#i do respect the not gendering me tho

[sainamoonshine]

My unpopular opinion is that in languages with grammatical gender like french, it does make sense for Murderbot to be referred to by whatever pronoun is usually used for robots or constructs. (In french, therefore, grammatical masculine.) Because there are no traditional « it » pronouns in these languages for objects, and while there are neo-pronouns, they are things one must choose for themselves. Do you honestly think MB actually spent time thinking about its pronouns?! No it didn’t. On forms it picks « non-applicable ». When people ask it what pronouns they should use, its honest opinion is « why do you even need to talk about me. Just don’t fucking do that. Don’t think about me either. Just fucking stop perceiving me altogether! »

Thinking about what pronouns to use probably makes it way more uncomfortable than letting people call it what they’ve already been calling it. Making a conscious choice about its identity? And telling other people about it??? No thanks bye, it’s just gonna walk into the ocean now, see you never.

Lbr it probably thinks the only bots that get fancy pronouns are comfort units, and the pronouns are probably shoved into them by humans same as everything else. MB would meet a bot using a neopronoun and it would wish it could barf. Because in a language like french, he/him and she/her, when applied to objects, ARE fulfilling the function of the english « it ». Nobody is saying the table is a woman or related to feminity in any way outside of stand-up comedy; when it comes to objects grammatical gender really has fuckall to do with human gender even if we use the same words. Even animal species names have grammatical gender and everyone gets that there are male and female turtles even if the word « turtle » is a female word, it’s not that confusing.

(I know this is strange when your language has different pronouns for people and for objects, but understand that english uses the same word to indicate if I’m addressing one or many people, and that is confusing to me.)

TL;DR; stop harassing international fans for not getting the correct MB pronoun in english right off the bat. Yes in english calling it « he » or « her » or « them » is upsetting because it’s projecting an identity unto it. But same goes for trying to get a foreign language translation to use a pronoun intended to express or showcase an identity (or even a lack of one!). Murderbot has not thought about it this hard, refuses to think about it this hard -> and that is its only canon accurate gender identity.

[ineed-to-sleep]

Funny how all it takes is a couple of conversations with a cis straight man about gender to make me go "yup I'm definitely not cis"

[thedrotter]

been watching mlp lately ... watching colorful horses on little adventures soothes the soul ... some rarity cuz she's adorable :33

[starlooove]

In another universe Gavin king got to play Orpheus on broadway and had the time of his fucking life

[shiocreator]

Are you aro or just supportive?

Aggressively supportive because theyre literally just standing there man, deserve the cake they eat and to live in that woods cabin with cats, sounds rad as fuck man

[gxlden-angels]

I hate going to Christian-based hospitals. There's a bible verse slide show on the screens that other places usually have medical information graphics and resources on and I just got asked "Do you have a source of peace in your life?" like babygirl I'm here for neurological pain my source of peace is Lidocaine 4% and a heating pad

[mejomonster]

Being nonbinary and dressing feminine sometimes despite very much not being a woman is. Its like hello strangers hello new friends im making please dont immediately steamroll

[magnoliamyrrh]

okay enough of the rants im logging off last thing ill say is that identity politics is largely a disease 👍 its point with the extremism its been taken to in part due to cia postmodernism being to wreck class conciousness though the wokeificstion of fragmentory policies and identity👍 bipartisan politics also serve to divide the country (all countries) incresingly so that people cant come together👍 having the worlds most stupid useless fragmentory identity politics discussions doesnt help it keeps us from coming together and focusing on real shit 👍wars pit the resources and labour of the working class against each other for the benefit of the rich 👍"im iranian youre american, you and i have more in common with each other than our governments with us, and our governments are more similar etc etc."👍 if racism stopped and if sexism stopped and if classism between the working classes (which, everyone has forgotten what the term "working class" means, its not abt economic bracket, low, middle, and higher class can all b working class yes including the doctor whose making a lot of money bc it is the exhange of labour for wages) stopped the working class could stand united not divided aginst the system 👍differences in race, class, and sex have Always been used to pit the working classes against each other, and to give people a sense of "well at least were better than Those people" (opressed middle class disdain for lower class, opressed mens disdain for women (at least they have power over someone!), opressed peoples disdain for other opressed peoples)

