#i got a big opportunity

[beemintty]

I thought I'd be devastated, but I actually just feel really proud of myself for trying.

[b4kuch1n]

wizard of both ways

[ianthelordof]

It’s been a minute.

I moved about a year ago and I haven’t posted any of my knits since then, but the knitting has not stopped! At some point I’ll go through my closet and log all the stuff here and on ravelry.

Anyway, I had no pattern for this and I have affectionately dubbed it my “Electric Cotton Candy Cardigan”

Ravelry Project

Watchlist for this project: Miss Night and Day, Castaway Diva, Doctor Slump, and The Bear.

[tereferka]

Worry is like a rocking chair, it keeps you occupied, but it gets you nowhere

I am very happy to present to you all my fanart I made for @vashwoodbigbang event! Made in collaboration with @snowpoet123 - author of the absolutely amazing bittersweet fanfiction that you will be able to read on her AO3 account! And here is a direct link to her work❤

Thank you @snowpoet123 for everything, it was fun to illustrate your work ���

[purkinje-effect]

Thinking again how it would feel infinitely more realistic if any given installment of Fallout included multiple Pip-Boy models. Like, 2000, 2000-VI, 3000, 3000-IV, etc etc. Why is there only one model type visible in a given installment? Design simplicity? Surely, like how some people have the newest iPhone, and others still have their fifteen year old Razr, different models could've gotten scavenged. One area ever only getting a single model distributed feels... so unrealistic in a hyper-capitalist setting.

More NPCs should also have one. I know they're supposed to be incredibly rare (and potentially difficult to refurb/restore) but that doesn't mean it's prohibitively impossible for a non-Vault Dweller to have one. Esp. when NPCs on multiple occasions will insinuate you must've killed someone for the one you're currently wearing, or at the very least, someone died for you to get it.

I really wish we could see someone with a jury-rigged refurb Pip-Boy that's held together with bubblegum and spite. Someone whose Pip-Boy only works if it's plugged into a terminal. People with a newer or older model than the one your character's been given at the beginning. Being offered more chances than just the Pimp-Boy to change which one you've got.

It's kind of disappointing that 76 doesn't have Pip-Boy skins that make them look like other models, or even plans that let you craft other models that you can skin. (My line of thinking with this is many things--e.g. the Secret Service Underarmor, Binoculars, Jetpacks, etc.--come in multiple colors/patterns, but instead of recoloring the base one, you craft a new one. The ATX recolors for the Ranger Outfit feels pertinent precedent too somehow, but I can't put a finger on it.)

Anyway. More Pip-Boy variation within a single game setting pls.

[laurrelise]

me feeling depressed 🤝 four random guys with a youtube reaction channel watching and hyping up the umbrella academy

[carnivalcarriondiscarded]

sorry im coping with aus again oopsie daisy. anyway here's my take on a fantasy au

it all started with me rewatching the D&D movie and thinking "hm. what (broad) classes would the neighbors have?"

and after much thinking i came to the conclusion: Barnaby = Bard / Eddie = Paladin / Sally = Sorcerer / Julie = fighter / Frank = monk / Howdy = Artificer / Poppy = Healer / Wally = 'Wizard'

those seem fitting! BUT i don't like restrictions or rules so in this very light worldbuilding for a casual (strongly glaring at myself here) CASUAL au, it's only dnd-esque. not actually dnd yk yk

in my head, they're not technically puppets for this au. they're flesh and blood, they've got bones, etc. they're actual Creatures, though they still look like Them! Julie's still pink w/ candy-corn-horns! Frank is still a gray tube! Barnaby is a big blue dog! they're just... not puppets. it's the same for the other beings in this fantasy world - they all keep the style, but they're all flesh n' blood if that makes sense. a cartoony fantasy world

so they have their little found family adventuring group titled, of course, The Neighborhood. because when they were first forming, Wally went "oh! are we a neighborhood? i've always wanted neighbors!" and it Stuck. so they all lovingly refer to each other as neighbors, even though the closest they get to being actual neighbors is pitching their tents next to each other & staying at an Inn in neighboring rooms

like your classic group of adventurers, they're almost constantly on the move. the longest they stay in one place is a couple of months - the rest of the time they're wandering! they take quests, get roped into general Shenanigans, etc. they adventure! and get into a lot of battles of varying severity

so Barnaby is still kiiiiind of a bard? best i can describe him is jack-of-all-trades moral support! he provides battle music, keeps the mood light, and stands off to the side to offer quips and tips. he prefers not to fight, and only Gets Involved when the others need Backup. even then, he usually takes the role of defending his neighbors. he has a good eye for whether or not physical support is needed - he never needs to be asked when there's a legitimate need for him! unless he's thoroughly distracted from the goings-on. he does have magic, but it's more for show / defense-based

