#i cannot wait to see this scene in full

[ineffablebrainrot]

was (ofc) spending my friday night rewatching the newest episodes and thought of something when this part of the preview for next week came on…

UMMM is Ed wearing the stiddies shirt??????

[poems-of-a-lover]

personally i think the spot deserves to be an angry villain just sayin

[wayward-wren]

I forgot how much I loved BlackSun until rewatching RWBY tbh. Sun is one of my favourite characters in the whole show and I love him so dearly and his devotion and love for Blake makes me so soft.

He followed her halfway across the world, he refused to leave when she pushed everyone away. They're such a good pairing--he lifts her up, and she mellows him somewhat. He's so genuine, he cares so openly and it's honestly so refreshing to see among a cast of traumatised individuals (whom I love also don't get me wrong)

Blake spent her whole life making decisions she regrets and running, and Sun is exactly who she needed. He ran with her--he followed her, he saw all her mistakes and said "I love you anyway." And he helped her because he loved her, not for any personal gain.

Volumes 4 and 5 are probably the weakest seasons imo, but I love them so much if only because of Sun.

[harrenhalyuri]

his remaining eye entirely concealed by shadow 🤪🤪🤪 while his blind side is highlighted 🤪🤪🤪 a mural of harrenhal burning behind him 🤪🤪🤪

[skymantle]

was having a really bad just awful headache the past three hours and decided to rant about makima for fun and then it went away almost immediately. what the hell was that.

[ohbutwheresyourheart]

working my way through the evangelion rebuild movies and cruel angel's thesis is once again sinking into my blood and bones

[peachysunrize]

Owned ⥃ Prince Regent!Aemond Targaryen

Summary: After nearly following Silverwing to Dragonstone mindlessly, Aemond comes back to the keep to posses you, his Queen once more.

Warnings: 18+ mdni! A tad bit dark!Aemond! There is noooooo plot, brainless smut, absolute filth and dirt and fucking, rough Aemond, possessive Aemond, READER IS AEGON’S WIFE!! public sex! Balcony sex inspired by Aemond’s scene s2e7, breeding, no prep, Aemond is mad and angry, very very rough sex, please tell me if I’ve missed something! English isn’t my first language<33

Word count: 1.5k

My other works

A/n: no words. No plot full of porn. Enjoy my freaky folks! Thank you @thekinslayed for feeding my delusions🤭 Reblogs & comments are appreciated🩷 also not a word is beta-ed.

You watch the buzzing city silently from the council room’s balcony, sighing when the large shadow of Vhagar looms over the sight, her screech cutting through the air with force. You can feel the restlessness in her, it must be Aemond who is raging from inside as he guides her outside the city towards the hill where she rests most of the time. 

You look down at the castle’s grounds; the chill in the air has become a nuisance for the gardeners, bringing the flowers to their deaths faster than expected, just like how the infection spreads through your husband’s body.

With another sigh, you look at the hill Vhagar lands on, the ground shaking beneath her heavy weight. You know it will be some time until Aemond arrives at the castle, but the idea of him being enraged with how a dragon was claimed and the Blacks now have the upper hand makes you worried; you do not know how to calm the wild dragon within him.

You wait until you crane your neck and see him returning on the horse, barging through the castle gates before he jumps down from the saddle, taking long strides towards the entrance with fury bursting through his veins.

Fiddling with your hand, you hear his rushed footsteps approaching the council room, each step has your heart racing — with what? You do not know, or you do not wish to acknowledge it. After all, this silly little affair that the council has bestowed on you to produce an heir has turned into something more, or at least the numbers you have warmed each other’s beds cannot be counted with fingers anymore.

Your head snaps towards the direction of the door, watching as Aemond walks past the guards, ordering them to go out with bark in his tone, fists clenching and unclenching as he tries to keep his anger at bay, but ultimately fails, and the next thing you know is the heavy chair of the council is being thrown and Aemond slams his fists on the table, groaning in anger and frustration.

“They have more dragons,” he whispers, but you hear the sound of his rough breathing, “they can end this war if I do nothing!”

“My prince, you should—“

“I should what?” He looks up from the marble table, glaring at you with his good eye, “Listen to your advice? Letting my council run the realm while I do fucking nothing?”

“Maybe you ought to put your arrogance aside for once—“

Aemond walks towards you on the balcony, his face hardening as he grabs your jaw tightly, smirking as he sees your lips quivering not in fear, but more in determination to show you are more than what the council wants you to be. And with your pretty thighs rubbing together, he knows how every minor actor of his has you putty in his hands.

“My arrogance, My Queen, is the only reason the walls of this castle haven’t fallen yet,” he leans down, his nose brushing against yours roughly as he whispers against your lips, “Not everyone can sit prettily in a gown and wait for her prince regent to come and fuck an heir inside her.”

“Your arrogance and bruised ego are why they have more dragons than us. You could have kept your ambitions from blinding you at Rook’s Rest, maybe then, our King would be able to fight with you at the battlefield—“ you are cut off by a gasp as he turns you around and bends you over the balcony stones harshly.

Your chest comes in contact with the cold stone and you slap your hand on your mouth as a loud moan erupts from your lips when Aemond presses his entire body to your backside, feeling the hard bulge in his pants rubbing against your covered thigh.

“My ambitions are why your filthy inappropriate fantasies have come to life,” he leans over you, his teeth finding their way to the sensitive skin of your neck, sinking into the flesh without a single thought, “did you not tell me you wish it was me taking you every night instead of my brother? Yes, yes, it was you. Just as it is you who will take my cock until my seed has taken root, and my babe — our future King —  licks at your womb.”

You bite down on your fingers hard, grinding your hips back into his crotch as soon as he pushes the layers of your gown up to your waist, chuckling when he sees you shivering the moment your bare heated sex is exposed to the open air.

“We should not be doing this here! What if someone hears?” You ask Aemond, throwing your head back when he swipes his fingers through your wetness, humming before he reaches for the loops of his belt, pulling his pants and breeches down before he grabs his cock, stroking it a few times to full hardness.

“Let them hear, let them hear their queen doing her duty. There is no better way to show them how the heir to the throne was conceived,” he replies, one hand bracing himself on your shoulder blades to keep you completely bent over and unable to move while the other lines up his thick leaking head with your entrance before he enters you swiftly with one smooth stroke.

“Aemond!” You cry out, your fingers falling from your lips as he sets his pace, fucking you recklessly and with abandon, not caring if anyone hears you, or better, sees you. 

“Yes, My Queen? Already screaming my name? I almost pity my brother, almost. Gods know if you have not screamed “Aemond”  in his ears,” he smirks to himself when you grab the edge of the stone, your body moving with each thrust.

“Fuck, fuck—“

“Yes, that’s right—“ he groans, his hand gripping your hip tightly, “you were always mine, fucking mine. Even when you shared his bed, you were thinking of me, wishing and praying that one day you will be owned by me.”

“Yes, My Prince, yes!” You moan, not thinking if anyone would hear you, it did not matter anyway since the words of your affair and marital activities have reached the whores of the Flea Bottom.

“Oh, sweet Queen of mine, I have possessed you; first with words, now with my cock. We only need a babe to seal our bond,” he reaches around your body, finding your pearl in seconds as he starts rubbing quick circles on the nerves, making you arch your back and meet his thrusts as best as possible.

You can only nod at his words, truly succumbing to his and your desires once and for all, the pleasure only adding to his determination to fuck you, and you to show your devotion to him.

“They have more dragons, I have a cunt worth dying for. I guess I shall win this war.”

Suddenly, the doors to the council room open, and the cupbearer drops the jar of wine on the floor when he sees the two of you on the balcony, you moaning and Aemond fucking you. 

The sound catches Aemond’s attention immediately, pulling out of you slowly before he waltzes towards the balcony doors, looking the man dead in the eyes and cock out before he demands; “Out, now,” and slams the doors shut.

He comes back, his fingers wrapping around his dick before he sees you straightening your back a little. He has no time for silly little games, his balls are aching and the image of your swollen cunt is too much for him to let you go and find a better place to resume your activities.

“Aemond—“

“Hush you,” he pushes you back down, bending you over once more before he thrusts his cock back into your welcoming cunt, groaning in sync with your shriek as your warmth envelops his length, “just take it, yes, take it. No one can stop me from taking what’s mine. I will fuck you day and night for fortnights to come, I will have you, mark you as mine until everyone smells me on you.”

Even the idea of it has you shaking and trembling as your peak hits you hard and fast, the pleasure rushing through your veins as you gush around his cock. Hands bracing your body on the stones, you cry out his name, drawing Aemond closer to his high.

