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#i had to make it a reality i had no choice
valtsv · 2 days
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hold on. i think i've just successfully articulated why VAL's power doesn't work when she tries to use it on herself. it's not that she doesn't necessarily believe her own delusions, that's irrelevant (since we've already had it demonstrated to us that it doesn't matter what you believe, if the last word says otherwise). it's that she's made herself and been made into something that cannot be changed. VAL's sainthood is a trauma response (which isn't to excuse all the mass murder and torture and other petty war crimes; trauma responses are not inherently admissible on the basis that they're rooted in trauma, and while traumatised people are not inherently dangerous, some trauma responses are objectively harmful). it's rooted in her desire to become something that "cannot be bound", to become something that can make it so that if her mother the world says that she cannot be loved, and that nothing she ever does will make her good enough to deserve kindness, then she can simply rewrite the reality that governs it so that it has no choice but to cede to her demands. however, in doing so, she severs herself from being able to be transformed by those changes herself - because then how would she know that they had changed? she remains fixed in place, and must endure whatever consequences her actions have for her. her body suffers under the strain of holding its form while the rest of the world twists and warps around her. she has made herself a vessel for that desire to be unable to ever be hurt or made helpless again, and in doing so defined herself by it, and made herself utterly helpless to and tormented by her own inertia. she can never move on from the pain that drove her to that point, and so she must carry it in a body not built to bear its weight.
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misswynters · 2 days
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Heart of the Beast
beast!Cregan Stark x beauty! gn!reader
[a/n: abit sloppy with the writing for this one…beauty is subjective so your gender doesn’t matter here, time jumps all around kinda feels messy :/
[note | pls don’t just like, but also reblog & give me feedback. i don’t want to get shadowbanned
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A short story inspired by Beauty and the beast. . .
The North was a place of stark beauty and harsh realities, where winter's grip could be both a blessing and a curse. Deep within the ancient walls of Winterfell, Cregan Stark lived a life shadowed by a curse he could not escape. Rumors whispered of his ferocious demeanor, his unapproachable nature, and his solitary existence. But those who knew him best spoke of the man he once was, before the curse transformed him into a beast of legend.
You arrived at Winterfell on a cold, windswept evening, bundled against the chill. Your father's debt had brought you here, a bargain struck to save your family's honor and future. You had heard the stories of the beastly lord, but standing before the towering gates of Winterfell, you felt a mix of fear and determination. You were a Celtigar, after all, and Celtigars did not shy away from challenges.
The castle's great hall was vast and imposing, lit by flickering torches that cast long shadows across the stone walls. As you were led to the heart of Winterfell, you couldn't help but feel a sense of awe mixed with trepidation. The heavy doors creaked open, revealing the figure of Cregan Stark, seated at the head of a long, wooden table.
He rose as you entered, his imposing figure draped in furs. His face was partially obscured by the dim light, but you could see the sharp angles and the intense, brooding eyes that seemed to see straight through you.
"Welcome to Winterfell," he said, his voice a deep, resonant growl. "I trust your journey was not too arduous?"
You inclined your head, meeting his gaze with as much courage as you could muster. "It was long, but I am here now, my lord."
Cregan studied you for a moment, his eyes narrowing slightly. "I appreciate your willingness to come. Your father's debt is a heavy burden, and I do not take it lightly."
The weight of his words hung in the air, and you felt a shiver run down your spine. "I am here to fulfill my family's obligation, my lord. Whatever that may entail."
He nodded slowly, a hint of something softer flickering in his eyes. "You are brave, for a Celtigar. Few would come willingly to face the beast of Winterfell."
Days turned into weeks, and you found yourself adjusting to life at Winterfell. The castle's cold, imposing exterior began to feel more like home, and the people within its walls started to warm to your presence. But it was Cregan who remained the most enigmatic, a puzzle you were determined to solve.
He was a man of few words, his actions speaking volumes in their stead. You watched as he cared for his people with a stern but fair hand, his gruff exterior hiding a deep sense of responsibility and honor. He was not the beast of the stories you had heard; he was something much more complex, a man burdened by a curse he could not break.
One evening, as the snow fell softly outside, you found yourself drawn to the godswood. The heart tree stood tall and ancient, its red leaves rustling in the cold wind. You often came here to think, to find solace in the quiet beauty of the sacred place.
Cregan found you there, his presence a comforting shadow amidst the ancient trees. "This place has always brought me peace," he said quietly, his voice carrying a hint of vulnerability. "It reminds me of the strength of our ancestors, the resilience that runs through our blood."
You looked up at him, seeing the man beneath the beastly exterior. "And you carry that strength within you, Cregan. You are not defined by the curse, but by the choices you make, the honor you uphold."
He met your gaze, his eyes softening. "You see me as I am, not as the beast the world believes me to be. For that, I am grateful."
A silent understanding passed between you, a connection forged through shared trials and mutual respect. As the days grew shorter and the nights colder, your bond with Cregan deepened. You saw the man he could be, the leader Winterfell needed, and you were determined to help him break the curse that held him captive.
One night, as the moon cast a silver glow over Winterfell, you found yourself standing in the great hall with Cregan. The fire crackled in the hearth, the warmth a stark contrast to the chill outside. Cregan's eyes were filled with an intensity that took your breath away.
"I have lived under this curse for so long," he said, his voice filled with a mixture of sorrow and hope. "But you have shown me that there is more to life than this darkness. You have brought light into my world."
Your heart swelled with emotion, and you took a step closer to him. "And you have shown me the true meaning of strength and honor. We can break this curse, Cregan. I believe in you."
He reached out, his hand gently cupping your cheek. "With you by my side, I feel like i can be myself again."
In that moment, the walls of Winterfell seemed to fade away, leaving only the two of you standing together, united by a love that had grown amidst the harshest of conditions. As his lips met yours in a tender, heartfelt kiss, you knew that you had found something rare and precious—a love that could withstand any storm, a bond that could break any curse.
The beast of Winterfell was not the monster of legends, but a man of honor and strength, and with your love, you would face whatever challenges lay ahead, knowing that together, you could conquer anything.
The days passed swiftly, and you and Cregan fell into a comfortable rhythm. He showed you the hidden nooks of Winterfell, places he had discovered as a boy. You spent hours in the library, reading together by the light of a crackling fire. Cregan often found himself captivated by the way your eyes lit up when you discovered something new. The moments of quiet companionship, the laughter, the shared stories—all of it knitted your hearts closer together.
One winter morning, as you both walked through the snow-covered courtyard, Cregan stopped suddenly, his gaze fixed on the horizon. The sky was a clear, crisp blue, the kind of day that promised a bitter cold but also breathtaking beauty.
"Follow me," he said, a rare smile touching his lips.
Curious, you followed him to the stables. He saddled two horses, and soon you were riding out into the wilderness, the cold wind biting at your cheeks. The landscape was a frozen wonderland, the trees heavy with snow, the ground sparkling like a field of diamonds.
Cregan led you to a secluded glen, a place he said he had discovered long ago. A small, frozen pond lay at the center, surrounded by tall pines. The silence was profound, broken only by the occasional rustle of branches in the wind.
"This place," Cregan began, dismounting and helping you down from your horse, "is special to me. It's where I come when I need to think, to find peace."
You looked around, feeling the magic of the place. "It's beautiful, Cregan. Thank you for bringing me here."
He took your hand, his grip warm and reassuring. "I wanted to share it with you. To show you that even in the harshest of places, there can be beauty and peace."
You smiled up at him, your heart full. "You've shown me that, Cregan. You've shown me so much more than I ever expected."
He pulled you close, his arms wrapping around you. For a moment, you both stood there, holding each other in the quiet of the glen, the world outside fading away. It was a moment of pure, unspoken connection, a bond that needed no words.
As the days grew longer and spring began to whisper its arrival, you and Cregan found yourselves spending more and more time together. The bond between you deepened, a blend of friendship, respect, and something more profound—love.
One evening, as the first hints of spring thawed the snow, you sat together in the godswood, the heart tree's red leaves rustling softly in the breeze. The air was still cold, but there was a promise of warmth, of renewal.
Cregan turned to you, his expression serious. "I've been thinking about the future," he said, his voice steady. "About what it means to lead, and what it means to love."
You felt your heart skip a beat. "And what have you decided, my lord?"
He took a deep breath, his eyes meeting yours with unwavering determination. "I've decided that I don't want to face it alone. I want you by my side, not as a tool for a debt, but as my partner, my love."
Your breath caught in your throat, the weight of his words sinking in. "Cregan, I—"
He held up a hand, his expression earnest. "You don't have to answer now. Just know that I love you, more than I ever thought possible. And whatever comes, I want to face it with you."
Tears welled up in your eyes, a mixture of joy and overwhelming emotion. "I love you too, Cregan. More than words can express."
He leaned in, his forehead gently resting against yours. In that moment, surrounded by the ancient trees and the promise of spring, you felt an unshakable sense of peace. The future was uncertain, filled with challenges and unknowns, but one thing was clear: with Cregan by your side, you could face anything.
As the seasons changed and the days grew warmer, you and Cregan began to make plans for the future. The curse that had once loomed so large now seemed like a distant shadow, its power diminished by the strength of your love. Together, you would build a life, a future filled with hope and promise.
Winterfell, once a place of isolation and sorrow, now thrummed with the warmth of love and the promise of new beginnings. The people of the North, once wary and fearful, now looked to you and Cregan with respect and admiration. Your love story had become a beacon of hope, a testament to the power of love and the strength of the human spirit.
That bright, sunny morning, as you stood together on the battlements of Winterfell, looking out over the vast expanse of the North, Cregan took your hand in his. "This is just the beginning," he said, his voice filled with a quiet, determined joy. "Together, we'll build a future, not just for us, but for all who look to Winterfell for strength and guidance."
You squeezed his hand, your heart full of love and hope. "I wouldn't want it any other way, my love."
As the sun set, casting a golden glow over the ancient walls of Winterfell, you stood together, united by love, ready to face whatever the future held. The curse was broken, the beast was tamed, and in its place stood a man of honor. You had brought to him the courage, and a love that would endure through all seasons.
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taglist: @benjicotblckwood @travelingmypassion @shoxji @thornsandtulips @spn-obession
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mononijikayu · 5 hours
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i have love and dreams too — gojo satoru.
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Yuji looked down at his hands, feeling a strange sense of guilt. “Do you really think… you can never have that life you want?” Satoru didn’t answer right away. Instead, he closed his eyes, letting the wind ruffle his silver hair. For a moment, he was just Satoru—not the strongest, not the invincible sorcerer, but a man burdened by the life he had to lead. “I don’t know, Yuji……” he said quietly, almost to himself. “But I like to dream that maybe, someday… we could all disappear. And live. Just live.  Just me, my wife, Megumi, Tsumiki, Satoshi… away from everything. Living in peace.”
WARNING/S: spoilers for chapter 271 of jjk (spoilers at your behest), domesticity, fluff, angst, trauma, implied death, violence, romance, hurt/comfort, character death depiction of death, depictions of loss and depression, depiction of blood, depiction of killing, depiction of suffering, depiction of anxiety, mention of death, mention of grief, profanity, family drama;
WORDS: 6.8k words.
