#i hope jim gets to have one on one adventures with all the crew only they can remember and cant mention to anyone else

[wulfhalls]

first actual glimpse at none alternate kirk in the last 5 secs of the ep like thats my boyfriend that's my boyfriend THATS MY BOYFRIEND!!!!!!!!!!!!!!!!!!!!!

[blue-b-bro]

My s2 au rambling

It's 2am and I should be working on my paper soooo

Listen. So we leave the break up boat angst as it is. I can't deprive my babygirl of his suicide attempt (it's my depression bias, ok?). BUT. No traumatizing Lucius. It was unnecessary, they didn't commit to it anyway, they just tormented our boy for nothing, so no, no trauma for Lucius. He got somehow rescued shortly after being thrown over board or something. He isn't traumatized, but he's seriously pissed at Ed. (he's not with Zheng in this au atm or Stede uses different ship to get to the Revenge idk)

The rest of e1-3 can stay the same I guess... Ed gets resurrected by the power of love and hope, but then remembers Stede hurt him and tells him to fuck off. Now, what if Ed went ashore with only Buttons? Like, I get people being unsatisfied that they turned him into a seagull, and so we didn't have him anymore, but I find his scene with Ed in the forest really touching.

So Ed meets Anne and Mary and he can realize he doesn't want a relationship like theirs, how forcing yourself to be something else for your partner would just end up in both of you hating each other. Ed calls Mary out, Anne burns it all down, Buttons is there. Buttons transforms into a seagull, proving to Ed that change is possible, you just have to believe. But now he's alone in the forest, so he goes back to Anne and Mary and they go, somehow, to the Republic of Pirates, Mary and Anne to get back to piracy and Ed decides to visit Jackie (since we know they're friends).

[DRAFT: what about them finding Zheng on their way? Like on a sea, somehow. Let's say they were traveling in a dinghy and were let on board. I want Lucius to be somehow there and he and Ed being awkward, Ed trying to avoid him, because he doesn't know how to deal with this kind of situation and Lucius being pissed. Ed also could help as a navigator with his cloud knowledge, he could be their Buttons! Ed could help with towels and actually like it, but Lucius would be suspicious, because last time he saw Ed acting like that he almost died. Ed just tries to chill, tries to figure his shit up, but is haunted by his guilt and self hatred, he tries to not think about it. Lucius starts to notice him hiding his negative feelings, acting as if everything is fine and peachy, "look I'm folding stuff". He doesn't care about Ed, doesn't want to, but as time goes by, his empathy starts to make him not being able to just ignore Ed's suffering. They were friends, kinda, before. He knows how emotional Ed actually is. Jim also almost killed Lucius, but they were fine after that, so maybe he could cut some slack... He begrudgingly tries to talk to Ed, but he obviously says everything is fine. Ed actually avoids any kindness, feeling like a monster after everything he did, which only makes him more miserable. He tortured Izzy, he traumatized his crew... Stede came back, but should he? Maybe it would be better if he never came back, if they left him to die there...

Idk how to go there, but I want Lucius to help Ed deal with his emotions, knowing that Lucius is the emotionally intelligent one, and was helping him like this in the past. He wouldn't be so nice to him as before, still keeping a grudge, but he's too empathetic to just ignore him. Lucius gets to know how twisted Ed's coping mechanisms are and how lost he is, they get to know each other better (Lucius always knowing who he is vs Ed just starting to discover that).

MEANWHILE Stede and Izzy could have the same adventures as e4-5 (I guess idk what to make Stede do in this version of e4, but idc rn). Stede and Izzy could bond and have more interactions with the crew. I'd also love to see more of whatever that gaze Izzy gave Stede in "Bonnet, we need to go" scene. Izzy realizing his life could be different, better (just like Ed in s1e4), Stede getting attached to Izzy. I also want there to be addressed how Izzy tries to ignore Ed, ignore his existence. How he never talks about him. I'd love for them to have a talk similar to that one in e3 ("Allright Bonnet, have it your way"), where it comes out that they both feel responsible for what happened with Ed, like, how Stede feels responsible for Everything that happened, and Izzy'd be like "oh fuck off" and try to persuade him, it's him who's guilty, somehow comforting each other that way.

Oh! And Stede's crew could be trying to find Lucius. They'd have their adventures, but while searching for Lucius. And also Oluwande could help the break up crew with their trauma, since he's the most emotionally intelligent in this group.

So yeah, Ed and Lucius could become friends and Lucius could help Ed with the whole self identity thing and Stede and Izzy also could become friends (they could go into pining direction, but I wouldn't make them boyfriends at this point, it's too soon), Stede and the crew could help Izzy becoming his own person and developing some self worth as a human being, and Izzy could help Stede realize he doesn't have to be something he isn't just to please other people, because Izzy was the one to see Stede in his more cringe moments but also the surprisingly successful ones (he and Oluwande). Izzy knows what's under the mask Stede puts on around other people, that he isn't so nice or composed as he'd like people to see him, and so his acceptance of Stede would be so meaningful +Izzy's a cool pirate so also that.

Dunno what next, but for calypso's birthday and Ned Low's attack I'd like Ed and Lucius to be with the crew, because I want Ed's angst and I liked the idea with this being Lupete wedding. And it'd be bad to make a party before finding Lucius.]

[lateral-org]

Jim and Frenchie for the character thing!

Edit @wearfinethingsalltoowell: this is so embarrassing it posted before i could answer so sorry if you get this notif twice

Jim:

fave thing: obvious is the nonbinary swag. i was knocked out by the casual representation and adore that about them. personal fave tho is how sexy they are. that scene with spanish jackie???? WOW.

least favorite thing about them: their style! i hope in season two they level up their look a bit in general. the adventurer thing worked for s1 but i'm very interested to see if their wardrobe will change in the future, esp to reflect their arc and coming into their identity.

favorite line: "it's just jim" and the whole not a mermaid scene is really funny. also all of their interactions with nana.

brOTP: jim and ed? im soooooo excited for s2 and their shenanigans, can't wait to see vengeance and murder plots

OTP: jim and olu. obvs.

nOTP: jim is so hot you could pair them with anybody, but honestly i can't see them with anyone but olu. so i guess my copout answer is none/all

random headcanon: jim's demisexual and only into olu bc they have a deeper connection w/ him

unpopular opinion: i'm not deep enough in the fandom to know about popular opinions, but maybe like. i don't like the tealorange ship name? tbh i don't vibe with most ofmd ship names honestly, i think that's just a me problem

song i associate with them: Vigilante Shit Taylor Swift

Frenchie:

fave thing: how clever and charismatic he is. pretty obvious but i love characters who get by using their wits and showmanship. he's a great example of a the bard archetype and one of my favorites, honestly.

least favorite thing about them: lack of screen time. give him more plotlines (looking at you season 2)

favorite line: the pyramid scheme bit (sorry im so bad at remembering quotes from this show)

brOTP: frenchie and olu? they're so funny together i love their contrasting personalities

OTP: no romantic ones (yet) but i like his and wee john's dynamic

nOTP: frenchie and izzy, maybe? but also i'd like to see frenchie ruin that man's life and career

random headcanon: frenchie routinely plays lullabyes for the crew. he acts like it's an inconvenience but it helps him relax too

unpopular opinion: see Jim's (idk what's popular)

song i associate with them: soldier, poet, king by the oh hellos because i just saw some art of him with that song

[itsclydebitches]

I mentioned in the tags of a recently reblogged post that I had Opinions™ about the “OFMD fandom is racist because they’re interpreting Ed as illiterate” take that’s been gaining traction lately, so I finally decided to slam those opinions into a post. Specifically, I want to list the textual details that made me, personally, come to the conclusion that Ed is (likely) illiterate as a means of pushing back against this growing idea that anyone who crafts meta under that assumption, includes it as a characterization in fics, uses it as a means of theorizing about season two, etc. is automatically coming from a place of racism... rather than, in actuality, a pretty solid canonical interpretation. So some things this post is not includes:

A claim that OFMD/fandom in general isn’t racist in other respects. I’m speaking solely about this one example.

A claim that Ed is definitely, 100%, no room for discussion illiterate. I believe it’s a likely possibility based on what we’ve seen, but the show hasn’t provided confirmation one way or the other.

An attack against any headcanoning. Fans are free to imagine up and/or hope for whatever they like, regardless of how persuasive a reading others find it to be.

Okay, I’m doubting my ability to string this all together with halfway decent transitions right now (the heat is making my brain buzz like TV static), so let’s just stick to a list form.

1. Lucius Establishes That Illiteracy is the Norm in Pirate Culture

First off, OFMD introduces class differences in the pilot episode by having Stede gush about the “full library” he has on board... to his personal scribe... who is writing down his thoughts and adventures purely for vanity’s sake (the fact that they’re later used to save Stede’s life is a separate matter from his intentions here), only to suddenly get hit with the knowledge that no one else on the ship can read.

“That’s not... is that true?” he asks, dumbfounded, and then Stede answers his own question with a rather distasteful scoff. Lucius responds with a look that I can only affectionately caption as, ‘This bitch.’ 

(I am also once again apologizing for the horrendous ‘screenshots’ taken with my phone.) 

All of this is deliberate. We’re setting up the dichotomy of pirate vs. gentry culture, as well as one of Stede’s major flaws. Namely, using the privilege of his upbringing as a crutch/personal safety net (with a side of that arrogant superiority: “Don’t debase yourself for a man who doesn’t even have a tureen on board!”). This is why Oluwande and Jim need to explain that for them, piracy isn’t a fun, midlife crisis and Stede comes to the realization, “I’m not a pirate, I’m an idiot.” Wealth is why he’s able to run from Ed the moment his anxiety gets the better of him, hurting him and Mary in one fell swoop when he shows back up all, ‘I’ve decided to be your husband again the same way I decided to be a pirate. Everyone bow to my whims and the privilege that allows me to enforce them!’ The ability to pay wages and read bedtime stories is what keeps Stede’s mutiny on hold for so long (a sharp contrast to Izzy who has no such luxuries to offer as a way of offsetting his own, difficult personality), Stede’s gentlemanly demeanor (born of a lifetime of social education) is what first draws Ed to him, then it’s his material wealth, and finally Stede giving up his fortune to return with only a dinghy and the clothes on his back is the sign of emotional growth.

Literacy isn’t the only marker of Stede’s privilege—far from it—but it is a major one and it’s important for setting up this contrast that drives much of the character work. Yes, Lucius is technically wrong about being the only other member of the crew who can read, though it’s clear why he came to that conclusion when Jim was pretending to be mute and couldn’t just say, ‘Hey, I can read and write too.’ Beyond that one mistake though, we have no reason to doubt Lucius’ claim. Not when the group is worried about who will continue their bedtime stories if Captain is dead and Lucius sucks at the voices. Don’t we think someone else would have spoken up to solve the dilemma if they could? More importantly, revealing that actually more of/most of the crew can read would severely undermine that thematic work of Stede’s upbringing—and that goes double for the man who represents the pinnacle of pirate culture: Blackbeard himself. We see through our flashback that Ed does not come from a place of privilege, which includes both education and material wealth based on how the show has defined privilege via Stede. Though it’s hardly impossible for Ed to have picked up reading later in life while still grappling with the trauma of growing up poor, for me there’s nothing to indicate that. Far from it: the show goes out of its way to emphasize all the ways in which Ed and Stede contrast one another, with Stede’s privilege—reading included—presented as markers of a life and emotional expression that Ed simultaneously longs for, yet feels that he’s undeserving of.

2. Ed is Shocked By the Amount Stede Has Read

When Ed is presented with Stede’s library he acts like a man who has never had access to so many books before. “Incredible,” he whispers, staring at the shelves in awe.

Except then Ed goes on to specify what exactly he’s in awe of and it’s not the books themselves. “You’ve read all of these?” he asks Stede, the ‘all’ emphasizing his shock that any one man (even in his forties) could have gotten through this many volumes. Ed doesn’t act like someone impressed with the beauty of the library itself—like we might see if he too was a reader and was simply impressed by the pretty bindings—but rather at Stede’s ability to read any library, but particularly one of this size. When Stede says that these are just his favorites, Ed gives a little huff of stunned disbelief. These are not the reactions of a man who frequently keeps books in his own cabin to peruse. Rather, they’re the reactions of someone who hasn’t read much himself, if anything at all.

In addition, Ed doesn’t engage with the text when Stede hands him the book. I’ve seen a couple people say that Ed can clearly read because he knew that was a picture of himself, but really, it’s not a hard thing to deduce. Even if Stede hadn’t led with this being something he thinks Ed will enjoy—AKA, it’s likely something about you—for all the fantasy details of nine guns and snake-like hair, Blackbeard is pretty distinctive in his look. That’s that point. He has long hair, a massive black beard, dresses all in leather, and is depicted with pirate-y things like ships and treasure. You don’t need to be Sherlock Holmes to figure out who that’s supposed to be an illustration of. The point though is that there’s a page of text to the left and, more importantly, a big title claiming he’s “The Mad Devil Pyrate Blackbeard,” yet Ed doesn’t take issue with the “mad” or the “devil” part. He jumps straight to looking at the image itself, despite the writing being just as valid a detail to get angry over as the nine guns.

