#i dont have words for how this makes me feel

[hoshifighting]

I was reading your leaving after a fight reaction and o got an idea could you please do one where reader leaves and goes to a bar and gets drunk they get a call from the bar and it’s just fluff

seventeen reacting to you getting drunk after a fight WARNINGS: mentions of alcohol and arguments, & fluff too.

seungcheol grabs his keys, his mind racing. he can’t let you drown in this. when he arrives at the bar, he spots you immediately. you’re laughing with a group, a glass in hand. “hey!” he snaps, but the bark in his tone quickly fades as you turn to him “what the hell are you doing? this isn’t fun. you need to come home.” he tries to keep his voice steady, but the concern leaks through. “why? so we can fight more?” you roll your eyes, but u look vulnerable still. “you think you’re perfect? you’re not!” “i never said that. im just taking care of you” he bites. your eyes soften, and relief washes over him as you touch his arm, guiding him toward the door.

jeonghan's phone buzzes, cutting through his thoughts. it’s the bar, and his stomach drops. “on my way,” he snaps, not bothering to hide the urgency in his voice. when he arrives you turn, a grin spreading across your face that makes his heart ache. “jeonghan! come join the party!” “this isn’t a party! you need to come home y/n.” he reaches for the glass in your hand, gently prying it away. “let’s go home and talk this out. please babygirl” you hesitate, the fire in your eyes dimming as you look at him, the fight leaving your body.

joshua dont hop into the car, he throws himself in!!! he asks the bar number if you're doing okay as he drives. “there you are,” he says, pushing through the crowd. you know joshua cares too much. he’s sweet like that, always wanting to shield you from everything, even yourself. you look down at the bar top, the wood grain swirling under your fingertips. “i just... needed a break.” “from me?” he asks, sadly. you bite your lip. joshua’s expression softens, and he reaches out, brushing his thumb over your knuckles. “can we just talk about it? please?” u glance up, meeting his gaze, and it feels like home. “fine. but only if u promise to stop being so fucking cute when we fight.” he chuckles, relief flooding his features. “no promises, babe.”

junhui “where are you?” he texts after the call, worry oozing through the words. “out,” you reply tersely, taking another drink. “the bar? seriously?” “what if i am?” you shoot back, but inside, you know you’re pushing him away. “stay there. i’ll be there soon.” “don’t bother,” you type, but your heart sinks at the thought of him not showing up. a short while later, the door swings open, and there he is—his hair a little messy, eyes scanning the room until they land on you. he strides over, concern etched into his features. “what are you doing?” he asks, taking the seat next to you. “just enjoying my night,” you reply, a little too defensively. he raises an eyebrow, clearly not buying it. “by drinking alone?” “i’m not alone; i have my drink,” you mutter, taking a long sip as if it could drown your frustration. he leans closer, his voice dropping to a gentle tone. “you know that’s not what i meant. you’re not okay. let me take care of you baby? hm?” you nod, feeling the walls you built starting to crumble. “fine, but if you keep looking at me like that, i might just forgive you too easily.”

hoshi wrinkled his nose the moment he smelled the strong drink you were drinking, he was clearly sweating like he was running a marathon to get to where you were. “you’re mad at me, but this isn’t how we solve things... you know you can tell me anything, right? even if it’s hard?” you take a deep breath, feeling the tension in your chest begin to ease. “i just hate fighting with you. it feels like we’re always stuck in this cycle.” “i hate it too,” he admits, reaching for your hand. “but running away doesn’t fix it. let’s talk.” “talk? like, actually talk?” you tease, a small smile creeping onto your face. “yeah, that thing where we don’t just yell at each other,” he says, grinning back. “i’m pretty good at it.” you can’t help but laugh, the sound lightening the mood.

wonwoo slides the helmet, and hops on his motorcycle, a few moments later, the door swings open, and there he is—hands in his pockets, that serious yet soft expression making your heart ache. he spots you and makes his way over, concern etched in his features. “you’re really here,” he says, his voice low. “didn’t think you’d come,” you reply, trying to sound indifferent, but you're soft. “and leave you alone like this? not a chance.” he sits beside you, his presence instantly calming. you glance at him, catching the way his brows furrow slightly. he squeezes your hand and kisses your neck softly “let's go home, hm? i'll give u a nice warm bath and we'll talk before going to bed, is that okay, sweetie?”

woozi strides over the bar, hair messy, body stiff, eyes worried, after the call, and you can see the scolding ready to spill from his lips. “i can’t believe you left without telling me. i was worried sick. you really just left? you could’ve told me!” “ listen jihoon, i didn’t want to fight anymore. it was too much.” he flinches, he didn't mean to snap at you, but he was really worried. “i get it,” he replies quietly, his voice gentler now. “but you know you can tell me when it gets too heavy, right?” you take a deep breath, the tension in your shoulders easing just a little. “what do u say we talk about it over ice cream? my treat,” he suggests, a playful grin breaking through. “ice cream sounds perfect,” you reply, matching his smile. “you always know how to fix things.” “it’s a talent,” he jokes, and you can’t help but laugh, the heaviness of earlier fading into something sweet.

minghao asks the bartended to pass the phone to you, “i’m coming to get you,” minghao’s voice is steady, cutting through your haze. “you shouldn’t be there.” “i’m fine,” you snap, but even you can hear the slight slur in your words. he knows you better than that. “you’re not,” he replies. when minghao finally walks in, the door swings open, and the bell jingles, like a damn superhero coming to save the day. “hey,” he says softly, the frown on his face deepening as he takes in your state. “you look… rough.” “yeah, well, thanks for the observation,” you retort, but there’s no real bite in your words. he steps closer, the scent of him wrapping around you like a familiar hug. “i didn’t ask you to come.” “no, but you need me,” he counters, taking your hand, grounding you. his touch makes your cheeks flush, and you can’t help but lean into him, feeling the fight inside you melt away. “let’s talk, okay? i love you and I hate fighting with you.” you melt, and minghao smiles small.

mingyu in quesiton of minutes was there, tall and worried searching for you on the bar, the call made him stumble on his feet on his way there. “you really shouldn’t be here,” you murmur, but your heart races as he approaches, the worry etched on his face only making you want to lean into him. “and you shouldn’t be here alone. we both know you’ll feel worse if you stay out like this. just let me take care of you.” the softness in his tone makes your heart twist. “you don’t have to play the hero.” “but i want to,” he insists, reaching out to intertwine your fingers with his. the warmth of his grip pulls you back from the edge of your frustration, reminding you of everything you love about him. “please?” you take a deep breath, the tension in your shoulders easing as you look into his eyes. “fine. let’s go home.” “thank you,” he whispers, pulling you into a hug that feels like coming home, before arriving in.

seokmin not even five minutes later appears on the bar, seokmin steps inside, scanning the crowd until his eyes land on you. relief floods his expression, and he rushes over, pulling you into his arms before you can say a word. “what the hell, you scared me,” he murmurs, hugging your back tightly. his warmth seeps into you, and you can’t help but melt a little. “you’re drunk.” his concern wraps around you like a blanket, and suddenly, the anger feels distant. “let’s get you out of here,” he whispers, still holding you close. “i don’t want you to feel like this.” “it’s just… everything’s a mess,” you admit, your voice cracking a bit. “we were fighting and—” “i know,” he interrupts softly, pulling back just enough to look you in the eyes. “but we can talk about it later. right now, i just want to make sure you’re okay.” the sincerity in his gaze makes you want to cry, and you nod slowly. “okay.” he smiles gently, brushing a loose strand of hair behind your ear. “let’s go home, yeah?”

