i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--")
("Tucker?")
("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
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do you have any thoughts on luna and harry as a potential couple post-canon? i was reading your post on harry/ginny and i really loved your perspective on it, especially when you said your vision for harry post war was basically just lots and lots of big dogs (i LOVE that mental image and i agree it would be SO good for him!!) but i was wondering if you'd consider luna and harry to be a good match for each other? personally i have a sort of soft spot for the pairing because of how fond harry is of her in canon, and i think if anyone was going to understand and be unfazed by all the difficult trauma responses and long healing process he's going to be dealing with for years after the war, luna seems like a good fit :)
My love for Harry as a character is kind of unusual to me, considering I go pearl-diving for ships when I read things, and I fall in love with dynamics as a conduit to falling in love with characters. That said, I don't really ship him with anybody. I just genuinely adore That Weird Little Dude. Same with Ron; I'm just as pleased to see them with a range of people, because (A) I believe they're good partners and can have great relationships with many people (Ron Weasley get behind me they could never make me hate you Ron Weasley), but also (B) I don't see either of their canon relationships as Definitive. Some characters I ship together because I sincerely believe they are (non-deterministic) soulmates, in that they bring out parts of each other that make them the freshest, happiest, most interesting versions of themselves. With other characters, I'll look at a couple and go: "Huh. Could work!" and smack my giant rubber [APPROVED] stamp on it, then get back to work on my blorbos.
Luna and Harry are one of those couples for me. As I mentioned in that other post, I think Harry's primary requirement in a partner is someone who can treat him normally, i.e. will be generally chill about the Became Wizard Jesus Twice situation. Which is a big ask. Luna is uniquely capable of doing that because Luna is not normal at all, and so treats all things, extraordinary and ordinary both, as uniformly dazzling and delightful. I believe this is why Harry enjoys her so much in their friendship, because he gets to feel valued and treasured without feeling unusual or othered — a hard line to toe, and one even Ron and Hermione occasionally trip up on. He seems to like hanging out with her a great deal, and I think it says something sweet that he asks her to the Slug Club party instead of any of the girls in Gryffindor from his year, whom he'd ostensibly know better.
Luna is a bit of a cipher to me, I admit. We know she's the daughter of an eccentric and probably traumatized single father, raised without a mother; deeply lonely, because of how she's been ostracized for her beliefs and hobbies, and the victim of some degree of bullying for it; and yet full of a passionate, almost effortless wonder and joie de vivre. She's also intensely loving (cf. painting her friends' faces on her bedroom ceiling) and very hard to embarrass. She likes Harry for understandable reasons; they share most of those qualities (Harry's more sensitive to others' opinions, understandably so), and the only point where they diverge is their actual hobbies and interests. Harry seems pretty fond of her nonsense, and I bet she could sell him on crumple-horned snorkacks given some time — maybe if Hermione took a vacation to Switzerland and left them alone together.
In general, what I find sweet about the idea of these two is they're so chill. These are two people whose chief ambition is to hang out, enjoy their hobbies, and see some cool magical shit. Date night is so fucking easy for these two. Plus, Harry is a hothead a lot of the time, and Luna just... vibes. Literally never bothered. Insane levels of not fussed at all times. Very helpful for Harry, who has a bad tendency to bottle up his feelings and then blow up at the first person to sneeze at him. Conversely, I'd hope that Harry would age into the kind of genial, confident dude who would be able to rock up with a function where people were talking shit about Luna and be like :) My wife? You mean my wise and beautiful wife? Surely you are not talking about my wise and beautiful wife. :) instead of doing what he'd do from age 15-17, which is get mad and stomp around sulking. Which, again: teenager. Orphan. Non-stop trauma gauntlet from age 2-18. Excuses are made. But still. Would think it best if Luna's husband were not perhaps so keenly sensitive to gossip, for Luna's sake.
Anyway, these are just some dissembled thoughts. There's also something in there about Harry, boy under the staircase, falling in love with the magical world and ending up the Most Magical person, i.e., the person who took believing in magic to such an extreme that she imagines magic that doesn't exist yet. And Luna ends up with the one person who's inarguably stranger than she is.