NOTE: i rush wrote this at uni, at the restaurant i was at and then a car on the way back and forth from uni and home. i just started crying profusely because i hated how jjk ended. and i hated that panel with satoru and yuji because i just kept crying. i cant believe this is the end, but i cant believe even more that this is what satoru had to deal with. this is the most rushed end and the saddest end.
i wish gege had decided to take a break and decided to take his time. but alas this is not my story. still, id like to make more for satoru. ones where he'd be so loved. genmei (you) and satoru will always be happy in whatever life you have, that i write. for bitter or for worse. even in death. smiling is all there will be. even with tears.
anyway, i hope you bear with me, for i am very emotional. thank you for understanding this situation. i love you all, i'll see you soon <3
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u s and t h e m
if you want to, tip! <3
GOJO SATORU IS EXHAUSTED. But he thinks that there is no use to sleep. He knows he cannot. The room was bathed in the soft glow of a single lamp, the light too dim to chase away the shadows that lingered in every corner, just like the uncertainty that hung between you and Satoru.
He sat across from you on the edge of the bed, his usual carefree demeanor gone, replaced by a solemn stillness that felt out of place on him. His eyes, usually so vibrant and mischievous, were tired tonight, the weight of tomorrow pulling down his every breath.
"You don’t have to do this." Your voice came out in a whisper, the words heavy with a desperation you’d been trying to suppress.
Satoru didn’t answer right away. His gaze was locked on the floor, and for a moment, you wondered if he was even listening. But then he looked up, his piercing blue eyes meeting yours, and there was something in them you rarely saw—fear.
"It’s not like I have a choice," he murmured, his voice strained. "You know that."
You did. And that made it worse. He was the strongest, after all. If anyone had to stand against Sukuna, it was him. But the weight of those expectations had never felt heavier than it did now, with the reality of the fight looming closer with every passing second.
"I hate this, Satoru." you confessed, your voice trembling. "I hate that it always comes down to you, that you’re the one who has to bear this."
Satoru smiled, but it didn’t reach his eyes. He stood and crossed the small space between you, kneeling in front of you, his hands gently resting on your knees. His touch was warm, grounding, but it did nothing to quell the storm raging inside you.
"Hey." he said softly, lifting your chin so you’d look at him. "I know it’s not fair. But it’s what I have to do."
You shook your head, biting back the tears that threatened to spill. "But what if—" The words caught in your throat, the question too painful to finish.
Satoru’s thumb brushed against your cheek, wiping away a tear you didn’t even realize had fallen. "Don’t think about that," he whispered, his voice as soft as the night air outside. "Not tonight."
"But how can I not?" you shot back, your frustration breaking through. "How can I pretend that everything will be fine when I know you’re going to face him? When I know there’s a chance that—"
He silenced you with a kiss, his lips gentle but firm, grounding you in the present, in this moment. When he pulled back, his forehead rested against yours, and you could feel the warmth of his breath against your skin.
"I’ll come back to you," he promised, but even he couldn’t hide the uncertainty in his voice. “To you and Satoshi. And… I’ll bring Megumi and Tsumiki back. We’ll be a family again, like we used to be.”
It was the way he said it—so sure, so certain—that made it all the more unbearable. As if speaking it aloud would somehow make it true, would make the universe bend to his will the same way he bent the forces of space and time. But you knew better now, didn’t you? You’ve always known. Satoru Gojo, the man who was too powerful to fail, too stubborn to admit defeat, could never stop lying—not to you, not to himself. He believed in his own invincibility, as if his strength alone could rewrite the world.
But the world doesn’t work that way.
And you think then, that your husband has always been a liar.
You’ve lost count of how many times you’ve heard those words, promises wrapped in silk and carelessness, the way they tumbled off his tongue so casually. It was as though the act of saying it was enough for him, as though the truth could be commanded with just his voice. And maybe for a long time, it was.
Satoru Gojo, the strongest sorcerer, the man who could bend the world to his whims and yet still—he was human. And humans lie. Sometimes because they have to, sometimes because the lie feels better than the truth.
But tonight, in the quiet hours before dawn, the weight of his words pressed down harder than ever. We’ll be a family again, like we used to be. You wanted to scream at him, to shake him, to make him stop speaking as if the world was something he could fix with his bare hands. Megumi was gone, taken by darkness, by fate, and Tsumiki…Tsumiki was as good as lost to you both. Even if Satoru came back, even if he somehow survived this fight with Sukuna, the cracks in your family couldn’t simply be patched over like they had never existed.
You bit your lip, tasting the bitterness of unshed tears.
"You always say that," you whispered, your voice barely audible over the soft hum of the night. "But you don’t know this time, do you?"
His gaze faltered, the usual gleam in his eyes dimming for a fraction of a second. It was a flicker of something too vulnerable, too raw—something he rarely let anyone see. It was the truth that lingered behind his endless bravado, the truth that no amount of strength could hide: he didn’t know if he could win this time.
And you had known it all along.
Satoru had always come back to you. Bruised, battered, bleeding—but alive. He would stumble through the door with that infuriating grin, wipe the blood off his face with the back of his hand, and act like nothing had ever been in doubt. But this time was different. This wasn’t just another battle against curses or enemies who fell beneath his overwhelming strength. This was Sukuna.
"I’ll bring Megumi and Tsumiki back," he had said, as if they were just lost children in the woods, waiting for him to lead them home. But Megumi had slipped beyond reach, swallowed by the very darkness Satoru had spent his life fighting. How could he promise to bring him back when he could barely keep the pieces of himself together?
"You can’t save everyone, Satoru," you whispered, your heart breaking as you said it aloud, the truth as bitter as the lie was sweet. "Not even with all your power."
His hand tightened around yours, his grip almost too strong, as if holding onto you could somehow anchor him to the world, to the promise he so desperately wanted to believe. "I have to try," he murmured, his voice rough, as if the words themselves were painful to speak. "For you. For Satoshi. For them."
Satoshi. Your son. His name hung in the air like a thread between you, a fragile tether that held what little remained of your family together. You could see it in Satoru’s eyes—the fear of leaving his child without a father, the guilt of not being able to protect him from the storm that loomed over your lives. But you also saw the lie there, the same lie he told every time he went to war. The lie that he would come back unscathed, that he could shield all of you from the world’s cruelty just by being who he was.
But he couldn’t. Not this time.
"Satoru," you whispered, your voice breaking. "You don’t have to be everything for us. You don’t have to be invincible."
His eyes softened, and for a moment, just a moment, the mask slipped. He let you see the man beneath the legend, the man who was just as terrified as you were. "I’m not invincible," he admitted, the words barely audible. "But I can’t give up on them. I can’t give up on us."
You didn’t know whether to laugh or cry. Even in his most vulnerable moments, even when the odds were impossibly stacked against him, Satoru Gojo refused to let go of hope. He clung to it as fiercely as he clung to you, because to do anything less would mean admitting that maybe—just maybe—he wasn’t strong enough.
And in that moment, you realized something: it wasn’t that your husband was a liar. It was that he couldn’t afford to tell the truth, because if he did, the weight of it might break him.
So, you let him hold onto his lie, let him believe in a future where you, Satoshi, Megumi, and Tsumiki could all be together again. Maybe it was kinder that way. For both of you.
As the night stretched on and the inevitable dawn crept closer, you pressed your face against his chest, listening to the steady rhythm of his heartbeat. For now, that was all you had—the warmth of him beside you, the sound of his heart still beating, the fragile hope that somehow, against all odds, he would come back to you.
And maybe, just maybe, the lie would come true.
“I always have, don’t I?” he added, a faint smirk pulling at the corner of his lips, that signature bravado surfacing in an attempt to reassure you. “I’ve always won the day. I’ll come back.”
Your husband’s bright eyes—those crystalline blue eyes that had seen so much, fought through so much—they betrayed him. Beneath that unwavering confidence, there was something else. Fear? Doubt? It was a crack in the façade of the invincible man you married, a truth too terrifying to speak aloud.
Your throat tightened as you met his gaze, the silence between you heavier than any words could be. He had always come back, hadn’t he? Through every impossible battle, every mission that should have left him broken or worse, he had somehow returned to you, grinning as if the world itself were a game only he knew how to win.
But that wasn’t the whole truth. The nights he returned bruised, bleeding, barely standing, those nights played in your mind like a broken record. He made light of it all, brushing off your worries with a laugh, a kiss, a flippant “I’m fine.” But those were lies too, weren’t they? Lies wrapped in love.
“Satoru,” you breathed, your voice unsteady, “you don’t have to say it.”
His smirk faltered, just for a second, and that brief flicker of vulnerability nearly undid you. He pulled you closer, his hand cradling the back of your neck, his touch tender but laced with desperation. "But I will come back," he insisted, his voice soft but firm. "I always do."
You wanted to believe him. You needed to. Because to imagine a world where he didn’t come back, where that promise wasn’t fulfilled, was a world too cruel to fathom. But tonight, as the shadow of Sukuna loomed larger than ever, the weight of that lie pressed down on you both. What if this time, his strength wasn’t enough?
“What if…” you started, but he silenced you with a finger pressed gently against your lips.
“No ‘what ifs,’” he whispered, though you both knew better than that. Satoru had lived his life defying fate, bending it to his will. But not even the strongest sorcerer could escape death forever.
His hand moved from your neck to cup your cheek, his thumb tracing the curve of your face as if trying to memorize it, as if this moment might be his last chance. You could see the weight of the world in his eyes, the burden of being the one everyone relied on, the one expected to face the impossible—and win.
But for once, he wasn’t invincible to you. He was just a man, your husband, and for the first time, you saw the lie for what it was: his way of protecting you. Of protecting himself from the truth that this might be the one fight he couldn’t walk away from.
You placed your hand over his, feeling the warmth of his skin, and in that moment, you didn’t care about lies or truths, about promises or fears. You just wanted him here, now, with you. "Then stay with me a little longer," you whispered, your voice breaking.
Satoru closed his eyes, exhaling deeply, and nodded. "I’m here," he said, pulling you into his arms, his voice a soft, almost broken promise. "I’m here."
And for tonight, that would have to be enough.
The two of you stayed like that for what felt like an eternity, neither speaking, just holding onto each other as if by doing so, you could freeze time, stop the inevitable from coming. You memorized the feel of his hands on your skin, the warmth of his body against yours, the sound of his heartbeat under your palm. You clung to the moment as if it were your last.
As the night wore on, you both lay down, tangled in each other’s arms. Sleep didn’t come easily, and when it did, it was fitful, haunted by the looming specter of tomorrow. You held onto him tightly, afraid that if you let go, he would disappear into the darkness, never to return.
In the early hours before dawn, Satoru stirred, his arms tightening around you one last time. The weight of the night clung to both of you, thick and heavy, the silence between his breaths and your heart beats a fragile barrier against the coming storm.
You felt him shift beside you, his warmth pulling you closer, as if holding you tighter could keep the inevitable at bay for just a moment longer. His fingers traced gentle circles on your back, his touch familiar, grounding, but laced with an unspoken tension.
"I’ll be back, hm?" he whispered again, the words soft and lingering in the stillness. His voice, usually so sure, faltered at the edges, as though he was trying to convince himself as much as he was trying to comfort you.
He said it like a prayer, like repeating it enough times could bend fate, twist reality to make it true. But you knew better. You both did. Those words, though meant to soothe, carried the weight of all the times you’d heard them before, and the growing fear that this time might be different.
You didn’t respond. You couldn’t. The knot in your throat tightened, a lump of unspoken fears and uncried tears. There was too much to say, too much that couldn’t be put into words without breaking whatever fragile hope remained between you. If you spoke now, you might lose whatever composure you had left, and you needed to hold on to it, if only for his sake.
