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#i just don't know who to call first
heywriters · 11 months
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i have always used MS Word for writing, but my laptop wheezed and went into a coma last fall and took my MS 2007 with it.
i carefully switched some projects to Google Docs, but now it's promoting its "AI" software to me.
so i just downloaded LibreOffice and moved my GDocs over to that.
anyway, if anyone has bad news for me about LibreOffice, tell me now, please, thx
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coquelicoq · 8 months
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what i like especially about the pronouns in the goblin emperor is that this language doesn't just have the T-V distinction (aka informal vs. formal second-person pronouns, in this case 'thou' vs. 'you'), it also has informal and formal first-person pronouns. having BOTH of these distinctions in the same language lets you fine-tune your tone by mixing and matching. with only one axis of formality, when you use informal pronouns, are you being familiar in an intimate way, or in an insolent or dismissive way? when you use formal pronouns, are you being polite or standoffish? you can't tell just from the pronouns; there's ambiguity. but a language where you can use a formal first-person pronoun in the same sentence as an informal second-person pronoun allows you to distance yourself (via the formal first) while also being familiar (via the informal second), thereby achieving the conversational tenor known to linguists as Fuck Thee Specifically.
#just kidding i don't know what linguists call that tenor. or any tenors. i'm not totally positive what a tenor even is#but i can't let that stop me from writing a jokey post on tumblr dot com#register is a very interesting area of linguistics that i know very little about#so i'm probably revealing the depths of my vast ignorance here to all the sociolinguists who surely hang on my every word#but i've always thought of the formal/informal pronoun thing as being about two things: intimacy-distance & rudeness-politeness#and of course you can usually tell from context whether a formal pronoun is meant to indicate distance or politeness#(plus distance and politeness are related to each other (to various degrees depending on culture))#but it seems like it would be cool to have a built-in alignment chart of sorts just for pronoun combos#instead of prep jock nerd goth...why not try intimate self-effacing polite superior?#the goblin emperor#pronouns#register#sociolinguistics#my posts#f#anyway i know i said i wasn't going to reread the goblin emperor...but guess what. lol#and i edited my tags on that earlier post but fyi the language DOES distinguish between plural and formal singular pronouns#i had said i thought it used the same pronouns for plural and formal but i just wasn't paying close enough attention#so anyway i just reread the part where maia is talking to setheris in formal first and informal second#and you can see setheris going ohhh shit. oh shit oh shit oh shit#i'm in biiiiiig trouble#you sure are dude. that's the Time to Grovel signal#it's interesting because at the very beginning of the book when i first saw the formal first used i just thought it was the royal we#because i knew the main character was supposed to be royalty#but then EVERYONE was doing it. so it's not the royal we it's just the formal we#however. this does make me realize that the way the royal we would function in a language that retains the t-v distinction#is the same way i'm describing here. it's just reserving that particular tone (i'm better than you and am displeased with you)#for royalty only. which makes sense given royalty's whole deal
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little-pup-pip · 3 months
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I have a request, I don't know what the name of this asthetic is but it was very popular back in the 2000s and 2010s. It's the stereotypical boy, age range from kids to teens. Stuff like disney XD, ninjagos, skating, dinosaurs, epic voices, rough housing, nerfs, cars, blues and reds. No pacifier btw, hope this helps.
Here you go!!
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ride-a-dromedary · 10 days
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You ever just think about Halsin and Thaniel meeting for the first time and get all choked up because I do.
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cluescorner · 3 months
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I gave myself a writing challenge and I am fascinated by it
So basically I put the robins in a randomizer to give them a new order/role (because I just...kinda wanted to see what would happen + I like role-reversal AUs) and got results that are giving me a fucking brain blast.
Stephanie, the first sidekick who defines the role
Tim, the sidekick who dies and comes back wrong
Dick, the sidekick who saves Batman from himself
Damian, the sidekick who was never supposed to be a sidekick but would go on to prove everyone wrong
Jason, the youngest sidekick who is still the Kid Wonder
...So this is fucking wild. I've got some ideas and several of these fit perfectly (Dick's role is pretty similar to his one in canon), but some of these are fucking INCREDIBLE to explore (Steph being the first Robin is something I never even considered but tbh I kinda love it).
I probably won't write a fic or anything because tbh I don't like publishing my writing that much, but I might expand this into a full AU and post about it. I might randomize other stuff too (ie, stuff that I cannot change vs stuff that I cannot keep the same) but this fucking rules as a starting point.
