get out of her bad situation. In this case, she also needed to learn that she was an abuse victim, and that what Mother Gothel did WASN'T normal, much like many victims of gaslighting.

And don't get me started on the non-princess animals.

Perdita had a healthy relationship with Pongo to the point she was open to express her pregnancy fears to him, and was ready to TEAR APART Cruella's goons for daring to touch her puppies as well as adopting the other puppies. Like, she was so ferocious the goons mistook her for a hyena! She's basically that "I AM THAT GIRL'S MOTHER!" scene from SpyXFamily if Yor were a dog. She and her husband were a TEAM.....but they made a Cruella live action to turn her into a girlboss?! The literal animal abuser!? THAT'S the woman you wanted to put on a pedestal when Perdita was RIGHT THERE!?

Duchess kept her kittens calm after they had been catnapped and was classy as heck. Nice to everyone regardless of social class during a time period where that was uncommon.

Lady stood up to Tramp when she believed he had abandoned her and didn't really care about her. She found out he was a heartbreaker and was like, "Nuh uh. No. You are not doing that to me! You put me through enough."

Miss Bianca from The Rescuers was IN CHARGE the whole movie, and was willing to risk life and limb to save an innocent child. THAT TINY MOUSE TOOK ON ALLIGATORS! And she picked Bernard to accompany her because he was the only one who wasn't ogling her. And then in the sequel SHE DID IT ALL AGAIN! I wish I were as brave as her.

Like, the public haven't accused these ladies of being sexist caricatures since 2014 (Actresses and actors don't count, they're out of touch like the rest of Hollywood) yet Disney is operating under the assumption that the public still thinks that way, hence all the "sHe'S nOt AfTeR a MaN iN ThIs VeRsIOn" talk.

The live action remakes are trying to attract an audience that doesn't really exist much, anymore, and back when it did exist, was comprised mainly of people who didn't actually watch the films. The Disney princesses are no longer seen as sexist, and feminine qualities are no longer seen as weak or undesirable.

[hoodedjelly]

my Jenny, Tuck, Brad, Shelden, and Vega older designs ^__^

i'm watching mlaatr, still not done, i think i got like 10 more eps (and if i'm being transparent i skipped around eps... i just wanted to see vega...). And i'm absolutely loving the show!!!! i love these characters a lot, didn't like Shelden at first i'm going to be honest, #1 Shelden hater for a bit there. but he chilled out in season two and i started to ship breldon with that too so now i just love him so much.

more about my personal headcanons:

Jenny: - I am under the belief that she is transgender. Jenny was made genderless, so her deciding to be a girl was strictly her choice and i believe that makes her trans. (She's also a lesbian) - she did grow a bit, im not gonna explain how idc really i just liked her being a taller lady :-) - she has A LOT of different cute outfits and hair styles, honestly too much to draw. she never transforms back into her base show outfit when crime fighting, she just fights in her cute summer dress she don't care. - her and vega are dating grrgrgrrrr - when vega is in rule she makes it so there is complete free access between earth and cluster prime for citizens in both places. - I say that cause i think when jenny is older she moves in with vega, technically living in cluster prime but visits earth like everyday. And brad/shelby/tucker/wakeman visit cluster prime - Jenny also hangs out with the nicktoons unite gang, but i deffo feel like its just that secondary friend group that you don't talk to with for months. when you talk again its the same goofiness as before - i think danny calls for her help when he needs it (also manny) Tuck: - he is still a little shit but we love him - adhd boy - questioning cis (he/him) - he got into robotics/stem and builds little silly things - with that, he gets help from Shelby - pretty much just a silly teen, he's on the internet a lot and has "cringe" interests - but idk he's having fun and being silly and finding himself (those interests is stuff like sonic and among us) Shelden(Shelby) - honestly kinda nervous about ppl thoughts on my Shelden, idk it makes so much sense in my brain - hits you with the transfem beam (she/they) Pansexual (she just wants anyone type of vibe) - I think when jenny is visiting vega often that leaves Shelby and Brad hanging out alone a lot. which they don't mind honestly, they are actually good friends! - but during that they just get closer and start catching feelings. Shelby eventually lets go of her feelings about jenny and realizes they were a real jerk and weirdo to her. brad helps them through that and eventually her realizing she's trans. blah blah they in love and kiss at some point. - Shelby is also a furry lmaooo her fursona is a cat.

Brad: - bisexual cis man (he/him) - Still his old brad self if i'm being honest. - totally forgot to say i think all 3 of them go off to college together (even though jenny doesn't have to i feel like she would prob want to just for the experience, but tell me if you think differently i'm still unsure) - i really don't know what else to say sorry brad! he's literally just as silly as ever man. he's just also gay - i will say here i feel it takes a lot longer for shelby and brad to start dating then jenny and vega. they got that slow burn kinda shit going on, since a lot of that is shelby being confused about her feelings. and jenny and vega just hit it off right away if im being honest, very high school sweethearts. - (also i think shelby makes brad make a fursona to match hers, so brad got a dog fursona)

Vega: - Lesbian cis (she/her) - That ending of her just ruling cluster prime was just so crazy to me cause like, aint she like 16? - i think she has a lot of stressed nights and fearing she's not doing the right thing for her people, and jenny tries to help as much she can - that is why jenny visits so much, she wants to help her. - very much got those nights were she accidently falls asleep at her desk, jenny finding her and giving her a blanket and a kiss goodnight - it's not like she's unhappy, she is actually very very passionate about her work and wants to NOT be like her mom - and yeah she deffo goes to robo therapy for the stuff with her mom. - i think it's a conflict where vega is scared her mom is gonna come back and jenny has to reassure her that if she does they'll get rid of her for good.

imma be honest a lot of my hcs are pretty half-baked and random things, im sure im going to think of more stuff in the future but that will be in different posts.

[victimsofyaoipoll]

Finals

Propaganda Under Cut

Sakura Haruno

Her husband is gay and her author doesn't know how to write women. So many people say she's the worst but she. DESERVES. BETTER!!! Save her from this franchise.

My baby girl my bestie my best friend. She committed the crime of um being written by kishimoto who both doesn’t know how to write women and somehow writes men in the gayest way possible specifically naruto and sasuke. Like the thing is naruto and sasuke ARE gay and also she gets so much hate for the crime of kishimoto writing her one dimensionally in love with sasuke. I know her personally she is a butch lesbian to me just trust me she’s in love with Ino and has a lesbian thing going on with Karin okay just trust me. My everything. She needs to divorce the loveless lavender marriage she’s in 

What is there to say, even? The OG Threat to my 90s anime brain, the only woman I've ever hated with such a passion she made me turn away from the color pink. I used to write fics with my friend where she got left behind on purpose so our OCs could join the Naruto and Sasuke team instead. I loathed this bitch until I was 16 and realized the author simply couldnt write women and decided it was time to make peace with Sakura. It is not her fault she's vaguely written and obsessive over Sasuke. She deserves better. Sasuke and Naruto still should be together and Sakura shouldnt be with Sasuke but I no longer believe this because I hate Sakura, it is because I love her. She deserves a spouse who will actually put in the time to treat her like the hero she is.

Misa Amane

she gets treated in-canon the way fandoms treat female characters that Threaten an m/m ship. it's like, "oh why don't you go sit in the corner and be pretty, misa, while the Men have intelligent conversation and pretend they aren't ten seconds from fucking each other, doesn't that sound nice?" it's infuriating. and MAYBE it's better now but i remember her getting treated the same way in fanfiction too, like we all need to do just as badly by our female secondary characters as fucking tsugumi ohba, but with the added insult of making her be alternately oblivious of the relationship between light and L or actively trying to sabotage it—incompetently, of course, because god forbid misa be allowed dignity or moments of cleverness.

she's one of the first characters I think of when I consider old school fandom misogyny. The annoying bitch and clingy crazy gf allegations were AFTER HER ASS. She's also a lot more intelligent than people gave her credit for, but most seem inclined to take the Very Biased word of our unreliable, narcissistic narrator and his homoerotic arch nemesis and claim that just because she's bubbly and into romance that she's also a complete moron. Which is blatantly untrue. Everyone was afraid of Misa girlbossing too hard. Killing people and devoting yourself to the deranged twink of your dreams even though you know he'll never love you back??? Having a hardcore goth aesthetic and being so Hot even literal Death Gods are into you?? God forbid women do ANYTHING!

