Several times recently I've found myself making tea whilst listening to The Magnus Archives, and as a result I've developed a silly little headcanon...
I'm not sure if it's a nationwide thing, but certainly throughout my life I've experienced the weird stigma of having sugar in your tea. It's not direct or aggressive, but there always seems to be this vague notion that sweetening your tea makes you less strong, less manly. I rarely see men ask for sugar, and often observe an obvious proudness in teenage boys when they say "no sugar, thanks."
Picture Jonathan Sims, newly appointed archivist, worried he's not good enough, placed haphazardly in power of people who were very recently peers, and desperately trying to prove he's the right man for the job. Everything seems to be falling apart a bit, and he's not at all sure his assistants have any faith in him; he had to ask for a tape recorder because he couldn't get his laptop to work properly - that's embarrassing.
Now imagine Martin: office sweetheart, gets along with pretty much anyone, just moved to a new position working with two close friends, and the attractive guy from research is his boss (he's a bit rude and stuck up, but it's probably just the stress, right?). He's pretty comfortable! Aside from the occasional snide remark from Jon it is a good job, which is especially pleasing considering how he got to work at the institute in the first place.
Two opposing forces, as we all well know! But what's better at building bridges than a nice cup of tea? Martin makes a lot of tea, but I like to think he memorises how everyone takes theirs. Regardless, he has to ask at least once.
And so, kind, sweet, gentle Martin, his offer of a cup of tea promptly accepted, would have the misfortune of saying, "do you take that with sugar?" to an embarrassed, flustered Jon, who's trying desperately not to confront any romantic feelings he might have hidden away. The ensuing scoff and slightly too enthusiastic 'No! Thank you.' would be enough to remember that preference for a while.
As times go on, hundreds of cups of tea later, things get less tense between the pair, and Martin never has to revisit the question; but late one night, shortly before Jon is to leave for Great Yarmouth and Martin is to risk it all to take down Elias, Jon places a hand gently on Martin's shoulder and asks "Could I have a cup of tea?". Of course Martin says yes, it's the least he could do, but as he turns to go and make it, Jon calls out again. "With sugar, please."
Just a tiny vulnerability, but enough. By that point most of Jon's facade has been torn roughly away many times, but letting go of small points of pride often means more than non-deliberate actions. Having enough bravery to admit to liking something soft and sweet is harder than you'd think.
Maybe during those six months after, Martin would watch the sugar dissolve into his own tea with a painful melancholy, the sweetness a bitter memory.
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So you're an adult who wants to start reading for fun, but you don't know where to start
I'm a librarian, and I hear at least once a week from people who sheepishly tell me that they'd love to start reading for fun (for the first time or after a long break). Here's my best advice broken down into bullet points, but start here: there is no shame in being a beginner.
-Think about what you do enjoy and start from there. So you're not a book person. Do you like movies? Television? Podcasts? Music? Tabletop games? Video games? What other media do you like and what does it have in common? Make a little list and Venn diagram that shit.
Maybe you're into stories about fucked-up families (Sharp Objects, Succession) or found families (lots of realplay TTRPG podcasts, Leverage, Avatar: The Last Airbender) or fucked-up found families (various Batman media, Steven Universe, The Good Place). Maybe you mainly watch or listen to stuff for the romance (Taylor Swift music, The Best Man, Heartstopper) or the sci-fi horror (The Magnus Archives, M3gan, Nope) or the romantic sci-fi horror (Welcome to Night Vale).
And hey, maybe you're not a fictional media person at all. What do you like? What do you want to know about? World history? True crime? Home improvement? Birdwatching? Gardening? Various animals and their behavior? Human psychology? Cooking? If it's a thing, there are books about it. Start there.
Think about why you started to dislike reading. Did an adult snatch a book you thought looked cool out of your hands and say "Don't read that, it's below your reading level/above your reading level/a comic, not a real book"?
Did school give you an endless parade of miserable, bleak books and tell you they were universal stories about the human condition? Or did it maybe only give you stories with saccharine, unearned happy endings, or only show you stories about straight cis wealthy abled white kids, or keep you from reading entire books at all in favor of endlessly dissecting tiny passages out of context? (For some vindication, check out "How Teachers Make Children Hate Reading" by John Holt.)
Did you have an older sibling or a friend who was better at reading? Did adults put you in competition with that other kid and make you feel like shit about it?
Were you in a situation where you were good at reading in one language, or even more than one, but required to read in another that you were still learning? Did this make you feel like you were "behind schedule" or like you shouldn't read at all?
Or was reading just harder for you than it seemed for other people? Did reading give you headaches? Did the letters or numbers seem to float around on the page? Was it hard for you to focus for long enough to get through a whole book? Did you need to learn to read differently than the kids around you could? Did adults punish you for this instead of helping you? (Look, I'm not a doctor, but if any of these apply to you, consider going to an optometrist, a psychologist, and/or a psychiatrist to talk about these things if they're persistent and interfere with your life.)
