#i don't have any excuse for this

[skittikyu]

once i get a slingshot on this file this town will never know peace again

[unfriendlyamazon]

The Best Revenge (hackshipping)

rating: E

characters: Seto Kaiba/Zigfried von Schroeder

warnings: Drunk Sex, Anal Sex, Hate Sex, Humiliation, Light Bondage, Shame, Some Spanking, Double Penetration

summary:

“Herr Kaiba.”

The man looked up right as Zigfried let the martini arc out of his hands and splash against his face. The room of duelists fell silent as they looked to Seto Kaiba. Zigfried didn’t care. He seethed as he clutched the delicate stem of the glass, reveling for just a moment as alcohol dripped from Kaiba’s chin. It’d been years since he last saw the man in person. The man that ruined his life. He was lucky that a drink was all that he threw.

“You’ll have to remind me,” Kaiba said. “Who are you again?”

Read It Here

i did the poll and decided to let zigfried have at least one w

[suaimhneas-gairid]

Hi, I'm applying for the role of Käärijä's Suit Pants. My qualifications include 🤌🤌🍒 and 🍒✊✊💦

[fort-cozy-mcblanket]

Chapters: 1/1 Fandom: The Big Bang Theory (TV) Rating: Explicit Warnings: No Archive Warnings Apply Relationships: Sheldon Cooper/Amy Farrah Fowler Characters: Sheldon Cooper, Amy Farrah Fowler Additional Tags: Alternate Universe - Werewolf, Werewolf Sex, Smut Summary: Sheldon and Amy experiment with lycanthropy outside of a laboratory setting.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[soosoosoup]

rewatched treasure planet

[egophiliac]

felt like expanding on that earlier Malleus and Silver doodle! ...and then I immediately screwed up the resolution beyond repair so, uhhh, hopefully my lines don't look completely borked! ᕕ( ᐛ )ᕗ

[asturlavi]

the dungeons of fear and hunger

[threetrenchcoatsinatrenchcoat]

i've discovered a quite large category of people who never got into The Good Place and the only way they could articulate their disinterest was, "there's no stakes cause they're already dead." i'm obsessed with the idea the only reason they could enjoy seinfeld is they imagined kramer could beef it any fucking second

[trek-tracks]

for the next five minutes before there's another crisis

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[halichor]

[OC] Lucien, First of the Omens

✦ ✦ ✦

Here's a lil sketch of them in one out of their three forms 🤧 Apparently, being reborn a handful of times by your maker because you and your partner keep dissenting against your deity warrants multiple designs,,

[ecstarry]

@rosekillermicrofic / charm / 299 words

“I don’t think you have it in you,” Barty insisted. 

“You don’t think I’m charming enough?” Evan leaned in and rested his arms on the table, inches away from Barty’s blushed face. 

“At the moment? No.” He was trying his best to conceal a smile that was reserved for a teasing Evan.

“Not even a bit… entertaining?” Evan smoothly sat next to him and placed his hand on Barty’s knee.

“Ridiculous feels more like it,” Barty dared. 

Evan beamed at this response and slowly raised his hand towards Barty’s thigh. Evan’s touch was calculated. He always stopped mid-thigh and pressed his hand enough for the warmth of his palm to be detected under Barty’s pants, but never a strong enough grip for it to be a clear invitation for anything else. 

“How funny am I now?”

“Fucking hilarious actually.” A desperate breath left Barty’s lips. 

“Really?” Evan whispered next to Barty’s ear, his lips brushing the skin.

Barty shivered; he always did when Evan came that close. It drove him insane. His memory was shit, but Evan’s scent and touch were branded on his skin. He could remember every single time his best friend’s lips had brushed his neck or his hand had ended up exactly there.

“Yeah.” He didn’t say anything else, afraid that the wrong thing could make Evan want to stop playing with him and remove his hand. If all he was to Evan was a toy, he didn’t care.

Barty remembered all the fucked-up dolls he saw in Evan’s childhood bedroom and smiled to himself. The idea of Evan tearing him apart, limb by limb, made him excited. He wanted nothing more than to be under Evan’s merciless touch.

But for now, Evan’s warmth against his clothing was enough. He would get his way eventually.

[ofswordsandpens]

"the Gabe and Sally dynamic in the show is abusive" and "the way they've portrayed Gabe in the show is distinctly different from his book counterpart and fans can criticize that" are two discussions that can coexist

[whollyjoly]

it's gon' be a long ride home tomorrow from tennessee to texas to la well if i could i'd never leave you i'd come home to stay another night from home away from you it ain't easy i know (baby, don't you want me)

the bucktommy cowboy au nobody asked for part three (parts one and two)

thinking about rancher!tommy who goes on long two-month cattle drives and dreams of the gorgeous cattle hand back home...

(song insp.)

[sysig]

uuuumm for the request thing maybe pastel gaster? maybe with the evil goatparents or evil alphys, haha. or maybe even evil temmie lol.

Day 29 - He's studying you with a smile...