3. Ed Treats The Books He Comes Across as Disposable

Going off of his reaction to Stede’s library, I think it would still be possible to argue that Ed is primarily impressed with the number of books he possesses (another kind of material privilege) if we didn’t see Ed get access to a huge number of books and immediately discard them. In “The Best Revenge is Dressing Well,” they raid the vessel where Stede finds several shelves of books, enough that he also refers to it as a “library.” This tells us then that most ships probably have at least a couple books on board and many, like this one, might have a big selection. So if Ed had wanted a library like Stede’s, he could have easily gotten one. He’s Blackbeard and he’s been looting ships for several decades at this point. The only reason why someone that impressed with Stede’s books would pass off so many opportunities to get his own would be if he doesn’t have a use for them, especially when books don’t carry the same toxic masculinity implications as a cashmere scarf does. Blackbeard, the legend, should be able to read with a safety that he couldn’t, say, dress in a flowery robe and recite poetry. Books are a fairly safe form of expression for a pirate (and entertainment too, something Ed lacks!) yet he doesn’t make use of them.

Instead, the way Ed acts here heavily implies to me that a) he can’t read (or can’t read well) and b) he’s feeling insecure about it. He snaps that this isn’t “how raiding works” when Stede says he’s replacing the books he’s taken with ones he’s already read, despite the fact that Ed has been pretty chill for the rest of the attack and, notably, usually likes Stede’s eccentricities. The most likely reason why he’d suddenly frown at Stede not raiding 'properly’—in a relationship where Stede’s new way of doing things is usually exciting and fascinating to Ed—is if Stede’s book focus is dredging up feelings of inadequacy. Ed opens the book, but flips through it in a way that shows a distinct lack of interest... or an inability to read it. He tosses it aside. Then he slaps the rest of the books out of Lucius’ hands. On its own this interaction might imply that Ed is disdainful of reading in general, but following how enamored he is with Stede’s personal library and his ability to work through it, the scene instead implies illiteracy. Here, Stede is enthusiastic about something Ed can’t share, on an outing where Ed is supposed to be teaching him, so he goes hard on how “raiding works” and makes it clear that books—these useless objects to him—aren’t worth picking up. Drop them and go shove a knife near a guy’s eyeball instead.

4. Ed Signs the Treaty With an ‘X’

I don’t actually have that much to say about this scene (in regards to literacy, anyway), simply because the ‘X’ alone is the big takeaway. I’m sure by now we’ve all seen the tweet claiming that an ‘X’ was used by indigenous people as a form of protest against colonizers and the historical accuracy of that aside (it’s not a discipline I’m at all educated in, but others have pushed back against both OP’s interpretation of the book’s thesis as well as whether this intersects with Māori culture), that’s simply not the most obvious implication here. We know based on interviews that the writers have unintentionally included racial coding in other parts of the show—making the men of color work during Izzy’s brief stint as captain being one of the most well known. That wasn’t meant to be an indicator of racism, just a combination of Nairn having a bad back and dumb luck regarding who was staged to do the work—so this wouldn’t be the first time that fans have come to a very different conclusion than the writers intended. Ultimately, I think it’s FAR more likely that an American writer used a well-known means of conveying illiteracy, as seen throughout American popular culture, in a show that is not at all concerned with historical accuracy... than it is that he included a very subtle, historical allusion to indigenous protest and attached that to a character whose ability to know about that and culturally benefit from it are questionable at best. Though, as said at the start, headcanoning is fantastic and adds a wonderful depth to Ed’s character, from a canonical standpoint this feels like an Occam’s Razor situation to me: the simplest explanation is the most likely.

5. The Show Doesn’t Shy Away From Establishing Who Can and Can’t Read

This is a minor point, but it helps solidify all of the above. We’re told that Stede can read. We’re told that Lucius can read. Again, those are important skills used to separate them from the rest of pirate culture. We learn in a surprise twist that Jim can also read, write, and they’re not actually mute. The show then heavily implies that Izzy can read by a) giving him a voice-over similar to Jim’s (even though we never see what he might be writing in) and b) having him spend time in Stede’s library before the fuckery and then again, this time actually looking through the books (compared to Ed’s disorganized flipping/discarding) and finding an image of Blackbeard all by himself (compared to Stede doing that for Ed). Sure, we could theorize that Izzy just happened to stumble across a book about Blackbeard, maybe because Stede has so many in his collection, and he’s only looking at pictures/pretending to read in the shots where he has a book in hand.. but again, the simplest explanation feels the most persuasive to me. The point being that the show usually makes it very clear who can read and who cannot, with those in the gray area nevertheless leaning hard in one direction. Izzy leans hard into ‘literary.’ Ed does not.

Finally, I want to quickly address a couple of arguments I’ve seen pop up over the last couple of months:

1. The Real Blackbeard was Able to Read (+ You Have to Read to Sail a Ship)

Any and all takes along these lines are immediately suspect in my mind because they’re rooted in historical accuracy... and ignore the fact that OFMD is not historically accurate. At all. The real life Blackbeard did not fall in love with Stede Bonnet. The ship runs on gay sex and story time, not legitimate sailing techniques. Any argument that begins with “But the real Blackbeard...” or “But in real life you have to...” falls flat because this is very much not the real Blackbeard and the plot is in no way bound by realism. I mean, I’m not trying to be a buzzkill. I think it’s fun to play thought games like “What if Ed and Izzy run their ship aground like they did in real life and that becomes a callback to the second episode?” but there’s a difference between fun theorizing about what random events the show might include for the laughs and trying to use historical accuracy as a form of evidence in metas. I mean, Buttons is out here communicating with seagulls and casting hexes so that Calico Jack (presumably) dies via cannonball. When your story is that untethered from reality, any claims based in realism hold little value imo. Ed being able to read because the real Edward Teach could read is no more likely than Ed dying a horrific death at... [checks Wikipedia] hmm. A year after the events of the show start. Should be happening any episode now! 

2. Ed is Able to Read Music

Honestly, as someone with a 2,000 book library and no ability to read music, I’m not sure how one relates to the other, but a couple times now I’ve seen people claim that because Ed plays the harpsichord at the party, he must know how to read. Putting aside the strange conflation though, Ed isn’t reading any music here. He plays solely from memory and, given what else we see of his talents, I wouldn’t be surprised if Ed had simply memorized a few shanties over the years. He’s already learned the shape of the clouds. He dutifully repeats Stede’s words after he’s corrected on the scarf’s fabric—“An exquisite cashmere.” Though he hasn’t got it all down yet, Ed is also well on his way to learning all the insane spoons and forks involved in fine dining. The guy’s got a good head for recalling information, which to me is an entirely separate skill from the specific ability to interpret words on a page.

3. Ed Read the Placards During Dinner

Does he though? The scene begins when Ed is already seated at the table and though he does look towards the placard that says he’s Godfrey’s guest, I interpret that more for the audience’s benefit than anything else. After all, Ed is already sitting down. He knows where he’s supposed to be. Why would he need to re-read his own placard? Despite the glance in that direction, it looks like an establishing shot to set the scene. So then how did Ed know where to sit? Idk, any way someone knows where to sit without looking at their placard. Maybe one of the servants showed him. Maybe another party-goer shooed him into his designated seat. Ed acts lost and confused the whole time, looking in random directions and muttering about snail forks. He doesn’t act like someone who chose this spot confidently, nor does he act like someone who can use reading as a skill to assist him in his anxiety. That is, he doesn’t look for and find Stede’s placard to ensure they’re seated together and he doesn’t realize he’s next to the touchy woman until it’s too late.

4. Finally: How Could Ed Have Drawn an ‘X’ If He Doesn’t Know How to Read?

Because an ‘X’ is just two crossed lines that might not have any meaning to him beyond, ‘This is what illiterate people do to sign their name.’ There’s a huge gap between understanding the ‘X’ as a symbol for this particular situation and knowing how to apply it—along with 25 other letters—to read a language. I can draw the Superman ‘S’ (not an ‘S’!), but that doesn’t mean I can read Kryptonian. I can also recite the Spanish alphabet from middle school, but that doesn’t mean I remember how to apply it after years without practice. Humans are really good at tying signified concepts to signs and an ‘X’ isn’t exactly the most difficult sign to memorize. Of course, it’s also possible that Ed knows his letters, but not how to read Stede’s books. Illiteracy isn’t a black and white state of being: Ed may understand the ‘X’ only as a symbol of agreement, or as a letter, or as a part of a couple words. I feel like the fandom is approaching this as an either/or situation—you can read or you can’t—rather than a very complicated skill that takes years to master, with everyone continuing to learn as time goes on. You think I remember every grammatical rule in the English language? Or that I know the meaning of every word I come across? Or even how to pronounce them? You think I can switch to a culture I’m not a part of—an online space, an academic discipline, a friends’ text exchange—and read through it without stumbling on words, acronyms, and concepts I’ve never encountered? Just as there’s a huge range within my literacy, there’s the possibility for an equally huge range within Ed’s illiteracy too. Maybe he can’t read at all. Maybe he can recognize Godfrey’s name after seeing it on the invitation card. Maybe he can only write his name, but chose not to. Maybe he can do all that, but can’t manage the dense text of Stede’s books. Maybe he can read a bit, but can’t manage the fancy script of the gentry. Maybe the vocabulary is an obstacle. Maybe he learned a long time ago and, like my Spanish, has since lost it. There are a lot of options here that would fall under the large umbrella of 'Ed is illiterate.’

All of which is just to say: those of us working with an illiterate Ed in metas, fanfics, and the like didn’t pull that idea out of thin air and we definitely didn’t hit on it because Ed isn’t white. It’s a reading that the show is very much pointing towards and even if it’s proven wrong in season two, that doesn’t erase the strong implications we got at the start.Yes, there’s a lot wrong with fandom—I’d never deny it—but that’s not going to improve if people put their energy towards pushing inaccurate, but very satisfying claims. It’s a lot easier (and makes people feel good about themselves) to make blanket claims about how Ed Not Being White + Illiterate Interpretations = Racism... but that ease and feelings of superiority don’t make it true. Like the discourse over using any shortened version of Oluwande’s name, or the desire to saddle the antagonist (Izzy) and any fans who like him with accusations of racism, the fandom is looking for easy, black and white rules to avoid being #Problematic. But OFMD is too complicated for that—fandom is too complicated for that—and even if it wasn’t, making up nefarious motivations for character interpretations doesn’t achieve a damn thing.

[dmsden]

A Jolly Jack Tar - Personal Plot for Sailors

Hullo, Gentle Readers. Or perhaps I should say, “Arrrr.” While we’re not specifically talking about pirates, pirates are a variation of sailor, and it’s to this very nautical of backgrounds that we’re looking this month in our Personal Plot article. 

A Sailor is an excellent background for someone to choose to represent a character who grew up on and around the water. It’s one of those backgrounds that gives you an immediate excuse to start pumping the player for background info. Was there just one ship they sailed on, or did they sail on many? Did they make any close friends or rivals? Did they have any strange experiences on the sea, where they had to bargain with a sea hag, a pirate captain, a dragon turtle, or a kraken? These kinds of questions can immediately give you supporting cast and story for your campaign.

Maybe the PC sailor thought of the captain of the ship they sailed on as a father figure, like Fjord and Vandren from Critical Role. Alternately, maybe their relationship was more antagonistic, like Mr. Christian and Captain Bly. Perhaps the PC sailor even became captain themselves, like Wesley in the Princess Bride. Did the PC do anything notable to stymie the captain, as Jim Hawkins did when Long John Silver had mutinied and taken over the Hispaniola? For some reason, maybe because so many books about sailors are adventure stories, potential plots just seem to flow around sailor characters.

One big question I like to ask is why this transition has happened. What convinced the PC to give up the life of the sea and become an adventurer? Maybe they need to rescue their true love, or maybe their tyrannical captain forced them mutiny in order to escape a life of near slavery. Maybe they’ve got a piece of a map that leads far inland to a place where a nearly mythical pirate is said to have buried their treasure. Maybe they’re fleeing a terrible monster’s wrath, like a dragon turtle or a kraken or undertaking a quest for the merfolk lover who saved their life.. There are many reasons to leave the sea, but there also should be a compelling one for why the PC isn’t likely to go back to being a sailor full time.

The sailor’s special ability to get rides on ships is a very useful one for the players, but it’s a damned useful one for the DM, too. Since the PC doesn’t get final say over speed, route, etc, you can introduce all manner of complications as their voyage progresses. Maybe they make landfall on islands with all kinds of mysterious inhabitants and potential adventures. Maybe they encounter pirates or other seafaring villains. Maybe a storm blows them wildly off-course or  a maelstrom drags them down to a mysterious realm of tritons and merrows locked in a battle to control sunken ruins. The sea offers a thousand opportunities for stories, and, just because it wasn’t the direction the PCs initially wanted to go, it doesn’t mean that the players won’t have a great time.

Don’t forget that there is an alternative version of the sailor - the pirate! These villains have a mystique and a lore all their own. You could take a nod from a certain series of movies and bring in all kinds of story elements involving cursed treasures, sea goddesses, undead sailors, famous pirates, a buccaneer brotherhood, and the like. A little research about real world pirates will reveal all kinds of crazy tidbits! Pirate crews were some of the first democracies, and you could do worse than to have your PCs fill various roles aboard a ship.

If you want some expanded official rules about ships and seafaring, I strongly recommend picking up Ghosts of Saltmarsh. Not only does it have lots of adventures and new monsters for you to pillage, but it also has a large chapter devoted to sea-based adventures.