He follows not long after, grabbing your waist with both hands before he hammers himself into you roughly, stilling his hips harshly against yours, caging your body between his and the balcony stones as he empties his balls inside you, ropes of his cum painting your inside while he throws his head back, chest rising and falling rapidly.

There is no doubt in your head anymore, that Aemond has possessed you in more than one way, more than one place. After all, he will go to war barehanded if he can come back home to you and your heavenly cunt.

[conflictofthemind]

Take Me To Church-Gate

A few weeks back, I received a tip that Noah and Finn came into Atlanta for a couple of days to rehearse a scene alone together that never ended up being filmed. This was around the time of the convention that Finn ended up missing in early June (and we initially theorized was for the playground scenes).

I since received confirmation of not only this, but that the rehearsal in question was for a scene at the UD church set. The filming never went through because Noah got an eye infection / sty, so the shoot was rescheduled for early August. If you've seen me mentioning looking forward to August, this is what that was about.

The Eye Infection:

Let me link this post to begin with, barring the 'James' stuff who has proven to be false. I heard about the eye infection and my alarm bells rang immediately - I have a friend myself who wears contacts occasionally and whenever they get sties, they're always caused by the contacts. When has Noah worn contacts before in the show? When Will is being possessed by the mindflayer in Season 2.

The church is an interesting location, because it most definitely has to do with Henry as well. When the original countdown for TFS was being posted, there were images of a church - a location that may have been changed during development. The characters most likely go there as part of the continuing Henry investigation.

And we know Henry was exorcised at some point, but it failed. The sign going into the church is also a likely clue to this, referencing Mark 9:29 - a verse about a failed exorcism.

Conclusion for this part: Will very likely becomes possessed again while in this church. My source tells me they usually only do big rehearsals like this for scenes involving action, too.

My opinion is that Will was never fully exorcised either. I mean, he still has a clear connection to the mindflayer with all the tingles on his neck and the possible literal psychic connection he has to Vecna as well.

It's Byler, Too:

I suspect that Jamie has some part in the scene as well (given they scheduled it during his latest block on set), but the focus is on Will and Mike - being the only two other main characters on set at the time, and the only two rehearsing.

But going back to the church thing.... I wonder what kind of symbolism is created by bringing two gay characters who both have a lot of internalized shame into a location that is honestly the source of said shame? It's honestly not even symbolism. It might just be referenced in plain text. Looking back at that church sign:

"This kind cannot be driven out by anything but prayer"

"This kind" really evokes the dehumanising language used by homophobes to refer to gay people. And the driven out by prayer part, well that really evokes conversion 'therapy' practices of praying the gay away. So what if this is where Will and Mike finally admit their love for each other, and kiss. And what if that is actually what's able to drive the 'demon' away - gay love.

Especially during the Satanic Panic arc we are sure to see come full circle with the reckoning of the Hellfire Club in Season 5.

An arc which Mike is surely at the centre of as well, being not only a Hellfire Member in the past, but being family to the new disappeared child in town.

And it's not like Mike's love is what's been shown to us time and time again as the way to break Will out of his mindflayer trance. Oh, wait.

Consider it incredibly fanfic-y, but it's on the table now. An action scene at the church involving Byler where Noah is wearing contacts - Will becoming possessed just like Henry again and being made to fight Mike as not only part of the plan to get all of the Wheelers, but also as something that would break Will's spirit permanently. They're all alone with nobody to help save Mike. But the plan is thwarted through the power of love, and in a place that represents a lot of shame for gay men (especially in the 80s) - they finally come together. And it is love that frees Will from his trance. Whether through a confession or true love's kiss. It would be so dramatic and atmospheric.

Additional evidence:

Jopper's Season 4 reunion and kiss inside the Russian church, of which this would be a parallel.

The whole idea of "we kissed, as though nothing could fall. And the shame was on the other side" from David Bowie's Heroes - the shame being in the actual church from the rightside up, but they're alone together on the other side / in the Upside Down.

It is also very likely that this scene is from Episode 5 or 6. I've asked and nobody seems to know which episode it is from, but following the logic of Episode 4 being when the characters enter in groups into the Upside Down, and here Byler are all alone, it is definitely after some time has passed and groups have split further. They're definitely not having any kind of confession in the first half of the season, so this timing sounds positive.

Multiple rehearsals. Noah contacting his acting coach recently for advice. Them even having to cancel an entire shoot because of a sty indicates close-up shots for sure.

Anyway. I'd really love to see people's thoughts on this. I feel like there's even more I could get into in follow-up posts, especially if other people chime in with their thoughts. I have been buzzing about this scene for weeks now. I want to start another gate for old time's sake, so please use #churchgate if you want to make your own posts about this!

[forineffablereasons]

Oh, Crowley. Nothing lasts forever.

I think the entirely of Crowley and Aziraphale's interactions in the Final Fifteen™️can be summed up by the idea that they are talking past one another, failing to fully understand each other, but I want to talk about this line in particular. This isn't a full analysis of the scene - just this isolated bit.

Crowley: ...If Gabriel and Beelzebub can do it, go off together, then we can. We don't need Heaven, we don't need Hell, they're toxic. We need to get away from them, just be an us. You and me, what do you say? Aziraphale: Come with me. To Heaven. I'll run it, you can be my second-in-command. We can make a difference. Crowley: You can't leave this bookshop. Aziraphale: Oh, Crowley. Nothing lasts forever. Crowley: No. No, don't suppose it does.

As methods of occult/ethereal communications go, the metaphor is quite versatile.

Crowley is saying: stay here with me. We have this enclave. We can be together properly now - stay here with me. Never mind that they have not actually made any progress on this in the last four-ish years since the end of the world. Never mind that Crowley is so stagnant that four years after the end of the world he's still living in his car.

Keep in mind that Aziraphale didn't have the benefit of Nina and Maggie's intervention - Aziraphale doesn't see this as a confession under Crowley's own initiative, he sees it as a response to what Aziraphale is saying. Aziraphale says, let's go make a difference, and Crowley is sort of forced into taking this position as an alternative offer - to Aziraphale, it looks almost like a temptation. Nothing changed in the last four years, but now that Heaven needs you (and we must give Aziraphale the benefit of his belief that Heaven truly does need him, even though this is clearly a manipulation), I'm ready to move forward, don't you want to stay, don't you want to deny Heaven and exist with our heads in the sand?

"Oh, Crowley," Aziraphale says. "Nothing lasts forever."

To Crowley, who is offering himself and this enclave, this bit of existence that can just be theirs - nothing lasts forever is an obvious smackdown: not even us.

That's not what Aziraphale is saying, though. What Aziraphale is saying is, we can't live like this forever. If we want to protect it, we have to change. Nothing lasts forever isn't a betrayal or a resignation - it's a sacrifice. Aziraphale cares so much about Earth, about fixing Heaven, and about Crowley himself that he's willing to give up the bookshop and their enclave on Earth in order to save it.

They cannot just maintain the status quo. It's been four years since Armageddon and nothing has changed, and keeping on ignoring Heaven and Hell didn't work! It didn't work! They were on their own and here's Heaven and Hell again, in their business, dragging Crowley back to Hell, dragging Aziraphale back into Heaven's politics. Four years was all they got. Four years, and they were under threat, risking each other, risking their very existences. They can't sit in their enclave and pretend it won't happen again because it absolutely will.

Aziraphale spends a lot of this series burying his head in the sand. If he can just hide Gabriel, everything will be fine! (It won't - he'll still have Gabriel.) If he can just make Maggie and Nina fall in love, everything will be fine! (It won't - he'll still have Heaven and Hell waiting in the wings for the next suspicious event.) If he can just get everyone at the Jane Austen Ball, if he can just keep the demons out, if he can just ignore it, it will go away! If he can make the participants know the steps to the dance and if he can control the lingo, he can create a new fantasy world for them all to live in and everything will be fine!

It won't. Aziraphale isn't in control. Aziraphale can't stop this. Aziraphale can't protect himself, and he can't protect Crowley to the point where he has to let Crowley leave him and work a plan on his own. He's a principality, and he can't protect the things and the people he loves.

Then the Metatron walks in, makes a point of validating all the things Aziraphale loves - coffee (food/drink), Crowley (your demon can recognize me even when these angels can't), the shop (do you need to take anything with you? I've made sure the shop will be safe), separates Crowley from Aziraphale - Crowley, Aziraphale's guiding light in all those minisodes, Crowley, the one being Aziraphale trusts - and then.

And the Metatron offers Aziraphale the control he's been missing all season.

