#i hope things are fine

[noliaert]

♦️♠️♥️♣️

[ispyspookymansion]

BOO!

oh sorry….come in…..hello…welcome to my halloween party ^_^ feel free to take a piece of candy and a goodie bag before you go okay? have a fun (and nostalgic) halloween season!!

[fuupan]

penguins

[nekoyawn5]

First year gang hanging out together. A scene redraw from Magiranger. Let's just pretend there's a pole in NRC.

[inkskinned]

nobody ever gets the mugshot of gluttony right. these days you think it has nothing to do with bodyweight. what a good trick: that gluttony could take a shape. no, there was never any fault in finishing a meal or in taking second helpings. it was always in taking from others that there was an issue - the oil baron's fingers steepled over dead bodies and stolen lands. gluttony - twin of greed, although most think greed and envy are the siblings - gluttony is pleased with the experience of gaining, is thrilled just-by-having. greed is the one that stays hungry, that has to move forever like a shark. gluttony likes it - "a glutton for punishment" is one who is seeking the harm, who loves the rush.

gluttony is a mother using her daughter's body for a diet testing ground, sharpening the bone angles. gluttony is saying why, well not! to the seventh and eighth mansion or yacht. it is not just wanting the six white horses, it is making sure that the horses came from your stables. it is not just bathing in milk - it is bathing in milk while others are starving.

oh, it's true that some sins still blaze in their bright floral prints. wrath in a white woman yelling at a person of color for even daring to be in her neighborhood. the red, incipient rage of a neck tightened at even the thought we would take the guns away. wrath has laurels, and she is good at her job, and works hard.

but sloth wasn't ever the sleepy morning of depression, the hours spent begging a clouded body to please move goddamn it; the protestant work ethic claiming even rest is somehow demonic. it was never chronic fatigue. sloth was subtle, a grey mist. she is watching you get bullied and she is deciding it is none of her business. she crosses the picket line because - what! it's just chicken, isn't it? she is closing her eyes and turning her head when the next anti-gay legislation passes. someone else will handle it. not the tense freeze of anxiety or a lack of preparation - she knows you're hurting and would rather you stay quiet about it. she tells other people i just don't see what the big deal is.

sloth is a father that doesn't do the dishes. sloth is your boyfriend's innocent shrug you're just better at household shit. sloth isn't the missed opportunity - it is the purposeful desire to just get-someone-else-to-do-it.

greed and envy are doing body shots in the back of a private jet. they are the way they always have been, but are lovers in the age of the internet. greed just finished union busting, is rolling a bitcoin over his knuckles, is about to start another MLM. envy is in a broadbrimmed hat, showing off her instagram life, grinning about how if you want it, work for it.

okay, it's true. you have a soft spot for lust, gathering dust in a corner. so tame in comparison to the others. but how funny lust is always painted as being a woman in tight clothes. you've met actually lustful women - the ones that purposefully climb into your partner's lap, the ones that say lesbians are gross but ask bisexual women into bed with their husbands. a lustful woman is not donned in lace and garters and red: that's how men think lust looks, painting their own sins into frame. this way, the sin displaces as fog and hovers above her: a woman in a dress is lust; what the man experiences is just the natural consequence.

here is the thing: lust is doing just fine, save your pity. lust is running more circles than any of them. lust is shutting down safe sexwork sites while also making teenagers in knee-high socks sex sensations. lust is CEO of an advertising network where women never pass 25 years old. all the bras lust makes are pretty to look at but, when worn, legitimately hurt. lust has a podcast, his fur coat looped around his shoulders, sells the idea that only certain people have value, that sex raises some and destroys others. lust is tilting his head and asking what did you expect when you dress like that? lust shuns you, sneers that everything you want is disgusting and taboo - right until he can figure out how to capitalize off of it. lust has the midas ability: everything he touches becomes an object.

