#i crave pain

[youdontloveme-yet]

10 year ticket will be my entire personality from now on, so please blacklist the tag. i will now bombard the tag with the angstiest shit.

[in-the-multiverse]

erm he’s right behind me isn’t he

[s0fter-sin]

vampire bats share mouthfuls of blood to other bats they’re close to if they weren’t able to feed and now i need old vampire!ghost sharing a bloody kiss with fledgling!soap, giving him mouthfuls of blood bc his fresh fangs are too sensitive to bite with

it’s been so long since he was turned that ghost’s forgotten the deep ache that comes with growing fangs and he almost worries when johnny goes to bite into the meal he’s brought him only to whimper and pull back; only the slightest pinpricks of a bite left in the man’s neck, barely enough to bring blood to the surface

it’s only when johnny whines and massages at his gums that ghost realises his oversight; crooning at his sweet mate in reassurance. he’s not upset that he couldn’t feed, at the unintentional rejection of his offering. he’ll make the pain stop

ghost pulls the man to his mouth and sinks in his fangs, sucking in a heavy mouthful and drops the now paralysed prey back to his feet; his throat steadily gushing with blood and spilling over his body

he cups johnny’s face, looking into his eyes, teary with pain and hunger, and purses his lips to carefully drip the blood into his mouth. the pain immediately vanishes from his eyes, replaced with pure bliss as he opens his mouth wide; curling his tongue to catch every drop. ghost presses his mouth to his in a hungry, blood-filled kiss; tongues twining together as they share the taste

johnny sucks the last of it from his lips and ghost guides him down to lap at the prey’s neck; licking up the blood he was too weak to draw himself. he’s ravenous with it, his whole face covered in red as he licks up the spill and suckles at ghost’s bite

ghost’s filled with an overwhelming pride at having provided for his mate in an even deeper way than just hunting for him. he spilled the blood johnny’s drinking; fed him in the most intimate way their kind knows and he’ll do it a hundred times over for his love

[beanghostprincess]

Can you believe this little thing felt like he was his best friend's shadow and gave up on his dream because Shanks shone brighter than him? Can you believe he spent his childhood staring at his best friend from a distance because he thought he couldn't reach the stars by himself? Can you believe his dream was taken away from him and he lost his ability to swim and his love for the sea when he was just a child?

[faultyvessel]

Thinking back to that line in Go To The Mirror? when Cecil’s mom says “why are you crying when you don’t even exist?” and how it plays into the current arc in the way that things are being explained away to seem like they never existed in the first place and how she was supposedly Prophetic and-

[dirtyoldmanhole]

"I love you more than you will ever know, Corrin."

golden route

[silverwhittlingknife]

I noticed something in a lot of your Dick and Tim fics. It's probably so obvious, but you always write that Tim is watching Dick. In your newest one, Tim's watching Dick, in The Return Tim's watching Dick, and you even write that Tim is always watching him. Is Tim trying to read Dick? Trying to understand? Or does he understand him by watching? What is he trying to figure out by watching Dick? What does that say about Tim? I really hope this is intentional lmao because I would be embarrassed. Maybe this is just something so obvious that I'm just getting now.

YES IT’S ON PURPOSE <333 Anon. Anon. I'm so sorry this answer took forever, but listen, this was a really delightful ask <333 I think about this a lot.  I really love origin stories—I like stories that resonate through a character’s history. 

And for me, a whole lot of what interests me about Dick and Tim is that theme of watching and being watched. Seeing and being seen.

"Watch me on the trapeze, Tim. I'm going to do my act...'specially for you." | "Timmy, don't look." | "I turned away... I couldn't watch. Then I heard you crying and I turned back... I'm sorry, Dick. I didn't want to hurt you by telling you all this." Dick's watching me. Gauging my reactions. (Tim watching Dick watching Tim!) | "I'm taking off the blindfold." "No!" | "I can't see him. You can't see him. But I know Robin. And Robin's always there when you need him." | I love that kid. Too much to let him see me like this. (But Tim spots him anyway.)

Spotlights and lighthouses and cameras and photographs. Blindness and vision and masks and detective work and trust.

I'm going to try to be coherent about this but it's gonna be incoherent sdfsf BUT I'M GOING TO TRY so. Below the cut, a really long grab-bag of my rambling on vision and watchers and watching.