seungkwan the minutes tick by slowly, and every time the door swings open, your heart skips a beat. finally, you spot him striding in, “it’s… it’s not safe for you to be out like this,” he says. you pout. “i can take care of myself.” “you’re making this harder than it has to be,” he grumbles. as you slide off the bar stool, he’s already there, an arm around your waist, guiding you out. you laugh, the sound a bit shaky. “u should try being less of a pain in the ass, kwanniee” you tease, but it’s soft, a flicker of something sweet cutting through the tension. he smirks, finally breaking into a grin. “noted. now, let’s get you home before you say something else you’ll regret.”

vernon would keep his emotions bottled up, when he's almost purple in worry, would run to the bar fast, breathing properly only when he finally sees you. “i don’t need you to babysit me,” you sulk when you feel him taking you from the bar stool, “just… please? for once, let me be the responsible one,” he replies squeezing your waist. “oh, shut up,” you say, rolling your eyes but unable to hide the smile creeping onto your face. “i was just having a good time.” “more like trying to forget about our fight,” he counters, crossing his arms, but there’s a playful glint in his eyes. “let’s get you home before you embarrass yourself further.”

chan before the bartender ended the call, was already on the way. the moment he reaches you, he slips an arm around your shoulder, guiding you away from the noise. “you okay?” he asks, searching your face with those steady eyes. you can see the maturity in his expression, the way he balances concern in his heart with the logic, “i will be,” you say, though you know it’s not entirely trrue. his presence calms the storm brewing inside you, and u lean into him. “you’re allowed to feel things,” he expresses, squeezing your shoulder reassuringly. “but next time, can we talk instead of shouting? i’d rather understand what you’re going through.” you nod, the way he watches over you even after an imense fight. “yeah, that sounds good babe...” he smiles with the full of love name.

[sun4r1nnity]

those nights with fratboy!miya atsumu whos an ultimate softie with you

"not going to the party tonight?"

atsumu shook his head, a muffled sound escaping as he buried his face in your back, his arms ensnaring you in an embrace. a small smile played on your lips. "why not?" you asked, even though you might have an inkling as to why. you've noticed that this is the umpteenth time he's skipped a party to spend time with you, a pattern that began when you started dating.

he groaned. "dont wanna," atsumu replied, tightening his hold around your torso. you chuckled, continuing to type on your laptop while perched on atsumu's lap, from which you couldn't escape. "you'll get bored hanging out with me, you know?" a hum was your reply, followed by the sensation of his breath on the back of your neck. "mm, no, I won't," atsumu murmured, planting a kiss on your skin and savoring your warmth.

"i want to be close to ya," atsumu's words sent your heart soaring, and a wide grin spread across your face. you shifted, turning to face him as you wrapped an arm around him, stroking his hair. "tsumu's being clingy today, isn't he?" you teased, a playful tone in your voice as atsumu whined when you ruffled his hair. "shaddup," he shot back, but a concealed smile betrayed his pretended irritation. he looked into your eyes as you caressed his hair tenderly, which you met with a smile.

"what?" you inquired.

"nothin',"

atsumu couldn't help himself. he grinned mischievously, leaning further into you as he tightened his embrace, eliciting a whine from you. oh, how he wished this moment could last forever.

you chuckle softly, feeling the warmth of his embrace. “you’re such a softie, tsumu,” you murmur, pressing a gentle kiss to his forehead.

atsumu’s cheeks flush slightly, but he doesn’t let go. “only for you,” he mumbles, his voice barely above a whisper.

you smile, feeling a surge of affection for the boy who had somehow wormed his way into your heart. “well, im glad you’re here,” you say, your fingers tracing soothing patterns on his back. “but I really do need to finish this paper.”

atsumu sighs dramatically, but there’s a playful glint in his eyes. “fine, fine. I’ll let ya work. but only if ya promise to take a break soon and spend some time with me.”

you laugh, nodding. “deal. now, be a good pillow and stay still.”

he grins, settling in more comfortably. “anything for you, babe.”

as you continue typing, you can’t help but feel a sense of contentment. despite his frat boy reputation, atsumu had a way of making you feel cherished and loved. and in moments like these, you realized just how lucky you were to have him by your side.

[velnna]

i want to say, i ADORE the limb differences (other words for 'missing limbs' that i prefer to use) in the under garden, from the art of them that youve posted on here!! absints lower arm for example :)

i havent read yet, i havent been able to scrounge up the money to buy (hopefully soon!!) but im super excited to buy and read for many reasons, this among them!!

but just, seeing characters with limb differences who are still cool and important and often seem powerful.. it just gives me hope and makes me feel seen!! fantasy is my ansolute favorite genre, but im disabled and i havent found much fantasy stuff that includes disabled characters at All, i can count on one hand the amount of disabled characters ive seen in fantasy stuff :,)

i dont have a limb difference myself (degenerative disc disease and worsening hearing for me) but seeing ANY disabled character is just so lovely, it brings me joy :,) so thank you for including characters with disabilities!!!! it doesnt go unnoticed, and its heavily appreciated and wonderful to see!!

it also makes me curious, do you have any characters in the under garden who are disabled in other ways?? vision, hearing, mobility related conditions, etc? having just one type of disability repped is also amazing regardless of if you have others of course, im just curious :)

and if you ever need a disability-related sensitivity reader/info person based on lived experience for anything, if you ever make a post about it id definitely hit you up XD

have a lovely week, and i hope this ramble isnt too huge haha!

Thank you so much! I hope you enjoy it when you do manage to read it 🖤🖤🖤

The Under Garden has a couple of separate "storylines" with their own casts and we haven't set everything in stone for most of them, so take this with a grain of salt. Amongst primary and secondary cast, we have a couple of people with disabilities/chronic pain from injuries, medical complications, etc, some more explicitly shown than others. Technically Ashton, for instance, has a degenerative condition (loosely linked to the idea of butterflies having a very short lifespan after cocooning) and it's a big part of his role in the story overall

There's other instances of characters that could potentially have parallels to real world illnesses or disabilities but they're so intertwined with magical/fantasy mechanics that it's up to each reader to see how they feel about it.

Oh and we're toying with the idea of one of our main characters having a severe hearing impediment but it's a WIP because it might actually affect the plot

[ssailormoonn]

❛ REPUTATION ❜

YANDERE!Chrollo Lucilfer X Fem!Reader

WC; 900+ | !MDNI! | TW/CW :: chrollo is a yandere here, well he def ats like one, fem!reader, virgin!reader, AGE GAP, gonna say reader is around 18-20 bc she a virgin and a good girl, chrollo is still 26, possessiveness, claiming + more

⋆·˚ ༘ * REQUEST :: (filled request) Hi! Could you please write with yandere Chrollo and virgin female reader(she likes him, but didn’t want to be with him because of his reputation) - ANON

HONEY'S A/NOTE :: I WAS FEELING DIFFERENT DONT MIND THE PINK/PEACH THEME LMAO, lmk if you like it tho 👀

m.list | hxh m.list

You knew this was a mistake the moment you caught his eye.

Chrollo Lucilfer was the type of man who commanded attention. He's dark, unreadable, and dangerous. You'd been warned by friends, by acquaintances, by common sense to steer clear of him. None of them knew that he was the leader of the Phantom troupe, but they could tell that something was up with him.

You, on the other hand, knew very well who he was. He had made it loud and clear that should you ever leave or do anything rash, Chrollo was in a position to threaten you with all he could do. Every time being on duty with him, fear always boiled up inside your stomach.

But the fear that was evident within you, there was just something so irresistible about him, something that couldn't make you stay away no matter how much you did. Chrollo's presence causes your heart to beat in ways that it really shouldn't. You, however, because of his reputation, are to be kept from him.

But standing now in this darkened room, boxed in by his stare, one knew there was no more escaping Chrollo.

