#i just wanted to draw the last two panels

[lulendrea]

sensory bullshit

[p5informantau]

"Officer Kurusu" gathering info with Detective Niijima

(Also Joker and Mona for the Oscar)

I got this idea when I rewatched this old Jdrama Ouroboros and there was this one episode they trying to extract data with this plan. Basically I just wanna try drawing Ren in that uniform *cough*

There's probably no full comic for this one but maybe some more doodles later.

[Part2]

Single images in case it's easier to see

[good-beansdraws]

In which Shimazaki shows up to Minegishi's apartment after his WD disappearance with nothing but a suitcase and an "I live here now." The following seasons bring way more changes than just the weather.

[swiftsaltsweet]

Some more Wednesday Edits/Coloring I did. 

[asktehkoopz]

Part 2/2

[Prev] - [Next]

[keeps-ache]

doodleys because i am dragging my feet through inking! :D

[sysig]

Eyyy the Friend Shapes inbox is clear again ✨

[lizkreates]

Reflection ~A Trigun fan comic~ (Comic Script in the Keep Reading)

Context note: This takes place just after the events of TriMax Vol 10 on Brad’s ship going to December. I’m giving them more time on the trip because Livio grew a full-ass beard between pickup and drop-off (prob because of his healing factor, who knows.) Enjoy!

Vash's coffee is a reference to my first comic Black Coffee & Donuts!

Comic Script for Reflection: A Trigun Fan Comic

PAGE 1

Panel 1: Vash, with his hair down and dressed in his black undersuit, wakes up startled in a cold sweat. He clearly slept poorly bags under his eyes. It’s only been a day or two since he laid Wolfwood to rest.

Panel 2: A full body shot of him stepping out of the bed, his Colt weight down his hip, face obscured.

Panel 3: He leans over the counter in front of a mirror, shoulders hunched, head hanging.

Panel 4: He looks up, hand covering the remaining blonde of his hair so it appears full black. Large pale portraits of Rem and Wolfwood flank Vash on each side in the background.

Vash: Rem, Wolfwood, you both sacrificed everything. Funny isn’t it that I’m beginning to look more like you?

PAGE 2

Panel 1: Vash flashes back to a moment when he and Wolfwood walked side by side in the arid desert of No Man’s Land.

Vash: Wolfwood, you were there every day by my side, now I'm alone again. 

Panel 2: Another flashback to a moment Vash and Wolfwood sat on the edge of a rooftop and looked out over the cityscape to the stars pricking the sky.

Vash: There was so much unsaid between us.

Panel 3: A fresh flashback to the couch, where Vash held Wolfwood's hand in his final moments.

Vash: I wish I had known how to tell you that I loved you before it was too late.

Panel 4: A dramatic crop of half of Vash’s lower face, tears streaming down his cheeks as he cries out.

PAGE 3

Panel 1: Livio, a tall, tan, broad-shoulder, white-haired man with a tribal tattoo over his left eye, dressed in a white shirt and black pants, bursts through the bedroom door concerned.

Livio: Mr. Vash, I heard crying, are you okay?!

Panel 2: Vash looks over, a little comically rattled and surprised

Vash: Livio?

Panel 3: Close-up of Vash’s lower face smiling, a tear rolling down his face.

Vash: I’m alright.

Panel 4: A blank Panel, filled with still air

Vash: Actually.

Panel 5: Big Panel, Vash crying into the crook of his arm.

Vash: I'm not... I miss him. I can’t stop missing him.

PAGE 4

Panel 1: Vash rubs the tears from his eyes, Livio grabs his arm shamefully, his body language clearly showing regret and discomfort.

Livio: I’ll uh, leave you to it, and see myself out.

Vash: It’s okay, I just didn’t want anyone to see me like this.

Panel 2: Close-up of Livio looking down.

Livio: It’s better to let yer feelin’s out than to hide ‘em and let ‘em fester, I should know.

Panel 3: Livio turns to the side and a sad snot stream runs down his nose he was trying to keep in. Livio is very much struggling allowing himself to miss Wolfwood. He doesn’t feel like, he should even though he desperately does.

Sounds effects: sniff

Vash: Now who’s keeping in their feelings? Let it out! He was your friend too, wasn’t he? You deserve to cry too.

Panel 4: Livio smiles sheepishly. He wants to make Wolfwood proud of him first.

Livio: Yeah, I suppose he was, all this time. But I don’t think I’ve earned that right yet.

Panel 5: Livio’s stomach growls LOUDLY. Draw in a chibi style, breaking the tension.

Sound effects: grumble

Panel 6: Drawn in chibi style, Vash waves around his noddle arms and Livio’s mood brightens, grinning with excitement.

Vash: Oh, are you hungry?

Livio: Hell yeah, I am!

Vash: What would you like?

Livio: Uh, pancakes!

Vash: Alright, pancakes it is!

PAGE 5

Panel 1: They sit down and eat at a retro 50s-style diner booth in a small nook of the ship. Livio swirls the last of his pancake in syrup on the plate. Vash cradles a black coffee with both hands looking at Livio.

Vash: Hey, Livio, what do you want to do when this is all over?

Livio: Dunno, maybe wander around for a while or return to the orphanage to help make up for what I and the other guy did.

Panel 2: Livio hangs his head, eyebrows worried.

Livio: If I can be honest with ya, I'm scared to face them.

Panel 3: Zoomed out drawn in chibi style to break the tension. Livio shivers.

Vash: Is that scarier than Elendira?

Sound effects: shivers

Panel 4: They laugh.

Livio: Well, when ya put it like, hell no!

Vash: Haha!

Panel 5: Extreme close-up of Livio’s eyes softening as he remembers back to his time at the orphanage.

Livio: I think he’d like that. They were my first real family.

Panel 6: Vash is hit with a sudden realization, Livio has no one right now. In a misty background, he remembers when Razlo cried out after Wolfwood did in Master Chapel.

Vash (internal): Wolfwood, you left Livio in my care... so we wouldn’t be alone.

Razlo (background): ...I’m all alone again!

PAGE 6

Panel 1: Close-up of Vash with the sincerest smile.

Vash: I hope you know you’re not alone. You have me now.

Panel 2: Livio’s face contorts sorrowfully.

Livio/Razlo (internal): I don’t deserve this.

Livio: Mr. Vash I --

Vash: Wait, before you say anything...

Panel 3: Zoom out so we can see both of them and the table. Vash extends his leg as he digs deep into his pants pocket. Livio leans on the table watching him.

Vash: I know that we don’t know each other well yet, but he trusted you with me and I trusted him, wholly and completely, so…

Panel 4: Extreme close-up, Vash pulls out 2 black leather wristbands with silver latches.

PAGE 7

Panel 1: Vash offers Livio a wristband while holding one for himself in the same hand.

Vash: Here. One for you, one for me. I used a strap from his cross to make it, so part of him will always be with us.