Instead, you pressed your face against his chest, your ear resting just above his heart. The steady, rhythmic beating echoed through your body, its cadence familiar and reassuring, a sound that had become synonymous with home.
It was the same heartbeat you’d fallen asleep to countless nights, the one you’d clung to after long missions, when he’d returned battered but smiling, and you’d held him just like this—like he was your anchor to the world.
But this time, it was different. You weren’t just seeking comfort; you were memorizing it. The sound, the feel of his chest rising and falling beneath your cheek, the warmth of his skin against yours. You were committing it all to memory, engraving it deep into your soul because, somewhere in the back of your mind, a quiet voice whispered that this might be the last time.
Each beat of his heart became a marker, a reminder of the moments you had shared, of all the laughter and love and quiet nights like this one. But now, it also carried the weight of what could be lost. The inevitability of tomorrow pressed against your chest, suffocating, as if time itself was slipping through your fingers.
You tighten your grip around him, your fingers curling into the fabric of his shirt, unwilling to let go, even as the sky outside began to lighten with the first traces of dawn. The sun was rising, and with it, the time for him to leave drew nearer.
Satoru’s hand moved to your hair, his fingers threading through it gently, soothingly. He kissed the top of your head, and though his touch was as tender as ever, there was a lingering sadness in it. He held you like he was trying to memorize you, too, like this was as much for him as it was for you. He didn’t say anything more, perhaps because he knew that no words would ease the ache that had settled between you, a chasm neither of you could cross.
As the first rays of sunlight filtered through the window, casting a soft, golden glow over the room, you felt him shift again, his breath hitching slightly as he prepared to rise. You wanted to beg him to stay, to forget about everything else, just for today. But you knew he couldn’t, and you wouldn’t ask that of him. He had a duty, a burden that he had carried for as long as you had known him. And no matter how much you wanted to keep him safe, you couldn’t shield him from what was coming.
When he finally moved to leave, your arms loosened around him, but you couldn’t bring yourself to let go completely. Not yet. He leaned down, pressing a kiss to your forehead, lingering there for a moment longer than he needed to, as if he, too, was trying to hold on to this last fragment of peace before it was shattered.
“I’ll be back.” he whispered once more, his breath warm against your skin.
This time, you didn’t respond because you couldn’t. Instead, you closed your eyes, letting the sound of his heartbeat linger in your memory, holding onto it as tightly as you held onto him. The door would close behind him soon, and with it, he would walk into the fight of his life, a battle that you both knew could be his last. But for now, in this fleeting moment before dawn, you let yourself believe in the lie, because the truth was too painful to bear.
And when he finally left, the door closing softly behind him, you were left alone in the silence, the echo of his promise lingering in the air, fragile and fleeting.
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HE DOESN’T KNOW WHY, BUT HE JUST FELT LIKE TALKING. Quite unlike him, if he was being honest with himself.  But as Gojo Satoru sat beside Itadori Yuji, all he could think about was peace of mind. And to do that, he thinks he should talk.
Gojo Satoru could feel his usual smirk playing at the corners of his mouth, though today it felt more subdued. They had been talking for a while now, their conversation meandering from one thing to another. But beneath Satoru’s lighthearted tone, Yuji sensed something deeper. Something weighed heavy on his teacher’s mind.
“When something happens, I want you to be there for me, Yuji.” Satoru said suddenly, his eyes staring ahead. His voice was soft, but not weak—it carried the strength of someone who had lived with the knowledge that he had to bear the world on his shoulders. “I have love and dreams too, you know.”
Yuji blinked, surprised by the vulnerability in Satoru’s words. He wasn’t used to hearing his sensei talk like this, with a depth that seemed so different from his usual carefree attitude.
Satoru glanced at Yuji, his smile widening slightly, though it didn’t quite reach his eyes. “But you know, one day, everyone will grow up and leave me behind, right?”
Yuji didn’t know how to respond. The idea of leaving Satoru behind felt impossible. But Satoru’s words hung in the air, heavy with the weight of his loneliness. It was a rare glimpse into the mind of the man everyone thought was invincible.
“I have high hopes for you.” Satoru continued, his voice becoming more playful, but there was something fragile beneath the surface. “Desire and ambition!”
“I could never forget you.” Yuji said as he smiled nervously, trying to deflect the seriousness with humor, though it didn’t quite land. 
Satoru sighed. “I honestly think it’s better to have someone stronger than me who can truly forget my existence.”
“Isn’t that a bit concerning, Sensei?” Yuji asked after a moment, tilting his head. “Are you okay with that?”
Satoru’s smile softened. “Ah, you’re so young and naïve!” he said fondly, his voice carrying an almost paternal tone. “You’re brimming with confidence, aren’t you?”
The conversation lulled, and for a moment, the two sat in silence, the air between them thick with unsaid things. And then, Satoru spoke again, but this time his voice was lower, as if he were confessing something he hadn’t shared with anyone else.
“You know, Yuji…..” Satoru began, his gaze distant. The most emotional Yuji had seen him to be. “Sometimes I wish I could just… run away. With my beloved. My wife. Megumi, Tsumiki, and little Satoshi too. I dream about it sometimes. Hiding us away somewhere no one could find us. No more battles, no more curses… just peace. We’d be a family again.”
Yuji looked at his sensei Gojo, stunned. He had never heard his teacher speak like this before, as though the weight of being the strongest had finally worn him down. Gojo Satoru’s dream of escaping, of living a quiet life with the people he loved—it was so human. 
So far removed from the man everyone saw as untouchable, undefeatable. But at this moment, Satoru wasn’t the strongest sorcerer in the world. He was just a man who wanted to protect the people he loved. A man who longed for something simple, something real.
“That’s my dream, my love and dreams.” Satoru whispered, his voice barely audible. “But I know it’s impossible. The world needs me too much.”
Yuji’s heart ached for him. He didn’t know what to say, so instead, he simply sat there, hoping that in his silence, his sensei could feel his support.
Satoru sighed, standing up and stretching as if to shake off the heaviness of their conversation. “Anyway, enough of that.” he said, flashing his usual grin. “Let’s focus on what’s in front of us.”
But even as he spoke, Yuji couldn’t shake the feeling that, deep down, Satoru Gojo longed for something far beyond his reach.
Yuji stared at Satoru, processing the weight of his sensei's words. It was hard to imagine Satoru Gojo, the invincible sorcerer who seemed so carefree, harboring such a vulnerable wish. A man who could crush enemies with ease, someone who always had the answers—yet, here he was, confessing a dream that would never come true.
“I never thought… you’d want something like that, Sensei.” Yuji admitted quietly, his voice breaking the silence. “I guess I never really thought about what you’d want outside of all this.”
Satoru glanced at him, a softer smile playing on his lips. “That’s the thing, isn’t it? When you’re as strong as I am, no one really thinks to ask what you want. They think you don’t need anything… or anyone.”
Yuji frowned, guilt washing over him. He hadn’t meant to think that way about Gojo Satoru, but it was true. He had always seen his teacher as larger than life, almost beyond human in his ability to control any situation, to be everywhere and nowhere at once.
"But... you have them, Sensei." Yuji said slowly, searching for the right words. "Your wife, Megumi, Tsumiki, and Satoshi… They need you, don't they? Maybe you can’t run away, but you still have something, sensei. A family. Isn't that enough?”
Satoru chuckled, but the sound was hollow, lacking its usual energy. He sat back down beside Yuji, his gaze once again distant. “You’d think that, right? But the stronger you are, the more people take from you. It’s like… I’m always on borrowed time. I’m always one fight away from leaving them behind too.”
Yuji swallowed hard. He’d never thought about Satoru’s life in that way. It was a sobering realization, that even someone as powerful as Gojo was constantly battling not just external threats but the fear of losing what little he had.
“I wish I could protect them from everything.” Satoru murmured. “Just take them somewhere far away… no more battles, no more cursed energy. Just… quiet. But no matter how strong I am, I can’t do that. I can’t just… leave the world to burn while we live in peace.”
He turned to Yuji then, his icy blue eyes piercing through the air. “You know, sometimes I think I was selfish for bringing them into my world. Megumi, Tsumiki, Satoshi… my wife. They didn’t ask for this. I chose this life for them.”
“Sensei.” Yuji started, unsure of what to say. His heart ached for Satoru. “They love you. And… they wouldn’t want to live without you, either. Even if it’s dangerous.”
Satoru’s lips twitched upward in a bittersweet smile. “Yeah, I know. But love’s a tricky thing, Yuji. It’s not enough to stop the world from trying to tear us apart. It never has been.”
Yuji nodded, not fully understanding, but feeling the gravity of Satoru’s words. There was a silence between them, but it was heavy with the weight of shared thoughts, of unspoken dreams and impossible futures.
Satoru leaned back, his hands resting behind his head. “But hey, that’s just how it goes, right? No point in dwelling on things we can’t change.”
He looked at Yuji with a bright grin, but it felt like a mask—one Yuji was starting to see through more and more. “So, enough about me. What about you? What are your dreams, Yuji?”
Yuji blinked, surprised by the sudden shift. “My dreams?”
Satoru nodded. “Yeah. You must have some. Or did you think I was the only one allowed to have them?”
Yuji scratched the back of his neck, thinking for a moment. “I guess… I don’t know. I never really thought that far ahead. I’ve been so focused on everything happening now, I never gave myself the chance.”
Satoru chuckled softly. “That’s the thing with us, sorcerers. We get so caught up in fighting for today, we forget to dream about tomorrow.”
Yuji looked down at his hands, feeling a strange sense of guilt. “Do you really think… you can never have that life you want?”
Satoru didn’t answer right away. Instead, he closed his eyes, letting the wind ruffle his silver hair. For a moment, he was just Satoru—not the strongest, not the invincible sorcerer, but a man burdened by the life he had to lead.
“I don’t know, Yuji……” he said quietly, almost to himself. “But I like to dream that maybe, someday… we could all disappear. And live. Just live.  Just me, my wife, Megumi, Tsumiki, Satoshi… away from everything. Living in peace.”
His voice trailed off, and Yuji could hear the longing in it. The truth was, Satoru Gojo might be the strongest sorcerer alive, but even he was bound by the same rules as everyone else. He couldn’t run from the world, couldn’t hide from the battles he had to fight.
But it didn’t stop him from dreaming.
Yuji looked at him with a new understanding, realizing that no matter how strong someone was, they still carried their own struggles, their own wishes and dreams. And sometimes, those dreams were just as fragile as anyone else's.
"Maybe one day, sensei." Yuji said softly, with an honest smile. "You won't have to fight anymore."
Satoru chuckled, opening one eye to glance at Yuji. "Maybe. But until then, we keep going."
And with that, the conversation ended, but the weight of it lingered between them—a reminder that even the strongest had dreams they longed to chase, even if those dreams were just out of reach.
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YOU THINK YOU WAITED FOR THIS MOMENT FOR A LONG TIME. When you wait for your eyes to close with finality, the weight of the years presses down on you, a quiet fatigue settling into your bones. You’re tired—so tired—and when you open them again, you're met with the familiar sight of Fushiguro Megumi and Gojo Satoshi. Your two sons, waiting for you to go and leave them. 
Megumi stands tall, his arms crossed as usual, but his gaze softens when he sees you. Satoshi, ever his opposite, smiles that wide, carefree grin of his. They both look at you, concern etched into their features.
"I'm exhausted." you tell them softly, the words slipping out like a confession you’ve been holding in for far too long.
