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xjulixred45x · 6 months

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Soft Yandere SatuSugu x Darling Reader: Aditional Headcanons

Genre: Headcanons

Reader: neutral/ some hints of Female

Warnings: YANDERE THEMES, Much shorter than the previous one,SOFT YANDERE GETO SUGURU AND SOFT YANDERE GOJO SATORU, UNHEALTY MINDSET, OBSESSIVE BEHAVIOR, MANIPULATION, Gojo's god complex (minor), canon Divergent (Geto doesn't get corrupted...complelty), Gojo x Geto x reader, strange amount of DOMESTIC FLUFF.

FIRST PART FOR CONTEXT

IF WE CONTINUE WHERE WE LEFT OFF, Geto and Gojo continue to take you out of the house monthly for nights out. They can even change it to daytime outings and make it a much more domestic family day with Megumi, Tsumiki, Mimiko and Nanako.

going to some amusement park, going for walks around the city, to the dog parks (you and Megumi connect a lot thanks to this)--

SHOPPING! Gojo and Geto become threats in this area, they will buy everything you, the twins and Tsumiki want. In your case you just have to look at something for too long and it's yours. Even if you try to avoid it, it's already yours ;)

(don't notice too much that they feel a little guilty for putting you in that state of depression in the first place but they are too selfish to let you go apart from the fact that you are too adorable and pure to be contaminated by the world ---)

Ejemejem EJEM....Lets continue.

They would also LOVE it if you wanted to try on clothes with them, although of course it will take a lot of effort to keep their hands to themselves.

If someone tries something on these types of outings (whether harassing or flirting with you), rest assured they won't do it again :)

although of course, they won't let you see it, but you know better than to believe it when they say "I'll be right back" that doesn't mean they're going to get water or go to the bathroom...

instead you just try to prevent the children from learning their "bad habits" translation: their possessive and obsessive tendencies, which is a difficult thing to do when 1- literally saved the lives of two of them and 2- literally saved the others for a clan of madmen, they are obviously quite skeptical at first with your warnings.

but because neither Geto nor Gojo make a REAL effort to make it seem that they are WRONG.

Mimiko and Nanako are the least suitable, but at the same time they are the ones who make the most effort to understand you and integrate you. So I don't see it as difficult for them to see through, at least, Satoru's behavior, and since before you used to have very prolonged depressive episodes. So they will be something like your allies and they were your main shoulder to cry on at the time.

Of course, they are not willing to see that Geto is not much better, but rather they are in denial.

Megumi is distant, which makes him the least suited of all of them to see what's wrong with all of this. He's barely with Satoru once he grows up, and yet he holds him in high regard, so the chances of him doing anything to help you are low to zero unless Tsumiki gets involved.

He doesn't hate you at all! You're the closest thing he's had to a stable figure, but he's not willing to risk Tsumiki for you, he's sorry, but that's the way it is.

Speaking of, Tsumiki is kind of like your best and worst option, because she IS the one who stops everyone in this house (except Geto and Gojo) from becoming Yanderes, but she can't do anything for you because she has no curse energy, she's worse than you in that regard. but she will always be there for you when you need a friend and want a tooth and nail ally (although the context is not favorable).

I also wanted to take advantage and delve deeper into Gojo and Geto in a way.

Gojo is much less condescending and more empathetic in this situation thanks to Geto, i had already said that, yes, but to make it clearer, we know that Gojo used to use Geto as his moral compass, distinguishing what is right and what is wrong.

For this reason, Gojo tends to imitate several of Geto's most pleasant behaviors when he realizes that this would be more pleasant for you until it come out in a natural way. I mean, Gojo has a lot of Geto and it is thanks to that that he is more empathetic with your situation, Geto helps him be more empathetic and kind.

While Gojo enhances Geto's positive qualities and removes possible negative qualities or thoughts that may bring them, any insecurity is CRUSHED by Gojo and thanks to this Geto is less paranoid than he could be.

Also thanks to this you are not completely isolated, because Geto fully trust that Gojo and he will protect you.

I don't need to say it, but I will, you are VERY spoiled. They are slowly turning you into a spoiled child (only without infantilization, that would be uncomfortable, they have children for God's sake) in the sense that everything you could want, you get (except maybe going out without any supervision). In general, one of their love languages is that, spoiling you.

That's exactly what they did when you first "moved" with them at first, they we're just so excited to finally having you that they wanted to do all at once, give you love, take care of you, spoil you, they even carried you from one side of State to the other just because they could.

Although at first being pampered is strange and somewhat nice, it quickly makes you feel somewhat useless by not being able to do ANYTHING yourself, add to the isolation (more or less about 2-3 whole years, you don't know, only that they graduated in that time) and you have a severe depressive episode(the one i talk about in the first part).

when you went into a that state, both of them, although they didn't show it, were TERRIFIED that you would try something....extreme, so to speak. So they spent a solid week helping you bathe, change your clothes, feed you, brush your teeth, etc.

Gojo seriously thought about giving you antidepressants, but at the same time he was scared by the possibility that they would fuck up your mind even more. That's when they made the plan and fortunately it worked.

They try to take better care of your mental health after that. Nowadays you can even go out apart from the monthly outings even with just one of them! something like more personal individual dates, for example, if you go to have coffee with Geto, chances are that that same week you will go to dinner with Gojo. Maybe these types of dates happen mainly when one is on a mission and the other stays at home.

They try to intersperse certain things to prevent you from being left alone, but when you do, they are constantly calling you or making calls on Sky. If they have to leave while you're asleep, they'll leave a joint voicemail saying how sorry they are that they can't say goodbye properly but that they'll make it up to you when they get home.

and you don't doubt that they will get home.

(You once tried to leave while they were on a mission together, but Geto's curses followed you everywhere, so nope, Even if they are physically there, you have no possibility to go out completely alone, although they are honestly not bothersome.)

When they get Home, expect the already high level of clingyness to increase and you won't be able to move all afternoon or AT LEAST until dinner time. but at least they tell you about the interesting things they did on the mission, bring you some (many) souvenirs and generally "make up for lost time" away from you.

If you had plans to start a family before, both Geto and Gojo definitely remember it and will want to know if you are still going with it. Of course, they were different circumstances, but surely you would like to start your own family with your husbands, right?

(all strictly consensual obviously, even if all this is quite shady, I REFUSE to believe that they would commit r@p3 against you)

If you don't want to, that's fine! They get it, they're a little disappointed not to see their little versions combined with you, yes, but they already have Megumi, Tsumiki and the twins, they can live with that.

If you don't want children but feel a little lonely, they can get you a pet! a cat or a dog to take care of all three but its main function is to keep you company. It's cute when they both arrive and see you snuggling with said pet (they definitely took photos and added them to the collection of cute moments)

their love for you does not diminish because you do not want children, if necessary it will multiply.

And additionally, if you take this route they would probably be filled with doubts about what would happen if they had accepted (things like possible miscarriages, postpartum depression, the possibility that you would die, etc.) and they feel WAY calmer about it.

If you decide that you are comfortable enough to have a child with each of them(and being an actual family someway)....god it would be chaos, in a good way?

Gojo would already be thinking of names, whether for his child or Geto's, it doesn't matter! He loved them the same, apart from the fact that he bought many MANY things for the children (the child was not even born and is already going to be spoiled).

You practically signed a deal with the devil, during the first months you can't even get out of bed! They practically bring you everything and are close to you 24/7.

Tsumiki gives you a hand to have some time alone at least. Megumi comes by from time to time to guard the house when Gojo and Geto leave, additionally asking you if Gojo is giving you trouble (fortunately not) and even leaving some cute stuffed animals (with protective seals).

Mimiko and Nanako are by far the most excited about this, although rather than asking Geto about the situation, they are more interested in what YOU have to say (obviously, Gojo and Geto too, but it's nice that the girls are so up to pending without being suffocating)

✨Scary Dog Privilge ✨ when everyone goes out for a drink when you start to have a baby bump, it's like a switch from "fucking scary" to "hiii sweetieeeee"

Gojo will shamelessly put his hands on your belly, but at least he'll be very careful when he does it. Geto always asks for permission, although if you say no often he will seem like a kicked dog and eventually you will have to give in.

once you have the baby, expect a LOT more gifts not only from Geto and Gojo but from their companions and members of other clans now that the Strongest have children, at least the twins, Megumi and Tsukimi take care of that while you, Geto and Gojo spend some time alone with the baby (no matter who it is).

(It goes without saying, if you have a baby, there is no WAY IN THE WORLD you can get away from them...although it's not really like you want to if you choose this route.)

I would like to say they don't teach their children their unhealty mindset, but again, they see nothing wrong with what they do bx you are happy(now) so it's your job(and maybe also Megumi's and Tsumiki's) to teach them how to love properly.

At least they won't stop you, they see it as the "old times way" but not neccesary Bad. They will still love their children (even if they're not yanderes or share the same view of love and world in general, they are their kids).

In short, they are not bad life companions at all! If only they could have started the relationship normally and controlled their jealousy, overprotection and paranoia in a healthy way......but they undoubtedly love you.

Hope You like it❤️

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kaladinkholins · 3 months

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Blue Eye Samurai characters as animals

First of all, let me just reassert my dog Taigen agenda.

Like I keep talking about it but this man really growls and barks like a dog, and yaps and follows Mizu around like a puppy.

I don't know much about dog breeds but my first thought was German Shepherd for Taigen. Typical guard dog you know? Fierce, aggressive, loyal, and very disciplined when trained.

Or maybe he'd be an Akita? Since that's a Japanese dog breed, and they're also large and powerful. They're quite similar to German Shepherds, not only in appearance, but they're also good as guard dogs and hunting dogs, though they're less predictable and not as family-friendly.

Also in Japanese folklore, dogs tend to be seen as auspicious guides and protectors that have the power to resist evil spirits and demons. Dog statues are often placed at city gates to ward off thieves and robbers. Ties back to guard dog behaviour lmao, and brings to mind how the Shogun praised Taigen's loyalty and specifically requested that Taigen be one of the people guarding him at his side.

Okay next, moving on, let's talk about cat Mizu, which I've also talked about before, but okay. Just look at this.

Neko Mizu my beloved.....!!! Scrunkly and scrungy. Graceful predators, introverted and mysterious, but feisty, unassuming little creatures of chaos. WILL scratch you without hesitation.

Also I think she'd specifically be a black cat, because of the prejudice towards black cats as "unlucky." Similar to how Mizu is discriminated against as people believe she's a "monster."

It's also interesting to note that cats have several different forms within Japanese folklore, from the deadly and malevolent nekomata, to shapeshifting bakeneko, to the waving figurine of the maneki-neko placed in shops to bring in prosperity. Some theorise that the diverse range of folklore stories regarding cats is related to how the species is not indigenous to Japan, which is also interesting when you recall that Mizu is mixed race.

I feel that she could honestly be any domestic black cat, but if I had to choose a specific breed, then I think she'd suit a Bombay. Very glossy black coats. Muscular but lean. Very panther-like. Only thing is that Bombays are known for their special copper eyes, but the fact that eye colour is a notable thing about their breed is also a very interesting parallel.