Panel 2: Livio puts the wristband on his left hand.

Livio: Thank you.

Panel 3: Extreme close-up of Livio’s non-tattooed eye, tears pricking his lashes.

Livio: I hope one day I can repay yer kindness.

Panel 4: They fist bump wristbands in view.

Vash: Welcome to the family, Livio.

PAGE 8

Panel 1: A large portrait of Wolfwood with his sunglasses and back turned, fills the background, smiling as he holds his cigarette in his hand.

Livio: Hey, Mr. Vash?

Vash: Mm?

Livio: Would you mind tellin’ me a lil more about him… Wolfwood? Ya see, we were close at the orphanage as kids, but I don’t know who he became. I’ll understand if you don’t want to, you owe me absolutely nothin’.

Panel 2: A close-up of Vash’s coffee, Wolfwood’s staple morning drink, Vash’s reflection smiles back, tears in his eyes.

Vash: I’d love to.

PAGE 9

Panel 1: Bonus! Sometime later.  Drawn in chibi style.

Livio: Can I hug ya?

Vash: Sure, buddy!

Panel 2: They hug, Vash smiles, and Livio whimpers as he lets out the waterworks. He’s thankful for Vash’s kindness.

Panel 3: This sets Vash off, who also sobs. They cry in each other’s arms.

[blueskiesofsaturn]

