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#i might add more characters but i'm not sure
deoidesign · 2 days
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How I save time on backgrounds as a full-time webcomic artist
Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.
Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!
This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)
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So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.
I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.
I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.
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Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.
Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!
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This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.
But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)
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I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.
My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!
Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!
panels that look like this in scroll format...
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can look like this in print!
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because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.
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Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!
Enjoy!
Also obligatory "my webcomic" if you want to see this in action or check it out!
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diardri · 1 day
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Dia's FFXIV Art Reference Notes, A possibly long post
Hello! I made this as a thread on my twitter but I might as well post a version of it here. For the record this will be a thread linking to the resources I use when drawing commissions or fanart, I have not made Any of these and whenever I can I will note the creators and link directly to their resources.
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GPose Reference First and foremost, if you're drawing a WOL or ordering a commission of your WOL the most important thing is to take a proper reference GPOSE. I use the method in this post, to make sure I got all the angles. Clean refs are super important when drawing armor/intricate outfits so take care to take simple standing poses like the one in the tweet above. Cool dynamic poses might be fun but they're not really useful for referencing.
Gear/Weapon Reference
If you need good references for a weapon/outfit that you don't have a GPOSE for, I recommend using the attire website
This is a japanese website maintained by @/chiyo_asa on twitter and if you've ever looked up a piece of gear in the lodestone you've almost definitely come across their pictures.
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This is a super rough translation in english of the menu of the website. While it is in Japanese it's very easy to navigate and all the pictures in the site are super high quality and very useful for referencing.
This is my number one source for gear references I haven't taken myself
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The "mirapuri" button afaik is for glams they made themselves that they want to showcase.
An important note about this site specifically is that I believe it's currently undergoing an overhaul so Some weapons/gearsets might not be completely transferred in yet.
That being said, the majority of sets from dungeons/crafting/alliance raids/job gear sets etc are sorted like so, which makes it super easy to look for.
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There IS also a search function but I'm pretty sure it works only for japanese input.
NPC reference sheets
@xivrefsheets Offers really detailed resources of npc models. They also occasionally accept requests on their ko-fi (closed at the time of writing this)
These are super useful and really high quality, especially for some of the boss refs they've done. As someone who doesn't use anamnesis I go back to their refs very often
Convocation of the Fourteen refs
Maintained by @/Igeyorhm on twitter this site has a nice list of Ascian refs per character in addition to some lore bits for each of them. Also some very useful closeups of the Ascian clothes.
Even more NPC and Boss Refs
I believe maintained by @/MlNRATHOUS on twitter, this site has a really nice array of major NPC and boss references in various angles and with colourpicks for skintone and hair which is super useful. I use them a Lot
Lalafell centric refs
Norirow Note is a super cute blog that showcases glam items/ weapons/ chocobo barding and more.
It is NOT meant to be an art reference, however if you play a lala like me, I find their showcases useful when drawing gear on lalas.
Even if you don't use it as an art ref it's a super cute blog that's just fun to go through AND fully translated in english so I recommend just having a fun time reading through it anyway.
Bonus- Au Ra Scales.
I literally found out about this today but @/saficchi on twitter has made a super detailed angled ref sheet for both male and female au ra scales and I love them for it
Bonus 2 electric boogaloo- TextTools
I use this to import 3d models of specific weapons into CSP if I'm drawing them.
I don't know how useful this is for other art software but it's saved my ass from freehanding titania weapons so in the thread it goes
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That's the full list of refs I personally use, if there's more that people want to add please feel free to do so in the comments. I hope it helps people out in their creative endeavors!
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Jogo x Reader
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Jogo:
Your favorite Disney character is Mike Wazoski, you were voted most likely to need anger management or you're secretly Squidward Tentacles
First Date:
You decided to take a break from your stroll and sit down on a park bench. You were in your eighties and nearly blind at this point but you thought that you were doing pretty well for someone that wasn't locked up in an old folks home. You then heard the sound of laughter. Ah, children. Gone were the days of your youth  "It's nice to see kids playing outside instead of being on their gizmos."