Not only is she the victim of yaoi culture, she is the victim of early 2000s misogyny by an author that wanted to introduce a girl character because he knew his male rivals were getting too homoerotic. She is a goth bimbo icon who portrays what I think is one of the few callouts for stan culture and what parasocial relationships can do to both the stan and the idol. The fact that she is a toxic fan of Kira and also hot, funny, sociable is tragic in its own way, which I think the author did try to touch on but was too misogynistic too really get through. Of course, she was reduced to villain status by the fandom and anime alike because she got in the way of the supposed romance in their psychological horror anime

[absolutebl]

This Week in BL - Screw everything else inject On1y into my damn veins

Organized, in each category, with ones I'm enjoying most at the top.

Aug 2024 Week 4

Ongoing Series - Thai

Monster Next Door (Thai Thurs Gaga ) eps 5-6 of 12 - Extreme introvert dealing with a very hot, very drunk, very affectionate extrovert was an excellent experience all around. “I was drunk and talking out of my ass, but I wasn’t lying” maybe one of the world’s greatest confessions. How meta that he’s checking out the book of the story that he’s in. Carry on boys, very enjoyable, very Thai BL.

My Love Mix-Up Th (Fri YT) ep 12 fin - It’s cute. They are all very cute. I do like it when high school BL gives us a coming out sequence. I know it’s old-fashioned, but it’s a trope that goes with this particular setting really well, and I just like it when it’s done nicely. I’m not sure I needed it to totally dominate the final episode of the series. But it was fine.

I gotta say, Fourth is an absolutely outstanding actor. He really did knocked it out of the park in this last episode especially. 

In conclusion:

It was fine and it was charming, but it was also a little lackluster. Thailand managed to take one of Japan's softest cutest most bonkers BLs in recent memory and make it softer and cuter and... dull. They did this by watering it down. JBLs almost always have an edge to them, even the rom-coms, by dulling the edge, MLMU lost a great deal of the sparkle and tension as well. What an office setting managed to mostly maintain in the consummate hands of TayNew felt somewhat lackluster when handed off to the next generation and a high school setting. Cherry Magic was a lovely reinterpretation, Mix Up was an amateur's watercolor rendition of a colorful oil painting. Am I being harsh? G4 tried their best, and Fourth turned in some outrageously good acting in the latter half. But the show? It was fine. If you like water colors and you haven't seen (and loved) Kieta Hatsukoi. 8/10

This Love Doesn't Have Long Beans (Fri iQIYI) ep 8 fin - This was the first hint we got that the lead's relationship was anything more than sexual. And it was utilized for a breakup?! JJ and Wan's friendship is the best thing about this show. PWan selling JJ out to Methas was great. I was modestly delighted by the big fuck off ownership engagement ring. I admire a boy who likes to mark his territory with bling. I actually thought this was a decent final episode. If very rushed. I know, in general this ending was objectively weak, but I grinned the entire time, so I can’t really complain that much.

Final thoughts?

A story about a kid who infiltrates a cooking competition under false pretenses and then has to deal with the consequences when he falls in love with the head chef. The side couple is a poor little rich boy meets physical therapist (morality chain). The core friendships are excellent and the chemistry cannot be faulted across the (charcuterie) board. What this show lacks in substance it makes up for in health code violations. It was all chili all the time. Considering that the plot centered on betrayal but the romantic relationship never sweetened enough to balance that bitterness; one could be forgiven for throwing this one in the compost. But I got over all its weaknesses in flavor balancing for an ultimately satisfying meal, with a great dessert course. I've always loved spicy food. Plus the blooper reels were fantastic. 8/10

Addicted Heroin (Thai Tues WeTV) ep 2 of 10 - I like the side couple a lot. It’s nice to see that dynamic developed (as it wasn't in the CBL version). Of course, Thailand leans into a secondary couple, but I also like the super popular jock + geeky boy who couldn’t care less. You know what? I’m actually really enjoying this. And yes, I AM biased because it's August. (Wait, that could be taken several different ways this month. But you know what I mean.) Anygay, this is a lot softer than the original, and so Hero is much more of a pining character and less harsh. But I'm still enjoying it. I like the stepbrothers trope (we don’t get it very much from Thailand), and I enjoy the beats and pulses of this particular story. We will see if it derails into inconsequence and lack of conflict the way My Love Mixup did.  

Sunset X Vibes (Sat iQIYI) ep 11 of 12 - I’m enjoying this show but it should’ve been just 10 eps. It’s feeling bloated at this juncture. That said, I loved our little GL kiss. Very pretty. I also really like the bit with Sam and Yo flirting with each other. Sam trying to get Yo to call him P'Sam was fucking brilliant. And then slipping in all of those nongs. Delightful. Linguistic negotiation, it's what's for dinner... along with Sam's d**k apparently. I frankly did not think they would take this couple that far. So, thank you very much everybody involved.

Battle of the Writers (Sun YT) ep 4 of 12 - I do enjoy watching Yim freak out and fall in love all over again. The reality is still better for me than the fantasy parts, but it’s all fun enough. The magic mushrooms bit was odd. In fact, there is definitely a core tenor of ODD going on with the show. Which I’m accustomed to from Japan but I’m not really sure about from Thailand. Thus I remain engaged but suspicious of this BL. 

I Saw You in My Dream (Weds Gaga) ep 6 of 12 - Yu wants to take his baby on a trip, gets thwarted by his younger brother. Ouch. I really do think it’s time for Ai to tell Yu what’s going on with his dreams! Drunken boyfriend bolster pillow is a fav trope of mine. As usual, I’m catching second lead syndrome. What? I liked the rich boy badminton player. And then he picked up a guitar. Oh well.

The Trainee (Sun YouTube) ep 8 of 12 - No one cares about the hets. He was jelly? Cute. Also kinda an arse, by hey this is BL. 

Ongoing Series - Not Thai

The On1y One (Taiwan Thurs Gaga) eps 1-2 of 12 - announced in 2023, high school, stepbrothers, and is reputed to be high heat. Based on a novel Mou Mou + the Your Name Engraved Herein team.

ARE YOU READY? I'M GOING TO NOT SO QUIETLY LOSE MY DAMN MIND

This is old-school BL and it’s bloody fantastic. Tsundere seme to beat all tsundere (smartest + tallest + bestest at everything but people) meets socially-ept cutie smart-ass protag.

They living together by end of ep 1 and start kissing by end of ep 2.

There is an Unknown quality to this, and that I love. Also, and ironic to say this while Addicted Heroin Th is airing, but this REALLY reminds me of Addicted. It’s so fucking good. I am all in on this show. Shut up while this eats my life.

Cosmetic Playlover (Japan Tues Gaga) eps 5-6 of 8 - Of course! The POV shift to the seme character at ep 5! How could I forget? Japan loves this beat! AND.... The running of the gays. And a use of a first name! So darling. Also some crazy great communication and conversation that is NOT a hallmark of Japan. Sahashi is so very possessive. I loved the switch that went on in his brain and the mania in his eyes when he thought someone else was interested in Natsume. I continue to love this.

I Hear the Sunspot AKA Hidamari ga Kikoeru (Japan Weds Gaga) ep 10 of 12 - I’m never going to like Maya. Sorry. And the leads were separated for most of this episodes so it was largely disappointing. I did like the insight into the way T sees the world, and sees the alienation of a disability and what it's dong to his friend. It’s very empathic. He’s such an appealing character in his obtuse bull-headed way.

Seoul Blues (Korea Fri? YouTube) ep 2 of 8 - It’s intriguing, and I'm happy to have anything from Korea on my dash. But, like Blue Boys, I’m not entirely sure if I like it or not.

First Note Of Love (Taiwan Mon Gaga) eps 3-4 of 12 - This may be Taiwan but I’m still in the "no singing" camp. I’m getting a slightly better chemistry feel off the leads in this episode. I’m not sure if they’re keeping it stiff because the younger character is under age or if it’s just that the actors aren’t there yet? (In other words is this a directing choice or a performance issue?)

Takara's Treasure AKA Takara No Vidro (Japan Mon Gaga) ep 8 of 10 - I've finally come down firmly on the fact that it’s the uneven power distribution (in terms of interest and enthusiasm for the relationship) that I dislike about this show. Generally, I like a power dynamic differential, kinky and all that. But this particular dynamic, when it’s the weaker personality that’s so much more into the stronger one? I never like it, unless it engages a serious pivot at some point. (See My Personal Weatherman or Takara & Amagi.)