Eddie's still pretty classically a paladin. healing powers, armor, there to be on the front lines and Protect! the group's sword and shield! he technically serves a god but he forgot who <3 he just makes the occasional general offering and mumbles some vague prayer. he's super friendly! super helpful! super willing to dive into the line of fire! Will disregard his own safety without a second thought! his magic is pretty much restricted to healing, and it's weak healing at that (maybe because he can't properly serve his god...), so it's mostly good for quick mid-battle heals and little wounds. temporary fixes!

Sally has innate fire/light magic, and she's very showy with it! she puts Flair and Pizazz into all of her casts and is very dramatic on the battlefield - she manages to turn her fights into a performance. She tag-teams keeping the Neighborhood entertained with Barnaby. he handles the humor/lightheartedness, she handles the escapism/encouragement. she writes scripts & stories in her off-time, and often reads them (or spins a new one) after dinner. when they have weeks / month breaks in one spot, sometimes she'll recruit local thespians to create a play

Frank is all about that hand-to-hand combat babey! he wants to feel bones break under his fists! he wants those split knuckles! he very often starts fights, and even more often finishes them - what he lacks in raw power he makes up for in vicious tenacity. he just Keeps On Going! he seconds as the group's Knowledge Guy. while his hobby is studying insects, he also catalogues/studies monsters and enemies and terrain so that the Neighborhood can always be prepared. the only time he stays out of fights is when he's researching or note-taking. he tries to micromanage the battle from afar anyway

Julie is like... put a druid, a fighter, and a barbarian in a blender. she's got a big sword! she's got seemingly endless energy in battle! she can talk to plants, especially flowers! her flora magic is very minor, so it's not like she's making giant roots burst out of the ground and strangle people. but plants can give her information, and if she asks nicely and they feel like it, sometimes they'll help her out. in battle she's a force to be reckoned with! nothing will stop her and her sword! she's usually the second (closely following Frank, with Eddie hot on her heels) Neighbor charging into battle - but she's the one with the stellar war cry! & where Sally and Barnaby tend to the Neighborhood's emotional wellbeing & entertainment, Julie keeps things fresh with Physical Activities during their downtime!

Poppy is a powerful healer! she draws on an individual's energy (often taps into her own as well) to convert it into healing power. it's draining but it's damn good healing! she also takes the role of the Neighborhood's cook (the others still like to help, especially Frank who is essentially her sous-chef) and makes sure they're all healthy. she hangs back during battles, waiting to (and hoping that she doesn't have to) heal a wounded Neighbor. if one of them is badly hit, she forces herself to run into battle and drag them to safety before working on their injury. she has a tiny bit of illusion magic, which she'll cast from afar to assist her Neighbors. she tries not to use it outside of emergencies - it takes a lot of energy, which she tries to conserve just in case.

Howdy has Zero Magic! none! four hands and none of them are magical! however, he's a damn good inventor & a whiz at potion making. he can Use magical items like there's no tomorrow - he just can't wield it himself. he supplies the group with potions, helpful items, all sorts of goodies - given that they can trade for it with anything he'd accept in-canon. the only exception is when they're mid-battle - he hands stuff out when needed without haggle. he supplies the group with their cash when they're not getting it from looting/quests - he has a magic backpack that can unfold into a fully-stocked merchant stall! he sells at towns, on the road, anywhere he can! In battle he hangs back with Poppy and, yes, supplies items, but he also uses ranged attacks - magical weapons that cast for him, magic 'bombs', that sort of thing! but there's a little secret - he's the Neighborhood's secret weapon. he invented fantasy guns! four magic revolvers that, when the 'second safety' is turned off, multiply into a giant clusterfuck of guns (with ammo ranging from magic 'bullets' to essentially rocket launchers). unfortunately he can only use this setting once & for a limited time before the guns overload & have to be manually repaired. so he either uses them off of the first safety (i.e, they're 'normal'), or not at all. you know shit is Really hitting the fan when he joins a fight