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I finally got some concrete details nailed down for my Ascendance of a Bookworm OC and the AU she's in, the AU features queerplatonic aroace-ish Ferdinand/OC with Myne as their adoptive daughter born in Werkestock, and Benno as a broke-ass Werkestock merchant due to the economy being wrecked by the civil war.
I'll put it under the cut:
Horaia was born in the Adalgisa Palace as one half of a twin set— the other half being a boy that looked just like her. Due to their mother having given birth to twins, their mana level was lower than was expected of the offspring of the flowers there, and so to compensate for the lower quality feystone her brother would produce, and because she too didn't have quite enough mana to be considered up to snuff to be either a collateral royal or a flower, it was decided that she would be raised as a seed and her feystone be shipped together with her brother's.
She recovered memories of her past life during this childhood in the Palace, or was supposed to, but due to being exposed to trug constantly her head was a mess and that affected the memory recovery process— she doesn't remember in the sense that Myne does, rather it's... fragmented. Hazy. Something familiar deep down on a gut instinct level but doesn't know why. She craves for things she doesn't know the name or shape of, the clack-clack-clack of the keyboard as she typed, even if she can't remember what a keyboard or a laptop is. Her instincts, reflexes, her morality, they're influenced by her past life but she doesn't know for sure where these instincts or moral compass are coming from. She'd do or say something and then be like “wait why'd I do that”. Though that level of awareness would only come after she's away from the Palace, while being stuck inside it and constantly inhaling trug her ability to tell whether she is [REDACTED] or Novem is severely compromised, and so she... floats through the days as [REDACTED] rather than the child she is supposed to be. As I'm assuming the Adalgisa Seeds are raised communally (if that's not the case in canon I'll just say this is an AU thing) “Novem” has the opportunity to... befriend? develop a potentially codependent dynamic? with Quinta, the boy taking solace in the “imaginary world” and “made-up stories” Novem would tell.
Things get spicy when the girl's twin, the other half of the singular “Novem”, somehow ropes the girl half into killing him and absorbing his feystone. Granted, the children didn't know for sure it would work, just that if they're gonna die anyways there's nothing to lose anymore and if he is to die then he wanted it to be by his sister's hand. So... she did. While her mental capabilities were hella compromised under trug. And somehow took her brother's feystone and swallowed it whole, basically cannibalizing her twin brother. The stone was actually absorbed into her, and the consequence of that was...
Well.
A surge of mana, his blending with hers, almost enough to kill her spontaneously, and... and inherited memories.
They won't be whole, of course. This was a very crude way of pulling this off, and in the end the girl is unable to tell who died and who survived— whether this current consciousness is the one that killed or the one that was killed taking dominance in the subsequent fever, whether she was the one who reincarnated or her brother was. Hell of an identity crisis.
Eventually Aub Ahrensbach, Gieselfried, takes her out of the villa just as Quinta (Ferdinand) was by Aub Ehrenfest, Adelbert. The reasoning I haven't pinned down yet, but the tentative one I have so far is that because she displayed the abilities beyond what an seed of Adalgisa should possess (I doubt they were taught or educated, seeing as they're supposed to be products, born to die, born to be export feystones). She is baptized as the first wife's (who is from Drewenchel) daughter.
Though Gieselfried likely thought he was bringing a son home only to realize that nope, that a girl my dude.
Horaia's gender identity shenanigans (and by the Seven does she got gender identity shenanigans) will be explored later perhaps in another post. For now though I'll just use she/her.
Horaia and Ferdinand reunite as first years in the Royal Academy, and whoopsie-doopsie their codependency might've ratcheted up to an eleven. Basing this on my own experiences as a child stuck inside a... shitty family and household with no escape in sight, the thing that gave me solace was stories. My grandmother's stories about her time spent in Russia, stories found in books, stories found in myths and comics and all that bullshit. It was a bit like escapism. I asked my grandma to tell me about her time in Russia again and again because it gave me comfort— that was the base inspiration for the early dynamic between Ferdinand (or rather, Quinta) and Horaia (or Novem) back when they were still stuck in the Adalgisa Palace, just Quinta taking comfort in the picture Novem's stories painted. And then they both escaped (as outlined above) and... well. Ten-year-old Ferdie isn't gonna be as much of a callous hard-ass shutting everyone out as thoroughly or harshly as his adult self, and so... well. They end up latching onto each other al la Ducky Syndrome™ and it's only reinforced by the time they spent together year-round at the Royal Academy without going home.
