Tumgik
#I think I’m more chill about it but I WILL STILL rant about the plot/characters to anyone who asks
sol-draws-sometimes · 11 months
Text
I’m prepping reels to post on my insta account(I have one btw, just no posts on it yet), but this is so funny, I’ll share this with yall
Audio comes from a Kitboga vid
Transcripts underneath:
In the context of the vid it’s a scammer and Kitboga
Scammer(glitchy distressed screaming): DO NOT REDEEM! DO NOT REDEEM THE CARD!
Kitboga: What?
Scammer: DO NOT REDEEM THE CARDS!
Kitboga(very matter of fact/calm): Yes!
(Crosstalk) Kitboga: I’m redeeming the card. I’m redeeming the card! Okay!
(Crosstalk) Scammer: DO NOT REDEEM THE CARDS!
Beat/silence
Scammer: NOOOOOOOOOOO
4 notes · View notes
daughter-of-prospero · 11 months
Text
Jonah Rant
Someone on Youtube reminded me that I rage-typed an essay-length tirade about Jonah Magnus and his status as a certified Bastard Man right after the finale. They asked if there was a chance they could see it, which was a good question because did I even still have it? Turns out: Yes! It’s evidently been chilling in Onedrive for ~2 years. So for those who wish, my thoughts regarding that awful little man are below.
Spoilers for The Magnus Archives.
I went into the finale fully ready to not hear from Jonah again. I thought ‘oh, cosmic horror, as important as he thinks he is, he’s inconsequential and John just zaps him with eye lasers or something’. I didn’t want it per se, but I thought it was plausible.
But no. Oh no. Jonah Magnus speaks again, and he hasn’t been around for all of season 5. We heard him on a recording and we heard him chanting in the background and also all distorted in a job interview flashback, but there has been no actual uncompelled words being spoken by Jonah Magnus in real time since 159.
Yes he wrote the incantation but, rather crucially, he did not read it.
I binged TMA right as it got up to the season 4 finale. I got through season 1 in one day, and season 2 the next, and then got through three and four in the days after that. I caught up just in time for 160 to drop.
So I, foolish, naïve baby that I was, had over a year to forget what this character actually sounded like, and just how much of a slimy, insufferable fucker Jonah Magnus is. Was. Bitch.
I’ve gone into this elsewhere so I won’t belabor it but one of the reasons I’m so viscerally miffed by him is because of every human character in this podcast, he is the only one that is never shown sympathetically. I’m not counting Nikola Orsinov, or NotThems, or other manifestations of the Entities. I mean of the human, or avatar-human characters he is the least grey. Morality in this show is complex and tough to think about in my brain and one of the great ways it does this is through having really layered characters with motivations that are, at least a little, understandable. Jude Perry was a violent, sadistic lady...she was also devoted to Agnes and in some ways I think you could argue they were each other’s only links to humanity until what’s-his-name came along. Coffee shop Himbo guy. Peter Lukas is a misanthrope to the max who will send people into a nether realm if they so much as look at him wrong – which is to say, look at him at all. He was also raised to know nothing but loneliness, and pursuing it was kind of the only way he ever got some sort of approval. Which also manifested as more distance.
We get these little nuggets of what brought a villain where they are now, and we certainly don’t have to excuse them, but we have some context. We have some understanding that there is humanity in there, and that understanding makes them all the more unsettling.
Not fuckin’ Jonah.
What do we know about him? He’s a couple centuries old. Great. He found out about the powers, was drawn to the eye, and decided to start body-hopping to cheat death. He’s been doing this for ages. He tried a ritual and it failed. He took his time then, plotting and planning, and being smug, and finally arriving at a hypothesis that had a lot of credence to it. Everything fell into place, he was right, its all or nothing with the entities but the Eye rules because it opened the door (or WHATEVER).
So his big motivator is he doesn’t want to die.
And you know what, this is super understandable. We don’t know what his childhood was like (Jesus, can you imagine him in a little powder wig, climbing a tree to get a high vantage point to spy on people and get blackmail on them?), but fear of death is almost universal.
And of all the billions of people on this planet, I cannot help but notice that we are not thwarting narcissistic necromancers every fifteen minutes. Because the world would have fucking exploded a long, long time ago if we had more Jonahs in it. i.e. the people who would make aggressive selfishness a full-time occupation.
There’s a sort of cocktail of shit that makes him a memorable baddie not the least of which is that he never even attempts to justify his abhorrent actions. He’s not lying to himself, or anyone else, he’s not serving a cult, or a bunch of worms. He’s in it for himself, and if he has to stack the corpses of every living thing on the planet to reach immortality he’ll fucking do it without hesitation. Couple that with his manipulations, his merciless psychological torture, and a low, smooth voice that is always so infuriatingly composed and you have a Hell of a villain.
(I maintain that one of the reasons he’s so effective is that he enunciates so carefully. He doesn’t run words together, or mumble, he never really raises his voice, he is always in control, and everything is a flex right down to the articulation. I feel like we associate crisp, clear speech with formality, presidential addresses, or theater, things like that. Where you know what you are going to say and so the recitation is more confident. We hear this happen in statements, to a certain extent, but there’s still a lot of emotional range. For 199 episodes we never heard Jonah lose this pointed, smarmy tone. People don’t talk so formally in life, or when they’re talking on the podcast. There is something unsettling and intimidating about hearing such clear and confident speech all the time. It sounds like he knows exactly what to say in any situation. It sounds like he is utterly confident in every word that leaves his mouth. It sounds like he’s in a scene and no one else got the script but him. Because that is kinda what’s going on. At the very least, he thinks that’s what’s going on)
When he drops from wherever he’s suspended in the panopticon, he, you know, sort of makes a noise because that’s gotta be jarring. And we for once, for once, for fucking ONCE hear him even vaguely uncertain. And stupido io, I thought he was finally brought low and we might get a tantrum or something.
But no. Jonah Magnus has a lot of lost time to make up for, it’s been 20 eps since he’s been able to serenade everyone with his unique brand of horny arrogance. This motherfucker has exactly a millisecond of confusion and grogginess before “I was having the most...wonderful dream”. You can hear him edging.
And he’s kiiiiind of surprised to see John by himself with a knife, but still, so blasé, so, ‘oh, is that all?’ He’s a liiiiitle regretful to hear it’s over, but immediately heads into waxing rhapsodic about seeing a thousand lifetimes and the rapture of infinite sight and suffering and other Hellraiser shit when John speaks for all of us and tells him to shut up. Yet another reason to respect him.
And John has a lovely little catharsis where he gets to tell this orchestrator of his despair that Jonah has failed because the Things that Jonah is so devoted to will die a slow death. How long has he been waiting to say that, do you think? I mean at this point there’s nothing that could do what he’s probably feeling justice but he says it himself he gets some satisfaction from “knowing that I’ll be leaving these things that you serve trapped and starving in their own private hell.”
And all Jonah has to say is: “That we serve.” To the bitter, bitter end he is determined to just...okay I was gonna say twist the knife but that seems a bit tasteless now...determined to cause even more hurt. He cannot resist, it’s kind of all he knows. He is at the edge of a cliff and taunting the person that’s about to push him off of it.
And if you ever need a posterchild for ‘hubris’ just pull up a sound clip of Jonah Magnus. He tries to play the old ‘alright, playtime’s over,’ card, brushing the dust and what-the-fuck-ever else off his suit and manipulate John again. He has the...not even audacity, he’s looped back around from being semi-omniscient, to being so confident in that omniscience he thinks he knows everything and therefore acts way more stupidly than someone without that surety. He is enough of a dipshit to try and say to John “we both know you don’t have it in you”.
Motherfucker, what have you been doing for this entire season? What have you been doing this entire show? You have purposefully created someone who has withstood the brunt of every entity and come out more or less intact. You purposefully guided him into honing his powers, and put him in a position where he has nothing to lose. Well, Martin, but Jonah can’t do anything about that. Not anymore. Because the one person who can protect Martin is coincidentally the same person who can, will, and reeeeeally wants to Kill Jonah.
“King of a ruined world and I shall never die” my ass. King? Really? You were a placeholder, my dude. The Eye didn’t give a fuck that you were at the top of the panopticon and it didn’t give a fuck when John pulled you out of it. You said it yourself, dipshit. You might have started the archives, but John IS the archives. He is the only person more powerful than Jonah and Jonah, of all people, should know this. Especially considering you could presumably see John cutting through the domains, dishing out biblical vengeance, on a warpath for your tower.
So of course, he decides to antagonize John even more if that is even possible by telling him they both know he can’t do it.
And John fucking punches him and it’s great. Extended sounds of brutal ass whooping, please and thank you.
And then we get one of two lines that sums up Jonah Magnus for me.
“P-please John, I don’t want to die”.
This guy. Who dedicated his several lives to ruling the world and feeding on everyone else’s pain. Who has committed atrocities that numerous to count and too horrible to name. Who is being confronted by the direct target of his machinations and who, I think it’s safe to say, hates him more than anyone or anything else in existence. Has the absolute fucking nerve to go “but I’m scared :(”
When he went ‘I don’t want to die’ I actually said to literally no one because I was alone in my room “HA, Fuck you.”
John puts it a bit more eloquently. “Neither did they”. Beautiful. And then he’s gutted like the repulsive little fish he is.
The second line that sums up this insufferable megalomaniac is a little earlier. It’s casual, neither of them makes a point of it. Maybe because it’s a little redundant. “Empathy only holds you back in the end”.
I don’t want to die, and Empathy only holds you back in the end.
I mean, that’s the thesis statement of the shit-eating essay that is Jonah Magnus.
He’s so far beyond regret, or anything that isn’t 100% self-motivated he cannot perceive that perhaps John will have maybe, I don’t know, changed a bit. Gotten used to horror. Killed. He cannot fathom anything outside the tower as more than a food source. He is so used to seeing people as pawns he dies not actually understanding why John killed him. “Good luck” are his last lines.
First of all, the direction is ‘wetly’ and on the one hand I know what that means, but on the other, I cannot think of a more fitting adjective to end on with this guy.
Second of all, the ambiguity of how sincere he is or isn’t being is enraging, and so classic and I hate him, which is to say fucking excellent job of writing and acting both.
He goes to his grave thinking John’s making a power grab. He cannot conceive of any other reason for John doing what he’s doing. They’re opposite ends of the spectrum. One who can think of no one but himself, and one who will sacrifice himself because he’s thinking of everyone else. You know how matter can’t be created or destroyed? I think guilt might be the same way. And Jonah found a handy receptacle for all the guilt he doesn’t have time for and that receptacle is named Jonathan Sims head Archivist of The Magnus Institute.
What a good villain. What an infuriatingly mellifluous bitch. The thinks he’s King of the World, he thinks he’s going to get such special treatment, he thinks consequences apply to everyone but him, he thinks this is a game he can win when he doesn’t even know what the fuck he’s playing.
As much as he looked at John and went “perfect, an insecure idiot”, the Web looked at him and went “perfect, a pompous ass”. He wanted to live forever, but now he’s dead. And he doesn’t even get to live on in memory. No one knew he was up there. No one remembered Elias, let alone Jonah. You think Georgie, Melanie, Rosie, and Basira are going to tell the world about him? What would be the point?
Congratulations, Jonah. You tried to ensure your immortality and ended up ensuring that you died both literally and figuratively. Before it got yeeted into another dimension The End must have had a fucking Field Day the second his heart stopped beating.
What a bastard. What an unfathomable bastard. Like he really thought this would all work out for him, that he was the most Important Thing in the world when, at best, at best he was a glorified fucking contact lens.
Ass.
234 notes · View notes
moonflowerdamie · 2 years
Text
i’ve just finished vol 1 of stranger things and i’m gonna rant about my thoughts so:
⚠️SPOILERS FOR STRANGER THINGS⚠️
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
holy shit it was incredible! the vibe, the plot, the characters, all *chefs kiss* perfection. it was all amazing tbh, but i’m just gonna talk about my personal favourite things from the season.
• ep 4–‘dear billy’:
holy mother of god this episode. this fucking episode. possibly the best stranger things episode ever, if i’m honest. max’s storyline this season was brilliant, dealing with the loss of her abuser/brother, high school, a fading friend group—it was a dark twist for the character, but one that felt gritty in such a natural way. billy didn’t get a redemption arc (thank god) but max still dealt with the loss in a very real, very raw way that felt so genuine—big pat on the back for the duffer brothers there.
this episode, though. we got to see max’s true feelings; her isolation, her grief, her suicidal thoughts and feelings. it was a real exploration of her character that made me love her all the more.
and i can’t not talk about that end scene. holy. fucking. shit. the cinematography, the song choice, the way it swelled as max rose from the ground, the tension, the suspense, the goddamn flashbacks. all of it was just fucking breathtaking. i was crying and shaking the whole time. max’s determination to get back to her family, the way she collapses in lucas’s arms. absolutely the best scene in stranger things history, and one of my favourite scenes of all time in anything ever. chills. every time. and sadie sink deserves all the awards for her performance, i’ll stand by that. icon behaviour.
• the vecna/001 storyline:
this had me gripped from the start. honestly, i was so intrigued the whole time—and it was played out incredibly well.
from the first scene making us think eleven killed those kids, to the big reveal that 001 had been behind it all along, to eleven blasting him into the upside down and creating vecna. phew. was on the edge of my seat from the start.
it also makes sense in a way that’s not too perfect, but just perfect enough. it’s a reason for all previous seasons, a perfect storm. it felt like the stuff of epics, the final enemy, the final battle. mwah, i loved it.
• eddie, steve and dustin:
i loved them this season. best boys 4 life.
we got the steve and dustin best bros dynamic back, plus seeing how much they mean to each other through eddie coming between them. perfection. i love those little doofuses.
and eddie himself was great. brilliant character, comedic and interesting. good job joe quinn.
•lumax:
i’d never really hated or loved this ship before season 4. i mean, it was kinda cute, but i never got all the hype surrounding it. now, i think i do.
their angst this season was just 😤. the way you can so clearly see that they still care for each other, the way they still need each other. lucas being max’s safe haven. max being the one lucas is vulnerable around. amazing, spectacular. it’s clear they love each other, they just need to figure some stuff out first. my second fav ship of the season.
and here we go, my favourite thing from stranger things season 4 vol 1:
• RONANCE!!!!
oh. my. god. these two stole the show for me.
their dynamic was just immaculate the whole way through—from bickering strangers to grudging allies to genuine friendship. it was exactly what i imagined for them and natalia and maya played it so well. their scenes were honestly my favourite. and whilst i love them as friends, i’m a feral ronance shipper—and lemme tell you, i was FED.
firstly, robin tells steve in the video store that she rambles around the girls she likes. cut to robin talking non-stop around nancy in the library. ROBIN I KNOW UR SECRET BABE.
then, we see tammy thompson (finally), who could be a carbon copy of nancy wheeler, from the style down to the heart eyes for steve. SHIT robin, do you have a type—popular pretty girl who falls for the preppy pretty boy? just admit you like nancy already oh my god.
robin’s obsession with having nancy like her?? the fucking lesbianism of it! like, wanting this other girl so desperately to think you’re cool that you end up being so annoying she has to shut you up with mystery and monsters? the gay agenda. needing to be her friend but you don’t know why until—oh shit, that’s why.
the way they just complete each other!!! they bounce off each other so easily, coming up with all the plans and the genius ideas and basically saving the whole group together. the way they play off each other in the asylum, convincing the guy to let them see victor (and holy shit the way nancy looks at robin during her speech). they save max’s life together, and are the only reason the group can save themselves from vecna and i just think that’s neat.
finally, to address the stancy plot line. it’s clear the duffers are trying to make it seem like steve and nancy will get back together, and who knows, maybe they will. but i think (i hope) the duffers are smarter than that.
nancy and steve are the characters who have had the most development over the course of the show. they’ve both grown into themselves, become different and better people. and to have them get back together would completely defeat their respective arcs. i can see them being good friends, but i don’t think they’d realistically work as a couple again.
for one reason, it was made clear in nancy’s vecna vision that her biggest fear, the thing that haunts her most, is that she killed barb, that barb died because she slept with steve. that shit still fucks with 3 years later. and i think she’ll always associate that guilt with him, no matter what. i don’t think she’ll move past that enough to have a healthy relationship with him.
for another, steve clearly doesn’t know what he wants—and i think he needs to figure that out on his own. he’s desperate for love, that’s obvious, and he’s latched onto nancy because she’s his ex who’s showing interest. i think he needs to come into himself a little more before he thinks of trying a relationship.
finally, it’d be pretty cruel of the duffer brothers to have nancy do what she did to steve with jonathan to jonathan with steve. it’d be unoriginal and disappointing, and it wouldn’t really make sense. at least have nancy and jonathan break up officially first, you know?
so no, i don’t think steve and nancy will get back together. and i also think jonathan and nancy will break up when she realises they don’t need each other anymore. they were trauma-bonded, that’s true, but she’s doing well on her own, and they want to take separate paths in life. so that leaves nancy a single pringle.
and who’s right there with her? robin motherfucking buckley.
robin, who annoyed the shit out of her at first, who is frustratingly clever and infuriatingly funny. robin, who saved max’s life, who tried to help nancy, unselfishly, with her love life when they barely even knew each other. robin, who’s become the closest thing she has to a friend since barb.
robin, who i think is gonna save her life.
last time we saw nancy, she was under vecna’s curse. and we all know the only way to break the trance is to play that person’s favourite song. and sure, steve might know it and that’ll be that, but what if he doesn’t? what if he can’t save her?
robin will step in. we saw her routing through nancy’s draws in her room, and we saw her holding some of nancy’s tapes. i don’t think that was a coincidence. i think robin knows nancy’s favourite song and is going to save her life with it.
and boom. just like that, robin stops being the annoying new friend. robin becomes the life-saver, the ally, the rock in the middle of the hurricane. and nancy starts to fall for her.
but what do i know, eh?
anyways, those are my thoughts on season 4 volume 1!!!! i’d love to hear yours—just send me an ask, some of your ideas about what’s gonna happen in vol 2, what your thoughts about the first volume are—love you guys :)
278 notes · View notes
bonesandthebees · 9 months
Note
Chapter 22:
Wilbur blaming himself for cursing Tommy because he’s the one whose cursed and feeling guilty about it vs. Tommy blaming himself for getting curse because he told Wilbur to take of his blindfold and feeling guilty about Wilbur blaming himself and feeling like shit. (Probably also about stressing Phil and Techno out).