Nothing lasts forever. We can't survive in this enclave forever. If we stay here, it will all end. If we stay here, I can't protect you, or humanity, or any of it. I have to try, we have to try, because no one else will, and I'm willing to give up my freedom and my bookshop if it means I can save everything. I want to save it with you, I want you to be with me, I need you, I need us, but--

If I can save you, even if it costs me us, at least you'll have survived.

If that's the price, well. Nothing lasts forever.

[darkbluekies]

Cannot take what was never meant to leave

Yandere!king OC x fem!fairy!reader

Summary: Edmund walks out in the forest and finds something he never seen before: a tree fairy. Upon learning that he can't take her as long as her tree is there, he does the only thing he can think of.

Warnings: Edmund is a bit more insane than usual, reader is in a lot of pain, kidnapping, basically killing, use of an ax

Word count: 2.5k

A/N: this is HEAVILY inspired by Erutan's song "The Willow Maid"!! I have absolutely loved that song for ages, and after seeing PurestarMedia's music video of it on YouTube, I had to write something!! Edmund felt like the perfect fit for it!!

Summer is almost over. He can tell by a slight shift in the winds that colder times are approaching, even though barely any of the trees show any signs of autumn. He can't wait until he can bring out his thicker coat. He likes the colors of it much more.

Ten men he brought with him on his hunt for rabbits. They've decided to go into another part of the forest in hopes of finding anything.

Suddenly. A sound.

“Shh!” Edmund hushes and holds up a hand, signaling the others to stop.

He listens closely. It sounds like humming. It's a tune he has never heard before, but one that feels weirdly familiar — as if he has heard it in a dream or past life.

Quietly, they follow the sound until they reach a field full of small, white flowers. In the middle of the white field stands a tree with dark leaves. A scene taken straight out of one of the paintings hanging on the castle walls. Edmund notices someone sitting by the foot of the tree, resting among the roots. A woman?

The group of men creep closer. The woman is lying on the tree roots, leaning her head against the tree trunk, having a root under her knees for support. She's dressed in a long, white gown reminding Edmund of the small flowers. On her head rests a flower crown made of the very flowers. Her eyes are shut. Her mouth hums. 

A fairy.

One of Edmund’s men steps onto a branch on the floor, which snaps in half and pulls the fairy out of her thoughts. Her eyes snap open, revealing them to be deep and dark — and full of fear. She shoots up from her root and stumbles backwards, hiding behind her tree.

“Who are you?” she asks quickly. “What do you want?”

“You are a fairy”, Edmund says, still in disbelief.

“Yes … what do you want?”

“Have you seen any rabbits around here?”

She peeks out from behind the tree.

“What do you want them?” she asks and seems to notice the rifles hanging over their shoulders. “I'm not assisting you in killing harmless creatures.”

Edmund meets her dark eyes. They're hypnotic.

“You humans are despicable sometimes”, she says. “Killing innocent creatures who haven't done anything to you.”

“If I wouldn't, someone else would — man or animal.”

“I want you to leave.”

“Yeah, we should move on. We have rabbits to hunt.”

He can feel her eyes burn through his back as he walks back over the field of white flowers. He hopes that she will watch him until he disappears into the forest.

“Did you have a good hunt, your majesty?” his secretary asks as Edmund and his ten men come back to the castle.

“Caught a few rabbits”, he answers and smiles, thinking of the memory. “We encountered a fairy.”

They start to walk inside. 

“A fairy?” the secretary asks and holds the door into the castle open for the young king.

“What do you know about fairies?” Edmund asks. 

They walk down the large hall.

“I know that, like humans, there are different types of fairies”, the secretary says. “You found her in the woods, you said?”

Edmund nods. 

“She’s probably a tree fairy”, the secretary continues. 

“Yeah, she was sitting by a tree … almost like it was holding her”, Edmund says, furrowing his dark brows as he thinks about it. 

He holds out his arms as if he was carrying a woman, imagining her knees bending over his right arm and her back supported by his left … her head resting on his shoulder — like she had done to the tree bark. 

They walk into Edmund’s office, closing the door behind them. 

“What do you know about tree fairies?” Edmund asks and throws himself in his chair. 

“I know that they live in the woods and that they are connected to a particular tree. They feed off of sap from the tree and flower nectar — and if their tree bears fruit they eat that too.”

“What happens if they eat something else? Like meat? Or potatoes?”

“I don’t know, your majesty.”

“Would it kill them, do you think?”

“Perhaps. What I do know kills a tree fairy is killing their tree.”

Edmund looks up at him. “What?” 

“Their life source is connected to their tree. They live as long as their tree does.”

“So you’re saying that a fairy can become hundreds of years? Thousands even?”

“Could be.”

“Interesting.” He sighs and throws his head back. “You should have seen that thing. Before she noticed us she looked so … peaceful. She was resting and humming a tune. When she realized that we were there she flew up and hid behind her tree. All of that seemed so young and naive. Her tree wasn’t that large either. I think I’ve found myself a young fairy.”

“The fairy seems to interest you.”

“I’ve always wanted to meet a fairy. I didn’t believe that they actually existed. But now, I’ve found one. I think that I’m going to make her my wife.”

The next day, he returns with his ten men and his secretary, dressed in his autumn coat. On the way to the glade, Edmund picks a few flowers with the biggest nectars he can find, hoping that they will be a good enough gift. He is going to ask her to marry him. 

She is walking around the white flowers, picking up a few and putting them in her flower crown. She looks up as they come. This time she doesn’t look as startled, but there’s something wary in her eyes. 

She’s beautiful and delicate, there’s no denying. Edmund needs her. Every fiber of his body needs her. She needs to be his wife, to be the mother to his children. He refuses to leave without her. 

“What brings you back?” she asks as Edmund gets close enough, but doesn’t sound like she wants to know. 

He can tell that she wants to get back to her tree. She gives it quick glimpses and takes small steps back towards it. 

Edmund holds out the flowers towards her. She hesitates before taking them out of his hand. Her fingertips barely graces his skin. Her touch is humanlike, kind and delicate. 

“Thank you”, she says and smells them softly. 

He smiles. He wants nothing more than to hug her, to hold what belongs to him in his arms, but he has to ask the question first.

“I want you to marry me”, Edmund says. 

The fairy drops the flowers in shock. They disappear underneath the small, white ones. Edmund furrows his brows.

“Marry you?” the fairy repeats, shocked. “How could I possibly-? No, no, I shall not.”

Edmund stares at her, eyes darkening, unable to understand how anyone could turn down his proposal. Women would travel far and wide to hear those words come from his mouth, and this fairy — who does she think she is — doesn’t even think twice before rejecting him. It should crush him, but instead it has the opposite effect. He will not leave without his fairy. 

He looks over his shoulder, at his ten men. “Seize her.”

Just as the ten men are about to grab the fleeing girl, his secretary grabs his shoulder. 

“Your majesty, don’t”, he says quickly. “That won’t be possible. She can’t leave the glade.”

“What do you mean?” Edmund scoffs.

“She’s connected to that tree.” He nods towards the tree in the middle of the field. “She can’t leave it.”

Edmund glares at the tree. That damn tree. The woman runs through the flowers towards her tree, hugging it tightly. Edmund finds it humorous how she thinks a simple tree could protect her. He could do it a hundred times better, will do it a hundred times better. 

He sees how she sinks down by the tree, huddled up by the tree bark, crying. Soon, she will search for comfort in him, not a damn tree. 

“We can’t take her”, the secretary says. “I don’t know what would happen if we tried, but as long as that tree is there, we can’t remove her.”

Edmund doesn’t answer as he walks back into the forest. The ten men follow him. His secretary keeps a distance. Edmund feels like he could explode with anger. He had pictured himself leaving the forest with his new fiance hand in hand. But he will not give up. He will get his fairy. 

He returns a third time the next day. This time he’s by himself … and this time, he’s brought an ax. Determined to take her with him. She will be his wife. This time, he’s not taking ‘no’ for an answer. He will not walk away empty handed. The thought consumes him as he marches through the forest, towards the glade. 

He can see her lying in the same spot he had seen her the first time. This time, she’s not humming. She opens her eyes as he gets nearer and jumps to her feet as her eyes fall on the sharp edge of the ax. 

“No!” she screams in pure panic. “No, what are you doing?! Don’t!”

Edmund lifts his hands and lands a blow on the bark, cutting away a piece. To his right, the fairy screams in agonizing pain and clutches her heart. He continues to hit the tree. The woman continues to scream. She cries in pain. 

It takes longer than he expects. He takes his eyes off the deep cut in the tree and turns them towards her. She’s lying between the roots, curled up with her hands pressed against her heart, crying and screaming. 

“Please stop!” she screams and sobs so that her entire body trembles. “Y-You’ll kill me! Please s-stop, please! I’m begging y-you!”