Tim + watching / Dick + being watched / different dynamics

Tim's origin story

Being watched goes with vulnerability/exposure

Incomplete list of moments with Dick and Tim and vision

Tim + watching

The first time we see Tim's face in LPoD: a close-up on his eyes looking for Dick, a close-up on his eyes at the moment that he sees Dick, a pullback to his face at the moment of recognition, a pullback to his face + his camera (you could maybe even argue that Tim comes into existence at the moment that he sees Dick, like, conceptually. the act of seeing is his defining characteristic. it is the thing that makes his character happen. he is the kid who's watching.)

Tim's a very vision-centric character: he's first introduced as a camera, then as a pair of binoculars, then as a pair of eyes. His whole backstory is about watching: watching Dick's parents die, watching Dick on TV, watching Batman and Robin. I've grabbed a few panels above with Tim watching Dick but there are so many more. His major deductions are all vision-based: he sees Dick-the-acrobat and later recognizes Dick-as-Robin; he sees Bruce-in-the-past and recognizes him as Bruce-of-our-time; the climactic moment in Red Robin is about going into a dark cave with a torch so he can see what's there.

And he's a detective. He pries into secrets. He analyzes people. He's a worrywart and a fusser who always wants to understand what's going on with other people. In a lot of those panels where Tim's watching Dick, his inner monologue is busy deducing Dick's emotions and trying to psychoanalyze him. Tim's caring and watchful and intuitive... but all those qualities also make him very very intrusive.

Dick + being watched

Dick performing acrobatics for Bruce, Donna, and Tim in Detective Comics 38 (his first appearance), New Teen Titans 16, Batman 441, and Nightwing 88 (where he reflects he's glad to be back in the hot glare of the spotlight)

Dick's a detective too, of course - Tim deliberately mirrors Dick, both in-universe and out-of-universe. But also Dick's a performer who loves being watched and also wants to control how he's seen. He gets a kick out of showing off, making puns, kicking ass, taking names, and he gets a kick out of having an appreciative audience. And he's got a kind of yearning for recognition - it hurts, when Bruce won't look at him, and in fights with Bruce, Babs, Roy, he'll often bring up the past, trying to get them to acknowledge a shared history.

At the same time, he's a very private person who withdraws and hides and pushes people away when he's upset. Right before Tim shows up, Dick's just ghosted the Titans because he's having emotional turmoil and doesn't want to have it in front of them, and they're trying to respect his wishes... but that solitude doesn't last long, because then Tim tracks him down. Tim will do this again when Dick's having an emotional crisis and trying to avoid everybody in Nightwing 110.

Possible dynamics

Tim watches Dick in Robin 11, while silently analyzing Dick's anxieties about Two-Face

"The watcher and the person being watched" is a dynamic that really interests me, partly because it can be so complicated?

You can see in Dick and Tim their very first roles: enthusiastic performer and the enthusiastic audience member. Dick likes to perform and show off and entertain; Tim likes to watch; those are roles they both easily slide into and they have a lot of fun together! But also you can look at the harsher side: the crime victim and the voyeur, the amateur photographer and the guy who hates being photographed. Dick's intensely private about his vulnerabilities; Tim's intrusive and watchful and constantly trying to figure out how other people tick. Sometimes Tim's the caring friend who watches Dick closely, reads him well, understands him; sometimes he's the nosy mini-detective who pries into Dick's secrets. And that's just two different ways of describing the same thing!

One of the things that kinda fascinates me about Dick and Tim's relationship is that in a lot of ways it's built on a bunch of low-key boundary violations. A lot of their early relationship is driven by Tim's desire to know more about Dick vs. Dick's reluctance to get close to anyone from Gotham; Tim's often out-of-line, but without his pushiness, it's hard to see how they would've developed a relationship at all. Later on, their friendlier relationship is marked by Dick teasing and low-key bullying Tim; it's pretty obvious that Tim isn't actually bothered by this, but it does involve Dick ignoring whatever Tim's claiming he doesn't like ("Quit it!" "Shh").

And one of the aspects of those boundary-violations is that Tim has a habit of witnessing things that Dick would prefer that nobody see. Tim's a witness to Dick's first and most miserable tragedy; he sees the aftermath of some of Dick's fights with Bruce; he's there when Donna dies. And he's sharp and observant and analytical, and I like to imagine this as being something Dick's not entirely comfortable with.