And I know I said in my previous post (linked above) that Ringo is the exhausted but loving caretaker of the two of them, but Ringo has an animal form too! He's a tanuki, also known as Japanese raccoon dogs! In folklore, they're silly little guys, happy and mischievous, a little absent-minded and goofy, but they're shapeshifting masters of disguise.

Also, in canon, Ringo literally lived with a family of tanuki during winter at some point in his life! He talks about this when he meets Mizu in the first episode. Image below is a concept of a deleted scene, courtesy of Brian Kesinger, the show's head of story.

Next, Akemi. Now, I know she has all that bird symbolism going on, but Mizu also had horse symbolism (due to her connection with her horse Kai). So, personality and design-wise, I don't think the symbolism has to necessarily match up. And with that said, I would like to propose another idea: I think Akemi is more like a fox!

Like I'm convinced she is in fact a beautiful kitsune in disguise. Because kitsunes in Japanese folklore are known to shapeshift into beautiful women, and are very elegant, cunning and intelligent, which seems a lot like Akemi to me!

So yeah that's it. They're a bunch of cute animals. The end.

#blue eye samurai #mizu blue eye samurai #taigen blue eye samurai #ringo blue eye samurai #akemi blue eye samurai #there should be a tag for all 4 of them like as a squad or a found family ykwim #i cant think of a name for that rn though please reply or put in the tags if yall have ideas for that #more silly posts from me as i procrastinate wheeeeee #fandom.rtf #shut up haydar

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let-roman-bite-someone · 7 months

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it's been a while since i made an analysis here but as anyone else in this fandom, i've been speculating on orange. i know that by now, most people are convinced that orange is anger or something related to that.

however, we need to look at the previous patterns in order to figure out who orange might be. “the dark sides” were all facets of c!thomas that he was unwilling to accept or acknowledge. his anxiety, his ability and capacity for deception and probably the most jarring for him, the violent and/or disgusting thoughts that pop into his head without warning.

despite virgil's arc, anxiety was probably the easiest for thomas to accept. virgil didn't even have to introduce himself; thomas already knew he existed and while he was not happy about that, thomas had already accepted by that point that anxiety was a part of him. janus's existence was a harder pill to swallow and remus's was even harder.

so with all this, orange turning out to be anger (or wrath, rage, whatever you want to call it) would be a little underwhelming. while anger is not an emotion that is always encouraged, it's certainly not that hard to accept. especially compared to having repetitive intrusive thoughts about murdering people.

besides, thomas has already acknowledged his own capacity for anger before.

here, he refers to logan and roman having short tempers. they've shown this multiple times in the series too. if logan and roman are prone to anger, then it follows that thomas is also prone to anger and that he is aware of it. and regarding the nonchalant way he addressed it, i doubt he's troubled about his temper at all.

since there were only two short episodes before the introduction of virgil, we don't have enough context as to whether thomas was aware of his anxiety or how accepting he was of it. for janus and remus however, we have several instances of thomas either being in denial or being completely unaware of their existence.

regarding the concept of lying, thomas chose not to lie to people to the best of his ability. regarding intrusive thoughts, while there's no instances of thomas straight-up refusing to feed into them, he was a lot more "clean" before remus came along. he didn't swear as much and when he did, usually censored the swears (probably a conscious decision from thomas & co. but i think it had a canon reason too) and using more technical terms for sexual activities.

anyway, all of this is just a complicated way to get to the point, so i won't bore you any longer. my point is that orange would have to be something bigger, something more terrifying and that thomas would likely be in denial about.

one thing thomas has constantly been shown to fear is losing his friends and loved ones. this has surprisingly been a consistent theme from the early stages of the series.

a lot of the episodes like Making Some Changes, Can Lying Be Good and the SvS duology were centered around thomas's fear of losing his friends. friendship is very important to thomas and different situations in his life often feeds into the fear of being left behind.

now what is a common theme in all the scenes that orange has been hinted at?

the feeling of being ignored or belittled. logan gets mad at roman because roman mocks his attempts at trying to communicate honestly. SvS Redux has thomas feeling irritated and upset that lee and mary lee barely paid attention to him during the wedding. the intrusive thoughts asides video, of course, has both thomas and logan getting angry over being ignored.

so, with all this, i conclude that orange is desperation (n; a state of despair, typically one which results in rash or extreme behaviour). a need for validation, a need for attention and affection. thomas, at this point, is especially disturbed by a lot of things going on in his life. but a recurring theme throughout the show, especially after the introduction of janus and remus, is thomas's fear of driving away his friends. he is overly judgmental of each of his actions, worried that they may lead to him being lonely and left behind.

and again, in WTIT, thomas is also desperate to be noticed by nico. he fears dying alone but at the same time, he struggles to reach out to people. still, he makes the first move by texting nico but the fact that nico doesn't reply makes thomas more and more fearful of ending up alone. he is desperate for love and support, he is desperate for validation; but he needs to focus on himself and fix his own issues, if he wants to maintain a healthy relationship with other people.

like all the other sides, i think that orange is also only trying to help thomas. he's trying to get thomas to come to terms with the fact that nothing is stagnant. most things in life are temporary and the sooner you accept that, the sooner you'll be able to let go of any worries weighing you down. thomas just needs to face that fact and focus on living in the moment, instead of worrying about what could be. he also needs to have a little trust in himself and know that he's trying his best to be a good person.

and logan is the right person to target for this. because first off, logan himself is suffering from the desperate need for validation, he is visibly struggling to get to thomas. secondly, a sign of deteriorating mental health is when logic becomes clouded due to emotions and this affects a person's basic functioning, such as decision making, problem solving and if gone too far, even everyday activities. the one time logan temporarily left the group, we saw how much of a chaos the others were. i believe orange thinks that this is the only way to make thomas understand how dire the situation is.

so yeah, that's just my take on this whole orange deal. i could be completely wrong but it's still fun analyzing these things.

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its-a-me-mango · 7 days

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Hi I've had several people ask me for my opinions on the movie so instead of answering them all individually, I'll give my honest opinion here. (There's a few focused one I'll answer but this is just my general feel for it)

Ok so, I'll be honest, not my favourite SMG4 movie, don't get me wrong I still enjoyed it, I enjoyed it a lot, but as a few people said, it felt more like a long SMG4 episode than a movie. I think if you see it like that then a lot of the flaws with it kinda melt away, at least to me lol.

We know the team can do absolute bangers (Western Spaghetti is still my favourite SMG4 movie you can fight me on it), I think they just missed the mark a bit this one, especially for someone as important as Mr Puzzles. You'd think if this was a finale to him they'd maybe, I dunno, show him more? It's hard for me to say personally what I would do differently, but I think what they did wasn't the best for him. I'm hoping he shows up again maybe, that'd be nice and would make the movie feel less anticlimactic for me and probably a few others.

Then again we've seen him non stop for like a month so I don't feel like complaining too much lol.

The gags though were super fucking funny and that's what I love most about SMG4, I ultimately don't care if the story is lacking, as long as I'm having a good time then the story can do whatever the hell it wants. I'm not a South Park fan AT ALL and even I was crackling at the South Park skit. The references and jokes, the live action bit, MEAT MALLET?! It's stupid shit like that that makes me love watching SMG4.

I do genuinely think a lot of you would be happier if you took SMG4 less seriously, no offence to any of course it's fun to take silly shitpost shows seriously, but at the end of the day they are shitpost shows, they're meant to be stupid and make dumb jokes, again this felt way more like an SMG4 episode than a movie and I'm fine with that.

Anyone saying SMG4 fell off or were horrifically let down or something like that is being silly, you can say you didn't vibe with the movie it's ok, subdue your expectations and watch Bob make a pickle rick joke with me, you'll understand my vision then.

I get the impression they wanted the movie to be more silly and stuff instead of serious like previous movies, Mr Puzzle is a villain yes but he's a horrifically cartoonish one. His main goal was to control the world though the TV or something like that, like compare that to Wren's goal, there's a clear difference in tone between the both of them.

Regards, I still enjoyed the movie, yes it was a bit over hyped but it wasn't a total letdown for me, it gave us Mr Puzzle characterisation which is nice, again it was REALLY funny, and I always love to the see the team try new and silly ideas! I hope they do more weird and wacky stuff like this in the future because you can tell the team was having fun with this! That's more important to me than anything else.

Also that song was an absolute BANGER, certified bop!!!!! 💥💥💥💥💥💥💥

#smg4 #smg4 spoilers #I'm gonna watch it again tomorrow I have so many memes and art ideas to draw from it!!!#To be fair it's hard to beat western spaghetti because that is cinema. You can't beat that one

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celestivlgvlvxy · 3 months

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Four Pearls

This is a sort of continuation of this post where I talked about the changes regarding the solstice deadline, but this time I want to speculate a bit about the pearls and how I feel it will effect the larger storyline.

If you have read the original book, you would know that Percy originally only received three pearls from the nereid and Poseidon. The show gives him four. Let's talk about it.

So spoilers for PJO TV and the original PJO books! It's a long one.

There's a lot of speculation about what this means for Sally and "You will fail to save what matters most in the end." I still think they're going to fail to save Sally.

The prophecy: I have a hard time seeing the thing that matters most is not Sally. I have doubts that Percy's going to save her.

The preview: The preview for episode 7 shows Percy and Grover arguing:

Percy: "After we get the bolt, you guys are leaving…with my mom." Grover: "What about you? What about you?" … Percy: "Hold fast, Mom."

Based on how this line is delivered, I think this might be Percy telling Grover and Annabeth to leave thee Underworld with Sally. He pauses before he says "with my mom", which makes me feel like that hesitation means that Percy is relunctantly doing something once again. The way Grover reacts makes it seem like Percy is staying behind and he doesn't have a plan to get out.

He tells Sally to "hold fast" which we know is something that she tells Percy. The last time we hear this quote is when Sally leaves to distract the Minotaur and they're separated. I think Percy is telling Sally to hold on just a little longer because he can't save her.

The nereid: If you pay attention to what the nereid is telling Percy, you'd notice something a little odd.

Percy: "There's four of them." Nereid: "Save the world. And then go save your mother."

I don't think it's a mistake that she tells Percy to save the world first. She doesn't even tell Percy what the pearls are for, that's how the episode ends. If the intention of giving him the pearls was really about saving Sally, the emphasis would have gone on "save your mother."

So if the pearls aren't for Sally, what are they for?

I think they're testing Percy.

In my previous post, I talked a lot about how many, if not all, of the trio's major failures during their quest was because of the gods' interference. We are not meant to like the gods—they're setting it up so that down the line, we are more sympathetic to Luke's cause.

More importantly, it sets up Percy to be moree sympathetic to Luke's cause.

But Poseidon gives Percy four pearls. Poseidon actually waited for Percy to show up himself. With each episode, we are given little details to make us think that Poseidon is the god to be rooting for.

However, if you look a little deeper into his actions, Poseidon is not the perfect parent. Percy said it himself, Poseidon didn't acknowledge him until he needed something from Percy.