Not anymore.

"I know what you're thinking," his voice is like silk. "You're afraid of me, you think you can keep your distance because of what you've heard. But you forget one thing."

He leans in closer, each movement intentional. His dark eyes never left yours, staring with an intensity that would make you want to shrink under his gaze, at the same time you wouldn't be able to look away.

"You want me, too."

Your breath had caught in your throat. How could he know? You'd tried so hard to conceal it, to deny the pull you felt whenever you were near him. It was wrong, all wrong. But his tone made it sound as though you had no say in the matter.

"Chrollo, I... I can't." Your voice less than a whisper. "You're dangerous. I don't want to get involved in. whatever this is. whatever you do."

He reached out, gently brushing a strand of hair from your face, and the touch sent your heart racing even faster. You suck in the air shakily while your lip trembled softly.

"I know that's hard to accept," he whispered, almost softly. "But I've made my decision already. You are mine. "

There was a finality in his words that dropped the bottom of your stomach into a sick feeling. This wasn't a silly love confession, this... this was more like he was claiming you. And much as you tried to deny it, the thought stirred something within you.

"Chrollo, I... I am not." You had managed to stammer out the words while a hot fire had burned in your cheeks.

How would you even explain that you have never been with anybody in your life? That part of you does want him, but the fear of his world and your inexperience holds you back? You have never done a relationship in your life, never kissed anyone, never touched anyone, never had sex.

His fingers tilted your chin up, forcing you to meet his gaze once more. Something... changed in his gaze.

"You're scared of what you don't know," he whispered. "That's okay. I can be patient. But don't you ever think otherwise. I will have you. Every piece of you."

His hand slid down, stroking your jawline, and a chill ran down your body. There was no hesitation in his touch, no doubt in his claim over you. It was terrifying and yet you enjoyed it.

"You can run from me if you want," he said, continuing now in a voice so much lower it terrified you. "But I'll find you. Always get what I want."

Your chest constricted as Chrollo left you no choice. He made it clear no matter what you did, he would find you and when he did. he would take you in every sense of the word.

"I. I don't want to be a part of your world," you finally stammered out, beyond your shaking lips. "I can't."

He chuckled low and it was a shiver you felt run over your skin under his touch. "It doesn't matter. You're already a part of it. The moment I laid eyes on you, it was over. For both of us."

You opened your mouth to protest, but the words died in your throat as he leaned in, his lips caressing the shell of your ear.

"Accept it, love," he whispered. "You can't get away from me. Not now, not ever." "N-" Chrollo cut you off, his lips trailing up your neck, his voice low, humming against your skin. "You don't struggle against me. I'm going to take care of you. No one else can have you now. Can't you see? You're already mine, and nothing you say will change that."

His breathing was hot against your skin, the weakness rising inside you as the fear coiled in your body. But despite that, despite all you knew of him, the fact that he wanted you with such intent sent your heart racing within your chest.

Honestly, could you resist?

He drew back just enough to look into your eyes, a smile playing at the corners of his lips. He knew. Your gaze betrayed your thoughts, and he noticed, of course he fucking noticed.

"You're mine," he leans down, his warm breath dancing across your ear as your hands clench into fists against his black suit, trembling. "And I will make sure you never forget it."

Do not copy, steal, modify, etc. Relogs and like are appreciated.

m.list | hxh m.list

[gofishygo]

mito mito mito hihi 😋

i’ve been having some thoughts n i felt like sharing w the class newayssss

so i was having bubble tea earlier and i started thinking,,,,what cod characters would like it? i feel like price def wouldn’t,,simon wouldn’t mind it but he does def think its too sweet and proper tea is superior and blah blah blah (i acc don’t know im kinda divided on that like i hc him as a sweet tooth but bubble tea,,,ehhh i feel like he wouldn’t like it all that much like he’d be all grumbly about it,,, idfk

johnny and gaz i think would like it lots ,,

i also think alex wouldn’t like it abd farah would (i js like hc farah as this secret softie ok leave me alone 😞)

but THAT got me thinking,,,, what other food preferences would they have ?? i think gaz would rlly like sushi (saw a fan art of him on a sushi date w the reader and i forgot who made it but ):$/:)/&!:!!!!! it was so cute) and i also think gaz would handle spicy food well ?? and he would like seafood in general methinks (tryna think of some select seafood items he wouldn’t like but im drawing a blank bc im vegetarian shusbssjnsuen)

idrk ab simon and johnny and price,,,,,,out of them 3, i feel like simon or johnny would have the biggest sweet tooth (they’re on like completely dif ends of the spectrum character wise but shh i js know it) but they all eat A SHIT TON like the food could be burned or too salty or smth but if they’ve js come back from a mission then they’re eating that shit UP. and asking for seconds. and thirds. they would still give u food feedback if it’s some other day tho

also johnny is extremely passionate about haggis. no i have never tried it yes i js know he is ok moving on

KONIGGGG hmmmm,,,, i have no fucking idea lmao i think? a lot of german cusine involves bread and stuff,,,so……………i think he’d have rlly bland meals idk

i’ve been rlly into keegan lately but i cant come up w anything for him aaaa

also gaz would be the only one who knows how to use chopsticks. the others would learn fast being in the military and all but gaz and chopstick skills js make sense???

ANYWAY im soso sry for rambling sm lmao this is a lot of words,,,,,and this isn’t a req by any means !!! js needed to hear ur thoughts bc food is js calling to me like “ok but would blank character like this” like. urgh. ok im done now i think but yeah food preferences for cod characters of ur choice

ALSO !!! THE IOS SHARK STICKERS REMIND ME OF U,,,,,look at them$:!!;&:!3 OK IM ACC DONE NOW BYE BEY MITO HIPE U DONT FALL ASLEPE READING ALL THAT

AHHH hi weebun !! ^^ i was literally having bubble tea with my sister like a few hours ago and when i checked the inbox n saw this i BOLTED !! sorry for never responding to this, i forgot inbox existed..,

notes: shittily wrote as this as a warmup/just general yap :> sorry for messiness and incoordination.., platonic, no warnings !! unless ur lactose intolerant idk

so you'll be jus chillin w the 141 on base and then say something like "boba is absolute gas shits better than normal tea" and of course, since the majority of the taskforce is british, you get absolutely fucking jumped for it. like- keep in mind, you say this price, the NUMBER ONE TEA AND BISCUTS DEFENDER, so you do end up getting toilet duty for a week with the explanation of 'uncordial behaviour.'

but after your deployment, you are the one to arrange where the 141 meet up. it's a little ritual you guys have developed to stay connected in between missions, one that makes your friendship seem a bit more real. sometimes the only thing that keeps your eyes open and heart pumping. and since you're an absolute fucking menace, you ask if you can meet around the heart of london- and then drag them all into the nearest bubble tea store you can.

-

price... doesn't end up liking it. takes a total of two sips, nearly chokes on the pearls, and then sets the cup down. he claims he's been around long enough to know that this- like many other foods, is probably some 'trendy millennial bullshit that'll disappear in a solid few', but that doesn't help ease the insane side eye that he gets from the cashier.

but to your surprise, ghost seems somewhat okay with it. his face doesnt really change (from what you can tell- his mouth is still hidden due to some face mask he put on), but he seems neutral, relaxed, even. he mutters something along the lines of how it isn't too bad, but it doesn't beat a cuppa- to which you chose to ignore, and how he'll probably just stick to having an earl grey in the mornings. but a few months later, you catch him at the same boba store, and you cant help but giggle to yourself.

soap fucking inhales the drink. its genuinely concerning, to say the very least. he seems to like.. unhinge his jaw like some kind of snake, and then inhales the whole drink in what you think is a millisecond. and since he's the only scotsman on the team- thinks the whole 'tea n biscuits' ritual his colleagues have is utter stupidity, so not only does he now FREQUENTLY drink boba because he likes it- he also drinks out of utter spite.

gaz is the only one with a seemingly respectable opinion about boba, unfortunately. he's had it before, multiple times- it appeals to his sweet tooth and is the occasional treat after long missions. but unlike you, gaz does not value peace, and seems to keep egging soap on in chugging unreasonable amounts of the drink. (and he doesnt mention it, as he does not want to face the same punishment as you did, but he thinks that bubble tea is sometimes, just sometimes better than his cuppa.)

masterlist (some of my other stuff is better promise)

[mimill3]

hi just wanted to say i really really love your art!! it speaks to me in a way I can't fully put into words I think. it makes me feel cozy.