and Wally! Wally Wally Wally... you may have noticed that i put his class 'wizard' in quotes. that's because he says he's a wizard, but he's not! he just says he's one due to the automatic stigma and fear of what he really is - a Warlock! his patron is Home, an eldritch horror that many would classify as a demon. they have a very special, codependent pact that neither of them can live without - Wally wears their 'seal' as a house-shaped pendant on a choker (necklace) hidden under his clothes. Home is extraordinarily powerful, but Wally barely taps into that power. he has a grimoire that Home inscribed with a bunch of sigils that convert into spells when drawn & then cast in the air. the only other powers he uses are seeing-in-the-dark, seeing-magic, and opening teleportation doors! Wally can't sleep, but he can doze - though he's never fully unaware of his surroundings (its kind of like how dolphins only sleep with one half of their brain). he still eats with his eyes, which both feeds him & acts as a form of providing daily energy to Home, since Home can't exactly consume souls every day. If Wally uses too much magic, he has to rest inside of Home's house-form, which is the only time he actually fully sleeps. no one knows about Home, or that Wally is lying about his wizard status.

Home is a lovecraftian being with three forms. the first is the lowest power level - a cute one-room house with Eyes! i.e: Home Classic! Wally's pendant unfolds into it, and it's the main way Wally and Home physically interact & communicate. the second is possession - if Wally explicitly allows it, Home can completely take over his body and kind of 'tuck him away' to have a nice deep nap while Home takes the reins (Home can technically force this, but it's very difficult and would not go over well w/ Wally - it would also be an unstable possession). the third is Home's true form - a massive shadowy eldritch monster made of writhing darkness and nightmares that no one in their right mind would look at, let alone fight. Home has very complicated feelings about Wally & the Neighborhood. they are also, quite literally, Wally's heart - which is part of their pact.

i have some scene ideas & little Plot Concepts (most notably the times the Neighborhood learns two Very Big Secrets about Wally, one of which being the warlock/Home reveal).

but yeah that's moooostly it. basic stuff yk, not very in depth! just fun things to feed my maladaptive daydreaming & escapism

[odysseys-blood]

so since belphie is wearing sneakers i wonder....do he got the

[character-obsessed-fem]

messy meeks sketch i made 😋

[trashlie]

ILY FP 258

I can't believe we're actually passed episode 250 lmao I Love Yoo is truly the never ending story (affectionate). I appreciate how much of the story we really get to dig into at this pace and while I know a lot of people have long-since dropped it, I imagine the rest of us (those reading this post because why else are you here?) also appreciate it. And that's what is even more refreshing about this episode - if refreshing is even a word we can use to describe it. Getting the extra scenes from other characters, a look at their lives and from these glimpses, what we can glean in the unsaid between the lines.

Can you believe I used to prey on Kousuke's downfall? There's so many posts of me talking about him from a different view, believing that the only way he could grow and develop and make the changes necessary to make him a better person was for him to crash and burn, to fail so significantly that he would be forced to pen his eyes to reality. But here we are, me, fervently swaddling him up like a baby and shoving him into my pocket because GOD he needs to be protected.

I don't even remember when it was, that my view on him began to shift, when I went from "he's interesting but awful" to "GOD THIS IS MY SON AND I WILL FIGHT EVERYONE YOU HAVE TO GO THROUGH ME" but.... lol there's no going back!

That's enough rambling, let's jump in.

There is something so painfully devastating about every time ILY confirms to us something we have long-since known or suspected through nuance, foreshadowing, reading between the lines, etc: That Kousuke isn't Rand's biological son, that Shinae was at the formal for Gun Kim, that Kousuke has been manipulated his whole life. Nothing in this episode regarding Kousuke is actually new to us. We have known, and talked about, for months and months long before the confirmation reveal that Yui drugs Kousuke - that he has been manipulated by her his entire life, that she orchestrated his life to manipulate him into situations she could take advantage of. It's the way she spoke about Rand's affair around Kousuke, the way she commodified Rand's love so Kousuke became convinced he'd never earned his father's love, the way she spoke of their family vs others and convinced him from such a young age that everyone was out to get them, to destroy them, and that he couldn't let them get close, couldn't let them near - and how Nol was very much a target planted in his mind.