“You can’t die yet, Mother......" Satoshi pipes up, his voice steady, but the cracks of fear were unmistakable. His usual bright demeanor falters, his hands trembling ever so slightly as he grips the hem of his shirt. His voice may be steady, but his eyes betray him—glossed with unshed tears, reflecting a grief he’s not ready to face. Not now. Not yet. 
“You’re still too young!” There’s urgency in his words, a childlike plea echoing in his tone, though he’s long since grown past childhood. The way his shoulders hunch forward, the way his gaze darts between you and Megumi—he’s holding on. Clutching to hope as if his words could anchor you to this world a little longer. 
Megumi stands beside him, more composed, but his silence carries a weight just as heavy. He nods, his expression solemn. “He’s right, Gen-san.” Megumi adds quietly.
His voice is low, restrained, as though he’s struggling to hold back everything he truly wants to say. His hands remain tucked in his pockets, his face as unreadable as ever, but his eyes—the eyes you’ve known for so many years—hold a flicker of something deeper. Desperation? Fear? Perhaps both.
"You’re only 48. You still have time left."
His words are careful, deliberate, each one carrying the weight of someone who’s had to shoulder too much responsibility, too much loss. The faint tremor in his voice betrays how much he’s already bracing himself for another wound, another absence he’ll have to carry.
You look at them both—Satoshi, who still clings to hope as though it could somehow rewrite fate, and Megumi, whose quiet strength has always shielded him from the full brunt of the pain—but not this time. They both stand there, torn between urging you to stay and accepting the inevitable.
But you smile at them, a soft, knowing smile that carries the weight of the years, the joy and the sorrow, the love and the loss. It's a smile that’s lived through the ache of life without Satoru, a smile that remembers every laugh, every argument, every stolen glance, and every moment that felt too brief. 
“I know, I know......” you say, your voice gentle, steady. There’s a peace in your tone that they don’t yet understand, a quiet acceptance that fills the space between you. “But I’m ready. I’ve missed Satoru... for so long.”
And in that moment, as you say his name, the air feels lighter, as if the years of separation, the longing, the silent ache in your chest begins to unravel. You missed him—not just in fleeting moments or in passing thoughts, but in the depths of your soul. Every day, every night. The space he left behind has been a constant companion, a reminder of what once was and what could never be again.
The tears in Satoshi’s eyes finally spill over, and Megumi’s lips press into a thin line, his jaw tightening, but neither of them say anything. They understand, even if they don’t want to.
Because love—true, enduring love—is something that even death can’t diminish. And they know you loved Satoru with all that you were, and perhaps, even now, they understand that your heart has been waiting for him all along.
The weight in your chest lightens as you speak his name. Megumi frowns but doesn't say anything more, and Satoshi’s smile falters, understanding settling into their eyes. 
You close your eyes once again, the world fading into a peaceful darkness. There's a brief moment of silence, a quiet passing, before a familiar voice echoes softly, teasingly:
“Did you miss me?”
Tears well up before you even open your eyes. You don’t need to see him to know it’s him. The voice, that unmistakable voice—playful, laced with all the love and mischief you’d missed for too long.
When your eyes flutter open, there he is—Satoru, standing before you, that brilliant smile lighting up his face. The tears fall freely now, but for the first time in years, they're not from
“Satoru......” you breathe, his name barely a whisper on your lips, as though speaking it aloud might break the fragile moment. Your voice catches in your throat, a mix of disbelief, relief, and the sorrow that’s lived inside you for far too long.
It’s a name you’ve spoken to the silence of empty rooms, whispered into the night when no one was there to hear, a name tied to a thousand memories you’ve held onto so tightly for all these years. 
The tears that have welled up in your eyes begin to spill over, blurring the figure before you, but you don’t need to see him to know it’s him. You feel him—his presence, his warmth, the way his energy fills the space around you like it always did. 
He steps closer, closing the distance between you in a way that feels like the erasure of all those agonizing years of separation. His familiar warmth envelops you, wrapping around you like an embrace you’ve longed for, like a homecoming after a journey that has lasted far too long.
The brush of his thumb against your cheek is achingly gentle, tender as he wipes away the tears that won’t stop falling. His touch, so familiar, yet so missed, sends a wave of emotions crashing over you—grief for the years you lost, joy for the moment you never thought you’d have again.
"You came back to me, finally." His voice is quieter now, the usual teasing that you had come to know so well is gone, replaced by something deeper—something raw and vulnerable, a depth of emotion he often hid beneath his bravado.
There’s relief in his words, but also a quiet sorrow, as if he too felt the weight of all the time you’d spent apart. As if he too had been waiting, missing you just as much as you had missed him.
His breath is warm against your skin, and you hear the slight tremor in his voice, that hint of fragility in the man who always seemed invincible to you. There’s a vulnerability in him now, standing before you, as though he’s afraid this moment might not be real. Afraid that if he holds you too tightly, you might slip away again.
His thumb continues to trace gentle patterns along your cheek, the rhythm of it soothing and familiar, grounding you in the reality that he’s truly here. And as he looks at you, his bright blue eyes softer now, there’s a depth to them that speaks to all the words left unsaid, to all the years spent in separation, to the weight of the grief he carried alone.
"I waited and waited, stalling some gods....." he continues, his voice just above a whisper now, the teasing facade stripped away, leaving only the rawness of his feelings. "I waited so long, and every day… I missed you."
There’s a moment of silence that stretches between you, heavy with the unspoken sorrow of time lost, of love interrupted by forces beyond your control. His hand, still cradling your face, trembles just slightly, as if even Satoru, with all his strength, couldn’t bear the thought of losing you again.
The weight of it all—of everything you endured, everything you lost—comes crashing down at once, and you let out a soft, broken sob. You feel his arms wrap around you, pulling you against him, holding you close like he’s afraid to ever let go. 
“I missed you too. So so much.” you whisper into his chest, your tears soaking into the fabric of his shirt. “I never stopped missing you, Satoru.”
You feel his chest rise and fall with a deep breath, his lips pressing softly against your forehead. And for the first time in what feels like forever, the sorrow that’s been living inside you begins to ease. It doesn’t disappear entirely—grief never really does—but here, in Satoru’s arms, it feels lighter. It feels like, maybe, you can finally rest.
And in that moment, you realize that the exhaustion, the waiting—it was all worth it. You're home.
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epilogue
The afterlife wasn’t exactly what you expected. Instead of floating through clouds or endless fields of serenity, you found yourself at what looked like an airport terminal. Before you could process how bizarre this was, you spotted them—Kaiko and Namie, both waving like maniacs from the crowd.
“Finally!” Kaiko shouts, sprinting toward you with the grace of someone who has no concept of personal space. Namie follows, beaming brightly, and within seconds, they’re both squeezing the life out of you.
“Guys, air... I need air!” you gasp, but they only hug you tighter. Kaiko plants a kiss on your cheek, and Namie loops an arm around your waist like they’ve been waiting years for this reunion.
“We missed you so much, you know?” Kaiko pouts, ignoring your protests. “The afterlife just isn’t the same without you.”
“Excuse me.” You look over Kaiko’s shoulder to see Satoru, sunglasses slightly askew, his mouth pulled into a pout that could rival a spoiled child’s. “You’re hogging my wife.”
Kaiko smirks, not even turning to look at Satoru. “Your wife? Funny, because I’m pretty sure I was her first love.” She raises an eyebrow, tilting her head ever so slightly as if daring him to challenge the claim.
Satoru's eyes narrow behind his shades. “That was ages ago, you homewrecker! She married me—” he steps forward, pointing at the both of you— “not you.”
“Oh please,” Kaiko rolls her eyes. “I’ve known her longer. I laid the groundwork. I was and always will be the original concept!”
Satoru steps closer, his height towering over Kaiko but Kaiko isn’t fazed. “She chose me.”
“She settled for you, shitty eyes!” Kaiko quips, her grin widening. “There’s a difference.”
And that’s all it takes. Satoru’s eyebrow twitches, and suddenly they’re in each other’s faces like squabbling children. You can barely get a word in before they start throwing insults—Kaiko jabbing at Satoru’s height, Satoru boasting about his undeniable charm.
“Guys, seriously?” You rub your temples, trying to hold back laughter. “This is ridiculous.”
Geto Suguru, ever the voice of reason (or at least the one who knows when to pick his battles), sidles up beside you with a casual smile. “Looks like some things never change.”
You grin at him, feeling a sense of ease that only Suguru can bring. “Tell me about it. Can’t believe I’m back and they’re already fighting over me.”
“Typical Satoru!” Suguru laughs. “He never could handle competition.” He offers you a knowing look, then gestures to the absurd scene in front of you. “Should we break it up?”
“Nah, let them tire themselves out.” you reply, waving a hand dismissively. “They’ll realize how stupid they’re being soon enough.”
As if on cue, Kaiko flicks Satoru in the forehead. “She loved my kisses first!”
“Oh, for—" Satoru huffs, about to lunge at Kaiko when you step in between them. “She loved mine more!”
“Oh shut up,your kisses are slimy and disgusting!”
“HUH!? You take that back!”
“Ugly frog! Bwah!” 
“Alright, enough.” You shake your head, stifling a laugh. “Satoru, Kaiko, stop acting like children. I’m here for everyone, okay?”
“Everyone except Kaiko.” Satoru mutters under his breath.
Suguru chuckles beside you, giving you a side glance. “Welcome back.”
You smile, patting his shoulder. “Good to be back. I see things haven’t changed much.”
As Kaiko and Satoru continue bickering like they’re back in high school, Suguru leans over, smirking. “Should we take bets on who wins this round?”
You laugh, shaking your head. “Nah, I’m putting my money on Namie. She’s going to step in and drag both of them away soon enough.”
And, just like clockwork, Namie swoops in, grabbing Kaiko by the arm and tugging her toward the exit, muttering about “taking this fight outside.”
Satoru watches them go, arms crossed, still pouting. He looks at you, expectant, as if waiting for reassurance.
You chuckle, stepping closer and placing a hand on his chest. “Relax, Satoru. You know you’re the one I chose.”
His pout softens into a grin, and he leans down to kiss your forehead. “Damn right.”
And with that, the chaos of the airport fades into the background, as you bask in the comfort of having your husband by your side—and of course, the endless entertainment of old rivals.
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inheritedbelly · 22 hours
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Heavy Lifting
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I start the day excited about the new job. It's not what I dreamed of, of course, but it's a start, a way to gain experience and, maybe, distract myself from the mess my life has become. I work in the warehouse of a factory. I'm an apprentice to Mr. Fred, a big, sweaty 60-year-old man. When I arrived, he was leaning against a pile of boxes, breathing slowly, the weight of his enormous belly rising and falling. He has a deep, thick voice that seems to resonate in his chest, but what stands out the most is his size. I'm not talking about his height, but his width. The guy is huge, almost as if life had shaped him around a giant belly. When he laughs, it feels like his whole body shakes. I can't imagine being in his skin, it must be uncomfortable and gross, but aside from that, he's a nice guy.
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The work is exhausting. We carry and move boxes, organize shelves. Things are always missing, and we're the ones responsible for keeping everything in order. I just wish my life was like that—organized. At the end of the day, after lifting heavy things all day, Fred suggests we sit down and talk for a bit. Sitting across from him, I start to open up. I don’t know why, but the words come out before I can hold them back. I talk about my issues with my dad, how I don’t have a mom, and how the pressure to choose a college is suffocating me. I don’t know what I want to do with my life, I just wish I could skip this phase, wake up one day and have everything figured out. Fred listens attentively, his gaze heavy, almost as if he’s absorbing everything I’m saying. He nods slowly, and after a pause, he laughs, slapping his large belly. "Funny," he says. "I wish for the opposite. I wish I could be young again. Skinny. Do everything over, make different choices." His laughter fades, and he looks at the floor for a moment. Then, he looks at me with a strange gleam in his eyes. "You know what, kid? I think I know how to solve our problem." He snaps his fingers, and before I can respond, my vision goes black.