people usually say wrath is the scary one. you agree with FMA here, though: the real dangerous one is pride, and the shit-eating grin. the white cloaks and the nationalism and the inability to apologize. it is every partner who threw a book at your head because you don't respect him. it is every mother who said my son doesn't deserve to have his life ruined over allegations. it is the teacher that fails you because you talked back.

you worry you have this one. you feel guilty when you need help but don't ask for it. prideful. ashamed when you complete something and feel good about it. too proud for your own good. but pride is not the reward of hard work or accomplishment: pride is a twitter feed. it is the thing that has to mask i didn't do anything with look at me.

pride is your father's raised hand, his raised voice. how he was never there when you needed him, but he is still "head of house." he ruins dinner and blames it on you: you're an embarrassment to this family. this is the glass you walk around, the cuts in your feet. how he says this isn't how i raised you and you have to bite back the retort: that's because you didn't actually fucking raise me.

[scribblescrabbledepartment]

fishes for the homos i mean homies

[ID: nine fish with collaged scales of different colored and patterned paper, each with glittery fins.]

[saragrosie]

As promised, incredibly stupid s4-5 drawings

[forgettable-au]

FORGETTABLE-AU (Page 40-43)

* I didn't know the lab could look so creepy...

[BEGINNING] [PREVIOUS] [CONTINUE]

[agir1ukn0w]

sorry but snow is such a well written iconic villain and donald sutherland performs him so fucking good it's almost hilarious how i start practically foaming at the mouth every time the man opens his mouth to say something deplorable in those movies, like he's so utterly and despicably wrong about almost every crucial thing from katniss and peeta's relationship to human nature as a whole and yet the second he starts talking about how hope is the only thing stronger than fear and how you have to allow a little hope but control it so its spark doesn't grow into revolution and how it's the things we love the most that destroy us you bet your ass i am on the floor screaming crying throwing up because that is my psychotic mustache-twirling villain RIGHT THERE

[ddeck]

pains me that there's simply not enough info on star wars in-universe entertainment and pop culture for my liking. i want to know what star wars version of the godfather looks like. i wanna know what kind of space fanfiction a pantoran teenager would read, the kind of space tiktok edits they would make. i want to know the star wars equivalent for whatever the hell that is happening with ben affleck and matt damon. i want to see a coruscant news outlet publish an article with a headline "M'ett Sp'Amon not wearing a wedding ring again during another visit to Beng Spifflek's house. which could mean nothing"

[cozylittleartblog]

is this the tragic clown the sims warned me about

[dandelion-roots]

[ID: a digital redraw of the scene where chuuya shoots dazai in the shoulder. on the top of the drawing is chuuya holding a guy to dazai's head in the red and grey hallways of the prison. on the bottom of the drawing is dazai's pained face. the gunshot is shown stylistically as hectic lines behind his bloody shoulder. over the image is half a quote from goncharov that reads 'if we really were in love you wouldn't have missed.' the signature says dandelion-roots. end ID]

This quote from Goncharov (1973) in relation to soukoku has been haunting me from before I even got to that scene in the anime (the full thing is: Katya- Of course we're in love, that's why I tried to shoot you/ Goncharov- If we really were in love you wouldn't have missed). Violence as a tool for communicating emotions, especially love and hatred, especially love and hatred makes me go feral- how could I not think of the iconic quote that says that katya's miss was a sign of a lack of love/a fake love when chuuya didn't miss? Just... losing it over here.

[carnivalcarriondiscarded]

still unwell over the prospect of Howdy slowly putting the pieces together and having a complete mental breakdown over it. Laughingstock edition!

[hauntingsofhouses]

We all already know Mizu and Akemi are narrative foils. But you know what? Lemme just say it, here's what I think:

Taigen and Mikio are foils.

Not necessarily to each other as individuals in the way that Mizu and Akemi juxtapose each other, but mostly in the contrast between their relationships with Mizu.

I've covered specific parallels between Taigen and Mikio in other posts I wrote; but as the number of parallels I'm noticing between them keeps piling up, I'm compelled to just compile them all in one post. So! This is, thus, the post in question.