Your hearing aids then picked up something. "Hey granny, you can see me?" It was the boy you heard laughing earlier. "My eye sight isn't what it used to be but yes, I can make out various shapes. "Hmm... You've got a strong soul grandma, I can see it!" You were flattered. "Why thank you young man. Would you like some candy?" The boy pouted. "I don't think I'm supposed to take candy from strangers. Tell you what, I'll give you my name so then we'll know each other. I'm Mahito. Nice to meet you!"
You tried to give Mahito some candy but he politely refused. "I think you need it more than I do. Don't old people have lower nutrients?" He seemed to be asking himself rather than you. "Ah! Here granny! Take some of my home made candy!" He then dropped some small drops into your palms. The texture was strange and it almost felt like skin but you didn't want to be rude so you accepted the gift and placed them in your purse."
Guess she can't hear their cries due to her hearing. Too bad..." Mahito uttered to himself. "What was that son?" He stopped blowing bubbles and then came up with a plan on the spot. "I was just wondering if you wanted to meet my family! I think they would really enjoy your company. What do you say?" You smiled and gave a nod. "All right Mahito, let's go find them." The curse walked ahead of you and began to maniacally grin. "Jogo, Jogo... You shouldn't have screwed me over while we were playing monopoly... I'm going to make you regret being born!"
Mahito brought you to the play ground and walked over to the slide area. Kenjaku raised an eyebrow but made no attempt to stop him. "This is my family grandma!" You walked over to the man Mahito was closest to. "You have such a wonderful son. You must be so proud. He even gave me candy!" Mahito was trying not to burst from laughter while Kenjaku began to respond. "Unfortunately he's not my son. I'm more of a care taker. He has no patents sadly." You gasped. "How unfortunate."
"Yes, well luckily I'm a father myself so I thought it would be best to add him to the family." How sweet. "That's so kind of you. If you don't mind me asking, where are your other children?" The man's eyes narrowed at Mahito, giving him a look that said 'be grateful I haven't eaten you yet'. "My son's are currently enrolled in high school. They used to be home schooled but we thought it would be better if they were closer with their youngest half brother. Yuji is a growing boy after all and I'm sure that his nine brothers will help his potential grow."
Wow. Nine kids? You started to wonder how all of them could attend school but decided it was better not to ask. They might be more children from a previous relationship or at the very worst, some of them might be have been held back a grade or two. "Mahito, why don't you introduce them to the rest of the family?" The curse gulped and quickly got the point.
As you walked away, the thousand year old brain was happy to finally be rid of you and your irritating questions about his previous failures (children). Mahito then introduced you to his next "family member". "This is Hanami. He doesn't speak our language unfortunately but I can translate for you." The curse then started to speak it's strange language. "He says that he'll be sure to bring lots of beautiful flowers to your grave once you pass."
You chuckled nervously. You didn't think you were in that bad of a state yet. Next Mahito introduced you to Dagon. He told you that he was their beloved dog and that was why he was so large. You could hardly see as it was so of course you bought it. "And finally..." Mahito then walked up to the sleeping curse and began dumping mentos into its volcano head. Suddenly there was magma and the curse was stringing profanities at the boy. "WHAT THE HELL DO YOU THINK YOU'RE DOING, MAHITO!?"
"Oh my. Did it suddenly got hotter? The forecast called for cooler weather today. I suppose I'll need to take my sweater off." Jogo's eye then opened wide. "Granny, this is my old man. Grandpa, say hello!" Jogo then tried to use his domain expansion but Mahito quickly cut off his head. "If you know what's good for you then behave or I'll use your head to play soccer again..." The curse relented. He didn't need to be told twice.
Jogo grit his teeth and glared at you. "H-hello..." Mahito then kept pestering him. "And what...?" Jogo sighed. "Ni-ice to m-meet y-you..." The younger curse began to laugh. "See? That wasn't so hard! Now I'm off to go get some groceries old man so you better behave! See you both later!"
Now it was just the two of you. "Huh? What's that awful racket?" You couldn't hear as well as Jogo did. "I believe it's coming from your purse... May I check it?..." You promptly handed over your bag. The curse opened it and found the source of his complaints. "That damn punk!" He took the "candy" out of your bag and quickly incinerated it. "You can have this back now."
"Your grandson is so sweet!" Jogo scoffed. "Don't trust anything that comes out of his mouth!"
"Well, he can't be that bad if he's yours."