The resurface of Wilbur’s ‘death wise’. It’s not that he wants to die per se, it’s more that religious guilt and what he thinks he deserves + jumping to the worst conclusions any time he can. But we are in his head, everyone around him is not and therefore worried(TM).
Phil and Techno clearly being upset, but trying their hardest to not let it show because they know Wilbur and Tommy probably tried everything in their power to avoid this, so it’s not their fault and being angry at them won’t help. Also, Wilbur will (and did) that their frustrations as anger at him. (I just love their ‘parenting’ style, they are so chill whereas in other stories characters like these would get a very for plot, they are just here to be (mostly) reasonable.)
The codependency kicking in strong. Sleeping in the same room. Constantly being together and when they aren’t there’s always someone else with them, most often Phil and Techno. When one of them needs a 1 on 1 talk the other will always stay or escort the remaining member of the codependency gang. (Which is how we get Wilbur not noticing Techno is still with him at the end.)
Speaking of the end: Tommy is still the only person who knows that Wilbur used to be a street kid, so his little rant might tip Techno of to that. At which point Techno could suddenly understand why they get along so well. (At least I’m pretty sure Wilbur says that nobody cared about him on the street, I’m not going back to check).
Also, Tommy being very scared of dying even though he doesn’t really (fully) believe in the curse vs. Tommy not wanting anyone (especially Wilbur) to be worried about him (or get made at Wilbur). So he hides that he’s cursed and he’s so damn good in pretending he doesn’t feel like shit. But then the second he’s just with people who know he’s cursed, you can sort of see him unravel, because he’s still scared.
Also, Phil telling Wilbur that he’s going to need to decide if he still wants to be Pythia and soon is food for my ‘they are working together with Eret to take over and possibly using Wilbur as a gambling chip’ theory. There’s more to fuel that theory in chapter 23, so I’ll get to it.
And lastly, Phil pointing that Wilbur couldn’t have changed the vision is fuel of the ‘the Pythia can see the future, but never change it and maybe even help cause it’ theory. There’s also a bit with Tommy but I can’t remember which chapter that’s in, so I’ll put it in the next one.
-🌲
the totally not brothers are in a competition to out self-guilt each other
yeah I thought it was really interesting to show wilbur returning to that mindset even if it was just a brief moment. just showing that even though he's improved a lot, he's still got a lot of issues and some troubling mindsets that are ingrained into him which led to some very unhealthy thought patterns. he never wanted to die, but he's been made to feel like his life isn't worth much at all so if he's not serving his purpose and/or he's done something wrong, dying might be the best option
I think it helps that phil and techno are also literally worshippers of death. like of course they're worried and upset and don't want tommy to die, but they have a different view of death than most people do, which also lends itself to their more chill reaction. and like you said, they know wilbur and tommy definitely did everything they could to avoid this.
oh yeah the codependency is only gonna be kicked up higher with this whole situation. the brothers are attached at the hip and phil and techno can tell.
tommy IS scared yes!! despite worshipping death he's also an 18 year old who doesn't want to die yet. sure death isn't as scary for him as it is for most people, but he's not ready to go. tommy's actually got a really interesting internal struggle going on right now with his own religious beliefs conflicting with his fears of dying that I don't have much opportunity to show. but yeah he's got a lot of internal conflict going on with his belief in kristin right now
hmm theories theories theories :)
13 notes · View notes
Text
I’m gonna rant cuz I wanna
I was gonna wait to post this till I had a few drawings to go w this rant but wah- forget it-
So here’s a draft that I am going to finish post at 3:15am because it’s ramble time baby
So this is technically an AU- but just for myself - cuz none of y’all would understand the differences being made
Until I explain it to you lalalalaaa so here we go-
everyone has thier own versions of sun & moon and Y/N wether it be in personality or design or both
I just wanna explain how I picture my universe of sillies ig- I always wanted to go on a rant about it but I would always shut myself down- being afraid that I would come off as more annoying than I already am ndndksbsj- Idk- nevertheless it’s fun to info dump- wether or not people actually read it- I don’t mind at this point- so I’m just gonna go for it man
So basically I have this OC world I call Zermerands-(don’t hurt yourself trying to pronounce it) - which is a planet full of my original species and a very messy plot point- I think I mentioned this planet maybe once before-? Don’t quote me on that- but that’s besides the point
The point is that in this world- magic,psychic abilities,elementsl powers, advanced technology, and all that yadda yadda is the norm- so a pizza plex existing here would be considered kinda a basic kids establishment- but it’s still very much a popular place to kill time with the kiddos- and the daycare in this case is the backbone of the company-
ok so each species has their own districts- and usually all the crazy outstanding and very risky establishments are built in the Feindly district- I’ll one day go into depth with all the species but rn I’m too lazy and I wanna try to keep this as short as my rambling self possibly can B)
In the canon story I have an OC named Jackie that owns an establishment similar to the pizza plex- so basically- the AU is that Jackie’s Place is replaced with the pizza plex - tadaa
As of right now - Zermerands doesn’t have any robot inhabitants- so ig in a way the animatronics are a somewhat fascinating feat- however most people are so use to the diversity of the population that they may just assume the robots are actual citizens just working there to provide for thier robot families
Which is not the case given that they were accidentally given sentience-
But ya- so- ya
In the Feindly district - murder isn’t illegal- however most stores/households/establishments have installed an T.T.M.S.S (acronym for “Thing That Makes Stuff Stop”,, people here don’t know how to name their gadgets) which is basically an,,, idk a word for it,,? Anesthetic?? Ig?? - it works at a kinda mist that they put In the air so that basically it makes people incapable of using their special abilities-
like- for example - if a dragon person waltzed into the pizza plex- they wouldn’t have ability to breathe fire - and they would be in a relaxed state to where they would be for the most park physically and emotionally incapable of causing any problems- but the effectiveness of this must varies from creature to creature-
This doesn’t affect the animatronics tho- cuz - they don’t have lungs-
they don’t have any special abilities outside of the canon game but they would technically be stronger than all the costumers
Which is why moon has been shamelessly eating trespassers
Even tho murder isn’t illegal- people are still pretty civil and respectful- and they would expect nothing less from the animatronics
Murder is a controversial topic in the Feindly district- some consider it incredibly idiotic that it’s not illegal- some say “Ya don’t like it? Move to another district!” And then most of which are indifferent- most are pretty chill they really don’t care- but it causes them to be fairly callused- given that any day at anytime- they- or a loved one could be gonzo within seconds
Ok back to talking about the plex-
All the glam characters are basically the same in personality-
Moon is more feral and only speaks fluent sentences if he feels you’re worth his time- if not he’ll talk with very few words
For example
I kinda respect you, moon: “You can leave now. Your shift ended half an hour ago.”
I playfully disrespect you, moon: “You. Gone.”
That kinda thing
Sun is very calm and sarcastic
Absolutely panicking and questioning his life 24/7 on the inside-
He’ll only let his panic shine through if he feels threatened or has a suspicion that he’s being replaced
But ofc he hides it very very well with being chill and silly silly
He only raises his voice when he absolutely positively needs to
Otherwise he prefers to solve conflicts in a fashion that causes less stress in everyone involved
He kinda had to take on both roles of being fun and upbeat- yet calm and relaxed at the same time
Sun was the one who ratted Moon out tho-
After being addressed for his behavior- management figured it would be safer if Moon was just strictly a security guard and never was allowed to interact with the kids
He acted pretty indifferent to the whole thing- but he does kinda miss the kids-
A lot-
Sun loves his job- but he felt if Moon wasn’t so morally STUPID that it would be a lot easier to manage
Also yes they both reside in the same body
So he is very well capable of speaking with moon he just prefers not to most of the time
They don’t hate eachother- they just rather not associate- they view eachother as mere business partners rather than brothers
19 notes · View notes
jacenbren · 2 years
Text
Hey guys!
Okay, usually I stay out of drama. HOWEVER, recently, I’ve accidentally stumbled into a Twitter hellhole of people fighting about the “morality” of AO3 and freaking about the existence of certain tags, and debating whether or not to support them because of it. Now, as an internet veteran who has had unrestricted internet access from an age that likely had zero positive effects on my psyche, I feel the need to weigh in on this and shout into the void before it drives me insane. The biggest issues I’ve noticed newer people on AO3 are upset about are actually easy to explain why they may look harmful of the surface, but actually protect users in a way that sites like Wattpad don’t. I’m here to tell you new users some things y’all need to remember. (Obvious trigger warning; I am talking about some of the deepest cesspits of the internet, involving rape and underage shit)
First and foremost: AO3 IS NOT A SOCIAL MEDIA SITE. AO3 IS AN ARCHIVE, WHICH MEANS THE CONTENT UPLOADED IS NOT CLOSELY MONITORED. Think of it less like Instagram and more like Reddit, but somehow just as lawless of a wasteland but with less conflict. AO3 exists not as a site like Wattpad to promote peoples’ writings, but as a digital list of fanworks that preserves them for posterity. AO3 doesn’t care about what you post, all they care about is keeping records.
Second: certain tags exist for a reason. If you go onto AO3, the first thing you’ll notice when you go to filter your fic search is the Archive Warnings tab, which includes both the rape/non-con and underage tags. These are the ones I’ve seen the most fuss about, but are, however, some of the most important tags on the whole site. You see, there are some sick fucks out there, and as much as I wish more could be done about it, fics with very disgusting and illegal things happening in them will still be written and will never truly be completely eradicated from the hellscape that is the internet. However, the existence of the rape/non-con and underage tags on AO3 lets normal sane people do something very important that I’m going to discuss next: filtering.
AO3 has one of the best tagging systems out of any fic site, which allows you to individually sort and search fics based on countless criteria, including rating, content, plot, major characters, word count, pairings, kudos, and much, much more. It also lets you pick and choose which tags that you don’t want your search to show you, and that can include any of the things I mentioned above, and more. THIS INCLUDES TRIGGERING AND/OR ILLEGAL SUBJECTS, LIKE RAPE, INCEST, AND UNDERAGE SEX. THERE WILL ALWAYS BE SICK FUCKOS OUT THERE WHO WRITE BORDERLINE CHILD PORN, BUT THIS IS BY FAR ONE OF THE BEST WAYS I’VE SEEN A FANSITE CREATE TO HELP PEOPLE AVOID THEM. If you’re new to AO3, it’s a good idea to spend some time on Urban Dictionary to learn what certain tags and descriptions mean, so you don’t end up accidentally reading something you don’t want to.
Last, but not least: complexity. AO3 may look daunting to newcomers at first, but once you know what certain buttons and certain phrases mean, it’s easy to navigate and incredibly helpful for finding what you want and avoiding what you hate. Wattpad may be simple to use, but AO3 veterans harbor a vast hatred for it, and for good reason. Ever tried to filter out nasty shit on Wattpad trying to find a chill fic to read, all while being bombarded by advertisements? I sure have! AO3 doesn’t have any kind of algorithm or monetization system, either, so you don’t have to struggle with no one seeing your stuff if you’re just starting out. All fics in a fandom category automatically appear by the date they are updated (you can obviously change this when filtering your search), so chances are someone will see your work, no matter how few comments and kudos it has.
Anyway, that concludes my rant. Moral of the story is, if you’re willing to take the time, AO3 can make your fanfic experience so much more pleasant, and while the existence of certain things on the site might appear controversial at first glance, they actually do a hell of a lot of good.
Bye for now! If any of y’all are new to AO3 and have questions, don’t be afraid to ask, even if it might seem embarrassing, because asking for help could save you from stumbling across something that could quite literally traumatize you. I’ve been on the site and writing fanfic for years now, and I’m more than willing to provide answers if I have ‘em and you need ‘em!
0 notes
spiderlingh · 3 years
Text
Élite Season 4 Review
as an og fan of élite who’s been binging every single season on the day it came out, i watched the fourth season yesterday. here’s my thoughts. obviously includes spoilers for both the new season and some short stories.
the short stories of carmuel and caye/rebe/guzman were the best for me.
the new characters were… uh… how do i put this nicely
ari is the new lu. but less interesting. hated her at first, felt kinda sorry for her at the end though.
mencía is a cardboard copy of miss marina. 🙄
idk how to feel about their dad?? uhhh
i was really hyped for phillipe’s character (idk how to spell it i’m sorry lmao) but man what a letdown.
ya know what… i really liked cayetana this season! i felt neutral about her before but i rlly liked her this season. wish she’d had more screen time.
THEY BUILT UP GUZNADIA FOR THREE SEASONS ONLY FOR THEM TO BREAK UP WITHIN THREE EPISODES AND HAVE GUZMÁN GO AFTER A DIFFERENT CHICK?? W H A T
i liked ander back in season 1… but his character just becomes less and less likeable over the seasons. fight me.
shoutout to samu’s hair this season. hot.
okay but what the fuck was up with all the fucked up relationships this season?? omander. carmuel. guznadia. samu and guzmán. samu and rebe’s friendship, which come on, could’ve gone back to the way it was back in s2.
speaking of rebe, this girl got hurt way too much this season?? pls stop she deserves happiness thanks
HAHA i forgot patrick… no. nah. i didn’t like him.
i cannot stress this enough: FUCK LOVE TRIANGLES. for me it worked in season 1 with carla/polo/christian because they actually seemed to be into polyamory and it actually benefited the fucking plotline around covering up marina’s murder. but that was it. AND THEY HAVE ONE OR TWO EVERY SEASON. it’s exhausting. jesus.
HEY BY THE WAY… what happened to la inspectora from the first three seasons? ma’am?? where you at?? the kids fucked up again and someone nearly died. then someone actually died.
the mystery this season was so fucking dull. like i forgot what was even going on kinda dull. the interrogation scenes were not nearly as compelling as in the previous seasons, they didn’t give you chills, didn’t make you wonder what the hell happened.
you don’t even need a murder mystery to make it interesting. season 2 was my favorite season, and there was no murder mystery — samuel had gone missing. his disappearance and the interrogation scenes were interesting, no one saw the guzmán teamup coming or his relationship with carla. it was exciting and thrilling and this season did not have that even a little bit.
solid plot twist. i’ll give them that. i did not really see that whole armando storyline coming, although i did figure out he had something to do w it because they kept him around for so long.
at the end after guzmán shot that mf in the back i was like NO DONT LEAVE THE BODY?? and then i saw he and samu and someone else i think (i don’t even remember man) dropped his body into the lake. i liked that, reminded me of the trophy.
the fuck is up with the fasion getting more and more extra this season? compare the party outfits from season 1 to the ones we have now. a little extra is good, but now they’re just plain ugly. anyway s1 and s2 fashion >>>
that one scene in the restaurant where guzmán spoke of marina and the way she was as a person and a daughter… that was so well written. i feel like so many people (the writers included) forgot about marina bc she was the first to die and only appeared in season 1, but still. like this teenage boy lost his sister (and so much more) in such a short span of time. i’m glad they at least acknowledged it.
dude… obviously i know that the show isn’t realistic at all but these kids have been through so much. guzmán has been through the worst shit. losing his little sister to murder and then his best friend as well? seeing him die in his fucking arms? and the other kids? they’re still teenagers man. it is beyond wild to think that they’d be as carefree as they were displayed to be this season.
obviously that joke rebe made in the short story about not being able to take any more interrogations and murders and shit was, well, a joke, and it was delivered well, but if you think about it… come ON. they’ve been through hell and back. the show has never been just light-hearted, it has dealt with several serious issues and deaths and murders and things like that. these kids are broken. why couldn’t they have shown more of that? or at least acknowledged it a little? have someone go to fucking therapy??
i thought overall the whole season was underwhelming. kinda boring.
before the season came out, someone said that they didn’t think the show could thrive without carla, lu, nadia, valerio, polo… and i agree now.
i feel like this season had such a different vibe than the previous seasons. not in a good way.
i miss season 1 and 2 man. those seasons had the best mystery, the best vibe, the best cast. i don’t just miss carla, lu, polo, valerio, nadia… i miss christian and nano as well.
even the soundtracks of the previous seasons were better. i’m sorry to sound this negative in the whole review but man i waited so long for the new season only to be disappointed.
you could consider this a small rant. might add more later.
137 notes · View notes
a-fangirl-universe · 3 years
Text
I have to talk about my feelings on season 6 of Lucifer because I'm tired of crying
So it's gonna be spoilery and kinda have to start by a rant before digging in the things I loved (which are far more numerous)
So here's it is :
Was that ending really necessary ????
Well let's be honest I don't like the (recently popular) idea of bittersweet endings and I can accept it if the characters have a really happy middle but often it's not like that and in Lucifer case it wasn't like that I love Deckerstar but their relationship was complicated before it even started from season 1 to 4 and in season 5 it was bumpy because they were in a limbo due to so many factors so basically season 6 was the first time they were truly happy and it lasted a few weeks.
Let's be honest it wasn't even a bad ending it was consistent with the characters and their growth but I not even fighting about the ending in general just the specific. Because I'm sorry but everyone got basically their perfect ending except the two leads it's not bittersweet it's unfair. And even more unfair when you could have find loopholes to make it a bit less bitter.