I believe Poseidon / the gods are testing Percy. The gifts from the gods don't come free.

Asking for Athena's assistance came at the cost of the Chimera.

Getting (relunctant) help from Ares nearly killed Percy if Annabeth didn't change Hephaestus' mind.

Seeking out Hermes for transportation caused them to miss the deadline.

What will these pearls cost?

Don't forget this quote from the book either:

When I reached the beach, my clothes dried instantly. I told Grover and Annabeth what had happened, and showed them the pearls. Annabeth grimaced. “No gift comes without a price.” “They were free.” “No.” She shook her head. “‘There is no such thing as a free lunch.’ That’s an ancient Greek saying that translated pretty well into American. There will be a price. You wait.” (The Lightning Thief, "We Shop for Waterbeds")

I think Poseidon knows he will fail and he's not telling Percy. It's a test of his fatal flaw: personal loyalty.

Who will Percy choose? Annabeth and Grover or his mom? The world?

The entire quest, Percy had little to no agency in the big decisions. He does not want to go on this quest. Annabeth is in charge, Athena, Ares, Hades, Zeus, and Hephaestus all nearly killed him. Hermes stalls them.

The deadline has passed and they failed. But Percy chooses to move forward. He chooses his mom, he chooses to continue. Percy is taking matters into his own hands.

The price is Sally Jackson and Percy is not going to be happy about it.

In the long run, I think Percy is going to be facing a lot of difficult choices. Choices that will justify him being bitter towards the gods. Choices that will justify him becoming like Luke, the same way Annabeth could've been Medusa in another life.

And isn't that kind of the point?

Percy is not Luke. He's not like them. He has every single reason to turn his back on the gods. He has every single reason to overthrow them. But he doesn't. Every single day, every single decision, Percy chooses to not be like Luke. But he gets it. He understands why Luke did what he did.

The writers are writing the show with the knowledge of what is to come. Percy's bitter, but he's not Luke.

He's going to be given reasons to be bitter and it starts with the pearls. But what will make Percy different? What will make him better?

#percy jackson #percy jackon and the olympians #pjo tv show #percy series #annabeth chase #grover underwood #sally jackson #luke castellan #pjo spoilers #poseidon #pjo poseidon #media analysis

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sokkastyles · 3 months

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Hi,

Hope you are doing well.

Thank you for the answer on the Final Agni Kai. I had some questions regarding one of your favorite topics TSR.

Aang's line, "I forgive you, that give you any ideas?" which he uses when Zuko and Katara take Appa seems wrong to me in many ways. It really feels like he desperately wants Katara to forgive Yon Rah, not even realizing that its just not possible for Katara to forgive Yon Rah. In a way, it really shows his discomfort with Katara's darker emotions, but she had been feeling that way since her mother died, along with the fact that she had no idea she could even confront him till Zuko gave her that information.

Do you think that a huge moment of growth for Aang would have to acknowledge this side of Katara as well?

I would like your thoughts on this.

Yeah, that "I forgive you" line is Aang being desperate. It's also really condescending and tone deaf to even compare his "forgiveness" in this scene to Katara forgiving Yon Rah.

I put forgiveness in quotes because Aang absolutely does NOT forgive Katara for taking Appa. He just knows he can't stop her at this point. The sarcastic tone and "that give you any ideas?" make him look pretty hypocritical because he is neither being forgiving nor understanding, he's just being flippant and dismissive.

It's also really clueless for Aang to make this comparison in the first place because, once again, Aang thinks the way to get Katara to listen to him is to compare her to a murderer. People talk a lot about how hurtful it was for him to compare Katara to Jet, when Katara was strongly against the things Jet did and was hurt by him personally. But let's talk for a minute about how Aang's new tactic is to literally compare her to her mom's murderer and compare her forgiving Yon Rah to him forgiving her for taking Appa without permission after she repeatedly tried to get Aang to listen to why she needed to go and he shut her down.

It takes a lot less for Aang to forgive Katara here than it would for Katara to forgive Yon Rah, so this kinda puts a damper on his whole "forgiveness is hard" theme. And even so, as I said above, he's not really forgiving her, he's just making a sarcastic comment while still judging her. Aang is not being the arbiter of forgiveness here that he pretends to be.

Let's also look at the conversation in context because I have more to say here.

Aang is flippant and dismissive - while also implying that Katara taking Appa is comparable to her mother's murder. And I'm not saying it wasn't probably hurtful to Aang that Katara would take Appa without his permission, especially considering what Appa means to him, but it's not comparable to cold blooded murder motivated by genocide. In any way. And, like, considering how they left things in the previous scene, with Katara telling Aang she had to go, what did Aang think Katara was going to do?

I'm pretty sure I've also mentioned before how this plot point is manufactured to make Katara look worse. However, in the previous episode, Sokka tried to take Appa without permission and the only reason he didn't was because Zuko pointed out that it was a stupid idea and he happened to have a war balloon stashed away, which he conveniently no longer has as of TSR. This is basically a case of moral luck, where a character's morality is judged based on plot contrivance.

(I've also said before that Aang not killing Ozai is down to moral luck, but that's another conversation.)

So Aang is flippant and condescending, and Katara seriously and very directly tells him that yes, she is going to take Appa. Mae Whitman's voice acting is phenomenal in this scene, btw. She sounds so sad, because I think she does feel that she is betraying Aang by doing this, but she tried to tell him why she needed to do it. She tried. He didn't listen.

Then she says "don't try to stop us," and Aang says he wasn't going to and that "this is a journey you have to take," but, again, it doesn't feel like he's saying this because he really believes it. It feels like he's saying it because he has realized at this point that he can't stop them from going, short of attacking them. But if he thought he could, he definitely would have continued to try to stop them.

Which brings me also to Zuko's sarcastic comment. Because Aang's the one who sets the tone for this conversation. Zuko simply responds in kind. Katara, by contrast, continues to speak in the same sad, hurt, but firm and direct tone, and thanks Aang for understanding. She thanks him. For understanding. When Aang is offering none of that to her.

I actually think Aang could learn more from Katara about forgiveness, given how much restraint she uses towards Aang here and the way he's treating her.

I think Zuko saw that, too, and that's why he responds angrily to Aang here. Not because he disagrees with Aang's beliefs but because Katara keeps quietly but firmly telling him what she's going to do and he keeps ignoring her and acting like she's being irrational.

I've said this before, too, but that would also be triggering for Zuko to watch this happening, considering how he's been gaslit by his family. Notice how he's quiet until the end of the conversation (and didn't say much in the conversation before that, either.) Aang's language, even if well-intentioned, would probably set off something in him and he's not wrong to defend Katara.

#katara #the southern raiders #zuko #aang critical #antikataang #zutara #not really but using the ship tags to be safe

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imgeekgirlfan · 7 months

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Down The Road (F1 x Reader) SMAU Season 1

>> Down The Road 𝙈𝙖𝙨𝙩𝙚𝙧𝙡𝙞𝙨𝙩

➡ Previous Part : Next Part

Taglist: @raizelchrysanderoctavius , @laura-naruto-fan1998 , @jpg3 , @tsukishimawhore , @minkyungseokie , @roseseraj , @bbhyuneee , @omgsuperstarg @roseseraj (If you want to be added in this fic, just tell me in reply )

A/N : I got huge inspiration after reading Zendaya's definition of Hunter Schafer in the 2021 TIME100 NEXT, and I vowed to include this scene in my fic. LOL, Time Magazine practically became the main plot for this Episode. I'm putting a lot of effort into every detail, so if you like it, don't forget to like and reblog

Episode 4 will be the final part of Lewis Hamilton. After this, the series will move on to a new season with new storyline and new main characters. Stay tuned for Season 2 of the "Down The Road" series!

note ; As you can see, I want my SMAU to be as realistic as possible. So there will be both positive and negative comments from F1 fans. Just to show you that the social network has people with various attitudes, not everyone has a positive attitude.

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Season 1 : ── 𝐃𝐚𝐝𝐝𝐲 𝐋𝐨𝐧𝐠 𝐋𝐞𝐠𝐬 ── (Lewis Hamilton x Reader) S1 : E03 𝑅𝑢𝑚𝑜𝑟𝑠

The year 2024 started with a lot of news and a lot of rumors, especially for Formula 1 drivers. Y/N, in particular, has had to deal with a great deal of attention since last year when she made it clear that her goal was to clinch this year's championship. This has subjected her to considerable pressure, not only from her performance on the track but also regarding her personal life. The rumors about her relationship with Lewis Hamilton don't seem to be fading away easily; in fact, they are growing more intense with time.

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Source : @autosport

The year 2023 is coming to an end, confirming Max Verstappen as the new world champion of the year. He secured a memorable victory at the Qatar Grand Prix, considered one of the toughest F1 races this year. There were several tense moments on the track, with one of the most talked-about incidents being the collision between Lewis Hamilton and George Russell, teammates, resulting in missed opportunities for both to be on the Podium

However, two other drivers who have made a lasting impact this year and are worth mentioning are Oscar Piastri and Y/N YLN, the two rookies in the world of Formula 1. They have consistently impressed in various races and are closely watched by experts as potential contenders who could challenge Verstappen for the championship title in the near future.

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Source : @TIME

As a woman who runs and drives in the world of Formula 1, @Y/N a standout racer in Formula 1, is not only known for her exceptional performances throughout 2023 but also as a global icon for women. She defies stereotypes and inspires us all. Her ambitions to become the Formula 1 World Champion next year are exciting. invite us all to follow and support her with excitement in the coming year. Congratulations to Y/N on making the #TIME100Next list for 2023.

@LewisHamilton on @Y/N #TIME100Next :

I truly believe anyone lucky enough to meet Y/N will feel the immense light that is constantly radiating from her. She makes everyone in her orbit feel seen. I’ve had the privilege of watching her tap into every facet of her courage as a girl driver in Formula 1, and I am lucky to call her one of my special ones. Her ability to solve on-the-spot problems, compete in a male-dominated industry fearlessly, and continuously set impressive records is truly remarkable. Additionally, her beautiful heart, honesty, and selflessness, which are rare qualities in the world of Formula 1, leave me so impressed that I'm at a loss for words.

Y/N is so special in so many ways that I could go on forever, but this truly is only her beginning. There is no limit to the wins she will create.

Hamilton is a seven-time Formula One world champion

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Source: Y/N's Instagram (update)

“I can't believe it! I've made the Time magazine cover as #TIME100Next2023 Thank you @lewishamilton for the beautiful description”

Y/N shared a moment of joy after being selected as TIME 100 Next 2023. Fans, friends, and even fellow F1 drivers joined in to show their support. and the one who drew the most attention was Lewis Hamilton, who wrote an entry for her. This has generated a strong and hot response from the media, reigniting discussions about their romance rumors (again)

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Source: Lando Norris's Instagram (update)

“Thank lil sis @Y/N for friendship bracelets. I won't take it off for sure (except when you're not around)”

Lando Norris shared a new photo on Instagram wearing friendship bracelets made by Y/N, symbolizing their strong friendship as friends from the same academy who are now both Formula 1 drivers.