But it's the fact that he is speaking of this and acknowledging it! Until now, Kousuke has heavily lived in denial. Again, we know this. We talk a lot about the chasm between reality and the reality he believes in. We talk a lot about how Kousuke couldn't face reality, even though on some level he knew everything he believed and was told was not quite true not quite real, but that he was so afraid of the truth, he couldn't do it. Kousuke admitting that he's been driven by fear and envy explains everything about him, and why he could not accept the only unwavering unconditional love he was offered.

A few weeks ago I saw a video on instagram of this father talking about a conversation he had with his daughter, who was feeling a little uncomfortable with her friend group. A new girl started to play with her and her best friend and she said she wasn't exactly jealous, but that maybe it was that she was afraid that there wasn't enough love to go around. Her dad had to explain to her that love is not like a pizza - it's not finite, a limited amount that could be taken and hogged by someone else. But Kousuke never learned this. His father's love was commodified and he was made to fear this other kid who he mistakenly believed knew a version of his father he'd never been privy to. He never learned that love is finite, that Rand could have enough love for the both of them, and feared that Nol would hog it all - that he WAS hogging it all because whether or not it was good or bad, Nol received more attention that Kousuke did. And that speaks VOLUMES about how Kousuke sees Rand, what he thinks of their relationship. In his mind, he is still unworthy, that he's not noteworthy enough.

This part gets to me so badly. We, as omniscient readers, know that Rand has tried his best, but that Yui runs a spectacular interference with which he can't compete, largely because of the roles their family have placed them in - Rand the busy businessman, Yui the mommy homemaker. But no matter how hard he tries, it isn't good enough. Rand tries to reach Kousuke, but the manipulation and paranoia are so far gone that the times Rand does have the chance to convey his feelings, Kousuke can't even believe it, because he thinks he's not good enough to deserve that love, that he hasn't fully qualified for it yet. And despite that, Nol, who Kousuke feels hasn't done half of what he has to deserve Rand's love, gets the attention. It doesn't matter that it's negative attention, that Rand barks at Nol, that Nol feels Rand hates and regrets him, because ultimately, it's still more than Kousuke receives. And worse, to him, every time Rand is busy reprimanding Nol, he turns away from Kousuke to do it.

I want to make it clear that this is a deep trauma point of Kousuke's. He's never learned healthy love and the only person who gave him healthy love was someone he was set to fear and fight. Something I think about a lot is the flashback to Kousuke, in the bushes, watching Nessa and Nol's display of warm affection, before Yui appears literally looming before him. In that moment, he witnesses something he's been deprived of. "We're not like other families"'. He's told from a young age he shouldn't compare himself to those healthy families, to warm and affectionate relationships that he will not cultivate in this household. From such a young age it is normalized, that they aren't like others, that they are cold and distant. From a young age, he's made to stuff down his feelings, his tender wants and desires, in order to earn them. To be a good little boy who makes his parents proud. To make his father look his way.

There's also something about the way he says "I've been a good boy" that echoes Shinae learning she's been manipulated by Yui, devastated and angry and yelling about how she's been a good girl so why do these things keep happening to her, all she wanted to do was help her dad. Two people who, from a young age, felt they had to be so obedient, so good, to not be a burden, and despite following the rules, despite doing as they were told, despite trying to be whatever version of "good" they believed in, the world still beat them up and mistreated them. The world still punished them.

As Rin in our discord server pointed out, though, to some degree, Kousuke is very much a person who can - and does - act out, when he's emotionally high-strung. He's a volatile man, and it's largely to do with the fact that he's been drugged to placate him for so long. He never learned emotional regulation, he never learned how to deal with high-stress situations or to face conflict or to own up to things. This is something that some readers who hate Kousuke and expect him to act a certain way because of his age are missing. You don't just learn these things with age. You learn them with experience and Kousuke was deprived of the opportunity TO have those experiences. He never had to learn these behaviors, and now as an adult he cannot function when overwhelmed.

Idk this whole episode is just heartbreaking. It's devastating. I remember when I was someone praying on Kousuke's downfall and now I want to take it all back ;___; I always believed he had to crash and burn to be able to see the world for what it really was and to face his fears, but this is somehow so much worse.