eh screw it i'm not holding onto this anymore Part 1 of don't worry about it Part 2 -> Rambling under the cut

~~~ Hi! this has been a funny little thing I've been working on for...

Oh. The file says February on it. Well then. Anywho this is something thats a bit longer than my other stuff, a short story if you will! With a planned ending that we'll hopefully reach if I don't burn out before then haha oh boy Truthfully I would have posted this a MONTH ago if it weren't for the fact that this first little part was giving me so much trouble. I had actually almost finished it save for basically the last two panels, but I'd gotten a lot, and I mean a LOT more confident drawing and writing these idiots in the other comics I made in the meantime. I was at the verge of just scrapping this whole part, but after getting bullied by my friends telling me my art and writing was good anyways and realizing in my hubris that this part had set up necessary context for later I gave in. The rest of the story is worth it to me and I didn't want this to to be the roadblock anymore. Anyways TLDR the rest are probably going to be a slightly different style. And better. Not that anyone would have probably cared but I felt like everyone should know about my struggle.

[daedelweiss]

“LIFE MISSION: SAVE MY BROTHERS” 💖 The Red Knight’s Mission (Episode 1: The Buried Memory Page 28-41)

and, finally, the last set for this episode. this was actually harder to get through compared to the rest of the sets, physically and emotionally 😭 drawing leo grieving broke me and i cried like a baby sketching that panel. i wish i could add more panels in but i didn't want to drag out the comic too long and give myself too much work. it was supposed to play out similarly to "E-Turtle Sunshine of the Spotless Mind" where leo's memories pushed back against him to avoid painful memories but i feel like that would've destroyed the vibe and somberness of the softer moments. plus it'll make the episode much MUCH longer. also leo didn't actually lose the colors of his scarf. it was more for symbolic reasons. and if the last panel of page 35 looks familiar, i took inspiration from the movie and imitated the expression mikey had when he tried to open the portal for the third time to save leo. (no, i did not trace it) it may or may not be foreshadowing for later 🤭 and yeah, the comic will be taking a hiatus……. to make more of the comic 😂 dw it's not for mental health or personal life reasons… actually it's partly that because i have an upcoming VISA interview 😭 bUT i'll still be making LM stuff behind the scenes, dw >:3 next episode won't be as drama or action packed as this one but… we will meet raph for the first time 👀 i'm really rEALLY excited to work more on the comic, and that's TWO reallys! i just hope y'all will be patient with me because it is no easy feat working on this. i love it but i'm only one person, after all 😄 thank you so so much for supporting this comic again! comments and shares are very much appreciated! 💖 BEGINNING / PREV / NEXT EPISODE (coming this april) •

( 🌿 please do NOT repost, edit, trace, use, and/or sell 🌿 )

[midnightfrappe]

Part 1

Yup, Kamek really didn’t want to let go of that dress, but it’s for the sake of Bowser and the plot

I didn’t expect a lot of people to ask for a part two but here it is! It took me some time because of my final month of school and not having enough time to draw, but i finally got to finish this, tho i did get lazy on the last panel and decided to just put the dialogue lmao.

And yes, i have planned a part 3 and even 4, and some extra bowuigi stuff i got on mind, so, yea. 

Also tagging @akari-ku bc i remember you asked me to tag you on the second part!

[oatflatwhite]

lest I go unsheltered

buck & maddie siblingism, post 7.04 | read on ao3

The last time Buck felt this nervous about talking to Maddie, he was fifteen and had scratched the Jeep. It was a real good one too, paint and metal flaked off the driver’s side door, the panelling beneath dented enough to catch when you tried to close it. Maddie and his parents were out for the night, and it hadn’t taken much convincing from his friend Andrew for Buck to lift the keys from the bowl on Maddie’s dresser and take it for a spin. When he’d scraped the door while parking Andrew had climbed out, taken one look at the car and fled. It wasn’t the kind of scratch you could buff out and besides, he and Maddie had promised a long time ago to be honest with each other. They were on the same team, always.

But Maddie had loved that Jeep. Buck remembers feeling sick to his stomach, practicing what he would say to her. He’s pretty sure he threw up over it.

He hopes he’s not gonna throw up now. Maddie’s in the kitchen, pouring enough red into their wine glasses Buck probably shouldn’t drive after drinking his. Chim’s doing something with Albert tonight and Jee is asleep, had been already when Buck got over here. He’d poked his head in to check on her and brushed an air kiss over her soft curls, so as not to wake her, in case she felt a real one. He’d stood from his crouch to find Maddie watching them in the doorway, her head leaned up against the jamb. She was smiling softly. When she saw him looking she lifted her hand, tilted it toward her mouth. Wine?

Jesus, he’d need it. Buck had nodded and followed Maddie from Jee’s room.

She brings the promised glass out, unnervingly full, and sits across from him on the couch with one leg on the floor, the other tucked up beneath her. Buck flicks his fingernail over the thin rim of the glass, listening to the sharp ring of it, until Maddie sighs and reaches over and puts her hand over his to stop it.

“What’s wrong?” she asks, not exactly kindly. Not accusatory either, just—exasperated. Her eyebrows have climbed halfway up her forehead but when Buck doesn’t answer straight away they draw back down, then further still, until she’s frowning. “Evan?”

I scratched the Jeep, Buck had blurted, almost twenty years ago now from the top of the stairs before Maddie had even taken her key out the door. She’d looked at him that same way, eyebrows drawing together, face scrunching into a scowl as the words registered. She’d said, you’ve got to be fucking kidding me, and stomped back outside to take a look at the damage. She’d left her keys in the door.

Buck’s pretty sure she’ll have a different answer this time, but the words still stick in his throat. It feels like it did when she told him about Daniel, when everything in his life could be divided neatly down the line of before-I-knew, and after. He’s drawn a second line in his head without even realising it, but which side of it things are sitting on, he’s still figuring out. He’d taken Maddie’s Jeep to impress Andrew, was the thing, who had blue eyes and shaggy blonde hair and was always quick to smile, quicker, even, than Buck, though of course he’d only been Evan back then. C’mon, Ev, he’d pleaded, wide-eyed, glinting with mischief. He’d wound the windows all the way down as they drove, laughing, the sound carrying from the car and turning Hershey into something else entirely, something that clung at Buck’s heart and made him want to stay. At least, until two years later, when Andrew had gotten into Cornell and left Buck there, in Hershey, taking all the good things about it with him.

Should Buck have known, even then?

Maddie’s still looking at him. Buck wriggles his hand out from under hers and sets his wine on the coffee table. After a moment, she puts hers down too.

“I’m,” Buck says, and the word that should come after sticks in his throat. “Something—happened. I, um, I did something.”

“Oh-kay,” Maddie says slowly, drawing the word out like it’s two: Oh… kay. She brings her other leg up so she’s cross-legged on the couch. “Is it something bad? I don’t need to hide a body for you, do I?”

“What?” Buck laughs, a quick exhale through his nose. It’s enough to ease some of the tension in his shoulders and break Maddie’s face into a small smile. “No, nothing like that. Though I—I’m concerned that’s where your mind went first.”

She shrugs. “Chim and I’ve been marathoning Criminal Minds.”

“Ah.” He rubs at his mouth. “No, um. It’s not, like, a big deal, I guess. I mean—it is, but not—like that.”

“Okay.” She looks at him.

Buck had stayed at the top of the stairs until Maddie had come back inside. She’d taken a deep breath, slid her keys from the door, shut it behind herself and locked it. I’m really mad at you, she’d said, her voice level. And then she’d looked up at him, and sighed—maybe at the way he was clutching his hands round his shoulders. Maybe at the fact he hadn’t moved an inch since she got home. Maddie sighed a lot when she was here. At their parents, when they couldn’t go a single Sunday dinner without arguing. At Buck, when he spilled bright blue nail polish all over the carpet in her room. At Doug, over the phone, when she didn’t know Buck was listening.

She’d walked up the stairs and sat next to him on the landing. Their shoulders bumped together. But I’m really glad you told me, she’d said, then grabbed his head and scuffed her knuckles through his hair. You’re paying for the repairs, stupid. Which had been a lie, anyway.