I hope this has put the wind in your sails when it comes to these nautical folk. Join us for Personal Plot next month where we enlist! Until then, may the dragon believe that you don’t taste like chicken.

[bearsinpotatosacks]

I saw a post about the star trek crew all living together and I took that idea, as well as my multishipping heart, to make an AU where the crew all live in a polyamorous household so here we go:

In the beginning, there were only 3 couples...

McKirk, Spuhura and Benkaru

Ben and Hikaru live in a house of their own but visit a lot

And Sulu has a place in their futuristic fold out sofa if he ever needs space from Ben, which he probably does since he went from being light years away to living in the same house which must be difficult to adjust to

I'm not sure how they'd get to all living together but I think it would be after the 5 year mission but if they don't go out on any other missions straight away

There are 5 bedrooms, 2 offices in the attic, a kitchen-diner, a living room, 3 bathrooms, a garage and a greenhouse-shed in the backyard

There's Jim and Bones' room, where Spock or possibly Christine if they're feeling adventurous, sleep

There's Uhura and Spock's room where Christine or Scotty might sleep when Spock's not there

There's Scotty's room where Bones or Uhura sometimes sleep

There's Christine's room where Uhura or Bones may sleep

And Chekov's room, where only his causal flings or one night stands stay because this boy is a horny aromantic guy who is not shamed for this fact

Bones just makes sure to stock him up on protection

They also have their own spaces which, because I managed to land on the healthy relationships education side of tiktok, is very important just so a person can maintain their autonomy and have some time to themselves (doesn't matter if it's a room or a shelf the person said)

Spock has the greenhouse where he meditates surrounded by flowers that Sulu is always donating more to and helping with

Scotty has the garage where he's always tinkering and blasting weird calming sea shanties or space shanties, just a weird combination of choirs, shanties and prog rock

Uhura has her room and/or one of the offices, she likes to have a place to watch her shows in all the languages she knows and to just be herself away from everything

Jim has the living room and/or his and Bones' bedroom. This is mainly a place to workout, in barely anything but he routinely reminds everyone to be grateful he's at least wearing clothes

Chekov has his bedroom where he has a whole gaming and programming set up. The crew make sure to pull him away if it's been a few hours without a break, and bring him drinks and snacks

Bones as the kitchen where he cooks up a storm and becomes a full on Southern Belle housewife, cooking and baking and making sweet tea and singing with a "Kiss the Cook Apron" on that Jim got him

He complains but he loves it

Christine also has her room where she often becomes a cat and lazes in the sun of her window with a face mask on sound asleep

They have certain nights for people to cook, they don't trust Jim though, not since he tried to make a casserole that Pike showed him and he almost burnt the house down

Luckily there are sprinkler systems in future houses

Bones becomes a full on dad and grills whenever there's sun out

Has a bad Hawaiian shirt too, something directly out of Karl Urban's wardrobe probably

They take holiday cards as a family and celebrate all their holidays, Christian based ones, Jewish based ones, Muslim based ones, Vulcan ones and general nom denominational ones too like Federation Day and United Earth Day

They also take care around each other on sad days too

Scotty leaves a mug outside the greenhouse when it's the anniversary of Amanda's death, Uhura makes breakfast on David McCoy's death instead of Bones, Chekov works out with Jim on Pike's Death Day

If the couples have kids the house may get bigger or they might just have smaller houses that are connected so they still live pretty much together anyway

This ended sad, I didn't want it to but can you see the family stuff I want so much? Them being close and together and even more of a family. I hope you enjoyed these!

[spacegoatart]

i haven’t officially posted my own treasure planet headcanons, so that's what this is! some of this might be ooc but i don't really care because they are fun to think about, so yeah, enjoy!

this is gonna be long so i’m gonna put it under a keep reading

it makes me so sad that they supposedly don’t keep in touch at the end of the movie, so that's where headcanons come in. Jim and Silver went thru WAY too much to not keep in touch, Silver couldn’t leave Morph without being able to see him again either (Silver literally refers to himself as Morphs ‘dad’ in one scene!!) they at least send letters or have some sort of burner phone, with Silver being a wanted criminal and all. for a while they probably just sent letters, Jim talking about the academy and Silver sending little gifts from his escapades such as a lava rock or an especially interesting coin. Jim keeps all the gifts in a box, along with the letters but if he feels especially attached to a gift, he’ll set it on his window sill of on the rim of his mirror. as much as I like the idea of Jim getting Silver a jitterbug/ladybug, realistically Silver would be the one to set the idea into motion. Jim gets a larger gift and its a little phone, made of parts that Silver could scrap together (or on he found in a shop on a traders planet), he immediately sets it up and texts Silver. it was really nice for them to talk in real time and were probably already discussing the idea, even though Silver could get caught, so Jim was really excited about it. Jim now keeps Silver updated on life events and Silver calls every now and then to tell Jim about his travels. Silver hasn’t quite figured out how to send photos but once he does, he starts sending some everyday (including some hilarious selfies, akin to what a dad would post on Facebook).

Silver absolutely visits, for a while it was very, very scarce because he was still wanted but was sneaky enough to come and see Jim every few months. he comes and hangs out at the inn for a few days while his crew is out at bars or stocking up on items for their next adventure, as well as they know better than to fight their captain on his decisions. during these visits, Silver tells Jim (and anyone brave enough to sit near them) stories about what he had seen, creatures he had encountered and wonders they had discovered. Jim tells Silver about his time at the academy, new friends he’s made and what he’s learning, including some complicated stuff. sometimes Jim even get so into it, he brings out a textbook to express his point. while Silver is pretty smart, he has no idea what Jim is talking about (because its usually math and obscure facts) and usually just smiles and nods as Jim rambles. (lol this may be me projecting my ADHD onto Jim but i have the feeling he info dumps to people hes comfortable with)

speaking of the academy, i think despite all the combat training and captaining that Jim is learning, i think Jim would be really interested in math. like a surprising amount. it would probably be difficult to start off but once he did, hoo boy he could not stop. there were some hurdles he had to face but eventually he landed in a pretty advanced math course (not the highest but still pretty up there, maybe like calculus or applied mathematics). knowing some math was important as a captain, having to deal with probability on a ship in the Etherium, but Jim was fascinated by numbers and the way they made up the world. i think he would be really interested in physics or theoretical stuff, which is difficult but i think he could do it. he probably uses his previous experiences in space to help him visualize the math, which helps a lot.

the first time Silver came to the inn, Jim practically tackled him. which was no big deal since he’s almost double Jim’s size, Silver was more worried about Sarah and what she thought of him being a pirate and all. Jim assured him that everything was ok and he asked her but Silver still felt a bit nervous. he felt like he was intruding on her territory. but while Jim had run upstairs for something and Silver stood sheepishly in the doorway, Sarah came over with a smile on her face and shook his hand. he wasn’t expecting that at all, he was more ready for a glare from the kitchen or even a talk about ground rules. Sarah talked to him about how excited Jim was (she was also kind of excited, she had met plenty of pirates and was almost as fascinated as Jim was) and how she was grateful for Silver staying in her sons life. Silver felt much more comfortable after that and they started talking too, (not sure if it would be romantic or not, it would be cute but i love them just being friends as well) they became pretty good friends. Jim loved it, even if they weren’t married or Silver wasn’t biologically related to him, he felt like he had a full family again. when Jim was busy or sleeping, Sarah and Silver would chat over coffee or in the kitchen while Sarah cooked, Silver helping. Sarah would probably rope Silver into helping her at the inn once she learns he can cook and he kind of falls into a routine. come see Jim, hang out, when Jim is busy/out, go put on an apron.

(this one is 100% projecting lol) this is a pretty loose hc, especially since it started as a joke but now i really like it. i think Jim, as well as Silver, is transgender. Jim wasn’t really expecting Silver to be trans, as are most (he passes super well lmao). i mean, many pirates were gay, why can’t space faring ones be trans? hell, Silvers crew probably has a slew of queer folk among them, if not all of them being some sort of LGBT. body modification looks like a regular thing in their world, so i think Silver has already had top surgery, whether he was planning to or not. by that i mean that i think Silver could have been injured, woke up and found that something was missing. worried he may have become more cyborg, he checked, winced and found that bandages had been bound around his chest. ‘well that's out of the way’. despite not wanting to be vulnerable around his crew, most of them if not all of them know he’s trans since most of them didn’t see it as some sort of weakness, it was just who you were. (if ya’ll are interested, i have some crew hcs like gender and sexuality but this post is mainly about Jim, Silver and Sarah)

(continuation of the trans hc) when Jim came out to Silver, there’s a moment of silence between them. in Jim’s head it was awkward, but in Silver’s, things started clicking. Jim was worried Silver didn’t understand and quickly explain but Silver comforted him, and explained that he understood. Jim was the confused one now and Silver quickly cleared that up, explaining that he too was trans. Jim was relieved, confused and surprised. he hadn’t expected that outcome but that wasn’t bad, if anything he thought it was cool. he had more in common with his adoptee-dad than he had thought. Silver now makes sure to emphasis his compliments when Jim is working, hoping to boost Jim’s ego and make him feel better. it works and Jim feels even more comfortable in his own skin. (i have another part about Silver taking Jim to get top surgery but they would need Sarah’s permission first, not that she’d say no but Silver doesn’t want to encounter her wrath xD)

i’d like to think that Silver takes Jim up on his ship, not for plundering but just to sail around. the new crew had already seen Silver in action and decided nobody wanted to question him about Jim, especially since he was causing any trouble. eventually Jim couldn’t really visit Silvers ship anymore, being a Navy officer and all but that was ok, Silver still came to the inn and Jim had his own ship/s.

Silver knows all the drama around town, mostly because Sarah hears it fro customers and then gossips to Silver about it. Silver will come in, say hello and she’ll start, he’ll probably respond with something like ‘no way, they did that?’ and then he’d listen as she worked.

when talking to Jim, Silver refers to Sarah as ‘ma’ and Sarah starts referring to Silver as ‘dad’ since they have become Jim’s collective parents, and it doesn’t bother either of them.

after Jim lets Silver get away at the end of the movie, Silver stays on his own for a while, though no one knew that. he got a larger boat, just big enough for him and he wandered planets, drifted through space, just thinking. he wasn’t sure what to do next, he was a wanted man but he also had no crew. the thought of settling down passed in his mind but he couldn’t bring himself to do it, he was comfortable in the Etherium, he would get cabin fever after a week. so he continued being a pirate, it was rough work but he loved being among the stars, exploring the galaxy. Jim knew this and didn’t want to push Silver to stay at the inn for a long amount of time but they still made it work.

Silver has little experience with children, having none of his own until Jim (i’ve seen people give Silver children as his backstory but he doesn’t strike me as that kind of guy, not that he wouldn’t want kids but he’d have to choose between family life or pirates life. that's too much for him.) the most experience Silver had was with helping people at port and with his crew, anyone young enough to need guidance and smart enough to listen.

Silver loves music but really only know sea shanties, drinking songs and some old folk music, but he can still be found singing with his crew and humming while he’s working. Jim on the other hand listens to a lot of music, especially after treasure planet. (this is assuming they have all the music we have xD) he listened to brooding teenage music before, like Teenage Dirtbag or bands likes Greenday, but now he has a few shanties on his list as well, plus some classical music for when he’s studying or relaxing. he also listens to ABBA, either because he just likes them or because his mom plays them in the inn.

Jim, Sarah and Silver have way more pictures of each other now. the inn now has multiple family photos with Silver included, Jim has a framed image of the three of them and Silver has a little scrapbook. it’s the only thing he’s ok with having on his ship, still worried about being seen as ‘soft’ (even if he is a big softie and everyone knows it).

Silver usually wears a pretty simple working outfit with his nice coat and hat but when he does want to look nice, holy shit does he do it well. sometimes when he’s dressed up he wonders why he doesn’t do it more often just for fun but then he thinks of the countless times he’s had to throw out shirts stained with blood. he would never let that happen to his nice clothes.

i really like the idea that if things had been different, Sarah Hawkins would have been a pirate, and a damn good one at that. maybe she wasn’t in this life but that doesn’t stop the occasional daydream and questions to Silver about his lifestyle. he offers to take her on his boat when he takes Jim and she hesitates but says yes in the end. Jim definitely didn’t get his wanderlust spirit from Leland. (this is a little ooc for Silver but not for Sarah, i 100% believe she would be a pirate) maybe after Jim joins the Navy, he buys a small boat, big enough for him and his mom and they go on trips where they just enjoy the Etherium.

you cannot tell me that the second Silver was out of earshot on the long boat that he didn’t cry his eyes out. motherfucker may know how to hide his feelings but that doesn’t mean he doesn’t have them, he’s a sucker and he knows it. when he gets more comfortable around Jim and Sarah, he finds himself getting way more tearful from touchy feely stuff. Morph being cute? sobbing. Jim called him dad? waterworks. literally anything that tugs on his heartstrings? has to go to his cabin to cry his eyes out. the first time Jim and Silver met up again, they both just started sobbing.

Silver, Jim too probably, has PTSD (sorry if i get anything wrong, i’m not sure what else to call it) to an extent. it isn’t intense to the point that he gets overwhelmed with emotions and has flashbacks (unless it has to do with his missing limbs) but he does have some nightmares and prepares for the worst in most scenarios. Jim has to remind him that the bang at the door wasn’t pirates, it was just a unruly customer and that the silhouette he saw outside was just a passing ship, not canon fire. Silver apologizes every time, despite not doing anything but switch to his sword and brace but he can’t help but feel bad for worrying them. i can’t imagine the kind of terrors he has about loosing his limbs.