When Dick first meets Tim, it's before he's learned to wear a mask. And Tim spends a lot of time trying to see through Dick's masks, and he's pretty good at it, and a lot of that prying comes from love and care, because one of the ways that Tim shows love and respect and admiration is by trying to absorb absolutely everything about you, like a little sponge. But there's also something unsparing and even threatening about the search for the truth of someone else. It can be comforting or threatening, to know someone's watching you.

And I love how all that complexity is wrapped up in Tim's origin story? Both the giddy childish "Watch me on the trapeze" and then the awful grim reality of what Tim actually sees as a result and then the difficult connection when Dick and Alfred finally get Tim to explain how he knows their secret identities.

Tim's origin story

Tim (recounting his origin story in LPoD): My parents held me back as the thing moved to you. I cried out to warn you. (Two panels where we see just Tim's eyes, as he watches a crying Dick. He sees Batman approach and start trying to comfort Dick.)

I think fiction sometimes presents "being understood / seen / known" as an uncomplicatedly good thing, and there's nothing wrong with that! But I like complications, and I like the way Tim's origin story frames that moment of witnessing as difficult and fraught. Tim doesn't want to tell Dick how he knows their secret identities because he thinks it'll hurt Dick to know it: I don't want to hurt you, Dick, and I'm really afraid I might. And he's not wrong. It is painful; it does hurt; it's not something Dick's happy to know.

Dick's a very private person, and there's a painful intimacy to Tim's origin story - it's not Tim's fault he was there, but at the same time, it's not like Dick chose to have the most traumatic moment of his life on stage in front of an audience of strangers, you know? It's kind of a violation. In NTT/NT/Nightwing, Dick's pretty violently hostile to photographers, and he's intensely private about trauma in general, and I like to imagine this as partly a reaction to that foundational trauma of losing the most important people in his life and also doing it publicly.

And Tim's part of that audience. And he sees the worst part, the part that Dick can't talk about. He sees the bodies and the blood. He has nightmares about it for years. He hears Dick crying and sees him holding onto his parents' bodies. Not at all the kind of first impression Dick would want to make. Not at all the kind of person he wants to be seen as. And that understanding can be painful, because it's so close to the bone, and when Tim's just a stranger, it's upsetting, because Tim knows things that Dick would never have chosen for him to know. Their few conversations about it are awkward partly because Tim's thirteen and awkward... but at the same time, it's not Tim's fault so much as the situation! There's no way for Tim to talk about what he saw that wouldn't be uncomfortable for Dick.

... And yet, and yet. Tim's also one of the last people to see the Graysons alive. He sees Dick and his parents together; he even takes a picture with them. He remembers the whole thing so vividly he'll recognize Dick's somersault years later. He sees the grief. And so I think of that connection as kind of a metaphor for witnessing. Tim sees these things and they become real; Dick can't hide from them; in the act of being seen he's caught, he's in a spotlight, all the grief made real. You can't hide, that way. And Tim's got this unforgiving memory; he won't ever forget; he won't ever stop knowing.

But then, too: Dick's seen, he's known. Even at the very beginning, when Tim doesn't know enough to understand what he knows, he knows the important things.

So that shared memory is a barrier and a bond between them. It can be a source of discomfort or a source of comfort. And that's how I think about Tim watching Dick in general - it's complicated, and sometimes Dick's glad of it, and sometimes he resents it, and also it just is, it's a fact of Tim, that Tim watches. It's notable when he's not watching, when he's turned away.

Being watched goes with vulnerability/exposure

So I'm going to talk about the fraught feeling of being watched more in a little bit, but first: I think it's fascinating that Dick likes screwing around with games where Tim can't see!

Here's Nightwing 25 - Dick's come up with the idea of trainsurfing while blindfolded:

Tim: Are you sure this is such a good idea? Dick: Shh! Listen. Tune into the changing sounds and - Tim: I'm not so - Dick: JUMP!

Here's Robin 49 - clambering through a tunnel into No Man's Land:

Dick: Hard not to think about the river. All the water above us. And bugs. This tunnels' probably full of 'em. And rats. Big ones. Big blind rats with teeth as long as -

Here's Gotham Knights 9 - ambushing Tim in a sorta game of hide-and-seek:

Dick: Gotcha! Tim: Augh!

I feel like mmm I don't want to emphasize power dynamics too much because it's easy to overplay it BUT when I think about headcanons it's interesting to me to think about how maybe when Tim can't see, Dick's more in charge / in control, and so he feels more comfortable and less vulnerable, and that's often when he's most relaxed and playing around the most?