#uhhh what am I calling this??#randomizedrobinsau#stephanie brown#oh my god I am so excited to figure out how tf to write this.#because she's my favorite of these characters and having HER be the first sidekick + the one who has a mentor/older sister relationship#with the others?? kickass. though I'll probably keep her and Tim's relationship as 'dating-then-exes' because I think it's funny#and then SHE can be the Robin who Tim got fixated on + figured out her identity?? holy fuck and then the angst of Tim later dying#Tim Drake#tbh I kinda wish he'd gotten a different position because 'sidekick who dies' Tim has kinda been done a lot with the standard#reverse robin aus. But it'll still be fun to write. Definitely going the Joker Junior route with this because Batman Beyond kicks ass#Dick Grayson#He'll honestly probably be the easiest. Like...his role has not changed much outside of being younger/not the one who defines this#But I still think it'll be good to see how well I know Dick beyond his eldest brother thing (which is my best way of relating to him)#Damian al ghul#damian wayne#oh this is gonna kick ass#Bruce does not want his son to be a sidekick but Damian just kinda forces his way into that role#and everybody doubts him because of his history with the league but he later proves himself more than capable#to the point that he can set out mostly on his own and still thrive#Jason Todd#Jason being the baby of the family is also something I have never thought about but holy shit it could kick ass#I really hope that I don't roll 'Jason must die' or 'Robin 5 must die' on the randomizer. I just kinda want Jason to live this time#But unfortunately I double-screwed him because he's on the 'must happen' wheel twice now. I did not think these prompts through#TBH I am so happy that none of them rolled their OG roles. because that would have been so fucking boring
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recitedemise · 6 months
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𝗠𝗮𝗻𝘆 𝗼𝗳 𝗚𝗮𝗹𝗲'𝘀 𝘃𝘂𝗹𝗻𝗲𝗿𝗮𝗯𝗶𝗹𝗶𝘁𝗲𝘀 𝘄𝗲𝗿𝗲 𝗮𝗴𝗴𝗿𝗮𝘃𝗮𝘁𝗲𝗱 𝘁𝗼 𝗯𝘂𝘁 𝗱𝗲𝘃𝗲𝗹𝗼𝗽 𝗶𝗻𝘁𝗼 𝘁𝗿𝗮𝘂𝗺𝗮 𝗿𝗲𝘀𝗽𝗼𝗻𝘀𝗲𝘀, 𝗿𝗲𝘀𝗽𝗼𝗻𝘀𝗲𝘀 𝘁𝗵𝗮𝘁 𝗠𝘆𝘀𝘁𝗿𝗮 𝗮𝗰𝗰𝗲𝗽𝘁𝘀 𝗹𝗶𝘁𝘁𝗹𝗲 𝗰𝘂𝗹𝗽𝗮𝗯𝗶𝗹𝗶𝘁𝘆 𝗳𝗼𝗿. This lengthy headcanon will refer to canon dialogue from mostly Gale, sometimes others. Reader's discretion is very much advised. There will be in depth explorations into grooming, emotional abuse, heavy manipulation, and suicide.
First, let it be said that Gale, a mortal man, will always be the powerless one in his dynamic with Mystra. Of course, nearing forty years of age, he remains entirely responsible for his own actions, his own foul blunders and every hurt he'll cause, but it's important to remember who formed much of who he is: his goddess, his deity, and egregiously, his lover.
Mystra is power. Mystra is possibility. She knows what sway she holds over her Ioyal, vulnerable, and entirely mortal followers. In all ways that matter, they are but lambs she can steer and herd as she sees fit. She knows they can't deny her, and knows they'll never want to. Gale's sheer servitude and complete devotion; to the very quick of his bones, she lapped them up.
Gale: I was just... practising an incantation. Player Character: No, there's more to it than that. I know devotion when I see it. Gale: What can I say? She's—she's Mystra. I can't describe it, the need I sometimes feel to see her - to draw the filaments of fantasy into existence... Mystra is all magic. And as far as I'm concerned, she is all creation. Player Character: I didn't realize the depth of your devotion. Gale: Magic is... my life. I've been touched with the Weave for as long as I can remember. There's nothing like it.
Gale, orb in his chest, doomed to be eaten by the very thing he loves the most, still speaks so reverently of the goddess, of his lover that has left him to die. He conjures images of her memory—and she is all the while forgetting about his.
Minsc: Gale reminds me of vremyonni of my homeland. The man-mages of Rasheman. While the girl-folk go on to rule as wychlaran, Weave-touched boys were hidden away. Trained to work their craft in silence and secrecy. It is an old custom, not well-observed. In truth, I thought it born of caution after some catastrophe of wizardly men-folk of old. Now, I wonder if it was not done to hide them from Mystra, and the snares she sets for young and prideful boys, hm?
Tales of Mystra's treachery spreads far, leaving those familiar waters surrounding Gale's tower in Waterdeep. They whisper her name, afraid to utter it one time too many, suspecting, perhaps, that she'll show in their mirror like some Faerûnian Bloody Mary.
Talent rouses Mystra. She can see who uses the gift of the Weave and feel them, sampling whatever delight sings their veins as they pull from her domain. Not unlike a spider, she'll follows every tremor that strikes her as just a sliver more profound; and Gale, a prodigy, plucked the Weave's web to so garner her focus. And like some black widow scurrying, she surged down that ripple to prey on a boy. There, Gale, so impressionable, was just a mite older than twelve whole summers. He sat so stunned, beholding Mystra as she lured him into the cradle of her Astral domain. Bathed in her magic, pleasantly coddled within that glittering cosmos, Gale felt blessed in a way he'll struggle always to recount, no word, no language, fit to describe it. He felt chosen. He felt seen. And potently, to a child, he felt loved. Now, imagine a child experiencing something like that. Imagine what they'd think, how brilliant they must be when stood beside the rest. She told him he was gifted, made his heart swell not unlike a child's appetite for praise. She knew what she was doing by offering these morsels, by preying on a child's most delicate mind, and Gale, child prodigy, was already so awash in the idea that his value was in magic. Unfortunately, Gale, susceptible, had no way of squirming out of his goddess' grasp.
Reality: She's laid down the seeds to creep into his heart. When he's just old enough—seventeen's sufficient, she thinks—she stakes her claim and makes him hers.