I specially love Para Phenomena!! they remind me a lot of myself and it makes me feel just a tad less lonely in this world.... thank you....

im very happy to hear that ^_^ i put a lot of myself in para, shes kinda a version of me thats easier to digest

(this word kinda means 2 ghost if u think about it ^_^)(but pls dont eat her) and recontextualizing some of my experiences in a cuter light maybe…. hmmmmm….

bonus sentence!: i like using ufos 🛸 as a motif in my art cause they look very cute and general idea of aliens is enough for ppl to understand my exp on a surface lvl without having to explain exralayeral beings and other stuff!!!! without having to draw anything scary…. >_< plus im always scared about how much i can depict things without inadvertently giving them pathways here

i hope u have a nice day!! 🐯

[saiintofdiirt]

Summary: Parrot and Wifies have a talk some time after the fallout of Parrot finding out Wifies is a clone. A follow up to Ken's POV in Part 1.

notes: this is once again not edited, this was the result of some quick writing last night and a wrap up today. it's more like practice for Parrot's voice which i think i did a shit job at but it's here and u can now judge me urself. enjoy. or dont idk. divider from here

word count: 2568. just slightly less than the previous installment.

11:49

Parrot has picked through his feathers so many times he thinks he’s developing a bald spot in his left wing. He's usually better at waiting, has patience for his plans to go through, but today there is no plan, just waiting. He stares at his comm, open in his hand as he rereads the chat over and over again.

[Wifies]: Would you be open to talking with me today?

[Parrotx2]: yes

[Parrotx2]: of course

[Parrotx2]: what’s up

[Wifies]: I was actually wondering if we could meet up.

[Parrotx2]: yeah wherever you want

[Wifies]: I’ll open up my world.

[Wifies]: How does noon sound?

[Parrotx2]: perfect

[Wifies]: I’ll send you the IP then.

[Parrotx2]: great!

Great! He sounds like a loser.

So Parrot is waiting for the clock to strike noon on his comm to go. Part of him wonders if he's going to spawn into a pit, or straight into lava, or in an escape room, something that would make Wifies feel better to watch him go through after the hell Parrot raised. Parrot would be fine with that. Honestly, he hopes Wifies is mad. He's only going to feel worse if he's met with Wifies’s carefully thought out words and blunt kindness.

11:54

He stops touching his wings. He's been trying to organize his thoughts so he doesn't say something incredibly stupid to Wifies again. There’s a script now.

I’m sorry for reacting so harshly, I was shocked and didn’t know how to process what I was hearing. I felt hurt because I thought you didn’t trust me with the truth, but now I see why you wanted to keep it to yourself. I should have never acted that way. You’re so important to me, and I should have thought about all the trust between us. I always trust you.

11:55

It’s simple, but it’s straightforward, and he wants to be as clear as possible. He also wants to be sincere, but sincerity is scary. His sincerity is blue, bruised, gushes forward like an open wound and stains the world in his blood.

11:56

But he can do sincerity. He can do it for Wifies. He could probably do a lot for Wifies, but Wifies never asks for anything. He didn’t even ask to be freed from the chunkban. He just waited. Trusted Parrot, and waited for Parrot, and was happy to see Parrot after everything. Wifies is always trusting and waiting and happy.

11:57

And Parrot ruined it for what? Catharsis for his fears? A moment to let that horrible feeling of being second, third, fourth in someone's life tear through everything he’s done? Is that even the reason why?

11:58

God. When Wifies starts asking questions, Parrot is going to crumble like a house of cards. It'll be Parrot's unjust luck to be forgiven.

[Wifies]: IP XXXXXXXXXX

Parrot jolts and almost drops his comm. He scrambles to copy the IP down and flick through his comm settings. He pastes it into the server IP box and hovers over the connect button.

12:00

He clicks connect.

Landing softly onto a carpet of podzol in a chilly spruce forest, Parrot lets out a plume of ashen breath. There are a few cabins in a semicircle in front of him, warm light spilling out of each window and from the branches of the towering spruce trees. The afternoon sun barely breaches the canopy, but it speckles the ground just enough to give the world a surreal atmosphere.

There's a campfire pit to one side surrounded by log benches, and there sits Wifies. He looks brilliant in the firelight, dark hair loose without his headband and violet eyes muted.

“Parrot,” Wifies calls out as he stands up. “Hey.”

“Hi,” Parrot says lamely, hesitating for a moment before making his way over to Wifies. The campfire warms him up, but the chill doesn't go away. “How are you?”

“It’s going to rain soon, so I’m feeling it in my joints,” Wifies says, lighthearted as he rubs one of his shoulders. “Sit with me.”

So Parrot does. He’s not in the business of denying Wifies much of anything. He sits on one end of the log bench, and Wifies sits two feet away, turned towards Parrot, and Parrot looks at him, and his mind just— it blanks. His script dissolves like salt in the sea.

“I wanted to start with saying that I am a clone of the original Wifies,” Wifies says, giving Parrot space to try and reboot his brain. “He was. . . making clones for the sake of content, and I was the most successful one. I never knew. And one day, Ken showed up to what I thought was my single player world, and. . . it’s a very long story, but he got me out of there and we, um, we killed the original. He. . . wasn’t going to let me just leave. And those are the main points of my story. I just wanted you to know the important bits before we talk further.”

“Clones for content,” Parrot echoes, eyebrows scrunching up. “Clones for content? He was— what?”

“Making clones to put them into escape rooms for quick video production.”

“The— what the fuck?”

Wifies smiles awkwardly, but doesn’t speak again. He keeps rubbing his shoulder over and over, self soothing maybe, or maybe it’s just that painful from the onset of the rain.

“I'm sorry for how I acted. I don’t care that you’re a clone,” Parrot says, flinching at his own sharpness. He looks away and into the crackling fire. “I care about you. The clone stuff is— is whatever. Or not whatever, I’ll care about it as much as you want me to care about it.”

“Parrot, don’t make me promises you know you can’t keep.”

Wifies’s voice is gentle. It is so, so gentle, with no hint of disappointment or scolding. Parrot’s stomach churns. He wishes again for Wifies’s anger, pointed and cold, instead of this. Anger is easy. This stings like salt in a wound.

“Why do you think I can’t keep to that?”

“Not knowing drives you crazy.”

“You not being there has driven me more crazy.”

“Until you forget, and it starts bothering you again.”

Parrot deserves it, but his heart is heavy and he feels like he’s been shot right through it. Wifies isn’t even being cruel, just honest; he’s right, eventually it will drive Parrot crazy to not be able to talk about the whole situation, to understand Wifies better by prying into his life.

“I don’t like talking about it. It was a bad time for me. I also don’t know everything about. . . myself. About what you’ll eventually ask.”

Parrot has to physically bite his tongue. Wifies doesn't know everything. What if he gets sick? Or badly hurt? What if he starts feeling like something is wrong, and there's nothing to be done for it, because nobody knows? What if—

“This is why I never want to tell anyone,” Wifies sighs out, curling in on himself in the corner of Parrot’s eyes. “If nothing else, just promise me you won't tell anyone?”