Buck takes a breath. He lets it out all at once. Maddie’s looking at him steadily. “Tommy kissed me,” he says. “I kissed him back. We’re going on a date on Saturday and I. I think I like guys.” He swallows. “That’s, um, it.”

“Evan,” Maddie says, and then nothing else because she’s in his arms, hugging him. His hands come up to her shoulder blades, the wings of them beneath her sweatshirt, and he’s been bigger and taller than his older sister since his growth spurt when he was fourteen but right now it’s like that doesn’t even matter. She holds him like she won’t let go and that tiny knot of tension, that ugly scrunching of doubt that had been nestled in his chest—it releases. Of course, it seems to say. Of course it’s okay. Like Buck had been an idiot to ever think otherwise. Which—he’s often an idiot. Maddie loves him anyway.

“I’m sorry,” she says thickly, sounding suspiciously snotty where her face is pressed against Buck’s neck. “I don’t really know the right thing to say. I love you, Evan, I’m—so proud of you.”

Buck gives his own sniffle. “That works,” he manages to say, and then Maddie is pulling back, wiping at her eyes and under her nose. There’s a damp patch on the shoulder of Buck’s shirt, that she seems to use as a target when she socks him. “Ow. What was that for?”

“You’re an idiot!” She throws her hands into the air. “You were pulling—fucking—pigtails!” Each word is punctuated by another punch. There’s no weight behind them, and after the third Maddie sits back, takes a deep breath.

“Is this where you tell me that being mean to a boy isn’t the way to tell him I like him?”

“Seems like I don’t have to.” She presses her lips together, like she’s trying to still be mad, but it hardly lasts a second until her face splits into a smile. “Evan,” she says. “Oh my God. Okay.”

She leans over to scoop up their glasses of wine and presses Buck’s into his waiting hand, and they could be fifteen and twenty-three again, shoulder-to-shoulder on the landing of their house in Hershey. Twenty-seven and thirty-five, drinking wine on Abby’s couch. Twenty-nine and thirty-seven, sifting through a baby box of memories, stood just over the line between before and after. Although maybe Buck was wrong. Maybe there is no line—no clean way to divide a life that will always be messy, because that’s what life is, isn’t it?

Windows rolled down—nail polish on the carpet—a kiss you didn’t even know you wanted, until you did.

Maddie takes a big gulp of wine, and her eyes are sparkling, matching a smile that’s almost as wide as her face. “Tell me everything,” she says, and Buck laughs, and does.

[sinnabum45]

⚠Trigger Warning! Graphic depictions of suicide attempt, suicide ideation, and spiraling thoughts⚠

[Image description: black and white with gray tones, digital drawing of a comic about characters from the Ace Attorney series. Page one: First three panels are of Miles Edgeworth sitting at his desk, which is covered with papers, tired with eye bags and feeling frustrated with himself. His left hand is on his face and it moves back down. He thinks to himself, “What’s wrong with me? Why can’t I even do something as simple as this?” A flashback to Phoenix Wright glaring at Edgeworth, then saying, “It’d been better if you never came back from the dead, Edgeworth!” Pearl Fey is standing next to him with a shocked and worried expression. Page one end. Page two: Miles is shocked and his desk is now covered with sleeping pills and an open pill bottle. An embodiment of Manfred von Karma appears behind Miles and reaches for Miles’s face. Manfred says, “How selfish can you be? Can’t even do me the favor of simply dying. ” The embodiment turns into Miles when he attempted suicide. Messy hair, bloodshot eyes, dried tears, dark circles under his eyes, and pills pouring from his mouth. He is squeezing the real Miles’s face and says, “Why don’t you try it again?” Page two end. Page three: Miles shuts his eyes and covers his ears with his fists while shouting, “No!! I don’t need you anymore!”. He opens his teary eyes when he hears Phoenix say, “Edgeworth.” Miles remembers Phoenix telling him, “Please call me anytime. I want to be there for you this time, okay?”. In the flashback, it is bright, Phoenix is facing forward, smiling with a worried expression, and holding his phone. The present Miles looks forward and calmed down a little. He’s still shaken up a bit. Page three end. Page four: Throughout the three panels, Miles is reaching for his smart phone on the desk, pulls away, then grabs his phone. Quotes from various characters: Phoenix, Gant, Manfred, and Franziska are scattered throughout the page. First panel, “I never wanted to see you again! To think that your motivation for prosecuting trials was so selfish…” by Phoenix. “I can feel it. You and me… we’re the same.” by Gant. Second panel, “You can let what happened kill the prosecutor inside you, or you can let it help you grow. I’ll be waiting for you in court…” by Phoenix. “Our battle… begins now… so you had better prepare yourself, Miles Edgeworth!” by Franziska. Third panel, “You have fallen so far. All these years I guided you, raised you as my own. You and your father are my curse!” by Manfred. “A von Karma is someone who is destined to be perfect! You are no longer worthy of being a von Karma! And neither am I!” by Franziska. Page four end. Page five: Miles is calling Phoenix. It rings throughout the page. The embodiment of Miles yells, “Stop! He will just hate you more than he already does!”. He is crying as he says, “ Then… I’ll truly be alone.” He has both hands raised to around his collarbone level and ink is smudged on his right hand. Miles reaches for his face and it startles his embodiment. The last panel is brighter. Miles, with closed eyes and somber expression, is holding his own face and reassuring himself by saying, “Don’t worry… I trust him.” Miles’s chair is squeaking as he rocks back and forth while leaning on his desk. Page five end. Page six: It is single light page with the phone ringing and getting picked up. Then Phoenix answers, “ Hello? Edgeworth?”. Comic end. End description]

Links to help Palestine and other resources! 🇵🇸

[Plain text: Links to help Palestine and other resources! (palestine flag). End plain text.]

Some extra thoughts below! These are just my personal interpretations of what I watched. I'll try to make sense of what I'm saying LOL 🏃‍♀️🏃‍♀️

Again, trigger warning for suicide attempt+ ideation!

Something I noticed while skimming through Farewell, My Turnabout is the similarities between Miles and Adrian Andrews. They directly connected Franziska and Adrian at the end, but they kinda just "hinted" at Miles being similar to Adrian. The main thing that stood out to me is when Miles starts explaining how Adrian is putting up a façade by acting strong. The background fades to black (TWICE), which is something that mostly happens when it's something important, putting focus onto Miles while he talks about how Adrian "lost her will to live" after losing Inpax. Inpax was Adrian's "pillar of strength" and when Inpax comitted suicide, Adrian completely fell apart. She then started to act just like Inpax to cope with losing herself and her mentor. That sounds like the relationship between Miles (and Franziska) and Manfred.

Miles's and Franziska's whole life with Manfred was them depending on him to validate/approve of them. When Manfred left their lives, they started to fall apart trying to gain approval of a man who isn't there anymore. Franziska's confidence was chipped away throughout every case because she kept losing against Phoenix. Miles fell apart a lot quicker (cuz Franziska wasn't created until after--).

Throughout Rise from the Ashes, multiple characters point out how Miles was not doing well and it progressively gets worse. This honestly confused me because Phoenix did notice that Miles wasn't doing okay. He even told Miles that he needs to choose between killing the prosecutor within him or let it help him grow. This interaction is at the very end of the case. Idk if "killing the prosecutor within" was ever brought up before that, but that was interesting cuz I kept seeing people say that Miles wrote that in his note out of nowhere.

With everything that Miles went through in just 2 MONTHS- it makes sense to me if he was not okay. His whole life was uprooted again after 15 years, he was betrayed by almost everyone he trusted, his adoptive dad killed his biological dad and tried to blame it on him, he was brought out on a boat in the middle of the night and shot at, Gant+ Lana used his knife to stab a person's body and made him unknowingly transport it in his own car, Gant saying that he's just like him, etc. Like DAMN bro, what the heck 😭