Gale: My virtuosic talent once caught the eye of the goddess of magic herself, Mystra, who named me her chosen and her lover.
Gale is stunned when she takes him to bed the first time. (Is this really happening?) Mystra claims his mouth in a kiss, taking everything she knows he offers so willingly. Mystra, of course, is not so stunned.
Dream Visitor: An elder brain... one of the cruelest and most powerful creatures in existence, enslaved by mere mortals. Gale, tasked with Mystra's missive to sacrifice himself: This is it... I must do as Mystra commands.
Gale has worryingly low self-esteem beyond his magic. As already explored, his entire worth as a man hinged on and was built entirely off his talent as a wizard. He fought tooth and nail for any crumb of affection Mystra would offer his way, something she only gave him at all seeing his gift as a child. He wants her forgiveness. He desires it genuinely. He believes so firmly that he has wronged his goddess, buying into the idea that sacrificing himself will right his wrong. She holds such dominion over him, making him reduce his confidence in himself into a mere, trifling pittance; after all, she wasn't just his lover, but the patron deity he prays to. And regardless, Gale is a people pleaser, his initial acceptance of her missive coming as no surprise.
After all, Gale, at times, goes to incredible lengths to appease his audience. This habit, compulsion, impulse, whatever you want to call it, is a quality that was relentlessly exacerbated in his relationship with his immortal paramour. He wanted to content her, felt all he did was never enough, for as a matter of principle, he was oceans, leagues, and entire galaxies beneath her. Gale figures: well, how can a short-lived dalliance satisfy a god? He had to make her happy. Indeed, he'd done everything she'd ask. He'd bedded her how she liked, kissed her how she wanted, and of course, even said those words she'd said tasted best. She was his lover, a lover that never tended to his own needs and pleasures, and he fooled himself into thinking that's enough. He won't bend backwards for everyone, mind you, but if you're of the ones he would, he would stop at nothing to make you happy. After all, people pleasing is a way to keep oneself safe, a trauma response to sidestep discomfort, and though it achieves only a direly tentative peace, when that is all you've been fed, you will pursue it.
Gale did not want to lose Mystra; he couldn't bare the sting of it. And so, when Elminster visited him, Mystra's call for his death offered oh so callously, Gale, heartbroken, felt that part of him kick up. He couldn't endure the guilt, was so hungry for a chance to let his weighty heart breathe, even if it meant dying in the process.
At least this way, he'll finally do something right. At least this way, Mystra will forgive him, and all his friends will survive.
Gale: After I was afflicted with my condition, I locked myself in my tower for an entire year. I was inconsolable, wallowing in my self-inflicted tragedy. I'd given up on myself.
As a byproduct of people pleasing, Gale, too, is all too quick to accept all guilt. He self-deprecates, gaslights himself to a venomous degree, and twists his reality in so cruel a way as to make him the villain Mystra'd led him to believe. He self-flagellates himself, the first one in the world who will throw Gale of Waterdeep a mental punishment. Mystra's a goddess, after all, seen as utterly faultless, and twined so tightly with a being so mighty in esteem, Gale slipped into the role of the guilty often. When tied with anyone with grandeur like this, so immeasurable in their own self worth, it's important to keep in mind this: you are nothing but a prop in which to fulfill their ego. Gale was not Mystra's, not by a long shot. Rather, Gale was a tool, simply her mortal extension.
And he took every blow meant for her... a common and terrible habit for many people in imbalanced, ego-fueled relationships.
Gale's life beyond her wasn't something that interested her. She took most of Gale's devotion, manipulated his life to be her sole mantle of attention, for Mystra is not a goddess that shares very happily.
Indeed, long before his self-imposed isolation, this jealous deity did well at keeping him isolated.
Player Character: Picture kissing him. With tenderness. Then, with passion. Gale: I... I didn't think— Narrator: You perceive quick-fire embarrassment, trepidation, and finally... elation.
And so, cheated out of love, so reduced in his value as a man and lover both, suffice to say, Gale's slow to believe he can ever be loved. That's what happens when you're with someone so cold, consistent only in their infinite lack of respect. Gale looks at fondness, and he feels—confounded, to be sure. He thinks, is this truly mine to have? He doesn't know what to do, is nearly forty in game, and despite having lived decades devoted to one relationship, he feels, at the same time, entirely out of depth. To be frank, he greets it with embarrassment, like he's been caught red handed with something not his at all. He's like a child caught rummaging with his hand in a cookie jar, all this isn't mine to enjoy, not mine to indulge in, but he thinks, startled, but god, do I want. He wars with disbelief, uncertainty, and need, and in so many ways feeling utterly starved, with just a glimmer of affection, he falls fast into love.
Scenario: (And if properly romanced, it changes his world.)
Gale: In her (Mystra's) likeness, I used to read a thousand stories. She was beauty, wisdom, elegance, power... she contained universes. But now... it is hard to see any redeeming qualities in a lover who condemned you to death. I'd much rather gaze into your eyes than hers. Yours are capable of tenderness and feeling... No god could ever compare.
He says it with sincerity. There is such wonder, such love, and such awe in his eyes. He makes the act of kissing him feel like you've just reached into the trenches to but pluck him soundly from his ruin and despair. You think, Gale Dekarios, how unloved have you been all this time?
Gale: To know you love me for the man I am, and not the magic I command… none have loved me so purely before.