If he continues to hit the tree, she will die. 

Edmund will have to bring a piece of the tree with him and replant it in his castle’s garden so that it doesn’t die — so that she doesn’t die. He continues to chop. She continues to scream, cry and plead for him to stop. 

A loud creaking echoes through the air. He watches as the tree bends in half and falls. The fairy stumbles upon weak legs and hugs her fallen tree, sobbing. 

With the ax, Edmund manages to dig up root systems of the tree. He holds it in his left hand and grabs the fairy’s wrist tightly with his right. He yanks her up on her feet. 

“You belong to me now”, he says. 

She only sobs for an answer. She tries reaching out for her tree, but Edmund pulls her with him. She stumbles. He drags her into the forest. 

“Please …”, she sobs. “Please …”

He doesn’t know what she begs for. The tree is fallen, he can’t undo what he has done. 

“Please, I’m in so much pain”, she pants. 

He doesn’t listen, doesn’t have time for it. He has to get her to the castle, where he can lock her in, so that she can’t escape out to the forest again. 

He can feel her collapse. Edmund gasps and watches her lie lifeless on the ground. He shoves the tree roots in his pocket and hurries to check her pulse. She’s still living, for now. Edmund stresses to pick her up. Her limp body rests in his arms as he runs out of the forest, towards the castle. 

He runs into the castle yard, into the hallways and out to the garden. He lays the fairy down on the grass and hurried to dig a hole with his hands. Oh, how he hates the feeling of dirt under his nails. He can’t think about that now. 

He places the root in the hole and covers it with the soil. Edmund runs over to the fountain, cups his hands and fills it with water. He runs back and forth until enough water has been poured over it. He feels for a pulse on the fairy’s neck. There’s still a faint pulsation underneath his fingers. He removes his coat and places it on the ground beside the tree root before lifting the fairy onto it. He caresses her face. 

“You actually got her.”

He looks over his shoulder at his secretary. He stands there, looking at them in disbelief and horror. 

“Is she dead?” he asks. 

“No, not yet”, Edmund replies  breathlessly. “I brought a piece of the tree here and I have replanted it. She should survive. But we need flowers — lots of flowers. And anything else a fairy might eat. We need to nurture her back to life.”

“I’ll prepare some honey water, I think that should be drinkable.”

Edmund sits by the fairy, waiting patiently. 

Hours go by. She doesn’t move. Barely breathing. Edmund wonders if he she has fallen into some kind of limbo, where the tree is barely alive, and so is she. If the tree doesn’t survive, neither will she. He has to nurture both. 

He feeds the tree water and nutrient dense soil and tries to pour droplets of honey water into the fairy’s mouth. Sometimes she responds by swallowing softly, and sometimes let it drip out of her mouth. 

Hours turn to days. Days to weeks. As the tree slowly grows roots in Edmund’s soil and become stronger, so does the fairy. Edmund doubts that she will ever become as strong as she was before. The tree will never be in its full glory again, and neither will she. She can’t walk, her body is too weak to move more than a few minutes. He lets her rest by her short stub. When he can’t stay with her, he watches from afar, from one of the windows. She’s always curled up, hugging her stomach as if she’s got cramps. The poor thing never smiles anymore. 

He holds a glass of warm honey water in his hands as he walks out to the petty excuse of a tree. It'll take years to become as big as it originally was, but it will never be the original tree.

“Hi”, Edmund says softly and sits down beside the fairy, holding the cup to her dry lips.

She doesn't seem to care what she gets fed anymore. Maybe she hopes that it will kill her.

In a sense, Edmund has killed the fairy.

She drinks slowly.

“I don't know what to feed you when winter comes”, he says. “I have harvested a lot of nectar and sap, but I don't know how long that will be good for.”

A tear runs down her cheek. Edmund wipes it carefully.

“My fairy, don't worry”, he whispers reassuringly. “I will figure it out.”

He wishes that she could respond, but he hasn't heard her voice since that day she screams in pain — when he killed her.

He stands up, gives her forehead one last kiss before walking back inside. In the beginning, he used to have guards watch over the garden to make sure that she wouldn't run off, but he realized that as long as that tree is there, she isn't going anywhere.

[alotofpockets]

Confidence | 18+ MDNI

Pairing: Reneé Rapp x Reader

Summary: Reneé asks you to come to her first day off shooting Mean Girls to give her the confidence she needs to play Regina George. (based on this scene)

Warnings: 18+ MDNI, smut

Reneé Rapp Masterlist | Words: 1.2k

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Reneé usually didn’t have a problem with showing off her body, she was proud of the way she looked, and often showed the world her confident side. She wore revealing outfits all the time, and never really gave a care in the world what others thought about her appearance. However, as the first day of shooting Mean Girls came closer, she started getting more and more nervous about portraying this confident character in front of the cameras.

Of course, Reneé had played Regina before, and knew the character well, but in front of the cameras it was different. On stage she got into character and played the part in front of a lot of people, but they were all sitting at a distance, and observed not only her but also the rest of the set around her. On set the cameras and the crew would be focussed on her playing the character the way they had envisioned her, of course they did the same for the other actors there, but the scene she was most worried about was Regina’s opening scene. 

It didn’t take much convincing on your girlfriend’s end to get you to join her on set for the first day of shooting. You loved supporting her in person whenever you were able to. Supporting her didn’t just mean her music and her acting, you supported her in every aspect of life, and she did the same for you, that is why your relationship worked so well. 

While it was an early call, Reneé still took some time to show you around the set. You hadn’t been to the Mean Girls set yet, and were looking at everything full of amusement. When you were younger, you had watched the original, and you always loved the movie, so seeing the set of the remake made you feel very nostalgic.

You sat to the side as Reneé was getting ready in the hair and make-up trailer, talking with her costars and the hair and make-up team. It was nice getting to know the girls she’d be working with for the next couple of months. 

Before you headed to the set they’d be shooting at this morning, you took Reneé to the side. “I just wanted to say that you are amazing, and you look incredible. You are going to crush this scene, and every scene after. You are the perfect Regina George, and I cannot wait to see the lines we rehearsed together come to life. I love you, baby. Have fun out there, and I will be right behind the crew supporting you.” Reneé pecked your lips, “You’re the best, but shush now or you’re going to make me cry.” You both laugh, and head into the hall the scene would be shot in. 

They were shooting the scene where Cady met Regina for the first time to the song ‘Meet the Plastics’. It included a close up shot of Reneé signing the song, while the camera slowly panned out, revealing more of her. It took a few takes to get the close up right, but when the crew was happy with the results, they moved on to the part that Reneé was most nervous about. It was a shot where she would sensually open her leather jacket and show off her boobs.

The first few takes were cut, “Reneé can you give us a try with some more confidence please?” The director asked and she nodded in response. Reneé looked up to you for some reassurance, and found you clenching your thighs together. You hid it well, no one else around you would notice, but Reneé knew. That familiar look in your eyes, and the subtle movements, she knew all too well. That sight alone gave her the confidence she needed to act the scene exactly how the directors had in mind. 

Once the scene was done, and Reneé had quickly said bye to her co-workers she walked up to you, “I knew having you here would do the trick. Wanna head back to my trailer?” Reneé wouldn’t be in the next couple of scenes they were shooting, so she had some free time. She knew just the way she wanted to spend that free time. 

After entering the trailer door behind you, Reneé pressed you up against it. Your breath hitched at the sudden movement, but a smirk started playing on your lips once you saw the look in your girlfriend’s eyes. “I told you you looked incredible.” You tease, letting your hand drag over her chest. When your hands found the zipper, you undid it the rest of the way, and took off the jacket. Your hands moved up her arms slowly until they reached the nap of her neck. “You are so beautiful, baby.” You tell her before she crashes her lips onto yours.

The kiss was instantly heated, you were very turned on from watching the scene Reneé acted in, so every small touch of your girlfriend letting her hands explore your body sent electricity throughout your body. Her lips made their way down your neck, kissing, sucking, and licking the spots you knew were going to have small bruises later. Your soft moans filled the trailer.

Reneé pulled you towards the bed in the back of the trailer. Only breaking the kiss, once you made it to the bed, so she could take off your shirt, and your bra. “So pretty.” She said before taking one of your nipples into her mouth, and swirling her tongue around the hardened bud. With one of your hands behind her back to pull her closer, and the other massaging her breasts, you fell back onto the bed. 

It didn’t take long for both of your clothes to be thrown onto the ground, and your moans filled the trailer once more, as Reneé drags her finger through your folds. “Fuck, you’re so wet baby.” Between moans you manage to say, “I told you, you looked incredible.” Reneé chuckled, “Once again proving that you are a boob girl.” Her comment made you laugh, but it got caught short as she entered one of her fingers into you, and started fucking you at a fast pace right away. 