Whereas the moments when Tim's looking at him are often a bit more fraught, as here in Lonely Place of Dying:

Tim: I'm sorry, Dick. I really am. I didn't want to hurt you by telling you all this. Dick... Dick: It's all right, Tim. No matter how old you are, there are some things you never forget. Or get over. (Silent panel: Tim's watching Dick as Dick turns away and stares into the window.)

Or here in Nightwing 6, when Tim wakes him up from a nightmare:

Dick (internally, imagining a kid falling): He shouts to me. He always shouts to me. I never hear what he says. Tim: Nightwing! Wake up!

Or here in Gotham Knights 26, when Bruce is accused of murder:

(Silent panel where Tim's watching Dick.) Tim: I'm sorry. This must be hard for you. Dick: Me? Why? Tim: Well, I mean, it'd be one thing if we really knew he was innocent, but as it is - Dick: Wait, what? Stop right there. What are you saying, Tim?

Here's Tim spotting him before he can get away in Nightwing 110:

Dick (watching Tim from a distance, internally): Still, Timmy played it through nice and clean. Disarmed the perps, protected and avoided the cops. Kept any civilians from getting shot. God, I love that kid. Too much to let him see me like this. Tim: Hey! (appearing on the roof above him, fake-cheerful) You weren't gonna leave without saying hi, were you? Dick (looking away, very quietly): Hey, Timmy. Tim: Look at you, man! Back on both feet! Think you're done stopping bullets with your body for a while? Dick: Hope springs eternal. (Silent panel with Tim watching Dick, who's turned away.) Tim: You okay, Dick? Dick: I'm fine. Tim: Well, where're you staying these days? Dick: With some people.

Of course, sometimes Tim's watchfulness is frustrating but also a comfort, as in Detective Comics 874:

Tim (watching Dick, who's looking away): Are you listening to me, Batman? I'm saying the gas the Dealer used on you was powerful stuff. Dick: I'm fine, Red Robin. Besides...you're here now. Tim: You're not fine. And with or without me, you shouldn't be out on patrol ye - Dick: Sshhh. Here they come.

(Later in the comic, Dick mentally concedes that Tim's right that he hasn't really recovered from the gas, and Tim saves him from drowning when he's hallucinating. So Dick feels kind of exposed by the scrutiny, but also... he invited Tim along, so there's trust there, too - Tim's perceptiveness can be a good thing, too, when things are serious.)

Incomplete summary of moments with Dick and Tim and vision

I think I already mentioned a lot of these but here is my LIST

almost the first thing that Dick says to Tim is "watch me on the trapeze, Tim" and then Tim does and he basically never stops watching;

Tim watches Dick's parents die and watches Dick sobbing on-stage and watches him on TV and recognizes him by seeing a particular trick because he's dreamed about Dick doing the trick in his recurring nightmares about that night;

in New Titans 65 which is their very first team-up comic after Tim's origin, Dick's training pre-Robin Tim and gives him a test about watching for details and later Tim's takeaway is "I saw how [the Titans] listened to you";

there's a moment in Showcase '93 12 which is just Tim watching Dick and analyzing what's going on with him and there's another moment in Prodigal which is the same thing;

in Nightwing 6 Tim sneaks into Dick's apartment and hides in the dark and Dick spots him and tackles him; one of their most important bonding comics is Nightwing 25, where Dick insists on blindfolding him to get him to rely less on vision; when they sneak into No Man's Land they're in the dark and Tim can't see again and Dick's teasing him;

there are multiple moments when Tim can't see Dick for a bit and panics about his safety, in Nightwing 25, in No Man's Land, in Transference, in Bruce Wayne: Murderer;

Tim's there watching when Dick's wedding to Kory falls apart and he's there watching when Bruce and Dick fight and he's there watching when Donna dies and he's watching when Dick and Bruce swing together on the night before Infinite Crisis, and when Dick goes down and almost dies in Infinite Crisis we cut to Tim watching and seeing it happen and screaming;

there are multiple moments which are just silent panels of them staring at each other trying to figure out what's going on with each other or having a stand-off - in Bruce Wayne: Murderer, in Resurrection, in Red Robin;

in the aftermath of Donna's death there's a panel where Dick's watching Tim from a distance and not approaching;

in the aftermath of Blockbuster Dick spends half the comic just staring at Tim from a distance and hiding himself because "I love that kid - too much to let him see me like this," but Tim sees him anyway and chases him down and then they lie to each other and *ranting* LISTEN TO ME the whole comic is about Dick trying to AVOID being SEEN both literally but also METAPHORICALLY AND --!!!