I mean the main idea of the show is that fate means nothing compare to free will and choices. That you can change if you're willing to. And the ending is basically telling us that they're is no alternative road to achieve the goal (even if the all let's reform hell situation has already been talked about a bit before Rory arrived). Basically we have this two characters who fought against all odds to be together and Lucifer who's been abandoned by his father and Chloe who lost her dad and the father of her eldest daughter who will have to grow up without him and they both accept that their daughter will live through the same thing. I mean they're both stubborn they should have find a solution.
And I'm not talking about Lucifer coming back to the LAPD and managing Lux but he could have said no to his daughter and what reforming hell will have taken a few more years and maybe he'll become more and more busy with it over the years being less present for his daughter leading to her anger or maybe he could have find a way to be there just from time to time. I mean it's a show about the devil being bored and moving out to LA and hell and heaven and everything it's technically the one show where they could have bend the rules because apparently the rules are bending for everybody else. And I get the all they'll have their happy end in the afterlife and I'm sorry but not the same. Rory grew up without her father, Trixie lost her father and basically her other father figure in the span of a few months and Chloe will basically wait for her death to be truly happy again.
The way Chloe and Lucifer ended up made sense in some way but I'm just saying they suffer so much (and us too by extension) just for this.
I don't know I feel that there were ways to make it a bit less painful. Basically just telling that I wanted another ending not a fairytale one with wedding on the beach or anything just one when Lucifer find a way to see his daughter growing up and be with the love of her life for the rest of her life.
Just to say I started to watch the show for them and I'm not disappointed by the end just sad and I'll just read a ton of "fix-it" fanfic and try to stop crying every time I think about this ending.
End of the rant.
That being said even if it doesn't mean I loved the last season.
The deckerstar fluff was the best thing ever, Mazeve deserve to be happy and Dan arc was actually interesting (even if technically him coming to earth is the trigger to this ending). Amenadiel becoming God is not really a surprise but still logical (and look even he could find a way to visit earth)
I thought they handled the BLM arc in a interesting way about how it's a global issue and not just some and how one of the main character was in denial about it.
Carol and Ella are the purest characters ever like ever and I loved their relationship and Ella having someone on her corner. Ella finding out was necessary and what sting is not that the celestial world is real but that her closest friends hide it from her and she deserves more hugs.
I weirdly liked Rory. I wasn't sold on the all deckerstar baby theory like wedding for me it's a plot point I often find unnecessary and just being there for or the continue on with a fairytale narrative (which I wouldn't have mind if the ending was a bit more happy but anyway) but the fact that she's grown changes that she's not a baby they have to swoon over she's a grown angel. And even if I maybe would have liked a different direction or her storyline not being the main conflict I still find her interesting. (by the way kudos to all the fanfic writers who headcanoned that Deckerstar daughter will be named Aurora). Lucifer reaction when he realised that Rory was really his daughter and then when Chloe told him she was pregnant were the softest thing ever. And kudos to deckerstar communicating better now.
Dan arc and him feeling guilty about leaving Trixie and just being friends with Lucifer and reuniting with Charlotte at the end was so touching.
Let's be honest I started to cry to heart out in episode 8 with the goodbyes (Maze and Lucifer being best friends), and deckerstar and their daughter just chilling at the beach broke my heart.
Honestly the acting was great and everything felt so raw and even if my eyes still sting with all the crying it's a prove that the emotions were there.
Am I happy with this season ? Yes. Will I watch the show again ? Yes definitely a comfort show. Am I even satisfied with the ending ? Yes I loved this last season. But do I wish the ending could have been a bit different ? Yes definitely.
55 notes · View notes
chainofclovers · 3 years
Text
Grace and Frankie 7x1 - 7x4 thoughts
Meh? Like...I love them so much, but...meh?
Tumblr media
(I did enjoy this line about brunch.)
I really loved season 6 of Grace and Frankie. I thought it was well-paced, largely very well-acted, generally well-written, and it culminated in a massive moment of character development for the title characters, who, having spent years growing closer and being there for each other when others could not or would not be, finally articulate to each other that they are the primary person in each other’s lives. Platonic gal pal soulmate BFF emotional support witches 4 lyfe!
I know progress isn’t always linear, and in fact is very rarely linear, but after a moment that significant, you’d think the writers on this show would maybe come up with some more interesting things for these characters to do than spin in circles?
@bristler and I watched on Friday night, and just this morning over breakfast had a good conversation about the first four episodes of the new season now that they have settled in our brains a bit. We concluded that the writing (often noticeably clunky, like the dialogue is responsible for more narration than usual) and the tone (aggressively wacky) feel really off, especially compared to the prior season. I think we diagnosed the big issue, which is that Lily Tomlin and Jane Fonda are by far the most talented actors on this show (if you disagree, fight me in the parking lot) and it feels surprisingly unfortunate that their characters have, to this point in the new season, pretty much figured out their perspectives on each other. No matter how people feel about Grace and Frankie’s sexualities, the whole show has been about them finding each other and getting in deeper and deeper, and it’s less interesting to watch other characters have realizations about that than it is to watch Grace and Frankie having realizations about themselves. If the title characters are now limited to reacting to other people’s actions, and the title characters are played by the best actors on the show, the whole show’s gonna suffer. And is suffering, very much so, at least for these first four episodes. I’m definitely still excited for the final twelve in 2022 (twelve! I cannot believe this season will have sixteen eps!), but I’m pretty disappointed so far.
Stuff I Loved:
The family brunch. These families have been entwined for so long, and the backstory for this particular brunch was so fun (even though I didn’t care for the effects they did to depict Grace and Robert 25 years ago; there was no need for a visual flashback in the scene). I love that Grace hit Frankie with a wiffle ball bat. I love that the two couples realized some of the emotional reasons behind their decisions to lie to each other about Bud’s Bunny and about M’Challah. I love the way Jane Fonda sounds uttering the phrase “Bud’s Bunny” with little to no irony. I love that Grace is able to recognize and articulate just how deep and miserable her anger issues were, albeit with the continued help of her omnipresent martini, and that Frankie told her she’d now make up a holiday in order to spend more time with Grace. I really, really hope Frankie does exactly this at some point in the remaining episodes of the season. I love that Grace is generally a pretty good person now, with aspirations of being a delightful person. I love that she and Frankie don’t have it in them to stay angry with each other, and I love all the evidence that they really, really talk to each other about everything now.
Frankie talking to the man at the office (I don’t remember who he was supposed to be? A toilet manufacturer? I didn’t mention this before, but I actually got pretty high while watching?!? Believe it or not, this was the first time I smoked pot and watched Grace and Frankie at the same time despite having enjoyed both activities on their own for quite some time. I would recommend the combo! And I think I still pretty much got what was happening) about paying for the toilet parts with candy. This whole subplot with the money laundering was absurd and not that interesting, but I loved this particular scene because it was finally evidence of some really thoughtful writing. The concepts aren’t enough! You have to write them into good dialogue! And the whole cash/candy thing was a moment of dialogue that only someone as hilarious as Lily Tomlin could pull off. Which she did, IMO.
In a show about super messy people, Coyote has stayed sober this entire time. He is sober, employed, in love, and preparing to buy a full-sized house with his partner. He hasn’t murdered anyone in his family. Hasn’t even attempted murder once.
In 2017 or whatever, Grace Hanson would have been furious about Frankie using obscure Beatles references like a treasure map when hiding the cash. But here in 2021, she cooperates and even gets in on the fun. The writing is very unsubtle this season, but that did feel like a reasonably subtle moment that shows how good of a partner she is for Frankie. (Platonic, of course! So platonic. Female friendship, amirite?)
Stuff I Did NOT Love and Felt Incredibly Negative About:
Brianna. I can only conclude that June Diane Raphael has decided she’s happy with playing a character whose primary role in life is to be hot and mean. She succeeds at being hot and mean, but I have reached my limit with this character. I realize we’re only a quarter of the way into the season, but I don’t think I can take another arc about her learning to compromise only to reveal to Barry that she never intended to compromise at all. At this point, it’s both abusive and boring. How?! The Grace/Brianna parallels aren’t interesting anymore, because one character has grown and the other is stagnant. I get that Brianna was raised in an emotionally stilted environment by two unhealthy people. But I think it would be very cool if she could learn something from her mother at this point. Grace has put a ton of effort into dealing with her “rabbit-killing, mad-at-the-world anger.” She’s put a ton of effort into figuring out what makes her happy, what she wants her life to look like. She’s even started accepting her age and abilities without shame. And that growth is believable; Grace is still short-tempered and she still slugs back way too many martinis and she struggles to articulate certain things, but she’s grown into a truly lovely human. And while, as a daughter with a mother, I can absolutely attest to the fact that it can be difficult and uncomfortable to learn lessons from one’s mother, Brianna really, really should. Grace spent decades letting anger and shame trap her in a small, miserable life. Brianna—and even Mallory, who just seems like a vapid idiot this season—are traveling that same path, but there’s someone right there who could really help, maybe even more than Frankie helped when the Hanson girls were first growing up.
The arraignment. The scene might’ve been salvageable if it was filmed from Grace’s perspective, and filmed to reflect how surreal and improbable it all was. But speaking of non-linear progress, this scene erased everything Nick Skolka has done to put himself in my good graces (LOL) over the past couple seasons. I mean, I tried, man. I even wrote fic about Nick, Grace, and Frankie making a genuine effort at polyamory. But the arraignment is so emotionally manipulative, such a slap in the face of everything Grace has worked for, and while we’re certainly “supposed” to feel the weight of the moment, I mean, it’s not like we’re supposed to be like, “Oh, cool, we’re in a rom com now! This is adorable!” it still felt bad and unearned and slapdash.
And I want Frankie to process these things with her! Frankie seems so happy to have all this information about Grace and how Grace feels, but I want to see scenes in which we can gain an understanding of how Frankie actually feels. Hearing Frankie talk to other people about how Grace feels is interesting, but it’s like there’s no room in these episodes for us to learn anything new about Frankie herself.
Grace’s transitional wig. Is so. Bad. It is. Such a. Bad wig. Oof. I mean, I like what they’re doing with Grace’s hair from a plot perspective, although (see one bullet up) I would really like to get more of an understanding of what’s happening in Grace’s head, not just on top of her head. And gosh, Frankie would be a really good person to talk to about this in a conversation that lasts longer than 30 seconds. But the wig! She’s in a wig in all four episodes, of course, since Jane Fonda went grey and cut her hair short before they started filming this season. The wig for episodes 1 and 2 is fine; it’s a good approximation of Grace’s typical hair, and of course we know that canonically Grace’s hair isn’t 100% her own hair anyway. But the wig with grey roots looks so weird. The part that’s growing out doesn’t look the same as the hair on the wig from 1 and 2. And the grey roots look like a yarmulke. I cannot wait to get to the point in the season when Grace goes all the way grey.
(One more thing about the hair. I can’t let it go. I paused the show while we were watching to rant, but I’m not done.) I had the great privilege of seeing Jane Fonda in person at a protest in 2019. She is an insanely beautiful human. She was growing her hair out and it was partially dyed blonde and partially grey. It looked really cool. I am not ashamed to say I spent that day learning many things about the climate crisis and about Jane Fonda’s hair. Having seen her in real life with her real hair looking that fucking great, I just have a an extra-large grudge against everyone involved in that horrible wig. The wig is necessary, but it didn’t have to be this bad.
What Do I Care About Now?
I am pretty intrigued by the way Grace threw out her real age in a conversation with Nick and Elena. She has nothing to fear anymore! She’s so chill about aging! What could go wrong? I assume that Nick and Elena maneuvering for Nick to be on house arrest in Grace's house specifically has to do with the fact that Grace is 82. She’s gonna find out that Nick is allowed to be with her because she’s ancient and helpless and the court took pity. Or something like that. She’s going to feel betrayed on top of feeling stifled and overwhelmed by Nick’s presence. I want to see where this goes for sure.
Other than that, and other than the fact that I really do continue to believe this show is moving in a direction in which Grace and Frankie will choose each other, I feel very whatever about this whole thing. I love this show and I will always appreciate this show for giving me some incredible characters to spend years of my life writing about, and for bringing me some pretty amazing friendships. Speaking of those friendships, yesterday @ellydash and @telanu and I were talking about some of the incredible TV we’ve watched recently, like Ted Lasso and Hacks and Fleabag and Killing Eve, and how great it feels to watch beautifully written TV crafted by writers who are profoundly—organically yet intentionally—attuned to even the most minor character’s rhythm. The disappointment of these first few episodes of the new G&F season feels like a mild disappointment rather than a sharp heartbreak, and that has a lot to do with being deeply invested in other shows that could also go in all kinds of different directions but with writing I fundamentally trust.
Also Jane Fonda and Lily Tomlin are my forever faves and my appreciation for their performances and general awesomeness onscreen and in life is undiminished. So that’s pretty cool.
58 notes · View notes
broke-on-books · 3 years
Text
Thinking about the effect that the Scooby Doo legacy and stereotypes associated with it have had on the friendships of individual gang members other than just Shaggy and Scooby.
(Some negativity and a lot of personal opinion below, also running on 3hrs sleep so do what you will)
Like this post was actually written after my rant in the tags but in newer Scooby media (with newer counting as everything after the change in art styles and entrance to the 21st century in my mind) it always has to be a spectacle when they do something against the "Laws of Scooby" like they decide to switch up the clue finding pairings for an episode? Suddenly it's the focus of the whole thing, and people are clashing, and blah blah clap the writers on the back for being so self aware!
It's like: listen. Take that one what's new episode for example, in the mall where the toys come to life. They decide to split up the pairings, putting Fred and Shaggy together, and leaving Scooby with the girls. And instead of it being a fun and interesting change, it's just... awkward. Like suddenly Fred and Shaggy can't even have a conversation together? Like they can't even find a common interest to relate over for small talk and I'm supposed to believe that they're friends? And they ARE FRIENDS! First and foremost, friendship is the strongest binding factor in Scooby Doo! These teenagers basically live together and drive around solving dangerous mysteries together. Like for Pete's sake! There's your common intrest right there! It just rubs me the wrong way honestly
This same thing was done (I think I remember) in a few be cool, scooby doo episodes although like a lot of stuff in be cool, they handled it much better, and normally presented a resolution of the gang's friendships at the end of the episode, and would occasionally break the status quo with other team ups.
But still, compared to older, hanna-barbera era (hey, that rhymes!) it felt almost performative, like they were telling us that We, as an Audience had to acknowledge that they were being Different (TM).
Just when you compare it to older cartoons, specifically those where many of the iconic hallmark gags and catchphrases of scooby doo weren't fully cemented, it's a much more chill and relaxed affair. Like Velma can go look for clues with Shaggy and Scooby in WAY, no problem! But if it happens now, there has to be some sort of reason or conflict behind it other than them just being friends, and wanting to hang out!
It's just very interesting, and while an occasional trend, It's one I can find appearing more in Scooby properties I don't like as much, and less in those I do. Like some of the more recent straight to DVD movies! (Can they still be called that tbh?) I love those, and most of them, I've noticed, puts greater emphasis and care on the friendships of the gang than other properties do.
I've especially seen this with the more "popular" or mainstream Scooby media. Like the ones like Mystery Incorporated, the Gunn Movies, etc. try and do something different with the plot (most of the time to great acclaim) but do so at the expense of the characters and their friendship with each other
Like I appreciate what they're trying to do! I do! I like branching out, I loooove changing it up plot wise! But when you don't preserve the heart of the franchise (the scooby gang) it just feels uncomfortable, or flat to me as a Scooby fan.
Like to a more casual fan I can totally see how they can LOVE Mystery inc, or the Gunn Movies, but as someone who watches old episodes and owns and loves DVD releases, it doesn't always feel like the same characters or same story. Like I adore SDMI and what it tried to do with it's plot, but I can have a hard time having fun with it when the gang are arguing and neglecting their real friendships over bullshit relationship drama for the 15th episode in a row. It just makes me a little sad and it's hard to watch as someone who cared about them. It just... I'm a fan who would take a repetitive, carbon copy scooby story with solid and considerate versions of the characters over a story with an amazing plot, but horrible characterization (to the point that you could not PAY me to believe these people are friends) any day
Anyways this got much too long plus my rants in the tags, and I STILL haven't nailed down my point here and I don't think I will so I'll just wrap it up with the fact that Scooby Doo is character driven, and it has survived off those characters for over 50 years. And sometimes it seems that executives have a hard time remembering that when the adaptations most ingrained in the public consciousness seem to show the opposite of this. But I don't know, characterization and character dynamics are something that has changed and evolved a lot over the course of the Scooby Doo franchise's lifetime, and appears in many different forms at different times, making each show and movie (nay, each episode) almost hit or miss in the mind of each fan and their own version of the characters. And I think you can get your best glimpse at what other people see in Scooby through their version of the friendships it involves and how it stands as a central theme
#just mmm YES#the old series when a lot of the tropes and in gags and stereotypes werent set so they really had freedom to explore other dynamics n ideas!#like SO GOOD#like they DONT always split uo the same way shaggy and scooby doo want to solve the mystery and help its just... so good#there arent certain points they always hit each episode its so nice#like i was watching something and i actually think it was way later than WAY bc it was scrappy era but still original art style but ANYWAYS#they had a flashback to a fred and scooby team up! JUST fred and scooby! catching a bad guy together! do you know how awesome it is!#i swear nowadays anytime they switch up the teams at all its always a huge thing the episode has to point at like SEE SEE WE'RE ORIGINAL#and theres some bs plotline abt it being hard for people to get along in the new team ups#like the wnsd episode where its shaggy and fred and they cant find shit to talk about or like the bcsd episode where scooby and velma team#up (this one was better than the wnsd ep at least) and its like NO NO NO WHAT ARE YOU TALKING ABOUT THEY ARE FRIENDS#it shouldnt be awkward or played off for the studio to get brownie points for doing something different with scooby doo like no! nonononono!#just ugh the older episodes had their own little things but im just thinking about the weight that the tradition of what constitutes scooby#puts on the episodes#also this isnt a blanket statement because non classic era scooby can do gang dynamics really well at times!!! like holy shit! but i find#that it being done badly can turn good episodes into uncomfortable ones and okay episodes into boring ones#like sdmi!! the plot in sdmi can be the best thing ever but it sacrifices gang dynamics to do that and adds in artificial drama so#i have the most complicated feelings on it as a series and how it portrays the gang#same with the gunn movies! like i hate them because of the scrappy slander and shit but no matter how good they can be plot and comedy wise#i just cant believe the gang are actually friends in it and it takes a lot of that joy out of it and makes ut suffer in my eyes#SO TO SUM UP bc these tags got long as fuck for a one sentence post: the thing that turns good scooby into great scooby is defined in the#relationships of the main characters and their friendship above all else#tdlr: if they dont love each other youre doing scooby doo wrong#anyways wb hire me i would love to create character driven scooby shows and movies for you : )))#scooby doo#this is gibberish#you can tell im sleep deorived but whatever#anyways i didnt mention the 90s quartet when talking about mainstream interpretations and that was on purpose bc its Complicated.#and honestly deserves a full rewatch and another post before going into my opinions on them#hhhhhggggggg brain mush now okey bye
63 notes · View notes
Text
Take Your Father to Work Day (S2, E4)
Tumblr media
As many people have said: This is one of the STRONGEST Prodigal Son episodes to date. It was incredible. My time-stamped thoughts for this episode are below. 