Your moans start to get so loud that you’re afraid that someone will hear you, so you pull Reneé closer and crash your lips together to muffle the noises. You felt yourself nearing your high fast, as she entered a second finger, and used her thumb to run circles around your clit. “Baby, I-” Reneé’s darkened eyes meet yours, “Fuck, I’m close.” Reneé fastens her pace even more, loving the way she can feel you tighten around her fingers. “Come for me, baby.” Her sultry voice brings you over the edge. You moan her name loudly, no longer being able to control yourself as she fucks you through your orgasm. 

You let your head fall back onto the bed, while you come down from your high with a heaving chest. Reneé cleans off her fingers on the sheets, before she places soft kisses all over your face. “You did so great, baby. I should take you to set with me more often.” She says smiling down at you, admiring the way your sensitive body reacts to her soft touches. 

-----

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[aemondapologistfrfr]

Thorough

aemond x preg!sister!wife!reader 

Summary: Aemond is overprotective while you’re pregnant but never ceases to make sure you have everything you need and are well satisfied. 

Warnings: 18+ p in v, oral(f receiving), swearing, bondage(but like not intense? idk!), nipple play, lactation kink, breeding kink, description of birth but not super intense 

Authors Note: i’ll literally secure this man’s line whether it’s 1 or 20 kids idec, im not ready to write a full birth scene yet, this is me testing the waters since im going to write a literal "x preg!reader" series soon

Word Count: 3.6k

⊹˚₊‧꒷꒦︶︶︶︶︶︶︶꒷꒦︶︶︶︶︶︶︶꒦꒷‧₊˚⊹

“And you’re positive?” Aemonds voice carries through the maesters chambers as I lay back on the bed. 

“With all of my years of study and her symptoms they both are telling me yes, my Prince.” he nods his head. 

My hands hold onto my lower abdomen as my head spins. I’m with child already and we’ve only been wed one turn of the moon. Aemond has been very thorough waiting for this news so I can’t say I’m surprised. A smile splits across my face as his hand joins mine. 

Aemond is quickly pulling me up to my feet and ushering me out of the maesters chambers as he shouts after us to send word to him if we need any help. He has us down the stairs and turning the corner to our chambers hauling me along with him. 

“Aemond slow down.” I giggle as he tugs me into our chambers. 

His lips are on me the instant he turns to me. He starts pulling off my dress and backing me to the bed. I squeak as I fall back onto our bed as he starts to undress before me. He’s crawling over me in no time and I feel his hardened length against my thighs. His hands roam all over my body stopping at my breasts. 

“I cannot wait to see these swell with milk.” he rolls my nipples between his fingers. “Along with your stomach round with our child.” he groans as he captures my nipple with his mouth. 

My breasts have been more sensitive than usual, which was the first sign. Aemond refuses to leave them alone and turns me into a whimpering mess any chance he can get. As he suckles I push my chest up into his face as I hold him to me. 

“Gunna fuck you until you’re full of my seed just to make sure you’re with child.” he mumbles against my chest and I squirm beneath him. 

He kisses back up my neck and lets a hand travel down to my core. He slides his fingers down my slit and chuckles at my wetness. He dips two long fingers into me and I let out a shaky breath. He brings his thumb up to swirl slowly around my bud and I clench around his fingers. I come undone and he’s quickly replacing his fingers with his length. 

“Already squeezing me so good.” he groans as he rolls his hips. “Can’t get enough of my seed can you, my greedy little wife?” he pants as he starts to pound into me.

“Aem, please,” I whine as I cling to him. 

He captures my lips as he continues with his fast pace. I whimper into his mouth as I feel pleasure sneak up and wash through me. His hips slow as they start to pump into me slowly, hitting deep within me. He rests his forehead against mine as our hips meet seeking more pleasure. I feel his warmth start to spread throughout me as I moan holding him close. He continues to grind his hips into me as he keeps pushing his seed into me. 

Our pants mingle as he slowly settles in me. My body is vibrating as he refuses to pull out leaving me completely full of him. He rests above me and we kiss each other desperately. After a couple minutes I feel him start to harden again inside me. I whine as I feel him start to move his hips once more. 

“You can take it.” he grunts as his fingers start to swirl around my bud. 

Between his fingers and his slow pumps I’m clenching around him again. After I come down I can feel that he’s fully hard and I feel him smile against my neck as he starts to rut into me. I’m whimpering beneath him as he continues to circle my sensitive bud. 

“Aemond I can’t-“ my body starts shaking from pleasure and he chuckles lowly. 

“You can.” he purrs as his hips start to move even quicker. 

A moan tears through me as I explode around him and I feel him begin to fill me once more. My eyes squeeze shut as pleasure continues to course through me in waves. He settles in me once more but this time he flips us so I’m resting against his chest. I rest my head listening to his heartbeat as we come down from our highs. Every once in a while he’ll push his hips up into me pulling a soft whimper from my lips. 

“Rest, my beautiful wife.” he hums petting my hair. 

⊹˚₊‧꒷꒦︶︶︶︶︶︶︶꒷꒦︶︶︶︶︶︶︶꒦꒷‧₊˚⊹

5 months along

Aemond and I have been getting into spats about what I can and cannot do. He’s become so fiercely protective that I can’t even leave our chambers without him on my heels. Today’s fight is about me wanting to ride on dragonback which he hasn’t allowed me to do in almost a fortnight and I’ve had enough. 

“I want to go out riding.” I huff looking up to him with my hands on my hips. 

“And I said I would take you out on Vhagar.” he looks down at me equally as stubborn. 

“I want to go on my dragon.” I narrow my eyes at him. “Vhagar is larger than the seven fucking kingdoms and you want me to climb up her?” I walk closer to him. 

“Do not use that tone with me.” his nostrils flare. 

“I’m going out on my dragon and that’s final.” I roll my eyes and go to walk past him to exit our chambers. 

“You will not.” he grabs my arm. “You will ride Vhagar or me.” his eyes darken as they go to my growing stomach as he spreads one of his hands across it.

“Aemond.” I warn hoping he doesn’t catch my blush creeping up my neck. “Let me ride my dragon and then you can keep me in bed for the rest of the day.” I know my blush is visible by the way he’s smirking at me. 

“I could keep you in bed now if I wanted.” he pulls me to his chest. 

“Please, husband.” I look up to him with pleading eyes. “Please,” I cup his face begging at this point. 

“You know I can never say no to you.” he relents shaking his head. “Gods I would do anything for you.” he dips down to kiss me. 

“Do not try to distract me.” I pull away and tug him to the doors. 

He has a carriage bring us to the pits within minutes. The servants and the guards try to steer clear of him. He’s been particularly hellish this past month once I started showing. If a man stares at me for too long he threatens to take their head. I’ve had to pull him away multiple times from quaking guards who feel his wrath. I was starting to think he already yelled that the dragon keepers to not allow me to ride. 

“If anything feels wrong land immediately and I will carry you back.” he looks to me intensely as we wait for my dragon to come out. 

I roll my eyes at him before a smile breaks across my face and my dragon emerges. She stops in front of me and chuffs softly nudging into my hand instead of my swollen stomach. I pat her happily and she sings a soft song. 

“How I’ve missed you.” I coo as I hug her. “Shall we go for a ride?” I smile as she dips down lower than normal to accommodate me. 

I climb on with ease and settle into my seat. I fasten my belts and clips and look down to Aemond. I see the worry painted across his face as he looks up to me. 

“I have half a mind to tell you to get down.” he calls up to me. 

“I have half a mind to burn you where you stand.” my tone playful. 

“I love you.” he smiles up to me. 

“I’ll see you in the skies.” I hum as my dragon leads us out of the pits. 

Once she’s in the sky I let out a laugh of euphoria. The wind in my hair and the sun on my skin is exactly what I needed. We fly around the city as we wait for Aemond to make his way to Vhagar. I hear her groan from the city limits as she makes her way into the sky. We make our way to Vhagars side and she gives out a deep grumble. 

My dragon and I twirl around Vhagar and I can feel the concern radiating off of Aemond. I care not about the scolding I’ll receive later. For now I enjoy the freedom of the breeze and laugh wildly. After an hour I relent and make my way back to the pits. I have them bring out feed for her and watch her indulge as I wait for Aemond to come collect me. 

“If you must be on dragonback again it will be Vhagar or no one. I can’t believe you would fly around so recklessly while carrying our child.” I sigh figuring this would be his response. 