The answer is: entirely.
For so long, Gale thought love was simply being chosen. He knew nothing of being favored for the quality of his character, to be cherished and accepted even in those ways he fumbles and lacks. Again, his needs were seldom met, often treated with utter indifference by Mystra herself, and to meet someone so eager to treasure him, dote on him in a way his heart, his body is somberly new to, raptures his spirit and captures his soul. He's seen for who he is. He's... loved, desired for his silly quips, his easy smiles, and his growing affections. He bares himself to them, and in turn, they cradle his heart like something entirely precious. Gale thinks this has to be dream. He says, at times, you are more than I deserve.
Scenario: (But sometimes, he hopes too strongly and loves too greatly. As it always does, then, like he's once more wanted too much, he watches something beautiful slip right through his fingers. Of course, Gale Dekarios. Of course it does.)
Player Character: I didn't know you felt so strongly, Gale. Gale: Perhaps I should have done more. Been more charming, more flattering, harder to reach... but I was only myself, and sometimes that isn't enough.
They don't love him anymore. It breaks his heart. He hurts so much, so profoundly and deeply, and he doesn't realize that he breaks their heart in turn.
Unable to ever voice his feelings with Mystra in any way that amounted to much, Gale's a tendency to wallow, expressions coming off as potentially 'guilt-tripping' and even, on occasion, passive aggressive. Firstly: Gale NEVER means to manipulate emotions, and he's no intention of twisting anyone's arm, either. Fact is, Gale, never taken seriously when he'd bared his vulnerabilities to the Mother of the Weave, can end up saying just a little too much. He feels very deeply, and for most his life, seldom had an outlet for these weeping sentiments. He sometimes lets slip raw words and oftentimes heart-wrenching expressions; all the same, it's not so pitiful as to shepherd an outcome, but rather, is a gesture taken by a man so desperate to be heard. It may feel like scheming, but the truth is far, far greyer: feeling as though he's no right to share the depth of his heart, Gale simply lets it geyser out in a way he can't cork up. In ways he doesn't realize, he's adapted to this ache, passively reacting so his feelings can at least be seen and recognized—no matter how pitifully unwhole. With someone who values so little his thoughts... well, when he slips into these moods, one can hardly feign shock.
Situation: (And if no one shows him trust and tenderness, any true care in his character or worth, Gale gets swallowed up by how wronged he was.
He thinks: Let me be a god. Let no one hurt like me anymore.)
Gale: They only want us to serve them, pray to them...and ultimately, to die for them. But what if we didn't need them? What if we wielded their power instead and helped ourselves in all the ways they refuse to? I could make that happen.
Gale is not above anger, and as stated, he is not above pettiness; however, more than that, he is not above righting himself whatever wound he was struck. Gale, if not offered much by ways of affection, understanding, is made to believe that one idea that's lived growing in his mind: Gale Dekarios is far from sufficient; he has to be more. He has to be better. Gale, in such an unkind ending for himself, sips too desperately—and perhaps greedily, too, but desperately serves as a far better word—at that idea that he needs power. And so, wresting the Crown of Karsus for himself, he spites Mystra in his own way, becoming a god he feels is leagues better than she will ever be. Damn her thoroughly. Damn her ego, her power, and her endless indifference. He will serve the people, protect them, and in ways Mystra never could, better the world.
Situation: But as a god, he loses all sense of his kindness. Humanity. All who loved him leave him, and even Tara spurns the image he's become. With power, he's gained the respect he thought he always wanted... but in turn, he lost in even greater measure all the love he's known.
Endnote: But healing, knowing to forgive himself and knowing he's deserving of care simply for being Gale Dekarios will remain, always, the best path for him.
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oifaaa · 6 months
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Aoife is one of those rare names that really there is only 1 currect spelling and that is Aoife if you are spelling it any other way it is no longer the Irish name Aoife I do make the rules
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sohaoying · 2 years
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unfinished business
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I recently found out that Native People in the American continent have their own name for it, which is Abya Yala.
Anyway, wouldn't it be nice if we started to support their right for self determination and freedom from the oppression of colonial rule? Wouldn't it be nice if we support the complete and immediate abolition of all colonizer countries, which are *checks notes* every single country in the American continent plus the island ones? Wouldn't it be nice if we started telling all the settlers, conquistadors and immigrants to Go Back To Where They Came From? Wouldn't it be nice if we started chanting in the streets and online for the cleansing of the continent from all non-Native people? Wait, that sounds kind of extreme, doesn't it? But what if it rhymed? Everyone knows that if it rhymes it's true and justified right? So maybe the American continent should be free, you know, maybe from shore to shore... no, no. From sea to sea, that's it! What a great cause! And great causes are worth fighting for by all means, right? Obviously, I do not support violence at all, but like wouldn't it be justified if Native People were to become violent in their fight for freedom? I mean, think of the history for a moment, what brought them to this moment? And could you blame them? After all, shouldn't freedom be fought for by all means necessary? Wouldn't you support their claim?
Anyway.
From Sea To Shiny Sea Abya Yala Will Be Free.
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wispforever · 2 years
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god is dead
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sunsetzer · 2 months
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On one hand, I want a final fantasy 6 remake, because the game is criminally underrated and the amount of fan content (which is all absolutely fantastic btw) is Not Enough for my neurodivergent, hyperfixating brain.