I reference Malcolm’s mental health and sexual violence in this one. So if that’s going to be a trigger for you, don’t keep reading.
SPOILERS AHEAD:
0:16 - OMG. Destiny’s Child. Whoever is in charge of the soundtrack for this show needs a raise. Or an award. It’s SOO GOOD.
0:18 - How great is this montage of Martin’s prison life too? I mean the insane mundanity of it combined with “Survivor” and Michael Sheen’s incredible acting is some perfect mix between hilarious, captivating, and just brilliant. 
1:06 - I feel so bad for Mr.David. He has to deal with Martin’s theatrics every day. Poor guy looks done in this episode.
1:35 - CAN HECTOR BECOME A BIGGER CHARACTER?! PLEASE. He’s hilarious and I love him. “Bro. You got your ass jumped at Sunday School.”
2:09 - Wait. What? Jerry’s getting released?!? I mean, I understand that he’s no longer in need of psychiatric care......but he still killed someone. Shouldn’t he just be getting transferred to a different prison?
2:25 - Does Jerry have a death wish?!?! He’s talking about being released in a room full of jealous murderers. Everyone looks sooooo pissed at Jerry. 
2:54 - Martin is such a liar. However - Michael Sheen’s performance is astoundingly good. Like he shines brighter than usual in this episode. 
 3:17 - Poor Malcolm. “What’s going on?” Poor boy looks terrified. 
3:23 - I love everything about this scene. I love how freaked out Malcolm is. I love you extra Jessica is. BUT HANS. Holy shit. I want Hans in every episode. He’s crazy in a good way and such a beautiful comedic relief. 
3:30 - OMG.  “Skinny milennial” might be the best thing anyone has ever called Malcolm. Someone please tell JT and Dani - hell, even Gil. They would tease him forever and I want to see it. 
3:45 - 1) Malcolm is a terrible liar. 2) Jessica knows he’s lying. 3) This story about the wine is interesting. I wonder when and how Malcolm first told Jessica the story. Was it the same night? AND HOW DID ENDICOTT’S BODY END UP IN ESTONIA?!? I WANT MORE INFORMATION ABOUT THAT NIGHT. 
3:54 - “Ainsley and I came back from the hospital after Gil’s stabbing.”....we never saw Ainsley at the hospital. Was she there and left before Malcolm got there? Or is this a plot hole I need to ignore?
4:05 - The way that the flashbacks of Endicott’s murder is spliced into this scene with Malcolm’s cover story is so perfectly executed. It’s so captivating and so so well done.
4:14 - Malcolm’s eyes look quite manic during the retelling of this story. Poor guy is desperate to have everyone believe the story. Poor guy probably wants to convince himself that the story is true. 
4:16 - Wait. What? Ainsley has always been clumsy? .....interesting. I’ve seen no evidence of it but I’ll believe it for the sake of the plot. 
4:23 - “At least one of you has a soul.” Holy shit.  hahaha Hans is brutal. I love him so much. I also love how this line makes me, as a viewer, think “does that mean the writers want me to think that Ainsley doesn’t have a soul?” ...or more likely that she doesn’t feel emotion (which can be interpreted as a lack of a soul). That she’s a psychopath like Martin?
4:27 - OMG. Jessica loves Hans. He speaks to her dramatic rich woman soul. So entertaining. 
4:30 - Poor. Malcolm. This boy is always in some sort of emotional turmoil. For once I wish he was happy (but also I love the emotional whump so if that could continue that would be great). 
4:44 - “It’s so much more than that.” *chef’s kiss* comedic genius.  I would watch a whole episode of Mr.David making fun of Martin. But can we all just take a minute to appreciate that Martin doesn’t seem bothered at all that Mr.David is basically verbally telling him that he sucks? It’s almost like Martin thinks they’re friends?
4:50 - Martin is strangely chill talking to Mr.David in this scene. It’s a little off-putting. He almost seems normal. He’s not putting on his usual theatrics or ranting about doctor stuff. It makes you wonder how many different sides of Martin that Mr.David has witnessed. 
5:01 - “Oh no. Not Jerry.” LMAO. HOLY SHIT. Michael Sheen needs an Emmy. His delivery of that line might be the funniest thing this show has ever given us. hahahahaha
5:29 - Damn. This is not Gil’s month. First Jessica dumps him. Then he has to deal with Martin Whitly in the flesh. That plus the on-going drama of worrying about Malcolm’s mental health and the stress of reintegrating into work after a STAB WOUND.
5:31 - Gil’s face. hahahahaha he’s like, “Kill me. This can’t be happening. I hate everything. I wish the ground would open up and swallow me whole.”
5:37 - “Yeah. Why’d you do it?” GIL. OMG. I’m so proud of Gil for dissing Martin to his face. BUT ALSO I worry that that’s going to give Martin more of a reason to hate Gil. I’m genuinely scared that the writers have Martin escaping as the pre-finale episode and Martin trying to kill Gil as the finale. Maybe Gil shows up trying to save Malcolm, AInsley, and Jessica (whom Martin is trying to abduct or hurt or something) idk I just feel like it’s going to be a likely subplot somewhere. I don’t want an attempt on Gil’s life to become a season finale tradition. 
5:56 - Ew. “Gilly” That is a terrible nickname. I think I threw up a little. 
6:00 - Damn. I love this scene. I could watch Martin and Gil pretending to be civil to each other for years. So entertaining. 
6:29 - hahahahaha OMG. Gil’s reaction to Martin saying, “Thank you” PLUS Edrisa’s sudden excitement at realizing she’s 10 ft away from Malcolm’s Dad - a medical legend, is magical.
6:35 - Not gonna lie. When Edrisa said, “Ok. I’m gonna play it cool.” I had to pause my TV and walk away to calm down. I was experiencing a mixture of second hand embarrassment for Edrisa’s inevitable behaviour, excitement for what is to come, and fear that Martin would be a jerk to our precious Edrisa. 
6:44 - Edrisa and Martin interacting was everything I’d hoped. It was strange, funny, sweet, and disturbing at the same time. The sweet, eccentric girl who attends cuddle parties is getting buddy-buddy with a literal serial killer. Hilarious. Even better is Gil’s background reactions as he desperately tries to keep Edrisa away from the psychopath. hahaha <3 
7:12 - Gil is currently living in a nightmare. hahahahaha 
7:47 - I love this. I love how Malcolm and Ainsley interact. Malcolm is such a good big brother. IDK something about these two adult siblings chilling on a couch and warning each other about Mom’s current rampage reminds me of myself and my younger brother. <3 Warms my cold dead heart. <3 PLUS has anyone else noticed that (as long as Ainsley isn’t hounding Malcolm about a story or airing out his mental health diagnoses like the bs from Q&A) Malcolm is extremely calm around Ainsley. Like maybe the calmest we’ve ever seen him?
8:20 - “Oh Ainsley, that’s a horrible idea.” This is adorable. Malcolm is totally acting like Ainsley’s surrogate dad. He’s trying so hard to protect her. <3 
8:42 - There’s something about the way that Malcolm says, “Hey Gil” that makes my heart swell. Idk why. I just their father/son relationship. So much. And it makes me so happy to see Malcolm having semi-normal interactions with people in general. 
8:48 - This. Is. The. Funniest. Episode. Of. Prodigal. Son. To. Date. Holy shit. The comical dread on Malcolm’s face. Martin’s glee on the phone. Gil’s general “done with life” body language. Ainsley’s utter joy at her luck. MALCOLM DRAINING THE ALKA-SELTZER. Ainsley saying “chug chug”. So perfect. 
9:27 - Is it just me or has Jessica been showing way more concern for her children’s well-being this season? At first I thought it was because she was so happy with Gil....but that’s not a thing anymore (because Jessica is a MORON - seriously if this show gets cancelled before Gil and Jessica are living happily ever after I will riot) so now Idk. 
10:02 - EDRISA WHY DID YOU NOT TELL GIL AND MALCOLM THAT THE SURGEON WAS ON THE PHONE?!? For a hot second, poor Malcolm looks like he thinks he’s hallucinating. 
10:40 - Gil hanging up on Martin and then telling Edrisa that she needs to make new friends is everything. It’s vicious. Gil looks absolutely furious in this scene and I love it. 
11:07 - Yo. Edrisa’s got some baggage. hahaha Malcolm looks soooo uncomfortable with her outburst.
11:18 - I would pay good money to watch Martin and Gil have a pissing match in front of Malcolm every episode. It’s amazing. They’re constantly trying to one-up each other. The tension is palatable. And someone Malcolm is the only one acting like a mature, working adult. Malcolm. My mentally unstable, skinny millennial. 
11:34 - OH SHIT. Martin did not just bring Jessica into this. Oh SNAP. Does Martin know that Jessica dumped Gil?!? 
11:56 - “I’m going to need a little more than that.” Damn. Malcolm looks pissed here. Pretty sure he hates that Martin just brought up Gil/Jessica. Malcolm’s bio-dad and real dad are fighting and it’s very clear that Malcolm is on Gil’s side.
12:17 - The look that Gil and Malcolm share here is perfect. I love it so much. You can see how annoyed they both are, how much they hate that they need Martin on this case, how much neither of them want Martin’s help. <3 
12:23 - SOMEONE GIVE GIL A MEDAL. This man just grit his teeth, smiled, and let MARTIN WHITLY - the man who tried to KILL HIM work on his case. Why? Because Malcolm silently asked him to. Because Gil loves Malcolm and knows that it’s better for Martin to work with them officially than for Malcolm to work with Martin in secret. At least this way he can look out for Malcolm. 
12:42 - “It’s taken Dr. Marsh years...” soooo was Dr. Marsh the name of the Asian doctor leading group therapy last season? Is this just a new actor, same character scenario? OR am I supposed to forget that Asian doctor existed last season? 
13:04 - I can’t tell if Gil hates this whole “father-son in group therapy idea”. He looks kind of like he hates it (although he is looking at Martin in the shot). I’m inclined to think that Gil is worried. He doesn’t like how nice Martin is acting toward Malcolm. He doesn’t want Malcolm to get hurt again. BUT I also think there’s probably a part of Gil that thinks group therapy might be beneficial for Malcolm’s mental health? I mean it was only ever going to be terrible or amazing. Nothing in between. 
13:12 - “They hate you don’t they?” GIL BRINGING THE FIRE. hahahaha angry Gil is really funny.
13:43 - OH HELL YES. More Hector. <3
13:46 - hahaha YES. Hector this is Malcolm - the son. You know, the one you had to role-play? hahaha I feel like Hector is a really cool dude (aside from the murder). 
13:53 - Damn. Hector pays attention in group. He has a lot of info about Malcolm. I would’ve thought the other inmates would just tune Martin out when he starts his monologues. 
13:59 - “He’s got a thing with hands?” hahahaha OMG. How did I never connect the hand thing. DOES Malcolm have a thing with hands? ....I kind of want that to be cannon?
14:00 - “You’re crazier than me.”  Ouch. That must’ve hurt. Think about it - Malcolm is ridden with guilt about Endicott. He’s haunted by what he experienced as a kid and by what his father is. Malcolm believes he’s broken beyond repair. On some level Malcolm thinks he’s crazy. Now a literal killer just told him he’s crazy. That just affirms what Malcolm already believes about himself. :( PLUS right after Hector tells Malcolm that he’s crazy - the camera pans to Martin. MARTIN looks scared. Martin is losing control of the situation and he doesn’t like it. Martin knows on some level that he ruined Malcolm’s mental health. He almost looks a little guilty?
14:31 - FINALLY. We have a cannon occurrence of someone calling Malcolm “Mal” (or “Malc” if you’re going by HULU’s subtitles?). I hope the writers start having people call Malcolm by Mal/Malc more often. 
14:35 - I can’t ignore it anymore.  DID HECTOR HAVE THAT SCAR ON HIS FACE LAST SEASON?!? I DON’T REMEMBER IT. 
14:38 - YES YES. Malcolm looks angry. I LOVE IT. Scream at him Malcolm! Give him hell!
15:03 - Yikes. Malcolm sounds like he’s about to cry here. :( My heart breaks for him. .....I wonder if this is the first time Martin has ever heard how much pain he caused Malcolm straight from Malcolm? Martin looks hella uncomfortable here. 
15:25 - The inmates (literal murderers) empathizing with Malcolm is twisted, beautiful, and haunting. These guys understand how much it sucks to hang out with Martin. These guys can see the real pain in Malcolm’s expression. They know he isn’t lying. Part of me honestly wonders if one of them is going to try and hurt Martin for Malcolm. They looked pissed enough by the end of the conversation that I kind of believe they might. 
16:00 - Malcolm is not acting here. For once he’s not projecting his problems onto potential suspects. He’s just venting to suspects. No pretence. I love it. BUT 100% of me wants to know where Gil is during this session. Is Gil listening? Is the session being recorded for evidence? There’s no way Gil (or Dani) wouldn’t confront Malcolm about this. Even if they just asked him if he’s okay. 
16:10 - hahahaha look at Doctor Marsh. He’s like “ooookkkkkaaaayyyy. I’m a psychiatrist in a psychiatric facility for people who have committed violent crimes. BUT THIS IS THE NUTTIEST THING I���VE EVER SEEN.”
16:12 - Look at the way Martin narrows his eyes. He’s trying to figure out if Malcolm is acting. He’s finally realizing that Malcolm truly hates what Martin subjected him to as a child. I honestly think this interaction will cause Martin to shift his “become a murderer like me” agenda from Malcolm to Ainsley. He’s finally seen the depth of Malcolm’s hatred and pain and knows deep down that Malcolm will never turn into a serial killer. But there’s still hope for Ainsley. That’s not to say that Martin won’t stop gaslighting Malcolm - he totally will.
17:10 - Martin has been at Claremont for 20 YEARS. How is it that he didn’t know a gold card existed?!?
17:21 - I honestly thought Marsh was going to get shanked. For the gold card. No other reason. 
18:07 - It’s not supposed to be funny but Burt freaking out and punching Marsh is HYSTERICAL. hahahahaha
18:10 - That guard who pushed Malcolm out of the room and into a safe area? He’s in my good books. Every time I watch him push Malcolm to safety I want to give him a hug. Just for doing his job. What the hell is wrong with me?!?
18:18 - UGH. I hate that creepy, satisfied look that Martin gives Malcolm. It’s the same look he gave baby Malcolm in the pilot. It’s the “we’re the same” look and it clearly bothers Malcolm. :( 
18:26 - Oh look. 18 minutes into the episode and we finally have a Dani appearance!! annnnnnd no mention of JT. I mean, I get it. He’s on paternity leave. I’m happy for him. BUT TWO EPISODES WITHOUT A JT APPEARANCE IS TORTURE. At least give me a throw away line about how happy JT is or about the baby!?? Honestly - it’s my biggest gripe with this episode. 
18:56 - soooo either Dr. Marsh is a terrible psychiatrist OR you can’t “cure” murderers. 
19:08 - The NYPD knows that Martin cured Jerry?!? HOW? Did Mr. David get Martin to admit to shocking him? Did Mr. David tell the police?!? I don’t remember Martin telling Malcolm. I specifically remember Malcolm saying, “I don’t want to know”
20:02 - Damn. I want Ainsley to go dark so badly. I want to see how badly it would destroy Malcolm and Jessica. I am evil. 
20:52 - Malcolm’s burgundy jacket is gorgeous. That is all.
21:10 - Malcolm knows that Martin wants to escape. This is good. I love this. 
21:55 - THERE’S A WOMENS WARD?!? REVOLUTIONARY INFORMATION. I THOUGHT THEY HAD A SEPARATE HOSPITAL. 
22:00 - Oh wow. Finally - a perk to gender inequality. 
22:52 - This Brightwell scene is so cute. I love watching Malcolm be excited about solving the crime. I love watching Dani gently tease him about how weird he is. I love watching them subtly flirt. Is Malcolm ready for another relationship - hell no. Do I think Dani has forgiven him - not totally. If they got together now it would end badly. But I do want them to be endgame. 