(the only thing i'm even as halfway obsessive about for them is the heights thing because also there are a bunch of moments involving falling or Tim being anxious about heights and worried that he'll fall or Dick will fall)

In conclusion

Consider the progression in all these moments where Tim's watching an upset Dick and worrying about him!! From reaching out instinctively-but-pointlessly when he's too far away in the LPoD flashback, to almost reaching out in LPoD but hesitating, to putting a hand on Dick's back to walk him back to the Cave in Gotham Knights 10, to physically dragging him clear of the water in Batman: Black Mirror!

In conclusion I don't have a conclusion but basically YES, "watching Dick" is a core Tim characteristic as far as I'm concerned, and Tim watches Dick a lot and that can mean all kinds of things from admiration to nosy intrusiveness to worry to care to gratitude to trying-to-figure-out-what's-going-on-with-him, and sometimes Dick's resentful and sometimes he's relieved and sometimes he's playful and sometimes it's a mix of all those feelings.

And at first it's always Tim watching Dick, but later you've got Dick watching Tim too, and there's that moment where Dick's secretly watching him fight but Tim spots him in Nightwing 110 and there's a silent panel where Dick's watching him in Resurrection and at the very end of Robin there's a scene where Dick's secretly watching him fight but Tim spots him and in the very last issue of Red Robin Dick's watching the end of the confrontation with Boomerang and in Prodigal Dick's the one who notices his face is bruised and aaaaaaah

Anyway I think they're neat <3

[f0r3v3rm0r3]

You guys have no idea how badly I wanted Chuuya to be a vampire. This all seems too convenient for Dazai, and yes I'd anything for the man but this doesn't add to the amazing plot they had.

I wanted that scene where Chuuya shoots Dazai and then gets free from his vampirism state and he's horrified and limps down to Dazai and clutches him tightly, shaking and asks him,

"Who did this to you? Did i do this to you? Get up mackerel."

AND THEN, I wanted something to happen that would save Dazai. I would have loved to see skk face the actual consequences of their actions.

[thisisallthehattersfault]

Wei Ying smiles like the sun.

When they were younger, Lan Wangji had felt scorched by it. It had seared into his bones and behind his retinas, ivory-bright and burning, and so, for fear of what would become of him if he looked too long, he had turned away.

Now the clouds have covered the sun, and it shines through so rarely that every glimpse of it is a treasure beyond reason or compare, and so -- even though he knows he should not -- Lan Wangji creeps forward on silent footsteps, peering a little closer, desperate in a wordless, formless, twisting way for even a glimpse, even a glimmer, even a tiny flash of that smile.

The bunny burrows deeper into Wei Ying's robes, and he grins, and it is like Lan Wangji is standing in the sun again after so many weeks of rain.

Then the wind shifts. Lan Wangji's robes, his ribbon, his hair suddenly lift and carry out far enough to catch the corner of Wei Ying's eye, and the clouds return so quickly Lan Wangji feels dizzy with it, feels sick. Wei Ying's back goes perfectly straight, and his face falls into an expression of cold neutrality. Lan Wangji has to clench his jaw to choke back a cry of despair.

His husband turns to face him without actually looking at him. Wei Ying solutes him with formality and grace. Greets him with "Hanguang-Jun."

The sun is gone again.

The sun is gone, and there is nothing Lan Wangji can do to bring it back -- not when he is the cloud that covers it. He should have turned away as soon as he saw Wei Ying in the field. He should not have intruded on this private moment of happiness, not when Wei Ying seems to experience happiness so rarely, now.

Lan Wangji returns the bow, greets his husband. Tells him "I am being sent on a night-hunt. I will depart this evening, and estimate it will take me three days to return."

Wei Ying does not ask to come along. His eyes do not light up in curiosity, he does not bounce on his knees and pester Lan Wangji for information about where he is going or what he is hunting. All Wei Ying does is incline his head and say "Alright."

Come with me, Lan Wangji wants to say, but he knows he hasn't the right. Wei Ying is likely relieved to have Lan Wangji out of his hair for a few days. Maybe, without Lan Wangji there to cast a shadow over him, Wei Ying will allow himself to smile.

I didn't mean to take it from you. I didn't know I could. I didn't realize how much power I had, how much I was hurting you. I would do anything to make you happy here. I wish I could figure out how.