Also, the thing that made me want to make this comic was when Phoenix told Miles that "everyone would be better off if he stayed dead". Imo, I think it's understandable why Phoenix is angry at Miles. He felt betrayed and couldn't face the fact that Miles isn't who he was when he was 9. There was a post talking about it in more detail, but I mostly agree with what they had to say about it. Phoenix put an unfair standard onto Miles and got hurt when Miles couldn't meet that expectation. He wanted to "save" Miles by solving the DL-6 case and then thought that Miles would go back to how he was when they were kids. When he realized that it doesn't work like that, at least not right away, he felt betrayed. I love that they wrote Phoenix, the protagonist, with these traits tbh. I think it's very interesting! I just wished that they added a scene where Phoenix apologized for saying that Miles should stay dead tho cuz that's never okay to say to anyone, let alone someone you care about and apparently "know better than anyone else" 👁👁

Another thing I noticed is how different the characters treat Adrian vs Miles with the topic of "death". For some reason they're very sympathetic and delicate with Adrian, but then tell Miles to die. Phoenix tells Miles that everyone would be better off if he stayed dead, but then calls Miles cold for telling Adrian that if she decides to "choose death", then it is of no concern to him. Which goes right into my next point.

Miles seemed like he really didn't want to bring up Adrian's suicide attempt and her mental illness. It seemed like they tried everything to get her to talk, but because Franziska told her not to testify, Adrian kept trying to stay quiet. Even the judge was trying to get her to testify by saying at this point, it's looking like she's guilty. In any other situation, what Miles said to her would be uncalled for, but this was literally life or death for Adrian. Also, with context, Miles said that regardless of what she decided to do after the trial, she needed to talk now. She was asking for someone to help her, but only she can accept that help. He could've definitely put it in a way better way tho like damn. I think he's projecting how he talks to himself onto Adrian tbh 👀 It's honestly just a really shitty situation for Adrian to be in cuz no matter the reason, she was forced to face her worst fear. If anyone is to blame for all this bs, it's definitely Matt Engarde and Juan Corrida imo-- 🏃‍♀️🏃‍♀️ Her illness was something Adrian would have to face sooner or later, it just sucks that it had to be like this 😢 Another thing I noticed is when Adrian said that if the truth of her illness were to come out she couldn't finish her sentence. Then Miles finished it for her by asking if she would "choose death". That's a more obvious clue that maybe Miles's note was a suicide note, since it was used in the context of committing suicide.

This guy is always on my mind-- All of them are always on my mind tbh 😭 I just wanted to draw Miles struggling (just the usual on this account) SKMSDKLML I also wanted to show that healing isn't linear and there are a LOT of times where it's just hard. I also wanted to show that Phoenix (and literally everyone else OvO) does want to be there for him despite everything, Miles just has to be brave and accept his support. I just want them to be happy DAMN 😭😭

I feel like I have so much more to talk about, but I can't think of anything else rn. I hope all of this makes sense- I'd love to read your thoughts on this or if you have any questions! Just keep it respectful, please 🥺

[kbspangler]

This is the public statement from @alepresser and myself which went up at Webtoons tonight.

Now for some ranting. Just from me, not from Ale—she's innocent of the art crimes I've committed in the past, and boy howdy have I committed art crimes.

This is the first page of my first webcomic, A Girl and Her Fed. I started this thing back in 2006. (I don't actually need a head count of those reading this who weren't yet born in 2006. I'm sure you're delightful and I wish you well in college.)

And this is the last page I drew in early 2020 before I turned art duties over to Dr. Beer. It's better, right?

Well, these days, A Girl and Her Fed has pages like this:

I drew this comic for fourteen fucking years because it's a story I wanted to tell, and I thought webcomics were the perfect format for it. I didn't know how to draw. I got better through sheer obstinate perseverance and sticking to deadlines as best I could for, again, fourteen fucking years. I sought out a replacement artist when I ran into time constraints and couldn't do art plus writing anymore; I'm a much better writer than an artist, so I had no problems whatsoever kicking art to the curb.

The first time Ale sent me art that would go up on the website—art I hadn't needed to draw myself—I literally cried in relief because I had been grinding myself down for, yet again, fourteen fucking years.

So when I read comments from people who say they want to make a webcomic but can't draw themselves and therefore need to resort to AI, that little line between my eyes gets dangerously deep.

This isn't like I'm some old dude who's bitching over student loans getting cancelled after making regular payments. This is me, someone who threw raw art onto the internet like a monkey hurling fresh poo, because I wanted to make a webcomic and the art is part of the process of storytelling via webcomics! I could've (arguably should've) hired an artist right out of the gate, and that would've been part of the process of making comics, too: a partnership between an artist and a writer is also something which grows and develops over time.

For example, after Dr. Beer and I spent two years working on AGAHF, we decided we enjoyed our partnership so much that we set out to make another webcomic! It's great! It's got wonderful art and consistent storytelling! You should read it!

But turning art duties over to unaltered images generated by AI because you want to make a webcomic but "just can't draw" is, frankly, a bullshit excuse. I'm not talking about persons who are physically unable to draw due to disability—I'm talking about people who say they want to make webcomics but simply don't wanna do the art part.

Friends, if you don't want to show your entire ass in front of God and country, you don't actually want to make a webcomic.

Do the thing yourself.

If you're scared, don't be. Take the plunge. Set a goal of twenty strips and do the thing yourself. If you can already draw but can't write? Great! Write twenty strips, write forty panels, etc. You might surprise yourself. If you can write but can't draw? Great! Draw twenty panels and see what happens.

Whatever comes out of it, it's a thing you've done yourself. It's something new you've given to the world, no matter how big or small. Be proud of that. And if you need to partner with someone else to make your comic dreams work? You can do that, too! It's still a thing you've done yourself, and many projects are stronger when done together.

...but maaaaaaaaaybe hire that partner before you've busted your own ass for fourteen fucking years. That one's on me.

[inthedoghousern]

11:45

part III of just this once (I) and okay (II)

pairing: oscar piastri x driver!fem!reader

summary: all eyes are on you and oscar after the monaco paparazzi pictures, and the two of you haven't been in the same vicinity since that night. after weeks of avoiding it, you two confront one another and your feelings.

contains: some social media, swearing, angst, fluff, brief mention of sex.

3.8k words

a/n: was going to end this angsty but i only got 1 comment on my last post and it was someone who wanted another part... so this one is for you @andruuu28

f1gossipofficial

Liked by mclarenfan3744 and 88,402 others f1gossipofficial Oscar Piastri and Y/n Y/l/n spotted together after the Monaco Grand Prix.

View all 31,288 comments

-

The rumors were in full effect. 

Your night with Oscar had taken social media by storm. The rumors were more than just you two being close friends, there was this notion going around that a potential romance was forming. 

The whole thing annoyed you, it was a moment that shouldn't have been public in the first place, a moment you should’ve been smart enough to avoid. 

It's been a few weeks now since Monaco, and you've done your best to keep the situation from growing even larger. No interaction with Oscar, denying any romance, reminding everyone that the two of you have known each other for years, that you're only colleagues and friends. Not everyone liked this response, especially since it's been clear that over the past few years, you and Oscar haven't really been friends, but rivals. But you stuck to the same explanation, and Oscar and McLaren gave the same one as well.

-

You're now sitting in a meeting with your PR team. Even though there have been multiple Grand Prixs since the photos started circulating, you were still getting questions about them. “If you're asked about it, don’t comment. If you feel the need to say anything, just remind them that you’ve known Oscar for years and you’re simply friends," your manager tells you. You nod in agreement.

You were used to having the spotlight all on you, but now you're having to deal with it being on you and Oscar together.

Your manager's advice had been to shut down the rumors and just focus on the races, it was the smartest move. But your mind couldn't help but drift to the memories of Oscar. You had known him for years and suddenly some pictures of one night in Monaco caused you two to be branded as more than friends by the public. It was all just so overwhelming. How being in the F1 world made every moment in your life a spectacle. 