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When I wake up, the first thing I feel is a strange coldness on my head. I reach up to the top of my head and… nothing. I'm bald. My heart races, and I look down, terrified. I see a huge belly, a round sphere dominating my field of vision, as if it’s an extension of me, but… it can’t be. The striped shirt covering this body isn’t mine. I try to get up from the armchair I’m sitting in, but everything feels different. Heavy. I grab the belly, this mass of flabby flesh that seems to be part of me now, and I look at my hands. They’re large, wrinkled, covered in saggy skin. It’s like I’m wearing gloves of flesh. I feel panic rising, and I let out a scream, but the sound that comes out of my throat isn’t mine. It’s hoarse, old. I bring my hand to my neck and feel a double chin. Horror overwhelms me, and I fall forward, my body too heavy to keep balance.
I lift my head, struggling, and I see my old body standing there, smiling at me with a malicious look. Everything clicks in an instant. I’ve switched bodies with Fred.
"What the hell did you do?" I shout, my voice now rougher than ever. Fred, in my body, lets out a short, mocking laugh. "Relax, kid. It was just a spell. A solution to our little problem."
I panic. "Undo it! I want my life back! My youth!" But he just shakes his head, still laughing. "You can’t. The spell can only be done once. Now it’s permanent."
My heart, or what was left of it in that old body, starts pounding out of control. I stumble backward, trying to process this new reality. I feel the belly wobbling with every step I take, like an anchor dragging me down. This can’t be true. This can’t be happening.
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I run, or at least I try to, to the office bathroom. I lock the door behind me and look in the mirror. The reflection shows me an old, sweaty man with a desperate expression on his face. The face isn’t mine. The skin is full of wrinkles, the cheeks sagging. I run my hand over my face, unable to believe what I see. I can’t stop holding my belly. It’s always there, like a constant reminder that I’m now someone else. Fred knocks on the door, and I hear his voice—my voice from before. “Hey, it’s not going to be that bad, let’s be honest. Now you have what you wanted, and I have what I wanted.” I scream in response, but the truth is that I’m trapped. There’s no going back. Fred then enters and gives a light squeeze to my enormous stomach. I yell at him to leave, and then he steps back. He closes the bathroom door, and I, still in shock and confused about what happened, am left unsure of what to do. I lift my shirt and see: a big belly, covered in hair. I also notice that my chest, which was normal before, is now larger and sagging. With every step I take, I feel my body moving in a way I’ve never felt before. It’s uncomfortable and strange. I turn around and notice that my backside has also changed; it’s now much bigger. I look in the mirror, trying to understand what has happened. The person in the reflection doesn’t seem like me, but the way the body moves makes it clear that, unfortunately, it is mine now.
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I leave the bathroom and find Fred, who is now in my body. He smiles and makes an ironic comment, asking if I’m ready. I quickly pull down my shirt and, unsure of what to do, ask, “So now what are we going to do?”
When I leave the bathroom, Fred tells me I can go to his place, which is now my home. I have no choice. Walking through the streets is hell. Every step is a huge effort. I feel sweat dripping down my body, especially between the folds of my belly and on my back. And it’s just a short walk. Upon arriving at the apartment, Fred shows me everything—where the things are, the bathroom, the pantry. During this little tour, I’m extremely out of breath from the walk. My belly bumps into everything around the house. He tells me about his routine. Now, it’s my routine. Because of the heat, I take off my clothes, and my now free belly is enormous. As I squeeze through the house, my stomach occasionally bumps into Fred, who is in my way. “Sorry,” I say, even though I’m not the one to blame for this situation; he is! He’s the one who stuck me in this huge body, but honestly, I’m too out of breath for another argument. As soon as he leaves me alone in my new room, he says, “See you tomorrow, boss,” winking before closing the door. I get ready to take a shower, which is at least strange since I’ve never had to bathe a fat old man before, let alone be the old man myself. I feel the loose skin and the weight of the fat on me. Lying down on the bed is even worse; as soon as I collapse onto the bed, my huge new belly settles against my body in an uncomfortable way, and I have to turn over, quickly causing it to fall to my side. I let out a heavy sigh. “What was I wishing for?”
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Lying on the bed, with not many options for comfort, I close my eyes, trying to believe that everything was just a nightmare and that tomorrow everything will be back to normal. But it’s hard to believe that it was just a dream, considering how real everything felt. Even lying there, I had a lot of physical contact with every part of my body, since I was now bulkier. I couldn’t just run my hand over my body without my hairy arm brushing against my hairy stomach. So, I would turn to the side, still thinking my slim body would react. But instead, I felt the weight of my new body. My brain was still that of a slim man.
I would run my hand over my forehead and remember the baldness. I would touch my face and feel the old beard. I would glide my hands over my body and notice my new bulk. It was this repetitive cycle until I finally managed to fall asleep. The next morning, when I wake up, I feel an erection, but not like it always used to be, my dick was fighting against my stomach. in a fright I quickly wake up and my eyes meet see my big stomach and the white hairs on my chest. I quickly get a shock, and suddenly everything hits me: nothing was a dream, everything was real, and this is my new lif
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raayllum · 24 hours
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Moon Arcanum Callum + Sun Arcanum Claudia in S7?
Callum getting the Moon arcanum has been a fandom... not theory, but shall we say, prospect, since even before S4. Some of this was because of the seeming set up in previous seasons, such as:
Callum having a hunch that the cube wasn't glowing due to the Moon, and being our first hint at illusions on the Cursed Caldera (1x09)
Lujanne explaining the secret of the arcanum (as she understands it) to him in 2x02
Callum doing moon arcanum spells (3x08, Through the Moon) much the way he did Sky spells before unlocking that arcanum
Callum employing aspects of the Moon arcanum in his plans (3x01 with tricking Sol Regem, creating the illusion pearl in 6x01)
His growing relationship and understanding with Rayla, and potential involvement with her family/village
But especially:
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This is of course already reflected in spades in his arc as a mage. Everyone, Lujanne included, believes that humans can't do magic. She treats this as absolute fact and destiny, but Callum perceives it as subjective truth; why can't he just make his own connection and do magic anyway? And in doing so, he changes the world. He creates a radically new, better reality.
With season seven's synopsis on sacrifice and life and death, both things we see tied heavily to Moonshadow culture and the Moon itself, I could see Callum connecting to the Moon arcanum next season for a few reasons (and potentially Claudia with the Sun arcanum, which I'll get to after). So let's get into it.
Precursor
Previously, if Callum was going to connect to the Moon arcanum, I'd speculated it'd mostly be around ideas of the consistency of Love (light or dark, the moon is always the moon) and his love for Rayla being his light in the darkness / the one constant truth of his life. I don't think this anymore, obviously, because we got all those things through the Star truth light ritual beat for beat and we're not going to be repeating, but I did think it'd be worthwhile then to revisit what a Moon arcanum could mean for Callum under new context / emotional epiphanies. I've also always thought either Earth or Sun would suit Claudia, but leaned more towards the latter, so we're gonna talk about that, too.
Truth and Lies and Aaravos
As Lujanne explains in 2x02, the Moon arcanum is understanding the true nature of the relationship between appearances and reality, and we can only understand the appearance itself. This feels like a very fitting idea to come back to with Aaravos, who ostensibly never lies but routinely withholds or presents not entirely correct information. "How may I serve you?" when you're just going to be a pawn. Not telling a mourning Claudia that he was indeed the one who killed Viren so that she'll continue to do his bidding, with Claudia asserting that Aaravos "didn't lie" about the ritual in 6x01, and he didn't. We also see him wield the truth as a weapon with people like Khessa ("would you like to know the truth of her fate before you meet yours?") and Sol Regem (more on that here.)
Everything that he says is truth to him, and then he lifts it up as being objectively true (i.e. you're destined to play into my hands) even when it isn't necessarily true. We can also see Callum veering into mindsets that Claudia and Viren have had, where he believes he's past the point of saving ("I'm ruined, it's too late for me" "Promise me you'll kill me") or removing his own agency by admission ("Finnegrin was going to kill you, I didn't have a choice" / "Every step forward is a choice").
Callum understanding Aaravos' or others' actual truths versus their lies and the ones he's believing could be very fitting in S6, especially if he might be learning more about the existence of the Cosmic Council and who made their world the way it is. I think his existence may help lead to that "slow spiral of chaos" but that it won't be just or even Bad at all the way they'd feared, etc.
Claudia is also linked to lies and truth. She lies to others, but Aaravos notes that "If you tell the truth you will lose her," and she goes looking for her own deep truth in S6, but doesn't seem to fully find it. Terry asks her "What do you need to find your one deep truth?" and Claudia says that she needs her dad, but she and her mother have also made it clear that she "needed to stay with Soren" and her family (vs Viren telling her to pick the egg over Soren). With Viren gone and Aaravos manipulating her, Soren could easily be one of her guiding lights next season or in future seasons.
The Pearl
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The moon is analogous, framing/appearance wise, to the prison. This is alluded to in 5x09 through framing, and then made even more direct in 6x09: Aaravos escapes his prison thanks to Claudia and (unbeknownst to her) she has become the prisoner, much like how Callum may physically free himself from chains in 5x08 but magically/emotionally chains himself further to Aaravos, or Viren shouting while in chains that he's finally free of the dark puppetmaster.
Basically, when Callum says in 6x01 that he's inside the pearl, I don't think (as of S6 / probably first half of S7 at least) that he's ever gotten out of it. Aaravos uses him even after his nightmare, and we know thanks to the pawn intro that Aaravos' final machinations for Callum also haven't yet come to play. I've been wondering if the Aaravos intro is going to change in S7, since he's out of his prison — and it still may — but if we look at it from the angle of Callum and Claudia both being stuck within the moon/pearl rather than just Aaravos himself, maybe it could stay.
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And if Callum is stuck inside the moon-pearl, shattering it by understanding the arcanum ("the whole world is like a giant primal stone, and we're inside of it, and it's also in us") and/or with Claudia moving to the opposite of the moon could be useful, especially since Karim is a corrupted sun in his own way. Speaking of which let's talk about
Light and Dark
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We know thanks to Claudia that black and white, or light and dark, are not always clear cut. Her hair thanks to her dark magic use changes like phases of the moon, with the light being bad and the dark being good. Conversely, her path is a dark one with the path of truth and light being withheld from her. In a similar manner, we see Callum's light (Rayla) being what led him into dark magic use and what led him out of it, and will likely see this pattern play out again. Aaravos is a representation of a path of darkness, but we also see the cube flashing a bright light in the pawn intro, tying light and darkness together for him as well.