23:11 - Andre is really suspicious throughout this whole scene. I’m convinced that if Dani and Malcolm weren’t too busy flirting Andre would’ve become a suspect really fast. 
23:15 - Why do people get released from psychiatric prisons?!? This is a genuine question. I would’ve thought that everyone in Claremont has committed some seriously heinous crimes and only a very small portion of them are actually sick. The rest of them just pleaded insanity and had good lawyers. But even if they are/were sick. I don’t think the types of mental illnesses that drive people to murder and/or rape is something that can be cured.  Sooo why are they getting released? I guess I just wonder because there’s this guy that’s been in my local news on and off for like 10+ years. He’s molested/raped many young women between the ages of about 16-25. He’s been arrested and released multiple times. He keeps getting released to different major cities in my province (usually a city with a big University) and reoffends within 6 months of being released. Most recently he was arrested last month after being released in October 2020. Clearly he’s going to keep reoffending - so why does he keep getting released? I guess I just don’t understand what the criteria are that allow an inmate who has committed that sort of crime to be released. Here’s a link to one of the more recent news stories if you’re interested: https://vancouverisland.ctvnews.ca/police-warn-of-high-risk-sex-offender-moving-to-victoria-1.5149264
23:23 - hahaha Andre is like, “Yo. This dude is freaky.”
24:15 - Look at how proud Malcolm is of his whole “lobster = murderer” profile. <3 So freaking precious. <3 and Dani looks so amused with him.  <3
24:37 - Sooooo Mr. David isn’t listening to this conversation? He left the room?
24:40 - Jessica going to Martin for parenting help is terrifying. This is a woman in crisis. 
25:20 - But Jessica was right to be paranoid in 97′. She wasn’t being cheated on romantically but her husband was murdering people. 
25:24 - Martin is so selling his kids out here. He knows it. He doesn’t care. He’s having too much fun torturing Jessica. He’s rejoicing at the fact that he gets to play the “I turned the kids to the dark side” card. 
26:40 - Poor Jessica. She looks suspicious and scared. Scared that she raised a killer even though she tried desperately to prevent that very behaviour. 
26:56 - Damn. Martin is having a really good day. First he gets to annoy Gil Arroyo in the flesh. Then Edrisa talks medical with him. Then he gets to work with Malcolm. THEN his ex-wife calls him and he gets to toy with her mind. THEN his daughter, who has literally murdered someone comes to visit him. He is a proud Dad right here and he’s having an amazing day. 
28:00 - Rhonda is terrifying. This girl has perfected the “I’m sweet and unthreatening” while lying and manipulating people. I swear she’s a teenage Queen B personality with a side of violence. 
28:30 - I love how protective Malcolm is of Ainsley. Look how positively livid he is that Marin is talking to her. Malcolm is terrified that Martin is going to purposefully and successfully turn Ainsley into a serial killer. Malcolm doesn’t want to lose his sister. He doesn’t want Jessica to lose her ‘stable’ child.
29:09 - This scares me. This is the kind of Ainsley behaviour from last season that made me believe she is the Whitly child most like Martin. Her ruthlessness and lack of a conscience when it comes to looking for a news story is extremely upsetting. 
30:11 - What the hell happened to Tevin? AND WATKINS?!? We got no closure on those guys. Are they dead? In prison? Is Tevin still in Claremont? Were they transferred to facilities outside of New York State?
30:28 - Malcolm yelling at Martin is perfect. *chef’s kiss* Finally this boy is being honest with his father and he isn’t holding back. 
30:40 - Michael Sheen is an incredible actor. This is an Emmy worthy scene. By Sheen AND Payne.
30:48 - I love how you can see Mr. David just chilling. Sitting outside the door and staring across the hall during this scene. It’s just....can’t he hear the screaming?!? Is he just like, “I can’t take anymore of this today. Not my circus and not my monkeys.”
30:55 - Soooooo this is Martin showing his true colours. There’s definitely a part of Martin that hates Malcolm. I honestly wonder if that part of Martin actively tries/tried to emotionally torture Malcolm now and throughout his childhood. 
31:00 - “And your mother. And you ruined HeR!!!”....does this mean Martin was trying to make Ainsley a serial killer? Maybe after the camping trip when he realized Malcolm was too “weak” to kill anyone? Is this Martin saying that Ainsley is ruined because she didn’t become a serial killer? Or that Ainsley is ruined because she killed Endicott?
31:05 - “But that’s not me.” hahaha OMG. Michael Sheen just flipped between two personalities like nobody’s business. Respect.
31:08 - Martin’s outburst hurt Malcolm. Badly. You can see it all over his face. Even now, when Malcolm is being strong and showing some backbone to Martin, Martin can wound Malcolm with a single phrase. :( 
31:41 - soooo where has Gil been for the past 10 minutes of this episode?
32:02 - Sooooo did Andre kill Jerry for Rhonda? Or did he just know about the murder and keep quiet for Rhonda? Or is his oblivious to the fact that Rhonda killed Jerry? I’m honestly confused here. 
32:20 - Holy shit. Rhonda is crazy. Andre is dead now. Right?
32:48 - Wait. Why did Andre have a gold card? Mr. David only has red. What kind of qualifications does a guard need to get a gold card vs blue, green, or red?!?!
32:55 - Claremont isn’t a punishment for Martin. Solitary is. Martin should live in solitary. He deserves to suffer for his crimes (and the ongoing torture of his son). 
33:05 - How messed up is it that Mr. David’s job is to protect a serial killer? I don’t think I’m brave enough to do something like that. I also don’t know if I could do that for moral reasons. 
33:14 - Damn. That elevator looks like it hasn’t been cleaned since it was installed. It’s sooo much nastier than the hallway outside of the elevator. 
33:50 - Sooo does this mean Martin is eventually going to try and murder someone down here?
33:54 - HE CALLED FOR BACKUP <3 <3 <3 OUR BOY IS GROWING UP AND I’M SO PROUD. <3 
35:40 - FINALLY SOME MALCOLM WHUMP. <3 THIS SEASON HAS BEEN LACKING IT. 
36:00 - This is really interesting to me. I honestly wonder if Martin has some sort of split personality disorder (personality #1: murderous, selfish, psychopath; personality #2: loving, concerned father and lawful doctor). You can see how desperately he wants to escape. But also how much he loves his son. I honestly thought he was going to leave Malcolm to die. 
36:06 - Ugh. Look at his whumped face. <3 <3 <3 ....one thing that I couldn’t stop thinking during all the tazing (which was amazing FYI, I’m not complaining) is this: in QxA (1x07) Mr. David says that he only has a single shot tazer. Why did Andre have a multi-shot tazer? Is this a gold card vs red card thing?
36:40 - WHY THE EFF DOES BACKUP NOT INCLUDE GIL?!?! I KNOW HE’S STILL IN THE BUILDING. 
37:03 - MARTIN, IF YOU TOUCH A HAIR ON DANI’S HEAD I WILL PERSONALLY HUNT YOU DOWN AND KILL YOU MYSELF. He honestly looks like he wants to murder her. 
37:50 - Martin’s speech is not going to help Malcolm’s mental state. At all. 
38:31 - No. No. No. Martin you do NOT get to talk to Dani on a first name basis. Look at how much Dani hates it. 
38:35 - I love how soft Malcolm looks as Martin lifts him up. Look at how Malcolm gently leans into the touch. It breaks my heart. After 20 years Malcolm is still comforted by physical contact with his father. :( 
38:37 - “Put your hands on me again Dr. Whitly, and I’ll blow your head off.” OH HELL YES. Dani is my hero. Iconic. Also - anyone else notice that Dani is chewing gum in this scene (I don’t think she’s chewed gum on camera since the pilot?) it makes her look like so much more of a badass in this scene. 
38:55 - Oh look. The rest of the backup finally showed up. Where were these assholes 5 minutes ago when DANI WAS ALONE? AND WHERE IS GIL?!?!
39:00 - Malcolm thanking Dani is so so precious. And the fact that he’s clearly struggling to breathe and stay conscious is giving me life. ALSO Dani saying, “YOU’re welcome.”?!? *chef’s kiss* :) :) <3
39:30 - So Malcolm definitely knows that Martin almost left him to die so that Martin could escape. 
39:33 - ......Ainsley is currently living with Jessica. Why is Ainsley not at the family dinner? We literally see her in the house in like 30 seconds. 
39:35 - Malcolm in a polo shirt. Malcolm in a polo shirt. Why is it so attractive?!? He looks like a baby cinnamon roll? <3 
39:51 - WHO THE EFF LET AINSLEY INTO THE MURDER BASEMENT?!? WHY AM I EXPECTED TO BELIEVE THAT JESSICA DIDN’T RE-SEAL IT AFTER WATKINS?!?!
40:15 - Jessica desperately tearing apart the living room is heartbreaking. :(
40:29 - Question: Did Jessica send her staff home before she tore apart the living room? Because I can just imagine two of them staring into the living room from the hall like, “She’s finally snapped. Should we call someone?”
41:00 - Jessica is the queen of drama. HOLY SHIT. This reveal was so extra and so perfect. 
41:13 - “I killed him.” “You’re lying.” I love this interaction between Jessica and Malcolm. Malcolm has spent his whole life trying to convince people that he’s not a murderer. To protect Ainsley, his baby sister, he will say the words “I killed him”. Even though that is literally killing a part of Malcolm. Jessica knows it. I love that Jessica can see that Malcolm is lying. She’s not trying to convince herself that he’s innocent. She literally just accused him of murder. She’s scared. Because Malcolm just admitted to killing someone - his biggest fear - and it was a lie. 
41:35 - Watching Bellamy Young’s facial expression as Jessica realizes that Ainsley killed Endicott is a thing of beauty. This woman needs an Emmy too. HELL, CAN WE GIVE THIS WHOLE EPISODE AN EMMY?!?! 
42:00 - Poor Jessica. The guilt she must feel. She’s always thought that Malcolm was the one at risk of being a murderer. He’s a boy (they’re statistically more prone to violence than girls), he was older than Ainsley, he remembers terrible things, Malcolm had continued exposure to Martin throughout his childhood (Ainsley didn’t - I think?). But the child she neglected, the child she thought was safe, the child she thought remained free of Martin’s evil killed someone. It’s a plot-twist that just ripped Jessica’s heart into a million pieces. 
42:30 - Yep. I promise you Malcolm has been psychoanalyzing Ainsley’s past behaviours since the moment she killed Endicott. He’s found traits common to serial killers and he’s terrified that she’ll become one if she remembers what it felt like to kill Endicott. He’s probably kicking himself for not noticing sooner. He’s probably questioning his ability as a profiler and as a big brother. AND the fact that MALCOLM has to protect Jessica AND Ainsley is heartbreaking. It’s way too big a burden. No wonder Malcolm’s mental health is on a downward spiral. 
42:33 - This is the moment Jessica begins grieving for Ainsley. The fear, disbelief, and horror on her face. It’s torture that I can only describe as someone telling a mother that her daughter is dead. Because Ainsley is dead. The person Jessica believed Ainsley was - that little girl is dead. Because Jess just found out the truth. 
42:55 - Jessica is now terrified of her own daughter. That is maybe the most upsetting thing this show has given us. 
43:00 - I saw an interesting theory about how Ainsley is regressing back to her childhood (crawling into bed with Mom, moving back in with Mom) and I must say - that would be a really interesting way for this story to go. Ainsley regressing to a child-like state as she is convicted of murder. As a result she ends up in the women’s ward of Claremont because she can plead insanity. 
This episode was amazing. Seriously, one of the best Prodigal Son episodes to date. Definitely the best of season 2 so far. If you’ve read this far - thanks for hanging out. 
120 notes · View notes
Text
Would You Be My Little Quarantine (one-shot)
Synopsis: As the mandatory quarantine hits, the Reader is stuck in a cabin in Utah with the boys from 5 Seconds of Summer. Turns out another person is stuck in a hotel nearby. Hijinx ensue as does romance. 
Pairing: Harry Styles x f!Reader
Genre: fluff pretty much just pure, teeth-rotting fluff.
Warnings: it’s my first time writing for Harry as I was never really part of the fandom, but damn does Watermelon Sugar do things to a person, so please be kind. This is defo not my best work, but I’m slowly getting back into the groove of things, so bare with me :D
Word count: 6061
Tumblr media
        TikTok had become Y/N’s new obsession. She’d stayed away from it as long as she could, being a true Vine generation child, she felt loyalty to the deceased app. But one night, after a long recording session, she caved. And then stayed giggling on it until the early morning when the birds started to chirp… or until Calum had taken her phone and threatened to throw it in the jacuzzi if she didn’t go to bed. 
        The girl and the four guys from 5 Seconds of Summer had been renting a cabin in the middle of the Utah woods to help them escape the distractions of the city as they recorded their respective albums, and given how they were good friends, they decided to collaborate on a few songs, and it made sense to just chill together as well.
        Which had started off Y/N’s own TikTok series, having ‘borrowed’ the idea from the Irishman living with two girls.
        “Alright, gentlemen.” She slid inside her bathroom pulling the focus of her camera on the reflection in the mirror. “I live with four guys, and I have some things to say. Why do you always, and I mean ALWAYS, leave your socks around the house? The dirty ones. You know you could just throw them in the wash… there’s an idea.”
        “We do!” Calum yelled
        Y/N turned her face to the door and hollered, “Only after I’ve asked you to!”
        “Do not!” he countered.
        “Do too!” she exited the bathroom and into the hallway only to be met with the man standing there with his hands on his hips. “Then how.” Y/N pointed the camera towards the living area you could see from where the hallways overlooked the room. “Do you explain that?” And when she zoomed in, there, in a small pile laid two brown socks, all crumpled up and almost pushed underneath one of the three couches, as if someone was trying to hide them from sight.
        Calum stammered for a bit. “Those are NOT mine.”
        Y/N flipped the camera and looked at it like they do in the Office. “Help me,” she mouthed and finished the TikTok, pointing with her hand at him. “Ya disgustin’!”
        Just as maturely as she had reacted, so did Calum by crossing his arms and sticking his tongue out, but their little bickering about whose socks they were and whose job was it to put them in the dirty wash (they were Ashton’s, and it was his job), Luke poked Y/N’s side as he came out from his room. 
        “I know might seem weird, but is there any chance another person could join our quarantine group?”
        Y/N’s eyebrows rose. Sure, the house was giant, mostly because whatever production she was a part of on Broadway, after a successful season, she invited all of them there to get away from the bustle of New York and just chill. It was in the middle of the forest, encased by gorgeous mountains and at the side of a lake where they’d go jet skiing and cliff diving.
        “I thought people can’t visit one another?”
        “They can’t,” Luke confirmed. “That’s the point. The unfortunate soul just got stuck at a hotel not too far from here, and all the flights are cancelled. Two weeks of quarantine without symptoms have been concluded, but, knowing how impossible it’d be to get to London, when you know, as I said, there are no flights, I offered a place to stay.”
        “So,” Y/N dramatically rolled her head. “You already offered to stay before asking me?”
        “Well, I knew you’d say ‘yes’ because you’re a kind, generous, amazing, smart, talented, compassionate person and wouldn’t leave someone on the streets when you know you could help.”
        “Mhm, keep talking.” Y/N squinted her eyes and put her hands on her hips.
        “Incredible, best musician I’ve ever met, how you haven’t won all of Tony’s I’ve got no idea. Your acting skills are impeccable and the movie industry is missing out on a once in a lifetime kind of a talent by not castin-“
        “Alright stop.” Y/N busted out laughing. “As long as you promise I won’t wake up with an axe in my head, ‘s fine.” 
        “Promise.”
        “Good. Also, could you please get me three bottles of that wine I like?” Y/N hollered before skipping downstairs and to the kitchen where Ashton was brewing the tenth cup of coffee. “I have a deadline in two weeks and have literally no idea where to go with the story.” She referred to the second book of her series she was writing, and now with the lockdown going on, her literary agent was breathing down her neck, and it didn’t help she hadn’t written anything in like a month and didn’t remember half of the already exiting story.
        Luke lifted a brow and hissed through his teeth. “That bad?”
        “You have no idea,” she sighed and left for the living-room where she could harass the boys for their fries and procrastinate some more. 
***
        The few hours, while Luke was away, were quite uneventful. All of them sat around on the couch pit, wrote some music, lil bit of lyrics and Y/N almost cried seeing as her characters had decided to live their own life and not obey to her story.
        “Why do you have to be such an idiot,” she mumbled under her breath and furrowed her brows as she wrote herself into a new plot hole.
        Right as Y/N was about to delete the whole chapter, the door slammed open and she heard grunting. “We’re here!” Luke hollered, and the thought of wine made her giddy, making her leap over the edge of the couch, and rush to the front door only to stop dead in her tracks. 
        Y/N’s mouth hung open, not because of who the person joining their quarantine group was, but because of what the person was. “A fifth GUY?! You didn’t tell me it’d be a guy!”
        “I didn’t think it’d matter!” Luke yelled back.
        “There’s already four of you!” She pointed back to the living room hearing loads of ‘hey!’ being shouted back.
        “Would you leave him on the streets if you’d known he was a dude?”
        “No, of course not!” 
        “Why are we yelling?”
        “I don’t know!”
        “I mean, I can leave.” Harry Styles said pointing at the door, not really knowing what to do. He certainly hadn’t expected that sort of greeting. “But I do come bearing gifts.” He lifted a black bag where a clinking of glass could be heard.    
        “No,” she sighed.  “It’s fine... I just… I just miss the company of vaginas.”
        He raised a perfectly groomed eyebrow. “Vaginas?”