Furthermore, Norris's post also helps reduce the rumors about the relationship between Y/N and Lewis Hamilton, which have been widely discussed since the release of TIME Magazine.

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Source : Twitter (update)

Fans noticed that @Charles_Leclerc was seen wearing friendship bracelets made by @Y/N at the #BahrainGP after he commented to her on Lando's Instagram last week, saying he wanted friendship bracelets like Lando too.

Some fans view it as a lovely relationship between Formula 1 racers, while others have pointed out the incident when Lewis Hamilton's accidental sharing of a photo of him wearing friendship bracelets on his Instagram Story. and compared it to Leclerc and Norris, suggesting that the rumors about Y/N dating Hamilton are trivial.

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Source : @ClutchPoints

This year's Bahrain Grand Prix Formula 1 race was exceptionally intense and special, with the special appearance of two Latin pop stars, Úrsula and Shakira, both of whom are currently rumored to be romantically linked with Formula 1 racers, Y/N and Lewis Hamilton.

What makes this even more interesting and complex is that Y/N and Hamilton were previously rumored to be in a romantic relationship with each other before they seemingly drifted apart last year. Now It seems like both of them have moved on to new romances, especially considering the clear distance they've maintained throughout the competition, and the arrival of both pop stars further solidifies that they are each embarking on new relationships, closing the door of romantic rumor between the two drivers once and for all.

However, the new relationships might not be smooth. According to insiders, Shakira herself has been rumored to be nurturing a romance with another star, Tom Cruise. While Úrsula and Y/N have rumors circulating that they had an argument before the female singer flew back to Los Angeles the next day, maybe both Y/N and Hamilton are more suitable to be single than in a relationship with someone? What are your thoughts? Feel free to leave your comments!

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𝙏𝙤 𝙗𝙚 𝙘𝙤𝙣𝙩𝙞𝙣𝙪𝙚𝙙 (in the next chapter)

If you like it, don't forget to like and reblog for me.

cr. https://x.com/autosport/status/1711339473470984517?s=20https://x.com/autosport/status/1711367295988084833?s=20https://x.com/autosport/status/1711122194044948778?s=20https://twitter.com/autosport/status/1711373281268207634https://firstsportz.com/f1-news-fans-baffled-as-lewis-hamilton-creates-an-instagram-burner-account-with-a-cryptic-username/https://twitter.com/TIME/status/1362015022927409154https://x.com/TIME/status/1362034951424778245?s=20https://twitter.com/i/events/1575120720597745667https://twitter.com/TIME/status/1362016250449326083https://twitter.com/PopBase/status/1710763206497714284https://clutchpoints.com/tom-cruise-shakira-lewis-hamilton-love-triangle-rumors-racinghttps://x.com/f1memorod/status/1712185898409087051?s=20

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natalisdragon · 16 days

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Just like before, but not as same

I read recently about how some feel the end of Bucchigiri?! was a return to the status quo, and while I don't entirely disagree, is that really so? I think part of the problem comes from how compressed the episode was, so it's very easy for some things to go unnoticed. Because yes, we are back to "normal." But at least in the case of Arajin and Matakara we can notice (very briefly) that something has changed.

Let's go in order…

First let's talk about Arajin, I understand that as a character he can be frustrating for many, especially seeing him go after Mahoro again, even though it seemed like he had finally learned something from everything that happened, but there is something that we must highlight and that is the scene in front of the mirror while trying to imitate Marito.

Arajin always appeared as someone simple and content with his mediocrity, because as many here have already said, it was not only a way to escape from his guilt, but also because he surely felt unworthy of something better than being a "common" boy

It's easy to believe that he's just trying to imitate Marito because he knows that Mahoro has him on a pedestal, but… wouldn't it also mean that he's finally willing to aspire for more? Marito is someone strong, charismatic, casual and who never hesitates in the face of any challenge that catches his attention, qualities that if we think carefully, can be attractive to someone like Arajin, contrasting with the more disciplinary and traditional principles of Minato kai, much more in line for someone like Matakara.

Imitating Marito means recognizing him as superior, and therefore, a goal to achieve, and perhaps even surpass, something that until now, Arajin had never dared to consider.

And regarding insisting on Mahoro again… We remember that Arajin is a teenager, right? I understand that his approach to her has never been the most appropriate, but… is it so strange that he wants to try again now that he has rediscovered his own courage?(again, it's obvious that his way is not the right one)

In Matakara's case, although the fact that everyone forgives him so easily after what happened still seems convenient, I prefer to believe that it has more to do with the reputation he had and the high esteem in which he was held even if he was not capable to notice it, once again reinforcing the idea that he is no longer alone.

His changes, like Arajin's, are very subtle, but deep down they say a lot. The first thing is at the party to celebrate Marito and Kenichiro, where we see him making gyoza with Arajin. I had already said it in a previous analysis, about how cooking is connected to affection and bonds. Here I will take the opportunity to complement it with a couple of things.

Something I mentioned was how the ability to cook could be interpreted as the provision of tools to deal with life, although now that I think about it, also how they were in an unequal relationship. But returning to the party, we see Matakara managing to make his first gyoza well, making visible the fact that the gap between them has fallen, but not only that, I also mentioned how cooking as an activity is closely related to the people Matakara loves. It's more than evident that Arajin has been teaching him, again reinforcing not only their reconciliation, but also the fact that from now on he will be there for him.

Here we also add that he is cooking, not only for his close circle, but for everyone, letting us know that he is finally willing to open his heart to others, which we can also appreciate by how he affectionately hugs his friends after being accepted into Minato kai again.

I had already said this, but I think it is worth returning to it. Remember since Mitsukuni's incident Matakara didn't go to see him even once? Surely because seeing his brother in that state would have been more than he could have endured. You don't have to be a genius to understand what a shock it's for someone like him and at that age. It was a reality that he was fleeing from, because most likely deep down he knew that there was no way to rationalize what had happened with his weakness.

Now, however, knowing that he is no longer alone, that there are people who, despite not knowing him thoroughly, care about him, he finally feels that he can face the situation without his own darkness tormenting him, in one way or another, he has accepted his vulnerability and that he has no control over what will happen, which is certainly a difficult and sometimes very painful lesson.

It's obvious that such a hasty ending in one way or another still hinders the experience and doesn't justify other problems, but I do think that perhaps we shouldn't say that our boys didn't learn anything from all this, plus, again, they are teenagers, This is not the only thing they will have to learn, but there is no doubt that the seed of change has sprouted in both, whether to a greater or lesser extent.

#bucchigiri?!#The change is real

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poisonpercy · 4 months

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I finally convinced myself to watch the 4th episode of the pjo show. Overall, it was probably the show’s strongest episode so far. That being said, I think it’s fair to say that I am not clicking with this show. I’m not saying the show isn’t good. It definitely has its moments, so it’s a fine show. But as a book to tv show adaptation of pjo, I don’t think it’s very good. I guess my expectations were way too high since I was promised that this is a true adaptation that has everything you would want in a pjo show, but seeing as I don’t feel that way, I can’t say that promise has been fulfilled.

The actors are great, but I find the writing and the overall direction of the show very dull. It’s just not something that keeps my attention personally. I have to convince myself to watch these episodes since they aren’t hitting that obsession that keeps you interested, and while watching, it’s very hard for me to stay watching because it’s just not pulling me in. Anyways, here’s some specific thoughts regarding this episode:

Like a lot of my mutuals, I am not too big of a fan of the flashback with Percy and Sally in the pool. Sally does not feel like the same character that she is in the books. She’s a lot kinder and more mindful of her actions in the books than she is in the show. I get what the flashback was trying to convey, but I honestly don’t think it worked. I remember that Sally had been described as someone who doesn’t raise her voice, and I feel like the writers have disregarded a lot of her prior characterization in the name of her being a #girlboss. To me it feels like they created a brand new character and slapped Sally Jackson’s name on them. “That’s not Sally Jackson! That’s an oc committing identity fraud” vibes

They are really shoving it down our throats that Percy does not like the gods. Which isn’t bad, but I feel like he still needs more time to grow into the resentment that he’s showing

Kinda weird that Annabeth was talking nice about her dad. And I’m more sympathetic towards her dad than most, but he still wasn’t great so giving him praise felt a little off. Not a huge fan of blaming only the stepmother. The misogyny is real

Sleepy, grouchy Grover was cute

The cameo of the centaurs leading into the conversation about Pan and searchers was nice. I wish the show talked about this being Grover’s last chance at getting his searchers license since that was a big part of his character arc in tlt, but idk if that’s ever going to happen

The cops on the train were awful. If this show got one thing right, it��s the fact that cops suck and don’t help

I felt like there was too much of Echidna in this episode. Idk, if you’re going to try to build up a monster, she’s not the one I would have picked

Going off of that, they definitely tried to build tension in this episode, unlike in previous episodes, but it just didn’t work. Like it was too obvious that she was supposed to be a monster without actually giving any tension for the viewers. It’s still very much telling and not showing which is a huge flaw of this show

I’m honestly not a fan of the arch being a temple of Athena. I guess it’s cool for world building, but it just feels too convenient. I did like that Annabeth was stating facts, but to me it felt less like her geeking out and more like her showing off the temple’s greatness

Grover and Annabeth splashing Percy in the fountain was funny but it would have been the perfect opportunity to introduce nectar and ambrosia since they have yet to be brought up

Bad parent Athena rep 🫡

Having Percy trick Annabeth to switch places with her was a nice nod to Percy’s loyalty

I felt like the whole scene at the arch was missing the chaos that was present in the book. Idk it just felt so dry to me

The fight between Percy and the chimera was so underwhelming. There was a lot more tension and chaos and moving parts in the book that the show just is refusing to show. Also, I’m getting tired of Percy being flung around. Let him build up some skill before Ares

The water grabbing Percy when he fell out of the arch was funny but I personally wouldn’t have done the scene that way

The underwater scene was lacking imo. I feel like a broken record by saying I liked it better in the books, but it’s true

Episode was way too short and the show’s pacing is way too fast

#at this point i’m only watching to see how they’re going to wrap this up #not bc i like it (unfortunately)#pjo adaptation #pjo #percy jackson and the olympians #skys post

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accio-victuuri · 21 days

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excerpts for this interview about wang yibo and his character wei ruolai: Exclusive interview｜"Storm Chaser" director Yao Xiaofeng: Creating a period drama with a grainy and historical feel

The TV series "War of Faith" is on the air. This legendary story that cuts into the history of the Republic of China from a financial perspective has aroused the curiosity and follow-up of many viewers. It’s production level can also be regarded as the best work of 2024.

Director Yao Xiaofeng admits that he has always been interested in the history of the Republic of China. "This history is actually very heart-wrenching. During this history, the ups and downs of the country's destiny, what kind of experiences did the people who participated in it and those who followed the trend have? I find it particularly interesting.”

In addition to the visual presentation, the performances of many actors are also quite exciting. Yao Xiaofeng said confidently: "The actor in this drama will definitely be able to give one of the best performances in his career." He is a director who is very good at communicating with actors and bringing out their charm. Starring Wang Yibo is also in " Contributed a commendable performance in "War of Faith".