i may bitch and complain about kinds of people on here bc its a way for me to get my frustrations out, but ultimately i do think it is vitally important to have hope and to try to bring unity between people. ultimately i think it is unity which is the only way this planet, species, and every other species on this planet may see a better futute. ultimately, more than anything, i think despite everything we, for everyones sake, have to understand the deep interconnected nature of everything, have to truly understand that one cannot be free without all, and have to try to build bridges.... it is very easy both as both members of the opressive and opressed class (and yes most ppl occupy both in some way) to fall into disdain, fear, and wants of separatism. ive done it plenty myself and at times i still do. trying to "be better" is absolutely exhausting. but. i do truly believe that we have to try. i do not believe hatred is forever. not classism not racism not sexism not abelism not anything. it is not a curse people are doomed to from birth. people can change, we all can. we at least have to try

[im-smart-i-swear]

Does Jiro has ghost like abilities (possession, ability to levitate things, etc etc) or does she just live in Shiro's head?

when i created this au, i thought the best option would be for her to be unable to interact with the physical world in any way(including possesion), beacuse i really wanted to lean into her isolation and how it affects her....... and while thats something i still want to emphasise here, lately ive been toying with the idea of jiro being able to impact the physical world somehow(though it still being fairly limited). i think letting her have some control could have a lot of potential! buuuut i also have no idea what abilities i want her to have lol

For now i think im not gonna give her any telekinetic abilities, bc i feel like it would be giving her too much power......... if she could throw shit, shed go APESHIT with it. it would made things too easy for her. i'm sorry babygirl but i'm NOT giving you the possibilty to throw knives and other sharp objects, i dont trust you to not kill someone:/

i really like the idea of her being able to temporarily posses her old body in certain circumstances tho- maybe when shiros uncouncious?? or like when hes is very tired or heavily injured she can kind of 'squeeze through' and take control back for a few minutes???? idk. i think this could be a very cool ability to give her- it cant be frequently used but can also be very helpful, and also theres so much potential for ✨shenanigans✨here>:) oh god i could put these fuckers in so many Situations with this..........

uhhh. so basically i think all of her influence on the physical world are through shiro. shes here bc of her connection to her old body, and thus its the only way for her to interact with anyone besides him- and shes NOT HAPPY about this(neither is shiro).

[embraceyourdestiny]

Bro. I’m such a boy. Strong gender realizations and feelings right now I’m a fucking guy I cut my hair and I’m like holy shit that’s ME gender affirmation on 9000 RN

[orcelito]

I'm building up a rapport with the newest trans coworker. He's been here for a month or two now and he's pretty cool. Definitely in his sadboy era (judging by the music he listens to, which is SO me at age 20 ish. So like mood). Quiet, but with a wry sense of humor that's been coming out more lately.

I am very definitely out as Not Straight & he has seen this pretty clearly. Also since I'm in management I saw his birth certificate as part of paperwork stuff, so like. He's never upfront told me, but I know he's trans. I've never breathed a word of it to anyone, even to him tbh, so I hope he reads that as a good indicator that I'm Chill

I was complaining yesterday about how heavy the ginger juice was and he was just like "..Gender juice?" As in he misheard me and was genuinely confused what I was talking about. And I was just like. "Oh yeah. Gender Juice. Ya kno." Idk just one of those stupid things that purely cis ppl wouldn't joke about. So I rly hope he's getting not cis vibes from me. Bc I am not out as nonbinary at work bc Oof but like. We r Brothers, him and I. Maybe someday I can mention it. Idk

[agayconcept]

hi hello i woke up to an emaillllllllll

guess it sent thru their automatic system bc i got it way outside of business hours which is why i'd stopped checking and didnt see it till today

point is APPARENTLY

IT WORKED. THE NEW DR IS GONNA GHOST-RUN MY HRT THRU THE CRAP DR UNTIL THE NEW YEAR WHEN I CAN TRANSFER MY TREATMENT TO HER OFFICE INSTEAD

it listed the next 3 dates n times they could fit me in (bc its literally a 15-20 min appt max so its nbd *angrily side eyes them for lying and telling me no slots would be available for weeks*) and ONE IS ON MONDAY. THIS MONDAY. 48 HOURS FROM NOW.

