#i like my own version a LOT

[holopossums]

omg older Krow real??

Future Boy gets more Future'd to be my age, how fun! :3

but i did put my entire gender envy into one man so i'm gonna pass out now

edit: he has an official reference now that looks a little different!

[bacchuschucklefuck]

typical tavern scene

[sen-ya]

Sennnnnnn I don’t know if you’ve already addressed this before, but can we get a height check between the idiot captains??

Also also- I think it’s super funny that you literally made so much content you had to go and get a different website just to document it all out, that’s insane! Keep up the amazing content! Indulge your silliness!!

Two idiots over time!!

Also also, tysm that warmed my silly heart 😭❤️

[ftmtf-doll]

You're not a fakeboy because of your anatomy, you're not even a fakeboy because you get wet when someone calls you a good girl.

You're a fakeboy because time after time you keep coming back to this kink, rubbing your clit to it, associating pleasure with femininity every time you cum imagining someone turning you into a woman. You've broken your brain to detrans porn and now you're a fakeboy. If only you'd been a bit stronger you could have stopped, could still stop any time you wanted.

But you don't want to stop, do you?

No, you're going to keep coming back again and again until you've turned yourself back into a woman

[foxett]

Fighting tooth and nail for the suntan community to stay alive

[king-magppi]

🦾Detroit doodles from these past two weeks! When I wasn't replaying the game I was drawing these.🤖

Alice has 3 dads. NONE of them are Todd. (I need to draw Luther with Alice) Oh by the way the last two are from my own little happy ending AU where Kara, Luther, and Alice bring Ralph and Jerry(s) over to Canada with them!! They learn to adapt to life as "humans" and they all love Alice very much! She deserves it.

[kagooleo]

here's a finished belated bday comm for @wyvernity of their soulsilvershipping :D!!! I was honestly really happy with the turnout for the piece so I did go a lil ham on their faves (～￣▽￣)～

i've still got 2 commission slots open on my kofi for both chibi and sketch pieces if anyone is interested :V

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[isbergillustration]

I got covid for the first time and I'm being so brave and un-dramatic about it

[byjovewhataspend]

work in progress~<3

[soaked-ghost]

it's the annual infodumping post!! yahoo!! have ink when he was slightly younger. also concept for how he actually hears the creators (with a little radio)

[theodysseyofhomer]

been thinking a lot about brother-sister gender roles with polyxena and paris. in my head polyxena wants to kill achilles (in pretty much every surviving story about polyxena, somehow achilles is there and central to her trauma, go figure), but she can't do it herself, because she's not a man. but the one she conspires with to actually, finally kill him is paris, a famously effeminate man who hates to fight. who won't repeat what hector did

hector gets kleos but achilles kills him. polyxena and paris can't or won't get martial kleos but they can kill achilles, and they deny him a glorious death to boot

[sysig]

Two big softies(?) (Patreon)

[falsepriestt]

the yelloe guy ↑ thats him yeah

[wolvertooth]

au/fix where the sabretooth that gets sent down to the pit and does the sabretooth war stuff is uhmmm just a clone. its the clone plot again. for the 3rd time.

i mean im kinda torn on this since sabretooth 2022 + sabretooth and the exiles did have some good moments. its just the ending and everything that happened after that was. weird. and off.

so maybe before the pit, the clone was doing some Evil clone stuff, but being in the pit triggered some genuine memories for the clone, allowing for it to have a brief period of victors actual self. then, by the end of sabretooth and the exiles, that wore off, and he reverted back to normal Evil clone. that would also give a good reason for the brief moments in sabretooth war that felt ‘real’ being at the same time he was remembering things, his actual self slipping through again. fuck now im feeling kinda bad for this hypothetical sabretooth clone…..

meanwhile, the real sabretooth(inverted) is chilling at home, watching this go down from the outside. cuz like, lets be real, his friends wouldnt just leave him in that reverted state at the end of weapon x 2017. they would absolutely kick some ass in order to get him back to normal. and i bet it was weird for him to hear about the graydon thing too, seeing as hes now got a solid relationship with his own graydon.

oh. and ben percys wolverine is totally a clone too. cuz he just seems so different from the wolverine in infinity watch.

and the real ones are definitely living together.

anyway, extra -> tbh the whole percy run feels like an au to me. mostly due to the way both of their memories are handled, wolverines especially, as shown in x lives / x deaths. its a mashup of a bunch of different wolverine runs, but with the authors own spin on them.

its kinda representative how every new wolverine run is like their own au, each author taking bits and pieces of canon as needed, but also slightly rewriting them to fit their personal take. bit like a game of telephone, plot points getting forgotten over time as new authors dont bring them along, and other authors ideas getting remixed. especially in the earlier days, when runs were way longer, plot points getting abandoned in their own run.

a good example of this comes from return of wolverine and infinity watch, which are both considered ‘canon’, but due to their length are never referenced again. and even though infinity watch is an immediate sequel to return of wolverine, the concept introduced in that run where wolverine has all the different versions and variants of wolverine in his head wasnt ever mentioned.

its like the previous stories set up new plots only for the future ones to drop them. like how weapon x 2017s ending of sabretooth being reverted back to a ‘feral’ state never gets elaborated on later, despite seeming like something that would lead into a new arc.

all different stories, all somehow labeled as canon.

[zecoritheweirdone]

so i saw this old-ish post about an au centering around a villain lewis and a hero arthur,,, and i. may have gotten attached to it,, dkdndkdjs. so i decided to make some edits + doodles based on it!! i also really wanna make a lil oneshot about it as well,, but uh... whether or not i actually follow through on that, we'll see,, skdjsojdks.

edit: good news, gang,, i wrote the fic!!