The first time he collaborated with Wang Yibo, Yao Xiaofeng recognized this "kid" very much. "I spent a lot of thought on Wang Yibo this time, and he was very involved and fully committed himself to me during the process. He also believed in me." He said, "There are no distracting thoughts in our cooperation. .”

The Paper: In the first episode, the male protagonist is dragged into the stock market by the landlady. On one side is the heroine's gunfire and on the other side is the male protagonist's stock market turmoil. This contrast is quite interesting.

Yao Xiaofeng: The male protagonist is an ordinary person. When an ordinary person is involved in chaos and bloodshed, he goes from being at a loss to being calm and making a choice. I think this is very interesting. An ordinary person's true reaction when faced with a world he cannot control may be the highlight of this drama. So for the first few scenes, I first created the atmosphere of his life and let the audience accept what kind of person he is. Talking about the relationship between an ordinary little person and the big era and the big world is my specialty.

The Paper: In previous interviews, I saw you expressing your appreciation for Wang Yibo. I would like to hear you talk about the cooperation process, including some observations of this young actor?

Yao Xiaofeng: When we met, I could feel Wang Yibo's sincerity, and I said I wanted to convey this sincerity to the audience. No matter what kind of scene you face, you don’t have to act, you just need to tell me your truest feelings on camera. The good thing about this kid is that he easily believed the scenarios I gave him.

I think this child is very good. He understands it very well. When he comes to the set, he is filming. He regards himself as an actor and leaves it completely to a director. As a director, I explained my ideas to him and let him develop them. I often say that actors and directors should trust and respect each other. From the moment we met, we only talked about the two creators’ understanding of the characters and the drama, so there were no distracting thoughts about our cooperation.

The actor in this drama will definitely give one of the best performances in his career. As a director, what I have to do is to amplify the charm of the actor and help him complete the role. I spent a lot of thought on Wang Yibo this time, and he was very involved, and he also trusted me in the process.

The Paper: How to build this trust?

Yao Xiaofeng: It’s equality. I don’t “pretend” to be a director, and he doesn’t “play” a star. We are just ordinary people. And then he was the younger guy and I was older than him and he certainly had a lot of respect for me. But at the beginning, when the two of us were not that familiar, I talked more about the script with him, without any pretensions to being a director, and communicated with him in a normal manner. After slowly breaking through the barriers between people little by little, the rest will not be a problem.

His smile was so lively that once I made him laugh. After laughing, I said you have such a cute smile, and we were both very happy. Later, he often smiled, and I think he probably smiled the most in my drama.

The Paper: The pavilion where the male protagonist lives on Qibao Street is also particularly rich in details.

Yao Xiaofeng: When Wei Ruo came to the room, I said it was not shabby enough. It was also a loft at the beginning. When the view of the loft was ready, I said as soon as I entered, you have no experience in living in a pavilion. It is too high, too big, and the room is not dilapidated enough. But the photography team is also worried that your space is too big. It’s hard to get small photography equipment in, so it’s not easy to take pictures. But when it comes to photography, I want it to be small and have enough space for people to hit their heads.

If the space is right, we will discuss every detail of the character's life, including what kind of lights to use at home, where to eat, and where to cook. The staff in the clothing team are relatively young now and have no idea about the "ragged" clothes of that era, so I asked them to make them as old and torn as possible.

When everything was ready, Wang Yibo put on a torn cotton-padded jacket, entered the pavilion where he would hit his head, and bent down. The small quilt on the bed could only cover his head but not his tail, so he could only shrink up. We filmed it in winter, and his most authentic reaction was aroused. By truly feeling in this real atmosphere and environment, you can bring the characters to life.

#wang yibo #wei ruolai #war of faith #accio victuuri translation #i’m glad he connected with yibo like that ☺️☺️☺️☺️

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sevensoulmates · 14 days

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7x05 Buddie Meta YDKM Part 2 (of 4)

Part 1. Part 3. Part 4

I just want to make an aside and say that I'm really happy they didn't go the route of having Maddie just "know" about Buck's queerness. As much as it's a funny headcanon, in real life "the glass closet" reaction from other people can feel invalidating, and Buck obviously reacts defensively when Maddie says "Wow", wanting to know immediately why she would say that. Also, just because Maddie is his big sister doesn't mean she automatically knows everything about Buck. I'm glad that both she and Eddie reacted with some surprise but mostly just acceptance.

I like that they're making it a point to show that even though it feels like Buck liking men is coming out of nowhere, it's really not. He's felt feelings for men and sexual attraction to men in the past, he just thought it was all normal. This also reminds me of his relationship with Eddie (and not just because Buck admitted to being an ass man and we all know who has the best ass on the show) because he views the relationship he was with Eddie to be "normal" best friends when it's really not true. There's a lot of nebulousness there but then in the scenes where it very much stands out that this is not typical male best friendship. But Buck just didn't realize it, and my guess is Eddie doesn't realize this either.

Very brief aside, but my roommate thought this line was interesting because apparently "clefts" in men are supposed to be generally perceived as "super manly" or known for being something The Manliest of Men have (think Clark Kent/Superman) and I just find it interesting that Buck's attracted to something that's very stereotypically masculine. Once again proving that he's attracted to the male form, not just personalities or such.

Qualifying Tommy as "Eddie's friend" here is fascinating because I really think Maddie was flashing back to the last episode when Buck was in her kitchen complaining about Tommy and Eddie, and Maddie had justified it as Buck being "friend jealous" only for Buck to turn around and date Tommy all of a sudden. I think a lot of things are slotting into place for her now, and I think a lot of her "wow" comment was also her thinking about the implications of this too.

Hence why this next line feels pointed. It's very straightforward, practically bashing us over the head at this point. Buck's not sure of his own feelings yet. I don't think this is meant to say he's unsure of being bisexual or attracted to men, but that's he unsure of what he's feeling in regards to who the object of his affection is at the moment.

"If there's something you need to tell Eddie, you will. In your own time."

Are you kidding me? Could you BE any more blatant? It's not "you'll come out to Eddie when you're ready." or "you'll tell Eddie about Tommy when you're ready". It's a purposely vague line because Buck doesn't know what his feelings are just yet, but those of us who have been paying attention know. What he has to tell Eddie goes far beyond just his newfound bisexuality. And once Buck figures out what his feelings are, that's when he'll tell Eddie that "something". And it's not gonna happen on anyone's timeline but Buck's. This line really leads me to believe that Buck is a strong contender to figure out his feelings by the end of the season and may end up being the first person to admit their feelings (possibly later on in season 8).

Trigger warning for Eddie/Marisol post-sex scene:

Firstly I want to draw several comparisons to Eddie's previous scenes with his love interests. The first is that this wide shot of the setting before panning to them in bed reminded me of the scene in 4x08 Breaking Point where Eddie is on his date with Ana and we hear grunting/moaning sounds, but it's a fake-out to them just sitting on the couch learning math. This time, it's not a fake-out, they really were having sex in this scene. The second parallel is the fact that Eddie and Marisol are lying together upside down on the bed. In my opinion, this is a blatant call-back to Shannon and their sex scene in 2x10 Merry Ex-Mas. Which to me signals a couple of things. 1.) That Eddie is very obviously trying to force Marisol to be a replacement for Shannon and 2.) He's doing the same thing with Marisol that he did with Shannon and using sex as a distancing method.

I know that sounds contradictory. Why would he ask her to move in if he's been trying to distance himself from her? Bear with me and I'll explain in a minute.

We know that Eddie doesn't know Marisol all that well, as proven by this episode. So what were they doing all of this time when they've been dating for months? Just not talking? Nope. Apparently, they've been having sex. So much sex apparently that they haven't been able to have any "get to know you" conversations.

With Shannon, the two of them had sex because it was easier than actually trying to talk to each other. Because when they would talk, it would always devolve into screaming fights. If Eddie is subconsciously trying to make his relationship with Marisol into the one like with Shannon, that may be an explanation as to why he's been so hesitant to actually get to know her at all. I'll come back to this more later.

Now I'm curious if anyone else picked up on this line because it felt like a clear parallel to season 5, but not to Eddie's last relationship. Instead, it felt like a parallel to BuckTaylor shortly after she moved in 5x13 Fear-O-Phobia. Not only is BuckTaylor paralleled because Buck also asked Taylor to move in on a whim in order to save a failing relationship, but it's also where Taylor decided her couch (any couch theory truthers out there?) was better than Buck's couch and therefore he would have to get rid of his in order to make room for hers. To me, that showed Taylor's clear inability to make any compromises with Buck, and anywhere she lived would always be her place, and not theirs. This parallel is interesting because it just makes me think that it's foreshadowing more incompatibility for Eddie and Marisol in the future. With Marisol "invading Eddie's home", the more of her that is moved in, the more of himself he has to get rid of, shut down, or deny. That's not to say Marisol is on the same level as Taylor Kelly, oh no, but it might just show that this relationship Eddie has with Marisol might just be as unhealthy for him, as Buck's relationship with Taylor was for him.

I also find it interesting how Eddie starts to make what he's learned sexual. He's not talking about your general "slapping of the hands or arms with a ruler", spanking very much has one definition, though it can be used in both PG and sexual situations. Spanking of a child's bottom is used as punishment, often to cause shame, in order for the child to not do certain things again. (This might be a controversial take but) spanking a child is physical abuse, and often has psychological repercussions on a child as they grow up. Eddie here seems to be insinuating that he was put through something similar when he was young. But then he also conflates it with the sexual form of spanking which should normally be fine between consenting partners. To me, I think Eddie is now subconsciously mentally connecting shame, punishment, and the conditioned urge to Never Do It Again or suffer the consequences with having sex with Marisol. The question then begs, what is Eddie so ashamed of and what are the consequences he's so afraid of?

I find it very curious that rather than Eddie being concerned that Marisol is too religious for him, or that they might have differing lifestyles that may not be compatible, he worries how this will affect their sex life. In my opinion, it's because on some level he's aware if he can no longer have sex with Marisol, what else are they supposed to do with the time they spend together? Do they have anything in common? Do they share any hobbies? It's especially interesting juxtaposing 7x04 where Eddie was having a BLAST going on dates outings with Tommy, and they had so much in common and Eddie was just asking Marisol to babysit multiple times a week. So with the little time he has been spending with Marisol recently, all they've been doing is fucking.

It's the same pattern of distancing he did with Shannon. She got pregnant, they got married, Eddie immediately enlisted and preceded to spend most of the following 4-6 years away from Shannon, only seeing her for short periods at a time where they spent most of the time they did see each other fighting. When he was back, Eddie was emotionally distant, which was a large part of the reason Shannon left in the first place. And when she came back, and he didn't have any other ways to distance himself? He used sex instead, and only really got it into his head that he wanted to get back with her when she had her pregnancy scare.