Silver, when he detaches his arm, will forget he only has one hand. sort of like that video with the astronaut back on Earth, but instead of gravity, he keeps handing stuff to his cyborg hand, dropping the item and they being confused when he can’t find whatever he had. he’s just so used to it by now, he’ll even gesture with his missing hand and not realize he can’t convey what he’s doing. Jim has been asked to hand his stuff, Silver will try to grab it without look and ask Jim why he didn’t hand it to him. Jim has to remind him that he doesn’t have his cyborg arm, leaving Silver apologizing. its always lighthearted between them and they joke about it but Jim knows Silver is still bothered by it a little.

[starr-fall-knight-rise]

HASO, “A little Race.”

So this is a little story setting up for some stuff in the future.

A few of you on the discord server mentioned an interest in learning more about the criminal element within my universe as well as a couple other ideas which I would love to incorporate, so I hope you like where this is going :)

Adam turned heads as he walked through the station. Glowing, grungy neon lights lit him up from either side though the forest of bodies parted before him like a sea. Everyone here looked more than a little unnerved at his presence, and hurriedly scampered away into the dark allies upon the station.

It wasn’t a big place, A trading hub  not so far from the metallic belt, so many of these people probably weren't here for illegal reasons, but based on his time getting to know the criminal underbelly of the universe, he also knew the station’s real reputation. And he knew the man he was looking for was likely to be here. 

He would have disguised himself as Kell, but thought better of it. He wanted to keep that disguise in his arsenal if he ever had to go undercover again, and this wasn’t a moment  he needed to be undercover.

Behind him Sunny walked at his shoulder, holding her pearlescent spear in one hand.

She really made an impression on people these days, and he found it more than useful to have a saint on his side.

He walked down the hallway through a set of doors and then into a wide cargo bay. Someone was playing rap music somewhere, and he could hear it echoing  off the rough metal. Graffiti tagged the walls on almost every surface, including the floor, and the rattle of metal on metal drowned out whatever lyrics there might have been. He stepped further into the room as out of place as he had ever been.

Adam had never been involved in criminal affairs. Beside his brief stint as Kell and his  accidental time in the Turma Prison, he had been a straight arrow all his life. He had never done drugs, never stolen anything, never been arrested. And it certainly didn’t help that he had to run here from an appointment with Admiral kelly, and so was still wearing his UNSC uniform, which was pristinely pressed, light grey  and caused him to stand out like a drop of white paint against a black background.

The music crew louder as he stepped inside.

The room was full of shuttles, or some of them were shuttles and others were more accurately jets. Some of them were old, held together by paint and duct tape, while others glowed sleek with outlandish new paint jobs that included skulls and flames and chains. A group of men and women sat off to one side. The women wore very little, just string bikini tops and cut off jean shorts. One of the women, with long dark hair tied back in a ponytail was wearing jeans and a spoked leather jacket.

A lot of the men wore baggy pants tank tops, with lines of tattoos crawling up their arms and necks.

Similar looking people loitered around the ships tinkering with the engines and polishing surfaces already too shiny to need polishing.

The  woman was the first to see him, sitting up straight with the rattle of leather and spikes, “You don’t have any business here, Get out.”

That caused the others to turn and look, and the group of people bristled like an angry dog, forming into a tight group shoulders wide, arms out chests puffed up.

Adam stopped a few feet away.

“I want to speak with the man called Donovan Red.”

“Ol Donni ain’t here.” One of the men said, spitting onto the floor, “New git!”

“I know he’s here. His ship is parked in the hanger on deck E.”

A couple more men had wandered up to join, and he spotted the tell tale sign of weapons shoved hastily into their pants.

He held his hands out to the sides, “Listen, I just want to talk.”

“Then come  back with a warrant, pig.” ONe of them snapped. The guy was an ugly looking thug with a completely shaved head and bare chest. He had a pot belly from drinking, but he still had one of the girls hanging off his arm shying behind him from for protection.:

He sighed, “I’m not here to talk with him about any of his activities as legal or illegal as they may be. I’m not interested in what he does or who he does it with. I am here to ask him a favor.”

There was a shift about the room, and the woman from before stood up resting a hand on her hip, “The golden boy of the UNSC wants a favor from old Donni.” She barked a laugh and the men and women behind her laughed too.

“”In your dreams, boy.”

The group turned laughing and he felt his insides churn a bit with rage. He went to take a step forward but took a deep breath and stopped, “He will want to reconsider.” they ignored him, “If he does me a favor that means I owe him, Think about that, one of the most powerful men in the GA or the UNSC and I will owe him a favor.” he raised his voice, “Your boss would have to be pretty stupid to avoid an offer like that.”

There was a pause around the room, and then Adam felt something cold press up against his temple, “And you have to be pretty stupid to call him stupid.”

Adam turned his head just slightly feeling the barrel of the gun pressed below his ear.

As he moved the gun moved. Sunny hadn’t bothered to deal with the guy, and he knew why almost immediately.

WIth one lightning fast move he reached up and slapped the gun out of the man's sloppy grip. It clattered to the floor and went spinning away under one of the shuttles. Adam then stepped back and elbowed the man in the face. The man staggered back and Adam finished him off with a kick to the sternum that sent him flying back into  a barrel, which tipped over with an echoing thud and rolled slowly away.

He turned back to the others who were hastily reaching for their weapons, “The next person who points a gun at me is getting a spear through the throat.” Sunny stepped forward with a hungry look on her face.

The group paused, “You’re UNSC, you can’t do that.”

HE crossed his arms, “I won't be doing anything, but I can’t guarantee that my partner here won’t.” 

There was a pause in  the room as everyone nervously looked between each other.

“Why don’t we all just calm down.” The voice echoed in from the back, and the entire group turned to see a man walk up through the isel.

Donovan Red was shorter than Adam had expected, but still fit. He wore a tight black T shirt that bulged around his biceps, and when he walked he walked with the confidence of a man not used to being out of control.

The man walked right up to him, unperturbed by their height difference  slowly looking him up and then down. 

“You shouldn’t have come here, Cinderella.”

Adam raised an eyebrow, “Cinderella/”

The man shrugged, “Yeah, you got that vibe, all dressed up like a princess.” He nodded to Sunny, “And hanging out with woodland creatures.”

Sunny did not look amused, 

“Actually that would be snow white, or sleeping beauty, as I recall Cinderella only talked to mice.”

The man snorted, “My apologies for now knowing my princesses better, Cinder-ellla.”

Adam didn’t respond, didn’t back up. Instead he inched forward so he was towering over the man, “Look I’m not here to bother you or your men-”

“Too late for that don’t you think, princess.”

The men and women behind him laughed.

Adam sighed, “If you will let me finish. I assume that you got off your ass and came over here because you heard what I was saying to your cronies?”

Adam stood his ground as the entire group inched in. It was partly out of show, and partly because he knew sunny and him together could take this crowd easy.

Red looked up at him with his head tilted to one side, “Tell you what.”

He stepped back and turned to look at his men, “I’ll talk to you about your little favor, but-” He held up a finger, “Only if you prove yourself worthy of my time.”

Adam sighed. This was going to be good.

“And how, exactly do I do that.”

“Simple,” The man said with a smirk, “You just have to win a little race.”

***

Eris looked up at the pictures on the wall. There were a lot of them to choose from, and she spent some time wandering around the living room looking up at all the images. She knew these people, or at least it felt like she did.. Through Adam’s memories she knew Martha: intelligent and protective, Jim: strong and loyal, Maya: sweet and adventurous, Jeremy: friendly and changeable, Davide: perfect and charming, Thomas: a general hot mess, but someone who cared deeply about things.

She remembered all of them, but at the same time that felt like invading their privacy. 

They didn’t know her, so it wasn’t fair of her to claim to know them.

She sensed someone behind her and turned to find Martha looking up at the pictures with her. She pointed up at one and Eris followed, “that was last christmas together before Adam went to space.” She sighed and shook her head, “A lot has changed since then.”

Jim followed behind and held out a cup, “Can you eat human food? Sorry if you can’t I just assumed.”

She took the cup, “No its ok, myst of my  insides are human.” She had taken off her hoodie and now let it rest on the back of Martha’s rocking chair.

Jim went to stand next to his wife and looked Eris over with his head slightly tilted.

Eris hid behind her long dark hair, hair that reached past her butt. She wore it long, not only to hid behind, but because she thought it might help to cover the starborn ribbons which trailed from her back.

“You know what Martha, she looks a lot like Maya doesn’t she.”

Martha turned to look and Eris shuffled her feet, “You know what, I didn’t see it before but she does. She elbowed him, definitely has the Vir family nose.”

He grunted, “Be glad she got the nose and not the ears.”

Martha motioned her to take a seat, “Why don’t you sit down and tel lus what brings you all across the galaxy.”

Eris sat shyly on the edge of her seat nervously running her hands through her hair.

“Well….. um , nothing really it’s jus that. I had been taking care of the other hybrids and…. And well I kind of got burnt out and couldn’t do it anymore, so I…. wanted to start living for myself you know?”

The two humans nodded sagely

“But I didn’t know where to start. So I thought I would get to know my roots a bit better. I am half human….. Well DNA says a little bit more than half human, so I thought I might start with you.  Iwanted ;to see Adam, but he seems to be gone, and I can’t reach him.”

Martha nodded, “It has been harder and harder lately especially after.”

Eris’s eyes widened as she read the thoughts forming in the woman’s mind, “Someone is trying to kill him!”

The two paused, but then got back into stride without so much as a look between each other. Eris kicked herself. People always hated being around her when they knew she could read minds. 

Here she was driving people away again.

“Yes…. someone has attempted to kill him in the past. We aren’t sure if it will happen again, but we dor worry about him.”

Eris felt her insides go cold, she could feel it through the mental link to his parents, and she could feel it inside herself as well.

Adam Vir couldn’t die, not before she got to know him better, and certainly not if it was going to hurt his parents, who were some f the nicest people she had ever met.

She had to do something.

[phantomsilva]

Thoughts on Rott

I’m not very active because of time, but I really need to put this out. So now that everyone has had their rants on rott… It’s my turn.

A reminder that all I’m going to talk about, is simply my opinion on the matter. Oh, and this will be a pretty long text.

ROTT SPOILERS(I guess)

I’m not even gonna talk about how OOC the characters were in the movie, I think other profiles already did a pretty good explanation of that, and I actually expect it from a movie.

I’d like to talk about resettings and about how as a writer myself (at least in my native tongue) I swear I’ll never use a timeline resetting as an ending in any canon fiction of mine.

To begin with, resetting being used as a resolution, an ending, is by concept disrespectful.

First, it disrespects all characters’ arcs.

Everything every character went through, their growth, their pain, their victories, is completely thrown at the garbage. It means nothing anymore because all of them went back to the start, none of it ever happened and there is no way in canon to know if it will happen the same way again.

I don’t know about you who is reading this but a big part of the reason I follow a series is for character development. That was the one thing in toa I was always proud to affirm it was chef’s kiss. Well, none of this exists anymore, jokes on me.

So, my second point: Ending with a resetting disrespects the viewer.

I think it is bad enough when you waste two hours of your life watching a movie, for the resetting to happen at the end. But then it was only two hours. Rott was a movie, but it was a part of a 5 years franchise. 5 years that we spent waiting for new stories to come, to see our favourite characters grow, come back or even die. All the engagement, happiness, and other emotions we felt while following these same characters were completely meaningless when the franchise ends with “And so we are back to the beginning”. I think it is even worse when they complete it with “and now everything is different and you don’t know what is going to happen… But we won’t tell you how”.

The disrespect doesn’t even end there for me lol . Besides the “So, and it was all for… nothing” feeling, I think the specific way it was done in toa affects it on another level.

Trollhunters was a comfort tv show for me, I found it in a very difficult time of my life and have been rewatching it for fun in stressful weeks.

I saw someone commenting “how can I enjoy the rewatching if I know in the end none of this ever matters?”. That is my problem with the specific way they used it. It affects my rewatches. Maybe it is still too early, but everytime I think about rewatching season 1, I realize there is no reason to do it. And not because I already watched it several times (thanks anxiety), but because all of this was undone and maybe never even happened.

I never expected an ending would ruin a whole franchise for me and I followed Steven Universe weekly. Worst case scenario, I thought we would have had a weak ending that could easily be forgotten, or continued in our fics. We would lose some characters, like we’ve lost Draal, but when we revisited them in past seasons they would still be there.

Revisiting past seasons now just tastes bitter.

I see Jim riding his bike on episode 1, I see Strickler with his character arc, Steve that has grown so much as a person.. And then I remember it was all for nothing. All of it was erased and, canonically, they will always be on square one.

I saw someone today saying “It is worse than ‘it was all a dream’ ”, and that is it. “It was all a dream” is already a disrespectful trope, this was worse.

If you are still here, I'm sorry, there is more to this rant. I won’t be repeating the disrespect thing though, I think I’ve made my point.

There is another aspect of the resetting that I really want to talk about.

Have you ever watched Dragon Ball? Yes, guys, I’m that old.