“Never,” Parrot says firmly. That's a promise he can keep. “I would never.”

“Thank you, Parrot.”

Their conversation tapers off. The sunlight is disappearing little by little, the promised rain clouds rolling in from far away, far above. Parrot’s feathers puff up a bit at a slight, churning breeze that cuts through the forest.

“I'm sorry, for what it's worth. For lying this whole time.”

“I see why you did. I just ended up proving why lying was the right choice. Nothing to be sorry about.”

“It's funny,” Wifies says in a voice that promises to be anything but funny. “When I'm scared, everything hurts again. I can never remember how they got here, but all the little pains come back again, like the reminder of fear should pull a memory or two up. But there's nothing. I don't remember how I hurt my shoulder this badly. I don't remember how it got fixed. All I remember is that it’s hurt forever. I don't remember a life without pain, and when this all came to light, my reality went from a life where pain existed to a life that was lived with pain.”

Rain begins to dribble through the leaves around them. The campfire hisses and sparks but doesn't extinguish, too large and hot to be daunted by such a pathetic display. The canopy is too dense for the rain to punch through in earnest.

“What are you scared of?” Parrot forces himself to ask. Please don't be afraid of me.

“Losing another part of my life to this. I can never seem to escape the factory. What a lousy escapist I've become, huh?”

Wifies pulls his feet up into the log, resting his chin on his knee and watching the fire. Parrot doesn't remember turning towards him, but he inches closer. The space between them is too large. His hand is too far from Wifies’s own.

“You don't have to lose anything,” Parrot says. “There's nothing to be lost. You can always come back to the server. Nobody there will ever know except for Ken.”

“No matter how this plays out, I lose you.”

“I'm right here. I'm right next to you, right now, what do you mean?”

Parrot feels pathetic, but he doesn't care. Wifies won't look at him, is talking about losing him like Parrot isn't about to crawl out of his skin just so Wifies won't leave him again. The rain thickens the air around them with the promise of more force, and Parrot stretches a wing over Wifies’s head without a single thought.

“You'll always think about the fact I'm a clone. I lost my status of human. I lost our relationship. It took so long for me to feel normal, and now it's all gone.”

“Wifies, look at me please.”

Wifies does. He does, because he still cares, and Parrot is going to be sick at the resigned look in Wifies’s eyes. Parrot is close enough now, so he reaches out and holds Wifies’s face in both hands. He can feel the way Wifies’s jaw works, the thrum of his slow heartbeat in his throat, the way his breathing is shallow and quick. His eyes are a little glassy, a little red, and Parrot adds another wretched tally to the list of times he's made Wifies cry.

“No matter what, you are human, okay? To me, and to Ken, and I'm sure to whoever you were talking to that day as well. Don't ever doubt that.”

Wifies’s expression softens and he just barely nods, which is a small relief for Parrot.

“All I ever think about when you're gone is when you're coming back,” Parrot says. His sincerity bleeds, red and blue smudged across each word. He’ll bleed for them, every drop if that’s what it takes. “And all I've been thinking about this whole time is how I'm going to make it up to you. How I really, really want to do whatever it takes for you to stay. I want you to stay. And not a single one of those thoughts had anything to do with whether you're a clone or not.”

Wifies breathes in. It shakes something horrible. Parrot will crawl his way back into being trusted until he has no more body to move with.

“All of those thoughts had to do with how you've always been with me. Funny, kind, snarky, quick, the only person in this world I've ever been able to close my eyes next to knowing that I've got everything I need right there. That the only way I'll ever be apart from you is by being torn. And none of that, none of it, has changed. I still think all that about you. All that's been added is that I'm an asshole who definitely doesn't deserve your loyalty, but I'm too greedy to let it go so easily.”

That makes Wifies giggle, the sound wet and cracking. Parrot presses the pads of his thumbs under Wifies's eyes. If he's going to make Wifies cry, the least he can do is clean it up too.

“The only thing I ever need you to do is believe in me,” Parrot says, pressing his lips to Wifies’s forehead. It's easier somehow to speak like this, wetness pooling against Parrot’s fingers. “Believe that I love you so much. Believe that I'm going to make this right between us. Believe that learning this has done nothing to change how I feel about you. And if you can't, please believe in me anyway.”

“Of course I believe in you Parrot,” Wifies murmurs, voice crackling. “Why else would I follow you everywhere?”

“I'm that persuasive?”

“Hardly.”

“Hey, not even a little?”

Wifies laughs. It’s a sweet sound. When Parrot pulls back to look, Wifies has his eyes closed, and he’s not quite smiling, but he’s not frowning either, which is a win. 

“You’re determined and direct,” Wifies says, letting the full weight of his head loll into Parrot’s hands. Parrot raises his other wing so they're encompassed by green and red and blue. “Which is what made me agree to help you at first. But then. . . I don’t know. You can be charming when you want to be. Not often, but on occasion.”

Parrot squawks indignantly just to hear Wifies laugh again. Wifies blinks his eyes open, and Parrot wipes away a stray tear.

“Do you know how touchy you are?” Wifies asks suddenly.

“Should I let go?”

“No, I just wonder if you know that. When you were upset, you made a real effort to not reach out. That’s how I knew it was serious.”

“Well, now you know it’s not serious.”

“Mm, this is serious too in its own way. You’re serious that you want me to stay.”

Parrot lifts Wifies’s head so that they’re eye to eye, bloodshot violet to his own green-blue blur, and says, “Deadly serious. I don’t want to be separated like this again. Knowing I had hurt you and couldn’t make it better? The absolute worst time of my life, I think.”

“It sucked,” Wifies agrees, finally cracking a smile. “It’s over now though. I think.”

“Of course it's over now, you're never allowed to leave me like that again,” Parrot scolds him entirely lighthearted and Wifies snorts.

“Don't yell at me again and I won't.”

“I won't, I'm sorry for yelling.”

Wifies laughs again, and despite the fact he's clearly reveling in having Parrot wrapped around his finger like this, Parrot can't even pretend to be annoyed. Wifies won't leave him again. It's all that matters right now. Any question or doubt dies a quiet death when Wifies reaches up to hold both of Parrot’s wrists in a loose grip.

“This is weirdly nice,” Wifies says, closing his eyes again. “I don't think anyone's ever touched my face so gently. I can't remember the feeling.”

“You just say when,” Parrot replies.

He's not being entirely selfless here— there's something soothing about running the pads of his thumbs over Wifies’s skin, like a promise that this moment is as real as when he left. Wifies can't leave him when they're like this, tangled up under Parrot’s wings under the rain.

“Then for just a bit longer,” Wifies says, and Parrot agrees. Just a bit longer.

[astarionancuntnin]

Dancing on the Edge of a Knife

summary: ever since his ascension, Malva was convinced that Astarion was the only person who could understand her every twisted desire. well, almost. there are some things she still keeps to herself, he simply wouldn't understand this part of her, the one who dances on the very edge of her knife.

or Ascended Astarion learns how real punishments work

rating: E

word count: 2.8k

pairing: ascended astarion x consort malva (oc, evil!sorcerer!tav)

cw: 18+. KNIFE PLAY (big warning cause the whole fic will turn around this specific one), smut, post-game setting a few years later, mention of violence/murder, mentions of and actual self-harm, slight voyeurism, shared sensations, blood play, bdsm relationship (Master/Pet, punishment), teasing, overstimulation, orgasm denial. full list on ao3

a/n: i just dont pick where the inspo comes from but malva lives rent free in my head

a/n2: decided to make the stories about malva and astarion into a series, they can be read independently but if you wanna read the first one featuring lotsa spanking, here it is (they also get to cum in that one)

read on ao3

or keep reading down below~

It was just another day of bloody business for Malva and her Master. 