It's airing but...

Sugar Dog Life (Japan Sun grey) ep 3 of 10 - I was really loving this one but I can't find ep 3 anywhere so I guess I gotta wait it out. I hope I get to see it eventually.

4 Minutes (Sat Gaga) eps 1-6 of 8 - Gaga picked this one up so we can watch it there. If I have time, I'll get caught up and put it into rotation.

In case you missed it

Meet You at the Blossom (China) - I'm eating crow, binging the fucker, and live blogging.

The Time of Fever AKA Unintentional Love Story 2 (Korea movie) trailer IS COMING IN SEPTEMBER!!!! (Yeah this is gonna sit here until then).

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Coming Next Month:

The Time of Fever (Korea)

9/1 Live in Love (Thai)

9/3 Happy of the End (Japan)

9/6 Kidnap (Thai)

9/7 The Hidden Moon (Thai)

9/9 Jack & Joker (Thai)

9/14 Love Sick 2024 (Thai)

9/17 Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan)

More deets next week. It's late and I'm tired.

THIS WEEK’S BEST MOMENTS

It was pretty. I am very shallow.

Even more pretty. Petition to have Tenon with his shirt off and hair back in every subsequent Thai BL? Just because.

(SunsetXVibes)

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in its infinite wisdom doesn't like too many tags.

[celestie0]

Are we gonna have smut in ihm soon?🤭

man it’s really fuckin disappointing and sad to spend 10 hrs out of my week to try to create a meaningful story, one that resonates a lot with me and the things i’ve been through in my life, one that i hope my readers can resonate with and see themselves in, just to get asks like this.

like, picture this. you get super excited to write this story of yours, you plan aaaaaall these secondary plot lines, introduce new characters, create different character dynamics, try to include scenes that strengthen relationships with already existing character dynamics. plan out an ENTIRE story on paper (my ideas doc ALONE for ihm has 13k+ words) and try to leave subtle clues here and there in your chapters to support a build up of tensions that’ll lead to a payoff later on in the series. oh, and this is just the planning part. did you know that it takes the average person 1-2 hrs to write 1k words? the last ihm chapter was 14.1k words. go ahead and do the math, and try to figure out how long it must’ve taken me to write it. without even counting the time spent i spent editing it.

i know that this fandom is so horny brainrot fucked up to the nines, i’ve sincerely never seen a fandom that needs to touch grass more than the jjk fandom. and admittedly, i am also super excited to write more smut in my stories! sex is fuckin cool n sexy! but let me just get one thing straight to you horny anons that send me asks like this: my stories are STORIES first and foremost. they are not VESSELS for your FANTASIES. they are not PORN with PLOT. they are my stories, that i write drawing from my real life experiences. and, hey, news flash, they mean a fuckin lot to me! i’m assuming you didn’t do the math on the 14.1k word chapter thing, but i’ll tell you right now: it took me maybe 20 hours to write ch3 of ihm. something that probs took you 1 hour to read, and then ten seconds to send me this ask. surely your tonedeaf brain can at least understand that i wouldn’t spend that much fuckin’ time writing something if it was just supposed to be porn with plot.

listen, i know that i’m not the best writer. i understand that, after reading all of this, you might be thinking “shut the fuck up bitch, your writing aint alla that for me to respect you. we only care about the smut, don’t you understand?” that’s valid. i’ll respect that. i never claimed to be a great author, or deserving of anything meaningful from you in return. ultimately, it’s my choice to spend the time that i do writing, no one’s forcing me, and i would never expect people to support me either (although i am always infinitely grateful for it and tbh the support is what keeps me writing). but what i don’t deserve is to be sent careless asks that make me feel like you see no purpose in my stories other than sex. other than smut. other than a penis going inside a fucking vagina.

anon, you know what would make me excited to continue writing my story? excited to get to the parts where characters ARE intimate with one another? is if you maybe threw in something as simple as a fuckin “hey i loved that part in ihm ch3 where [x]. thought it was a cool thing to do. btw, looking forward to the smut!” would’ve taken you a solid 30 seconds. it just took me 30 seconds to type that. or? you know what else you can do? go sit the fuck down, shut the fuck up, and spend 20+ hrs writing a 14k+ oneshot on the smut that you so badly wanna see. it’s your choice. really! i mean it. go be the change you wanna see in this world.

i have never once felt like i deserved any of the support that i’ve gotten. idk how to write pretty prose. or moving stories. i read some other people’s work on this app and i’m genuinely gobsmacked by how talented they are and constantly think how shitty my writing is in comparison. but my thing is that i am at least trying my best to write stories that people feel worthy of reading, because i feel like that’s the kind of respect that an audience deserves. i am trying my best to put my character and integrity into things that i write, even if what i produce ends up falling flat or doesn’t come across. but this ask isn’t an isolated issue. this issue has come up multiple times in the time i’ve had my blog, where people just reduce my stories down to smut smut smut smut smut when are we gonna get smut when are they gonna fuck write more smut in kickoff you should make ihm couple fuck like rabbits in the next chapter oh we better see them do [redacted redacted redacted] or else imma [redacted redacted redacted]. my fics are literally TAGGED with "slow burn romance"...i am fully transparent about it. and while i’ve also gotten so many meaningful heartfelt reactions to my stories (which, btw, were tastefully horny…yes, there is a way to send an author an ask that is tastefully horny while also appreciating their work!! insane wild concept!! /sarcasm), unfortunately these bad interactions will always stick.

like. would you ask someone you knew irl that was writing a novel, when they're gonna write the smut for it? would you tell them to hurry tf up and finish their novel just so that you can read the smut? would you send them your smut fantasies and be like "include this in your novel for ME because I want it "? no. because they'd think you're creepy n weird asf n overbearing then drop you. so why is it okay to do that to an author on tumblr? what happened to manners? what happened to decorum? especially for creators who are making you content for FREE.

if i was an author that wrote purely smut oneshots, i’d maybe kinda sorta understand (still think it's wrong asf, regardless of the content of stories that you write). but i feel like, after the 200k+ words that i’ve poured into my two stories (including the chapters i’ve written that i haven’t yet released) where it’s CLEARLY evident that these stories are much more than smut, i’d think that i deserve treatment a little bit better than this.

i’m done. i’m done trying to be nice. i’m done just silently deleting rude asf asks because i don’t wanna cause a scene. i’m done worrying about hurting people’s feelings, when I’M the one that is getting my feelings hurt while you just get to hide behind an anon.

i. am. just. fucking. done.

[kittenface40]

I.M.P is irrelevant to Helluva Boss

When Helluva Boss Pilot came out,I was really excited, to know more about these characters, their personalities, their relationships to each other and how they would develop. Additionally, I was also wondering on why each of these characters joined I.M.P and why did Blitz start his own business.

However, as the series went on, the show went on to become the Stolitz show along with dedicating episodes to fan-favourite characters that have nothing to do with I.M.P (Ozzie, Fizz and Stolas).

This is one of the (many) reasons why I'm disappointed with the current state of Helluva Boss, I.M.P's irrelevance to the main story, while I do enjoy the new episodes. There are a lot of story issues that I have with it, the fact that IMP is basically irrelevant to the Helluva Boss.

NO IMPACT ON THE OVER ARCHING STORY:

So far we only had five out of fifteen episodes (excluding the times where it's offscreen), of IMP doing it's job is the main plot of the episode, while five episode may seem fine for some it becomes a problem when their actions are basically inconsequential to the main story.

The only times where they are important is for one-off adventures like in Murder Family, Spring Broken, CHERUBS & Unhappy Campers. The problem is that their existence doesn't impact Stolas' story in anyway (aside from Blitz), like why are we focusing so much screentime on Stolas (a secondary character) who isn't even employed at IMP. And instead focus on Blitz, the titular character, protagonist and him being the boss of IMP. Understanding his goals and reasoning as to why he wanted to start IMP.

HELLUVA BOSS? WHAT BOSS:

Another problem I have with IMP, is the fact that we don't know why Blitz wanted to start a business on killing people, was it because of his tragic past and to distance himself from it, is it that he discovered he's really skilled at killing people and decided to make it big , is it because he wants love and new connections from his employees, is it to prove the higher class or his father that he can make it big and break class traditions. What is it? We only now why he wants love and respect from his employees due to his tragic past. But we don't know why he started his business.