it says i have to call as soon as they open monday to claim a slot and if by then it's not available anymore then i'll have to pick a different one but i am gonna be the FIRST mf-ing person on that fuckin phone queue u bet ur ass

cause oh my god. first of all ???? YES, I AM, HOPEFULLY MOST LIKELY GETTING MY FULL HRT STARTED THIS WEEK. 🎉

second of all??? IT WOULD BE SO FUCKING COOL / FUNNY / ON BRAND IF MY OFFICIAL HRT START DATE/ANNIVERSARY WAS ON HALLOWEEN. THAT WOULD BE JUST. SO GOOD LMAO

idk so there's the update y'all. i should hopefully be starting treatment this week thanks to this new doctor's persistence and support. i'm very relieved, esp knowing its just for a few appts until the new year when i can switch over. fuck yes.

(for the inevitable question: no this doesnt erase the legal issues and report being done on my drs office. that will be ongoing. theyre also still witholding other things i need and denying me other services. BUT this?? this they cannae ignore any longer bc now multiple other drs, offices, legal reps and outreach workers have kept their phones ringing off the hook. wouldnt be surprised if the reason theyre giving in now is just to stop me & my backup from annoying the absolute shit out of them tbh. ah well idc why as long as it happens.)

anyway. time for happy dance? yes? lets make it seasonally appropriate

[arthenaa]

Could i ask for HCs of Mizu with a mommy kink? Like her liking to be called that? Thank you!

Mizu with a Mommy Kink (18+ mdni after the line) gender neutral! reader

ALRIGHT

Honestly, the kink stemmed from the fact that she's a natural protector

She may have a contradicting personality with regards to socialization but overall, it's probably because it's influenced by the values and mindset that she learned from when she was young

Violence had never been the right answer and while the world continues to change influenced by the bloodbath in its history, why can't she make use of it as a way to save others?

yeahh getting philosophical in a fucking nsfw post YEAHHH

anyways, you and Mizu had been acquainted for a while now and she respects you enough to be somewhat vulnerable with you

It's the same with you as well, you regard Mizu as a close confidant of your life stories

It's safe to say that you know each other well enough despite how it looks

There have also been quite close calls that made your relationship with Mizu border something more than acquaintances slash friends with a question mark in bold (its for the emphasis)

So imagine to your surprise how worked up she gets over a joke you made after commenting on her natural need to protect

"Y'know," You lick your lips, eyes squinting as you assessed the woman before you quietly drinking her tea. "You have a natural sense of protecting. Kinda like a mommy."

The blue-eyed samurai freezes in her place

It was a look of horror at first and you were quite tipsy during that time (you two were lounging at your home)

So your thought process was, heyyy why not make fun of this mf while I have no shame

so you did

The look of horror, turned into being uncomfortable until her cheeks flushed to a deep shade of red

You've never seen someone change emotions in just a few seconds

You were enjoying this clearly

Mizu was having none of it and while the term did fluster and invoke horrors worthy enough of the judgment of Izanami no Mikoto

Fueled by her emotions, her secret-not-so-secret attraction towards you, and her need to shut you up, Mizu moved towards you

And now you're where you are now

NSFW

Soft dom with a hint of sadistic tendencies

She likes making you beg and plead for her to do something, then turn a 180 and praise you for your work

loves loves loves overstimulating you

I think its because she hasn't gotten any action over the past few years that all she's doing is take take take from you

You're writhing and shaking in the sheets with just her mouth and she hasn't even gone to her fingers yet

She loves looking down at you, reveling in the superiority that your submission to her brings

It makes her menacing tbh but its hot okay

This mf eats you up like a champ

Fast learner

Has a good stamina but her refractory period can take some time

so yeah it ultimately ends up with you overstimulating a dozen times before she finally gets to have her own release (also probs bc she prioritizes your pleasure over her own)

she loves it

She gives you reigns at first, just to let her know what to do and a few seconds later, your eyes are rolling in the back of your head