That's not to say there weren't good moments, or that Eddie didn't love her. But I do think a large part of the reason Eddie looks back on that time and romanticizes it is because he enjoyed the concept of being married to her and the safety net that provided him. Their marriage/feelings for each other were nuanced, but it can't be denied that from what we've seen on screen (which is all we can really call canon) it seems like a large part of their marriage was spent in (mutual) deep dysfunction.

So now that he doesn't have sex as a way to distance himself from Marisol what does he do? Avoids her physically as much as he can.

Additionally, I would like to touch on something known as the Madonna-Whore Complex:

After we see Marisol in her nun attire, the next time Eddie sees her, he sees her as the Virgin Mary, mother of Christ, aka, the ultimate Mother Figure in catholicism. One could argue that Eddie's turned off because she reminds him of old teachers who apparently used to physically hit him and probably weren't very open to certain things that they would classify as "sin" or "ungodly".

Towards the end of their relationship, Eddie very much only saw Shannon as Christopher's mother, enough so that Shannon even questioned if he wanted her for her. Now he seems to be going through a similar problem, but instead of Marisol being the literal mother of his child, he's seeing her as this Mother figure and therefore unfuckable, hence his struggles to feel arousal about her after this. But as we're shown later as proven by Bobby, it does feel as if Eddie is using the whole Catholicism thing as an excuse to distance himself from Marisol.

So what's the truth of this? The Madonna-Whore complex is rooted in misogyny and patriarchy, but where do queer or repressed queer men fall into this category? That might be a little above my pay grade to answer, but it is still something interesting to think about.

This was very telling as well. "To avoid not having sex" essentially means he was purposefully avoiding having to talk with Marisol in order to turn her down for sex. Idk, but if you're in a good enough partnership where you're at the point of asking them to move in, it's usually assumed that you at least know how to communicate to your partner that you don't want sex. Why is Eddie afraid to tell Marisol that he doesn't want to have sex with her? It makes sense if ALL they've been doing most of the time they spend together is having sex. If he has to tell Marisol no to sex, what are they going to do then? Talk? Actually get to know each other? God forbid.

This starts the series of scenes in this episode where Eddie does everything in his power to avoid having a conversation with Marisol because now his sex-crutch is no longer there to distract the both of them.

I'll admit I didn't know what the "Manchurian catholic" and "sea monkeys" dialogue lines meant but I've since done some research and I get it now. "Manchurian Catholic" is a reference to the movie "Manchurian Candidate" which is basically about a man who has was brainwashed into being an assassin, highlighting the psychological effects of suppressed memories and trauma. Sea monkeys were a children's thing where you had like shriveled shrimp where if you add water, they blow up in size. Basically, there are three lines all pointing to the same thing: Eddie's sitting on a well of repressed feelings (that are attached to shame) that may have been conditioned "out" of him over time.

This is what is known as Catholic Guilt. The question then becomes: What does Eddie feel guilty for? What "sin" has Eddie committed that is making him feel so guilty? Having sexual relations with a woman who was an almost-nun? Having pre-marital relations? Could be on the surface.

The show is acknowledging that Eddie is far more repressed than he even realizes. I feel like these lines are inviting the audience to think deeper: what is Eddie repressing here? Is it really just that he doesn't want to have sex with Marisol because God is watching and judging him for pre-marital sex or sleeping with one of his exes (thank you Bobby for that amazing line)? Or is it something different?

Marisol never actually got far enough to be a full-blown nun. She made the choice not to continue with it, but Eddie still has a problem with it. The main part of the problem, in his own words, is that he can't get aroused when he looks at her anymore. Not only that but he's been unable to even masturbate because the thought of her turns him off that much. Like my dude, there's no rule that says you have to imagine your girlfriend while jacking off. A lot of people, even people in loving committed relationships, have sexual fantasies that don't necessarily involve their partner and it doesn't necessarily make them a horrible person. I think it's interesting that even in his sexual fantasies Eddie's so strict about being "loyal" to his partner, that he can't even allow himself to imagine anything else other than her when getting off. But now, he can't because the nun things turns him off that much.

I can't help but wonder, is it really the nun thing, Eddie? Or is it that Marisol's strong connection to catholicism reminds you of times when you were forced to push down parts of yourself that were only starting to blossom in order to conform to what your religion and your family expected of you. Is it that the nun thing turns you off so much that you can't get hard? Or is it because now that you've been reminded of how you suppressed your feelings growing up, the reservoir of feelings has bursted and you're being reminded that women....just don't do it for you in general. But to think about men is to invite shame, punishment, guilt, and pain, and to be avoided at all costs.

Maybe it's easier to pretend it's the nun thing and not a women thing.

On a slightly more humorous note:

Buck's "I wish I could help you with that" line is VERY interesting. Freudian slip, mayhaps? Do you wish you could help Eddie get off, Buck? DO YOU? ;)

Other than that, I also wanted to point out that this scene in the gym is a parallel to 5x02, when Buck and Eddie last sat in these exact spots and Buck did the exact same thing and gave Eddie good advice about how to handle his last girlfriend Ana, basically telling Eddie to stop stringing Ana along. I find it interesting we're getting callbacks to Eddie's last break up because last time he also decided he was just going to stick it out and it was only Buck giving him some perspective that allowed him to finally make the decision to break up with her in the following episode.

But this time, Buck isn't able to fully tell Eddie all that he wants to say, which is the truth about himself. He gives him advice to talk to Bobby. And Bobby's conversation with Eddie is the LOUDEST in the entire episode.

This scene is incredibly revealing because it shows that Eddie isn't even really sure if it is his feelings regarding Catholicism that are triggering this reaction in him. Bobby rightly points out that the effects of being raised Catholic don't just go away once you leave the faith. They can have lasting and lingering consequences, some that people might not even realize until later in life.

Bobby very blatantly tells Eddie that this adverse reaction he's having to Marisol's past as an almost-nun is likely a reaction similar to his panic attacks that he had about Ana when things were moving too fast with her back in season 5. Bobby says Eddie never talks about her, not in any way that makes it seem like he was so serious about her as to ask her to move in. This comes out of nowhere for Bobby (and the rest of the characters) just as it does for the audience. This is to show us that what Eddie is doing IS out of nowhere and is a decision that should be questioned not just by the audience but by Eddie as well.

The fact that Bobby is comparing this reaction to how he acted with Ana really does harken back to the "repression" storyline of season 5. Eddie's subconscious is trying to tell him something, but he's ignoring it (as he always does) and is instead doing the exact opposite of what he should do and doubles down on Marisol.

And Eddie, as always, gets the exact opposite message of what Bobby's trying to tell him. Because Eddie's not a commitment-phobe. He commits too much, too fast, almost as if he cares more about getting to the "committed" part of the relationship, and doesn't care enough to actually build an actual bond with the women he's with. And Bobby gets to the heart of it by name-dropping Shannon. Because the crux of his commitment issues started with her. When he felt so guilty for getting her pregnant and then later for abandoning her for the military, that he basically vowed to stay committed to her for the rest of time, in life and in death. She's been dead for five years at this point, and Eddie is still hung up on his guilt over her. And no, I will not say he's hung up on her or his romantic love for her because that's not true as proven by his next line.

All I have to say is THANK GOD. Thank GOD the show is finally acknowledging that Shannon and Eddie did not get married because they really wanted to, or because they just loved each other so much. They got married because they got pregnant and were pressured into getting married by their catholic community and families. The show is finally starting to deconstruct Eddie's marriage and his romanticizing it over the years.

This line blew me away. Because he doesn't say "I loved her" or "I loved being with her." He loved being married. He liked being committed. He liked the knowledge that he had what was expected of him, a wife and a child. He liked being settled, knowing that he wouldn't ever have to go back out and make himself vulnerable to find another partner. He would never have to crack himself open so far to be truly known and get hurt. They could both hurt each other so deeply and it wouldn't matter because Eddie at least did his duty. He married her, made an honest woman out of her in the eyes of the church and their families, and provided monetarily for her. But he never gave her him, not fully, and that comes straight out of the mouth of Shannon Diaz herself.

What Eddie is seeking from Marisol is not a partnership, it's not a genuine connection with an individual. Because to create those kinds of relationships requires exposing yourself and letting in the possibility of being judged, of being hurt, of losing them. And Eddie doesn't want to be so invested in a person like that ever again. He already experienced that kind of loss with Shannon, and even they didn't have that kind of deep soul connection. I wonder if Eddie's afraid that he wouldn't survive that kind of loss if it was actually a partner he really deeply and unconditionally loved. It might destroy him, and that scares him.

So instead, Eddie would rather just skip forward to committed, to moved in, to married, to settled, and just stick it out when he has panic attacks, when he feels like he's sleeping next to a stranger, when sex is as deep of a connection he can ever get with a woman.

But when his body fights back, in various ways, in panic attacks, in sexual dysfunction, he doesn't listen to it. He ignores the signs.

Go to part 3!

Part 1, Part 3, Part 4

#911 abc #911 speculation #buddie #meta #911 meta #buddie meta #analysis

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historicallyaccuratecheese · 4 months

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Well, I guess I’m continuing to make these now! Here’s the next part of my thoughts on every Magnus Archives episode! Now, last time I said that I was planning to write about episodes 21-40 in the next post, but as it turns out, the hyperfixation has set in and my thoughts are a LOT longer (so buckle up if you want to read this), and I also reached the tag limit. So, I’m only going to be covering episodes 21-30 here, and then I’ll write about episodes 31-40, and this 10 episode trend will probably continue for the rest of the posts, but that just means I’ll be able to put them out faster.

Also, unlike my first post, where I wrote all of my thoughts after finishing episode 20, all of these ones were written right after I finished the specific episode I talked about, so my thoughts are a lot more clearly documented. Finally, there’s a link to my masterpost, which will contain all the post’s detailing my thoughts on every episode before and after these ones.

Once again, no spoilers for future episodes please, and for anyone who hasn’t watched up to episode 30, spoilers are under the cut, so I recommend turning away until you’ve caught up. :)

- Episode 21, Freefall 🪂

Statement of Moira Kelly, regarding the disappearance of her son Robert.

WHAT THE FUCK??!! MARTIN??!! DAMN, I guess the horrors did get to him! Well, it’s nice to finally meet him, even if his first line was dropping shit on the ground. Either way, I get the vibe I’m in for a wild ride for this second half. ….What was I talking about? Oh yeah, the actual statement. Anyways this one upset me. Not only did it bring out my fear of heights pretty well, but the portrayal of a grieving mother who can’t comprehend what happened to her son was really heartbreaking. The line “The sky ate him” was kind of comedic at first, especially with Jon’s following reaction (love this guy btw, he’s such a loser), but then it became really horrific when I realized how it was just Moira desperately trying to make sense of the impossible horrors she just witnessed. The plot thread set up with Simon and Harriet Fairchild is also very interesting, and the whole sky thing kind of reminded me of Dominic’s visions in Ep. 4. Overall another one of many fantastic episodes, but HOLY SHIT I’M SCARED.

- Episode 22, Colony 🔦

Statement of Martin Blackwood, archival assistant at the Magnus Institute, London, regarding a close encounter with something he believes to have once been Jane Prentiss. Statement taken direct from subject.