“So I can’t ride you either, husband?” I look up to him biting my lip hoping I can sway him. 

“I do not jest. I will tie you to the bed if I must.” he holds my arms tightly. 

“What if I want you to tie me to the bed anyways?” my voice low as I look up to him through my lashes. 

He pulls me out of the pits by my arm and I smile trailing after him. The carriage ride back to the Keep is silent and he keeps a firm hand on my thigh at all times. He pushes us through the Keep halls avoiding everyone until he has us sealed in our chambers. He towers over me and grabs my face. 

“Get on the bed.” his voice low as his eye bores into mine. 

I start walking over to the bed as he begins pulling my dress off of me. He leaves me in my slip as I lay back on the bed. He goes over to the posters of the frame to find the silk ribbons we leave tied to them. He grabs one of my hands and he secures it with a knot and moves to my next hand. 

“Is this what you wanted, my naughty wife?” he taunts as he looks over me. I nod my head squeezing my thighs together looking for friction as he strips off his clothes. “Don’t hide from me now.” he rasps sitting on the bed spreading my thighs exposing my dripping core. 

“Aemond,” I whine as his hands ghost up my legs. 

“I shouldn’t let you come but I love the noises you make. So I’ll make you come until I’ve decided you’ve had enough.” he dips his head down and licks up my slit. 

My head falls back into the pillows as he laps at my bud. My body begins to shake as my pleasure already starts to coil. I grind against his face and cry out when his nose brushes against my sensitive bud. His tongue dips into my core and explode around him. 

He licks back up my slit and swirls his tongue quickly around my bud. My legs squeeze around his head as he continues his assault. My hands pull against the silk wishing I could touch him or myself. My hips buck into his face and he chuckles as I come against his face again. 

He snakes up my body and stops above my breasts. He smirks as he dips down and traces over one of my covered nipples with his tongue. My breath catches as I push my chest into his face. When he grazes his teeth against my sensitive peak I give out a soft cry. As he nibbles on one he brings his fingers over to my other to start pinching and pulling as I mewl beneath him.

“Gods are you gunna come from just this alone?” he mumbles against my chest. 

I let out a sob as he pulls my slip up baring me to him. When his hot mouth wraps around my nipple once more I buck my hips up into him. He brings his hand up to grab at my other breast and I let out a tortured whine. My body goes taught as he pinches and pulls and I come undone pulling at the silk. 

“You are absolutely divine.” he chuckles against my chest. 

He trails his tongue between my breasts and licks at my throat. He licks along my lips and finally locks us in a kiss. His hands trail up my arms and interlock our fingers. I arch my body into his trying to get closer. He slowly pushes into me and I whimper into his mouth. He starts a quick pace and watches as my face contorts. 

“I should leave you tied up to this bed for the rest of your pregnancy. Only come up here to feed you and fill you.” I cry out at his words as his hips grind into me. 

He brings his fingers down to my bud and I burst around him. He grunts as his hips slow as my walls flutter around him. He continues to push into me slowly as I pant his name over and over. I feel him twitch inside and when I feel him begin to fill me I come undone with my eyes rolling back. 

“My perfect wife.” he sighs rolling to the side and spreading his hand across my bump. 

“Will you untie me?” I ask still trying to catch my breath. 

“I’m not done with you yet.” he smiles capturing my lips once more. 

⊹˚₊‧꒷꒦︶︶︶︶︶︶︶꒷꒦︶︶︶︶︶︶︶꒦꒷‧₊˚⊹

8 months along 

I’ve never been more uncomfortable in my entire life. My back hurts and I feel like my breasts are completely full yet seem to expand everyday and it’s becoming too much. All I do lately is take baths and lay in bed. I’m not miserable but I would definitely like this baby out of me sooner rather than later. 

“How is my wife and our child?” Aemond asks the grand maester. 

“You can ask me how I’m doing.” my words have a bite to them as I lay back on the bed as they look down at me. 

“I’m sorry, Princess. I know it’s been a long couple of moons but the babe will come soon.” the grand maester offers me what he thinks is a comforting smile. 

“Mm and how is that looking?” I look up trying not to sound so annoyed. 

“Everything looks good and from how the pregnancy has gone I believe the birthing bed will be kind to you.” the grand maester nods his head and dismisses himself from our chambers. 

“What can I do to make you feel better?” Aemond rests a hand on my stomach. 

“I just feel so tense and I want a hot bath but they won’t let me.” I say tearing up. “My back hurts and my breasts are so tender I can’t even stand having this fabric touch them. I just want some relief.” I hiccup as a tear slips down my cheek. 

“It’s just us, let me remove this.” I nod as he grabs the hem of my sleep dress and lifts it over my head. 

He moves pillows behind my back to help support me better as he helps me relax back into the bed. Tears continue to fall down my face as he helps adjust me and makes me comfortable. 

“What’s wrong?” Aemond whispers as he wipes my tears away. 

“You’re just so gentle and caring with me.” I sniffle. “I love you so much, husband.” my tears fall down faster now. 

“What else can I do to help you?” he smooths my hair looking to me with scrunched brows. 

“Lay with me, please.” I look up to him and he’s immediately getting in bed next to me. 

He holds me close to him and kisses the side of my head. His hands travel to my swollen bump and whisper words of adoration to me. His hands trail up to my tender breasts and I sigh at his soft touch. When his thumb swipes over one of my nipples a strangled whimper leaves my mouth. 

“I’m sorry.” he mumbles as he removes his hand. 

“I just need some of this milk gone.” I whine and his eye snaps to mine. 

“I can try-“ 

“Yes Aemond, anything, please.” I plead reaching for his hand. 

He brings his mouth to one of my nipples and a sigh falls from my lips. As he sucks and laps at my sensitive peak I start to feel the relief I’ve been seeking. I look down to him and see that his eye watching me. I look to him with flushed cheeks as he continues to swirl his tongue around my nipple. I push my chest up into him and he groans against me. 

“Aemond,” my voice strained as I bring my hand to his hair. 

He kisses across my chest and brings my other nipple into his mouth. He offers this one the same attention and affection. I hold him to my chest and give out soft sighs as I smooth his hair. He looks at me with a blown pupil as my breathing becomes more ragged from his tongue. He pulls back from my chest and looks down to me. 

“Thank you,” my voice breathy. 

“Anything else I can offer you?” he kisses me softly laying next to me once more. 

“I want for some relief a little lower.” he chuckles at my words. 

“Mm I wouldn’t want to leave my beautiful wife wanting.” he starts to kiss my neck as his fingers find my sensitive bud with ease. 

“Aemond,” his name falls off my lips like a prayer as he swirls his fingers. 

My legs are already beginning to tremble as I feel wetness pool between them. His fingers slide down my slit and I moan loudly. He brings more wetness back up to my throbbing bud and slowly circles it. My hips buck as much as they can as I feel my pleasure ready to burst. All it takes is his lips attached to my nipple and I’m clenching my thighs around his hand. 

“You’re so perfect. My beautiful wife carrying our child.” he showers me with compliments as my breathing settles and I begin to drift off feeling relief. 

⊹˚₊‧꒷꒦︶︶︶︶︶︶︶꒷꒦︶︶︶︶︶︶︶꒦꒷‧₊˚⊹

birth 

“Fuck,” my voice breaks as the maester and midwife try to coax me to push again as I’m squeezing Aemonds hand. 

“You’re doing so good.” Aemond wipes my brow with a cool cloth. 

“And you’re doing nothing.” I grit out through my teeth as I feel myself splitting open.

“The babes head!” the midwife exclaims looking up at me. 

“One more big push Princess.” the maester says with a calm voice. 

“What do you think I’ve been fucking doing?” my breathing heavy as I push using all of my strength. 

A half sigh and chuckle leave my lips when I feel the baby slide out. I hear a cry and look down at our child. I turn to Aemond who is still looking at me with reverence at what I just did. They wrap the child in a blanket and bring it to my arms. 

“A healthy baby boy.” the maester says smiling to us. 

They help clean me up and clean up the room before leaving us. I softly caress the babes bright white hair as he stirs in my arms. Aemond holds me closer and wraps his arm around mine that’s holding our child. We sit in silence as a family and Aemond kisses our son’s brow before pulling me into a kiss of our own. 

⊹˚₊‧꒷꒦︶︶︶︶︶︶︶꒷꒦︶︶︶︶︶︶︶꒦꒷‧₊˚⊹

2 months after birth

I sit in the maesters chambers with Aemond at my side and the babe bouncing on my knee. The maester looks over our son and declares he is still healthy and turns to me to ask how I’m doing. He looks over me curiously as asks how feeding is going and if there’s any tenderness and soreness. I tell him how I’ve been feeling and he looks to us with a smile. 