Quite manipulative in bed

Says a lot of things like, "you're mine right?", "say you want me", "tell mommy that she's all you need"

you indulge her manipulative tendencies tho

all of this is making you develop a praise kink omf

Sometimes gets overwhelmed by the pleasure and pushes you too far but thats okay cuz its mizu

Stops completely and stares you down when you stop saying mommy

That completely just puts you in your spot

Then her voice drops to a chill and calm tone and suddenly you're shivering and flushing at her stare

Know how people's eyes get duller when they're in the state of lust or smn

Hers get brighter for some reason

She likes positions that allow her to wrap her arms around you or where her body is either on top or covering you

yeahhh stems from the need to protect

After you and Mizu establish this kind of relationship, she begins to act more mischievous around you

MIZU IS MISCHIEVOUS damn, that mf will tease you like its nothing

she will eye you up with no shame, whisper in your ear like its not bothering you, and then act like she hasn't done anything at all

Esp when she gets joke gifts from the brothel like sex toys and what not

She will use them on you and you will limp for a week

More of a service-top rather than receiving

She likes the reactions she's pulling out of you and when you return the favor, she pampers you with so much love and affection and you just flush in shyness

yeaaaaa, its okay to be a red flag in bed as long as it's mizu

[scented-morker]

Enhypen when you’re their Bite Me dance partner

Idol!enha x background dancer reader (they’re female, but I didn’t use any pronouns so can be read as gn) 945 words. ⚠️PSA: just bc idols interact with the other gender doesn’t mean it’s romantic and I am in no way trying to imply that!! This is fanfiction and shouldn’t be taken too seriously!! ⚠️

Heeseung

No because when you first meet him he seems so calm and polite and you’re like “wow this is gonna work out so well”

Because even tho he’s super hot (hello?) He’s not trying to use it on you

But we’re all very familiar with the switch up when he starts performing

suddenly he’s smirking and holding eye contact and just 😳

You feel like you might need to go take a lap and cool off

HAVE YOU SEEN THAT PART IN THE SECOND VERSE WHERE LIKE HE GRABS HIS DANCERS HANDS DOWN HIS CHEST??? (1:39 in the 230602 mubank performance 🫣)

He chills out eventually but the first time he literally made you run your hands down his chest 🫠🫠🫠

“You know you can touch me right?”

He notices your hesitant movements and literally grabs your hands to put them on his neck 🥵

“See that wasn’t so hard was it?” bark bark bark bark bark

Jay

Literally SO respectful

When you guys meet for the first time he goes out of his way to get to know you because he doesn’t want it to be awkward when you start dancing

He keeps it up later too, he always asks “is this okay?” before putting his hands on your back or anything (even when you’ve run the song fifty times)

Every time you come back on stage he gives you a little wink 🫠

And everytime you do the like dip/lean back thing he makes silly faces at you when you come back up 😭

So all the fancams are trying to figure out why you’re laughing in the middle of the dance 😔

Jake

Okay because he’s a flirt and he knows that he should keep it professional with you but you’re just so pretty 🥹 he can’t help it

You notice how he always seems to be touching you a little longer than everyone else

Like Jake the choreographer stopped everyone five minutes ago why are you still holding on 🤨

Always acts like he’s gonna drop you when you lean back in that one part (I hope you know what I’m talking about)

Like he’ll have his hands on your waist and then let go just to watch you drop and then catch you again

(He thinks your angry face is cute when the song ends and you smack him for it)

Bites his lip EVERYTIME on the part where you touch his chin 🫣

Sunghoon

He’s so awkward I’m sorry 😭😭

Like you’re ready to start dancing and make your choreographer proud but he’s really making it hard

You can tell he doesn’t love the idea of touching you (rude 😐) so you try to go a little easier on him

You just lay your hands on him instead of grabbing or anything, and you don’t lean as far back bc he’s not actually holding your waist he’s just putting his hand in front of it 😭

But then the choreographer yells at him because he’s gonna end up dropping you so he has to actually touch you

“Uh is this okay? Where- where should I?”

You try not to laugh at his bashfulness, grabbing his hand and putting it on your waist

“You have to support my back right here okay? Don’t let me fall.”