Also we never get to see him develop into a caring boss that genuinely cares about his employees, with the show only showing the ending of the development in the same episode but none of the development.

In addition, we also never get the chance to see him as a leader of IMP, you think Blitz would be the leader and he needs to grow into being one for his employees. But the show never has Blitz develop into becoming a Helluva Boss.

NON EXISTENT SURFACE-LEVEL RELATIONSHIPS:

Another thing I really hate is that the relationships between employees at IMP, are never explored beyond the surface level. The only one I can say this doesn't apply to is Moxxie and Blitz.

We don't get to see the M&Ms relationship grow outside of loving each other, and when they do explore it, it's written poorly (Unhappy Campers).

We don't get to see Millie and Luna, relationship grow, they don't even talk to each other that much in the show. What is Blitz & Millie relationship, why do they get along with each other, why is she fine with Blitz behaviour. Luna and Moxxie relationship, why is Luna so mean to him, how does Moxxie feel about Luna bullying him, has she ever went too far, would Millie get angry at Luna for bullying.

(Side tangent; but why is Millie not standing up for her husband when Blitz and Luna bully Moxxie, they do it right in front of her. Wouldn't she get angry at them, edit: I checked and she did get angry at Luna for calling Moxxie fat, but not at Blitz for joking about this. But she needs to say something, put her foot down, not just make an angry expression)

EMPLOYEES LACK OF REASONING:

We don't know what the employees motivation was to join IMP. Why did Moxxie and Millie join IMP, was it to prove their parents wrong, to make it big, or is it for similar reasonings to Blitzo.

Why did Luna join IMP? Was it out of gratitude for Blitz saving her, was it because she couldn't get a job as a hell hound, was it to be with her father more.

-----

Anyway, that's my thought for a day, on Helluva Boss, let me know what you think about IMP. Do you agree? Disagree? Why? Let me know!

[phlurrii]

It’s finally time to introduce the secondary project I’ve been working on >;Dc

I’ve had this queued for sometime in June, did not check when, so hello on [random date in june] ;D

I’m also here to explain how I’ll be posting this stuff going forward! Everything will be posted here, on my main account before being reblogged over to Soul’s Anchor a side bog with the place holder title. Unless it deals with more adult/suggestive content or heavier topics, of which will be exclusively posted to Soul’s Anchor side blog. As I don’t want certain themes alongside AM! I’ll also be referring to this series as Anchor for short! I will encourage any and all Questions, Mentions, and Thoughts to be directed there for those interested and those who are not, dw! You’ll only see the initial posts here, no asks or follows up, but this is still my art account and I shall enjoy it as I please ;3

Brief Synopsis about the Story:

A queer love story following a cursed pirate and a cult refugee implanted with a god’s eye as they combat the reality of living in a world which was created solely to feed the gods that govern it. All whilst a sapphic couple attempt to help guide the pair along a path to to a better future, one that’s validity comes into question. A dark fantasy story that aims to represent the disabled community, the LGBTQIA+, and SA survivors written by fellow members of these communities.

Also brief disclaimer, I, Phlurrii, am simply an ally to the disabled community, my partner in crime writing alongside me, ArtJunco on Instagram, is our resident community member ;]

Anyways onto the meat of this!

Below is a collection of some, emphasis on some, of the concept art and processes I went through to develop and create one of the two main characters, Lumae.

Here are some of the earliest ideas, the basic thoughts I had in my brain when developing this goober after a 3 hours pacing in my kitchen at 1 am when that inspiration struck. His hair was the HARDEST bit for me to figure out. Which sucked as usually the hair is one of the first things I figure out because of how much I love it, so it was Agony while brainstorming that part.

I also briefly considered a goatee, however it was so cruelly shot down by my dear friend. So in stead we compromised that he may get one later down the line story wise… and see how we feel then. However, upon finally figuring out his hair I was bloody elated, still has some tweaks now and then, but the base is there.

As for this next concept, this was actually the FIRST thing created for Lumae and what started everything else about his character/design! His eyes! They are still my favourite but about him and something I adore whole heartedly! They are the core of his character ;3c

These next few are early refs and mock ups of his full design, testing our colours, experimenting with shading, getting used to drawing humans again, and general concepts I had for him as a character! Also a sneak peak at Ayric, our second main goober for this story! Who was lovingly designed and created by ArtJunco!

And finally his most recent WIP ref! The only thing currently bothering me about his design is the colour for his boot covers, I have no idea what to do with them so I’d you have suggestion or ideas, sincerely, feel free to shoot an ask to the Anchor blog! I’d genuinely love outside opinions!

As for the main curiosity of why I’m doing this, for those that missed the last post, I’ll give a brief explanation below ;3

To help with burnout so I can hop between fixations, help to avoid losing interest in AM in the future!

Keep up practicing humans and critters alike.

To take a break from story telling to do story building! Give the telling part of my brain a break, while still making cool stuff ;]

To have a more interactive blog with ya’ll! One where I’ll likely be asking advice and discussing a lot more hypotheticals, doodling asks, and general audience interaction given I am not bound by any updates! Purely just “ooo… shiny-“ and anyone is welcome to join me ;D

Last thing I request is to please read Anchor’s blog bio/description before you follow, as this story will deal with subjects not suited for all audiences posted/discussed exclusively on that blog.

Anywho, that’s all for now folks, hope you enjoyed this brief intermission to kickoff the second project being public!

[omgthatdress]

Barbie made her debut in 1959. The way she was sold then is a little different than the way she's sold now. These days, individual Barbies come with their own unique looks & usually some kind of unique function or accessories. You can buy clothes separately, but those looks are still secondary to the expectation of buying a lot of Barbies. Back in the day, you bought the one Barbie and then bought her clothes separately. This is why back then Barbie came with a bunch of friends and always came wearing a swimsuit.

The oft-memed origin story for the classic Barbie is that she was modeled on a German sex doll named Lili, which is only partially true. In the 50s, most dolls available for girls were baby dolls that primed girls for being a wife and mother. Fashion dolls were a thing but they were generally more reserved for adults.

Ruth Handler, who co-founded Mattel with her husband and served as its president from 1945-1973 (#girlboss much?), got the idea of making an adult doll for girls when she'd see her daughters playing with paper dolls. Instead of playing with babies, they chose teen-aged and adult paper dolls and played fantasized versions of adulthood. Then, on a trip to Germany, Ruth saw a Lili doll in a store, and asked her daughters what they'd think of playing with a doll like that. Apparently, they liked the idea.

Lili the doll wasn't an inflatable fuck doll. She was based on a popular comic strip character Lili created by Reinhard Beuthien and published in the Hamburg-based Bild Zeitung. Lili was a buxom gold-digger seducing her way through the wealthy men of post-war West Germany.

The comic was definitely adult-oriented, and the doll it created was a popular bachelor party gag gift.

The introduction of a doll with breasts did cause *some* controversy, but it was more pearl-clutching rather than tremendous cultural outrage. Barbie was actually an immediate hit. She fit in very well to late 50s ideals of femininity. I've heard it said before that parents liked her because she helped little girls get into the beauty, fashion, and level of grooming that she would need to catch a husband. IDK if that was intentional, but it seems to fit very well.

I don't want to get into whether or not Barbie is this huge feminist icon or not because, well, she's a toy. I think Ruth Handler was an incredibly smart businesswoman who saw a market demand and met it. Barbie is about the power of fantasy and imagination, and anything that people see in her are the things they want to see in her.

In her incredible multitude of careers, she also holds up an impossible and toxic standard of beauty. Mattel has always been very aware of Barbie's image. I'm pretty sure that the reason Mattel hated "Barbie Girl" so much wasn't because it was wink-wink sexual, but because it nailed the popular stereotype of the time that Barbie was this fake, plastic bimbo who was an unhealthy role model for girls (go listen to Aquarium, now!).

The recent years of Barbie taking on a more empowering, feminist, and diverse lean is because Mattel is simply correcting course and keeping up with the times. Honestly, they've done a very good job of it, but I'm not going to kid myself into thinking they're doing anything other than maximizing profits.

I love me some Barbie but I was always an AG girl, ngl. However, I think Barbie and her cultural context are still incredibly fascinating and worth taking a look at.