Callum's understanding of himself that he gained through the Ocean arcanum can not simply become untrue or disappear, so I think recognizing that darkness isn't all he is ("I'm ruined" / "your heart's not full of darkness" "Neither is yours") even if there are dark parts of him and of his life would be fitting. It also seems that could be helpful with Claudia as well, and even characters like Ezran, who will have to wrestle with darker parts of his emotions/personality next season as well with Runaan. They've all got light and dark inside them, and learning how to walk in that balance and still break away from the Cycle / Aaravos is useful. As Ezran said in 4x03:
I just want to yell stop. But that’s not enough. It won’t work. I think about a positive vision, a faith we can all share, that we might build a future together in hope. A future where we can be safe with each other.  But… It’s not that easy or simple. Because people are still hurting and they are still angry. We can’t ignore that, or pretend it will go away. Somehow, we have to hold it all in our hearts at the same time. We have to acknowledge the weight of the pain and loss, but open up our eyes and allow ourselves to hope and maybe forgive and love again. We have to give today’s children a chance to inherit a future filled with peace. To give them that, we have to hold pain and love in our hearts at the same time.
Claudia's love for her family led her to ruin, but it can also save her through Soren. Callum's love for Rayla led him to ruin, but it has also saved him (and again, we'll likely repeat this pattern). Ezran's love for his father will lead him to anger but also pull him out of it, just as Viren's love for his son caused him to begin his journey of terrible things, but also guided him to do one final, truly right thing by the end.
Love is light and dark. Claudia, who's been walking in shadow, needs the full light - the sun, in the form of her brother. She needs to accept and see the truth of what's happening and step fully into the light. Callum, who has been routinely worried of the dark within him, needs to the reminder that he's not all he is, that he has light of his own inside. In doing so, he can break Aaravos' control over him and give hope to any other dark mages / humans in general that no level of corruption is too late to come back from, and that there is always light amid the darkness.
Life and Death
The stakes have never been higher as Aaravos and Claudia are on the warpath, determined to destroy the Cosmic Order and invert life and death. With the world’s fate on the line, our heroes must be ready to sacrifice everything to save it.
In Bloodmoon Huntress, we get a very different peek into how the secret of the Moon arcanum can be thought of through Runaan, who is peak Moonshadow-sacrifice elf man:
Moonshadow form is only achieved when we understand the balance of life against death. Balance is weight against weight, and to understand the weight of death you must feel the weight and value of another's life. Think of those you love, of who you hold most dear. Now think of the souls who have touched your life. Understand that each time your weapon meets its target, each time we fulfil our duty, the potential for that soul to change a life—to love another—is gone. We may remove hate, but we remove the potential for love as well. Moonshadow form is only achieved when we reconcile this balance between life and death.
While Claudia with her hair and dark mage-assassin parallels could unlock the Moon arcanum—especially if her perspectives continue to change—I think Callum as the Protagonist is better placed at this time to be the one to understand the balance between life and death in a season where the antagonists are trying to invert/destroy it. Him therefore understanding appearances and changes, how to control his own and see through others', understanding that balance between life and death, feels very fitting.
Callum's fear of Aaravos and dark magic comes from the fear that he's changing—"I hope you're careful, cause [magic] can change people" / "the corruption takes innocent creatures and changed them"—and that death would be better for him than life if he goes too far. Learning these things aren't the case and that he can get back to the middle (and indeed, "real trust is about accepting even the dark parts we will never know" could be about Rayla accepting he may not entirely swear off dark magic again, the same way Viren kept that door open to do Good) would be useful.
It would also mean the two mage characters most drawn into Aaravos' darkness get the Moon and Sun—the arcanums most associated with light—to banish said darkness as well. Claudia finally being an uncorrupted light and chasing life, not death, and Callum, learning how to be balanced and that he can maintain his identity / use Aaravos' book and key without fearing that he'll lose control.
The fact that Claudia's eclipse imagery only started the same episode she lost her brother, and that her Laurelion dragon-scale necklace is very Sunfire-y looking...
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Conclusion
TDP for Callum and Claudia has always felt like a parallel coming-of-age mage story between the two of them, leading to the amount of similarities and diverging plot beats the two have, down to doing the same spell at the same time but in different locations in S6. The Sun arcanum is associated with truth, light, and healing, whereas the Moon arcanum is associated with change, life + death, and secrets/love. All of these things could be nicely brought to a head with Callum and Claudia each unlocking an arcanum of Moon and Sun respectively, showcasing their differences, their continued room to grow, and light amid the darkness.
While I could see alternatives like Sun for Callum and Moon for Claudia, Stars for Callum or no arcanum for either of them, I think these are the ones that fit best at this time / Stars will likely get saved for arc 3 given that arc 3 will probably focus more on rewriting destinies and the Cosmic Order as antagonists.
As always hope you enjoy and Dragons out!
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kaijuno · 1 day
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Yesterday, I experienced one of those poignant moments as a parent that I never expected. My daughter spotted a monarch butterfly in our garden, a truly breathtaking sight. Her eyes sparkled with excitement, but it was bittersweet. I had to explain how rare and precious this encounter was, given that it might be the last time we see one of these splendid creatures.
The monarch butterfly population is facing a severe crisis. As of 2024, the western monarch population has plummeted by an astonishing 99.9% since the 1980s, with a mere 1,914 butterflies recorded in the annual Western Monarch Thanksgiving Count. The eastern monarchs are also struggling, with a 22% decline in their overwintering numbers from just the previous year. Several factors contribute to this decline: climate change, habitat destruction, and the extensive use of pesticides that eliminate milkweed, the only host plant for monarch larvae. These butterflies, once a common delight, are now on the brink of extinction.
Confronting this harsh reality is devastating, especially when trying to instill a sense of wonder about nature in your children. How do you explain that something as enchanting and vital as a butterfly might vanish forever?
However, this sadness can also be a catalyst for change. We can make choices that help: planting milkweed, avoiding pesticides, and supporting conservation efforts. By teaching our children the significance of environmental protection, we might help ensure that monarchs will visit our gardens once more.
It’s not too late to act, but soon it might be. Let's work together to ensure that future generations can experience the natural world in all its vibrant glory, including the sight of monarchs fluttering freely in our gardens.
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hustlemeanokay · 7 hours
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Okay... and here we go again. Everyone's starting to freak out about their choices "not mattering" from DAO and DA2 in Veilguard. And only "a few" choices from Inquisition apparently mattering.
Alright... okay... [sigh]. Let's think about this one for... just a moment. Before everyone loses their collective shit.
In the grand scheme here, Origins happened in 9:30-9:31 Dragon. Dragon Age 2 in 9:30-9:37 Dragon. Veilguard is set to start in 9:52 Dragon. That's a 21-22 year difference for Origins and a 22-15 year difference for DA2.
Yes, choices have consequences and yes, sometimes those consequences can be long lasting but not that fucking long lasting when we're talking about who someone jumped into bed with. Who the King of Orzammar is doesn't matter. Who drank from the well doesn't even matter if Mythal isn't even around anymore. If HOF is even alive doesn't even matter. Who the King of Fereldan is doesn't matter to Northern Thedas, they really couldn't care less. Whether its an Emperor or an Empress in Orlais, doesn't matter. Whether Merrill restored her eluvian or not doesn't matter. Whether the old oak got his freaking acorn back or not doesn't matter. Whether the werewolves were saved or killed doesn't fucking matter.
All of those choices seemed like they mattered a lot when made in relevance to the story in which they took place in and yeah, they seemed like they were going to have long lasting consequences but those long lasting consequences are more like "oh, did you hear?" rather than actual impacts on Thedas as a whole. And don't forget that games have a great way of making you think you're making a choice when in reality, you're following a predetermined story. A lot of those choices aren't choices at all and were basically canon anyway. Or, so many people made the same choices that they became canon. If most people saved the Chargers, that might just be in there as canon, we don't know. If most people had Cullen go off of lyrium, that might just be canon.
Point is, we don't even know what the world state is. So, maybe don't start getting your feathers all ruffled before you even touch the game? And even then, remember that while a choice may have been impactful to you - it probably wasn't even that important to Thedas at large. Remember that including the individual choices that everyone thinks is important is a severely unrealistic expectation and really what would that even look like? A token mention on a street corner here? A banner change there? I mean, come on.
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gazeofseer · 2 days
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Universe is Infinite Darkness to find the Definite, hence there breathes an ocean full of stars and realms to ignite the gleaming light in a Life"
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~}^°§| Pick a Pile }^°§|~
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Image. 1 : 'Mystical charm is a matter of debate, but ask a person who is themselves like one, who sheds multiple skins as the night takes turns beneath the days, the most awakened ones torn by the fate, but lives in a state of trance and melancholy where they see life and death at the same sight you are that one right?
Nice to meet you I never thought people could be wonderful too unless I reached to your energy a subtle leader who holds the world with their presence the chaos you soothe for your peace, your rage is as profound as the seamstress you are of Whatever is found..
Well I had a note from your spirits granny's favourite, and Mommy issues being as an trait you could match your vibe easily with men not because you are maneater or they see you as an damsel in distress too dumb to be shown and preyed so many concave your presence no my dear, you are the scapegoat a ones by the divine not for the world but to be in the world for the world, your purpose is clear your intent is too, what makes us worry is the way you feel alone, we keep showing up like day before yesterday in the market..? Find us in your tears, find us in your pain we are always speaking especially when you keep holding those volcanoes within the calmest demure of oceanic scenes -
With Love Granny.
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Image.2 : 'Oh the mess you create my love, as if all the complexity finds its ends in your simplicity, I see you know exactly what to do, when to do and how to do, my righteous queen, be at ease when things go wrong maybe, maybe someone is correcting you too, stop seeing life as a perception see it for the way your do it, live it, being one.
I guess you would have known by now whom am I right? Well I feel so little in front of you because your energy belongs to those of stars and the moon the divine one, this is your demon speaking....sacred huh? I know you aren't rather you are excited and challenged to meet people, to visit places that helps you to set up your own stage and create the magic that you are..
Like a jinx of your victory, I enter to annoy your darkness as it is my place and to soothe your aches and anxious hands with my alluring kisses leaving room for more space so you realise change is not an idea but it lies in you, I will be the cheerleader, the critic, the liar for you to be true in your nature I am your base to the extreme you are..I am your rewarding love for the resilience within you
- In Regards Your Spouse
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Image.3 : Lost? Is that even a world which has yet to find its terms of reality? My favourite warrior out there the vantage you reside in is my gift using it for battle is equivalent to your choice of using it to experience my existence even underneath the lies you found yourself around..
You are right life is daunting may death cut that, but what lies next is far more haunting for your soul to suffer from and I won't let you die till you fulfill the life I gave you my child.
If I have cursed you is for you to earn the blessings attested to the same, I am not playing nor will I let anyone play with you have faith and know whatever is led is come from my hands and walk towards it like you always do closing your eyes, seeing the light and attaining it by becoming one is you key.
You are the fire that walks with both the fire and burns, ashes and smoke there are two things you are one of all the contrasts you the main character you are the movie I have written quite proudly.
- Universe
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Image.4 : Escape is my second name, I know that what lies and what not was never a matter of bother because I speak through my existence, knowing my every move, being awakened and stretched to every inch of my soul and breathe, like the wind I do, and like the water I ground,
I am the memory of a life already lived, many of it adds to the ones I am living right now my journey is unique, different and beyond the queer or crowd because silence never settled in definite spaces rather moves the infinite space itself, I am the dust falling of your hands, I am hope walking through your feet it is my free will, And I am not pricing it for anything or anyone else ever or ever and never.
Life and fate are the players and my competitors they long like the shore for my heart beats thudding with grace of waves, I am not death nor life, nor an idea not a thing that can be said and ceased to believe I am a life happening millions in a while and once in billion time and I will make it to the savor of it like chosen one I volunteered my name to the divines and demons everyone forgets it's the damsel who enthroned as a queen, certainly.