"You don't even know me..." You laced your fingers with his palm. "Then let me get to know you..."
Over the few hours the two of you began to bond. You both loved nature, preferred to relax. You even both hated those kids that always skate on the sidewalk. "You're the first hum- I mean, person I can relate to. Maybe the human race isn't so bad..."
Suddenly two boys came running towards you. "MAHITO!""Here granny. Try some of the jerky I brought!" You went to reach for a piece but the other boy was quicker and scarfed them all down. "Mahito... How many fingers did you let him eat..." The curse whistled. "Dunno, I lost count after five. Well, I'm done. Later Jogo!" You stared at the unconious boy. "We need to call an ambulance!""... Listen carefully... You need to step back..."
You didn't understand what he was talking about and then something happened. "Hey, I think he's starting to wake!" Jogo tried his best not to shit himself (can curses shit?). "We're doomed..."
"I see you think pretty highly of yourselves..." Jogo immediately began to bow. "Hey! You better follow my lead or you're as good as dead!" You however refused to comply. You stood in front of the boy and waved your finger in his face. "Why I never! Back in my day, children respected the older generations! Youth these days are so arrogant! You need to be taught some manners my boy!"
Kenjaku stood on the sidelines with a bucket of popcorn in his hand. Internally Jogo was screaming "FUCK, FUCK, FUCK, FUCK, FUCK!!!" "Wench, it is you who do not know your place. If anything, I'm far older than you. If I were in my true form, I would not even eat you, your body being nothing but a rotting sack of bones at this point. For you I have something else in store. I haven't used this since the Heian era. Domain expansion, elder abuse!"
Suddenly your right ankle had been slashed causing you to fall over. "My leg! Help, I've fallen and I can't get up!" The king of Curses chuckled. "What's this Karen? Didn't you say that you were going to put me in my place?" You desperately tried to use your cane and swat him with it. "That's it! C'mon, try harder!" You then moved to bash his kneecaps. Sukuna swiftly doged it. "Keep trying!"
It was ten minutes later and you were still writhing on the floor in agony. "Pathetic..." You reached your hand over to Jogo. "I'm glad to have met you. You remind me of the boy my granddaughter fell in love with. They would often play chess..." With your last ounce of strength, you opened up your locket and showed him a picture of the couple. It looked like a blind girl and a ninja turtle? It must be that ant curse that Geto was talking about.
The next thing Jogo knew and your head had been crushed underneath Sukuna's foot. "Know your place... Fool!" Jogo's heart had been crushed just like your brain. The curse began to fall over and go into cardiac arrest. "I thought you would stand proud and face me? I guess you aren't that strong after all." Sukuna was about to finish off the curse until his old brain buddy showed up. "Hey, Sukuna. Mind if I take this one?" After receiving the go ahead, Kenjaku began to vore down the weakened curse.
Sukuna smirked. "Kenjaku always does the grossest things!" Kenny then walked right on up towards Mahito. "You see that? That's what will happen to you if you pull another stunt like this again!" Mahito had won but at what cost? 
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technovillain · 1 year
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working on this banner of my best friends my favorite not real people on the not planet.
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Oh hi there transfem discussing her experience in the trans community i just had a quick question about your post
What does tme mean?
Oh okay i see i understand, thank you.
What does transmisogyny mean?
Ah I see, I get it.
What's a trans woman?
Oof scary. One last question.
What's a woman?
Thank you for being my own personal google (not like you had anything better to do right?) and derailing the point of your post for my own personal education. I will now add nothing of value to this post in return. Bye bye!