Dragon Ball was known for the trope of reviving characters. We always used it as an example to criticize this trope.

Reviving characters out of nowhere or with frequency takes the weight out of a character’s death. The spectator doesn’t care anymore when they see someone die, because they will come back in the end, and you feel that the writers take killing people very lightly because of that.

Difference between Reviving Characters and Resetting Timeline as an ending is that Reviving Characters can be good if used with caution. Resetting Timeline can’t, and that affected writing in Rott.

I found it strange how so many deaths felt light there, and to me the explanation is: they knew in the end it wouldn’t matter, so they didn’t need to put that much weight into it. “If none of this ever happened, I can kill whoever I want however I want.”

Which takes me to my last point of “Ending with Reset Timeline is bad by concept”.

When you know you will reset a whole world to the start, you can do any crazy thing to the plot or the characters because you don’t have consequences from that. Which, to me, explains the “wtf” feeling a lot of the fandom got while watching so many OOC scenes and silly situations during the movie. From a fandom who was waiting for an ending for more than a year, it is really disappointing.

Now, of course I’m not saying any of this was done on purpose, or with malicious intent. I think the writers had very good intentions, we know there were crew there who worked on other seasons of TOA. I even get the concept of “the adventure will continue forever”. I just think they forgot to read the fandom room.

Anyway, I really wanted to share my feelings about the “Resetting Timeline as an ending” trope (?) because I don’t think the issues here are limited to TOA. All points T made are pretty general and I got it from all the works I’ve seen using this “solution”. I’ll advocate any day that this is a lazy and disrespectful solution, no matter who uses it or where it is used. Unless, of course, you do give me the whole franchise rewritten after the resetting, but that ain’t ever gonna happen.

I’ll take from TOA the amazing artists and storyboarders I found out here. The stricklake discord that gave me so much joy over the last two years and let me meet great people. Even the screenshots and beautiful scenes from the movie because the art was Amazing! That part I'm taking with me. Oh, Good Aaron, of course, cause now I’ll be following his work wherever he goes because this man is amazing. Actually, only him to make a good situation out of this. As he himself said, all headcanon is now canon.

So I’ll be disregarding the existence of rott, as I disregard the existence of the last airbender, take the rest of the franchise with me and any post-Wizards/rott rewriting fics I’ll find. And if I don’t find one I’ll write one. Nothing can be worse than resetting timeline ending.

I hope someday I can revisit the old seasons without this bitter taste, though.

That being said, I’m open to fic suggestions. Rott AU's, Rott erasement, post-wizards AUs, you name it. Do you need a reader? Send it to me.

And I’ll be doing stricklake month, once I recover from this.

Thank you for coming to my TED Talk.

[umblebumble]

Star Trek Daemons

These choices are based on the newer movie series (AOS) featuring Chris Pine, Zachary Quinto and Carl Urban, etc. I have only seen bits and pieces of the many previous Star Trek series, but I will use what little tidbits I have picked up to help with this selection. My choices are a mix of analysis matching (I like to use the Daemon Forum as a starting point) as well as thematic/plot things. Hope you like them! Please let me know what you think, and your own headcanons!

James Kirk - Indian blue Peafowl. Thematically, I think a peacock/peahen would tell us a lot about Jim and reflect his story arc very well. Peacocks are thought of to be vain, cocky, proud birds who strut around showing off. This seems like exactly what everyone thinks about Jim at first glance, the sort of air he gives off. But peacocks are much more than that, people just don’t realize it. I think that parallel works well since everyone starts by underestimating Jim to seeing past his showy-ness and growing to respect and appreciate him as their captain. Furthermore, peacocks are intelligent, bold, fearsome and very socially oriented. They can fly despite what people think, and they’ve been known to always perch just out of reach of predators. They’re loud and communicative, and will fight and defend what is theirs. They actually have spurs on the back of their feet. Mostly, peacocks are very social - they spend time in flocks or at least pairs, and Jim is a very social person who would do anything for his people, his crew. So mostly thematic reasons, but I think a peahen perched on the back of the captain chair would just really fit him.

Spock - Eurasian Lynx. To me Spock has always been a cat person in my mind: he just exudes the same aloof energy with hints of softness, playfulness and even sassy-ness in the right circumstances. However because he’s half Vulcan and they have that raw animosity and energy they work so hard to tame, I figured it would be a wildcat versus a domesticated one. Lynx’s are ambush predators and have been known to sit in trees and wait to drop on unsuspecting prey. This matches Spocks patience in planning and executing strategy. Lynx’s are solitary creatures, but are very good mothers to young - and while Spock is more of a loner, he cares deeply and passionately for those in his circle. Lynx are also found in all sorts of environments, making them adaptable and quick on their feet. Plus they have been known to hunt deer, showing their bravery and fierce power. Spock is also very technical and sassy and sarcastic when the mood strikes him, which just fits very well with a cat attitude in general. Personally, I like the image of an aloof Lynx at Spock’s side that betrays no emotion until they crack and go for the throat. (Additionally, Lynx’s are known for their tufted ears and I think that would be hilarious alongside Mr. Pointy-Ears himself.)

Dr. Leonard “Bones” McCoy - Canadian Goose. This one seems a bit odd, but just stick with me a moment. Geese are loud, bold, brash, hardy birds who are hard working, determined, and known for their short-fuse but deep care for others. It’s perfect for Bones. A goose migrates thousands of kilometres each year, and live largely in Canada through very cold temperatures. This makes them very hardy, and hard-working birds. Furthermore, geese - Canadian Geese especially - are known for their temper. They’re given a wide berth because they have clear boundaries and will loudly let you know when you even approach said lines in the sand. But under the abrasive defensiveness and loud protestation of the world, geese make incredible parents. They’re protective, defensive, and very loving to their children, or their flock, or their mate. Those they care about, they are a stalwart defender and provider, and will often immediately adopt any stray goslings that are a similar age to their own babies. Bones is crotchety and loud and stubborn and has a tendency to yell about anything and everything, but he’s determined and smart and a doctor - he cares for people and will fiercely protect those he claims as his. It’s an unusual choice, but once I thought of it I just can’t get rid of the idea.

Nyota Uhura - Steller’s Jay. Since these birds are a species of corvid, they sit among some of the cleverest bird species. Nyota is especially smart and aware of her surroundings, demonstrated by her ability to readily understand Spock’s techno-babble. Furthermore, the smarter an animal, the more mental stimulation and challenge they need, or they’ll get bored easily. Nyota seems like the hardworking type to constantly have something on the go. Steller’s Jays are very adaptable, and a little bit manipulative when they need to get something, which pairs well with Nyota’s drive and tenacity. Furthermore, Steller’s Jay is noted as being an accomplished mimic of both bird calls and other noises. This is a fun thematic parallel to Nyota’s unparalleled auditory and linguistic ability.

Hikaru Sulu - Monarch Butterfly. A lot of people would think that butterfly’s are delicate and emotionally sensitive people, but that is not true of monarchs. They have incredible migrating habits that indicate they are hardy and hard-working. And while they may be sensitive to and aware of their surroundings, they are not as emotionally delicate as they appear. These migrating habits are also rather specific, showing a value of control over things that thematically I like for a main pilot/Command division person. Monarchs are group oriented, and Sulu has a deep care for his crew and his family, thriving among others. While they’re not an aggressive creature, Monarchs are willing to take risks if the reward is worth it and are known for their “wander-lust” tendency to explore and adventure and try new things.

Pavel Chekov - Atlantic Puffin. Aside from being adorable, a puffin matches well with what I know of Chekov. Puffin are a more social bird and will have a good time in a group of any size, or even working on their own. They are also active and energetic, matching with Chekov’s youthful energy and constant work drive. While somewhat cautious in unusual scenarios, they are very proactive planners and are the kind to look before they leap - but they will take the leap. Puffins are dutiful and sensitive, and while Chekov is not shown to be some thin-skinned wreck, he is still very young and has some youthful optimism and outlook that leaves him a little more surprised by the jaded side of the universe. Mostly, I think a puffin is just very well suited to the young but hardy and capable man.

Montgomery “Scotty” Scott - Cairn Terrier. Terriers are smart, clever, stubborn, loud little dogs. They’re more independent than some other dogs, but are still very social. Terriers are very vocal about their thoughts and opinions, and are not afraid of putting others in their place and taking charge. Scotty is as sturdy as they come and is very good at what he does, equally willing and able to take over and run the ship engines as well as dive in after Jim in weird antics and crazy adventures. I picked a Cairn over another terrier type because Cairns are very curious and adventurous and are the perfect middle of the road terrier: not too stubborn, not too sensitive, not too independent, and not too daring. Scotty is the perfect mix of stubborn, sensitive, caring, independent, bold, brash, and cautious all rolled into one loyal, loud, eager terrier package.

*P.S I realize I have selected largely birds for this group, and it wasn’t intentional, I just found myself gravitating towards them. However, I have always equated birds with their wings and flying and freedom. I find birds are always a little more out going and adventurous and travel-hungry by nature, so I think finding a majority of birds on a space ship destined to travel the distant universe isn’t all too unrealistic.

[makingsofgreatness]

Hmm do you have any Silver/Sarah headcanons you wanna share? (In the mood for this adorable couple lol!)

I DEFINITELY DO!! Aah thank you for this ask!

-Being a couple, Sarah brought out the soft, gentle side of Silver, while Silver brought out the adventurous, fearless side of Sarah, something she hadn’t experienced in years. Now, everyone views Sarah as a kind, gentle soul who enjoys the simple things in life, but there’s so much more to her. Silver recognized this, but still, he was shocked when Sarah came to him insisting that he teach her how to fight. For a while, Silver firmly told her he wouldn’t, that she didn’t need to learn. In reality, he was just terrified that he would cause serious harm to her. But eventually, he gave in. His lass wanted to learn to protect herself, what was wrong with that? He was so afraid to hurt her during training though, that for a while they really got nothing done. Sarah finally convinced him to go rough on her, which absolutely KILLED him, but Sarah found it very fun. He taught her hand-to-hand combat, how to use a gun, and even sword fighting (he was scared to death using a sword against her). A few times during hand-to-hand training, Silver would catch her off guard and send her to the ground. He felt SO BAD every time and argued that he would never teach her again. He couldn’t bear to hurt her. But Sarah was more resilient than he thought. She pushed back every time, and every time he reluctantly agreed to keep teaching her. Sarah became an excellent fighter, and their relationship became stronger. They ended up falling more in love, of course. Although he wouldn’t admit it and still worried for her, he loved seeing his lass fight. Jim immensely enjoyed watching their training sessions, as it mostly consisted of playful banter. He was also very impressed to watch his mother excel in fighting. He was proud to have parents who were both badass fighters.

-Silver was very happy to be with Sarah and Jim on Montressor, but he still loved the Etherium. To have both, he took up a job delivering cargo. Sarah was very supportive of him, but still missed him greatly. After all, he would be away for weeks on end. They would write to each other all the time, and every time he came back, Silver would have something for Sarah that reminded him of her while he was away. Sometimes it would be a certain coffee, or maybe a necklace. Sometimes it was a dress. Whatever it was, if it caught his eye while they were at a port, he would get it for her. It made her heart melt. All she could do was shower him in hugs and kisses when he got home.

-On a particularly long cargo trip, (a few months) Silver received his usual letters from Sarah. They always made him so excited, but since he was busy, he only had time to read them at night. He could hardly wait. When he tore open a certain letter sitting by the soft glow of a candle one night, something fell out. A tiny little pair of white knit socks were in his hand. Now, Silver definitely isn’t stupid, but for some reason, this baffled him. All Sarah said in her letter regarding these socks was, “I hope you enjoy your gift!” Silver sat for a minute staring at them, trying to think of what they were for, until it hit him. Oh. That - why, that could only mean...his heart raced with excitement (and nerves). Was this really happening? Upon showing them to a fellow crew member, the guy nodded and said yes, that’s what a lot of wives do when they’re expecting. Silver was beside himself with joy. He absolutely could not wait to get home to Sarah. When he made it back, Sarah was waiting for him at the door. He noticed the smallest bump resting under her hands, and he may or may not have cried. Jim, who had known for quite some time now, stood by laughing a bit as Silver engulfed his wife into a hug and buried his face into the crook of her neck. Sarah didn’t mind that his tears slid down her neck and stained the back of her shirt. She was just happy he was here with her. Jim made remarks about how there wasn’t an ounce of roughness left in Silver, Morph flew circles around everyone out of pure excitement, and B.E.N cried like he usually does in situations like this. It was a very happy day in the Benbow inn. Silver was SO proud.