“I want you both to know that there is no rush,” he chuckles and I tilt my head to him. “but I believe you’re already with child again.” I turn to Aemond with a scowl who smiles proudly. 

“How sure are you?” Aemond asks fussing with our son. 

“As positive as I was the first time.” the maester nods his head and I sigh but smiling nonetheless. 

“At least you both know what to expect this time around.” he smiles as we slowly get up to exit. 

“After this next babe, I will have a break husband.” I look up to him as he holds the doors open for us. 

“Mm of course.” he looks down to me as if he has no plans on not keeping me with child anytime soon. 

⊹˚₊‧꒷꒦︶︶︶︶︶︶︶꒷꒦︶︶︶︶︶︶︶꒦꒷‧₊˚⊹

masterlist 🔌 

i’ve never been preg or wrote anything like this so if i fucked anything up please reach out and let me know!! 

taglist ✍️ 

@clarityisnofun @callsignwidow @gabriella-aesthetic @llynx7 @violetiss3lfish @ka1afbr @akiko-oo @papichulo120627 @lizzylovebooks280501 @thatgirl101blog @1-fuzzy-squirrels @anaviieiraaa @zanygot7straykidsbonk @hueanhdang

[shamixlour]

The Bear - 3x03

The way he looks at Syd here. I found it extremely interesting and back then I understood it a certain way but now that I have the whole context, meaning I have finished watching season 3...well I see it in a totally different light. Okay this might be a bit long one but here me out. 

At first, I thought Carmy was mad. They were in the rush of service and some plates took longer than necessary to be ready and so he was in his full-asshole Chef mode, running expo in a way that was cold and stressing. I thought he was simply angry because Sydney went to help Tina with the pasta cooking/plating. 

I still think he is mad but with the events in the following episodes, I believe it is way more than that, I think it is much deeper than I expected it to be and I might be reading into this too much but I made another meta and I feel like I cannot speak about this scene without bringing the Carmy scene at Ever in 3x10. 

Now, I think Carmy is jealous. I believe he is impressed. He is mad. He is so fucking envious. He is scared, petrified even. Carmy is in awe and quite astonished. 

That is how I see it now.

The thing is Sydney is portrayed as being impatient, and sure she might have shown some signs of being so regarding certain aspects but when it comes to cooking, when it comes to leading a team, when it comes to being the Chef of cuisine, when it is about running her kitchen, her cooks, she is patient. 

Sydney is patient and calm and pedagogue. She is willing to repeat, to assist and to help. She does not shout, she does not squeeze you even more into the panic of the kitchen even if the situation pleads her to do so. Sydney is loving, caring and fulfilling. She brings back your confidence up, she highlights your strengths, she shows that she trusts you. Sydney is willing to wait, repeat and assist you without doing it all for you even under the humongous pressure of time and peak service. She provides the tools, shows you how to use them in the most efficient way and lets you do it, her hand ready to chime in if needed, if you ask for it. Essentialy, she's a humonguous talented force that whispers you that you can do it. You can do it, Tina. You can do it, Marcus. You can do it.

We saw that during season 1. We saw that again during season 2. She is special, she is something. We saw that once more during season 3, more precisely with Tina, taking the seconds necessary to show her multiple times how to properly cook the pasta and plate it correctly even under the pressure of service. She sets aside her work and helps, guiding Tina with utmost care. She was annoyed too. She was stressed. It was in the middle of service, it delayed everything but Sydney still helped. 

And what did Carmy do in those specific instances? 

He shouted. He was cold, destroying Tina’s confidence, spitting deprecating comments. He did not help. He did not love. He did not care. Sure, he’s under pressure but Sydney is too and yet Sydney stopped and went to Tina, she understood her distress, she felt her silent cry of help and crossed the kitchen to her, steadying Tina again, calmly, without harsh words, without being a total prick even if the situation was nerve-wracking. 

Carmy saw that. He looked at that interaction, watched Sydney be a teacher, a pedagogue, he saw Sydney be the Chef he is not. The Chef he probably never will be. He gazed at something that he does not know how to do, at something he did not even think possible in a kitchen. 

He looked at it and was mad, impressed, envious and solemn. He looked at Sydney as if she is special, as if this is special and something. Something that was worth taking a few seconds to stop, to see and take in. The few seconds he pointedly declared they did not have to Tina.

That is something.

[testrella]

CRAZY RICH ASIANS…! G.SATORU X READER : PROLOGUE

𝜗𝜚 SYNOPSIS 𝜗𝜚

since the beginning of japan, the gojo clan has always been wealthy. the clan brought their money to rural japan and built from the bottom up, making them the landlords of half of japan.

gojo satoru, the heir to everything, finds himself in a difficult position as he fell for somebody who his family would never approve. yet, he cannot find himself to leave as you are the first girl who isn't interested in his family's wealth.

𝜗𝜚 | PROLOGUE

money.

sony corporation, mitsubishi corporation, nintendo co, sanrio co etc…

all these companies are based in japan and rack up billions in revenue every month. with money, comes power, and with power comes authority over everything.

and that was all satoru ever knew growing up.

“gojo satoru! how would i even begin to explain your state to your mother?!”

the first time satoru noticed his authority over people in the real world was when he was seven.

he was covered in mud, head to toe. any other day, he could’ve gotten away with it. but today was not those days.

the suit personally made for him that day was too tight. he believed if he took a walk outside, it’d stretch and fit to his liking. one thing led to another and his now ¥5790 suit was in ruins.

though he didn’t see an issue with the suit being covered in grimy wet dirt, and possibly worms. his mother gave him permission to go outside. but she knew that satoru, at age seven, would find a way to mess up his suit.

“how could you explain what to me?” the snake herself walked through satoru’s door.

satoru always believed his mother was a snake. not because her teeth could most certainly be filled with venom, or the fact she was twofaced. but because she lurks silently and waits for the right moment to wreak havoc.

before he could greet her, a loud, sharp smack was echoed in the room. almost like a wet towel was being thrown against the floor.

“how dare you let my child walk around looking like this?” her voice was strong and full of jurisdiction.

satoru watched the head maid get beaten to the floor. it was hit after hit. it was like a broken movie cd, and it replaying the worst scene.

“mom, please stop..” he spoke barely above a whisper. but somewhere within that sentence, he gained consciousness.

as he watched blood splattered across the room, he knew in that moment that he was the only one who could say something. everyone watched in terror as the young boy stood with unshaken bravery.

“mother, as future heir to the gojo clan, i-i command you to stop!!”

and she did. that was power.

and nobody in japan had any when standing next to gojo satoru.

taking care of kids full-time wasn’t something you had in mind. children are snotty, had sticky fingers and asked a million questions that have no answers.

your heart was set on journalism.

you wanted to be the next to have their big break with the most jaw dropping piece. but fate had other ideas for me.

“boys in the back, please be quiet. how many times do i have to ask all of you to not talk while someone’s presenting??” a frustrated sigh escaped your lips as they continued their banter at the kid in front of the class.

now you find yourself in a secondary classroom, asking teenagers to be quite for the millionth time.

“miss. l/n,” your head turned to the direction of the child, “may i use the restroom? it’s an emergency.”

you knew him well enough that he was trying to escape from presenting his project next. the boy was quiet and kept to himself. the only time he would ever speak was to use the restroom, or to greet you in the morning.

“nice try, you can go after you present. come on up fushiguro, you’re next.” you gave him an encouraging smile as his posture slumped.

you rested your arms on your desk and watched the boy slowly walk up to the front. he gave you one last ‘do i have to?’ look before speaking to his peers.

once again, the group of boys snickered and made rude remarks towards him.

“look at emo boy up there. his hair is covering his entire face!”

“i bet you could punch him, and he wouldn’t see it coming.”

before you could silence them, your student spoke up.

“why don’t you come up and find out then?”

the class starts echoing ‘ooouuu’ at his comeback. as smart as it was, it was highly inappropriate. sighing, you stand up from your chair “okay, settle down everyo-“

“OH SO ITS LIKE THAT EMO BOY?!”

one of the boys from the back stands up so aggressively that it knocks down the desk in front of him.

“yeah, it’s like that.” fushiguro states with the straightest face anybody could have. he was unphased by the other’s outburst. as if he had his share of tantrums from others.

“you’re gonna let him talk to you like that? beat his ass!” one kid blurted.

“get his ass! we got you from right here…” another said while muttering the last sentence.

and of course, with teaching, you get to see your fair share of fights. although nothing could’ve prepared for you to see a five v one.

..and nothing, absolutely NOTHING could’ve prepared you to watch the quiet kid in your class demolish all five boys before being separated.