#channel 3#ignore me i'm bitching#it's just like. somehow the word tme/tma magnetizes people who refuse to do a second of thinking EVERY SINGLE TIME#like on one hand i almost feel bad for bitching#because generally if someone is unaware enough to ask theyre probably not aware of the precedent of multiple tme people asking on every post#what tme/tma means#BUT ALSO it happens so often it straight up feels like it's intentional#and like even if you don't want to look it up i feel like it's easy to guess by context clues#but like regardless of that#could you imagine going to literally any other discussion like that and asking them to define basic terms#'hi thank you for sharing your math thesis with us. just one question what does that t shaped symbol mean? this one: +'#'hi thank you for your in depth analysis of whether the cubs win this year. just one question. what's baseball'#'hi thank you for this in depth character analysis. just one question. what's a book?'#like in all of these cases we can agree that either a. they're a bad actor or b. they're not doing the bare minimum to engage with the post#why is it that people think it's still okay to do that on posts by transfeminists? (<- knows the answer)#(also i'm sure this also happens to cisfeminists but i think more people know better than that now)#like. if you do this i don't think you're evil or like transmisogyny incarnate or whatever but like. in the nicest way#i want you to think through what you expected to happen with. like sincerely and ask yourself was this productive to anyone#did this add anything of use to the post or to anyone else#explaining tme/tma doesn't add use to the post because transfems have explained it billions of times elsewhere#and knowing what it means is generally the bare minimum for interacting with a post discussing transmisogyny#so who does it help to ask? further who does it hurt to ask? in what context might my question be taken?#whagever who give a shit
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jaedoesart · 4 months
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somehow this line got even funnier with the music and voice blips added in asdfghjk
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i-bring-crack · 8 months
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There was a time when someone asked if I could do an Antares/Reader fic and while I'm not a fan of that my brain still started thinking of some promps about them and it lead to having a small hyperfixation about a Dragon Priest OC:
And here is Ananké
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not much to say about her except she speaks sarcasm (to the Monarch) and costumer service (to everyone else.
Also she likes to drink a lot of chicha.
Plus other pics
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airenyah · 1 year
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thinking about my tags on this post, specifically about:
#i keep watching ships on other shows kiss and it's like#this is nice and all but!! it's just not แค่เพื่อนครับเพื่อน bad buddy series ep. 5 [4/4] (11:33)
and it's like. not gonna lie but this applies even to the patpran ep11 beach kiss
#bbs#bbs ep11#airenyah talks acting#airenyah shut the fuck up challenge#it's all about the dringlichkeit!!#during the rooftop kiss the actors add more dringlichkeit the longer it goes on#meaning the longer it goes on the more important and more urgent it feels#we as an audience feel like it's a now or never situation‚ like that kiss is the only thing that matters right now‚ like there's no tomorro#through the increase in dringlichkeit that the actors are showing#meanwhile in the ep11 kiss.. sure they get a little faster but. apart from that nothing really changes#and that's BORING. esp in comparison to the rooftop kiss#and yeah the stakes are higher in the rooftop scene but still. the ep 11 kiss also needs some dringlichkeit!!#esp considering that the characters end up sleeping with each other afterwards#so that beach make-out session also needs a kind of importance. in a completely different way from the rooftop kiss#the rooftop kiss was all ''i need to kiss you NOW bc i don't know how else to address all the unspoken things between us''#the rooftop kiss was all ''i need to kiss you NOW bc it might be the only chance i get''#whereas the ep11 kiss should be something like ''i need to kiss you NOW bc i want you''#to borrow patpran's food metaphor: the ep11 kiss should be something like ''i need to kiss you NOW bc i'm hungry and want to eat you up''#that's what the ep 11 kiss should be. ESP when they kiss again after they've pulled apart for a moment#it's not the speed of the action that makes the difference‚ it's the dringlichkeit!!#that's what the ep11 kiss needs. less speed and more dringlichkeit#(speaking of: my voice/articulation teacher once told us a trick that we can fake faster speed through an increase of dringlichkeit)#adrm#also it's not just a problem of dringlichkeit but also the haltung and the gedanken#the haltung (attitude?? mindset??) should be ''i wanna eat you up''#and the gedanken is like. what exactly are the characters thinking when they're kissing? what are they feeling?#in acting every single thing that you do needs to be filled (and felt) and that also applies to kissing#if you're just kissing bc the script says to kiss and the director is yelling ''nowww kiss!!'' well......#that will never hit as hard as when you're actually filling up that kiss with throughts and feelings and telling a story with it#god the rooftop kiss is just so fucking GOOD maybe i should just go rewatch ep5 immediately
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unproduciblesmackdown · 11 months
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meanwhile, some quotes about the material:
The "musical within a musical" is about a ramshackle theater troupe haphazardly putting on a show destined for Broadway in exchange for doing chores around the farm. People fall in and out of love throughout the process, all while the city folk comically struggle with the country life. Emmy-winning writer Cheri Steinkellner was given one mandate, however: "No tractor," she laughed on the phone just weeks before the show was set to begin previews. "They were adamant about that. And there's a tractor in the movie. There's a tractor in almost every scene. It's in many ways about a tractor. But I was told absolutely no tractor." [...] "We're all working on this like we're on an actual summer stock schedule. Art imitates life imitates art. It's just go, go, go. And I couldn't be prouder of our cast, and our Jane and Joe," Steinkellner, who is also a Golden Globe winner, said. Her writing partner also happens to be her husband Bill. "Our 'Summer Stock' is more 'inspired by' than adaptation. There are four songs included from the original film that you can't not do. But the new songs are the best of the old songs. The secret sauce was the great American Songbook." She said "It Had To Be You" is one of the classics audiences can expect.  