And even though he's drunk, I don't think he's going to forget all of this in the morning. Rather, I think what he's voicing are things that have been plaguing him since waking up in the hospital. From that moment, we saw him wary and distrustful of his mother, we saw his concern for Nol rising above everything else, but grappling with the understanding that he doesn't deserve to stand in front of Nol anymore. These aren't epiphanies coming to him just because he's drunk; it's more like he's only voicing them because he's drunk. But even when he sobers up, he will probably still be haunted by these fears, these agonies, these truths, this understanding.

How does he face his mother after this? How does he face anyone? He may not even feel like he can trust Jayce - who while very kind to him, is still employed by his family. He may not even feel like he can trust Hansuke (though I really hope that's not the case).

He's so miserable and it genuinely hurts to have him lay it all out for us - everything we've known and suspected, like how it was so painfully clear he WANTED Nol's friendship, their brotherhood, but feared it, didn't believe that there was enough love to go around, that there could only be one of them and that even if it was for good or bad reasons, Nol cast him in the shadow. And all these years, watching as Nol, as Yeonggi, grew into this person who sounded so very much like this unknown version of their father, someone funny who makes others laugh, someone goofy, someone so boyish in the ways Kousuke was never allowed to be. Watching as he gathers friends, while Kousuke, so unlikeable, is wanted only for his money, for his status, for the clout.

He doesn't even know WHO HE IS! Questioning his own traits he's believed of himself, wondering if this is even him, if these parts of him are real or does he just act it, say it, pretend it, while trying to fulfill a role he was shoved into. That makes me feel SO deeply sad, because it's something I've been anticipating for so long: Kousuke wondering WHO he really is, how much of him is real and how much of it is the result of manipulation.

And that moment that he catches himself and says no no that's offensive and rude you can't be like that. ;AAA;

For him to admit how much he envies others, how much he craves the kind of connection others have, the kind of family others have, to feel that love and warmth that he's been deprived of, forced to endure this solitude because, as he believes, he didn't get the good parts of Rand. And what will happen when he learns that Rand isn't his father? That he never stood a chance to inherit any of those traits. Kousuke has operated on this belief that, if he tries hard enough, he can earn the things he craves, but I fear learning about his parenthood will make him think that no matter how hard he tried, he would never earn that, because none of it was ever him, could have gone to him.

I think this is where Shinae, in the future, will come in. I feel so very strongly that she will be someone who helps Kousuke to see that this isn't true, that these kinds of personality traits aren't something inherited, but rather something learned. For him to one day realize it's the paralyzing fear that holds him back, not his genetics. Of course, I acknowledge this will still take a lot of therapy but...

Something else very remarkable to me is the way Kousuke recognizes Shinae in Shinhye, because their eyes "feel the same" and he opens up to her - on some level, whether or not he is consciously aware of it, Kousuke knows, or maybe just wants to, that he can trust Shinae. That she is someone who is safe. He even knows how she feels about his mother. I don't think we'll see a lot of Kousuke and Shinae's friendship until we're passed our timeskips, but it makes me feel a little hopeful about it, that she'll be able to reach him, because she feels like someone who is safe. It's the way he sees Nol in her and wants to try to have that do over, a relationship with someone who  has unconditional love for him. It's the way he knows he mistreated Nol, that it was wrong, that he took it all out on this kid he was so afraid of because he had no other outlet, and he wants to do better but knows that there's nothing to salvage anymore.

But also, it just makes me hope more and more that in the future we WILL see a reconciliation between the brothers. As I say every time, it doesn't mean they have to become brothers or friends, but I just want them to see each other fully. Kousuke knows what he did to Nol. He doesn't deny it, even if he might not say it out loud unless he's drunk. But Nol is still so in the dark. Yujing is trying to tip him off and make him aware of it, but I hope one day when Nol realizes it, when he finds out that Kousuke, too, was Yui's victim, that he wasn't the only one, that Kousuke was made to fear Nol's love, he might.... understand. I'm saying understand here loosely because I don't want people to get the idea that I mean Nol will forgive him and Kousuke will be justified, but rather that Nol would be able to understand why Kousuke felt that way, and move on. But I can't help but hope that it will lead to an understanding, a reconciliation, where maybe they can try to be in each other's lives.