“megumi fushiguro! i will be calling your father, and he WILL be having a meeting with miss. l/n and myself.” declared the head of the school.

you watched awkwardly as he slumped down into his chair, muttering a quiet ‘he’s not my father’ and wiping the dry blood on his face. you wanted to speak up but the tension in office was too thick.

“i’ll- um,” both the dean and megumi look at you, the first to break the silence. “i’ll get fushiguro some ice and bandages. i’ll be back before his father-“

“he’s not my dad!”

“oh! his um, his guardian. i’ll be back before his guardian arrives.” you sigh realizing that any errands you’ve had before would have to be rescheduled.

the cold, tingling feelings lingers on both hands as you alternate the ice bag on your hands. your eyes are glued to the floor as you have today's events replay in your head.

from your lack of situational awareness, you bump into a wall. or at least what you thought was a wall. you look up and see a white haired male towering over you.

“woah there little lady, you okay? seems like we’re both in a hurry today.”

𝜗𝜚 | CHAPTER ONE : fight! fight! fight!

tag list: @roscpctals99 @poeticlovefanpage @mistyheart @sureconfused @chilichopsticks @lightshowerrr @faeryminnyx @0001010dog @myabae @nivi @therealestpussyeater @kolpvii @sleepykittycx @browrm @tojisworm-5 @universallystrangeravenue @catobsessedlady @shivzypuff @nico707 @invisible-mori @peqch-pie @dilflover-3 @lovelivelaygh1324 @mo0sin @gojoracle @foliea @honoredalone @goldenglow149 @portgas459ace @sealsu @misorastars @hyori2 @selysixn

[choochooboss]

Sketch dump! Vol. 3 August 2022

Literally dumping all the presentable works here as promised, whether I’m proud of them or not!

The first image was inspired by a color palette of a random YT playlist thumbnail! I really loved it and wanted to turn it into a cosy travel & rain scene with colorful city lights smeared like dripping wet watercolors. The second one is a KH3 reference! Do you recognise this scene? I don't know how he would possibly end up there in the first place, but he sure is determined to find his dear brother by breaking through the edge of the world!

How to make Ingo smile, step 1: Make him spell "Emmet"! And a goofy cartoon collision moment ahah!

They are very satisfied after a challenging match, win or lose, and they want you to come back for another ride! I love the twins as they appear in Pokémas the most and try to capture the personalities their English VAs give in my art. They are adorable, excitable, cool and very much admirable!

Emmet always wants to look cool, and Ingo surely gives the most heartfelt handshakes! This piece was to celebrate 1K followers on Twitter! The first three months were wild as so many people found my works!! I fondly reminisce that time, not only I was doing well with my first fanart account, I also felt very happy in general! I was so in the zone with art, being super creative free of worries. It's awesome to see most of the people who commented this back then are still posting/in contact with me!! Thank you so much for sticking with me and my little shenanigans!

I still really like these sketches here, love to see this trio having a blast together! The clips are from a movie classic "Singing in the Rain", and below is the final piece:

Doodles~

Early Breakmas AU sketch (Team Break Submas); going full speed after trainers to collect their pokémon... What would you do if these two giant traffic cones approached you at high velocities?

Excadrill & Archeops, the soft & fluffy guys! Some of my first sketches of the submas mons. Excadrill has become my no. 1 submas mon, I adore that tough little missile knight! Archeops is definitely one of the most appealing ones! I love how he kinda has 4 wings he glides with. However I cannot unsee the snake in a parrot suit ahahah, pardon me! Also I pity the poor guy's in-battle idle animation where he has to flap SO HARD just to stay afloat!

Also Durant & Galvantula! I never was a fan of Durant but I've found ways to have fun drawing this little mischievous creature. They're after your ankles nyehehehe~ Galvantula also wasn't appealing to me until submas fever hit but now I think it's a pretty cute beast! I really like how I drew that fur, which is funny because it was that bristly blue fur that didn't strike my fancy back then!

Still enjoying this sketch! Took me some time to read the lines though ahah, the sketch so loose. He's leading a complete opposite life now...

Surprise!!! I held an art raffle on my Twitter account once but I never finished the piece for no good explanation other than getting stuck with the depot agent designs. I wanted to finish this so badly but just couldn't get over that mental block. It still bothers me I couldn't do it!

More KH inspired attempts, this time the stained glass!

Some expressions! Those snouts I draw for them are so silly ahah

Oh yikes, mood shift! The situation is looking dire, is his brother okay?? I like how the pose & water turned out!

'How's it hanging bro?' Who hung him up there anyway?

Another intense situation, what could this Team Break guy possibly want from him..?! Man, this piece feels so old now but I still like the movie like vibe! That's all just from August!! I was extremely productive back then ahah, it's cool to see how creative and varied stuff I could do!

More and more sketches & WIPs are waiting in the queue! Hope you had fun checking these out!

UPDATE: I had accidentally uploaded some sketches I had already shared in the July 2022 sketchdump so I replaced them with other sketches I had actually forgot I made in August!

Sketch dump Vol. 1: April-June 2022 Sketch dump Vol. 2: July 2022

[prolifeproliberty]

Hey, I'm stumped on this objection, if it's alright, I want your input on this

"For these types of people I always give them a hypothetical situation for them answer So if you knew your wife was going to die by giving birth to the child would you let Your wife get an abortion or would you let your wife die in the child grow up without a mother?"

What do you think?

I would answer that the choice is never actually that simple. We imagine this cinematic moment where the doctor comes out to talk to the anxious husband in the waiting room and says “Sir, we can only save one of them. Should we save your wife or your child?” and he has to make that choice.

That makes a very dramatic movie scene, but it’s not real.

There are three categories of “life of the mother” situations:

1. Very early pregnancy. Mother has a life threatening condition and cannot be kept stable until the child reaches viability (now around 22 weeks with evidence-based best practices). Even in these situations, a direct abortion isn’t the life-saving care. Usually we’re talking about the mother needing a treatment for her life-threatening condition that risks the life of the baby. Most ethical choice is to treat the mother. If the baby dies as a result of the treatment, that is a tragic loss. If the baby doesn’t die, awesome! In this category, there is no way to save the baby without saving the mother, because if the mother died, the baby would too. Ectopic pregnancies fall in this category because there is currently no way to save the baby. If we developed the ability to get ectopic embryos to successfully re-implant in the uterus, that would become the ethical option.

2. Late-term complications. I’m going out of order here for a reason. This is anything where the mother’s life-threatening health issue starts after viability, but especially when we’re talking 30 weeks and on. Baby’s chance of survival with an early delivery goes up rapidly as baby approaches full term. In these cases, if the mother needs immediate treatment for a life threatening issue, she doesn’t actually need her baby to die. There is no reason to choose between the mother and child. A C-section is actually safer than a late-term abortion, since third trimester abortions usually still involve the mother laboring and delivering a dead baby. If the concern, as posed in the original hypothetical, is that she would “die by giving birth,” then she probably just needs a C-section (or a better doctor).

3. The third category is the most complex one. This is when the life threatening issue for the other begins when the child cannot yet survive outside the womb, but may be able to in a few weeks. This is where the difficult decisions are made. This category includes women diagnosed with cancer who might decide to delay treatment to protect their child until their child can be safely delivered. However, even here we can see examples of mothers who choose to receive treatment without first killing their child, and doctors who find innovative ways to treat life-threatening illnesses without harming preborn children.

The true answer is “save them both.” We can’t always - just as any doctor knows in a triage situation they can’t always save all the patients. The decision of who to save is never based on which patient is more human, more valuable, or more worth saving. The answer is instead based on how the doctor can save the greatest number of patients. If the doctor can save everyone, they do. If the doctor knows a course of action means for sure saving one patient, while another might not make it, but the alternative is losing both, then they will choose to save at least one. We almost never see a situation where the doctor has to arbitrarily choose between two patients - the decision is always based on the condition of each patient, the resources available, how much time there is, etc. There are algorithms for this kind of thing.

Basically I refuse to let unrealistic hypotheticals dictate actual policy on saving children.

Because people believe in the “we can only save one, choose!” scenario, we get doctors telling women that they will die if they don’t get an abortion, and then they cry to the media that they had to go to Colorado or California to get their “life-saving procedure.” The reality is that either the doctor could have treated the mother without first killing the baby and given the baby a chance to survive, or they could have delivered the baby and then treated the mother.

Anyone who says they couldn’t do the first option under ____ state abortion law is either lying or ignorant. If the mother’s condition is actually life-threatening, every state allows doctors to treat the mother. Killing a child doesn’t cure any illness.