….aaaaaAAAAAAAAAAAAA!!!! Ok let’s start from the top. Firstly, I’m really happy we finally got to meet Martin in this episode, and he’s great! Honestly he comes off as more dorky than stupid, and just comes off as a real sweetheart, so Jon’s distaste for him (outside of very different personalities), gets more mysterious. Though all things considered, after what he experienced, I don’t think that the bullying is his biggest worry anymore… Alexander J. Newall does a fantastic delivery, as much as I love Jon’s readings, you can really feel how terrified Martin is here (also “Blackwood” is a sick as fuck last name, and I related to him trailing off about spiders…) Outside of Martin himself, we have Jane Prentiss (or what remains of her) and…well, let’s just say that I don’t find the sex worms nearly as funny anymore. Jane and the worms inside her are absolutely terrifying, and while I would say I’m excited to learn more about her, I wouldn’t be complaining if the institute staff never had to deal with her again. Also the text episode made me, if you’ll excuse my language…squirm. Honestly, this might just be my favorite episode so far. The way that the plot threads from previous episodes connected here was extremely satisfying, and needless to say, I’m very excited and horrified to see where the show goes from here.

- Episode 23, Schwartzwald 🇩🇪

Statement of Albrecht von Closen, regarding a discovered tomb near his estate in the Black Forest.

Worst episode ever because Jon didn’t do a German accent, smh. Ok but in all seriousness, I really liked this one! It wasn’t the strongest in terms of complex themes in my opinion, but it had a great vibe, and was still very interesting, entertaining, and decently creepy. Having a “statement” written before the archives was founded is a really cool idea that’s executed perfectly here, and while we didn’t learn that much about Jonah Magnus, I still found it cool to get a first glimpse of the archives’ history. (Also, given the eye imagery that appears both in here and in other episodes, I can’t help but feel like Albrecht’s wording of Jonah having “good eyes” or something like that is a little weird…) And…now that we have the instance of something that isn’t a statement, but is important being in the archives, I absolutely agree with the idea that Gertrude Robinson organized these poorly on purpose, so that Jon would get the knowledge he needed to have. Regardless, this whole episode had the vibes of a classic ghost story, which while not as weird and off-putting as some of the other horror here, was still a nice change of pace overall. The descriptions of The Schwartzwald were really well done and added to the atmosphere, and I just like the fact that we have another historical episode, that’s also set outside of The UK. Also, the way that they played with the time period at the end was amazing, I already had my suspicions due to the eye imagery, but the reveal of Mary Keay (and therefore Gerard Wa- I mean Keay) being a descendant of Albrecht was still really cool. I also do wonder if the Arabic book was eventually found by Jurgen Leitner in the future…eh, food for thought. Lastly, I loved Martin jumping in out of nowhere, it was both funny, and a grim reminder about how fucked the archives supposedly are, yippee!

Wow, these are a lot longer than my previous thoughts. This, my sweet children, is a phenomenon called “brain rot”.

- Episode 24, Strange Music 🪆

Statement of Leanne Denikin, regarding an antique calliope organ she possessed briefly in August 2004.

Jon, honey, are we not going to elaborate on the fact that one of ✨the horrors✨is literally inside the institute? Like, HELLO? That’s not terrifying at all! Anwyays, this episode continues the trend of making me scared of things I’m not initially scared of, yippee! It had great vibes as well, the weird shit in the attic was made to be as creepy as possible. Initially, I didn’t find this one to be too scary, and figured it was going to go in the direction of “music makes people feel kind of weird”. AND THEN JOSHUA GETS KILLED AND TURNED INTO A DOLL HELLO??!!! Like, I know he was kind of a toxic boyfriend, but DAMN, whatever was behind the calliope and the dolls did NOT have to go that far. (Also until the end I thought he might be Joshua Gillepsie, and like, I don’t care how toxic he is, but you do not dump a guy who bested an evil coffin with his freezer.) Outside of that, It was really cool to meet Sasha! I like her voice, and the introduction was quite funny. (Also, even as someone who has lived in England for over two years, and has a family that is 90% British, nothing hurt more that Jon’s “Americans”.) Lastly, I have a theory, which I like to call “Ringmaster? More like cult leader.” Because I’M SORRY, but you cannot convince me that a CIRCUS, called THE CIRCUS OF THE OTHER, which possessed a HAUNTED CALLIOPE ORGAN, is anything but a cult. (Watch me when I’m inevitably wrong lmao.)

I guess now is a better time than any to say that I’m kind of wondering if there’s an in-universe reason for the music in the background? I mean, considering that the whole framing device is Jon recording these statements, I have to wonder if there’s a reason for the noise we hear, especially with the worms in Ep. 22 and the music in Ep. 24.

- Episode 25, Growing Dark ⛪️

Statement of Mark Bilham, regarding events culminating in his visit to Hither Green Chapel.

HAHAHAHAHAHA!!! I LOVE BEING RIGHT!!! I saw the episode title and immediately assumed this would continue the lore of Episode 9, and I WAS SO RIGHT!!! (Also, I now just noticed that the PCOTDH’s symbol is a closed eye, while The Keay Family’s symbol is an open eye…my cult theory thickens…) Anyways, this was another very enjoyable episode! Firstly, even though it’s far from the first piece of media to do so, I though the way they portrayed a cult brainwashing someone when they’re most vulnerable was very well handled and pretty depressing. I also really enjoyed how the episode isn’t the most weird and paranormal on it’s own, but the knowledge of the connections to Ep. 9 makes us know that it DEFINITELY is, even when the characters in the story don’t. The episode was certainly very spooky, the description of the spinach and the dark church definitely got me. (Also my mom came into my room briefly and when she left she accidentally turned off the light and I nearly screamed.) There were also some really interesting plot threads set up here, like the chanting of the northern most human settlement in the world, the mention of “three hundred years waiting”, and I also wonder if “Mr. Pitch” is an alias for “Detective Rayner.” then…the ending. Holy shit. You know, maybe I DON’T need to know what happened to Gertrude….

Episode 26, A Distortion ☕️

Statement of Sasha James, assistant archivist at the Magnus Institute, London, regarding a series of paranormal sightings. Statement taken direct from subject.

I…what…I don’t even…we are so fucked. Ok, there’s a LOT going on here, but I’ll try my best to formulate my thoughts as clearly as possible. Firstly, this episode easily scared me the most so far, I agree with Jon when he says that the horrors being somewhat friendly is scarier than them being antagonistic, like HOLY SHIT this one was unnerving. But with that out of the way…uh…let’s talk about Sasha! She’s really cool, I like how her character gives us a lot more insight into what working in the archives is like for a fairly regular person (i say this because Jon is weird as fuck and Martin is too nice to be normal, and I mean that as kindly as possible). But…while I don’t necessarily doubt her status as the most level-headed person in the archives, I don’t think that’s saying much. Like, she saw a creepy guy with weird-ass hands who spoke in riddles and knew too much about her and her coworkers, and followed him into a dilapidated building, also she works at the council of ghost stories despite not liking horror. Like, no offense, I’m sure she’s overall an intelligent person, as are most people in the archives, but none of them are beating Joshua Gillepsie anytime soon (yes I’m still thinking about him.) But mentioning the guy with fucked up hands, WHO OR WHAT EVEN WAS THAT??!! I have very little ideas as to how this “Micheal” even connects to the greater picture. I know some people connected him to the mentions of the man with bones in his hands in Episode 8, but that honestly reminds me more of the Leitner in Episode 17. Outside of that, his name is quite interesting, I initially thought that he might be Micheal Crew, but given that Sasha doubts it being his real name, I have my suspicions (although it would give us a connection between this, the words in Episode 8, and The Boneturner’s Tale….hm….) However, I could absolutely see him being Micheal Keay, as he gives off enough ghost vibes to pass as him (and I’m assuming that if Gerard’s dead, Micheal is as well.) Also he is not described as having a Lichtenburg figure on him so…yeah. Lastly, we have the return of THE SEX WORMS. And as happy(?) as I am to see that The Magnus Archives, a podcast developed by RustyQuill.com, that is also licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, is continuing it’s message of staying abstinent, all things considered, that was absolutely terrifying. I just LOVE the knowledge that the worms are a hive-mind and that Jane might not be the source, I LOVE THAT SO MUCH. In conclusion, I am probably going to sleep with a fire extinguisher tonight, and I am very scared for what the next 14 episodes have in store for me.

Also I guess I’ll mention Tim (the archival assistant, not the dead guy) here because why not. So far I’m getting major bastard energy from people’s descriptions of him, which means I will either love or hate him. Also I found it very funny but also kind of sad that Jon said he only trusts Tim to not prank him in Episode 11, and then he pulled a prank shortly before this statement took place.

- Episode 27, A Sturdy Lock 🔑

Statement of Paul McKenzie, regarding repeated nocturnal intrusions into his home.

Ok, after everything that happened in the last episode, it was nice to get a short and sweet one here. Well, as sweet as an episode of a horror podcast can be. Overall, this one isn’t my favorite, I thought it was a little bit under the standards of creativity for the show as a whole, but that’s obviously not saying much, as it was still pretty damn good in its own right. I think it was definitely very effective with its storytelling, and credit where credit is due, it certainly brought out my fear of weird noises in the middle of the night. And even if I can’t personally resonate with this aspect of it, I do really appreciate how it tackled the idea of mental illness at old age, and while I’d be surprised if the statement wasn’t real, considering where the show seems to be going, it did a very good job at planting seeds of doubt in my mind. But still, it was genuinely pretty crushing how Paul had no proof throughout the entire thing, along with how the cops treated him. It really did make me thing about what would have happened if he hadn’t washed the blood off his hands. It still had a creepy atmosphere, and the reveals at the end were pretty interesting, I hope they show us Marcus’ statement soon enough. Also, the aspect of loneliness in this one did remind me a lot of what happened in Episode 13, so I wonder if there’s some connection there. (Also, I love how I’m 27 episodes in and Jon is STILL roasting Gertrude’s organizational skills.) So while this one isn’t the most interesting for me, I still enjoyed it, and it was nice to have a slightly lighter one after Episode 26. I hope Sasha had a good few days off, she deserves it.

- Episode 28, Skintight 📷

Statement of Melanie King, regarding events at the abandoned Cambridge Military Hospital during filming in January 2015. Statement taken direct from subject.