First of all, let's look at their similarities.

1. Their status in society is the same. They are both samurai who lost their honour and have dreams of reclaiming it.

2. They are also both diligent as they strive to achieve this goal, they both care deeply about their work, but here as they begin to contrast, as the work in question and way they go about their goals is different:

For Mikio, his work is in taming and rearing horses; in order to prove himself, he must tame Kai—a willful and strong horse—and present it to his lord. For Taigen, his work is in sword fighting and martial arts; in order to prove himself, he must kill Mizu—a willful and strong swordsman—and present her dead body to his lord.

In the parallel above, not only are Taigen and Mikio contrasting each other, but Mizu and Kai are placed in comparison as well. And of course, Kai is Mizu's horse, and represents her. Which is why, when later, Mikio sells Kai off, it represents the way he is tossing Mizu (and their relationship) aside.

From there, the rest of the details of their character begin to contrast and juxtapose each other more clearly. So let's look at those differences, shall we?

Their backstory:

Mikio was a great samurai who was banished. A somebody to a nobody. Taigen was a fisherman’s son who rose to the top. A nobody to a somebody.

2. The first time we meet them on-screen:

Mikio is an adult. An older man. Mizu's superior in age. He is Mizu's to-be husband. A love interest. Taigen is a child. A young boy. Mizu's peer in age. He is Mizu's bully. An antagonist.

3. Their maturity and growth:

Mikio is mature, but stuck in his ways. Taigen is immature, but capable of changing and learning.

4. Their overall attitude:

Mikio is generally relaxed, easy-going and unfussy. Taigen is uptight, irritable and severe.

5. How they talk to and conduct themselves around Mizu:

Mikio is aloof, soft-spoken, and serious. Taigen is obnoxious, brash, and sarcastic. Mikio is quiet, speaking only when spoken to, even when Mizu turns to smile at him and shows openness to be near him. Taigen is loud, talking while others are silent, even when Mizu turns from him and shows no interest in conversing with him.

Mikio doesn't show much of who he is to Mizu throughout their marriage, despite their growing affection. Taigen openly shares his traumas and life story to Mizu during their brief alliance, despite their mutual antagonism.

6. Their external vs internal selves:

Mikio is calm, gentle, and considerate on the outside. Taigen is hot-headed, rude, and selfish on the outside. Mikio is cowardly and deceitful on the inside. Taigen is brave and loyal to a fault on the inside. Mikio tells Mizu that he wants to know and see all of her. But he scorns and betrays her, the woman he loves. Taigen tells Mizu that he wants to duel and kill him. But he endures torture to not betray him, the man he hates.

9. Their hair, a symbol of their honour:

Mikio's topknot is untied by Mizu during their spar. This humiliation occurs in private, the two of them alone in a rural location where no one can see them. Taigen's topknot is cut off by Mizu during their duel. This humiliation occurs in public, the two of them being watched by many others in the Shindo Dojo.

10. Their power dynamic with Mizu:

Mikio believes he is Mizu's mentor. He teaches her to throw knives, how to ride and care for horses, and about the tactical benefits of using a naginata. Taigen believes he is Mizu's equal. He views Mizu as a samurai like himself who received all the same teachings he did, and who possesses the same values.

11. Their perceptions of Mizu:

Mikio sees Mizu's feminine side first. He sees her as sweet and gentle, but also clumsy and incompetent. Taigen sees Mizu's masculine side first. He sees her as terrifying and deadly, but also strong and skilled.

12. The way they approach sparring with Mizu:

Mikio only spars with Mizu once. As the fight progresses and she is beating him, he tries to put a stop to it. When she teases/provokes him, he starts taking the fight personally and seriously, finding no enjoyment in it. Taigen spars and brawls with Mizu all the time. No matter how many times Mizu beats him, he doesn't back down. When Mizu challenges him with a chopstick, he is eager to compete with her and gladly rises up to the challenge.