        “People I can rant to. Honestly, it doesn’t even matter if you have a vagina, as long as we can have a good rant. Especially about the gross things like having all of your dirty socks thrown around the house.” She threw Luke a look that screamed ‘I know you pushed all of them under your bed, and it’s stinking up the whole place.’
        Harry shook his head. “Ya not gonna find me leaving my clothes like that. Besides, ‘s disgusting.”
        “No,” Luke whined, “come on, man! You’re supposed to be on our side!”
        “It’s two against four,” Harry snickered, throwing his hand around Y/N’s shoulder, who gave Luke a smug grin, and it made her mimic the same expression.
        “It’s evening out. Maybe you should actually invite some other people to quarantine with us. Say, Harry, is maybe Niall in need of a place to stay?”
        Luke rolled his eyes, and shook his head, going into the kitchen and placing the food bags he’d been holding. “I hate you so much.”
        Y/N’s smile just widened.         
        ***
        “Yes, I’m still stealing your series Irishman.” Y/N zoomed in on her face. “Because now…” she looked up at the ceiling in a manner ‘someone please save me’, “I’m living with FIVE dudes. Yes, FIVE. We have an addition. And if someone doesn’t come and kill me, I will kill them.”
        “We’re not that bad!” Michael hollered form out of frame, to which Y/N yelled back, “Yes the fuck you are! Boys are gross. You do realize you’re allowed to have more than one towel. Like you DON’T have to wipe your face with a towel that’s soaked up your ball juice.”
        “It’s economy.”
        “It’s disgusting! Also.” Y/N turned the camera to Harry who was climbing up the stairs with a cup of coffee in hand. “Say ‘Hi’ to gremlin number five. He’s stolen all of my nail polish.”
        He gave a cute wave with an adorable smile, muttering an unintelligible ‘Hello’ as his mouth was stuffed with a piece of bread and a very muffled ‘You don’t even use them.’
        “Yes, but that’s not the point. Anyway,” Y/N pointed the camera at herself. “Tune in for an update whenever, as long as I haven’t strangled anyone, and pray to the heavens you don’t see my face in the papers cause the next time you do, it’ll be my mugshot for a quintuple homicide.”
        “Is that a threat Y/L/N?” Harry smirked, as Y/N walked past him and took away his cup of coffee.
        “No, it’s a promise.” She threw him a wink, leaving the Brit with his mouth open at the woman’s audacity, as she stopped the recording of the TikTok.
        “That was my coffee!”
        “Not anymore!”
        He shook his head, turning back around and going to the kitchen, seeing Y/N perched on one of the stools, neck stretching over to where Ashton was watching a video on his phone, the black liquid in his cup now a creamy beige. Harry smiled. Maybe quarantine wasn’t going to be so bad.
***
        Y/N’s head popped from the side of the door, bringing all of their attention to her. “You guys need to record anything right now?”
        Luke shook his head, signifying the band was alright before turning to Harry who mimicked him, the tapping of his pen stopping. “Why?”
        “Just got a call from Laurence, he said something’s wrong with the ‘Candy Store’ audio from yesterday. Need to rerecord it and send it over. Something about a faulty export or whatever.”
        “ ‘S all yours.” Ashton motioned to the recording booth. “Oh, but can I be Heather Duke?”
        “And can I be Heather McNamara then?” Luke piped in.
        Y/N chuckled. “Not to burst your bubbles, but you do know you won’t be in the final version?”
        “No, but we could be in THIS version. It’d be for our private files. And it’d help you.”
        “That sounds so wrong.” She grimaced. “How would that help me?” Y/N plopped next to Harry on the floor. “You’re the biggest distractions I’ve ever met.”
        Luke scoffed. “How dare you! We offer you our services of being backup singers, and you… you’re such a meanie. You’re such a Heather Chandler!”
        “It’s 2020! If Leslie Odom Jr. can play Aaron Burr, then I can play one of the Heathers! Don’t be sexist, Y/N!”
        “I never said a dude can’t play a Heather, don’t put words in my mouth. I just said last time we tried to record anything together we ended up playing SIMS for like seven hours, but… come on you two divas, get your asses inside then. But I swear if Laurence or Kevin call because one of you whispered something dirty in the background of MY parts, I will strangle you in your sleep.”
        “How little trust do you have in us?”
        “Very,” Y/N deadpanned, showing the two men inside, leaving Calum, Harry and Michael to man the production table. “If you mess with anything, your asses will be grass.” She pointed at the three and all of them put their hands up in surrender. “ ‘S bad enough you ruined my single.”
        “It’s called giving it flavour,” Calum said through the microphone.
    ��   Y/N just responded by sticking her tongue out.
        Michael lifted his fingers, counting down from five to one, giving her the cue to start.
        “Are we gonna have a problem?” Y/N cocked her head to the side, already immersed in the character of Heather Chandler. “You’ve got a bone to pick? You’ve come so far, why now are you pulling on my dick?”
        Harry swallowed hard. 
        “I’d normally slap your face off, and everyone here could watch,” she slightly motioned with her head to the audience behind the screen, a mockingly sweet smile on her lips. “But I’m feeling nice, here’s some advice, listen up biatch.”
        When her hips started moving from side to side to the rhythm of the song, Harry swore he’d never found someone being mean (even though it was mock mean) so hot.
        “I like,” Y/N raised her voice before dropping it. “Looking hot, buying stuff they cannot.”
        There was no sight of the sweet and bubbly girl Harry had met. This was Queen-B of Westerberg High in flesh. He was transfixed. 
“I like drinking hard, maxing dad’s credit card.”
She didn’t need anyone’s credit card to pay for her things, given how she was one of the top paid Broadway singers of their generation, and something in Harry skipped a beat at how confident she looked.
        “I like skipping gym, scaring her, screwing him,” Y/N rolled the ‘r’ deeply in her throat, and he had to collect himself before his thoughts went to an unsavoury place.
        “I like, killer clothes, kicking nerds in the nose!” With a smile, Y/N pointed at Luke who only rolled his eyes. “If you lack the balls, you can go play dolls, let yer mammy fix you a snack,” she emphasised the ‘K’ after having mockingly sung the bit before. “Or you could come smoke, pound some rum and coke, in ma Porche with the quarterback.”
        As weird as it was to have the two boys be her fellow Heathers, Y/N hated to admit it did help her. It reminded her more of what it was like to be on stage before the pandemic had started and the production had to be shut down. And she missed them. All her fellow actors just as much as she missed the rush of getting on stage and losing herself in the role and atmosphere. 
        “You can join the team –“
        “Or you can bitch and moan,” Y/N’s ‘Heathers’ sang in a nasally voice
        “You can live the dream.”
        “Or you can die alone.” 
        Harry snuck inside the recording booth, picking up a pair of headphones by the drum set.
        “You can fly with eagles,”
“Or if you’d prefer,”
        “Keep on testing me,”
        “And end up like her!”
        And that’s when Harry joined in, reciting the lines of both Veronica and Martha, and when he saw Y/N keeping a palm over her mouth as she tried to keep a mean face while inevitably hiding a smile. The whole of the song, despite how Ashton, Luke and Harry had tried to make Y/N break character (she came close a couple of times), the woman stayed on the line, not missing a beat, and especially enjoying the moment where she looked at Luke, who was about to hit the high note and screaming ‘shut up, Heather!’
        Harry couldn’t help the smile splitting apart his face. When Luke had first picked up his call, having known he and the gang were somewhere in the Utah region, he had thought he’d be living with just the guys, and when he found out it was actually Y/N Y/L/N renting the cabin, the girl he’d admired for so long for how brave and utterly unapologetic she was of being herself, Harry had just thought he’d gain a new friend, not have romantic feelings spring up.
        And all of it had happened in the span of two days, not even that much. He’d arrived the evening before, had met the woman, and now it was three PM on day two and was already in love. 
        It was an exhilarating and terrifying feeling all at once. Some studies said it takes men eight seconds to fall in love, which Harry now could pretty much confirm, while it takes women generally fifteen days to fall in love. And he could only hope Y/N might have some feelings for him as well, otherwise, he’d have to scold his heart for falling quickly once again. 
***
        It was the middle of the night, wind slamming against the windows when Harry got awoken by people talking behind his door. At first, he was ready to fight, thinking immediately that intruders had come into the house, but when he heard a ‘fuck off Michael’ and a ‘you fuck off, you’re gonna ruin this’, he understood everything was fine. And he was just about to lay back down on the soft pillows, but as the saying went – curiosity killed the cat, but satisfaction brought it back, so he threw off the covers and lightly went to the door, where a bleary Harry appeared on the stairs making Y/N and Michael whip their heads towards him and freeze on the spot. 
        “What are you two do-“ but he didn’t get to finish the question as the two co-conspirators shushed him.
        “You’re either in,” Y/N whispered harshly, “or out. Choose Styles.”
        A beat. “What kind of trouble’re we getting’ into?”
        The smile which spread on her face was nothing short of wicked. “Revenge,” Y/N hissed.
        “Be quieter than a mouse,” she whispered to him, and now the trio moved downstairs.
        “Who are we getting revenge on?” Harry spoke as quietly as he could, as they rounded the corner and exited the cabin through the back door. It was colder than he thought, seeing how the wind wasn’t warm at all, and he was grateful he’d fallen asleep in his favourite rainbow cardigan. How Y/N and Michael didn’t even shiver in their barely-there pyjamas he didn’t understand. 
        “See, Luke here thought it was a good idea to not heed my warning about not messing with my recording.”
        Harry’s eyebrows scrunched up. “He didn’t.” He knew Luke hadn’t, he was there the whole time and listened back to what they’d sung with everyone together.
        “No, but he did rename a different file with the same name I had for the 'Heathers'' recording, on MY computer, mind you. And well, let’s just say, it was not what anyone wanted to hear.”
        Harry had to swallow, as his mind went to unsavoury places, and as Y/N shimmied open the lock of the window to the studio bathroom part of the house, she looked over her shoulder to see his expression. It would seem, despite him being in ‘Dunkirk’ and having been confirmed to play Eric in the live-action ‘The Little Mermaid’ he wasn’t as good of an actor as he thought.
        “Get your mind out of the gutter,” she snickered and pulled herself inside the house through the window, Michael handing her a black duffle bag Harry hadn’t first noticed. “It was a conversation I had with my friends while we were all drunk. Some tea, some very personal tea was spilt, and so.” She unzipped the bag slowly and took out a whipped cream can. “I’m going to spill something else.”
        Canned cheese was one of the most disgusting things ever created by a human in Y/N’s opinion. So, squeezing nine cans worth of the stuff inside all of Luke’s socks, jean pockets and everywhere else possible was good enough revenge for her.
        “Why are we in the studio though?” Harry asked as the trio crept towards the bathroom door and peeked through the open sliver. It was pitch black. 
        “Because Luke teds to forget his favourite things here,” Michael explained and motioned for them to follow as he checked that the hallway was clear. It was go-time. 
        Together they all snuck back inside the recording studio, and much like Michael had said – Luke’s favourite jean jacket, a woollen jumper, three pairs of boots and shoes were all scattered around the place. He hadn’t even noticed it while they’d hung out there, but now Harry understood what Y/N was talking about while whining about the boys being messy.
        She uncapped the can and squeezed, the artificial smell of cheese wafting through the air, making her almost gag. “That’s for being a bad friend,” she muttered while filling up one shoe. “That’s for making bad jokes.” She filled up another. “And that’s for saying ‘Dancing in the Moonlight’ is an overrated song.’
        It was hard for Harry to contain the giggles, as he uncapped his own can and started filling up wherever Y/N pointed to. Did he feel bad? Sure. But was it fun to feel like a teenager in a university dorm during a prank war? Abso-fucking-lutely. And it didn’t help that he was desperately falling in love with Y/N with every second they spent together. Like she could’ve asked him to hide Luke’s corpse, and he’d say he’d take the blame for the murder if it came to it.
        “Why did we have to sneak around the place like that?” he suddenly asked, brows furrowing in concentration as he squeezed the smelly contents inside the inside pocket of the jacket. “Why couldn’t we have just walked through the house?”
        “Because Luke always and I mean always comes to the studio at 3 AM,” Y/N stated. 
        Harry looked at the clock. It was 2:45 AM already. 
        “But before that, he goes into the kitchen, makes himself a double espresso, a sandwich and eats it before going into the storage where we keep all of the instruments, which is where he is in right now. Had we snuck through the normal way, he would’ve seen us and stopped this. And that just wouldn’t fly.”
       However, it was like Luke had a sixth sense as right at that moment the light flipped on, and like deer in headlights, the trio’s heads shot up and eyes widened.
        “What the fuck!” he whispered hand extended in the direction of the already six empty cans on the floor.
        Y/N snapped out of the adrenaline induced frozen state and shrugged. “I told you not to mess with the recording.” She put her finger back on the squeezable part. “And you. Didn’t. Listen.”
        The cheese squirted out with a splutter, and all of them stood still as the final bits dropped into Luke’s black boot. “And that’s payback.”
        With a sway in her hips, Y/N exited the room, leaving the three men to gawk after her. 
God was she a hurricane, Harry thought to himself. And he’d never been as happy to be caught right in the eye of it all.
***
        The next few days all of them spent lounging around the house, recording a few songs, most of them by Harry seeing as a huge wave of inspiration had hit him, making him write more than one love song. He even asked Y/N somewhat shyly if she could do some of the backing vocals, and he swore the song went from a 3 to a 100 the second he heard her voice weave his lyrics into a symphony. 
        By that point, they’d been quarantining for a week and a half together, and a heatwave was coming up. The cabin had both an inside and outside pool which they’d all had to learn how to maintain, seeing as no one could come and do it for them, and a jacuzzi tub on the terrace. As much as the boys tried to prove they knew how to keep the places clean, ultimately it was Y/N who saved all of them from chlorine poisoning and algae overgrowth. 
        So, it was right when she pulled out the pH indicator and said it was good for use when with a scream, Luke rushed forward Y/N, rugby tackling her by the waist and plunged both of them down to the water below. 
        “You asshole!” She splashed at him, laughing and choking out a bit of water as they resurfaced. “What the fuck is wrong with you!”
        “That’s payback for the cheese.”
        She went silent for a second, but then shrugged. “Can’t say I didn’t deserve it. But you did deserve the cheese.”
        “So,” Luke extended his hand for a shake. “Do we call this even?”
        Harry exited the cabin right as both of them completely soaked to the bone jumped out onto the wood floor. He stopped mid-walk if only to control where his eyes went seeing as Y/N’s white shirt clung to her body and well… didn’t leave much for the imagination anymore.
        “Do I wanna know what happened here?” He raised a brow.
        “Retribution.”
        “Though I do gotta say, you have a funny way of getting revenge.” Y/N smirked at  Luke, making him squint down at the girl. 
        “What do you mean?”
        “I mean,” she drawled out, a mischievous smile on her lips, “that when I filled your clothes with the cheese, my stuff didn’t get stinky. And yet, from your end… I’m not the only one wet.”
        A beat passed.
        “God fucking damn it.”
        “Hey!” She pointed a finger at him. “We called a truce!”
        Luke waved her off. “Yeah yeah, whatever,” but Y/N grabbed Luke’s hand right before he went inside and squeezed it. 
“We good?”
        He sighed and smiled. “We good, sweetheart.” He pressed a kiss to the top of her head, gave Harry a quick ‘see ya later’ as well and disappeared through the glass doors. 
        Harry didn’t know what’d happened to him. He’d always been a helpless romantic, falling in love, and maybe a bit too hard at that, but this time, even without Y/N knowing about his feelings, his heart felt safe. 
        Sure, the side of her he’d seen was a complete headcase, and she had more energy than a bull with a red flag in front of it, but the utter love exuding from the woman, even while she complained about her four, well five counting him, housemates was palpable in the air. The way she hugged and made sure everyone had whatever they needed, the way she let them know if anyone needed to have a chat, she’d be there to listen, and the small little things of how she always knew what preferences they’d have for their pancakes or breakfast in general, made his heart melt. 
        “Luke’s a lucky guy.” Harry swallowed before saying that. As much as seeing Y/N be affectionate with everyone, him included, made him feel all fuzzy, a little jealousy monster did bubble up in his stomach when he saw her snuggled next to the lead vocalist of the band. He didn’t have any right to, but no matter how much he tried to repress the green beast, it still lurked somewhere deep in his heart.
        “Hm?” Y/N lifted her head where she’d been looking at the water as she squeezed it out of her shirt and up at Harry.
        He motioned with his chin to where Luke had disappeared. “He’s a lucky guy to have someone like you.”
        “Oh, we’re not together if that’s what you’re implying.”
        “I –“ he stammered. “I didn’t mean to offend y-“
        But Y/N waved him off. “You’re not the first nor probably the last person to say that. I get it. They asked me one time to surprise their fans at a concert in Connecticut, I think, and when their photographer sent over the pictures, I kinda saw what everyone kept saying, but I’ve never looked at any of them as more than a friend. Best friends, brothers maybe, but nothing more.”
        “How’d ya get so close?” Harry enquired, his chest feeling a bit lighter.
        Y/N huffed and plopped down to the ground, patting the place beside her which Harry took. “When I first went solo, right after being on ‘Beetlejuice’ I was fucking terrified. Didn’t really know anyone in the music industry like that. Being on Broadway’s different.” She shrugged. “And the award shows are different as well. Like with ‘Tony’s’ or ‘Oliver’ awards it’s you know – musical and theatre geeks. My people. But the first time I went to VMAs I almost shat myself.” She chuckled, and Harry did the same. “Didn’t know anyone at all, was petrified to even find my seat because someone told me I’d have to sit between Lady Gaga and Rihanna, and my heart was not ready for that. Ashton saw me at the edge of the carpet, creeping around the entrance and kinda…” Y/N bit her lip looking for the right words. “I dunno. They kinda took me under their wing, in a sense – if you need a friend in the industry, we’re here, that sort of thing. And ever since then, we’ve been best friends. Luke and I just got the closest because we got stuck in an elevator once for like eight hours once, and well, boredom and thinking you’re gonna die in a four by four-foot box brings people closer.”