[flying-fangirls]

Watching my little (half) joke post after Part 43 spark some discussion has made me think a lot over this for the past couple days, and I think I've pinpointed my main frustration with the women of Malevolent overall.

Simply put: the women of Malevolent do not get to have a voice.

Yes, literally they aren't voice-acted by Harlan. But I don't really want to get into that side of the topic here. I'm saying figuratively women do not have their own voice in this show.

Who is Bella outside of her relationships to Arthur or Daniel? Did she like music too, was she sarcastic or sincere, what was her biggest goal in life? Who is Faroe outside of how she makes Arthur feel? Who are Anna and Amanda outside of their connections to the King in Yellow? And I don't mean just a quick sentence-long description about them, I mean a genuine in-depth answer to "Who are they?"

Secondary characters that are men/male-aligned (Noel, Oscar, Collins, etc) have a strong sense of individual personality and motivations, enough that you could get a decent amount of discussion/analysis about them if you wanted. You can't get that kind of character discussion for the women if you tried because the show simply does not provide it for you, no matter how integral to the plot their characters (or concept of a character) may be. Heck, Shub set up the plot of this whole show and yet she's so nothing of a character that she's practically just a name to throw around when it sounds cool.

Almost everything we know about the women comes from men's perspectives, either through their side of relationships or through quick mentions of the women without any real substance to who those women really were. Other people have suggested the idea of finding a journal or a few more letters from Amanda to give her character more time/attention-- something similar could be done with any of the other women too, anything that lets their personalities/unique motivations be directly shown instead of vaguely mentioned or hinted at by men.

(I'll admit that I do think Marie is written more along the lines of secondary characters like Oscar, and I'm pretty happy with her character! But the fact that she's the only woman I can think of to break that pattern is... not great)

And yes I know that there are men in this show that also do not get to have their own voice (Roland, Parker, Henry, etc.) That's expected! All stories have characters that act as collateral or tools to move the plot/main characters forward. But when every single female character serves as a plot device with no strong sense of unique self, while only some of the male characters get that same treatment and the rest get plenty of personality and individuality-- that's when it becomes a problem.

The women of Malevolent get names (or, some of them do), they get roles and influence within the plot, and a few of them get small glimpses of what could be a personality if you look for it. But the women of Malevolent do not get a voice. We can see the vague shape of them on the edges of the show, but we never get the chance to hear them. And they never get the chance to speak themselves, to be heard.

I love Malevolent-- really, truly love this show. Which is why it's only so much more frustrating for me when it overall struggles to give its female characters the same respect as its male characters. Again, I'm not talking about the voice-acting, and I completely skipped the expanded cast of female characters (the wraith, the widow, the witch, etc.) and my concerns with what kinds of women are represented in the show and how they're presented. This post is really just me trying to express a genuine frustration that I (and at least a few other people) have with the writing of this show, and try to explain why those frustrations exist.

I promise this is NOT meant to be an attack on anyone and I'm not trying to deny other perspectives on this topic. This is also NOT an attack on Harlan or the podcast as a whole. I'm just trying to share some thoughts here.

[oddly-casual]

Gaap Goemon appreciation post/ Character Analysis

because I need y'all to hype him up as much as I do.

I was a fan of the Mairimashita Iruma Kun anime many moons ago, and just recently I got back into it. Finished the manga. Walked away loving the entire Misfit class. Most of all, I see a criminal lack of Gaap content. So, here's why I love Gaap and why I think you should too.

By all accounts, there isnt a whole lot of focus or information about Gaap that goes beyond the depth of a kiddy pool. (It's like that for most of the misfits tbh...) Still, Gaap gets more focus than most.

Kindness and care:

The thing about Gaap that stands out the most, is how much of a natural caretaker this kid is.

He greets everyone he meets with respect. Often using the honorific "Dono" Which google tells me translates to "Lord" or "Master". Almost every time he greets somebody he always has an offer of Hell tea and onigiri. He always makes sure to take care of his guests and his friends. This kid has no shortage of manners. So polite.

In the Harvest Festival arc, Gaap is the one who goes out to save the other students even when Agares has valid points about why rescuing a bunch of demons they dont know wouldn't benefit them in any way. In the festival, where the entire point is to be a cut above the rest, what did Gaap do?

We see little examples of Gaap's kindness. How he defends his friends and is usually on the front lines whenever someone's well-being is cause for concern.

This boy is the mom friend who always had a painkiller and a stack of bandaids on hand. He's such a mom friend that he canonically fights with Jazz when it comes to taking care of their classmates. (They both have a caretaker complex.)

It's also the way Gaap responds to stress! In the Heartbreaker arc, Gaap is paired up with two first-years who won't stop fighting. This obviously stresses the boy out, because he had high expectations of getting along with his first years, but it didn't turn out that way.

The first thing Gaap does is try to offer them food, something we see Gap do to Agares when he snaps at him. When the offer of food doesnt work, he instead tries to assure the first years that everything will be fine. Even if Gaap isn't confident, his first instinct is to try to appeal to and take care of people. Even if that's not what they want.

It’s interesting, because Gaap doesn’t physically get in between them, like you would expect him to do. He avoids conflict when it gets physical, despite being such a capable fighter. (Though when it comes to saving others, he has no problem acting.)

Friends and Habits:

We get to know Gaap the most when he's around other people. Obviously, because he's a secondary character. I think another aspect of this is because Gaap is a social creature, he thrives around people. We rarely see Gaap standing alone and this makes sense because his goal is to have 100 allies.

In the demon world, we know that demons usually dont care about saving or helping others if it doesnt help them. Nor do they have the drive to see their efforts to the end, because they get bored rather quickly. Gaap breaks out of this status quo, along with the rest of the Misfits, by stubbornly pushing towards his goal even when the fruits of his labor dont bloom right away.

The biggest showcase of this drive is the person Gaap takes care of the most, that we know of.

Chapter 111 shows us that Gaap came to Agares' house every day. check it, every day. Gaap would go out of his way with breakfast and pick Agares up so he could make it to class.

Agares clearly doesnt want to go, but Gaap takes him anyway, refusing to leave him behind. From what we can guess, he's been doing it before they started training together. Which could mean Gaap didn't know this kid, but saw he wasn't going to class and went to go take care of him. (Classic extrovert adopting their introvert friend).

We see how that kindness affects Agares as a result. Agares feels guilty when he snaps at Gaap and goes out of his way to visit Gaap when he doesn't show up for class. (This could also mean Agares went to class on his own, without Gaap having to force him.)

Agares was also willing to help the people Gaap saved. Even when telling Gaap not to go out and save those people, Agares still houses them, keeps them safe, and even plans an escape route for the other students when things look bad. It's a lot of hassle for a character who hates being bothered. Gaap's kindness is contagious, even if it's not obvious at first glance.

Oh, Maybe He's Kinda Fucked Up?

No one escapes childhood unscathed.

Gaap is a caretaker, he does it happily. Even so, when you put yourself in the position to take care of others, there are parts of yourself that fall into neglect that you dont realize.

After the Heartbreaker arc (Chapter 272), Gaap is noticeably absent. We find out later, what happens when you fuck with the nice guy too much.

Maybe it was his crushed expectations, the stress of failing and losing, or maybe Gaap was just tired of being nice but he goes apeshit. Accidentally slipping into his Wicked cycle and nearly driving two students mad with his fucked up face.

We learn that showing your true face is a big no-no in the Gaap household. It's literally written on the walls, and Gaap feels immense shame and embarrassment that he broke a family rule.

He hides his face in his hands, and puts a bag over his face when Agares comes over. He's afraid of hurting someone again, even though the stress of those events have passed.

We dont know his parents' reaction, (because aint no way they dont know) Whether Gaap was disciplined by his parents or not, Gaap put this huge weight on his shoulders. Not blaming the stress of the situation, but blaming himself for losing control.

Gaap specifically said, “I panicked”. Which could mean that with all the stressors, he snapped and just lashed out. Gaap didn't willingly enter his wicked phase, I think he just gave in to his instincts. His bloodline originally started by warding off predators with their maddening appearance. What is panic if not your brain responding as if your body is in danger?

Despite Gaap reasonably getting upset, he still feels terrible for the trouble he caused and the students he hurt. The first thing he did after waking up was to ask if he could apologize to the first years for mentally scarring them.