On the other hand, that would inevitably encourage more people to join the fandom, which would be great, except it seems these days the bigger a fandom gets the more toxic it becomes, and I really like what we have going on over here in our little corner. We all just love the game and its characters and nobody fights about who should and shouldn't date who or who you shouldn't like because they're ~problematique~. Nobody's trying to make one ship morally better than another, nobody's calling anyone names or threatening to doxx people who don't agree with their opinions. It's so peaceful and I love that for us. We're just vibing. Moisturized. Unbothered. In our lane. Flourishing.
#as someone who was in an extremely toxic and chaotic fandom and lowkey still traumatized#to the point where I'm afraid to mention which fandom it was/what my ship was#i have to say#i genuinely love it here#i was nervous at first sharing my ships and headcanons but everyone is so chill i was worried for nothing#thank you to everyone I've interacted with who has made this fandom a healing experience for me#i shudder to think about what some of the people i interacted with in a previous fandom would do with ff6#probably would take edgar's flirting at face value and call him problematic for objectifying women#instead of considering the narrative and what we know about him and the way he actually treats women#my man drinks loving and respecting women juice he's not a creep#or that weird moment with relm that admittedly made me double take before i realized what he meant#theyd have a whole campaign against him lmfao#bc those people boil characters alive until they're just a formless pile of tropes and stereotypes#and seem to disregard all positive aspects of a character they don't like which is fine#but then they go and try to force other people to think like they do and ugh#theres a lot of silly moments in the game and aspects of these characters that make them well rounded and realistically flawed at times#and i fear that would get lost in the chaos if the floodgates opened after a remake#maybe im just jaded lmao#im jaded and i have anxiety so im always thinking about The Worst Case Scenario#the collective positive spirit of the dwellers in this fandom might actually foster a positive space if more people were to come in#ff6#my post#i was gonna say maybe this is bc we're mostly adults#but that falls flat when i remember how some of the most toxic and immature people in some fandoms are grown ass adults#who bully each other and younger fans#and some of the most mature and cool people were actually younger#maybe ff6 fans are just built different lmao#also idk how old anyone else actually is there might be teenagers here i just don't think about it a lot
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landwriter · 1 year
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67 and/or 38!
alright the last one of these I tried to answer is currently an 8K WIP so here goes nothing [ins. ralph wiggum ha ha I'm in danger gif]
We've got Hands by Barns Courtney on deck, a fun little rock anthem about meeting a cutie at a show and then losing their number and trying to find them. Going looking in the streets even!
This would be a fun missed connections AU - both humans or else a Dream who is taking mingling with humanity a LITTLE too seriously, a little like a bender, and a Hob who organizes shows, sometimes does security for them. It'd be a little love letter to a very specific brand of twee indie romcom films. i will not name a setting or a time period because that was the thing that ruined me last time!!
So one night, at a show - not one of his - Hob sees Dream, it's a fuckin' coup de foudre. The thunderbolt. Love at first sight. Dream is wearing a leather jacket, black lipstick, and a determined sort of expression that suggests he is a) utterly shittered and b) here looking for a fight.
Hob gets it. He does. He used to go looking for fights all the time. He watches from across the crowd as Dream finds his. When he takes a punch grinning, like a fucking lunatic, not even defending himself, Hob shoulders his way across and intervenes to try and make peace. Dream has, of course, chosen the most unlikable possible person to get into it with, and when certain Objectionable Comments are made, well, it's a bad look, he knows, but Hob decks the guy anyway before his buddies throw him out. And then Hob is left to deal with Dream, who is kicked out too, for starting it, except kicking him out actually means taking him home, because Dream is too drunk to get back to his, and also refuses to tell Hob where he lives.
Dream is flirting with Hob the entire way back, and saying things like "You need not have come to my defense," and sort of feeling up the arm Hob has offered to steady him with, and just. Just staring a lot at him, with very blue eyes. Hob resolutely deposits him on his sofa with a glass of water and a quilt he actually knit himself, and then goes alone to his room. After a second thought, he locks the door. He does not trust his resolve, not with this man.
Sometime in the morning - morning for decent people who weren't up until 4 AM, not yet morning for Hob - he wakes up and sees Dream standing in his room, like the world's hottest hungover sleep paralysis demon. "What the fuck," says Hob, muzzily, "I locked that."
"Why," asks the world's hottest hungover sleep paralysis demon, "Are you afraid of me?"
Hob, more awake, remembering last night, says, "No. But you were very drunk. And very persistent."
"I'm not drunk right now."
"Clearly still very persistent," says Hob, not only more awake at this point, but also considerably more in love with this stranger.
"I feel like shit." He says it while looking at Hob and sounding tremendously regretful. Hob honest-to-god blushes. Later, he thinks. In the actual morning. After a good breakfast.
He lifts up the covers. "Well, come on then," he says. "We can still snuggle."
Dream crawls in, and Hob nuzzles his face a bit into his hair. Dream sighs happily and settles himself into Hob's arms, presses his bony back into Hob's warm and naked chest. All the tension melts out of him. Hob wonders what sort of breakfast his stranger would like. Starts mentally planning something, and then dozes back off to sleep. When he wakes up at his morning - noon - the space next to him is empty and the bed is cold. But there's a phone number on his hand, and a smiley face.