(The original plan was for her to be an archnoble not an archduke candidate so that she could more easily marry into Ehrenfest without being vetoed by Sylvester's parents for fear of Ferdinand obtaining a better match than their son so I made her take the scholar and knight courses because it made sense for her character— someone who's really interested in the scholarly pursuits like history and magic but loves moving her body loves being athletic to some degree both from the influences of her past life where she wanted to be a writer and historian and played volleyball in high school and while ditter isn't volleyball it's the closest thing to athletes they got in the academy but then I overhauled the AU and now Ferdinand is the one marrying into Ahrensbach to an archduke candidate so uh I accidentally made Horaia take three courses???? Whoops. But it makes sense for her character so I'm not gonna change it, even if it makes her a little OP. Yolo, booyah! )
Oh yes.
She is a ditter-head.
Dunkelfelger loooooves her.
“Wanna ditter?” “FUCK YES LET'S DITTER”
It's to the point Dunk wanted both her and Ferdinand in the duchy, and so they wrestled two betrothals: Ferdinand to Magdalena, Horaia to Werdekraft buuuuut we all know what Magdalena did so Ferdinand's betrothal was cut off.
And since one of the reasons why Horaia accepted marriage into Dunk was because Ferdinand's safety would be guaranteed and she can keep an eye on him better (remember, codependent ), she declares groom-taking ditter on Ehrenfest and wins, securing a betrothal to Ferdinand instead.
Groom-taking because Ferdinand consented.
Again, codependent.
And that's how Ferdinand marries into Ahrensbach.
They decide to go check on Werkestock because the place is in shambles and y'know, doesn't the Temple help w that??
So they go to the Temple (mostly Horaia's idea tbh) and help around with filling the land w mana via chalices or whatever
And accidentally stumble upon Werkestock's Foundation whoops dunno what its consequence is yet but it happened
Somewhere along the line Myne regains her memories and is going on a paper/craft/food rampage as one does, which catches Horaia's attention when she's downtown under disguise as a young man.
Don't ask. Or do. I did say she's got some gender identity shenanigans going on here.
So Myne gets adopted! This time willingly (Horaia convinced and explained stuff to her, this is relevant to the AU's themes and shit but my brain is starting to shut down so it'll have to be a topic for another day) and without the contract that bars her family from treating her as theirs. They regularly meet up in secret.
Much of Horaia and Myne's bond would be built on the fact that they make each other feel... a little less alone, if that makes sense. Less alone in their grief, less alone in the yearning for a home you can never go back to, less alone in having to cope with the dissonance between your previous world and this one. Solace in the fact that, despite how they most likely didn't grow up in the same society (Horaia is unlikely to have been Japanese, even if I have yet to decide where she's from) there's still someone who knows. What has become utterly meaningless in Yurgenschmidt isn't so worthless or meaningless to each other. A lot of “Well this matters. To me.” bouncing back and forth between each other. Someone who can at least partially understand what Myne is on about and how she differs from Yurgenschmidt nobility's paradigms, where she's coming from, and attempt to bridge the gap.
They're also horrid little gremlins undoing each other's domestication and enabling each other's nonsense, much to Ferdinand's vast dismay.
Meanwhile Ehrenfest may or may not be imploding. You tell me.
Little things about Horaia's past life:
She wanted to become a novelist and a historian. Has a lot of Feels™ about both of her interests.
Had a totally healthy (lying) appreciation for libraries.
She was younger than Urano Motosu when she died.
She submitted one of her drafts/manuscripts to a publisher, but died before she got a response back.
She feels that her writing and the story style she does probably wouldn't be appreciated in Yurgenschmidt and that... bothers her more than she'd admit.
Horaia is Ahrensbach's current Knight Commander.
Myne is also on the aroace spectrum in this AU. Fight me bro (don't actually, I just got out of another fight on this matter and I'm tired okay?)
Myne's noble name in this AU is something different, I'm liking “Enheduanna” a priestess and the first known author in Earth history iirc, but we'll see if I find another one I like.
And here we have a sample writing thing from Horaia's POV while stuck in Adalgisa Palace :3
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