[source: ‘High School Musical’s’ Corbin Bleu makes his Goodspeed debut in ‘Summer Stock’]
So, how different is the musical Summer Stock from the movie? It feels like a whole new animal, even though we’ve borrowed some elements from the movie. It is still, first and foremost, a love letter to the theater; it’s about this group of players who come to a farm to put on a show. So many numbers are how they get into farming through performance! We also still focus on how Joe and his partner Phil [played by Gilbert L. Bailey II] fight to get the show on its feet, and how Joe helps his eventual love interest Jane [played by Danielle Wade] find her inner performer. But a lot has changed from the film, including some of the relationships. We have a brilliant new writer, Cheri Steinkellner, who has dropped in a lot of nods to why we love musical theater. We have Veanne Cox as Orville’s mother, who is the new “villain” of the piece. And we’ve added a lot of music, such as “It Had to Be You” and “It’s Only a Paper Moon,” and we’ve switched around who’s singing some of the film’s songs, such as “Dig, Dig, Dig” and “Happy Harvest.” But the most important thing is that while we’re still in the late 1940s, there are two Black actors playing the male leads – me and Gilbert Bailey as Phil – and it is definitely not color-blind casting; it’s color-conscious. That means we’re dealing with an interracial love affair, for instance. The racial element is an additional driving force, which I think is necessary, but the main story isn’t about the struggle for racial equality. In the end, it’s still a feel-good MGM-like affair. You’ve previously stepped into the figurative shoes of Gene Kelly, who originated the role of Joe in the movie, as well as Fred Astaire. How does that feel? I am always aware these golden age icons from MGM have such a specific style and that they make what they do look easy. Of course, I want to bring that to Joe. But in the tap dance sequence, for instance, we also have a bit of Gregory Hines, even though I’m no Gregory Hines. And at the end of the day, it’s me on stage, and I work hardest on finding my own characterization of these roles. This is your first time working with Donna Feore, who is one of Canada’s leading directors and choreographers. Tell me about your experience with her? Donna is wonderful to work with, both as director and choreographer. I think the best thing about her handling both roles is we don’t have to get everyone on the same page, because she is the same page. She’s also really hands-on with the music; she fought to have a drummer in the room during rehearsals so we could find those beats while we created the choreography, not just insert them later. As she directs, she considers the movement of every scene, but also the story that we’re telling through that movement! It’s not movement for movement’s sake, and I appreciate that! Goodspeed isn’t the easiest place to do a dance-oriented show, is it? Yes, we’re dealing with the confines of a very small stage, it’s like dancing on a Chiclet. I am so impressed how vibrantly our cast can move on this stage. We’re on top of each other!  I think we’d look great on a bigger stage, which is just one reason why everyone is focused on moving this show to New York.