“Alright…” your PR manager moves on, “speaking of Piastri, you have a panel with him today, alongside Tsunoda and Sargeant. Some sort of young driver thing.” 

Your heart drops a little, you'd been lucky enough up until this point that you hadn't had to do any media with him. You got to address the rumors, separately. The luck has run out. 

The panel was intended to showcase the young drivers, but now it was more than just a panel to you. You were scared it would become the focus of all the rumors and discussions about you two.

Obviously no one knew that the rumors had backing, that you had actually slept together, no one except you and Oscar. But it still made you nervous that you would be together, that every word you speak to each other during this conference, every look, is going to be dissected by fans and media looking to find out if there really is anything happening.

-

The walk to the panel brought you past fans and media alike. For the most part, they were asking questions regarding the races in the upcoming days, but one reporter got brave and decided to bring the rumors up.

"We all know about you two dating, when are you gonna go public with this relationship?" His question was loud enough to draw the attention of other reporters and fans. You're still walking as he asks, and the reporter is in step with you.

“Hey look, the only people I’m in love with out here are the ones who keep my car going fast,” you put your hands up in a joking surrender. You hope your humor towards the situation would show your indifference, make them see how ridiculous all the talk is. 

Your response was able to brush off the question without even really addressing the rumors. And it worked, he laughed at your joke and moved on, a few of the other reporters were even laughing at the joke, which made you feel a little bit better.

It was time to focus again because now you were nearing the panel and you still had to be focused on getting through it without all the attention being on you and Oscar.

You walk into the press room, journalists are sitting in their chairs, waiting for the proceedings to start. Out of the four of you, you're the first to arrive. One of the coordinators guides you to a seat and you put your mic on. You give a closed-lip smile and direct a nod at the room. Now it’s just time to wait for Oscar, Logan, and Yuki. 

The room was filled with chatter, the journalists were eager to get some insight into the young drivers of the grid. But the chatter soon dies down and the room becomes quiet, the silence only intensifying as Oscar walks onto the stage, followed by Logan and then Yuki. Because you were the first one to arrive, you were seated on the far end, and the coordinator that sat you led Oscar right next to you. Great.

-

As the MC introduces you all and opens the floor for questions, the photographers get busy snapping pictures of the panel. Oscar is right beside you, the two of you next to each other in full sight of the cameras, but he's busy looking straight ahead. So are you. 

He's trying to avoid eye contact with you, he doesn't want the cameras to catch on to how he wants to look at you.

A few questions come in from the journalists to each driver individually, Logan is asked a question, which he answers, and so does Yuki. You're asked a few about you're dynamic with Max, and Oscar is asked about his with Lando.

The panel continues to go around the room a few more times, when you, Logan, and Oscar are asked a question. 

“So, you three have been racing together for quite a long time”, he starts, “when can we expect a podium with the three of you? Imagine a moment like that!” He says passionately. I smile at his question. It was true, that during those early days of you and Oscar racing, Logan was there as well. You all had even driven for Prema together for a year. 

You answer first, “Logan when do you think…” you joke and lean forward to look at him. Your response is an obvious dig at him driving for Williams, a team that isn’t well-known for getting podiums. Even getting points. Logan gets the jab pretty fast.

Logan laughs and takes the bait, "Oh I can already feel a podium coming on this weekend," he jokes and everyone has a little laugh, including you and Oscar. 

You lean back again and reach to grab Logan’s shoulder, giving it a small squeeze. “No shade, Sargent,” you smile. While reaching back to grab Logan, your arm brushes against Oscar’s back. 

Logan smiles back, he knows it was just a little joke and doesn't take it personally. Oscar, on the other hand, is sensitive to your touch and feels a spark go through him when you brush against him. He can feel his muscles and body tense up just a tiny bit, he masks it by joining in on the joke, turning and smiling at Logan as well.

-

As the panel wraps up, you both feel a sense of some relief. Things had gone rather smoothly and the reporters were satisfied. And no one asked any questions about the pictures of you in Monaco. 

Oscar was just glad the session was over, now he could finish the rest of his press obligations and go back to the hotel. But as he looks around, he still sees you sitting there, looking away talking to someone on your team, and he is partially in disbelief that you just sat through an entire panel with him, acting like there was nothing wrong. Because for him, he can't stop thinking about you, during the whole panel he was focused only on you.

In contrast, you're focusing on the conversation with your team member, completely turned away from Oscar. “Okay, yeah sure,” you answer to one of your manager's questions. You put the mic on the table and stand up.

Oscar looks away as you stand up, he hopes he wasn’t staring for a noticeable amount of time. He takes his mic off as well, standing up and making his way to the McLaren team. 

It was a brief moment of eye contact, but when your eyes met with his, you could feel the intensity of everything between you and Oscar all rush back into your chest. It was just a look, a look that said a thousand things. A look that told you and Oscar everything that had happened between you. 

You're the first one to break eye contact, and you both walk away, exchanging no words, as each of you sticks closely with your teams on your way out of the room. 

Just two people who've had a lot of tension between them who were now trying to pretend like none of it ever happened. But neither of you were good liars.

-

The next day, you go through practice sessions like normal. You do more interviews, debrief with the engineers. Nothing special. Just business as usual. 

It's now later in the day and you're back at the hotel sitting on a couch, just scrolling on your phone, trying to let your mind relax. A few Red Bull employees had been sitting with you earlier, but they had all left to do their own thing at this point. You have been alone for a few minutes now, but you're suddenly disrupted by someone sitting next to you, his presence makes you tense up as you know who it is.

“Hey.” He says. “Hi.” You respond almost reluctantly.

Oscar could tell that you weren't really happy about him sitting down next to you, and he should leave, he shouldn't have even sat down, but he was going to stay for a little bit to at least attempt to have this conversation. 

He sat in silence for a few moments after you responded, before finally saying, "How were your sessions today?”

“Pretty good,” I answer. “What about you?”

"Yeah, mine were fine too." 

Very successful conversation. You both sit in silence again, and you look back at your phone. 

"How long are we going to avoid the obvious?" Oscar finally says, getting to the reason he sat down next to you in the first place.

You put your phone down. “I don’t know…” you trail off. “But it seems like whatever we’re doing now has diverted the media off our trail," you half-joke. You dance around his question. You're scared to talk about it. 

Oscar was tired of pretending, it was killing him to keep quiet and act as if nothing had happened. He didn't know how much longer he could take it. 

"That's not what I meant, you know what I'm talking about..." he said softly, his eyes just looking straight into you, trying to get you to look at him.

You lean your head on the back of the couch. You don’t meet his eyes yet. “Oscar I already told you… it was one time… we shouldn’t have let it even happen.” You're not sure if you really mean that, but you do regret that it was a door that you allowed to open. A door that you don’t want to close, but you have to. 

Oscar sighs, your excuses are falling on deaf ears right now. 

"Sure, we shouldn't have let it happen, but it did. So why are we pretending like it didn't? This is ridiculous." He said, his voice not raising, but you could tell he was annoyed with you.

"Is this really what you're gonna say every time we're together like this? That it was just one time? Because I'm not satisfied with that answer anymore."