Gaap’s ambition is to make 100 allies. It's pretty sweet. When a teenager says it(Gaap looks 17 yrs old), It just sounds like he wants to have friends. Pair this up with the fact that Gaap rarely asks for anything in return, and suddenly his wanting a ton of friends makes sense for someone who looks his age. Gaap takes care of people because he wants them to like him. (Even if he can drive them away with how much he cares.)

I have no idea where this desire comes from. If it's something his family drills into him, to be sociable and network, or if it's just a personal goal because of his ugly ahh face.

Regardless, this moment makes me want to lie down on the road while it rains:

Despite how much his ambition means to him, he is willing to isolate himself as long as it means no one else gets hurt. This speaks to his good intentions. It isn't just about the popularity or all the favors he could have from knowing so many demons. It's about forming genuine relationships with other demons and providing them a soft place to land and build community.

Look at my son, he tries so hard.

My final point:

Look at how cool he is. This is Chapter 76, my boy came out the gate swinging with powerful bloodline magic. He's got the position, he's got technique, he's got flare. What more could you ask for?

Gaap started out as rank 2, and since then has had no problem leveling himself up. Gaap always stays on his feet (Hence his nickname Busy Body), not letting himself fall behind his classmates. He aced his training and had since learned to use Wind as a companion and not as a tool. He even developed a full-range attack where he can pick which targets get hit by his swing and which dont. He is leveling up in the world. Dont hurt em now Gaap.

Conclusion:

I'm the equivalent of those parents who show off pictures of their kids from their wallet.

Gaap as a character, in the story he's in, isn't anything really new or groundbreaking. Even still, in a story like Mairimashita Iruma-Kun, the Misfit class are demons that are different. We get to learn why they're different, and how they learn to overcome these challenges despite how they threaten to hold them back.

Gaap is a good kid that you watch succeed from the background. We see him struggle and fall apart, but he never stops caring about others in that process. He's that good-natured kid in your life that you hope succeeds because in a cruel world, they make the decision to be kind.

If anyone made it this far, slay. Even if you never noticed Gaap before, I hope you have a new appreciation for his character. Nishi took time and love to write him out, I think that deserves attention too.

[nobodysuspectsthebutterfly]

Thoughts about the supposed direction Rhaena's storyline is going in Hotd and the apparent Nettles erasure? Disappointing but... I can sort of see where they could take it? Idk... looking at grrm's posts in hindsight kinda makes me even more disappointed if he is as well (he just can't get his adaptations right atp but idk)

Well. Pre-ep7, we're still pending any Rhaena-Sheepstealer bonding, but I'm basically 😑🫠 about the rumors. (I dislike borrowing trouble, I'm not even sure how many of the rumors are true -- actually I'm pretty sure many of these supposed "leaks" are straight up lies -- and yet. Still *disgruntled meh* and *"we're all fine-everyone's fine here" dread*.) Rhaena is one of my more beloved F&B characters (it's the Sansa parallels, I can't help myself), and Nettles has been a super fave since TPATQ and TWOIAF. (Particularly TWOIAF, since the Burned Men fire-witch reveal; heck, I think my little dollmaker is still one of the few fanarts of Nettles in the mountains.)

I mean, sure, I understand that Rhaena's book storyline during the Dance, where she's offpage from basically the start of the war until nearly the end of it, socializing in the Vale and waiting for her egg to hatch, would be difficult to adapt in an action-oriented visuals-oriented television show. (Like Rhaenyra this season sure isn't just catatonically crying from Luke's death until Jace's.) And I'm glad Rhaena's getting more to do, and I'm glad it's directly addressing her feeling slighted and ignored by her family since she doesn't have a dragon. However...

I do not want Rhaena merged into one character with Nettles! I do not want Rhaena to have Sheepstealer and not her hope-for-the-future (doomed hope, and yet) baby dragon Morning, that hatched for her. Also note how pink Morning, worn as a fashion accessory, so suited Rhaena's coquette personality vs her sporty, adventurous twin sister... I mean, I've said before, I understand adaptations can be different, this still wouldn't make HOTD even close to a "loose adaptation".* But I do not want this adaptation to lose Rhaena's personality that I loved.

Or for that matter, to lose Nettles's character, and her importance to the themes and worldbuilding of ASOIAF. (See also.) And her importance to the plot -- but god knows, they're doing all sorts of things with Daemon and Rhaenyra on this show, toxic romance or what have you, who knows if once Daemon reaches his emotional breakthrough or whatever at Harrenhal this season, if they want to backslide him into a cheating plot in S3 while Daemon is again stuck in a castle for months.** Nevertheless, I'd be deeply disappointed to lose scenes like "as well as her dragon, the girl had taken to riding Daemon", or the last morning in Maidenpool scene... and um, you can't really fit Rhaena in there, or if you did, it would certainly put the lie to the ship denialists' "he just treated her like a father, platonically bathing naked together!" (Also the pretty blatant fake S3 leaks including one where Rhaenyra decides Rhaena has betrayed her... are pretty blatantly fake, sorry.)

And then there would be the frankly racist erasure of the one book black character. "Oh but the show made the Velaryons black, so it's not erasing, it's adding more!" No, sorry. (1) I was and am all for adding more racial diversity to the show and especially to Valyrians, but face it, when you take the book's secondary character Velaryons, two who get killed off early and are portrayed as lesser to the "true" Daemon/Rhaenyra marriage, and make them black, you've already done a lot of hinky damage there. (2) What, it's that hard to write three distinct black girls with very different personalities and one from an incredibly different background? I don't see Addam and Alyn getting merged. I don't see Aemond and Daeron getting merged. I don't see Hugh and Ulf getting merged. But I'm not really one to speak here, for this particular discussion I'd point you to @ride-thedragon and @venusintheblindspots-blog and @chrkrose, among others, they have many many posts on this subject in far greater detail and better argued than mine.

OK, so. I still have hope that Nettles -- even if not cast for this season (sorry y'all, that extra is an extra) -- may appear next season, and all this worry will turn out to be a tempest in a teapot. Per last report from the HOTD panel at SDCC, the rumor of Rhaena and Sheepstealer definitely doesn't happen in ep 7, though, yes, there's one episode after. And if it does happen... I'll be strongly disappointed. Deeply, deeply disappointed, and probably far more suspicious of future adaptational changes. But, for me at least, it's not a dealbreaker like GOT S5 was.*** I won't be happy at all about the storyline, but I would like to think the show will remain high quality re themes and character and all. Time will tell, though. Time will definitely tell.

As for GRRM, when his complaints seem to be "wild dragons shouldn't be in the Vale" and "the heraldry with four legs is wrong", well, I struggle to see that he's that disappointed in the adaptational changes. Believe me, I am well used to reading between the lines re GRRM and adaptations, something like the fact that he's not visiting the HOTD writers' room when he's in the UK is nothing. Catch me if at Worldcon or his Oxford lecture in August, GRRM again says that he could write a whole novel about Nettles, or if actually says something about non-Valyrian dragonriders, ok?

*I was just reading up on The Beast (2023) vs Henry James's “The Beast in the Jungle”. lol HOTD doesn't compare. Don't even think it, man.

**You know, this reminds me of how the Dance in F&B is not paced very well for individual characters, they keep going offscreen for months at a time. From shortly after Rhaenyra's crowning to the Fall of KL, Daemon just sits at Harrenhal and occasionally ventures out into the riverlands. From shortly after the Fall of KL until the Battle Above the Gods Eye, Daemon just... sits at Maidenpool and occasionally ventures out into the riverlands (with Nettles). Yeah, obviously a show would need to write more for him to do, he's a main character.

***Thank god HOTD isn't the sort of exploitative shitshow that GOT was. All y'all thinking it was a better adaptation because of your nostalgia goggles (and/or shitty memory) need to actually reread the books (especially AFFC/ADWD) and then submit yourself to the real-world misogynist and homophobic nonsense of S5-6 again, ugh.