Another party used as distraction; another life to take; another bloodshed.

Another reason to dive her pretty blade into the chest of yet another unfortunate soul.

She remembers back when Orin had mentioned her potential to join the ranks of the bhaalists, and of course, she would’ve; Malva’s talent to murder people came as naturally to her as her powers had, but the mere idea of being attached to any godly entity made Malva retch.

And Bhaal out of all of them? The same one who sent his minions to do his dirty work? Really, what was the point in becoming a God if you didn’t use that power for yourself?

No, Malva acted sinfully within her own code based on her own goals; no Gods or voices guiding her blade, only her inner bloodthirst and the knowledge that she was mightier than any other mortal crossing her path. Compared to other species, she was already considered immortal, but now, as a vampire? A spawn of the Vampire Ascendant, out of all of them? She might be even greater than the Gods themselves.

Even then, killing was just a job, something that needed to be done nevertheless, and knowing how much she had to do, she just decided to take pleasure in it. After all, the line between pleasure and pain had been blurry ever since Malva could remember, even at a young age.

Ever since her mentor had shown her how to master her powers.

“You will need to use your powers for the greater good,” he had said. “They come with responsibilities. Wield them to perfection so they serve you on every occasion. Those powers are a part of you.”

Obviously, she remembers thinking, they're what makes me better than the others.

“But you need to know that, as much good they can do, they can also harm, and to fully understand this, you'll need to feel them yourself.” 

She recalls how he had grabbed her arm and inflicted a benign version of a lighting spell on her, just to show her how it would feel to receive it — the impact of it, even on a smaller scale.

“Now, every time you inflict this pain on someone, you'll carry the weight of it as if you felt it yourself.”

He couldn't have been as right and wrong at the same time.

Yes — the spark lighting up her skin had burned, and she had flinched and pulled her arm back the second the shock hit her. 

But what a delectable sensation it had been.

How the burn had tingled and resonated through her entire body, lingering long after, introducing her to a new world of possibilities, one she hadn't even considered.

She had spent the rest of her life chasing that feeling.

Using her powers on herself as she was still learning them, gradually increasing the intensity as she became numb to the minor pain to still feel the hurt but relishing the burn of the wound, that sweet tingle rippling on her skin.

Venturing into taverns as she grew older, looking for easy strangers with whom to spend the night to easily discard them once morning came, until one night led to her first kill, and instead of fear she had felt a thrill. The same one as her self-inflicted burns.

Picking up dangerous bounties only to use her powers on others without holding back, see the light leave their eyes as she felt the blood from her own wounds drip from her body, smearing her pale skin.

A knife held at her throat, her life hanging by a thread — the burn of the blade penetrating her skin even better than any cock could ever feel.

The rush of heightened pleasure that clouded her mind for those brief moments was better than any sketchy potion on the market, and yet, the conclusion always turned out the same.

This rush was short-lived. 

Every kill was done with the next one already in mind.

Pain was her pleasure, and no one had understood that about her in the past. She even led herself to believe that Astarion didn't understand how far her limits went. Believing he couldn't satisfy all of her needs — and he would go far; spank her hard, choke her, bite her — all things she adored, but there was still something… missing. 

Something she would just need to take care of by herself.

So that night, a night that felt as meaningless as the others — or that should’ve been — she let her mind wander after disposing of this nuisance of a man. With her spirit  clouded with lust from the blood now warming her veins, she eyed her dagger in her hand with a different intention.

Her dark, yet see-through long dress didn’t allow for under clothing — like most of her other dresses, she had noticed — and the skirt, which split in the middle only to be covered by a thin layer of fabric, made it easy for her to pull the slit of her skirt aside and slide the blade of her knife along her plump thigh.

The tip just ghosted over her skin at first, teasing herself with the weapon that had taken so many lives already. A shiver ran down her back at the promise of what was to come — finally, feeling somewhat alive once again — getting wet from the mere memories of the last time she had touched herself like so.

The blood of her previous victim still coating the blade as she pushed it deeper, breaking into her skin — just enough to draw blood and for her breathing to turn into whimpers.

Just enough to feel that same burn, that pain that turned into pleasure so quickly for her.

She had thought she had been subtle, that her time away wouldn't cause Astarion to come looking for her. Afterall, the kill had taken her mere seconds, she still had plenty of time to take care of herself and go back to her Master. She could always use the excuse that he had been a difficult target — either way, she’d come up with something.

Little did she know, he had felt it. 

Their connection was greater than with his regular spawns; he was able to feel any sensation she felt as well as accessing her mind at any time — not that she knew about the former — and the second that knife slid across her skin, Astarion had known.

The pain in the inside of her thigh, this familiar burn; one he recognized instantly.

Oh, and he ran to find her, expecting the worst, only to find her with her legs spread open, leaning against the wall of the hallway with a body at her feet, and the hilt of her knife sliding across her wet slit, with sinful moans escaping her luscious lips.

He couldn’t say he was surprised at the sight, this was Malva after all, the woman who took a malicious pleasure in the murders she committed — ones she never questioned. The same woman who smiled as she took each and every of his punishments.

And yet, that was the last thing he expected to see when he ran for her.

So here he stood, watching as she pleasured herself with the soiled weapon she had visibly used on the corpse lying nearby, her other hand holding back the fabric of her dress as leaned back against the wall, her chest heaving as her pleasure overtook her.

Worry aside, he was now fixated on her every move. Watching, learning, so he could use it on her later. This was just one more thing to add to his library of possibilities when it came to her.

What was unacceptable was how she took those liberties without involving him, how she so easily broke those chains, and dismissed his authority.

Not only that, but she had been cutting herself — cutting him. 

He only had himself to blame, after all he had never made her aware of this part of their connection, but now the consequences of his actions had caught up to him. The same cuts he remembered suffering, that made him bleed out to near unconsciousness years ago, and all because of their connection, he was reliving these moments all over again. 

No, no, this time was different — this time he was in control, he had a say in how this would go. If his consort wanted to play, he would play along.

He leaned back and away from her eyesight, a flicker of malice flashed in his ruby eyes as he opened his mind to reach out to hers.

“Enjoying yourself, pet?”

He smirked when he heard the clink of her dagger as it fell to the floor.

“Master?” She answered back through their connection. “I was just finishing up with this—”

“Oh no, dearest, you are far from done.” He cut her off. “Pick that dagger up, and cut through your other thigh, the same way you did the other.”

She briefly remained silent as she collected her thoughts, “How did you…”

“The dagger, pet.”

“Y– Yes, sir.”

He felt the ghost of the blade over his own thigh at the same time he heard her breathy moans echo in the hallway. 

He didn’t expect the vivid flashes of his past coming back to him, the burn of the scars in his back searing through his skin. He was all powerful now, this was long in the past, why was he still affected?

“Enough, pet.”

He needed to change his approach, no matter what, Malva was going to inflict this pain onto herself. He just needed to control it — make it feel good — for both of them.

He closed his eyes, banishing the remaining memories of his past to conjure the image of his consort instead.

“Take the hilt of your dagger and smear it with your blood.”

He imagined her in her long-sleeved black dress — the one he had picked for the night, with the embroidered red dragons partly covering her chest, matching his own ensemble — legs apart and cunt exposed with her dark blood slowly dripping from her thighs getting smeared over her skin as she ran the hilt of her weapon across it, coating it in her crimson.

“Now, guide it towards your slit, but don’t push it into you.” he paused, giving her time to follow his instructions, “And up to your clit. There, good girl. You’re gonna be rubbing yourself with it until I tell you to stop.”