Lan Wangji accepts the dismissal for what it is. He turns, and leaves, and hopes his husband will breathe easier with him gone. Maybe he should start taking more night hunts.

-------------------------

He doesn't know how long Lan Zhan has been standing there, but it's definitely been long enough to see Wei Wuxian rolling around in the dirt with the rabbits like an idiot. He tries to correct his posture, schools his face. Maintain a proper seat. Do not smile for no reason. Excessive displays of emotion are prohibited. Act with decorum.

It isn't enough. By the time he has himself presentable, Lan Zhan is visibly grinding his teeth. Even from here, Wei Wuxian can see the way his jaw flexes when he clenches it. He's expecting to be scolded -- pets aren't allowed in Cloud Recesses, and this clearing technically isn't in the bounds of Cloud Recesses but no Lan has ever cared about technicality when it came to obeying their rules. (Or punishing people for not obeying their rules.)

Still, it isn't Lan Zhan's fault that Wei Wuxian is exactly as much of a terrible husband as Madam Yu always told him he would be, so he salutes exactly as is proper between married spouses and calls Lan Zhan by his title, as respectfully as he can.

Lan Zhan bows back, and doesn't immediately drag Wei Wuxian off to be punished. Huh.

Maybe... maybe he appreciates the attempt?

Wei Wuxian is trying. He's trying so fucking hard. Does Lan Zhan see that? Does he -- does that mean anything to him? Does it matter to him that Wei Wuxian is trying as hard as he can, even though he keeps fucking up?

"I am being sent on a night-hunt. I will depart this evening, and estimate it will take me three days to return."

Ah. He's just in a hurry, then. That makes more sense.

Wei Wuxian nods. Says "Alright," to show he understands. Lan Zhan will probably pass his punishment on to someone else, then, or he'll decide what to do about Wei Wuxian when he gets back.

The stupid, childish part of Wei Wuxian that refuses to fucking learn wants to say be safe or come back to me. Wants to take Lan Zhan's hand in his and kiss the backs of his knuckles as a goodbye. Wants to help him pack, and see him off at the gates. Wei Wuxian has accepted that he'll never step foot outside the Cloud Recesses again, so going with Lan Zhan isn't an option for him, but at least a proper goodbye, at least something --

He crushes that stupid, childish part of himself as ruthlessly as he can. He has bothered Lan Zhan more than enough. The poor man is literally trapped with him now, and Wei Wuxian still can't be a decent husband for him. Lan Zhan deserves a few days to himself.

He knots his hands in the skirt of his robes, and bites his tongue hard enough to hurt, and doesn't move, and doesn't speak, and doesn't lift his eyes from the fluffy back of the little white rabbit until his husband's footsteps have vanished down the path, and Wei Wuxian is alone again.

[miss-crazy-rose]

I want show Thalia to be a black girl

Not because Zeus is a black man, these kind of things don’t matter in the pjo universe anyway

I want Thalia to be a black girl just to have an emotional flashback of her teaching baby Annabeth how to take care of her hair while they were on the run

[lordchairesq]

Farewell my turnabout really got me

[mayullla]

Can anyone tell me how the heck do I write in the search bar to find yandere Al haitham but he in the state of those red eyes and angy. I have been typing 'red' and 'feral' plus more right beside Yandere Al Haitham.

[tmascfaggot]

anyone out there wanna use my thighs as punching bags. i'll sing real pretty and you can even tie me up to make it easier

[wings-of-waffles]

you know my problem? out of all of the seas upon seas of Clay content out there, canon and fanon alike, there are only a few precious drops of content that explores him in his depth and treats him like a real person.

and in the content where Clay is even remotely close to his ideal, human characterization, there is an even smaller fraction of that where he needs somebody else to comfort him rather than being the one to comfort.

which leads me to believe that, both in canon and in the enigmatic soup of fanon, Clay is not getting the hugs or support or compensation he needs. bro needs support too! it's my headcanon that he has loads of stuff internalised about not letting his friends worry about him he needs to work through! my poor sad little man he's been through so much!!

which is also part of my "Ceril/Clayril can be made 10x better by having Peril comfort Clay and vice versa in equal amounts" propaganda, but that's only a microchasm of the greater issue.

so yeah more Clay-centric content, please. i'm starved for content and i don't want to make it all myself.

[emmyrosee]

My drafts: oh boy more kiyoomi!

Me: it’s all angst

[iknowwhereyousleepatnight]

sketchy sketch of kitty cat L