- Yourself ( Ancestor )
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'Source is the one we all are connected with finding a way to it is always unique and why we millions of energies are distorted into uncountable ones to thrive towards' - S
Ps : Let me know did you find yours? ☘️🫁
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a-silent-symphony · 3 days
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"Things have always been ****ed up." How death, cancer and a whole pandemic helped make Yesterwynde the most optimistic Nightwish album yet
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Tuomas Holopainen was a teenage misanthrope. Growing up in the small Finnish town of Kitee, he had the regulation all-black wardrobe and the soundtrack to match. “I did not use to be an optimistic person when I was younger,” he says. “I loved black metal and all that. But I started to come to the realisation that things have always been fucked up, but we’re still going for the better despite the horrible things that are going on in the world.”
We’re sitting in a suite in an upscale Berlin hotel, as mid-morning traffic flows along Potsdamer Platz several storeys below us. Literally as we talk, unthinkable things are happening all around the world: war, abuse, torture, murder, wilful destruction of the climate. The grim realities of humanity in 2024, basically.
But right here, right now, all that seems a long way away. Not because Nightwish’s keyboard player and band leader is in epic denial mode, but because his band’s 10th album, Yesterwynde, is charged with emotion: hope, beauty, positivity and, yes, optimism.
It’s an unexpected choice on more than one level. Aside from the rolling catastrophe that is the 21st century, Nightwish themselves have been battered by turmoil over the past few years. Their last album, 2020’s Human. :II: Nature., was released during the first, intense throes of the pandemic, scuppering their plans to tour it. When they did return to the road in May 2021, it was without longtime bassist Marko Hietala, who cited a mixture of long-standing depression and disillusion with the music industry for his decision to leave the band.
On a personal level, things have been no less turbulent. In 2022, singer Floor Jansen revealed that she had been diagnosed with breast cancer (she was given the all-clear following surgery). In June 2023, the singer – pregnant with her second child – collapsed with exhaustion following a Nightwish show in Finland, prompting the cancellation of two subsequent solo gigs. Amid all this, Tuomas’s father, Pentti Holopainen, passed away in 2021.
Other bands may have buckled under the battering of the last few years, but Nightwish – and specifically Tuomas as their chief songwriter – have taken a different path. Rather than wallowing in trauma, Yesterwynde pushes back against it. The 12-track album covers a lot of emotional ground across its 69 minutes, but the overwhelming sense is that, honestly, everything is going to be OK. “Yesterwynde has a very optimistic vibe to it,” says Tuomas. “It celebrates life and humanity and mortality. The important things.” 
Yesterwynde begins and ends with the sound of an old film projector starting up and winding down. It suggests a movie is playing out in between. What exactly that movie is, Tuomas Holopainen isn’t letting on. “It’s something different for everybody,” he says, smiling but evasive. Musically, Yesterwynde is everything we have come to expect from Nightwish, only more. One song, the hyper- dramatic An Ocean Of Strange Islands, features over 600 studio tracks and sounds like it. Another, The Children Of ’Ata, was inspired by the real-life story of a group of teens from Tonga stranded for 15 months on a remote island in the Pacific, and features five indigenous Tongan singers. Elsewhere, Yesterwynde features two separate choirs – one classical, one kids – and three different orchestras, all recorded in London’s prestigious Abbey Road Studios, naturally. There are no side-long epics – only two tracks, An Ocean Of Strange Islands and first single Perfume Of The Timeless, stretch beyond eight minutes – but it still feels bigger, bolder and more grandiose than anything else out there right now.
But amid the dramatic power and intricacy, there’s the emotional core that sets Nightwish apart from every corset-clad knock-off that has followed in their wake. That emotion is conveyed by both the music and Floor Jansen’s career-best vocal performance (as on the two other Nightwish albums she’s been involved in, the Dutch native is joined on singing duties by multi-instrumentalist/resident Brit Troy Donockley). Loss, grief, the existential fragility of humanity and the hope it inspires: it’s all there.
There’s one problem. Literally seconds before we step into the lift to go up to meet Tuomas, a rep for Nightwish’s label makes it clear that he will not talk about the death of his father. On the one hand, this is understandable, even admirable – privacy is a scarce commodity these days, and there’s something to be said for not laying everything out for public consumption. On the other, it’s frustrating – death and birth both play into the big, interlocking themes of Yesterwynde, namely the passage of time and the unfolding of history, and how both make us aware of our own mortality.
This is clearest of all on the album’s closing track, Lanternlight, a moving yet celebratory lament for those who are no longer with us. ‘Gone is the hurt, the wait / Gone is the warmth of day,’ Floor sings. And later: ‘To the meadows I go / I’ll be waiting for you.’ Tuomas won’t say whether it was inspired by the death of his father – “I lost something very dear to me a few years ago, and this song was born out of that emotion,” he offers opaquely – but it’s hard not to join the dots.
“The major theme of the album is time – going back in time, recognising your own mortality,” he says. “Connecting to the past.” The past seems appealing, given how shitty the world is at the moment. “Yeah, it is,” he concedes. “But it’s also incredibly good in many ways. And in many ways it’s better – the innovations of science and medicine, the child death rate... A small example: would you rather go to the dentist today or a hundred years ago? “I want to emphasise that I’m not immune to the bad stuff that’s going on in the world. I’m aware of it and I do everything I can to help. But I think it’s good for our mental state to recognise the good stuff. And I think that we have the chance as a species to survive and get together. That’s the core message, the essence, of Yesterwynde.”
Like so many things, Yesterwynde was born out of the pandemic. The seeds for the album were sown after the tour in support of Human. :II: Nature. was postponed due to Covid. “Suddenly I had nothing to do,” says Tuomas. “So I thought I’d better start writing songs for the next Nightwish album.”
For Floor, the experience of making her third Nightwish album was unlike that of making Human. :II: Nature. or its predecessor, 2015’s Endless Forms Most Beautiful. “It was different for me,” she says. “Not bad, not at all, but different.” It’s a few weeks after we met Tuomas in Berlin. We’re sitting backstage at Muziekgebouw, a concrete concert hall in the Dutch city of Eindhoven, where Floor is due to play a show in support of her 2023 solo album, Paragon, later this evening. She’s not alone: her eight-month-old baby daughter, Lucy, is here too, unknowingly sitting in on the interview and letting her mum know when she’s hungry.
Just like many things that emerged from the pandemic, Yesterwynde began in isolation. Tuomas began writing the songs at home in Finland while his bandmates were busy dealing with their own lives. The rest of Nightwish knew he was writing something, but they didn’t know what. “He didn’t email us saying, ‘This is what I’ve written today,’” says Floor. “He doesn’t like sharing snippets, he likes to share the whole thing. But we knew he was inspired.”
The first time Floor heard the new songs Tuomas had written was during Nightwish’s festival run in the summer of 2022, after touring had properly resumed. “Imagine us all gathered in a hotel room, everybody has brought a drink or two, or three, sometimes the minibar is emptied,” says Floor. “Tuomas would play us the music – we didn’t listen to all the songs at once, that would’ve been too much. He’d explain what the songs were about – he’d start off by telling us very little, letting the music speak for itself, but he’d start to go into the depths of what inspired him.”
At this stage, there were no vocals on the record, just piano melodies in their place. But Tuomas would sometimes sing along as the demo played. Floor made voice recordings on her phone to help her understand what the songs were about and ensure she could connect with the emotions in them. “I’m sure he hopes I never put them on the internet,” she says playfully.
Floor’s personal circumstances meant the recording process was different too. Her pregnancy meant she was unable to join the rest of the band at the campsite in Kitee they’ve used for several albums now to rehearse the songs for Yesterwynde. It also meant she recorded her vocals at home in Sweden, where she lives with her husband, Sabaton drummer Hannes Van Dahl (Tuomas was there for the sessions).
“I was pregnant, and before that there was the cancer, and then I had my baby and I was just really, really fucking tired, so I wasn’t there like I had been in the past,” she says. “The connection to the album is much less than it was before, because we haven’t been spending as much crazy time together as we usually would. That doesn’t mean I don’t give a shit – quite the opposite – but I’m still growing into what it means, and what it means to me.”
What song hit you the hardest the first time you heard it? “The last song on the album [Lanternlight] hit me the most,” she says. “When I heard that the first time – he explained what it was about, this song he wrote for his father – it went straight to my heart. It was so beautiful, even in demo form. I sat there crying.”
Even without the pandemic, the last few years have been a rollercoaster for Floor. There was her well-documented diagnosis with and subsequent recovery from breast cancer, followed by her pregnancy. It culminated in her collapse from exhaustion following a Nightwish show in June 2023, while pregnant (thankfully, both Floor and her unborn daughter were fine). Two solo shows were cancelled in the wake of the latter, though no one would have blamed her if she’d walked away from it all for good.
“No, no, I just had to quit for a couple of months,” she says, meaning the heavy workload. “Did I ever think of quitting for good? No, never.” Hearing her talk, it sounds like Floor is in a unique position: a key part of Yesterwynde, undoubtedly, but also someone with a little distance, who is still learning its deeper meanings. What does the album mean to her right now?
“To me, it’s a continuous awareness about the beauty of the planet we’re on and the positivity of us as a species. We get all this negative feedback about killing the planet and hurting each other, and all of that is unfortunately true. But there’s also a lot of beauty to it – humanity has achieved amazing things throughout history, and we should remind ourselves of that. That is sometimes forgotten in the speed of the life we live today.”
For all Yesterwynde’s against-the-grain optimism, Tuomas Holopainen is as aware as anyone of the grim realities of the world in 2024. That was brought home in the wake of Vladimir Putin’s illegal invasion of Ukraine in February 2022, when there were fears that Russia’s neighbour, Finland, could be next.
“Not fear, but an awareness,” he counters. “I haven’t felt afraid, not once, even though I live less than 10 kilometres from the Russian border. But we have such a good defence that he is not going to come after us.”
He seems equally unflappable when it comes to matters closer to his band. Earlier this year, original Nightwish singer Tarja Turunen – who was acrimoniously and very publicly fired from the band in 2005 – and former bassist Marko Hietala reunited to tour together and release a joint single, Left On Mars. If it feels like a slap in the face for Tuomas, he hides it well.
“Honestly, I don’t care at all,” he says. “It doesn’t move me in any direction that they have found each other. They can play and perform as many Nightwish songs as they want, it doesn’t bother me one bit.” Have you spoken to Marko since he left? ‘A couple of times.” Are you on good terms? "Yes. There’s no bad blood between us. His leaving was his decision. I was actually quite taken by the fact that in the first interview he gave after he left the band, he said, ‘Don’t anybody dare to put this on Tuomas. This was my decision.’”
You’ve talked about the passage of time. Do you miss the friendships you once had with Tarja and Marko? “I remember the best of times we had, with Tarja and Marko. I’m filled with nostalgia and warmth when I think about the latter half of 2004, for example, which was one of the best times Nightwish ever had, right after the release of the Once album and the European tour. It was just wonderful. But my life is in such a good place at the moment that it’s no more than a whiff of nostalgia.”
That sense of nostalgia is threaded through Yesterwynde, linking the past to the present. But what about the future? For Nightwish, that future seems to be tinged with a degree of uncertainty. In April 2023, they announced in a statement that the band would not be touring their next album – a huge deal for a band whose epic live shows match the grandeur of their music. That decision still stands today. Tuomas is insistent that there will be no live shows in support of Yesterwynde, though he politely but firmly refuses to reveal why.