[patron-saints]

on morality & madeleine: interview with the vampire meta (written after s2e6)

so far, i’ve found that trying to process my thoughts on madeleine feels really difficult when everyone online has their own opinions and their own biases. this post is kind of my attempt to sort out how i feel about her, and to refute and explore some arguments i’ve seen pop up in her tag.

i think the people who are pointing out that first and foremost these are fictional characters have it right: they’re not real people, their relative morality is only relevant as it pertains to the story itself. and in a story like interview with the vampire, your baseline is that every main character is a killer. in terms of morality, evaluating whether or not a character is a good person is pretty useless and also just… isn’t the point of the story. all characters are functions of a narrative, all characters are tools that you use to tell a story. their morality should not be judged in the same way as you would a real person’s! now. all that being said, let’s have some fun judging* madeleine anyway!

*doing some of my own biased character analysis on

what we know comes to us from a few sources: claudia’s diary, which daniel can read, (decent primary source, but filtered with her biases), louis’s recollection of madeleine’s memories (secondary source that relies on both of their ability to remember clearly) and presumably, louis and armand’s recollections of their interactions as well, which isn’t a whole lot to begin with.

part 1: the nazi fucking

when madeleine talks about sleeping with a nazi to claudia, she’s extremely casual about it. while she notes he brought her food, and cigarettes, she says in a way that invokes a courtship ritual, rather than a direct bribe. it’s impossible to divorce this from the context though: her neighbors are starving, and she was brought food. it likely was a bribe, but what’s important is that she doesn’t relay it as one. her focus when she starts talking about him is on the connection: “it was the comfort, the proof of life,” as she says. if she had been coerced, or if she felt like she had no choice in the matter, i think she would have presented it a little differently. but her affection for the guy is clear, and she even mocks him a little to claudia. in her own words, “i wasn’t inviting hitler to stay in france, i was inviting a frightened boy to cradle my tits.” 

which. let’s be real here: to claudia, she is downplaying it. she slept with an occupying soldier during an occupation. watching this scene for the first time, you could even reasonably assume she doesn’t get how serious that is. but once you see the degree of punishment she faced, and continues to face for her actions, you realize her framing here is a learned defense against genuine violence. she feels she has to downplay it to herself and to claudia because there is an imbalance here. it becomes harder to admit to your wrongdoings when the punishments you face for them feel wildly disproportionate.

madeleine did something she never should have done, something she doesn’t feel remorse for, but something that she’s being punished for in a way that far exceeds what any person deserves.

when she talks about it to armand, her framing changes again. she calls it a love, still, so the affection is still present, but she places a greater emphasis on doing what it takes to survive, implying more so that sleeping with a nazi was an act of self-preservation. regardless of whether this is more true than how she presents things to claudia, she has a motivation here too.

when she shares her experiences with claudia, she’s flirting, trying to make her laugh, trying to make a connection, and this part might be subconsciously, but she is certainly trying to get claudia to like her. when she talks to armand, however, she’s actively trying to convince him to grant her the dark gift. she has to portray herself as capable, as self-sufficient, and discerning, and it works! even though he denies her based on his own biases, armand is visibly impressed by all of madeleine’s answers to his questions.

and all we get from louis was that the experience was sweet. and let’s be real, it did look pretty sweet.

i don’t believe madeleine has any hatred for the boy she slept with. i don’t think there’s any evidence she has any hatred for jewish people either, or for her country, which her neighbors believe she betrayed. i think she chose to prioritize a moment of human connection (and possibly food) over the greater consequences of her actions.

i have been looking for the post again since i saw it, so if anyone sees it lmk! but! the op talked about the fact that madeleine as a collaborator isn’t changing her behavior in any meaningful way now: she watched claudia kill in front of her, and instead of running, she once again invited the danger in, joined up with it. i believe the post said something like: once a collaborator, always a collaborator.

this has really stuck with me and i really wish i could reference it properly.

cuz i think there is something there—i think madeleine’s self-preservation instinct is a little screwed on wrong, i think she is acting similarly with claudia as she did with the nazi, but i think it’s not just about the danger. portraying her choice to follow claudia as a cold moment of choosing survival takes away from her complexity, and from the veracity of her feelings for claudia. so, not just the danger. i think it’s about the connection again.

the connection she has with claudia is real, the love she has for claudia is incredibly real. but madeleine is once again prioritizing an interpersonal connection over anything else, and that is the pattern she’s repeating here.

part 2: the apparent age gap issues

every single person who says their relationship is problematic because claudia is a child owes me and claudia fifty bucks.

i don’t really even want to get into that because i don’t think it’s worth my time. the show has put a lot of effort into demonstrating that claudia is an adult trapped in the body of a teenager, and that experience is hard enough on her without all you people insisting she’s still a kid anyway.

however, there’s a secondary argument i’ve seen which i do want to address, which is madeleine’s perception of her.

in their first meeting in the shop, it’s clear that madeleine is seeing claudia as a teenager. she calls her one directly, and references her “body about to bloom” when they meet again two years later. however, when they do meet two years later, claudia has not grown. we know madeleine has noticed this by the dress fitting scene for certain, but it wouldn’t be unreasonable to assume she noticed that sooner. additionally, in the same breath, madeleine also references claudia’s “mind of a sophisticate.” by the time claudia tells her that her growth was stunted due to the war, it’s extremely likely that madeleine had already reached a similar conclusion. she doesn’t look surprised at all when claudia says it, and it’s because claudia seems like an adult. even if she doesn’t look like one, she carries herself like one, she makes conversation like one, and it’s very easy for madeleine to accept the reality that she is one, because she may have suspected as much already. 

the reason i say all of this is because i’ve seen multiple people saying it’s inappropriate for her to flirt with claudia before she knows she’s an adult.

is their interaction at the shop window flirting? are they flirting outside the theatre, just after the play? both of these scenes are before claudia says her growth was stunted. i think it’s impossible to say they were definitively flirtatious, but i will certainly say there was a vibe. and i think that’s… kind of fine actually ? two people can have chemistry and it doesn’t have to mean anything about them morally. and my coworker andy said it would have been weirder if they had no chemistry and then did suddenly after madeleine realizes she’s an adult, which made me laugh, and which i think is correct. i like the way they get along before the dress fitting, i think those scenes are fun, and the ambiguity of the flavor adds to it.

i did see at least one post that said it was inappropriate for madeleine to talk about sex frankly with claudia if she thinks she’s a teenager, and to that i say. you can talk to teens about sex. even if she didn’t suspect claudia was older, it’s still fine. they are friends, and she’s sharing an experience she had because claudia asked her about it. 

additionally, it’s both a very contemporary & a very american idea that People Under 18 need to be kept from conversations about sex. frankness about sexuality is in fact, very french lol.  

i did originally think that this was after the conversation about claudia not growing, but i just watched the scene again to be sure and it was, in fact, also before, but i think my point stands. 

i don’t know for certain if she intended to come across as flirtatious in these scenes, but i know something clicked for her right around her confession. you can see it, when they lock eyes in the mirror, that whatever the vibe is, they’ve both clocked it. and she finds out claudia’s older than she looks only seconds later, because she’s the one pointing out that claudia hasn’t grown. (but, yes, i’ll add anyway: after claudia says her growth was stunted, and after that moment of connection, madeleine’s expressions do seem a lot more… Interested too, lol). 

i understand and i empathize so much with people’s criticisms of madeleine’s past. i have no intention to exonerate her in that regard (other than her previously mentioned narrative tool status) but i will jump to her defense when it comes to her relationship with claudia.

madeleine sees claudia as an adult, because claudia is an adult.

if they weren’t vampires, and if they weren’t queer in the 1940s, maybe she’d be worried about how others saw their relationship. or maybe it would be weird if she didn’t care how it looked. but given that the only people who will know they’re romantically together are other vampires, i don’t see her lack of concern for the optics being that much of an issue either.

and the reason she’s not concerned is because she knows what claudia is to her. which brings us to:

part 3: the sister stuff

once again i think the show does a pretty good job of refuting this one on its own, but i’d like to get all my arguments in the same place.

so. i see “don’t worry about the blood, it’s the blood that made you,” getting thrown around a lot as proof that madeleine is replacing claudia as her sister.

why would they have a scene that directly refutes this if they were true? when louis asks if that’s what’s going on, claudia says they already “had it out,” and madeleine clarifies that claudia is nothing like her sister, and cannot be a replacement.