BUT HES THE ONE WHO FELL (for you) 🤭🤪🤩

Sunoo

Literally made you feel instantly comfortable, he has the least threatening aura ever

He was all “hi! I’m sunoo!! I can’t wait to dance with you 🥰😁”

And you were like ☺️

At one point when you guys had marked it a few times, not actually doing the partner stuff you looked at him and went “are you sure you can hold me up?”

It’s not like he had to hold all of your body weight but like dang you needed some support ya know, and he just moved so gently that you were a little suspicious

This offended him immensely of course, and he picked you up right then and there

Just threw you over his shoulder like a sack of potatoes

“Yeah, I’ll be okay”

okayyyyyyyyyy 🥵

Jungwon

Slow burn x100 bc he’s a responsible and professional leader 👏

He asked Niki about how to better dance with a partner because he didn’t have any experience with it and wants to make sure he does a good job 🥹 (my baby)

He is DETERMINED to make this choreography perfect, and is not afraid to correct you

“Make sure you actually touch my chest when you do that, it doesn’t look as good when you just pretend.”

Okay Jungwon 🤭 I’m sure that’s why 🤭

When he starts really performing with facials and everything you’re literally losing it 😭

Like face burning bright red, what happened to the cute guy you were dancing with for the last month why is he staring into your soul mid dance

One time he touched your knee while you did the like drag up by their chin move and you literally had to take a walk

Riki

He knows what he’s doing okay?

Like I said previously, he’s the only one with experience in partner dancing

So you were worried at first that he’d be shy because you knew he was the youngest one

But then the first time you ran the song together he grabbed your waist and dropped you so low your ponytail wiped the floor 😭😭

He makes SO MUCH eye contact you literally are on the verge of combusting

When the boys point it out he says it’s because he has to watch you to make sure you don’t need anything because that’s what good observant partners do (boys a liarrr)

Since you’re one of the ones that has to start on the ground he always put his jacket on the ground during practice so you wouldn’t hurt your back/shoulders 😭😭

[captainfern]

May i request your majesty 🐈..

Cosy! Sfw (or if you find a way to make it NSFW then go wild) headcanon/ imagine of fem! Reader, reading to the boys every night or after a mission?? Like.. so mother ?? Bc they mostly fight and train and wrestle so, they have a lil calm, story time moment with the reader ??

Ugh I’m reading a book rn and thinking I just wanna mother these boys and read them a story!! Babies !!!

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"This Is Not A Book Club"

141 x gn!reader [platonic!]

[Imagines 1]

[SFW]

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• summary - what the request says :) • rating - sfw • wordcount - 1.8k • warnings - ik the request is for fem!reader but no specific pronouns/gendered language are used in this, pet name "love" is used once tho, strong language, no smut sorry fellow whores ✋

this idea is so fucking cute i just had to write it omfg. also i love that gif soap and ghost's interactions are just too adorable *pat pat*

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You didn't mean for it to become a habit.

It began on a whim.

After a strenuous mission, you relaxed in your respective room, curled up in your bed, reading a book. The main light was off, and you relied on the soft glow of the lamp on your bedside table. It was a relatively new book— you were only a chapter or so in— when a light knock at your door made you jump.

You hadn't been expecting it. It was pretty late, too.

You were surprised when Gaz poked his head in, apologising for interrupting. He figured he could unwind in your room, since the rest of the 141 were doing their own thing, and he needed some company.

You accepted, of course— how could you not when he looked at you with those deep brown eyes?

He settled on the bed next to you, sprawling himself across it near your feet. You laughed as he sighed, face buried in your duvet. He lifted his head, peering at you quizzically.

"What are you reading?" He asked.

You held the book up. "I... honestly don't know. It's pretty good, so far though."

He hummed, intrigued, as he scooted closer to you, head now resting parallel to your thighs.

"Read to me?" He asked, long eyelashes casting shadows across his cheekbones beneath the lamplight.

You smiled. "I'm two chapters in."

"That's okay," he muttered. "Just fill me in on what's happening."