“Okay okay," you surrender. “Look if we need to just talk this out, for once and all, get it out of our systems, fine. You tell me what you need to say. But you know we can’t do it here.” You lift your head and finally look at him. If he wanted to talk, okay. But you had worked so hard to dispel the rumors, and having a heart-to-heart in this hotel lobby where anyone could catch a listen was counterproductive. 

Oscar nods, he knows he can't really say anything in here either, too many ears, too many eyes. But he has been holding this in for a while, all of his emotions and thoughts building up over the past weeks.   

He wanted to talk through it, even just a little. "Okay. Where then?”

One of your hotel rooms was the obvious answer. But there was no way you were even going to consider that, not after what you two had already done together. It was too dangerous, too much could happen between you two if you were allowed to have each other all to yourselves.

You think. “There’s a pool here right? I’ll find out when it closes.” 

Sitting on the pool deck, outside, in public, seemed like a much safer location for you and Oscar’s impending conversation. Even if it was closed and no one was there, there was always the threat of someone showing up, passing by. Private enough to say what you needed to say, public enough to control yourselves. “I’ll text you when. Then just meet me there,” you tell him. 

Oscar was surprised that you suggested a place that was even more public. But it was a good solution because you are right. If your conversation was in a closed-off room somewhere, then there was always the chance that one of you would let yourself get carried away again. 

In a public space, with even the smallest probability of someone coming by, you two would be forced to keep your distance. 

"Alright," Oscar says, standing up and leaving the lobby.

-

to: Oscar Piastri

11:45pm.

from: Oscar Piastri (1 new message)

11:45.

-

The time comes and you slip into the pool area, trying to be discreet considering that it’s closed. And because you're meeting Oscar. He’s already here sitting on the edge of the pool. 

When you arrive, he looks straight at you, there is no need to try hiding anything right now. The whole situation was already obvious and you both knew what conversation was incoming, what it was going to be about. 

You don’t say anything as you walk over. Neither does he. You sit down next to him and put your feet in the pool, he does the same and keeps his legs straight so he doesn't accidentally touch your legs. There is a small amount of space between you two and you both stay quiet. 

“So…” you don’t know what to say. He seemed like he had something to get off of his chest in the lobby. You should just tell him to spit it out, but you don’t want to be hostile. Be mean. The whole situation is really fucking with your head already but you don’t want to make it seem like he’s the only one with feelings to express. Things to say. Just because you've been avoiding him, you've been better at acting like it didn’t happen, didn't mean you weren't constantly thinking about that night, thinking of him.

You can see he's not entirely sure where to start either. "Can we just skip all the bullshit and not pretend like we don't know what is going to be discussed in this conversation?" Oscar asked, just being blunt from the start. His eyes looking straight into yours, they were piercing, it showed to you that he was serious about discussing this right away.

You're taken aback by his response. You weren't expecting him to be so forward, maybe you should have. 

“Fine.” You turn and look at him. He should be the one to speak his peace first. He’s the one who pushed for this meeting back in the lobby. But you're sick of avoiding the confrontation. You'll confess first. 

“Oscar, I don’t regret Monaco. If I'm being honest with myself, I want it to happen again. But don’t you understand why I say it can’t happen again? You’ve been here, almost every step of my career. You know how hard it’s been for me. Not just in the car. And it’s stupid that it would be a big deal if we got together. Stupid that people are going to use it as a way to justify not taking me seriously. But you know it will happen. Just those pictures of us in Monaco were hell for me.” I pause and look forward. “And I don’t want to sneak around. Watch my back every time we are together.” You move your feet through the water.

Oscar listens to you with an intense look on his face.

“I understand. And you’re right, they’re always going to talk,” he responds. You look at him. “It’s inevitable. It’s not fair. But that’s how we’re living. I know you're concerned about your career and reputation, but you’re at the top. You’re a great driver. So fuck them," he says looking back at you.

You sit quietly, waiting for him to continue. 

“I’m sick of pretending like my feelings don’t exist, I don’t care if everyone talks about me and our relationship or rumors or whatever, I don’t have anything to prove to anyone.” The floodgates are open now. 

“I want to try. If you’ve already made up your mind and you’re done with this, then cut me lose now.“

Your mind is working overtime. You're trying to process his words and process your reaction to them. You know he’s right. If you keep running from relationships because you're scared of what people think, you're going to be alone until you retire. But your mind still runs to headlines. *McLaren and Red Bull. Competitors or Lovers?*. It’s not just the fans, the media. What about your teams? There’s no way things won’t get uncomfortable.

Oscar can tell your mind is racing, it's hard to take everything in so suddenly. If something were to happen between the two of you, you were right, a lot would change. 

But Oscar believed it was worth a shot. 

“What happened between us was only one night. But usually when people feel how we’r– I’m feeling, they get to explore that...” Oscar cringes slightly at his words. He's saying exactly what he means, but it sounds so corny out loud. 

“What I’m trying to say is that we could decide to actually spend more time together. Give us a shot. And it's a real possibility it just doesn’t work.” He looks up, trying to find the rest of the words to verbalize what he’s feeling. “But we can’t know that unless we try.”

He finishes his speech and looks away, his head lowered. The words were finally out there, there was no hiding from those feelings anymore. 

You can't find any words. He cannot look at you. All you two can do is sit there, waiting for the other to make the next move.

You look at the side of his face. His freckles and moles you had once traced. His hair. It was messy again, maybe he was running his hands through it before you got here. You continue staring at him, just examining.

Eventually, you look back at the pool. You sit for a moment before moving your feet in the water, tapping Oscar's next to you. 

He felt your foot lightly touch him in the water. He looks into the pool and he gives a small smile. His eyes travel to your leg, close to his now, and he pushes his lightly back into you. 

You still aren’t looking at each other as your legs keep touching in the pool. And now you can feel his hand nearly touching yours, and you inch it closer. You feel his slight touch back as your pinkies are now intertwined. 

It was so still and so quiet. All you could hear was the slight trickle of water, your legs and hands lightly touching, and the occasional small breeze that came by. 

You don’t know how long it's been when you finally turn to Oscar. He’s still looking at the pool. Your heart is beating faster and faster and you've made your decision. Is it the right one? Is there even a right decision in this situation? You don’t know. 

You move your hand away, your pinkies no longer intertwined. 

Oscar felt you move away, feeling a tinge of pain, it seemed like you decided to leave. 

He stays still, facing the pool. 

You linger for a second before you begin to trace your fingers on his back and up along his neck.

He looks over at you when you do this. Now that he's facing you, you run your fingers through his hair and rest a hand on his face, your thumb caressing his cheek. 

Oscar shudders slightly as your fingers go through his hair, it's such a tender and sweet gesture. His breathing started to slow, the tension that had built up this whole time and throughout this conversation was now subsiding. He can feel you gently touching his face and it feels so natural.

His hand now finds your face, lightly brushing a piece of hair behind your ear and then resting on the back of your neck. You turn your body more completely now, bringing one of your legs out of the pool, bent in between you two, while the other still floats.

Oscar feels your leg come out of the pool and is placed in between the two of you, the both of you are practically pressed together now. 

You feel his hand caress the back of your neck, as he draws you closer to him. You lean closer too. No words have been exchanged but it’s clear you've both made your decision. It’s almost as if with your simple action of leaning closer, a secret agreement between the two of you was silently accepted.