WHOA THAT WAS SO GOOD!!! Ok, I feel like I should start off with my thoughts on the basic premise, as while those episode is certainly…not the most humorous in its execution, the premise itself kind of is. I don’t know why, but I just thought the idea of there being an in-universe competitor was a really fun concept that was executed perfectly here. It kind of reminds me of something like Hatchetfield and Clivesdale (I don’t know how many people reading this will understand that, but there seems to be overlap between TMA fans and Hatchetfield fans, and also like, shut up, let me indulge in my hyperfixations.) The bickering between Melanie and Jon was great, as was Melanie herself, I’d love to see her again as I think she oddly brought a lot to the world of the series. Although I will say that, while it doesn’t make me like him any less, Jon’s reluctance to buy into statements is a lot more frustrating when there’s another person in the room. I also absolutely love the fact that there’s an in-universe spooky podcast mentioned by name, like, come one, that’s genuinely hilarious. But comedic value aside, this one was definitely pretty creepy. In a similar vain to what Episode 23 was doing, the whole “young people enter creepy abandoned building to film stuff and then get genuinely scared” concept felt evocative of other classic horror stories, and the way they spun it into the context of the show was great. The atmosphere was definitely very creepy as well, as I have mentioned, hospitals creep me the fuck out. And lastly…oh my god, THE CONNECTIONS. So, I’ll start off by saying that all of the skin shit reminded me of what happened in Episode 18 (which I hope is true because I think some connections to other things would make me like that episode more). But that pales in comparison to the fact that we have stuff on THE ANGLERFISH, HOLY FUCK THE ANGLERFISH. I’m SO glad that they didn’t throw it away just because it was in the pilot episode. In retrospect, I think that the story of Episode 1 isn’t quite my favorite. It doesn’t really have to be, as I think the main draw of the episode is getting a first look at the framing device and general vibe of the entire podcast, but the stories didn’t really grab me until Episode 2, which is still one of my favorites. But MAN, this episode really made me appreciate the setup at the beginning so much more, and the knowledge that the people who walked into the alley didn’t necessarily die, meaning that all of those names could potentially come back, is SO exciting to me. In fact, when you consider that Sarah was kind of going through what looked like a possession, I wonder if The Anglerfish is a figure of worship in a cult, if that theory is to be true. (Also I have relatives that live in the same area as Sarah so…maybe I should tell them to watch out for their neighbor lmao.) So yeah, this…this show is just really freaking good.

Note: I have discovered the Leitner rant, and therefore I have achieved true enlightenment.

- Episode 29, Cheating Death ♟️

Statement of Nathaniel Thorp, regarding his own mortality.

I should start off by saying that I love the episode title for this, like, it’s not even metaphorical, the guy literally cheated in a game against death. Well, anyways, the main thing that caught me about the episode was how it absolutely blindsided me. While I was right about the soldier being the same as the statement giver, which I think was supposed to be obvious, everything else in those last six or so minutes left me with a wide-open jaw. (Also, can I just say that I love how poetic this guy just…decided to be? Like, I just love it when the statements really show of personalities with the way they’re written, and it comes with a cool framing device.) Regardless, I initially assumed that it was going in a very traditional line. Nathaniel cheats death, becomes immortal, and regrets it in modern day because he’s lived longer that he really should have. That, combined with the fact that “Death” didn’t seem like the one of the more creative horror monsters in the show so far, had me so prepared to just write this one off as one of my least favorites (once again, not like that’s saying much.) And then the twist comes and HOLY SHIT I WAS WRONG. The idea of there basically being multiple grim reapers at the hands of some unknowable power, who have to gain successors to finally die themselves is absolutely terrifying and extremely clever. I tip my hat to you Rusty Quill, you did a great job at fooling me. Kind of funny considering how this is a story about being punished for your hubris (which seems to be a recurring theme???) I have a few other small thoughts as well. Firstly, I can’t help but shake the feeling that Nathaniel Thorp was an actual revolutionary war soldier, but I can’t find anything online other than the character from this episode. Also, the fact that his fate remains unknown makes me think he’ll show up again, as it seems weird to NOT end the story with confirmation of his death, given the themes. Secondly, a lot of the…less than pleasant imagery here definitely reminded me of Piecemeal and The Boneturner’s Tale. I don’t remember the story inside that Leitner very well, but I might check just in case there’s any parallels between it and this statement. (Update: Not really.) And finally, I was just a little bit intrigued by the fact that we learn no one who was working at the institute in 1972 works there anymore. It’s probably nothing, but given the mysteries surrounding Gertrude’s death, I’m just a little suspicious, both in general, and of Elias because he’s still around. Overall this episode went hard, I’m still kind of stunned by what it pulled off.

Jane Prentiss statement…save me…save me Jane Prentiss statement…

- Episode 30, Killing Floor 🍖

Statement of David Laylow, regarding his time working at an industrial abattoir near Dalton.

You know what, Jon is right, there’s a lot of meat in this show. Not that I’m complaining, I mean, it does fuel my obsession with connecting the dots between statements. Regardless, while this isn’t among my favorite episodes so far, I still had a good time with it. The reason it’s not one of my favorites is purely personal, as I don’t do too well with animal violence. Like, as much as I do really appreciate how viscerally Jonny Sims can describe the statements, I will admit that the opening minutes describing the slaughter house made me more uneasy than the actual horror, and not in a particularly fun way, but it was overall fine. Speaking of the actual horror, that was actually pretty good. The endless hallways lined with doors that lead to precarious situations also kind of tapped into a personal fear of mine, but in a more fun and digestible way. And while the idea of “imagine humans being slaughtered like animals” is something I’ve seen many a time before, it was still much more well executed than many other interpretations of the idea (*cough cough*, peta) and there were also plenty of other interesting themes and ideas, like how the episode touched on the inherent horror of working in a job as gruesome as the killing floor, being enslaved to said job, and the idea that maybe we’re all just walking sacks of meat in the end, and nothing more. As for some other thoughts, I was definitely creeped out by Tom Han, I’m not sure whether or not he’s someone who spreads ✨the horrors✨or someone affected by ✨the horrors✨, and his sudden disappearance was certainly…odd. On top of that, it’s admittedly haunting to know that there’s still creepy stuff going on at the slaughter house, and that this isn’t something that happened to David, and only David. Overall, a pretty good episode, I don’t have much to say about it, but it was a fun time overall.

Tim…save me…save me Tim…

Well, if you’ve made it this far, thank you so much for reading! Genuinely means the world to me when there are people willing to listen to me ramble about my horrible (affectionate) interests lmao. I should have my thoughts on the final episodes of Season 1 out in due time, and while I’m sure it’s obvious, I’m absolutely hooked on this podcast. It absolutely has the potential to become one of my favorite things ever if the overarching plot becomes more involved and this is coming from someone who up until now, wasn’t all that gripped by podcasts. While I’m a little sad that I’m as late to the party as I am, then I remembered “oh yeah, I was in elementary school when this horrifying series came out”, and I’m also hopeful that I’ll be able to be around for The Magnus Protocol while it’s airing (I know it premieres in like a week but still.) Anyways, thanks for reading and hopefully you’ll be around for my thoughts on the next batch :)

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moldybonessmell · 19 days

Text

The Umbrella Academy season 3 review post

I finally finished season 3 of tua even tho I've watched first two seasons first day they came out and oh boy do I have things to talk about-

To begin with, the things I like about new season:

- The way we finally dug into Allison's trauma and how she starts going psychotic is actually a good plot line especially the accent on how she just like any other Umbrella Academy people indulges in self-distructive behavior, she's really just like them

- Diego getting a kid as someone with the biggest daddy issues out there is a realistic plotline because having a kid (even if Stanley's not actually his) heals him in this regard tho he and Lila would get a kid anyway eventually but they really should've been more sad about Stanley thanosing out of the existence you know

- Five being the founder of The Temps Commission makes so much sense as he's the one with the power to travel time of course he's more powerful than it seemed

- Good music scenes. Music is what season 1 was incredible for and what I love about the show. In season 2 there weren't many scenes that caught my attention but in s3 it's definetely better. We got Klaus's death montage with "Crystallised" by The xx and celebration scene with "Another one bites the dust" by Queen + Luther on moon and "Friday I'm in Love" by The Cure these were really nice.

- The Oblivion Hotel is such a cool location and concept (a place for everyone) I like the change of place of action a lot, but the way it's a portal is kinda overused imo

- Lila and Five are still the best characters and carried the season

- Fei is such a cool chara with a distict character design (which most of Sparrow Academy lack tbh)

Now things I don't like:

- Ben being just a placeholder character is such a bummer because instead of getting angst and drama we got a mostly one-dimentional anti-hero who has a completely different personality from Ben. We got a tiny bit of his character when he admitted he just wants to be involved with everyone but it's really minimal.

I can't believe Klaus says "He's an asshole and he's dead to me" like WHAT DO YOU MEAN fuck no Klaus would not say that shit and he would not just give up on him. Yeah Luther says stuff like "I'm glad to see you even if you're different" or whatever but it's Klaus who've spent the most time with Ben.

The way literally any other actor could have played Sparrow Ben and nothing would change is lame af I hope in next season we will see more changes

- Same goes to my dear Grace who's just a placeholder for black hole worshipper like what do you mean we just got one phrase from Diego and that's it??? This whole bit with fake god and stuff really threw me off it didn't go anywhere

- The Sparrow Academy being one-dimentional characters in general like I get producers probably didn't have enough episodes to actually develop characters but holy shit are they boring.

Even if you want to make them just antagonists we had such cool villains in two previous seasons they were original and interesting (aka The powerless podcast-fan male manipulator Peabody and The Cunty Handler)

Also the way the fisrt Sparrows who died were the most annoying and cliche assholes makes them just filler charas

- How show tried to make us feel compassion to Reginald Hargreeves holy shit do I hate this guy- After Klaus realised his father was basically killing him over and over in his childhood instead of Klaus getting mad or upset and having a breakdown we got nothing.

He even came back to new timeline Reginald who's "nicer" for this asshole just to hurt him AGAIN

- Klaus mostly being a comic relief in this season is so fucked I love this character and in previous seasons we had a great look at his life and experiences but now he's just kinda there being high and that's it

"mm I guess he died a few times it's probably enough" - plot writers

no character development whatsoever is just upsetting.

And the amount of unnecessary traumatising aka Reginald training him was really not it, even if it's supposed to be a joke.

- Reginald being a two-faced ass like holy shit is this terrifying. Pogo was the one who gave Sparrows pills and now Klaus helped him to stop taking them and this asshole is taking advantage of naive and vulnerable Klaus.

It is in fact a good plot twist but bro I really did prefer Reginald being a cartoonish villian instead of actual pure evil like how does he have shitty motivation but still does just so much shit.

- The Umbrella Academy family having no improvement in their relationship. They still don't care Klaus relapsed, they still don't care about Viktor. All they care about is their own misery which is really in character but with three seasons out of the way and only one more left I would expect at least something you know.

- Viktor is still left out. Like bro the only compassion he had is only when he transitioned but this is it?? Bro's still waiting till someone comes and cares about him but not only this doesn't happen, he even gets rediculed by Sparrow Ben for that and called emo are you actually kidding me what's with all the hurt with no comfort???

It feels a lot like when you're mentally ill and your family kinda "walks on eggshells" to not trigger you but it's in quotes because they don't actually care. They act nice just because they think you're psycho and you would make less problems if they pretend. And this is very sad, Viktor is such a tragic character.

Okay that's it for now. If you have any thoughts please share in comments!

#the umbrella academy #tua #tua s3 #tua s3 spoilers #klaus hargreeves #ben hargreeves #allison hargreeves #diego hargreeves #lila pitts #the sparrow academy #viktor hargreeves #reginald hargreeves

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