I think it's also interesting that Shinhye was somewhat honest, even if she wasn't very forthcoming, with Kousuke about her own family. It sounds like her mother has been gone for a long time, that she's been on her own the whole while, and I think it reinforces the idea that she believes both that Simhan is her father and that he rejected her, that he didn't want anything to do with her. It lines up, too, with how she feels that he wouldn't react well if he saw her (although I think she credited that to looking like their mother). In the same way that Shinae has felt abandoned and cast aside by their mother, Shinhye probably thinks their father never tried reach out, to find them, to maintain a relationship with her. Or perhaps it's that her mother fed her lies about him, made her believe him a different type of man, made her believe there would never be anything of their relationship to salvage. And given that she's the one who Kousuke opened to, it makes me think that there must be some kind of parallel there; the way she mentioned her own mother feels like maybe her mother, too, was a manipulative - or at the very least, dishonest - person.

I don't speculate a lot on Shinhye because frankly I don't think I know enough about her to really try to talk about her, but I do think that it's very likely there's some kind of connection between Shinhye and the Hirahras or Gun. To be clear, I don't believe she's working with Yui at all. I think it's more like... Alyssa isn't the only girl who has been trafficked by Gun. What's the likelihood that Shinae and Shinhye's mother was? Given her history, the gambling addiction that was so egregious her reputation haunted Shinae and chased her to a new neighborhood and school, was she seeking money somewhere else, somewhere more dangerous? Is that part of why they had to change their name? There's so many questions left about them, and I look forward to learning more about her, but, much like with Alyssa, I think it will take time and be dropped in little tidbits like this - things to read into and try to glean something from.

And maybe we'll see more of this duo in the future? It would feel a little weird to give them this one single run in, but I'm not entirely sure. Quimchee likes to keep us on our toes. After all, Minhyuk and Shinhye have also had only the one run in. Still, I think it would be interesting to watch, if Shinhye ever felt.... I want to say maybe compelled? to dig in more to Kousuke, ever feel a kind of kinship. I don't think she'll open up to him at all, but rather, maybe she'd keep going back because a. he's wealthy and there's more she can nick from him (assuming he doesn't realize she stole anything while in his apartment, if he even remembers any of this) and b. wanting to gather more intel.

Like I said though, she's hard to read so I don't want to cling too hard to any ideas and, instead, sit back and enjoy the show.

[lavender-kills]

[dazais-guardian-angel]

Dazai truly has become Oda in every way imaginable now. :’ ) the final words he gives to Sigma are the exact same words Oda gives to Dazai in the original scene Asagiri wrote for the end of the Dark Era stage play, 後は頼んだよ, “I will leave the rest to you.”

And I really love the progression of the way his eyes look in this chapter, and how Sigma is allowed to have this moment of questioning and rebelling against all the faith Dazai had naturally been leading him to place in him up to this point, which is what I hoped would happen. He’s been confused ever since Dazai first chose him, and everything he’s ever known about how everyone sees/treats him turned upside down by Dazai’s words and actions, and just when he’s finally started to feel like he’s found some hope and lowered his guard, Dazai pulls him back underwater, instantly reinforcing all of Sigma’s trust issues and reinforcing that he should never believe in anyone, because (he thinks) everyone lives to manipulate other people. Dazai’s dark eyes here reinforce that, too, and the other panels around this point where they look white and hollow and demonic, all like Fyodor’s. He appears like an evil, looming force pulling him back under, trying to kill him, when Sigma is so close to the freedom of the air he desperately wants (aka free from pain, which is what he’s been seeking his whole life).

But then Dazai makes this face, and the first one I posted above, and Sigma understands, even without words, that Dazai doesn’t have evil intent: on the contrary, he actually is bound and determined to save his life -- and the light in his eyes comes out through this determination and kindness, arguably the most light we’ve ever seen his eyes have in the entire manga (in the “I leave the rest to you” panel too). The “No” could be Dazai wordlessly telling him to not leave the water, but my first assumption was that it was Sigma telling himself no, stopping his own train of thought about Dazai being the same as Fyodor and someone he shouldn’t have trusted -- he soon realizes why Dazai stopped him, and that he’s still going to try to save him, that he wasn’t wrong about him, and it’s all because Dazai’s earnest expressions get through to him.