        Harry almost choked. “Eight hours?”
        “Yep.” Y/N popped the ‘p’ and gave him a sarcastic smile. “It was like soooo much fun,” she said sarcastically.  “I totally didn’t think the elevator was about to drop from where we were up on like the sixtieth floor, and both of us were gonna get our bones smashed to pieces, and I only had two protein bars, and you know how I get without food,” she stated. He nodded.
        “Cranky.”
        “Exactly. But.” Y/N chuckled. “We didn’t die. Which’s great, not complaining, and I gained one of my all-time best friends.”
        “Well, I’m glad you didn’t die.” Harry gave her a warm smile and nudged her foot with his. “Wouldn’t have gotten the chance to meet you otherwise.”
        She nudged his foot back. “ ‘M glad I didn’t die either. And I gotta say – you’ve made this whole quarantine bearable. Sometimes it’s like fighting with four toddlers, and that’s always a futile battle. Happy to have another wrangler with me. Also an accessory to my crimes.”
        He inched his hand towards hers, and when Y/N didn’t pull away instead liked her pinkie with his, a warm feeling rushed through him.
        “Happy to be of help.”
***
It was two nights later or full two weeks since the six of them had been together when things took a turn. 
Y/N’d always been a light sleeper, especially when her life was mainly placed in New York, but now, living in the middle of nowhere, she’d been able to catch up on some sleep. That was when the sound of her door being opened made Y/N shot up in her bed, sheets clutched at her chest in a panic. “What? What’s wrong? What did Calum set on fire?”
        “Nothing.” Harry’s eyebrows scrunched up, but he decided not to ask. There was the morning for that. “This might seem weird, but could I uh could I possibly sleep in your room?”
        She blinked a couple of times, because her brain was still processing his words and if they were even English, but once they registered, Y/N nodded, pulling back her blanket and scooting over. “C’mere.”
        “Again, I’m sorr-“
        Y/N shushed him, as Harry climbed in the bed, placing the duvet underneath his arm and twisting to see her, as she mumbled, “less talk, more sleep.”
        He hummed in agreement. His eyes were heavy, in fact, they’d become heavy the instant his head had hit Y/N’s pillow, but it was like his heart, the same poor heart that’d had to deal with the newfound emotions for the whole time he’d been there, the same poor heart that didn’t know better and always gave itself away to the person it deemed to be worthy, no matter if in the end it ended up broken, took over the control of his eyes and mouth, and while slamming against Harry’s ribcage, he whispered his confession. 
        “I really like you… As more than a friend.”
        A second passed. He felt Y/N stir as she turned towards him, brow furrowed. “Sorry?”
        “I said…” He let out a shaky exhale. “I like you. I fell for you pretty much the second I entered the house and you threatened to throw me out because I was a guy. And then I fell for you when I saw you let loose in the studio. And then once more when I witnessed what your wrath entails.”
        Y/N chuckled. “Cheese.”
        “Yeah…” He let out a little laugh. “Cheese.”
        A gentle palm went to brush away the hair stuck to Y/N’s face and he swore he could just melt as she leaned into his touch. “And then I fell for you when you said yes to singing my song… when you sang the lyrics, I dedicated to you… and every second I fall for you even more… I just… I thought you should know…”
        “Well, I can only hope that you’ll take this as a compliment then, when I say I kinda like you too, Styles,” she mumbled snuggling deeper into her pillow. “Though I didn’t think I was your type.”
        “What’s my type then?” he mumbled back, letting his arms wrap around Y/N’s waist when she shuffled closer. Not only was he now fully in heaven because he was covered by the softest duvet in the world, head resting against a literal cloud, but also because his nostrils were invaded by the gentlest of smells, and the body against his was the warmest of comforts. 
        “Well, not girls like me.”
        “You mean talented, beyond funny and absolutely breath-taking?”
        “Introverted, house hermits who don’t wash their hair unless they have to go somewhere with a perchance of self-destructive behaviour. Unintentional that is.”
        Harry’s eyebrows lifted. “Would’ve never taken you for an introvert.”
        “Mmmh,” Y/N sighed, feeling his fingers skim her skin. “That’s because I’ve known those guys for years, and they’re like my brothers. Couldn’t be uncomfortable even if I tried with them. We’ve seen too much of each other. But I’m definitely an introvert. Almost had a panic attack the first time I had to make my own doctor’s appointment.”
        “You didn’t seem shy with me.”
        “That’s because for some weird reason I… I didn’t feel awkward around you. And I mean, you did bring wine.”
        She could feel Harry’s chest rumble as he laughed. “Well, I hope it helped with inspiration.”
        “Ugh, don’t remind me,” she huffed, but opened her bleary eyes and were met by Harry’s green already staring back. She couldn’t contain the giggle, and it only grew in power as he chuckled himself, making her bury her head in his chest.
        “What?”
        “Nothing,” she shook her head. “Just never thought I’d date someone from 1D.”
        “Are we below you or something?” There was no trace of malice and hurt in his voice. He knew Y/N wasn’t like that.
        “No, ‘s just my boy band phase was ‘Good Charlotte’, ‘Panic at the D!sco,’ ‘My Chem’ and the sort.”
        “So, you weren’t fainting while listening to ‘You Don’t Know You’re Beautiful’?” Harry mumbled in Y/N’s hair, sleep slowly overtaking him.
        She shook her head. “Sorry, no. Panties definitely weren’t dropping then.”
        “Are they now?”
        “According to ‘Watermelon Sugar’ you’re the one pulling all of ‘em off.”
        “Damn. Guess it’ll have to be my new challenge.”
        Y/N’s eyebrows scrunched up as she looked at him before promptly falling asleep. “Making my panties drop?”
        “Yep. But this time because of me, not Gerard Way.”
        “Bold of you to assume it was just Gerard Way. I’m a slut for all of those wizard dads.”
        By the time she slurred out the last sentence both of them had drifted off into a peaceful slumber.
***
        “They were right!” Harry shouted jumping up in the bed, startling Y/N awake once more as if something was breaking down on their heads with how urgently he jolted. “It does take women two weeks to fall in love and men 8 seconds.”
        A pillow met his face. “Fall back asleep.” 
        He leaned over her still horizontal form, a smug smile on his face. “Are you gonna make a TikTok about it?”
        “Probably ‘bout how I murdered the boyfriend I was with for three hours if he doesn’t let me sleep.”
        He didn’t argue. With a smile on his face, Harry drifted off once more. Who knew that getting stuck in a hotel somewhere in Utah would lead him to the love of his life? 
Tags (crossed out wouldn’t take): 
Forever tags: @lumelgy @palaiasaurus64 @supernaturalbaesduh @breezy1415 @crazy--me @thatawkwardlittlefangirl @sea040561​ @staryeyedgirl @deathbyarabbit @s-c-a-r-e-d-po-t-t-e-r @reblogger-not-a-blogger @m-a-t-91​ @dalilx​ @i-need-a-hero-i-need-a-loki @maladaptive-ninja-returns​ @averyrogers83​ @in-the-end-im-still-trash​ @gallifreyansass​ @dewy-biitch​ @avxgers​ @unlikelygalaxygiver​ @magicwithaknife​ @ollyoxenfrees​ @bnhvrdy​ @tvwhoresblog​ @celebsimagines​ @thatkindofgurl @sj-thefan @teenwolflover28 @lestersglitterglue​ @im-squished​
A/N: So... I know I’ve been gone for quite a while, but that’s because I have a job now (I’m trying to get a different one that actually would involve my degree, because this one is absolutely killing me), so please be understanding with the spare posting. I still love writing fics, and as evident, I’m kina branching out into other fandoms :D
There’s a lot of things going on in my life, so if you wanna follow me you can do that on Instagram @dinnusa or @read_with_dee or on my blog dinnusa.wordpress.com :) I also have a TikTok @dinmasters
P.S. feedback is always appreciated :)
P.S.S. If you wanna be tagged please drop a message :) or if you want to be removed/ changed to a different tag list please also message me :)
388 notes · View notes
Text
Tumblr media
Thank you so much anon! That’s so kind of you!
I have seen it, and I was totally a fan growing up. I’m part of the lost generation that had this show airing when we were kids. When I was in late elementary school and early middle school. Setting aside how Butch Hartman has become the J.K. Rowling of Nickelodeon, I quite enjoyed Danny Phantom. I think the show peaked in it’s second season. They were still finding their footing in the first season (I mean, they didn’t even add his logo until the second) and the third season wasn’t really terrible, it was just a strange followup to Season 2.
I enjoy the three protagonists (Though I have my problems with Sam) but I actually think this show’s strongest characters are the recurring ones. Jazz comes to mind, as well as Vlad Plasmius and especially Valerie. Her character had by far the most interesting journey and I’m not ashamed to admit that Danny x Valerie had significantly more development as a relationship than Danny x Sam, which the show loved to tease but I just never got invested in it. Unfortunately, both Valerie and “Grey Ghost” (as I hear it’s called in the fandom) got the shortest end of the stick possible in the finale.
But I don’t think I’m alone in feeling that way. That said, I do have my fair share of unpopular opinions as well. I said before that Season 3 is better than people say, and it is. But I think what hurts it is the tone. The previous season ended with Kindred Spirits (which is simultaneously the best and worst episode in the show) Danny and Vlad doing prank wars just doesn’t feel appropriate all of one episode after Danny killed Vlad’s adoptive son. Seriously, that was the point, I think, that Vlad decided he no longer cared about recruiting Danny, and just wanted to kill him. Season 3 gives us some interesting villains and genuinely good episodes (Amorpho. I friggin love him.) But it also makes Vlad a mainstay and does so in a strangely tone-deaf fashion.
My most controversial take though, is probably going to be that I loved Reign Storm, and hated The Ultimate Enemy. Listen, when I was a kid, TUE was my favorite episode. I was as shook by it as everyone else. I agreed that it was miles better than Reign Storm. But that episode, while it aims lower, tells a cohesive story that I actually care about. Rewatching TUE...it’s a clusterfuck. It’s a mess. It makes absolutely no sense, none of the key plot threads work. I have a whole rant about this if anyone wants to hear it.
In fact, I know everyone hated Phantom Planet, but I’d say that episode was solid compared to TUE. It wasn’t the greatest finale ever, but it got the job done. The best of the season finales is still probably Kindred Spirits, because of Dani’s character and the whole chilling story about that. Though, the stupid “Danny isn’t considerate” subplot really holds it back. Normally the show is pretty good about continuity, I love episodes that feature Jazz and Valerie for this reason. Ah well.
21 notes · View notes
hanjo-love · 3 years
Note
Now I became selfish and I hope the shard is showing Hanji being saved by Kiyomi or something. She go the worst treatment and if Isayama was afraid of the backslash like you said why make it even worse with those parallels with eremika? Is he preparing the Fandom for another levihan moment? I'm tired of EVERYONE surviving but her, Kiyomi's kindness really??? And Onyankopon, while I don't hate him, he survived a plane crash and he doesn't add much yet he is there for being the editor's favorite, Yelena is there after all she did and she adds even less, and the people titanized will revert to human (or at the very least Isayama's favorites will).
Oh anonie, you and me both my friend, you and me both 😔 Beware, a long rant-ish meta is ahead of you lol
I have absolutely no fucking idea why Yams decided to treat Hanjo like shit. You know, after a long time of denying her death, I was starting to accept it, because she was finally free, free of the burden and pain and finally reunited with the people she missed and longed for the most. But then Yams decided to slap us all in the faces saying there's no happy & peaceful afterlife in snk and Hanjo was probs only hallucinating because of her 4 years long depression? Well then, fuck you Yams! What was that even for? Isayama never backed off of showing us the horrors of death in snk, no matter how important the characters and how brutal their deaths really were. Still, he never showed us Hanji's actual death or dead body. He kept it misterious and his vague answers only made it worse. So it's only natural for us to expect a plot twist, right? That's the reason all of us gathered various hints in the manga, anime and his interviews. And lemme tell you, these theories are far more logical, better explained and have less plot holes than the entire final arc smh (yes I'm salty, fight me lol)
I hate to admit it, my inner self is still in denial and fighting, but Hanjo ain't coming back folks. We won't get any background story and the misterious shard will never be explained to us either. Yams had more than enough time to bring Hanjo back, if he truly wanted to. But he didn't. And now with only one chapter and so many unanswered questions left, there's no time for Hange's return. Why would he even do that anyways? Hanjo isn't important to him or to the story anymore. To us she is, always was and always will be ❤️ You know, I'm so fucking desperate to see her again, I'll even take one last panel of Levi remembering her, just like in ch136. Yams just let us see Hanjo one more fucking time 🙏🏻 I need to say my proper goodbyes to my one&only comfort character, who's influenced my life like no one else ever did ❤️
Back to Levihan (I don't think I can answer an ask without my biased and trashy shipper ass butting in lmfao): the question why Yams confirmed Levihan as canon if he didn't intend to bring Hange back and reunite her with Levi to make us him happy again? Well, isn't it obvious? This man is the devil incarnate. THIS MAN HAS NO FUCKING CHILLS lmfao JK y'all before someone declares war on me and my blog haha Well anonie, I feel like Yams really wanted to confirm his initially planned ships as canon, before the manga ends. And he chose the safest way possible. Easy as that. Also he said he is going for a bittersweet ending and what's more tragic (in this literal hell) than separating lovers, ergo Eremika and Levihan.
Now to something else, that's been bothering me for a while now and I'll use your ask anonie to share my thoughts with the world even though nobody asked lmao tbh I'm a bit disappointed with Armin. I love him, I really do. He's my precious cinnamon roll and my fave 104th kiddo. But honestly, I was expecting a bit more of the alleged "hero who will safe humanity". In fact, I'm sure Hanjo only died for Armin to become the new commander. That's it. That was the reason she had to die. Yams glossed over her to make Armin shine. But in fact, Levi's the one who's giving orders ever since Hange has left them. I might me salty, but I really hope the talk with Zeke (and probs Ymir as well, we still might have a chance to see the dialog that made Ymir change her mind) and his titan nuke weren't the only things he did as "humanity's hero" in this final arc. For some people this might me enough, for me it isn't. It wasn't worth Hange's sacrifice. Also what made me really sad was Armin himself glossing over Hanjo when he remembered Erwin Danchou, but not her. Like she didn't just pass away an hour ago to save their pathetic asses. Ugh this is making me hella mad, ngl. Hanjo didn't deserve this treatment! She gave her all for this! To save the alliance, to "pay the price" for her "sins" as the SC commander and to save humanity. I can't deal with how all of them and the fandom apparently forgot about that.
Now on to "Kiyomi's kindness" lol I wasn't really mad at Gabi for saying this as most of the fandom was. I won't go into detail why she isn't really a rationally thinking character (yo guys, you do remember she's a 12 year old kid, right?), but it's a fact that she didn't care for Hange enough to mention her. I mean, why would she? She barely even knew her. Also we don't really know what's gonna happen with Yelena, Kiyomi and her delegation. I don't know if I'm reading too much into it, but I feel like Kiyomi accepted her death with saying "that's not enough atonement for what I did anyway". I mean they don't know if the alliance will win (they probably think they won't) and they're in the middle of literally nowhere. So I feel like Gabi said that because Kiyomi sacrificed herself (and the others on that ship) willingly, for Gabi, Falco and Annie getting a little chance of surviving and helping the alliance. But I get the rage of the fandom. Especially because no one, except for Levi, remembered Hange after her noble sacrifice.
As for Yelena and Onyankopon, there obviously has to be someone from outside of Paradis to survive the rumbling, otherwise it wouldn't make a lot of sense, I guess. I like Onyankopon a hecking lot ❤️ precious boi was literally crying for Hanjo 😭 Yelena on the other hand deserves what she got. Death would be too easy and kind for her tbh. She has to live with the consequences, just like Kiyomi, so I'm actually glad they survived. So my guess is, it's not really about who's Yams' favorite and what these people are contributing to the story, but it's rather about a logical ending and a good conclusion of the story.
I agree with you about the ones who have been titanized. They'll for sure revert back to humans. It's not really Yams' style to kill of an important character like Gabi, whose character development he's been forcing on us for quite a while now lol. I'm pretty positive about an ending with the titan curse being broken and bringing the titanized people back to human beings (probs also the millions of colossal titans?). It's only natural for Yams to end the story with the titan curse being lifted. Otherwise it wouldn't make sense to end his story at this point. But let's not forget what a big ass troll Yams is lmao you never really know what he's up to, so let's prepare for the unimaginable lmfao
I'll probably never forgive Isayama for what he did to Hange, his best written character, how he completely ruined her and threw her away as disposable, just to make other characters "shine". HER DEATH WAS POINTLESS AND IT DID NOT FUCKING CHANGE ANYTHING! That's the harsh truth y'all. Yams betrayed Hanjo and us AND FOR WHAT?
Thanks for the ask anonie and sorry I turned this into my personal rant lmao hope you still enjoy reading my thoughts on this ❤️
60 notes · View notes
princessfbi · 3 years
Note
Ok I have got to know what happened with Oliver's character on that one show that makes you rage so hard every time you see him.
WELL NONNIE I'LL TELL YOU!
This is a warning for spoilers if anyone wants to watch this show because my rage cannot be contained.
OK SO...