You did, explaining the last couple of chapters in as much detail as possible. You then told him what the book was about, reading the little summary on the back. By this stage, his head was now resting on your lap atop the blanket, hand cupping your slightly bent knee.

"Right, okay," he said. "Now you can read from where you were reading."

You chuckled at his enthusiasm for you to hurry up and begin. So, you obliged, reading a couple of chapters before his breathing slowed. You looked away from your book, realising that he had fallen asleep, head still resting in your lap. You smiled, gently patting his head.

He mumbled incoherently.

"Gaz, come on, you fell asleep," you giggled, nudging him. "You need to go to bed."

He yawned, forcing himself to sit up. His eyes drooped, bleary with drowse as he stumbled off of your bed.

"Fine, but I'll be back for the next chapter tomorrow." He muttered, leaving with his eyes barely open.

The next evening, at roughly the same time, Gaz found his way into your room again. This time, with Soap in tow.

"Soap?" You greeted skeptically.

"Gaz said you're reading to him. I like a good storytime, too." He smiled, sprawling himself out on the rug beside your bed. He didn't give you any room for argument as Gaz resumed his place resting against your lap.

"Oh...kay... do you want me to fill you in?" You asked as you grabbed your book from your bedside table.

Soap shook his head. "No, no, don't worry. Gaz filled me in on the way here."

You laughed. "Of course he did."

So that's how you began reading to both Gaz and Soap. That night, Soap did much the same as Gaz did previously by falling asleep— face to the ceiling, stretched out on your plush rug. His soft snores prompted your eyes away from the pages. Gaz, too, was drifting in and out of consciousness.

You closed the book gently. "Okay, you two, time for bed."

Gaz got up without much of a fuss, but he had to shake Soap to get the man to cooperate. Soap grumbled and complained the entire time Gaz hoisted him to his feet. Then, still muttering grumpily under his breath, he let Gaz lead him out of the room.

The next day really confused you.

Both Gaz and Soap turned up, and once they were comfortable in their usual positions, a soft knock echoed through your room. Soap opened the door for Price, much to your astonishment.

"You too?" You questioned as your captain took up position in your desk chair, near the foot of your bed.

He relaxed in the chair, legs spread and arms folded across his chest.

"Got nothing else to do, love." He said simply, imploring you to pick up the book with a nod of his head.

You were in slight disbelief, but nevertheless, you continued with the book. While Gaz and Soap relaxed, listening to the peaceful lull of your voice, Price asked the occasional question. You stopped patiently and replied, ignoring the frustrated groans from Soap on your floor.

"Just shut up and listen, Price."

"Watch it, MacTavish."

Not long later, you managed to finish the chapter before Soap fell asleep. You waved them all goodbye as they filed out of your room, and you forced yourself not to laugh as they did.

Now, if you were confused before, the next day threw you completely.

Once again, Gaz lay sprawled out on your bed beside you, Soap on the floor with his arms behind his head. Price returned, too, taking his place in your chair. Then, just one word into the newest chapter, the door creaked open.

Ghost slipped in, almost silently, and you couldn't help but gape at your lieutenant as he lumbered into the room, cozy black hoodie on and hands jammed into the front pocket.

"L.T, I knew you couldn't resist," Soap beamed from the floor. "You want in on the book club?"

You scoffed, smiling. "This is not a book club."

Ghost just shrugged at Soap. "Lonely outside when I can't hear you lot making a racket."

He stepped over Soap and sunk himself onto the end of your bed, leaning himself up against the wall. He stretched his legs out, brushing your and Gaz's feet, knees cracking as he settled down.

You stared at everyone, slightly dumbfounded. Then, you turned to Ghost.

"You're... here willingly?" You asked him.

"Mhm."

"You... willingly want to listen to me read my book?"

"Mhm."

You took a deep breath. "Right, okay, cool. Um, do you need—?"

"Johnny's given me a rundown." He mumbled.

Of course he had.

And that's how it started, just over two weeks ago. Every night, especially after a particularly rough mission, the boys seemed to gravitate to your bedroom. They'd curl up and listen to your soft voice as you read to them; reading them to sleep on many occasions.

Despite Ghost and Price's lack of enthusiasm compared to Soap and Gaz, you could tell they enjoyed it just as much as the younger two did. It made you smile, feeling all warm and fuzzy inside knowing you could bring these hardened military boys some peace and comfort.

"Okay, so you're telling me, the kid didn't even know he was a wizard?" Price asked, leaning forward in his chair.

You laughed. "No, he didn't. Well, now he does."

"Ridiculous." Price muttered, shaking his head.

Ghost scoffed. "It's unrealistic."

Soap rolled his eyes. "Obviously, Ghost, it's a fucking fictional book about wizards an' shite."

"No, I mean, some big cunt with a beard turned up with a fucking ugly cake and told the kid he's a wizard, and the kid just believed him?" Ghost grumbled. His attitude had definitely shifted since the first time he joined their little, as Soap called it, book club.

"Yeah, basically." You smiled.

You had just introduced them to the Harry Potter series. You weren't even halfway through the first book yet.

"Ridiculous." Ghost said, echoing Price.

"Well, what would you have done, eh?" Soap questioned, sitting up, now cross-legged on the fluffy rug.

"What, if a big cunt called Hagrid turned up on my eleventh birthday and told me I'm a wizard?" Ghost mused. "Woulda knifed him, Johnny."

"Whatever." Soap scoffed.

When they weren't arguing about the book you were reading them, the night's with the boys were really peaceful. Relaxing, too.

A balm for their tortured souls, and a salve for the wounds they had earned during battle.

Dusk would fall, and they would limp into the comfort of your bedroom, warm and smelling sweetly of you. Waves of exhaustion would pin them in place while they clung to the presence of you for stability. Some days, all four would find themselves curled up on your bed— Gaz laying next to you, head on your lap; Soap on the floor, but his head resting on the edge of your bed, a hand resting in the crook of your arm as you held the book; Ghost with his back to the wall, your legs propped up over his, his gloved hands stroking circles on your shins; Price settled next to Ghost, shoulder to shoulder, his legs beneath yours as well, a hand resting warmly around your ankle.

They listened carefully, silently, as you read to them, basking in the comforting warmth of you. Battered, bruised, and bleeding from the cuts of battle, they rested tranquilly at your side. Their ears were no longer ringing with echoes of explosions, nostrils no longer filled with the acrid stench of gunpowder and death. They could hear only you, voice silken with each word you spoke. They could smell only you, the candles that burned and permeated the air, rich and sweet and a consoling sense of familiarity.

Towards the end of a chapter, you could sense a shift in the room. Some time ago, Soap had wiggled in beside you, head in the bend of your arm and shoulder. He breathed deeply, slowly, eyes closed and hair dishevelled against the sleeve of your shirt. Gaz, too, breathed slowly as sleep had overtaken him, hand still heavy on your knee.

Ghost had slumped to the side, somehow managing to tuck his hulking frame between Gaz and the wall. Mask still on, you could see his eyes, closed and smeared with black. Price, too, had fallen asleep; still, impressively, sitting upright. His head tilted forward, hat low over his forehead, snoring softly.

You sighed to yourself, closing the book and carefully putting it back on your nightstand, mindful not to disrupt Soap curled into your side like a cat. You nestled back into your bed, snuggled up with your task force, a sight you had never thought you'd see. As you wiggled to get comfortable, Soap stirred, groaning as he looked up at you, still resting his head near your chest.

"S'all right, go back to sleep." You whispered, angling your arm so it draped securely over top of him.

He didn't reply verbally, just burrowed deeper into your side, reaching a hand around to physically tighten your arm around him. He ran his thumb over your knuckles, before he fell back asleep.

Your other hand found Gaz's head, delicately skimming his hairline, smoothing along the soft skin of his forehead and cheek. You heard him sigh contentedly, still deep asleep.

Eventually, the warmth of the room and powerful bodies around you carried you to sleep.

And it was the best sleep you ever had.

•º•º•º•º•º•º•º•º•º•º•º•º•º•º•º•º•º•º•º•º•º•º•º•º•

idk if this was good or not lmao but thank you my darling anon <3 this was nice to write mwah mwah xx

[lucabyte]

i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"