Or maybe you're burned out on reading. Maybe you did an advanced degree in literature or writing or history or some other reading-heavy discipline and you're just tired. Maybe your professors or classmates got snobby about what constituted "literary" works and their good opinion didn't line up with what you actually enjoy.
You get to be sad and angry about these things, if they happened to you. They're also clues to how to move forward if you'd like to read more, or enjoy reading more.
Give yourself permission to read whatever you want, in whatever way you want. Wanna start with young adult books? Middle grade books? Awesome. Many of them have stories that are sophisticated and complex. Starting with re-reading the first books you enjoyed reading could help jog your memory about why you initially found it fun. Hell, even picture books are a good start. Have you read a picture book lately? Those things are getting cooler every day.
Comics and graphic novels? Those count as reading. Many of them are published for adults, though again, the ones published for a middle-grade or young adult audience are often complex and moving. If you're an anime fan, give manga a shot. The source material for many anime go deeper into the characters and stories, especially now that anime seasons are often truncated to 12 episodes for entire series. (The right-to-left thing is easier to get used to than you think, too.)
Romance novels and mystery thrillers and science fiction and fantasy? Those count as reading. Many of the things you might have liked about the books you read as a child or a teenager are present in adult "genre" fiction, and many of the things you might despise about adult "literary" fiction (god, I hate that word, but that's another post) may be absent from those titles.
E-books and audiobooks definitely count as reading, and they're often more accessible than paper books for some people. Anybody who tries to genre- or format-shame you is a dick and not worth talking to.
Go to your local library. All right, shameless self-promotion here, I'll admit it. But I promise you, if you walk into a library and say "I'm an adult, I stopped reading a while ago, and I'd like to start back up again but I need suggestions," you will make someone's day.
I get asked for my opinion about books approximately once a month. I get asked how to use the printer approximately eighty-five times a day. I love helping with the printer and I'm saying that unironically, but my colleagues and I absolutely adore "readers' advisory" questions. If you come with the answers to the above questions about your preferred genres, formats, and reasons you'd like to read, it'll help the process, but most of us are trained to ask follow-up questions to get you the best possible book match.
Do not apologize. You are not bothering us. It is literally part of our job. We want people to know that reading is fun, and you are a people.
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Fictional podcast recs
One of my friends got into audio drama and I just sent them a whole list of recommendations to go through, I thought someone who follows these tags might also appreciate it and perhaps have some more to throw in.
I resisted the urge to throw in the little blurb about audio dramas as a weird little medium and their tropes that I wrote up. It was something to the effect of nodding at how the medium has rapidly been improving since Welcome to Nightvale started, also how a lot of the tropes that tie the medium together are products of the indie podcast scene being accessible and primarily based in audio. Also at how well horror works in the format. Those paragraphs went unsaved but writing first about the medium in general helped me to reflect on a lot of the things that make audiodramas appealing or repulsive to me for discussing each show in brief beyond just explaining what they're about.
All recommendations are tagged for the tldr.
Fiction podcast recommendations in no particular order:
The Magnus Archives
Horror
The biggest criticism I ever had of this podcast’s voice acting from episode 1 turned out to be a relevant plot point. This thing is probably the best of the best, but I would never recommend it to someone unfamiliar with podcasts because the listener only notices a plot hook somewhere between episodes 20-40 and that’s daunting in the face of a 200 episode show. Getting sucked in rewards you with 200 episodes of thoughtful content and a great explanation for most of the weird things this show chooses to incorporate.
Old Gods of Appalachia
Horror
Fantastic production quality on this ongoing show. Many seasons with interconnected lore and a hell of a narrator. It’s not my personal favorite but it’s quite excellent.
Red Valley
Found footage mystery
One of the newer shows I’ve gotten into, Red Valley is well-crafted. It becomes compelling very quickly with a rapid pace that slows down to land in a neat spot for a while so you can savor the cool parts. The production quality is excellent and the two main voice actors have excellent chemistry. The third and final season is currently being produced.
The Silt Verses
Horror
Often compared to American Gods, this newer podcast made by an experienced team is doing a lot of creative and fresh things at once. The magnificently fucked up religious system of The Silt Verses is both a neat plot vehicle and cleanly works as a criticism of late stage capitalism, where many podcasts like to jab at capitalism this one is much more pointed in its commentary. Episodes are long and very well produced. All the credits in the third season have been mostly diegetic and add flavor to the world.
Archive 81
Found footage horror
Slow to start but by season 2 the production quality and plot are among the best in the game. Unfortunately, on an extended hiatus.
Ars Paradoxica
Science fiction, historical
Very well produced considering its age, this is a highly regarded show among people who follow the medium. Excellent time travel mechanics here. The plot drags a bit by the end because time travel stories must violently contort themselves into a conclusion, but the first season or two are fantastic and it’s always nice to have an ending instead of interminable hiatus.