And it’s just so heartwarming to see how far Dazai has come. :’ ) He tried so hard to save Sigma (doing the most physical action we’ve ever seen him do, really), did his best to be reassuring and comforting to him afterwards, and then reaffirmed his promise to ensure he escaped Meursault alive, his final words to Sigma echoing Oda’s and his last action being to save an orphan, just like Oda did in his last moments. Obviously Dazai isn’t actually going to die, he’ll be saved somehow, but I do think as of right now he really does think this is the end for him, and that he didn’t foresee the elevator dropping -- he was examining the wires a few chapters ago because he thought he might need to know how to open the doors in case Fyodor pulled an uno reverse, hence why he looks more annoyed than shocked when the water starts, but here, when the drop collision sequence is initiated, he looks genuinely shook in comparison. There’d be no reason for him to give the thumbs up if he knew more danger was on the way, either; that’d just be cruel. No, I don’t think he saw this coming, and it’s important that that turns out to be the case: it’s important that he spent what he believes to have been his last moments saving someone like Oda wanted for him, and doing what Oda would have done in the same situation. That doesn’t mean that it’s okay that Dazai throws his life away so easily, and cares so little for his own safety; he still has a long way to go in that regard. But it’s still so beautiful to see how much he’s changed, and how much he’s truly begun to embody Oda and his legacy; the fact that he messed up and miscalculated, because Dazai isn’t infallible, but in turn didn’t hesitate to use his last moments to save Sigma. Oda would be so proud for everything he did here. :’ ) 💖

There are a lot of options for how Dazai will be saved, and by who, but personally I hope (and I kind of expect) that Sigma chooses to not give up on him and ultimately plays a role in saving his life, to return the favor and repay him for his kindness. Not only would it be a beautiful way to initiate Sigma’s ADA entrance exam as people have said, but it would bring the Dazai > Atsushi > Sigma chain full circle: Dazai saved Atsushi at the start of the series, allowing him to (spiritually) save Sigma at sky casino thanks to the growth fostered in him by Dazai, and now finally, Sigma could potentially save Dazai thanks to Atsushi kickstarting his own growth (and Dazai continuing it). Fyodor is overly cocky right now and so tunnel-visioned on killing Dazai, it’s possible that he has no idea that Sigma managed to escape the elevator and is now a wild card; even if Sigma doesn’t go as far as killing Fyodor himself (which I don’t want, tbh; that’s endgame stuff arcs down the line and imo Nikolai and Dazai should be the ones involved with that), he could throw a wrench in the jailbreak duel, and help Dazai and Chuuya get out alive. It would be poetic, and only fitting, for Fyodor to underestimate and be outdone by the kind of person Dazai told him is the strongest in chapter 77 -- a self-proclaimed “ordinary man” -- who could only have the strength to take such action thanks to the chain of kindness that Oda originally started. 💖

[detectiveneve]

hello! i can't remember if you answered this in your wonderful astarion romance meta [THAT I CANNOT FIND AGAIN FOR SOME REASON...], but when he propositions us for a second time -- with the series of pick-up lines that we can cheekily call him out on -- do you think he's still in the 'i'm just trying to keep you on my side' stage, or is there maybe some interest in us beyond that?

Hello!! Ahh thank you, you might mean this one? I have another one where I broke down a separate scene so if it’s that one, I can dig for it! But!!!!

I’m currently phone-bound so I can’t grab my usual quotes screencaps BUT I DO have thoughts on that scene, so let me ramble—

for the scene you’re referencing in particular, I really do think there’s a degree of projection from the player (ie what you think this scene means for astarion and your tav is up to you) and personal interpretation for the pacing in here—so if someone else sees it differently or sees it paced differently for their tav, I can definitely get that. however, for me, this scene sort of represents this very interesting shift in the relationship, but not because astarion is developing interest, but because of how he’s acting around tav now that he knows he has tav’s interest secured.

in short: I do think this scene happens still mostly in “I’m manipulating you to keep myself safe,” territory BUT. What’s interesting is that astarion isn’t making any attempts to disguise that anymore. prior to this scene, his two potential propositions (both the one he initiates pre-goblin camp and the one that happens during the goblin party), while not necessarily “natural,” and most certainly not rooted in the first bloomings of a crush, or whatever, there’s a conscious effort to disguise his routine and, in essence, genuine seduction through appealing to Tav, trying to incite desire, etc. — he’s lying and when you know he’s lying it’s obvious, but there’s wiggle room for Tav to genuinely think, hey, this guy is interested in me. but the scene you’re referencing—“here’s my little treat with their cheeks all flushed…” “three little words. everyone’s favorite. I love you. (that would be a lie.) but a very sweet lie,” or whatever he says at the end there—descends very quickly into teasing (almost taunting) that is VERY heavy handed and very gleeful in how he almost …. dangles the falsehood of it in front of you.