Your heads are touching now, your legs pressed tight between the two of you. No words need to be spoken to prove it, something had happened and now it was time for you both to embrace it.

You kiss him. Finally. 

He kisses you back.

Maybe this was the wrong decision. Maybe not. Either way, right now you and Oscar couldn't care less. All you wanted in this moment was him. All he wanted was you. The worries of being caught, the reactions of fans, your teams, and the media, and the fear that whatever this is would just be a fling, dissolved in the kiss. You were the only two people who mattered at this moment, the only ones who knew how you were feeling and what you had gone through just to be in each other's arms again. 

And as Oscar pulls you closer and smiles into the kiss, you know for a fact that this is the best decision you've ever made. 

-

f1gossipofficial

Liked by user4337 and 98,963 others f1gossipofficial McLaren's Oscar Piastri and Red Bull's Y/n Y/l/n spotted together again in the night leading up to the qualifying sessions of the Belgian Grand Prix.

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landonorris oh wow (deleted by author)

a/n: the end 😄 they are such idiots, how are you about to get caught AGAIN after your whole plan was to be incongnito!

[a-butterfly1]

==✦NINJAGO AU MASTERPOST✦==

This is an AU I've been working on, I will actually work on it on writting ( on AO3 ) instead of making a comic/manga because I tend to procastinate when it comes to drawing panels ( if you have been keeping up with other pojects of mine you would know this), hopefully I will keep this updated.

==❤︎CHARACTER INFORMATION❤︎==

Lloyd Montgomery Garmadon

Age- 1000+ (immortal) Height: 5'8 (1,73m)

Lloyd has lived many years, of course, now he's immortal, he doesn't have much of a choice but to continue living on. He was many things throughout his life: a bratty child, a son, a master, a hero and now he's nothing more than a myth, while still a part of ninjago history many actually question if he ever really existed or not. He ostracized himself from society for a reason, after all,- it's painfull to make relationships when they are so short lived. He is considered a god by many, but he denies that being the case, maybe the embodiment of the balance between good and evil but he wont try to call himself anything more. Lloyd now lives with the spirits of his family with the occasional visits from Morro and Garmadon, his father.

==꒷꒦︶︶꒷︶︶꒦꒦︶︶꒷꒦==

Jay Walker

Age- 1000+ (spirit) Died at 115 Height: 5'10 (1,78m) Status: Nya's husband

He was a man of the spotlight, he shined brithly- TV shows, TheyTube channels, he was knowed worldwide. Not that he minds the retirement, he lived his life; he had two beautiful twins with the love of his life, Nya. He died happy, even if he was the last one to die, 3 years after Nya had passed. His last years were spent with Lloyd. In his many years in the Ninja team, he's come to realise he doesn't exactly have the same type of strengh like the others so he created a different weapon one that creates iron alloy strings, that resemble spider webs. He also practiced racing with his wife in his free time and created all kinds of machines and weapons which ranged from house equipment to ninja tech, like mechs, weapons and transport.

==꒷꒦︶︶꒷︶︶꒦꒦︶︶꒷꒦==

Kai Smith

Age- 1000+ (spirit) Died at 95 Height: 6'2 (1,88m) Status: Skylor's husband and Nya's bio brother

Kai was a little bit of an influencer in his younger years, but as the years went by he settled more into being a family man with his wife Skylor and his little girl. How did he become a spirit? Well it was his idea; well his plan was to become immortal like Lloyd but he was intersected by Morro, so he opted for the second best option: giving his powers to Lloyd, so even if he was dead he would be with Lloyd through his power; what wasn't part of the plan was he actually becoming part of Lloyd as a spirit, not that he is complaining, he got what he wanted in the end; and since he was the one that piched the idea to the ninja, he just involved them all into the mad plan- one that Lloyd was unaware of. He trully is a mad man, no one, and I mean, no ONE, puts themselves between him and his family, the last person who did so, is no longer amoung us, the last thing they saw was Kai becoming a demonic ball of flames.

==꒷꒦︶︶꒷︶︶꒦꒦︶︶꒷꒦==

Nya Smith Walker

Age- 1000+ (spirit) Died at 112 Height: 6'0 (1,83m) Status: Jay's wife and Kai's bio sister

Nya, famous racer, only had to step down from the hobbie/carrer when she got into a small accident, while she wasn't gravelly wounded that was enough for her to be proibited from competitive racing. From that day on she still raced but became more of an idol than a racer per say. She ended up working on engineer projects, solo or with Jay, mostly out of boredom. Now, since she is dead, she has more free time than ever, and uses it to learn and explore every digital corner of the internet, catching a few criminals in the way. Many say she is mystical and her strengh is as crushing as the waves in a storm can be, yet calm and relaxing as the days in the beach, others, like the Ninja themselves just see her as they're beloved sister.

==꒷꒦︶︶꒷︶︶꒦꒦︶︶꒷꒦==

Cole Brookestone

Age- 1000+ (spirit) Died at 87 Height: 6'8 (2,03m) Status: Vania's husband

Cole, King of the Kingdom of Shintaro, Husband of Queen Vania, father of the prince of Shintaro, and our beloved cake lover, sadlly passed away early, well earlier than his siblings at least, the unknowed illness that had taken the life of his mother had decided to claim another. Cole fell gravelly ill, bedridden in his late stages of life. Bedridden in the castle, he invited Lloyd over for most possibly a final goodbye, although he didn't think that Lloyd would stay around the whole time it wasn't completly unexpected, right there he was the first one to execute Kai's plan, and the first to discover the side effects of the plan; from then on he was part of Lloyd and made sure to let the others know of the end result.

==꒷꒦︶︶꒷︶︶꒦꒦︶︶꒷꒦==

Zane Julien

Age- 1000+ (nindroid) Height: 7'0 (2,13m) Status: P.I.X.A.L's husband

Caretaker of the rest of the Ninja team and their children, especially since those little kids sure liked uncle Lloyd a whole lot and would visit constently. He stayed with Lloyd in the monastery alongside P.I.X.A.L and Morro (who visits soo much he pretty much lives there, has a room and everything). Him and Lloyd share house chores, and Zane is in charge of looking at news around ninjago, to ensure it's safety, as well as helping in some researches since Lloyd is only one person and can only intake soo much information at a time. He is the only one that hasn't partaken in Kai's plan, since there is literally no reason to, Zane obviously doesn't die of old age, one may claim that he could possible get rusty and need repairs at some point but Lloyd and P.I.X.A.L are always around is any issue is to come.

==✿ADDITIONAL INFORMATION✿==

The Ninja team, many years after most of the team's death, has move the location of the monestary far away from the main ninjago island, and instead now lives in a far away island that Lloyd created west of Ninjago city, around the middle of Ninjago and the dark island (thats has been sealed away by Lloyd). The reason for that change is because of something rather strange, it's not just to ensure Lloyd's ever soo wished isolation but also because a merchant had attented to buy the place, with the intention of turning the monestary into a tourist attraction. Lloyd got a bit peeved and decided to pick up the mountain where the monestary was on top of and relocated it;

The only reason the Jay was living with Lloyd in his last moments, was because he genuenly belived he would miss the mark to execute Kai's plan, because he belives himself to be quite clumsy and distracted; either way he didn't miss it and now is with the rest of the team (which is a way to say that he can now torment the Ninja forever);

Lloyd has a cute nickname for all the Ninja's kids, and spoiled them to no end (he is the fun uncle who takes everyone to Disneyland), he calls Kai's daugther "munchkadee", Jay and Nya's twins has "Starlight" and "Moonlight" for the girl and boy respectively, and Cole's son is "Duckling";

the age diference of the Ninja are, from youngest to oldest: Lloyd - Nya - Jay - Kai - Cole - Zane ( to say, with maybe the idea of the 1 season, Lloyd (8->15) - Nya (15) - Jay (16) - Kai (17) - Cole (18) - Zane (30-40? he is old);

(conceivable for change) As of right now, Lloyd's power is one that could rival gods, the source of said power is something OP is still considering but the possible main reason might be related to "source dragons", has to why the other Ninja's had powers even after having kids is related to Lloyd giving them an artifact that has their specific element embodied into them (the artifacts are not phisical and can only be visualised when the Ninja have already passed, the artifact will most likely have the form of a card); (the reason of this possible change is the development of the plot of "Dragons Rising").