Caravan
Gay demons n stuff
Showed up, did magic and gay shit, disappeared and went on hiatus probably with some kinda unsatisfying cliffhanger seeing as I don’t remember the plot. Could I recommend it in good faith? Not until they at least cough up season 2. I don’t remember it being bad and that alone is notable for the medium.
Mabel
Gothic horror
This is the deepest cut on the list except for maybe Caravan. Lesbians pine at each other for increasingly complicated reasons, eventually devolving into them doing datura and then spewing cryptic poetry together for the rest of their days. The production quality is fair. The slow windup and creepy house are American-gothic af. This show has had a few hiatuses, but each time it comes back significantly more intriguing.
Welcome to Nightvale
Goofy spooky news broadcast
Old and iconic, not very consistent. Sometimes explores emotional, tense, spooky, or funny scenes well, but the show is really focused on being local news for an ooky spooky desert town because Cecil is damn good at his job. Don’t come here looking for plot, it’s a fun vibe and I don’t know that anybody’s ripped it off and notably improved on this classic. Above average production quality for its time which improved through the years.
Alice isn’t Dead
USA road trip, horror
Made by at least one of the Nightvale writers, totally different show with a lesbian trucker making wry observations of some magnificently twisted shit seen around the United States. The producers know how to run a show, so the production is pretty good.
Tanis
Found footage horror
Tanis is not good. However, it was the first fiction podcast to make me ask “Is this real?” and hesitantly believe it for a frankly embarrassing number of episodes. The stories in the first season were interesting and the lore is just some big-tent conspiracy style of cramming a bunch of fun Wikipedia research into what turns out to be an increasingly nonsensical plot. Every season after the second, I return to hate-listen and am gaslit into thinking the show might low-key rock a few episodes before the finale, which is routinely frustrating and makes sure to throw out any good plot points Terry Miles comes up with. The acting is routinely terrible, and the frame narrative allows lazy and frequent retcons, ruining what I think is a good premise. Also it’s incomplete.
The Black Tapes
Horror
Terry Miles started this show before Tanis began releasing about 5 months later. I think of it as one of his earlier works because it behaves like Tanis with an added layer of cringe from a time waster of an awkward romance(?) between the two main characters. I couldn’t finish this show. You won’t see this recommended as often as it used to be online because there’s many better shows now, but this used to be a big deal. There’s a bunch of memes making fun of the annoying cadence of the characters’ speech and iconic sponsorship reads in both this and Tanis. If you’re interested in some cringe atop your creepypasta podcast, the two are interchangeable.
Rabbits
ARG investigation
Not as horror focused as Terry Miles’ other shows, the cringe is dialed down and the show is better for it. Tanis and The Black Tapes are more well known, I think the only reason more people don’t think about this one is because the first two don’t inspire trust in the production or narrative quality of this show, but I remember it being fine for a season. I have not gone back to catch up now that more is out.
Malevolent
Horror
Inspired by The King in Yellow, one man performs two voices and verbally abuses himself with aplomb. Having a blind main character with an extra voice in his head is a frame story I haven’t heard yet (unless it came up in the magnus archives and I don’t remember), the concept works out great for the frame of a podcast to deploy the environmental imagery that foley cannot communicate. It also prevents the podcast trope of lengthy exposition about visual surroundings from sounding awkward or potentially impacting someone’s character development to show setting.
Wolf 359
Comedy, science fiction
A crew of whacky characters is stuck in deep space, hanging out and researching a star. Since that’s not actually very interesting they crack jokes and fuck around for a slow burn until interesting stuff happens. Good but not great, this one is long and satisfying and a bit less heavy than all the horror this medium often focuses on. Decent production quality.
The White Vault
Found footage horror
I lost patience with this podcast even though the overarching story seemed very cool – it progresses very slowly yet appears to grow bigger and more confusing instead of deigning to answer basic questions for a frustratingly long drag through the first four seasons. I worry that this frustration may be the point and the Patreon gated stories are the drivers for this tendency towards the confusing patchwork of ideas this show communicates. The production quality is good though.
The Left Right Game
Found footage horror
Genuinely great reddit creepypasta got turned into an overproduced podcast – I say “over” in comparison to the voice acting quality because it’s kind of impossible to sell some of the lines, which makes sense considering the source. Brief, complete, punchy, interesting, and just a little odd to hear such a clean production but a creepypasta this fun deserves the effort.
Wooden Overcoats
Comedy
Surprisingly good production quality for its age, and also a refresher from the usual tropes of the medium. Just a chill sitcom about a funeral parlor in a small town. I haven’t finished this 4 season show yet but its good.
The Black List Table Reads
Movie script readings
Some movie scripts just short of making the cut to be turned into a full Hollywood production were well liked enough by a group of film nerds that sat down to act them out as a podcast. Half of the episodes are interviews with screenwriters, and the other half see a script read all the way through by actors. They’re all rejected for different reasons so there’s a pretty broad spread of genres. My favorites were Blood From a Stone and Balls Out.
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