This show is called Into the Badlands and Oliver's character is named Ryder. Basically the premise of this world is that it's kind of post apocalyptic/alternative universe where humanity got so caught up in trying to one up each other that it sort of imploded and now you have this society where either you're super wealthy (the Barrons), super poor (Cogs and Nomads), or somehow a ninja (The Clippers and whatever the hell MK was supposed to be). ANYWAYS....
Ryder is the son of Barron Quinn. Now the surviving land is either divided into like factions run by Barrons (who control a majority of major trade) or there's these lawless lands that are run dredges of society. You either become a Barron by killing another Barron (which is what Quinn did) or you are an heir apparent. Ryder is more an heir presumptive because Quinn won't outright name him his heir even though everyone just assumes it.
This is because Quinn is batshit crazy and thinks he can just live forever through sheer stubbornness and will alone. This is especially hard to do because he has a massive brain tumor that's dwindling down what little bit of sanity he has leading him to make questionable choices such as killing the only doctor they have in the lands who would've been useful pretty much for the rest of the series but go off Quinn. Ryder has a lot of resentment towards his father, which I will get into in a minute, and at the same time has gone out of his way to prove to Quinn that he's a worthy heir. Except Quinn keeps comparing Ryder to his second and regent, Sunny, and he's just all around a shitty person in general.
NOW HERE'S THE AMAZING BACKSTORY WITH RYDER:
So, when Ryder was a child, he was kidnapped by these nomads who were trying to blackmail Quinn. Ryder's mother begged Quinn to pay the ransom and save Ryder. Quinn... refused. So the nomads tortured Ryder and (Gross warning) like cut off part of his toes and disfigured his foot in the hopes of crippling him and scaring Quinn into giving to their demands.
Quinn, again, refused.
Eventually Quinn's regent at the time, Waldo, defies Quinn's orders and goes to rescue Ryder from these nomads. Waldo defying Quinn is a big deal because he's a clipper which is basically a soldier (often brought in from the slave faction called Cogs) and they take their oaths to their Barrons very seriously. Barrons trust no one but their regents because again you can become a Barron by killing them. But Waldo always had a soft spot for Ryder.
SO Ryder is saved and eventually nursed back to health but he always has a bit of a tragedy cloud hanging around him because from what we were told Ryder was a very sweet, bright child before he was kidnapped and was brought back as "a broken bird" and he's been doing everything he can to get rid of the broken bird image ever since.
Quinn resented Ryder for making him look weak and Ryder resented Quinn for... Well being a heartless dick.
But here's the crazy part... They both, in their own way, still kind of loved each other.
Now I won't bore you with my rant about how the best antagonists are often the tragic figures who have fallen from grace (Peter Hale, Draco Malfoy, Loki to name a few) BUT I will say Ryder had the PERFECT foundation of showing that fall. He was an asshole and hard and spoiled and super privilege but also soft and still a little broken. There's a whole other narrative involved too with his childhood love and how his dad planned on marrying her but we won't get into that.
ANYWAYS Ryder still had this desperate need to prove to his dad that he was a worthy heir but in his attempts to prove himself (and his dad's fall into madness) his dad started seeing him as competition. Competition and another objects (like Quinn saw with most other characters but especially Sunny). But Quinn has this weird kind of pride when it comes to things that he considers his and an attack on his property is an attack on him. There's a character named the Widow who lured Ryder out and tried to kill him slowly and personally as well as Sunny as an attack on Quinn and he went bananas (sorta).
Ryder was fine eventually but he realized that trying to prove himself to his dad was never going to work so he decides to try the other option: which is killing his dad. Partially because if he doesn't, Ryder is smart enough to know that Quinn's going to get him killed, but also because Quinn's descent into madness is spiraling faster and faster and Ryder wants to protect the legacy. Nothing to inherit if his dad burns the whole thing to the ground!
Long story short, Sunny turns on Quinn and stabs him and everyone thinks Quinn is dead and Ryder takes credit for it therefore succeeding his dad by becoming not only Barron of his father's lands but some other Barron that got murdered by another subplot that was pointless.
Now Ryder is determined to bring peace to the lands (not out of some noble obligation but because he just wants people to chill the fuck out). And for the most part... he's doing okay.
BUT THEN PLOT TWIST HIS DAD IS ALIVE AND CRAZIER THAN EVER.
Basically his dad storms Ryder's house, chases him down in the garden, and they fight. But Ryder's foot that was crippled when he was a child trips him up and the fight gets even messier. Ryder's sword breaks and Quinn points the sword to his own chest and tells Ryder to finish him.
Ryder hesitates and so Quinn takes the sword and stabs Ryder. You know like a rational father would do.
Quinn then asks Ryder why he hesitated and Ryder whispers "because you're my father" before he dies in Quinn's arms. Quinn is... horrified because he realizes that with the death of Ryder is the death of the last parts of his own humanity. He mourns Ryder but also like... takes no responsibility for killing him but neither did Ryder so he can't process it. Later on he's haunted by Ryder but again the man has a giant grapefruit sized tumor in his brain so it's all very reverse Hamlet if you will.
SO LOOK AT ALL THIS POTENTIAL!
THE REASON I RAGE:
Is because Ryder was set up to fail from the beginning. Which is great!....... If that had actually happened. The show worked so hard to tell us that Ryder was a failure and a coward but if you look at it from a story perspective... Ryder was the opposite of a failure. Every time someone told him he couldn't do something, he proved them wrong. Again and again and again. But that was never good enough for anyone. So that vicious cycle would've been amazing to see!
But instead of exploring any of that, we had to watch a storyline that was frankly ridiculous from the beginning that took up way more time than it should. There's a character named MK, who was supposed to be inspired by the myth The Monkey King, but if you don't know that story then you never would've figured that out. Hell, I knew the story and didn't figure it out until I had to google his name because I kept forgetting it. In comparison to everything else happening in the show, this magical mythical storyline just didn't fit and I'm not kidding when I say I watched a season and a half of this show and forgot about MK every time.
Now if you noticed my icon is Buck in a Box. That's an inside joke I have with a friend about this fucking show. The first scene starts off with Sunny stumbling onto a group of Nomads who go absolutely feral about this massive box they don't want him to look inside. Turns out MK was in this box for reasons that were too weak for me to even remember but again MK was entirely forgettable. My friend and I kept talking about how it would've been better if Ryder had been in the box because the Ryder and Sunny rivalry had so much unexplored potential that would've been incredible if we started from the very beginning instead of just being told over and over again that Ryder hates being compared to Sunny.
Sunny is the main character and Quinn, unlike with Ryder, was incredibly proud to have Sunny "in his possession" and Ryder hated him for it.
But did we get to explore that? NO! Did we get to explore the parallels of Sunny and Ryder chafing at being considered possessions by Quinn? NO! Did we get to explore the trauma Ryder was working so hard to shake off? NO!
Instead the show spent so much energy victim blaming Ryder essentially for being the son of a Villain and his Nonsensical Ambitious Mother who had the misfortune of being kidnapped by bandits as a child while telling the audience that Ryder was never going to succeed. That Ryder had no honor and was a coward and weak.
They spent way more time trying to tell us that we should hate Ryder and that he was a bad guy but didn't do ANY of the work to show the fall from grace to prove that. Ryder remained a tragic figure that didn't fall from grace but was rather pushed off by lazy writing because they wanted to focus again on this magical ninja boy with a penchant for getting in the way and ruining everything.
I rage because Antagonist and Villain are not the same thing. Ryder had the potential of becoming a villain and his death by the hands of his father would've cycled him back into the role of a tragic figure. But instead... it was just wasted.
THAT is why I rage. You had the material right there and yet you spent so long telling us that we, the audience, don't like Ryder instead of showing us anything that would make us not like him (besides the whiny white boy thing).
Instead I found myself rooting for Ryder. Like could you imagine if Ryder and Sunny went against Quinn together instead of having the weakest rivalry known to man? Could you imagine Ryder's fall from grace of wanting peace in the lands as it turned to greed? Could you imagine Sunny becoming actual competition for Ryder instead of being manipulated to do so?
WE GOT NONE OF IT.
THIS is why I rage.
Tumblr media
30 notes · View notes
Text
Long Loki rant incoming
Ok first things first I've always liked Loki a lot as a character but I don't consider myself a really really big fan mainly because I haven't read the comics. So all this rant is gonna be only about mcu loki and loki in the mcu has been written differently depending on the movie so yeah. And on that note let's go!!!!
So today I'm gonna talk about what I liked and what I didn't like about the Loki show. This is obviously just my opinion, you can disagree with me! I'd love to hear your opinions!
First I wanna talk about is the writing of Loki's character. So previously it has been established in the mcu that Loki doesn't do bad things just because he's a bad guy or because he wants power above everything else, but because after all the manipulation and lying he went through as a child, the abuse, always been seen as less than those around him and being taught to hate himself for who he was (a Jotun). He wants validation and being treated the same as the others, he doesn't really care about ruling or being king. His actions are a result of his trauma. So the show painting him as "He's a bad guy!! He's evil he can't help it it's in his nature!! He just wants to be king!!!" felt off to me since it completely goes against all the previous canon. Apart from that, I feel the show also erased other aspects of him that had always been essential to his character, such as him being very smart and always having a plan, and his powers (he BARELY used his powers throughout the season and he's supposed to be the best sorcerer in the nine realms. Please). So yeah there's that. I didn't absolutely despise his character in the show or anything like that, he generally seemed more happy and chill and that was good, I just felt some aspects of the character seemed inconsistent.
Apart from Loki, something I loved about the show were all the new characters that we were introduced to. Sylvie was absolutely fantastic, she had a well written tragic backstory, she had a goal and she had layers. She was a really well written character. Also she was just really cool overall, she had a cool personality and seeing her use her powers was very fun. (Sylvie your hand in marriage) (I guess I can talk about the "betrayal" now. So yeah not gonna lie I don't think it was that bad. She had a goal she had been pursuing her whole life and she obviously prioritized that before a guy who she met a few days ago. She did hurt him of course but still it's easy to understand her decision.) Mobius was also really cool, in the first episode I didn't like him much but I started liking him a lot later on. He's just a good guy, he wants to help people. (HE ONLY WANTED A JETSKI MARVEL). And I liked his story a lot, he was forced into working for the tva because his memories were erased and he was told what he was doing the right thing when killing all those people, but once he finds out all of it was false he immediately starts going against it and trying to help as many people as he can. Ravonna was also a good character (I keep saying all of them are good characters lol they're well written ok). Like okay she was a little bit evil but I liked her. I really liked her ambition and her confidence. I would have loved to know more about her life at the tva, because it seemed like because of her position she knew some things that most didn't. Hunter B15 was also really good, loved her character development. Casey only appeared in the first two eps but for some reason I liked him a lot idk why. Casey my beloved. Kang was mind-blowing good, he absolutely carried the episode. He was so fun to watch and a very interesting character. This is how you do villains Marvel. And then all the Loki variants were amazing. Classic Loki was great, he was more mature and wiser than the Loki we're used to watching and I felt really sad about his whole situation (aka trying and failing to find his brother because he missed him, getting pruned and then dying). Kid loki was a BLAST, I really liked the little funky dude and I would love to know more about his life. Boastful Loki didn't appear for long but I liked him a lot, he looked like a really funny guy I wish he had had more screen time. And then there was the Lokigator which was also great. President Loki was also cool (meaning he had the coolest outfit), but we didn't see much of him. I think that's a big problem with the show, because they made it seem like it was gonna be more about the other Loki variants and their timelines (that's what it seemed to me from the trailers) but then we barely got that. Sad shit.
Now let's talk about the writing of the show in general. The writers definitely went off with the philosophical conversations, I enjoyed them greatly (Loki's and Mobius' talk in the second ep and Loki's and Sylvie's talk in the third ep were amazing). Something I didn't like at all about the show (this is probably my biggest complaint) is that the writing of the show throughout the episodes didn't seem consistent, like each episode seemed to be a different genre, and that made the whole story feel weird. What I'm trying to say is: the first episode was about Loki learning more about his life and reflecting on why he does the things he does. There was more to the episode but it was mainly that. It was a very emotional episode. The second episode looked like a cop show, they investigated a crime scene in the beginning, they did some detectiving, they had a great breakthrough and found out were the villain was hiding in the end. The third episode was an action episode. It gave me the vibes of mid season episode that isn't too relevant to the plot in which the characters go on some short mission. The fourth episode I can't exactly categorize it I think it was kinda like episode 1 but with some more action. The fifth episode was also a mix, they had a lot of reflecting on Loki's character like in the first episode and then also some action. And the last episode was mostly just exposition and a tiny bit of action at the end, very philosophical and stuff. It also felt like in the first two episodes they were indicating that the show was gonna be about free will and good and evil but that kind of disappeared for a big part of the show. I'm trying so hard to explain myself well, I hope what I say makes sense. Now my opinion on the episodes, my favourites were definitely ep 1, 3 and 5 (haha odd numbers go brrrr). The pilot was absolutely amazing, and I loved the direction the show seemed to be taking (YES MARVEL explore his trauma mmmm that's some good shit right there). It was really emotional but like in a good way. The third episode was great. I think it balanced really well the action and the dialogue, seeing Loki and Sylvie going on their shenanigans, using their powers and fighting was really fun, and then the train talk scene was absolutely amazing (bi loki yay! Gonna talk about this later). The fifth episode was great mostly because seeing all the other Loki variants and how they contrasted between each other was fantastic and I loved it. I really hope we see more of the variants in the next season. The other eps, the second and fourth were okay, the one I think was the worst one was the last one. Damn that episode. It was a very slow episode. Thank god the guy who plays Kang was really good because otherwise the episode would have been impossible to watch. There was so much exposure but it felt like we already knew most of it? They talked about how multiple timelines existing was bad because chaos and stuff, and they talked about the war in which the different timelines battled each other. Ok we already knew this. I feel like the only important thing to take from that whole talk was that Kang's variants are very powerful and dangerous and they were introducing the villain to the mcu. The whole episode felt like instead of giving closure to the characters or ending some storylines, the main thing it was doing was introducing the concept of the multiverse for the next marvel movies.
Something that surprised me a lot about the show is how important it is for the mcu storyline. Like in the first episode they talked about how the tva (and of course Kang) was much more powerful than the Infinity Stones, when basically all previous marvel movies were about them and about their power. And then Kang was revealed to have created a sacred timeline, he controls absolutely everything that happens. All of this is so important and for some reason I didn't think the show was gonna be like this. Not that I'm complaining, this is great. And I feel like a lot of people are not realising how big it is? Like I don't see much talking about how this is literally the greatest power in the universe.
Damn this is getting long sorry.
I suppose I'll have to talk about it because it has been this big thing. I'm talking about the loki x sylvie pairing. I didn't like it too much, it felt a lot like the writers went "he's a guy she's a girl so they have to fall in love", like I felt they had a very different dynamic and when they said that I was mostly surprised and confused. Because they were variants of each other their romance felt weird to me, and the fact that they made a character genderfluid and then made a woman and a man version fall in love also rubbed me the wrong way (I'll talk about the genderfluidity later). I did like the mobius x loki pairing more, but still I don't think they should have got any romance this season, I feel like there has to be a lot more progress in that relationship before any romance. I generally feel like Loki should first start getting some friends and then later on we can start with romance. But yeah this is just my opinion. And all the drama and discourse there has been over this???? Some of you guys look ridiculous not gonna lie.
Ok now let's talk about representation. I'm not poc myself so I don't feel like I'm in the position to say if something was good or bad, so I'm not gonna talk about poc rep. The show did a good job with female characters, many of the main characters were women and they were very well-written, not sexualized and cast appropriately for their age (I can't believe I'm praising this, this should be the bare minimum. Why is media in general so bad. Like please just.) About the bi rep now. I'm sure that the writers or directors of the show had to fight really hard with marvel so that they could make loki canon bi, so yeah cheers to that guys good job. Obviously it's not enough, and I really hope his bisexuality is explored more later. But yeah we finally have a queer character in the mcu this is big. Now about the genderfluid rep. OOF. I have a lot to say about this. It was bad. Really bad. I don't know if they just don't know what genderfluid means but that's what it looks like after watching the show. Not only were all of the variants cis, but they also went on to say that Loki as a woman was a weird and uncommon thing. Oh my god. And what angers me the most is the fact that Marvel used the so called genderfluid confirmation to their benefit. They exploited so much that little piece of paper that said his sex (not even gender) was fluid. I saw SO MANY articles praising marvel for making him canon genderfluid, and then it was absolutely shit. Absolutely shit. Out of everything in the show this is definitely what I hate the most.
Gotta calm down now. The soundtrack of the show was amazing, the actual songs they used were perfect and then the music they composed for the show was just *chef's kiss* (i have no idea how they're called but the song that plays during the title sequence WHAT A BANGER and the one that plays when loki and mobius are looking at the whole tva from the balcony in the first ep WHAT A BANGER). The aesthetic of the show was also great, the colours were really pretty (Lamentis bi colours my beloved) and I think it had some really cool shots. The acting was great, I'm gonna highlight Kang because I thought he was amazing. The costumes and that stuff were also really cool, I really liked seeing all the different versions of outfits they gave to the Loki variants (if anyone is interested I made another post reviewing all the variants' outfits) and Kang's funky costume was great too. The design of the places and that stuff (I have no idea how to call these lol I'm trying so hard but I don't know any of the technical words) was great: Lamentis was really beautiful, the void was also very cool and the tva was really well designed.
Ok y'all I think this is it. I'm so sorry this is much longer than I expected and if anyone actually reads all of it i love you and PLEASE tell me your thoughts (if anyone wanna chat about the show with me privately send me a message!!! I love talking with y'all). A little final note, English is not my first language, nor my second, so yeah sorry if I can't explain myself well. Bye!!!!
21 notes · View notes