“don’t worry about the blood, it’s the blood that made you,” is something that madeleine says because she loves claudia, because she loves the person and the vampire that she is. because she wants claudia to know that her past does not define her. because she wants her to know she doesn’t feel tainted by it, and that claudia doesn’t have to either.

and yeah, it’s not that there’s zero incestuous tones to it! or to the whole arrangement, certainly. but i think any that are there pretty neatly fall under the “iwtv typical wire crossings” flavor rather than the “you’re my dead sister’s replacement” flavor.

so, yeah. despite saying fictional character morality doesn’t matter, i’ve just written several paragraphs trying to figure out if madeleine is a good person or not. really, though, that’s not the question iwtv wants us to ask, or the question i really want to ask its viewers either. is madeleine a good person? eh, probably not. is madeleine a good person for claudia? absolutely.

on this, iwtv is extremely clear. madeleine is an ideal partner. she’s not scared, she’s not surrounded by friends and family she’d grieve, she’s weirdly suited to vampirism, and she loves claudia so much. they share a morbid sense of humor, they’re comfortable teasing each other, they communicate in an extremely healthy way, and every single step of their relationship is based on consent.

the entire time i was watching her scene with armand, i just kept whispering, “oh my god, she’s perfect.” she nailed absolutely every question because she’s perfect for what she’s supposed to do as character, as a function of the narrative she is a part of. madeleine is perfect because she is perfect for claudia.

[ellesliterarycorner]

Writing Subplots

Who doesn’t love a good subplot? Some of my favorites books are the ones that have super interesting subplots because who doesn’t love hearing about that secondary character development arc or those lovely side characters with the inevitably doomed romance? What’s not to like? But, subplots can often be one of the hardest to write and the most misunderstood storytelling elements. They aren’t part of the main narrative thread, so they can’t overtake it, but they also need to have their own story arc separate from the main plot. It’s a delicate balance that can be kind hard to strike, because subplots aren’t just secondary plot-lines, they have to serve a narrative purpose and engage with the story’s central conflict. 

First, let us define some different kinds of subplots

Mirror Subplot: A subplot where a side character experiences a conflict that mirrors the protagonist’s main conflict and gives the protagonist the insight or motivation they need to resolve their own conflict.

Romantic Subplot: The protagonist’s relationship with a love interest complicates their journey to resolve the story’s central conflict.

Parallel Subplot: a subplot where something seemingly unrelated occurs at the same time as the main plot and then all of a sudden the two plots collide towards the end of the book.

Complicating Subplot: a subplot where a secondary character’s actions actively complicates the protagonist’s journey with the central conflict

Foil Subplot: a subplot where a secondary character experiences the same or a very similar conflict as the protag but wants to resolve that in a different way (this contracts or creates a “foil” that highlights the protagonists qualities and characteristics)

There are a lot more different kinds of subplots, but these are some of the most common, so here are some tips for writing subplots!

Is That Necessary? 

This is the first question we should ask ourselves anytime we add anything to our stories, but especially subplots. Sometimes, authors (meaning me) will get to the end of writing their first draft and realize that they are not anywhere close to their goal word count. To remedy this, they will just throw in a cute little subplot. Unfortunately, friends, this does not work. The best, effective subplots should be integral to a story’s central conflict. If you can remove your subplot from the story without their being a big impact on the central conflict, then the subplot doesn’t really serve a strong narrative purpose. We most often see this problem arise in romantic subplots. Authors will just throw in a romance or the dreaded love-triangle as a subplot for absolutely no reason. I’m the first person to admit I love a good romantic subplot, but I also like it to be there for a good reason. That is why the Hunger Games will never go out of my top five all time books/series because despite what a lot of people think the romantic subplot in that story is essential. Katniss and Peeta’s love story is the reason they both survive the Games which is the central conflict of the book. It works perfectly, and if you want a good example of a subplot done well, look no further.

Keep the SUB in Subplot

Honestly, sometimes the subplot really is better than the main plot. That’s not necessarily a good thing, but I think we have all read a book where the main plot just drags and you just can’t wait to get back to your favorite side characters and their little adventure. But, a good subplot shouldn’t steal the limelight from the main plot. It should enhance the main plot and maybe add a layer of complexity but never overshadow. Going back to my example for the day, the Hungers Games does a really good job of this. I read something once where someone said Katniss’s romance overshadows the Games and the Rebellion, and I was like, did we read the same book? If you go back and read the books, Katniss doesn’t think about her romance with Gale or Peeta all that much. She’s mostly thinking about her own survival and the survival of her family. Both of which relate directly to the main plot. We never forget about the romance in the book because it is important, but in my opinion, it never overshadows the main plot of the Games and the Rebellion even in the first book where it’s more heavily featured. 

But, Its Still A Plot

On the flip-side of that, even though the subplot shouldn’t overshadow the main plot, it still needs to follow its own narrative arc. This is where a lot of new author’s get lost. A subplot is way more than just a short conversation or a quick event that inconveniences or helps the protagonists. All your subplots need their own beginning, middle, and end. Make sure that you definitely developed all of your story’s subplots accordingly. That includes paying attention to all of your characters’ goals, motivations, and the conflict that they experience. Generally when I’m in the development stages of the subplot, I develop it the same way that I develop one of my main plots. While they do not necessarily need the same attention or development as your main plot, developing them with the same goals in mind will only help you in the long run!

[victimsofyaoipoll]

Round 3

Propaganda Under Cut

Kairi

kairi is the third protagonist of the kingdom hearts series and the third member of the destiny trio, alongside fan favorites sora and riku. sora/riku shippers HATE kairi, and will go out of their way to discount her at every turn. the hate for her ranges from typical "she's a boring bitch" to fans of soriku making five-hour long video essays reassuring their fellow shippers that the big bad kairi won't show up in the next installment – to quote one video, "she's in a box. she's on the shelf. four walls, no door." kairi is the greatest bogeyman the soriku fandom has ever known, to the point where most of said video essays and fanon meta posts focus not on why sora and riku should get together, but rather on why they don't like kairi.

Literally has a 100+ page Google doc fan theory writing her out of the narrative and putting all of her (few) canonical accomplishments onto half of the popular m/m ship (soriku). Don't even get me started on how her memory was completely written out of the canon plot of re:coded. KH is a nightmare to explain so dude trust me she is THE victim of yaoi

She is so fundamental to the plot and themes and narratives of game and yet it is near impossible to find anything about her thats not ship bashing pre-mlm with the other two characters. I dont even care if she ends up with one of the main characters i just want fans to see her as a cool character to love or like, anything other than “annoying comphet girl.” You can write your mlm but pleaae stop inventing comphet where it doesnt exist. She does not even get to spend time with sora ever?? Why does everyone see her as a threat and a thing to destroy?? Let her have friends so help me

Misa Amane

she gets treated in-canon the way fandoms treat female characters that Threaten an m/m ship. it's like, "oh why don't you go sit in the corner and be pretty, misa, while the Men have intelligent conversation and pretend they aren't ten seconds from fucking each other, doesn't that sound nice?" it's infuriating. and MAYBE it's better now but i remember her getting treated the same way in fanfiction too, like we all need to do just as badly by our female secondary characters as fucking tsugumi ohba, but with the added insult of making her be alternately oblivious of the relationship between light and L or actively trying to sabotage it—incompetently, of course, because god forbid misa be allowed dignity or moments of cleverness.

she's one of the first characters I think of when I consider old school fandom misogyny. The annoying bitch and clingy crazy gf allegations were AFTER HER ASS. She's also a lot more intelligent than people gave her credit for, but most seem inclined to take the Very Biased word of our unreliable, narcissistic narrator and his homoerotic arch nemesis and claim that just because she's bubbly and into romance that she's also a complete moron. Which is blatantly untrue. Everyone was afraid of Misa girlbossing too hard. Killing people and devoting yourself to the deranged twink of your dreams even though you know he'll never love you back??? Having a hardcore goth aesthetic and being so Hot even literal Death Gods are into you?? God forbid women do ANYTHING!

Not only is she the victim of yaoi culture, she is the victim of early 2000s misogyny by an author that wanted to introduce a girl character because he knew his male rivals were getting too homoerotic. She is a goth bimbo icon who portrays what I think is one of the few callouts for stan culture and what parasocial relationships can do to both the stan and the idol. The fact that she is a toxic fan of Kira and also hot, funny, sociable is tragic in its own way, which I think the author did try to touch on but was too misogynistic too really get through. Of course, she was reduced to villain status by the fandom and anime alike because she got in the way of the supposed romance in their psychological horror anime.