Mikio and Mizu's one and only spar is a friendly match; Mizu is smiling and having fun while he grows increasingly frustrated. Taigen and Mizu's last-seen spar is a playful wrestling match; both him and Mizu are having fun and laughing.

Mikio cannot deal with Mizu being better than him, so he scorns her and walks off, avoiding her thereafter. When Taigen cannot deal with Mizu being better than him, he follows her to observe her moves and continues training in hopes to eventually beat her. After being bested by Mizu once, Mikio leaves her and sells the horse he'd previously gifted to her. After many times losing to Mizu and fighting alongside her, Taigen commends her and admits she is better than him.

13. When Mizu pins them down in a friendly spar:

Mikio sees Mizu's whole face objectively. Taigen stares at Mizu's mouth and eyes.

Mikio gets angry when she kisses him, throwing her off of him and snapping at her, calling her a monster. Taigen gets aroused, apologising, so she pulls herself off of him.

14. Mizu's blue meteorite sword is a reflection of her soul. She believes most are undeserving to face it, let alone hold it. And on that note:

Mikio is the first person (chronologically) that Mizu fights against using her sword. Taigen is the first person (we see on-screen) that Mizu fights against with her sword. Mikio is the first person (chronologically) to ever hold her sword, as she passes it to him, letting him wield it. Taigen is the first person (we see on-screen) to ever hold her sword, as she passes out, and he picks it up and carries it for her.

15. Then, last but not least, in Fowler's fortress, when she is drugged and in pain, she hears Ringo's voice in the dungeon. She then follows it to an open cell:

Mizu first sees Mikio as a hallucination, the sight of him haunting her and causing her to lose her grip on reality. Her eyes glow a surreal blue to represent this. Her Mama appears then and says Mizu's name accusingly.

Mizu then sees Taigen, but he is real, the sight of him a relief and grounding her back to reality. Her eyes return to their normal blue colour to represent this. Taigen looks at Mizu weakly and says her name softly.

Then, later, when facing Fowler, her revenge awaiting her, she instead chooses to follow her conscience (represented by Ringo's voice in her mind), putting aside her vengeance for a time, in order to save Taigen.

So that's basically all the ones I've noticed so far, but even then, I feel there's already so much that forms a contrast between these two.

What makes it especially incredible about these juxtapositions is that Mikio was Mizu's husband, the man she had fallen in love with, the one person she had ever been intimate with, the man who made her begin to accept herself, to put down her desire for vengeance and instead live a life of peace and happiness.

So for Taigen to have so many parallels with him... Do you see what I'm saying here!

Not to mention that Mizu clearly already has some burgeoning attraction to him, as indicated by how she thinks of him when asked about her desires. And Taigen clearly has shown interest as well (see: him getting a boner after their spar, him holding her hand and telling her, "We're not done yet.").

And on the topic of speculating future possibilities of this relationship, this post by @stromblessed has pointed out yet another parallel between Taigen and Mikio:

Mizu promises Taigen to meet him for their duel in autumn. Mizu fell in love with Mikio and duelled him during autumn.

With all that said, I do believe Mizu and Taigen's relationship is definitely hurtling towards something. But whether they will actually end up together in a sustainable relationship and have a happily ever after? Well, that is a whole other story; we'll just have to wait and see.

[alazic02]

I drew this last year when their episodes were coming out but just recently dug its sketchbook out. Emotional sequel to this comic :)

Artwork ©: alazic02 | buy me a ko-fi

Do not repost.

[quins-makeshift-menagerie]

Hi

Normally I would open commissions so you guys get SOMETHING in return for supporting me but I’m still in a disgusting slump where I can’t seem to draw, but we need to bring the pictured little goober to the vet. He’s been having incredibly bad and constant diarrhea, as well as constant congestion and sneezing up just massive globs of mucus. I hate asking, and normally wouldn’t, but we also had to again take our car in for repairs. So if(and only if, please take care of yourselves first) you can, my ko-fi is here. Just anything to help offset the costs is greatly appreciated.