He sensed a hint of doubt from her when she remained unmoving, “Do you not trust me, pet?”

“I… I simply didn't expect this from you.”

“Are you not glad I’m making the effort to keep your days exciting?”She bit her lip, remembering her dread of the previous dull days, “Yes, Sir.’

“Good, then close your eyes, and start rubbing that dagger over yourself.”

He heard her loud sigh before she finally let the bloody weapon touch her sensitive spot, allowing himself to feel her pleasure in his groin as she made it twirl and slide over it.

He let his head fall back against the wall as the sensation took place between his legs, only taking in the feeling temporarily before he shot his eyes open, ready to take the matter in his hands.

With her eyes still closed, Malva didn’t see Astarion approach her. She didn't feel the weight of his gaze as he stared her down like prey. But she did hear the pounding of his heartbeat against his chest as he grew closer, and her throat bobbed in anticipation between two raspy breaths, the movement between her legs relentlessly accelerating, her juices mixing with her blood as she neared her collapse.

“Tell me,” he purred down their connection. “How do you feel?”

“Good. Really good.”

“Don’t shy away from details now, I want to know exactly how you feel, dear.”

“The cuts… they burn deliciously, Sir. I’ve— missed this feeling, ah—” She became increasingly sensitive as she rubbed her swollen bud ceaselessly. “How… my wounds feel as the blood rises to the surface. When the burn spreads through my thighs and between my legs, fuck—”

Her breath accelerated and her mind blanked out as she focused on the growing ache between her legs.

“I’m— I’m close,” she panted.

Astarion might have to learn more about his dark consort after tonight, but if there was one thing he knew without a doubt, it was the clear signs of her collapse. With her head thrown back, her body messily leaning against the wall as her legs quivered from the excessive stimulation, and her pace getting sloppier as she was reaching her climax, he knew exactly how long until she reached the edge. Some time, right about…

Now.

“Stop,” he finally spoke up as he stood in front of her.

“What?!” She exclaimed, shooting her eyes open as she lifted her head back up, staring right into his eyes.

“Drop the knife, now.”

Reluctantly, Malva plunged her blade into the luxurious carpet, grunting as she did so. 

“Still feeling good, my dear?”

She shot him a frowning glare, chest heaving and lips parted as she panted.

“What do you think?!” She shouted. “I was so damned close– fuck!”

He snickered, stepping forward to meet her stare, “So you truly believe you deserve this? That you deserve more than what I've already allowed you, when you’ve been touching yourself behind my back?”

She lifted her head and without breaking eye contact, retorted with a growl, “You wouldn’t grasp how to please me, even if I showed you precisely how.”

He wouldn’t usually accept this behaviour from her, but this time around, he wanted to see how far he could take it.

“Is that so?” He smiled as he closed the gap between them, his stance hovering over her. “In all the years we've spent together, have I not proved you wrong already?” 

She backed into the wall as he pushed her against it, one hand caging her beneath him, while the other reached for his waist to pull out his signature dagger, bringing it up and pushing Malva's head upwards as he pressed the tip right under her chin.

“Do I need to prove my point again?” 

Her frown softened, “You seem to have underestimated me, my Lord.” 

Their lips were but a whisper apart, the threat of the blade restraining Malva in this position, leaving Astarion in complete control once again. All his consort could do in this position was talk back, something she was annoyingly well versed into.

“I'll have you know that it'll take me more than a few spankings to be truly satiated.”

He chuckled, “My beautiful, dark consort. I should've known you grew from the thorniest vines.”

His vision dropped from her eyes to her lips, trailing the tip of his dagger along her jaw and down her neck, stopping right at the valley between her breasts.

“Is this what you want?” He leaned his head above the crook of her neck, whispering roughly in her ear. “For me to slice you open and bleed you out, right here, in the middle of this hallway with our guests still waiting in the main room?” 

As he slid the blade down, partly slicing open the front of her dress, a faint line of blood appeared in its wake. The knife travelled down her chest, just past her navel, where it paused, leaving the dress only partially cut through.

He brought the blade back up with the same agonising pace, resting it right over her breast, barely pushing against her to pierce the skin, “Answer me, pet.”

Malva was already lost in the feeling of the blade hovering right above her heart, the word barely slipping between her lips as she held in her breath, one she kept forgetting wasn’t necessary anymore.

“Yes.”

He pressed deeper into her, just enough for the blade to penetrate her supple skin, pushing a deeper moan out of her, “And do you think you deserve it?”

“Y– Yes, Master.”

“Mmh…” He let his knife slide back down where her pleasure had accumulated, pressing its flat side against her glistening cunt, just enough for her to believe in the promise of what would come… 

Only to remove it completely right after, licking her blood and juices off from his weapon before pushing himself off the wall.

Malva blinked as her breathing came back to her, watching as her Master walked away from her, leaving her in an even messier state than he found her in.

“Maybe next time I’ll believe you.” He made sure to pick up the blade she had thrown down earlier as well, “You'll have to use your powers to carry out your tasks from now on, I’m sure you’ll manage though. After all, I can't trust you to carry around a blade if you risk to hurt yourself, can I? It would be unwise on my part, I’m sure you understand.”

Without knowing it, his consort had opened up a whole world of possibilities for him, and it all started with her first, real, punishment.

Thank you for reading! Comments, reblogs, and likes are very much appreciated, I love reading your feedback! <3 (tag list will be in the comments moving forward!)

[puppyeared]

horrible truth bomb dropped on my head 20 min ago

[love4hobi]

We live to move, and we will keep moving without forgetting about our roots. Because we are Neuron.

HOPE ON THE STREET EP.1

[bacchuschucklefuck]

okay unironically I love so much that porter is like this world SUCKS its BAD here and it HURTS you why do you care abt it!!! and literally every single bad kid is like ngl we just hate ur ass it does not matter what ur philosophy is

[lovesickeros]

☆ even the gods bleed [ pt 2 ]

{☆} characters furina, neuvillette {☆} notes cult au, imposter au, multi-chapter, gender neutral reader {☆} warnings none {☆} word count 1.9k {☆} previous [ 1 ]

This had to be a punishment of some sort – some kind of divine punishment.

She was bored out of her mind just watching the sleeping body – she hadn't blinked once in the past five hours, her eyes were really starting to hurt. Yet they still hadn't moved so much as an inch since she sequestered them away to the only place she had known to be safe.

But it'd been almost a week since then.

The only solace she found was that Teyvat had seemed much less hellbent on collapsing in on itself like a dying star.

That counted for something.

Not much, but something!

..Even if their position was no better then it was a week ago.

There was, after all, still the issue of what to do about the false Creator – the actual imposter – and the Archons following them like blind lambs. The other Archons wouldn't listen if she tried to reason with them, and it would only risk the life of Divine One if she spoke of their location to anyone else.

She also was pretty fond of having her head still attached to her shoulders.

So she avoided them all together. Partially because she wasn't sure she wouldn't have a breakdown at the sight of them..she'd never been a fighter, and fighting an Archon? Easy pass.

Instead she was forced to babysit the sleeping Divine until they woke up while Neuvillette handled taking care of the nation and dealing with the other Archons – and by extension the false Creator.

Really though, she would almost think them dead if not for the subtle rise and fall of their chest.

Though..this also left her with a lot of time to herself. A lot of time to think.

She really didn't like it.

There wasn't a lot to occupy her mind and what little there was only distracted her for a scant few moments before her eyes drifted back to the Divine like she was locked in their orbit, unable to escape.

She closed the same book for the twelfth time – she kept count – and returned it to it's meticulously designed place within her bookcase. A low, barely audible huff of frustration escaped her lips before she could bite it down, her stare boring a hole into the body of the Divine One with a sharp intensity she rarely showed.