there’s multiple ways you can interpret that. is he getting more egregious in his flirting because he feels like he doesn’t have to try as hard, but still TRIES? is he revealing the truth behind the facade because he’s starting, on some level, to feel comfortable enough to reveal THAT if nothing else? I’m less convinced by the second, more convinced by the first, but myyyy personal interpretation of that scene is one that kind of….. is within the romance but removed from it in terms of. I don’t think it’s about tav here, really. I think it’s about astarion.

to elaborate, I think that there’s a kind of thrill in this moment — astarion has been an object for sex and desire for 200 years, and he’s still doing that, still playing that role, but now he’s doing it without the overarching crushing influence of cazador behind him; his safety within the group is relatively secured now; there is less..... external (or perceived external) pressure to keep up the act, but he still does it. which I think results in him almost……. outright telling you that it’s false? like a kind of release, to say that the I love you is a lie, and you know that, and I know that, and I don’t have to FULLY pretend so, in his own way, he doesn't--he tugs and pulls at emotion, and kind of .... invites Tav into the lie, in a sense (thank god there's no option to say "I love you too," here, I worry that fans would take it and mean it sincerely. like. AUCK). maybe there's almost a vindictive thrill to getting to basically display his exaggeration. or maybe he's pushing at the boundaries of what tav & he have here, seeing how far he's sunk in. playing the role still, but at the end, you know it's at least partially an act. either way, poking and prodding like that, to me, isn't motivated by blooming squishy feelings. rather, it's something less sweet, less romance-y to boot, but more interesting for the character as a whole. or maybe that's just my own bias--I tend to find the Soft Squishy Romance to be the least interesting aspect OF the romantic dynamic. also, to be clear, I'm not trying to soften it up with elaboration here. taking away the context of astarion's history and past, what he's doing here is really just mean. it's a kind of cruel thing to so starkly display that you dont really give a fuck about the feelings of the person in front of you--enough to throw flirting and emotional barbs of "I love you," at them just for the laugh of it. it's a bitch move, but it's an interesting one, and I rarely see the conjunction of His Meanness discussed with how it manifests due to his history-- it makes complete sense and it's FASCINATING.

there is ONE thing I'll say, and that in the dialogue branch where you say, "Are you having fun?" or something along those lines, he says, "I am! It's hard not to, with you." and that, I do believe to be sincere, in its own way. I do think Astarion is having fun with Tav out on the road, being with them, being with the group, enjoying the show so to speak, and exploring his newfound freedom--all of which is wrapped up in proximity to Tav. there's arguments to be made that there's pacing issues here, but I actually interpreted the fact that we don't really have another romance-specific scene before the "you're wonderful"/drow confession to be intentional. to me, the trust bond with astarion isn't developed in moments where he's putting up the act or where you're expressing interest or attraction to him (he already knows, he's already removed from that, there's no trust to grow in these moments because sex/attraction is the last thing associated with trust to him), but rather, trust is reinforced over time on the road, through shows of support out and about during crucial, but NON-ROMANTIC moments (such as killing yurgir for him--a nonromantic act, but one that solidifies that he can trust you.)

all in all, after such longwindedness... I guess my answer is that. while I dont think he LOVES tav at all, and maybe he isn't even romantically there yet with them, I do think he likes Tav by this point, and enjoys their company and their presence. what that means to YOU is up to you! as I said, I think it's a scene where the pacing and emotional weight is partially up for interpretation. you can just as easily imagine that he's got unaddressed growing feelings there as you can not--especially since if you turn him down here, what he'll say is "I've gotten on my back more times than I can count [...] most of them I don't even remember. but you, I'll remember." <- possibly implying that there was the start of a potential something here, ultimately ended, which he isn't really sad about because it removes the overall pressure of putting up a show, but at the same time implies a fondness for tav the person; again, not necessarily romantically oriented, but positive emotion regardless.

[commanders-sole-braincell]

I keep humming and haaing about getting a gw2 tattoo for a first/second tattoo but it's a toss up of Commander symbols, elite spec symbols and the basass quotes in tyrian script

[torgawl]

caribert alberich my sweet boy :(((

[sysig]

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