“The reasons are personal, we’re not going to go into it, but it was something that had to be done for this band to continue,” he says, cryptically. “There’s no bad blood between the members, nothing like that. We just have to take a long breather.” Are there any plans to do anything around the album? A live stream? “We will have something planned, which is not playing music but something else.” Which is? “I can’t say, because we don’t know right now,” he says, unconvincingly. “But there are still things happening.”
Backstage in Eindhoven a few weeks later, Floor is equally unwilling to divulge the reasons behind the decision, though she seems to have a slightly different view of it. “The whole idea of not touring... it’s not mine,” she says. “I wish we could continue, but it’s a mutual decision. Everything with Nightwish, we’ve done with 120%, but if you don’t have the energy to do that, it’s better to take a break.”
Not having to tour for months on end does have its upsides. Tuomas says he’ll spend the time working on a new record from Auri, the side-project featuring his wife Johanna and Nightwish’s Troy Donockley. Floor will likewise use the opportunity to spend time with her family and work on her second solo album.
Both insist that the lack of a tour in support of Yesterwynde doesn’t mean that Nightwish are coming to the end of the road. Tuomas points to the fact that they’ve just signed a new deal with their label, Nuclear Blast, as “evidence there are going to be more albums in future”.
“I’ve seen a lot of reactions, people drawing conclusions,” says Floor. “Making an elephant out of a mosquito, as the Dutch say – making something much bigger than it actually is. It’s not the end of the band, I’m not going to leave, nobody’s angry at each other. There’s a lot of drama been added to this – it’s bad enough that we’re not playing, but there’s nothing more to it.”
In many ways, making such a monumental album as Yesterwynde, and then opting not to tour it, is a very Nightwish thing to do. This is a band who have always followed their own path, even – especially – when it’s flown in the face of popular trends. They’ve watched nu metal, the NWOAHM and the mid-00s emo scene rise, fall and rise again while their own career has followed an unbroken upwards trajectory.
But Nightwish exist entirely in a universe of Tuomas’s own creation. Ask him if he listens to Sleep Token or any of the crop of modern bands currently taking metal in interesting new directions, and he shakes his head.
“No. I don’t listen to music at all anymore, practically. I haven’t for 10 years. I enjoy silence much more these days. Maybe I had an overdose of it for the first 35 years of my life. I’ve heard of the bands you mentioned, but I don’t actively listen to music at all. Though I just heard that My Dying Bride are coming out with a new album. I’ll definitely check that out,” he adds wryly.
Earlier, he’d talked a little more about the imaginary movie that starts and finishes at either end of Yesterwynde. Or, more specifically, the one that runs in his head.
“It’s a very unique one,” he says after a moment’s pause. “I’ve come to realise how incredibly lucky we are to be alive. It’s ridiculous, the odds that we are all here. We should celebrate it.”
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soulfarer23 · 1 day
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The truth about the Void-State is starting to sink in
so yea, I've been 'over'consuming loa/shifting/void-state Tumblr a bit, but I feel like, after reading very similar things in many different ways, It's starting to actually sink in.
By that I mean, I don't just know it, I genuinely understand it and its implications. ( I think lol )
I used to see the Void-State just as the 'instant manifestation' state, but It's so much more. It's me. Literally. I am LITERALLY the 'Void-State'. It's me in my purest, unfiltered form. It's my pure consciousness. And it exists unattached to any vessel or reality. It just is.
Now the affirmation 'I am' makes sense to me. I don't know if it's because I am not a native speaker, but I never fully got it. It always felt like there was something missing, like, I am what?
But that's literally it, I am. I exist. And that's what I am.
Not a body, not a human, not a person, not any DNA information. Not even someone from reality XYZ. I just am.
I am naturally omni-everything and eternal. My power is as infinite as infinite gets. The only thing to ever appear to diminish that power is the reality I choose to be aware of and the vessel I choose to experience that reality with. And that's always my choice, and my choice alone.
One question I often ask myself when I see posts like these from people who seem to 'know it all' is. Why. are. you. still. here.
And well, I am still here too. Have I woken up in the Void-State after 21 days of affirming? no, at least not in the 3d, but I won't go on one of these 'only the 4d matters' rants.
Well, why am I so convinced in the Void-State then? Well I was there once, years ago before I had a damn clue about anything. I just dreamed and suddenly my mind was sharply aware and awake, but there was nothing. No sound, no sensations and pure darkness. I wondered if I was dead, genuinely, yet I couldn't panic, I was content. I just existed. (thinking back, having these thoughts while being pure consciousness seems kinda dangerous)
So years later, I still clearly remembered this event vividly until I had a big 'OH' moment when I found out about the 'Void-State', and I finally understand what I felt back then. It was pure freedom and peace of mind.
Let it sink in. Mine and your most natural state is that of pure omnipotence, freedom and peace. Infinitely. Eternally. Literally.
All that keeps us away from that state is our assumption, some people (younger me for example) even still getting in without having a clue it exists. We can even guarantee it by assuming it, which ties back into loa. We are always in control, we really just have to realize and accept it. It's there, it's always been there, you just couldn't see it. Now you can. Take it and don't let anything in this reality stop you. NOW.
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andreal831 · 21 hours
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I’m the same person who asked the question about Datherine and I wanted to ask similar one about Stelena: Do you think they could’ve worked out if l Damon weren’t in like, in the picture?
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Hi! Welcome back <3
When I used to watch TVDU, I loved Stelena. As I've gotten older, I see how problematic the whole thing is. But they still kind of get me because of nostalgia.
I really do think they would have worked if not for Damon. Elena's attraction to Damon always felt forced to me. She was so caught up in the whirlwind romance of Stefan and then they settled into this very calm, happy place. Even with all of the chaos around them, they found peace in each other. Elena and Stefan were so happy in their relationship, the show had to force them apart physically to wedge Damon in there. They even had to use the sirebond to force Damon in the way more.
The only thing I felt was truly unhealthy in their relationship was the age gap. Even him originally wanting to get to know her to see if she was Katherine didn't totally bother me because of how he felt about Katherine. Damon seeing her and thinking she was Katherine made him think he was seeing his first love. Stefan hated Katherine when he saw Elena. He didn't pursue it out of some lost love. He fell for Elena as her own person.
Now granted, Elena was in high school and those relationships usually don't last, but this is a show about vampires and magical babies, so I think we can suspend reality on that.
I love Steroline, but feel like Caroline didn't necessarily want the same things as Stefan. They just kind of forced motherhood on her. She wanted a career and to travel. She would have loved to go off with Tyler and discover the world. Just like Damon didn't have similar wants to Elena. Wanting the same things in life is very important in a relationship. Compromising will only cause both of them to be unhappy no matter how much they love each other.
An important aspect I really liked about Stelena and felt would make them last is how much respect they had for each other. Stefan would always let Elena make her own choices, even if he didn't agree. And Elena was always there to fight for him. I know some people don't like how he handled the transition, but that's usually from people who just wanted Delena to happen. Elena never wanted to harm anyone and never wanted to be a vampire. Stefan understood that and tried to help her live with what she was. They both just wanted the best for each other.
Stefan helped Elena find joy in life again. Season 1 Stelena was so happy. They would have found this happiness again if Damon and Klaus stopped interfering. The visions they saw from the Travelers felt really organic to me. They both wanted the same things. They wanted family and humanity. Stefan taking the cure made more sense than Damon. Damon loved being a vampire and Stefan hated it, plus had trouble controlling it. I could very easily see them settling in Mystic Falls. Her being a doctor and Stefan going to school to discover what he wanted from his life. They would have had kids and would have created a loving home.
Thanks for the ask!
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ragingadhd · 9 months
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zelink shitposting
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deoidesign · 12 days
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Thinking about vampires, death, life, and the space they occupy in between
#to be or not to be. that is the question#ty adam for being my model for dramatic vampire moment#musings on the thinkings about:#when to live you are required to hurt others. you must repeatedly ask yourself what the value of your life is#To sleep... perchance to dream...#ah. THERES THE RUB.#ok I actually couldnt come up with too many thoughts. I had a lot more while I was drawing this but I guess I put them in the painting LOL#reading that soliloquy and being like damn this is just like vampires#the reality of course is that the soliloquy is a debate over suicide and ultimately making the choice to live#even if just out of fear of the unknown#and vampires are about dying and then in undeath choosing to continue to live#despite the fear of eternity and loneliness and hurting others#theyre not the same. but like let me thiiink come onnnn I'm allowed to thiiink and have incomplete thoughts#I would have to write like a proper essay about this to organize my thoughts. this is the tags on a tumblr post.#anyways finished episode 79#working on patreon stickers for this month (and next month soon)#and working on book 4. taking a pause from episodes cause I've got 3 weeks of buffer now... UGH#I'm so mad that they changed it. it would have been 5 weeks before but it's fine it's whatever#anyways yeah taking a break from episodes to make my book now!#its good stuff.#and this painting is good stuff#banger after banger from me tbh#this was a little relaxing giving myself a couple hours to muse#it's necessary for my health and I always forget that til I do a painting...#I loved doing the little landscape in the background too I should do that more! I love how plants are just like whatever shape you want#like you can make up any plant you want and not only does that plant PROBABLY exist somewhere#a weirder plant exists somewhere too. so. literally whatever you want#ok bye again for a few days while I get back to work
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nientedal · 11 months
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Usually I just save stuff like this to my drafts until I calm down but you know what, fuck it, I'm done.
Any so-called leftist who refuses to recognize that our options right now are "genocide abroad, progress at home" and "genocide abroad AND genocide at home" and that there is a significant difference between those two options is cordially invited to eat shit and die. We do not have time to entertain your anti-voting hopeless nonsense. A future in which we are able to move towards less death will always be preferable to the one in which we can't, and if you smug, sneering little clowns sacrifice that future on the altar of your own self-righteousness because you're too high on your own farts to realize how far up your own ass you are, I genuinely hope you fucking drown. Specifically, I hope you drown in the blood of the people who will die all over the world as a result of your bizarre refusal to work towards a future that doesn't include ethnic cleansing.
This is the United States. We sell war, here. I don't know how so many of you are only just now figuring that out, but you better get over your shock like yesterday because we are out of fucking time. We ran out of time when Reagan took office if not long before. You think not voting will improve any of this?
Keep calling, keep writing, keep screaming. Governments everywhere are (slowly) beginning to listen. Democrats are (slowly) beginning to listen. But Republicans never will, and if they seize power again next year (which they will absolutely do their damned to attempt), everything will be so, so much worse for everyone, everywhere. The work is slow and painful and imperfect but it will only get done if we show up and do the work, so keep calling, keep writing, keep screaming-- and when the time comes, you show up and vote for the future that lets us build a better tomorrow instead of just choking to death in the steaming shitpile of today.
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uncanny-tranny · 11 months
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I think I've cracked why it makes me so irate when customers have this expectation that workers not only offer service to them but to Do It With a Smile.
It's this sense of entitlement that it isn't enough to have a service offered to you, but that it must never remind you why workers might not be chipper.
What people mistake is that this country is built off freedom that makes us All Happy. What they miss is that this country was built on façades and platitudes - the comfort of being shielded from any uncomfortable reality.
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2sw · 1 year
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You got to wake up. because if you don't, then trying to keep that dream alive will destroy you! It'll destroy everything!
Supernatural S8E08 Hunteri Heroici ( + S8E06 Southern Comfort )
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