She was tired, bored and constantly on edge, fearing that at any moment someone would find out about their presence here.

That, at the drop of a hat, she would be powerless to stop the greatest tragedy of her time play out before her eyes.

Neuvillette would have scolded her for being so petulant, especially around the Divine One, if he were here.

But he wasn't.

He was out running her nation, instead.

And what was she doing? Nothing!

She grit her teeth, nails digging harshly into the palm of her hands as she took a deep breath – now was not the time to think about that. She had..much more pressing matters. Sulking and letting her thoughts spiral helped no one, least of all herself.

Yet her attention was caught by a harsh inhale, the rustle of fabric – were they finally waking up? She was exhausted, but it all vanished at the sudden drop of life within the otherwise deathly still body of the Divine.

Her eyes followed the subtle twitch of their fingers, watching as their brow furrowed and their features twisted in something almost like..pain.

..She wasn't ready.

What was she supposed to say?

Should she even say anything? Would that be considered impolite? Does she wait for them to speak first? Should she kneel? Bow?

She doesn't get much time to find her own answer before their lashes flutter, chest heaving with every strangled breath. Every single thought vanishes from her mind the moment she meets their eyes.

For a long, silent moment she thinks that her heart must have stopped.

Their eyes glow like the cresting of the sun over the horizon, painting the world in hues of gold – yet it also reminded her of the dipping of the moon below the waves, casting the briefest, most gentle of lights upon the world engulfed in darkness. In the depths of their eyes was the birth and death of stars in the infinite cosmos – glittering stars in a sea of empty, blank space that left her feeling lightheaded and breathless.

Beneath the splendor is a spark of recognition in their eyes so vibrant it was like a shooting star piercing through the dark night sky, leaving nothing but the wonder in the eyes of the observer as the only proof it ever existed – brilliant in it's beauty, however brief.

It is the most beautiful thing she has ever seen.

"Focalors?"

The lilt of their voice nearly made her knees buckle beneath her – euphoria so consuming it left her feeling she was starving swallowed her whole, her mind blanking in a moment of utter bliss. It was..an indescribable feeling that she doubted she could ever hope to put into words – not in a way that could properly express it, try as she might.

She swallowed the words that threatened to spill from her lips – she couldn't make a fool of herself. Not in front of them of all people. She'd never forgive herself.

"Divine One," She rasps, clearing her throat and covering her mouth with a hand to mask both her nervousness and the small smile that creeps across her face. She quickly regains her composure, hand resting on her hip as she puffs out her chest with every bit of pride she can manage. "I am sure you must be confused, but worry not– your most loyal acolyte has seen the truth!"

The silence is deafening.

She opens one eye, peaking at the bewildered and almost distraught expression of the Divine.

"What the hell are you talking about?"

That..she was not prepared for. Surely they knew who they were! Surely they knew. They had to– she's been praying to them for as long as she's breathed, she's dedicated every hour of her life to living up to their ideals, they can't just–!

"Lady Furina?"

Neuvillette, thankfully, spares her the embarrassment of having a meltdown in front of the Divine, the gentle rap of his knuckles against the door making her and the Divine pause, the soft lull of his voice soothing her nerves and yet setting her on edge at the same time.

"Neuvillette." She clears her throat again, her steps hurried as she marches to the door and pries it open none too gently, a forced smile pulling at her lips. She wastes no time tugging the man into the room, shutting the door behind him with a short huff. The silence is, somehow, even worse then before as the three of them stare at each other in absolute exasperation.

Neuvillette, for his part, manages to get his act together with a sharp clearing of his throat, bowing so low even she looks unnerved. She steals a brief glance at the Divine, and she's taken aback by the uncomfortability twisting their features into a grimace.

Their expression is schooled back into one of empty apathy when he stands back to his full height, but she saw it – she knows she did! Did they not like their worship? Were they not respectful enough? For a moment, she feared the Divine would smite Neuvillette down on the spot..but they just stared at him like he was a ghost.

"Why aren't you killing me?"

The defeated, resigned tone combined with the way their voice cracks makes her heart ache in her chest – it feels as though her entire world is crumbling down at her feet, and she cannot explain why she feels such emotions so strongly, but it is suffocating. It is almost as if Teyvat itself is weeping, bearing down upon her shoulders like a heavy weight.

She feels the urge to weep herself, but she powers through, gritting her teeth long enough for Neuvillette to take his place at the side of her – though it feels more like their – bed, kneeling like he was going to pray.

"Divine One," He offers a hand with a quiet rumble of his voice, the words slipping off his tongue like honey. It's like trying to soothe a stray cat..though she'd never voice such comparisons of the most Divine out loud. "I..we mean you no harm. I swear on my authority as the Iudex of Fontaine and Chief Justice that you are safe with us."

The skepticism she expected, but the reverence in which Neuvillette must convince them – or perhaps they are simply so tired that they simply did not care any longer if it was all some ploy to drive a knife between their ribs. She didn't expect them to actually place their hand in Neuvillette's.

He didn't either, judging by the way he visibly brightened – not that they'd notice, but she did.

..Not that she could really blame him, her heels clicking against the floorboards as she shifted her weight to the other foot with a nervous energy that was practically bursting at the seams, more then a little jealous of the attention he was receiving. She was the one who found them, she was the one who stayed with them the entire time..but he gets all the attention?

How unfair.

"O-of course! We would never lay a hand on our creator," She adds, her voice a little higher pitched then she would have liked as she placed her hands on her hips, puffing out her chest and brushing off the sting of jealousy. "Least of all I– your most loyal, most devout acolyte!"

She felt baffled when she heard the sound of their laughter, her shoulders hunching and her cheeks flushing on mere instinct – she was expecting mockery, but the look in their eyes, still dulled by a pain she cannot even begin to imagine, made her hesitate.

..It was, perhaps, the most genuine thing she'd heard from them ever since before the hunt began.

She wasn't sure why her heart hurt at such an idea, but it was enthralling to see the beginnings of a half hearted smile on their lips.

For a moment, her mask of theatrics was forgotten as she stared at them in a mixture of awe and adoration– and though she didn't look at Neuvillette, she could imagine he must've shared such an expression.

Had she any doubts that they were her Creator, that they alone were the most Divine..they would wiped clean now. There was no mistaking the way the world itself seemed to grow clearer as they glanced up at her like she was worth something.

For a moment, she realized how cold the false Creators gaze had been now that she has felt warmth so gentle it almost made her knees buckle beneath her. It felt like a pale imitation, now.

Nothing could compare to the warmth that spread through her body at the mere semblance of a smile upon their lips. She didn't even mind if it was her they were laughing at anymore, she just wanted to hear them laugh again.

She'd make a fool of herself, if she had to.

She'd never felt so..ravenous for such a thing, but just the briefest glimpse was addictive.

She simply couldn't help herself from striding across the room and clasping their free hand in her own, her smile wide enough to unnerve as she leaned her weight onto the bed. For a moment, she considered pulling away at the way they startled, but her mind was made up by then – there was no going back.

"Again."

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[bakudekublogblog]

kacchan there is actually a way you and izuku can be together forever i have this crazy inventive solution for you it's called a marriage license

[arom-antix]

As part of a two-part reverse bang-bang, here's some more Valentines art to which @probablytoooldforthis wrote an amazing fic, Sweets for the Sweet! Please go check it out, I promise you won't regret it, and keep your eyes peeled for the second chapter - and artwork, of course - coming out on White Day aka the 14th of March!

Also, I this is an unrendered version, the finished version will be posted within about a week's time (hopefully) since I don't have access to digital drawing at the moment YuY

[luck-of-the-drawings]

OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever