re: that HEFTY siffrin sweep on id5’s isat favourite blorbos poll — this might sound silly but i do actually think it’s kinda fascinating that isat, as a game so inseparably steeped in (for lack of a better way to describe it) queer fandom culture, managed to so completely sidestep the common Fandom Phenomenon that i suspect was behind the poll in the first place by creating a main character that is also overwhelmingly the fan favourite character for once.
obviously there are any number of factors we could point at to explain the extent to which siffrin nomiddlenames nolastnames manages to grab people and absolutely not let go, but personally i think one of the most interesting ones to consider is the one specific to the medium — that is, how siffrin subverts the “silent blank slate video game protagonist” archetype in such a way that happens to be primo brainrot breeding grounds.
like, when a video game dev makes a silent protagonist it’s usually a bid to maximize immersion by closing the aesthetic distance between player and character as much as possible, right? which is especially true of rpg video games — players find connection in the generic, as that is what gives you the freedom of motion to insert yourself into the story in whatever unique shape suits you best. you are your character and your character is you.
(as ever, post ran long. yall know the drill. tossin in a quick header pic before thoughts on blank slates & blorboification continue under the cut)
and then you’ve got siffrin, who is expressly pointed out to be the taciturn type; who when initially giving the player exposition about their journey so far doesn’t seem to hint at a life or history or even really any motivations outside the journey; whose every thought and action is narrated in second person so as to keep tracing and re-tracing the connection between him and you.
even their design — all darkless and shapeless, bundled up in that big cloak, as if an invitation for you to fill it in with whatever lets you relate to them most! at this point they are their own character for sure, but they also have enough very clear parallels going on with the silent protagonist archetype to feel more than accidental.
of course, as you keep playing you start to recognize that his blankness is much, much more than just a grab at immersion; his apparent lack of backstory, itself a fundamental piece of backstory. this is where he flips dramatically in the player’s perception from “generic vessel for story delivery” to “thoroughly multidimensional character trapped within endless torment nexus custom-built to target and exacerbate all his very specific worst traits rooted in very specific traumas”.
yknow, the good stuff !
but by then you have also been playing enough to be feeling the effects of the thing isat’s design does best of all. i’m talkin bout that ludonarrative lockstep baby. every piece of isat’s gameplay is designed to make you feel what siffrin is feeling — you understand by now that he is not a stand-in for you, but all the same you share in his frustration, his grief, his rare moments of joy and the subsequent heart-in-your-shoes devastation when that joy is inevitably poisoned — and through it all, the desperate grasping for anything new — all as if they were every bit your own.
so in this way the connection is maintained, even if you were someone for whom siffrin’s particular traits & struggles might not otherwise cause you relate to them at all if you had encountered them elsewhere, in a setting where you weren’t actively controlling them as a player. siffrin still gets to carry all the “just like me fr” impact of the blank slate protagonist in the tropes he embodies and in the game mechanics’ design, while totally free to evolve completely into his own character and keep you relating to closely them all the same. now toss back in the fact that said traits & struggles very much ARE of a flavour that a great many people Would Tend To Relate To and just like that you’ve got a perfect storm cookin.
too individual and compellingly written to be an empty vessel for plot delivery. too closely connected with the player’s emotional state to be a story observed impassively from the outside. he has 92 mental illnesses and for the low low price of free u can give him yours to carry too. nobody is doin it like him. congratulations on your well-deserved nose sniffrin nomiddlenames nolastnames <3
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Reprogrammed my own brain by realizing that people don’t just get your devotion outright, but have to work for it. You do not go from 100 to 0 as people fault u. You go from 0 to 100 as they prove bit by bit that they are worthy of ur trust and patience. I used to be infinitely patient & understanding bc I thought that was my “gambit”—an initial investment I was hoping would beget more investment from the other party. I don’t do that shit anymore bc it has never served me once. I will show kindness and compassion to someone, but unless they prove they’re willing to put in the work to make a relationship work (platonic or romantic alike), I’m not going out of my way to emulate patience bc I’m hoping that somehow that will change them. Never ever ever. Humans almost always never work like that. They either give a fuck when they see you’re on the outs w them and change, or they don’t and you’re better off. It’s not “you’re worthy of my time until proven otherwise.” It’s “you’re not worthy of extra effort by me until proven otherwise.” And that may sound harsh but it’s healthier than the opposite approach
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all the tme intersex people i used to know suddenly jumping on the newest transmisogynistic bandwagon and immediately spewing all the same “ur just overreacting, you call everything transmisogyny, stop being hysterical!!!” bullshit really puts into perspective how the intersex community on here gained any traction to begin with, y’all are not immune to pulling the same bullshit perisex people do and you’re calling the intersex transfems arguing against you perisex??? just to let afabs pretend to be us so you have that idealized quiet trans woman again, like i’m sorry but this is a strawman on par with “white trans woman” nothing has changed and at some point you need to realize that your conception of what these terms mean just doesn’t reflect their actual rhetorical use in real conversations about queerness
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i feel the need to remind everyone that Damen’s literally one of the smartest and most well-educated characters in the series. He’s extremely well-read and knowledgeable about military tactics and strategy, which if you didn’t know also includes a huge depth of history knowledge, and his talent comes from both education and years of experience. He’s smart enough to know geography and terrain information of an area he hasn’t needed to have information on in seven years, and even then, the lands they are talking about were in mainland Vere, not Delpha, so his studies were his own initiative. he has favorite poems! HE ENJOYED DEBATING OBSCURE PHILOSOPHY WITH HESTON!!! like y’all Damen is just as intelligent as Laurent, it’s just that Laurent’s intelligence is about manipulation and chess and Damen’s just a nerd.
(also people are gonna be coming for me for this one but i think Damen likes books and libraries a lot more than Laurent ever did)
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Something I’ve been thinking about lately is that small moment in “Air Turtle” where immediately after the Daves lose yet another game, Leo says how sorry he is and how he’s doing his best as the mascot. This moment is so short but it’s honestly jam-packed with a whole heap of characterization.
His need to apologize for things clearly not his fault - especially when it feels like he messes up the job he was given despite doing the best he can (the phrase “it’s not about you” takes a new meaning when this is one of the lessons to be learned from that - that he is not always solely responsible for things going wrong), his need to save face and make a connection with an older adult man in his life (something he consistently does throughout the series - he’s got a few daddy issues, always collecting potential father figures, it’s no wonder he jumps at the bit to keep rapport), and the way he sounds and looks and the words he chooses really pushes how he is just a kid (“Mr. the Dunk, I’m so sorry”).
Like I know it’s a one off moment that doesn’t truly mean much, but when put against the rest of the series it works really well with the rest of Leo’s established character and helps in solidifying later concepts as well.
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