-When Sarah gets sick, Silver and Jim don’t budge an inch when she worries about the work that needs to be done and how she’s perfectly well to be up and going, thank you very much! But ah, she always ends up in bed with soup. Besides being slightly annoyed, she was a very good patient. In fact, a few days off from work were nice. But Silver on the other hand, is a terrible patient. So it was no surprise that when Silver came downstairs with a cough, sore throat, and runny nose, he absolutely REFUSED to go back to bed. Sure, Sarah protested when she was sick, but it was NOTHING like Silver. Sarah and Jim spent 30 minutes arguing with him about how he needed to go back to bed. He was sick! But no, he was more concerned about leaving Sarah and Jim with all the work. (“Silver, you feel like crap and anyways, you could get the customers sick too.” “Do I look like I care?”) As you can see, he’s very grouchy and irrational when he’s sick, but it all boils down to him not wanting to leave his family. Sarah finally gets him upstairs by nearly yelling at him, which surprised both Silver and Jim (Jim could hardly keep his laughter in), but hey, it worked! However, Silver HATED it. He complained, he argued, he insisted he was FINE, dammit! He even tried to sneak down from time to time, not realizing there literally was no way to do that without getting caught. Again, his feverish brain was irrational. Sarah and Jim spent most of the day wrestling him back into bed. When he was upstairs they would laugh about how much of a child he was acting like. It was very funny to see an intimidating man upset about being in bed and eating soup. While it could be annoying, Sarah found it rather adorable. She would often go look at him when he was fast asleep, giggling at his messy hair and face all squished up in his pillow. When he was awake and Sarah wasn’t busy, she would go keep him company. That made him feel better for sure. She even spared a few kisses, not caring if she got sick because of it. Towards the end of the day when Silver was especially tired, he expressed his gratitude to Sarah for taking care of him, as much as he hated it. Sarah would only respond with a laugh and a shake of her head. Oh, she loved him, even on days like this.

I have so many, if you would like to read more please ask!!

[thebibliomancer]

Archaia’s Jim Henson’s The Dark Crystal Age of Resistance #10

The Journey into the Mondo Levidian Part 2

The true untold tale of All-Maudra Mayrin’s inaugural adventure!

Well, untold in the show. Comic is telling plenty.

In part one, Mayrin becomes All-Maudra and has plenty of unresolved mother issues and insecurity about it. Her first crisis is the growing Sifan separatist movement which threatens to shatter Gelfling solidarity and make her more of a Most-Maudra. She charters a ride with Captain Kam’Lu to go speak to the separatist leader Fenth but the ship goes and sinks.

So far we’ve had a journey so far but not into or Mondo Levidian. We probably should get around to that soon. There’s only three issues left.

So let’s get started!

When the ship sank, Mayrin jumped overboard to save Kam’Lu. Now they’re stranded in the middle of the ocean on a raft.

Mayrin is insistent that they try to find and save the crew of the Scalene Anchor and also Dot. Kam’Lu is equally insistent that No That’s A Terrible Idea. They have no food, no water, and no hope of survival unless they’re lucky enough to find land. They’re in no position to rescue anyone else. Plus...

There are political considerations.

Kam’Lu: “If the other clans believe the Sifans killed the All-Maudra, we’ll never be trusted again.”

He also mentions that Fenth predicted that THIS EXACT SITUATION might happen if the All-Maudra intervened in the Sifan separatist movement.

Huh.

Speaking of Fenth, the plot cuts over to him for a bit.

He learns of the sinking the Scalene Anchor and the presumed death of the New-All-Maudra and thinks hey, its free real estate.

High Councilor Fenth: “That means... There’s no one in line for the All-Maudra’s throne! The seat is vacant!”

skekSa: “How... fortunate! Haha! Ha! Haha! You wanted autonomy for the Sifans! Freedom from the greedy hands of the Vapra clan, yes? That is why honored me with this grand tithing -- to enlist my immortal aid? I am the only one who is sympathetic to your cause. That is why the Skeksis are here. To help Gelfling lead...!”

Call it a shot in the dark but I feel like skekSa was involved in the suspicious sea monster sinking of the Scalene Anchor.

Of course, she’ll probably get away with it. It’d spoil the surprise too early if a Skeksis was caught doing an evil scheme.

Also, look at the ambition on Fenth. Grows up in a matriarchy where clan leaders are always women, where the word for clan leader means ‘clan mother’ and thinks to himself ‘psssh i can do that.’ Good on him. Dream big, guy.

Back over with our mismatched comedy duo, as all Dark Crystal stories must have, Mayrin and Kam’Lu have some mismatched comedy duo banter.

Like her criticizing him for not being able to find land despite being a captain of a ship. And then immediately spotting land while he’s indignantly defending his credentials.

Or her maligning his swimming abilities since he fell off a boat and got knocked unconscious and had to be saved from drowning by her.

So he decides to turn this into a swimming contest, winner gets to be All-Maudra.

Good fun.

Just how I like my Gelfling buddy comedies.

Of course, its all fun and games until the island turns out to be a sea monster that eats them.

And it turns out that the island is a sea monster that eats them.

A mondo levidian, if I had to guess.

Giant turtles passing as landscape. Giant monsters being mistaken for islands. This comic series is too good to me.

So the two slide down the mondo levidian’s throat (gross) MANAGING TO BICKER ON THE WAY DOWN!

Kam’Lu: “Don’t you have wings?!”

Mayrin: “They don’t work well when they’re wet!”

Amazing.

They slide and slorp and flump all the way down to presumably the stomach.

But as they stop to rest, they realize they’re not alone.

Sulub: “Yer some kinda fishie-fish I ain’t ever seen! Betchur tasty! Anyway! No wrigglin’ while I kill ya good!”

OH MY GOD

This comic series is too good to me.

Look at this delightful podling crabtaur.

Once Kam’Lu proves immune to Sulub’s “advanced technology” (ie Sulub stabs Kam’Lu in the foot with a spear), the podcrab agrees to take the two Gelfling to see his village elder.

Sulub actually assumes that Mayrin and Kam’Lu are married and here on honeymoon at the thriving fish digestive system tourism industry I guess. Mayrin claims that Kam’Lu is just a fool and her servant (and Kam’Lu doesn’t speak Podling very well so has no idea about this) and introduces herself as the All-Maudra.

Sulub: “ALL-MAUDRA! The legendary All-Maudra! Well, why didn’t ya say so! Sulub is gilltickled and downright honored to lead ‘the all-powerful and all-knowing’ All-Maudra to our home. You’ll be enjoyin’ to know we’ve kept care of your most regal gifts! Still in pristine condition for havin’ come in a while ago!”

The gut city of Bajula has a statue of the previous All-Maudra, one apparently commissioned when Mayrin was baby.

Huh.

Well. Its helpful to Mayrin that they know about the All-Maudra and are excited to have her here. And that they’re assuming that she sent the statue ahead of herself, like luggage.

Sulub tours Mayrin and Kam’Lu around Bajula. Showing them the goo farms, the visitor center, the fermented... milk wine bar.

The king shows up and is disappointed that the Gelfling want to leave so soon into their visit and asks if Sulub even bothered to show them the goo farms!

But since Mayrin insists that they have important outside stuff to do outside, the king decides to rush through some exposition.

These podling crabs? They’re called Boblings.

Bobling King: “Thousands of trine ago, my tribe set out to explore the Silver Sea as proud, stalwart Podlings! Our regal forefathers were not known to swim, but their bravery was unmatched, and they set out to conquer everything they discovered! All those who would get in their way would be destroyed by the might of the Podlings! Yet there are creatures in this world that are mightier, and the Mondo Leviadin emerged from the Silver Sea and devoured their ships. Thousands of digestive cycles passed as we changed to better suit our new home. Our new world.”

An unstoppable army of Podlings sounds funny until you remember how awesome Hup is. The Mono Levidian may have spared the peoples of Thra a tragic fate.

Also, I’m a big impressed at the lack of linguistic drift. Thousands of trine and Bobling language is indistinguishable from Podling and Gelfling is still recognizable.

Kam’Lu gets fed up with the Bobling King and starts yelling that he’s cold, he’s hungry, he doesn’t want to be in a fish’s guts! Mayrin manages to convince the king by speaking of duty.

Bobling King: “You speak of duty. I know it well. As a leader of my kind, I would do anything for their survival. So yes, I will help you and your servant. Why you married him, I will never know.”

Kam’Lu: “Her what? We’re what?!”

Hah, that misunderstanding is paying dividends.

The king explains that the levidian only surfaces to feed once per trine and that it stays near the surface for a time after feeding.

So if Mayrin and Kam’Lu don’t get to the porticol (blowhole) within eight or so intestinal groans (.... hours??), they’ll be stuck until next trine.

WHICH IS GOING TO BE REAL BAD FOR MAYRIN’S CAREER.

Even though the Boblings are but a simple goo-farming people, the king sends his daughter Gunda, the most skilled hunter in Bajula, to escort them.

Gunda: “But father, the journey as never been done by a single Bobling. You send me into certain danger!”

King: “And do you not crave danger?! My daughter, you are the only one capable and brave enough to undertake such a quest! Please! A duty for your king!”

Gunda: “So be it. I will guide you to the porticol, but know that it is dangerous and uncharted. There are many creatures that call this place home. We must be vigilant. Stalwart. Like my podling ancestors!”

This is a fun little bit because it implies a life and experiences and that these Boblings haven’t just been sitting waiting for protagonists to show up. I mean, they also have been doing that. They have a visitor center set up. But they’ve been living their own dramas.

And off they go! Mayrin, Kam’Lu, and Gunda! On a grand journey to a giant sea monster’s blowhole!

Wait, is this thing a mammal?

So that’s issue 2.

We’re finally in the Mondo Levidian. And now all the protagonists want is to get out. So we’ve got the title, we’ve got an objective, we’ve got some fun side cast, we’ve got a ticking clock before Mayrin and Kam’Lu have to look at the sea monster gut apartment listings, and we’ve got some outside stakes!

Mayrin continues to impress. There’s even a moment right when Kam’Lu rouses after the shipwreck where he seems in awe of her confidence in a crisis.

Kam’Lu has his own personality now that’s not parroting Fenth. Its being a butt monkey, with a slight shade of being a little shit. Between Mayrin giving him shit for supposedly being bad at sailor stuff to getting stabbed in the foot by Boblings twice to being mistaken for Mayrin’s servant-husband, Kam’Lu is having a trying adventure. Plus his ship sank and all of his friends may be dead and if they fail to escape the Mondo Levidian, he’ll go down in history as the idiot that got an All-Maudra killed.

Poor guy.

Gunda has only had two pages to shine and she seems endearing! But it feels weird that Sulub isn’t coming along. He’s the introductory Bobling and all. But I guess speaking only Podling would be an impediment to interacting with Kam’Lu. Still, its weird that he just seems to fade out of the story once the king shows up.

Farewell, Sulub, you funky crab potato.

[disneytva]

‘The Owl House’: It’s a Hoot!

You would never think that the dark art of 15th century Dutch artist Hieronymus Bosch would serve as the inspiration for a children’s cartoon. Well, thanks to Dana Terrace and her wild imagination, the strange creatures conjured by the European painter have found their way in the new Disney Channel series The Owl House. The show, which debuts in January, and is already in production of its second season, follows the adventures of a young teenage girl named Luz who decides to pursue her dreams of becoming a witch after she stumbles into a strange realm, inhabited by feisty witch Eda and her tiny warrior friend King.

Terrace, a former director on DuckTales and storyboard artist on Gravity Falls, recalls starting to collect her notes and images and putting together her pitch for the story back in 2015. Then, she finally began pitching her story about a young girl who becomes a witch’s apprentice only a few months after she started directing DuckTales.

“Many of the characters have barely changed since then,” recalls Terrace. “I knew I wanted an older witch mentor figure and a young optimistic girl who was the main character, who learns and grows throughout the show. There’s also this trickster little jerk character named King (voiced by Gravity Falls creator Alex Hirsch).”

The setting for The Owl House changed a little bit since its early days. Terrace says for a brief time, she was toying with the idea of the whole show being set after the young character dies, so that the Owl House is all set in the afterlife. What really had a clear impact on her work is the work of artists such as Bosch, John Bauer, Remedios Varos and the puppetry of Jim Henson.

Real-Life Models

In addition to the crazy creatures of Bosch and religious illuminated manuscripts, Terrace found inspiration in some of the familiar elements in her life as well. “I have always wanted to tell a story about a rough-around-the-edges mother figure, based off of my aunt, nana and mother who raised me,” she recalls.

Terrace says the show’s central character Luz evolved from late-night conversations she used to have with her former roommate roommate and close college friend. “We were both dorks together,” she recalls. “We tried to cut our own hair and it never worked out. We didn’t have many friends. So, in a way, Luz bubbled out of our conversations. When I told her that I was going to base the main character on her, she said, ‘Yes , but you’ll have to make her Dominican.’ So that’s what happened. Luz now also works on the show as a storyboard artist and consultant, and I get to work with my best friend every day.”

As a young girl, Terrace used sneak into the living room to watch cartoons and copy what she liked in her flip books. Her love for shows such as The Simpsons, Pokémon, The PowerPuff Girls and Studio Ghibli movies finally lead her to study animation at School of Visual Arts in New York and make her way out to L.A. to pursue a career in the animation business. Her first big break happened when someone discovered her art blog and sent her a storyboarding test, which led to her landing a job at Gravity Falls and opened other doors as well.

During her big pitch to Disney, Terrace says she was a bit worried to mention Bosch and his odd, evil creatures, but to her surprise, one of the executive’s response was, “Heck, yeah!” “They have been nothing more than enthusiastic and helpful from day one,” she notes.

After spending a good year writing and making the pilot, Terrace began building her production team in 2018. Art director Ricky Cometa and supervising producer Stephen Sandoval also joined the Disney TV Animation production. At capacity, the show has about 50 staffers as part of its pre-production crew, and an overall count of 120 including the overseas teams at Sunwoo, Rough Draft and Sugarcube in Korea. We’ve been very fortunate to work with all of them,” says Terrace. “They’ve made the show really, really spark.” 