Only Hob drools, when he sleeps, and the last three numbers are hopelessly smeared. He panics, a little. Starts dialing numbers, looking in the phonebook, asking around at shows with his stranger's description. It's the opposite of trying to find a goth in a haystack. That would be so, so much easier than this.
Dream, for his part, had to leave for work, but it's fine. He's sure this man will call him. He knows where he lives, of course, but Matthew insists he has already acted 'sufficiently fucking unhinged' and 'cannot show up on some guy's stoop, he lives in Greenpoint dude, you will get the cops called on you'. So Dream tries to wait. He thinks, over and over, of this man who threw an easy punch in defense of his honour and then looked, bizarrely, bashful about it, who threw the same arm around him and used it to tug him closer and huff softly into the back of his neck the next morning, and Dream knows it's not exactly the normal speed of things, but he's in love. He's in love, and his happy confidence that he was going to be phoned the same afternoon - or, maybe he was busy, the next day then - or on the weekend, surely? - or - has vanished.
It's not his stoop. That's what he tells himself when, on the fifth day of not hearing anything, he finds himself picking up oranges and putting them back down again at the bodega a block from the mystery man's apartment, staring at the door as if sheer willpower might summon him. He starts getting flowers for his sisters at a Greenpoint florist. At his lowest moment, he does an entire load of laundry at a laundromat three blocks away, and spends the whole time staring out the plate glass windows furiously people-watching. Maybe he doesn't even live there. But it had seemed like a home. It had - felt like one. More than Dream's own apartment ever has.
Hob is giving up hope as the week wears on. New York is huge. Brooklyn is huge. What if he was just a tourist? What if he lives in Delaware? He didn't look like someone who lives in Delaware. He's even fallen behind on his fucking errands because he's been going to every show he can find, shows that he thinks would be his stranger's scene, staring at crowds looking for black hair, black lipstick, blue eyes.
And after nearly a week of these mortifying shenanigans, he finally sees him again - at the bodega of all places - and Dream looks, frankly, furious, until Hob holds up the back of his hand, the faded incomplete phone number (he morosely started avoiding washing the spot after fearing it might be all he would have as a memento), and Dream realizes that Hob had wanted to phone him, he had.
Hob hands him the sharpie he always keeps in his pocket, says, "Here. For next time. Something that lasts longer."
And Dream, of course, takes it from him, wearing the same wondering small smile he had when Hob invited him to come cuddle, and then he's staring at Hob again, except this time he's not drunk, he's not drunk, but they are in Hob's local bodega, which Dream apparently either does not know or care to consider, because suddenly strong hands are wrapping around the back of his neck and he's being kissed, sweetly and hungrily, and Hob is making a piteous noise of happiness into his mouth, and Dream is slotting a thigh between his legs, mother of Christ, right in front of the sandwich counter. Hob pulls himself away and breathlessly asks, "Can I take you home? Again?" and Dream smiles and takes his hand, the one with the faded blue scrawl Hob can finally wash off, and pulls him out the door.
They're half way down the block before Hob remembers he forgot to buy the gnocchi. He makes them go back for it, because he's pretty sure they'll be hungry in a couple hours. And he still owes his stranger a good meal.
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ettelenethelien · 2 months
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Trying to write something...
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It all started with Elros wanting a cavalry. The Edain did not have any larger, or even moderately sized horseback regiment and the lack irked him. Truth be told, there was more of them that did not know how to ride, than those who knew, and there was not enough of the latter among any single people to make up one - but there was plenty enough between the three Houses, and the House of Bor, and the many disparate mortal groups that had wandered into Beleriand at some point or another.
The other indisputable fact is that, among the members of the high command, Elros was The Baby, and the general consensus was that if Elros wanted a cavalry he should have one.
In hindsight, this may have been the begining of a nation.
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dirtytransmasc · 9 months
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Are yyou team green or black? And why?
team green, though I'm not in support of every green character (namely Otto though my opinion of him is complicated. I also have opinions on Aegon and his characterization that makes it even more complicated)
[I have only read bits and pieces of the book, so my opinion is based almost solely on the show. keep this in mind]
I'm team green for 3 big reasons. they're more complex, thought not perfect by any means, more morally "right", and are simply more my vibe when it comes to characters. now this is very simplified and not at all nuanced, so stick with me for a minute.
Firstly, they're more complex. the greens have very deep, detailed, and nuanced lives and stories that lead to them being very complex characters that can't be put into a box. Alicent was a child bride who had lost her mother young became a mother young and suffered at the hands of power and men all her life. her children were affected by this and the world they were forced to grow up in throughout their lives. even individually her kids are drastically different; aegon the child who was forced into a life he did not want and suffered due to his father neglect and mother pain. Helaena who was never understood and grew up treated like an oddity. Aemond who was never seen to his full potential, always ignored or looked over, angry throughout his life. each of them has strengths and weaknesses, flaws and benefits, they're imperfect but never completely horrid. they're also never simplified (not entirely, even when the plot and writers seek to simplify them) to the point that they put on a moral pedestal or made straight evil (i'd even argue that the attempts of the writer to oversimplify them as evil and in the wrong makes them 10x more fascinating). I find TB characters tended to miss the mark on that, always put in the moral light, not even allowed a moment to reflect on their actions, lives, or positions in any nuanced or meaningful way, so they always just feel dull. they're also out on a moral highground that they can never be budged from, which makes them harder to like and honestly, really boring. they get away with everything instead of being emotionally and morally nuanced.