The Owl House has attracted a top-notch list of vocal talent as well, including Wendie Malick as Eda, Hirsch as King and Sarah-Nicole Robles as Luz. Among the guest star lineup for the show’s first season are Matthew Rhys, Isabella Rossellini, Tati Gabrielle, Issac Ryan Brown, Mae Whitman, Bumper Robinson and Parvesh Cheena. Terrace points out that having a sterling class led by Malick has been a real treat. “Our witch could have been a very hard character to cast, because we wanted to have sass and energy, and Wendie was absolutely perfect. She came in with all her talent and experience, and my first instinct was ‘You don’t need any direction. Do whatever you want to do because you are amazing!”

She also mentions that she knew Alex Hirsch was going to end up playing the little sidekick King. “I used to hear him pitch when I worked on Gravity Falls. I knew that he can bring a lot to the characters he plays. He would also give me some helpful advice about running his own show and working at Disney.”

Art director Ricky Cometa (Steven Universe, Costume Quest) says he was swept away by Terrace’s wild ideas and spectacular imagery, things that were not usually seen in children’s animation. “The second she came in and said, ‘I want you to read this show bible. The first thing that caught my eye was ‘Bosch and the demon world?’ I very much needed help to figure out what this world looks like. We had this blank canvas and there was a lot of religious iconography. I knew we were going to push the boundaries. I mean we are doing the demon realm on the Disney Channel? You bet I’m in!” 

Cometa points out that it was clear that they needed to balance the darker aspects of the witch’s world with the more light-hearted and fun components of Luz’s comical adventures. “At first, I wasn’t sure how dark we could have made the world this world that Luz jumps into initially. We had to make clear decisions about when the story needed to be scary— when do we highlight the darker moments versus when the story is lighthearted and welcoming. It was all about finding that right balance of warmth and spookiness.”

Terrace agrees. “If we made everything super scary and spooky — which is something I’m not afraid of, scaring my audience — but if we made everything the same color, then the scary parts and the day-to-day light-hearted parts wouldn’t have popped. We needed that contrast for writing purposes.”

Amazingly enough, Terrace is only the fourth woman to solely create and run an animated series for Disney — following in the footsteps of Sue Rose (Pepper Ann), Chris Nee (Doc McStuffins) and Daron Nefcy (Star vs. The Forces of Evil). She says one of her biggest challenges on the show was going through the learning process to run a writer’s room, which includes four other writers and a writer’s assistant. “Before this show I had always written and drawn my own comics and cartoons, but this was the first time I had written scripts professionally. Learning the process of writing scripts and learning to run a writers’ room was probably the biggest challenge for me. Luckily, I was with a team of talented writers, and we all kind of learned together. Most of that team has carried on to the second season, and we’re very excited to keep writing together.

As the show begins its run on Disney Channel, Terrace says that ultimately she hopes audiences will be entertained by Luz’s world and her off-the-wall adventures. “There are so many different kinds of animated shows out there and so many traditional and streaming services, that I don’t think it’s possible to have a gigantic blowout hit anymore. At the end of the day, no matter how much stuff is out there, stories with interesting core characters and relatable, understandable stories will shine through.”

Art director Ricky Cometa (Steven Universe, Costume Quest) says he was swept away by Terrace’s wild ideas and spectacular imagery, things that were not usually seen in children’s animation. “The second she came in and said, ‘I want you to read this show bible. The first thing that caught my eye was ‘Bosch and the demon world?’ I very much needed help to figure out what this world looks like. We had this blank canvas and there was a lot of religious iconography. I knew we were going to push the boundaries. I mean we are doing the demon realm on the Disney Channel? You bet I’m in!”

[fireinmywoods]

the heart of the matter (is Leonard McCoy)

Followers...friends. I come to you today, hat in hand, to ask for your support in a certain fandom matter, a trifling concern of little real consequence which nevertheless has been driving me absolutely cross-eyed bonkers for some years now.

Simply put: can we please all agree that Bones is the heart of the Enterprise???

In AOS, I mean. I’m not aware of any debate over this when it comes to TOS, where the roles of the triumvirate have always been explicit, though there are a few different ways to identify them:

Spock = logos = superego = head

Bones = pathos = id = heart

Kirk = ethos = ego = soul

So clear! So clean! So universally accepted by Trek fandom at large!

Oh, but things get murkier in AOS, and there are plenty of posts floating around which suggest that it’s Kirk, not McCoy, who serves as the heart in the Kelvin timeline. Even the writers of the first two AOS films have outright stated that their interpretation of the triumvirate had the original roles switched, with Kirk as the highly emotional one and McCoy as the arbiter between Kirk’s passion and Spock’s logic. It’s true that this technically counts as a Word of God pronouncement by the actual creators of 2/3 of the series thus far, which some would argue renders it canon. However, it’s equally true that those same creators also felt that Kirk was a fuckboi and that Benedict Cumberbatch wonderfully embodied their vision for Khan Noonien Singh, so honestly, who gives a hot hollerin’ fuck what those dingdongs think. This seems as justified a time as any to invoke Death of the Author, and in fact, it’s my firm belief that despite the writers’ intentions, Star Trek and Into Darkness both support the original triumvirate breakdown.

Under the cut you’ll find a long-winded and self-indulgent ~*~character analysis~*~ of the Kelvin-timeline incarnations of Jim Kirk and Leonard “Bones” McCoy, reviewing why Leonard is still unmistakably the heart, unpacking what the hell Jim’s deal is, and finally taking a look at some key examples from canon, because ya girl believes in showing her work.

Let’s get down to business.

[A quick warning, as this is starting to spread beyond my own followers: if you don’t like McKirk as a romantic pairing, you ain’t gonna like part IV, so I’d bow out before then or just take your leave now.]

i. Leonard

Independent of Jim’s characterization, it should be blindingly obvious that Leonard is the heart. He’s by far the most nakedly emotional of our seven core crew members, a trait we see writ large and small throughout the films. He’s reactive; he’s passionate; he’s humane. He cares, first and foremost.

Not about Starfleet, of course. Leonard doesn’t give a damn about playing the game or advancing his career, or even really about the Enterprise’s mission - he has no desire to explore strange new worlds, he’ll pass on seeking out new life and new civilizations, and he spends half his time trying to convince everyone else that boldly going where no man has gone before is a great way to die horribly. Fuck exploration, fuck space, and fuck the Federation while we’re at it. Leonard is perhaps the most improbable of the Enterprise’s senior officers for the simple reason that he seems to resent everything about the job.

Well. Almost everything.

See, what Leonard cares about is people. He cares about their lives, about their stories, about their hopes and dreams, about their suffering. That’s why he entered and has stayed in an extremely taxing caring profession, and it’s why he’s still on the Enterprise despite his incessant bitching about everything they do. He wouldn’t trust anyone else to take care of the crew he’s become so attached to, and he finds fulfillment in helping the people they encounter out there in the nightmare of space.

In every timeline, Leonard McCoy defines himself by what he can do for others: the pain he can ameliorate, the wounds he can heal, the diseases he can cure, the small amounts of good he can bring to a galaxy filled with so much absolute horseshit. Unlike most of his colleagues, he’s not motivated by curiosity or an adventurer’s spirit or a burning desire to make sense of the universe. (Fuck the universe, too, as a matter of fact.) Instead, he’s driven by the incredible depths of his compassion and empathy and concern for the people he serves alongside and those they meet along the way.

Sure sounds like the heart to me.

ii. Jim

I actually totally get why some people characterize Kelvin-timeline Jim as the heart. He’s quite literally a different man than the original timeline’s Kirk, and he definitely has more of the pathos qualities to him. Early on, he’s a total spitfire, fierce and hot-blooded, quick to anger and other sharp-edged emotions we’re not used to associating with James T. Kirk. Even as he grows into himself and leaves some of those traits behind, he remains spontaneous, passionate, protective, and self-sacrificing - easy enough to mistake for the heart if you squint.

But let’s not confuse having a heart for being the heart. Sure, Jim is more openly emotional and reactive than his TOS counterpart, but there’s still a marked difference between the way he and Leonard express and act on their emotions.

AOS Jim definitely has a lot of feelings - big ones - but at the end of the day, he’s not driven by his heart. He’s driven by his gut.

Whenever there’s trouble, Jim makes a beeline right for the center of it. He’s impulsive as hell, rarely pausing to think past his first instinct, because he just wants to be doing something, no matter the odds, no matter what it costs him. He explicitly calls himself out on this in ST:ID when arguing with Spock: “I have no idea what I’m supposed to do. I only know what I can do.” He doesn’t have the patience or the constitution to sit and debate all the options, either internally or with his crew. If there’s a path forward from where he is, even a bad one, Jim’s gonna take it.

[Sidebar: One could make the case that the roots of Jim’s instinct to act reach back to his childhood traumas - canonically ignored abuse and neglect on the one hand, and the Tarsus IV famine and massacre on the other - but that’s a whole post on its own and we ain’t got all day here.]

Jim can’t not act, and while that gets him into a lot of trouble, it also saves lives. Sulu probably appreciated that Jim’s gut drove him to leap off Nero’s drilling platform without a moment’s hesitation after a man he’d only just met. He may have been a real shithead about it, but Jim’s impassioned insistence on going after the Narada and not wasting time on the possibility of a better option was key to saving Pike and Earth itself. And I don’t know why Spock was so surprised that Jim intervened to save him on Nibiru, considering that the reason they were there in the first place was because Jim couldn’t sit back and watch the Nibirans die when there was something his crew could do to help them, even if it meant risking a violation of the Prime Directive.

Jim is a good man with a big heart, and he cares about people, absolutely. But he cares most of all about Doing The Right Thing - which in the heat of the moment often translates to Doing Something, Anything, Hold My Beer.

iii. heart vs. gut (i.e., time for some receipts)

I think one of the main reasons Leonard and Jim’s characterizations get confused is because they both tend to act on instinct, only lightly informed by higher reasoning. However, I’d argue that their motivations and the nature of those actions are super distinct, and those distinctions remain relatively consistent throughout all three films. (And y’all know I really mean this shit if I’m out here calling ST:ID consistent.)

Jim is a big picture guy, figuratively and often literally heaving himself full-body into the mix of whatever problem the crew has encountered for lack of any better alternative. That energy propels the plots of all three films: the chaotic path he carves through the events of Star Trek and ST:ID, and the slightly calmer but still undeniably bananas course he charts for himself and his crew in the second half of Beyond.

As the heart, Leonard operates on a more micro level. His concern invariably lies with the individual people caught up in those grand events Captain Chaos is busy dragging them all through. While Jim’s zooming around flipping plot switches, Leonard can always be counted on to bring it back to the personal.

We frequently see this juxtaposed right there on film. Think of that slow pan through medbay in the first movie after the Narada’s ambush and the destruction of Vulcan: while Jim is stewing over what to do about the Big Bad, Leonard has stepped into the CMO role without fuss or fanfare to care for the wounded crew and traumatized survivors.

Or jump ahead to Beyond: during Krall’s attack on the Enterprise, there’s a gorgeous cinematic shot of Jim sprinting down the corridor with two crew members to take on the invaders - and then we cut to Leonard moving slowly through those same ghastly red-lit corridors, searching for casualties in need of help, visibly affected by what his scanner is telling him about the downed crewman he tries to save.

Actually, Beyond as a whole does terrific justice to each of their roles. (Perhaps because it was not written by dingdongs.) The first act finds Jim flailing around for a sense of purpose and forward momentum - an understandable consequence of a gut-driven character having stalled out for too long - and he ultimately gets his mojo back by spending the rest of the film careening through one insane seat-of-his-pants ploy after another. Meanwhile, in the quieter moments between all the mayhem, Leonard serves as the empathetic sounding board for both Jim and Spock as they struggle with deep emotionally charged secrets and Big Life Questions, helping them untangle their feelings and reminding them of the emotional attachments which are ultimately key to their respective decisions to stay on the Enterprise.

More examples, you say? Don’t mind if I do!

Star Trek

GUT: Jim hurtles around the Narada, improvising almost every step of the way and paying the price for his and Spock’s scheme in bodily harm, and ultimately succeeds in rescuing Pike. HEART: Leonard calls out for Jim as he runs into the transporter room, overwhelmed with relief that he’s made it back, and takes Chris Pike’s weight literally and figuratively onto his own shoulders to begin healing him while Jim runs back off to the center of the action.

Star Trek: Into Darkness

GUT: Jim argues with Leonard, Spock, and Scotty in quick succession as he’s preparing to drag them all off to Qo’noS, immune to their attempts to reason with him because, unraveled as he is by grief and pain, he can only focus on his visceral drive to Do Something. HEART: Unlike the others, Leonard is upset not about the larger moral questions of whether it’s right to go after John Harrison or bring torpedoes aboard the ship, but about the fact that Jim himself is hurt and hurting and won’t accept help.

GUT: Jim makes a snap decision to sacrifice himself by hurling his body against the warp core to realign it and save his crew. HEART: Shellshocked by the emotional grenade of his best friend’s death, Leonard suddenly realizes, through the haze of his own numbness and upswelling grief, that he might still be able to do something for this lonely radiation-ravaged body he’s been brought and the life it represents.