secondly, they're more morally "right". I will never say that any of the greens are perfect, they are far from it (with the exception of Helaena and her kids, who have done literally nothing to anyone, but I digress). what I will say, 9/10 times there is some level of reasoning that has some level of reasoning. Alicent always tries to do whats best for everyone, all throughout the series she tried to do best by the court, the king, her children, the realm, and Rhaenyra. did she always succeed? no, but she always tried and her mistakes were almost always honest. I will say she held resentment towards Rhaenya, but honestly, I can't blame her. Rhaenyra's lies and behavior hurt Alicent over and over again so for her to be angry is expected.when it came to succession, Alicent backed Rhaenyra until it was made clear she and Daemon would be a threat to her children's lives and even than she held mercy for Rhaenyra. Aegon's drinking can be blamed on the abuse and neglect he suffered at Viserys, Otto, and Alicent's (though the abuse and neglect from his mother is insanely different and nuanced. she perpetuated her pain onto him because she couldn't heal herself. so I hesitate to call it abuse, cause its so much more complicated than that) hands. though nothing will justify his rape of Dyana, I personally think it was a bad add in on the writers part, and leave it at that. Aemonds rage after years of being ignored doesn't entirely justify what he did to luke, but he had reason for his cruelty after years of Luke (and jace tbh) being cruel just because they could. TB characters tend to do terrible things in response to either A. nothing B. their own terrible things. Daemon kills who he wants when he feels like it, even for stating facts. Rhaneyra will lie and hurt those around her to protect her bastard children. both of them conspire to protect themselves and allow themselves to be wed, really just cause. while there are times they have their reasons, its a lot less of the time, and typically the backing to their actions, is they were trying to unbury themselves from within their own graves. (to preface, I don't care about rhaenyra sleeping around, it doesn't bother me, but its the fact that she will hurt everyone around her to protect her lies, allowing a child to be maimed and people to be murdered)
thirdly, they're my vibe. I like morally complex character, who are, to be frank, pathetic. I like characters with complex trauma's and issues, who aren't perfect people but its not entirely their fault. I would much rather watch a whole show about alicent, a child bride who tries so hard to be a good wife, queen, and mother while not prepared for any such role. Aegon who is a boy with severe mommy and daddy issues, a drinking problem, a flawed past, and constantly wet eyes. Helaena an ignored girl who has suffered for no better reason then her family. and Aemond, a boy who was tormented, bullied, maimed, and made stronger by it at the cost of his compassion and emotional stability - over a nepo baby who was coddled by her father, her murderous husband with a knack for unneeded violence, and her similarly coddled children (the show boiled them down to this, in my opinion). one is simply more up my alley than the other. I want character that need to be dissected, who have suffered, who hurt me to look at.
also, team black created almost all of their own problems. seeing as the main source of contention had to do with Rhaenyra's kids being bastards, which was Rhaenyra's problem, which she caused, and kept digging and digging that grave (faking Laenors death just so she could marry daemon, turning the blame on aemond when luke maimed him furthering the divide amongst the house, trying to wed Helaena to Jace putting her in danger, trying to take the driftmark throne and killing Vaemond for a claim her sons did not have, etc,) till viserys's death, earns her a lot less pity from me. at the end of the day, her being a woman was only a needle in a haystack worth of problems she caused herself that hurt her claim. if she had just strived to create to connection with ancient and her kids, and didn't make herself look like a threat to everyone who lessened her claim (which alicents kids would be the first people to be taken out) alicent would have backed like she had all season and there would have been no war, maybe conflict, but no war.
theres also the effect of the fans on my opinion. I have faced more cruelty, terrible media analysis, and outright ableism/misogny/(blood and sexual based) purist ideology/etc. from the TB fans then I have ever witness by TG fans. TB fans have ruined almost all of the TB characters for me in more ways than I can count, so I will say I am very biased.
thats why I'm team green. as a whole they are simply more appealing, their stories are more interesting, demand more attention to detail and emotional understanding, and from my point of view were the "right" side to be on in the war (the war was wrong on both sides, but my chips lie in the favour of the greens).
#THESE ARE ALL MY OPINIONS IF YOU DONT LIKE IT IGNORE THIS POST. MY ACCOUNT. MY EXISTENCE AS A WHOLE.#BETTER YET. IF YOU REALLY DONT LIKE MY OPINION. BLOCK ME.#I dont want drama. so dont bother me if you disagree#and to clarify discourse and conversation (even if we disagree) =/= arguing. name calling. harassment#if you can be constructive and respectful even while disagreeing your fine to stay#(the fact I have to clarify this in this fandom is embarrassing...)#defintly could have gone more in depth and better explained some things#but I'm tired and know if I don't answer this now I won't ever cause I'm a chronic procrastinator#so this is the best y'all are getting#the pity I have for all of them compared to any of the TB fans is honest to god my entire reasoning#but so many people don't understand them at all so I can't just say that#and I say this as someone who on my first watch was swayed by the intentional moral framing to hate the Greens and support the Blacks#with my whole chest. but I've grown and reflected and rewatched the show and realized I was wrong.#so I've been on both sides of the argument#I know what I'm taking about#pro team green#pro alicent hightower#I'm damn near anti TB/Rhaenyra#but I say lukewarm feelings on them to be more accurate#alicent hightower#aegon ii targaryen#aegon targaryen#aemond targaryen#helaena targaryen#rhaenyra targaryen#daemon targeryan#luke velaryon#jace velaryon#not tagging TB I like my life and sanity#they're so mean all the time and in the last week I've been harassed by them multiple times
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anastacialy · 4 days
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y'know, i keep making a habit of swinging my bat at hornets nests, but i have to say i'm getting so, so tired of people complaining about shows not making perfect sense when they aren't even close to done. we're four episodes into this season of doctor who. we're four episodes into this season of bridgerton. and yet in both fandoms i keep seeing people whine that such and such didn't make sense or it wasn't explained all the way and by god you guys i think maybe explanations might come later in the season. this is something most viewers will recognize as being called a 'plot.'
#like maybe a tiny bit of media literacy... might save you#and if you think i'm being mean like. its okay if you don't get it at first. it's okay if you don't understand the themes. but maybe#instead of stamping your feet and saying this makes no sense and i hate what they're doing and and and#maybe you could try listening to other people's interpretations of things and you'll find that what the show is trying to tell you becomes#more clear! would you look at that. wild how that happens#like im sorry you're entitled to your opinions but calling things bad writing just because you don't quite get it or it doesn't resonate#with you personally... i don't think you should just say this was shitty and worthless#the examples im using are because both resonate with me btw. 73 yards was existential horror it was hill house and bly manor#(im going to write about this in another post btw bc it compels me so)#it was about the way fear of abandonment can haunt you how mental illness can haunt you how you feel like you can drive people away#just by being yourself (the Woman was Herself what caused ruby to be abandoned was Her it's about her feeling as though she was the cause#of everyone who left her even as a baby even the people who loved her most could decide to not love her at the drop of a hat)#colin bridgerton is masking and faking a personality because it has been proven that time and time again#being Himself is Wrong that he annoys people he makes himself into what people expect of him because he's tired of being abandoned too#his family ignores and does not reply to his letters this season PEN stopped replying to his letters#his brother was cruel to him for being a romantic his friends LAUGHED AT HIM for saying sex is meaningful to him and don't they feel lonely#his Fake Rake persona makes viewers cringe because! its!! fake!!! he's faking it! HE GETS CALLED OUT ON IT TWICE IN EP ONE#if you don't understand he's faking it then that's on you at that point! i don't know! maybe take a minute to sit in the discomfort and ask#why did this show make me react this way and do you think maybe it was on purpose#''73 yards was confusing'' do you think confusion may be one of the ways ruby feels about her abandonment?#there is a theme in all of her episodes so far is it ''badly written'' unclear to you or do you just refuse to think critically about it#txtly#and im sorry for tagging this its just for my blog i kinda wish they still didnt show up in tags if i tag them all the way at the bottom#[old lady ruby voice] ''i used to be able to tag things just for myself once upon a time''#bridgerton#bridgerton spoilers#doctor who#doctor who spoilers
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saviourkingslut · 2 months
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not to be about opera again but to be about opera again. as an art form it has the reputation of being super stuffy and something for snobs who don't know how to have fun only but honestly this was one of, perhaps even THE main theatrical entertainment for centuries. i wish people knew how hard these things can go and how engaging they can be. like characters kill and die and fight wars and (almost) commit human sacrifice left and right. characters fall in love they mourn they're ecstatic they cry they're furious it's an extremely dramatic and emotional art form! and i understand that opera does not appear approachable bc of the general conventions of the art form but i promise old works can be fun and engaging if you go watch them with some preparation beforehand (reading the libretto helps) - not to mention not all operas are old bc there are so many modern operas which engage with topical events! also the music slaps.
#le triomphe de trajan (1807) out here calling for a man's execution with this banger:#point de grace pour ce perfide; que tout sons sang coule sur un autel#(no grace for this treacherous man; let all his blood flow on an altar)#this is also annoying to me when people write historical fic and the characters treat the opera as this elitist thing#that they don't know anything about.#you know when they go to the opera reluctantly and then they have no idea what's going on on stage or who the composer is.#which is. very unlikely for anyone with the money to attend an opera in certain opera houses in the 19th c. tbqh#like im more of an expert on paris and vienna idk what it was like in london#but if you were decently (upper) middle class or nobility (esp in paris) you went regularly. this was like a whole social space too#i recently read a fanfic and one of the characters was like 'oh it's in italian. i don't know that' and the other character went like#'it's by a man called donizetti what did you expect'#(this was situated in 19th century london)#like first of all. donizetti was NOT a librettist he was a composer he did not write the text#and second of all. he worked on french operas ?? so did rossini. and spontini.#opera was an incredibly international art form. also bc productions would be performed in different countries all the time#(sometimes changed and/or translated but not necessarily)#and again like i said. this was one of THE main forms of entertainment. people were familiar with its conventions! it was well-liked!#ofc bc of the seating prices it was not very accessible to lower classes most of the time#but lbr most characters that get written into an opera scene in fiction are at the very least decently bourgeois lol#i wish people knew how to properly historicise forms of entertainment whose reputation has changed in the modern era#from what it was a century or more ago#very adjacent to people 'cancelling' old lit bc of 'bad takes' like idk how to tell you this but people thought different back then#completely different world view from what we have today. that does not make lit from that era irredeemable it is just from a diff. time#acknowledging that and reading the text critically but also still enjoying it are things that go tgt here#ok rant over (it is never over)#curry rambles
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