Star Trek Beyond

GUT: At the tail end of an improvised plan to out-maneuver Kalara, Jim quite literally shoots first and asks questions later, igniting a fuel tank and setting off an explosive series of events which he and Chekov just barely escape. HEART: The next time we see Leonard, Spock is opening up to him about Ambassador Spock’s death and his own plan to leave Starfleet for New Vulcan - and while he’s empathetic toward Spock (I can’t imagine what that must feel like), Leonard’s thoughts go immediately to the emotional impact of Spock’s plan on the other people he’s closest with. (I can see how that would upset [Nyota]. / I can tell you, [Jim]’s not gonna like that.)

GUT: Jim frantically strains to reach the final switch in the life support hub, believing that he’s going to die either way since the vent has already opened, but spurred on by the knowledge that his ability to move that switch is the only thing standing between Yorktown and annihilation. HEART: Knowing exactly what’s at stake, with the fate of the station and millions of lives hanging in the balance, Leonard’s greatest concern is that Jim won’t make it out in time.

iv. never bet against the heart

Let’s wrap this up with a deep dive on one of the absolute best examples of Leonard as the heart: his decision to sneak Jim onto the Enterprise in the first movie.

As relentlessly as I drag him for the, you know, poisoning and kidnapping aspects of that whole deal, there’s no denying that it is a god-tier heart move. Is it logical? Absolutely not. Is it really the right thing to do for either himself or Jim, as far as he knows at the time? Nope. It’s 100% the wrong choice for his own job security, reputation, and relationships with his fellow crew, and it’s almost guaranteed to get Jim into even worse trouble. Leonard is a smart dude who must understand that this course of action will likely end up coming back on them both in a real bad way. For someone who argues loudly and often in defense of self-preservation, this is a shockingly bad idea.

But none of that matters, because Jim shakes his hand and tells him to be safe with that horrible empty-eyed smile, and it gets him right in the heart, one-two-three.

One: sympathy, worry, and affection for Jim - his best friend, his wild and troublesome stray, his only family.

Two: guilt over adding onto Jim’s pain, and the instinctive urge to fix whatever‘s hurting him.

Three: fear of heading out into the unknown by himself, the agonizing uncertainty of not knowing what’s coming, craving for the security and reassurance Jim’s presence would give him.

“Dammit,” Leonard says, as his heart wins out over his brain. He knows this is a garbage plan, and he doesn’t care. His heart chooses Jim. That’s all that matters.

So he goes back for Jim, and to his own surprise it turns out that this Very Bad Idea was actually a Very Good Idea because Jim’s impulsive instincts end up saving Earth, and Leonard’s not in the habit of fixing what ain’t broke so he figures he may as well keep on chasing Jim’s crazy ass around the galaxy for a while, through jungles and off cliffs and into the goddamn afterlife when need be, until finally one day Jim’s gut drives him right into Leonard’s arms and he suddenly realizes that this is what his heart was choosing all those years ago: Jim’s wide terrified eyes, Jim’s voice breaking over his name, Jim’s hand pressing hard against his chest, reaching out for what’s his.

But that’s another story.

[howwelldoyouknowyourmoon]

Jack White and his crew of five in the ‘Green Hope’ drowned off Alaska

Jake: In Alaska, Mr Chai assigned me to the Green Hope to take over and learn from the captain, Jack White. Mr Chai ordered me to go on it but I had a bad feeling not to go on it after the halibut season was over.

I remember seven years earlier I was in Alabama working on that boat as a tacker before she hit the water. I will never forget working on this boat in the hot humid sun of Alabama. My job that day was to clean the slag off the welding lines inside the belly of the large gas tanks. Picture yourself inside a gas tank scrapping rust and slag off of every inch and corner of these gas tanks so they do not clog the fuel lines when diesel is pumped into them. It must have been 120 degrees inside that gas tank and I was crawling around in the dark. I had one hand holding a flash light and the other holding a pick, picking this slag off the welds. My goggles steamed up so they were useless. Sweat was pouring off of me. The slag and rust were little shards piercing my skin. I did my best not to get these shards in my eyes. After 20 minutes I crawled out for fresh air and for my sanity. I could scream as loud as I wanted and nobody would hear me. I was not only in the guts of the hot ship, I was in its gas tank. I felt like one of the German submariners in the movie DAS BOAT.

Now here I was, seven years later, looking at this large boat ready to fish it.

I had a bad feeling about the F/V Green Hope because I didn't trust Jack White. I had watched him join Ocean Church and I knew his hard-hitting background of working on the oil rigs off the Louisiana coast. Two weeks on and two weeks off. He told me his two weeks off was grab a beer and grab a babe and he loved it. I felt he was too young and too inexperienced to command such a boat with a crew of five men.

My intuition was right because a month later Jack and his crew were all dead.

What happened is Jack wanted to go home and be with his wife and new born son. He thought he could out run the storm but in my Coast Guard training you are told you can never out run a storm. Between the Bering Sea and the Shelikoff Straights there is nothing but open water. A storm 500 miles away can catch you quickly in open waters. It was said by other fishermen who were in the same vicinity with Jack that a rogue 50 foot wave hit the Green Hope broadside and capsized it. Never a body was found nor a piece of wood.  

When I heard from Jim Baughman that the Green Hope was missing I went home and cried for Jack. He was a dear friend of mine. I knew he was dead. I felt it to my bones and I should have been dead with him. I could read his mind before he set sail; he just wanted to go home and be with his wife; he wanted to make love and cuddle with her and make love again with their baby boy in the crib next to his side. He should have stayed in the Bay like the other boats did, but no, he had to run home and be with his blessed wife Masako! 

______________________________

Japanese member froze to death

John Williams died in a tragic Ocean Church accident in 2003

Sun Myung Moon’s fish business had plans to corner the shark fin trade

Shark finning: The cruelest cuts

Moon owned Sushi Company, True World Foods, Linked to Whaling

SEASPIRACY website

SEASPIRACY trailer (Netscape) Seaspiracy examines the global fishing industry, challenging notions of sustainable fishing and showing how human actions cause widespread environmental destruction.

______________________________

The F/V GREEN HOPE was built in 1979 at Master Marine, Inc. located in Bayou La Batre, Alabama, a shipyard which is owned by the Ocean Peace, Inc. parent company, US Marine Corporation. It was built as a 98' catcher vessel and fished in the Gulf of Alaska, delivering to shore side processors till 2001. It was then docked in Seattle till 2014 when it was completely overhauled and refurbished and then fished in the Bering Sea and the Aleutian Islands in cooperation with the factory trawlers F/V OCEAN PEACE and F/V SEAFISHER.

______________________________

Sun Myung Moon’s businesses in Alaska:

• Alaska Akaihana Corp. * Owns Akaihana Restaurant at 930 W. 5th Ave. Anchorage This company is a wholly owned subsidiary of Universal Restaurant Corporation.

• Angel Garden, Inc. *

• International Marine Protein, Inc. – Wholly owned by International Seafoods of Alaska, Inc.

• International Seafoods of Alaska, Inc * Kodiak, a wholly owned subsidiary of True World Group, Inc.

• Kodiak Island Charters *

• Ocean Enterprises of Alaska, Inc. * Owns the Power House Restaurant in Kodiak.

• Ocean Peace, Inc. * Wholesale fish company that owns the vessel Ocean Peace. Company is 80% owned by U.S. Marine Corp. and 20% owned by Happy World, Inc.

• Top Ocean, Inc. * Company owns fishing vessels Top Ocean and Top Ocean II. Both vessels are 308ft. in length with Kodiak as their homeport.

• True World Restaurant of Alaska, LLC * True World Restaurant, Inc.

• True North Adventures, Inc. of Alaska * Sixty percent owned by World Carp, Inc. and forty percent owned by United Vision Group, Inc.

• True World Travel of Alaska, LLC * This is a New Jersey LLC that is wholly owned by True World Market, Inc. of Delaware. The company owns the Russian Heritage Inn located in Kodiak.

• US Marine Corporation * Company owns commercial fishing vessels running out of Alaska including Green Hope, One Ocean, Ocean Hope One and Ocean Hope Three.

[mirrorfalls]

Lego Liveblogs ST: TOS, part 6 (of who-the-hell-knows-how-many?)

So... The Naked Time. Probably gonna be another of those episodes where Roddenberry was in full “but on this planet they have a cultural taboo against pants!” mode, but that shouldn’t disqualify it on its own merits. And... wait, is this the legendary “Sorry, neither.” episode?

Let’s find out.

* And we open up on Space Antarctica, where Redshirt #23 gets himself infected with the Thing in record time. This is gonna be fun. ** But for Christ’s sake, guys. If a mannequin was all you could afford for the “woman”, couldn’t you have at least covered the face up with a sheet of snow or something?! * Spock in civvies cuts a surprisingly... fine figure. * Okay, now I’m starting to see why so many reviewers call the Spock-Bones banter in these early eps straight-up racism. * Alright, I know I’ve said this about half the preceding episodes, but this one’s plot looks genuinely foolproof. Kirk and co. need to perform a conflict-free - but still tricky - scientific mission, and an alien pathogen’s just happened to slip onboard. No leaps in the premise, no stupid B-plots to screw up the pacing. Let’s do this. * Peak Trek Aesthetic; using a punchcard to get your lunch out of the replicator. * See, Mr. RedBlueshirt? This is why we always use hand sanitizer after being outdoors. * Gotta say, this is pretty well-written “madness” for a ‘60s pop-adventure show. Just take a guy’s lingering survivor’s guilt and dial it up to eleven. No random obsessions or nursery-rhyme chants or anything. * Guys, it’s a freaking butter knife. That thing couldn’t stab through a- ** Oops. * By the way - some people might consider it laughably cheap, but as something of an amateur germophobe I really like how the pathogen’s mostly depicted as this thing nobody can see but everyone can feel slithering over their hands. * “A valuable study. We may be seeing Earth's distant future.” This line seriously does not get enough attention in Spock retrospectives. * Somehow it never occurred to me that Sulu is the closest the bridge crew has to a jock. * “Bones, I want the impossible checked out too!” “Damn it, Jim, I’m a doctor, not a Scotsman!” ** Seriously, though - I like the general lesson here, that out on the Frontier you can do every procedure and double-check right and still get fucked over, because that’s what it means to explore the Unknown. * Bones why do you have bottles of Lysol just lying around in sickbay * Oh yeah. Shirtless Sulu o’clock. ** And now, The Line. Gotta admit, I wasn’t expecting Nichols to sound quite that... schoolgirlish saying it. * ... do you guys not have security on the bridge or ** Okay, I’ll never say no to a Nerve Pinch, but you’d think there’d be at least one Phaser around... * Ooh, 20 minutes before the gravity whatchamacallit flambes the entire ship. Now that’s pacing. * This guy seems a little too conveniently (and maliciously) competent next to the other infected crewmembers... I doubt they’re going to go with a “Oh, he was faking it the whole time, did everything of his own free will!” twist at the end, so here’s hoping he won’t be the antagonist for the entire rest of the ep. ** OTOH, Scotty gets to be a hands-on MVP for a change, and who doesn’t love that? * Spock, let’s have some more of those Nerve Pinches, chop chop! ** At this point you can count every “Jesus, I’m retiring from this show the first chance I get” line on poor Rand’s face. * Oh for the love of- Were you guys seriously examining Sulu without any protection?! * And now we’re throwing the nurse at Spock. Honestly, every face Nimoy makes here should be its own reaction gif. ** Ohhh, right, this is the Spock-cries episode, too. Really should reread that anecdote sometime. * “I can't change the laws of physics!” That’s quitter talk, Scotty, and you know it. * Jesus, Bones, did you stick him with a needle or a branding iron?! ** Oh, so this is why so many recaps of this episode just talk about everyone being drunk... the pathogen is just water that’s evolved(?) to a different molecular form resembling booze? Sure, fine. ** Insert stock you’d-expect-an-Irishman-to-hold-his-drink-better line here ** (Also, I suppose the crew is lucky that nobody's the go-to-sleep kind of drunk.) * Ahh, our first taste of Spock backstory. Let’s have that good good angst. * Not that I mind a little violence between friends, Kirk, but are you sure you want Spock doing supercomputer-tier calculations while smashed out of his mind? * ... hm. On the one hand, Spock being (temporarily?) shocked back into sobriety on seeing Kirk succumbing is both emotionally touching and narratively efficient. On the other: more proof that when all else fails, all you can do is appeal to a Vulcan’s ego. * Wonder how big the Kirk/Enterprise tag on AO3 is... * Cheap religious symbolism ho! * Took ya long enough to get him an antidote, bud. * Well, that was quick. ** Uhhh, I’ll assume imploding engines are a good thing in this context. * Wait, are you serious? Time travel stuff in the last three minutes of the episode?! * Sooo... our heroes literally get a clean slate from everything that just happened. I guess they still have to live with the memories of it all, but really?

I’m really torn about this one. There’s only the slightest slip of a Lesson here (beyond “don’t take your fucking Hazmat suit off on an alien planet”, I guess), but it’s probably the series’ best-paced episode yet, with tangible stakes and unobtrusive comic relief... right up to those last three minutes, which throws all that beautiful buildup into a woodchipper. Deus ex Machina isn’t even a strong enough word to describe it - probably nothing is.

Ah, well. We’ve got solid proof that the writing team can build a solid start, if nothing else. One day they’ll stick the landing.

Next: In the main study of an exclusive private school in New York’s Westchester County, a strange, silent man sits motionless... what? Wrong Charlie X? C’mon, how different can they be?