[source: Interview: Corbin Bleu Talks About the New Musical Summer Stock and the Fourth Season of HSMTMTS]
“Summer Stock” is right in Corbin Bleu’s wheelhouse. “I feel at home on the stage,” he said. An actor, singer and dancer his whole life, Bleu is appearing in the upcoming stage adaptation of the Hollywood musical beginning July 7 at the Goodspeed Opera House. “I established myself in this particular genre, doing shows associated with Gene Kelly or Fred Astaire,” he said. “I am a bit of an old soul. This is what my voice naturally goes to.” The “High School Musical” star is playing Joe Ross, one of a troupe of actors that descends on a small farming town to turn an old barn into a theater. It appears he was born to play the role originated by Kelly on the big screen. “I grew up as a theater kid,” Bleu said. “I grew up watching old MGM movies. I was a theater nerd and a musical theater fan. My dad kept a storage unit of stuff from our childhood, and he found an old school paper from when I was in elementary school where I’m dreaming of performing in musicals.” [...] Of the four shows, “Holiday Inn” is most similar to “Summer Stock,” which was also adapted from a movie . “Holiday Inn” was a fairly close reworking of the film, but “Summer Stock” takes a few more liberties. “It’s not the exact same story,” Bleu said. “When I watch the movie, I think it could definitely use some updates.” Those updates include a multi-racial cast. “Let’s not skirt the obvious,” Bleu said. “I’m a Black guy doing characters traditionally played by white men, doing things Black men weren’t traditionally able to do easily at the time these shows take place.” [...] “Some parts of the book are still in process,” Bleu said. “Cheri is in the room with us at rehearsals. We want this to feel modern, but we don’t want to shoehorn anything in. “I was also part of the workshop we did in New York a month and a half ago,” he added. “I’m loving seeing it and I’m loving being a part of it. We know this genre. It’s a feel-good musical comedy, a big song and dance show.” Though there is a lot that has been rethought when reshaping “Summer Stock” for the 21st-century stage, those who know it as a Gene Kelly movie will have plenty to latch onto. “We are completely paying our homage to Gene,” Bleu said. “I am not Gene, but I do have a natural tendency to lean into that style. Gregory Hines is also a big inspiration. There’s tap dancing in this. There’s a whole Lindy Hop number. There are a lot of very large dance numbers.”
[source: ‘High School Musical’ star Corbin Bleu is rethinking ‘Summer Stock’ at the Goodspeed Opera House]
#already able to guess abt the ''inspired by'' more than [trying for a peak one to one adaptation] and gilbert as phil (as herb in the film)#and vienna as margaret wingate as orville's mother....#doing the like look up & kinda combine nodding and a head tilt abt [moving the show to new york] didn't occur to me but like oh yeah ig#hand on my shoulder like even in looking through one actor's relatively recent oeuvre you See the productions' iterations travel....#hand back on my own shoulder like counterpoint i don't know or much notice or extrapolate shit lol. unless? when i do#you gotta love the meta show bound for nyc within a show about what it takes putting on a show etc etc what all & have you#summer stock#implicitly:#will roland#explicitly a lot re:#corbin bleu#for everyone keeping up with the corbinews / corbin bleuws. got htm:tm:ts in that lol didn't know he was Fictional Corbin in there...#this is just like when corbin bleu went to see the show ft. will roland on bway with a show within its show mentioning going to bway fr...#oh i'd also thought about the tractor issue and figured that truly might be a bit much for a stage production#there's a lot you can move around / evolve / excise / add in the film's material. including the parts about the tractor i'm very sure#even though that's the main character's big Actually Nice moment lmao. i assume an inspired change is that he's Overall actually nice#remembering that fun fact of bmc's bway stage actually being shallower than its off-bway dimensions
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baphofemme · 9 months
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on one hand it's a relief i don't have a fuckton of class work to do this week but on the other i already know my procrastinating ass is playing a dangerous game with such circumstances 😭
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ao3commentoftheday · 7 months
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Do you have any advice and how to write a long fic?
I'll encourage long fic writers to add on in the notes, but as someone who tends to prefer short and medium-length fic, I'll tell you how I go about it.
Get a premise that you just absolutely love. You're going to be writing this thing for months, if not longer, so you want it to be something you're willing to spend a lot of time thinking about.
Embrace subplots. You'll have your main plotline that you want to see through from beginning to end, but you can also weave in some subplots here or there. The way I do this so that I don't get lost down a rabbit hole is that I always make sure that every chapter has at least 1 thing that moves the main plot forward and then if I want to spend 1-2K with some side characters doing something fun I can do that as well. Subplots can extend for the length of the full narrative, but they can also just last a chapter or three. If you're used to writing short fic, these might give you that familiar feeling of "completion"
A chapter is only as long as it needs to be. Don't get hung up on having a consistent chapter length. Don't get hung up on hitting some arbitrary number every time. Instead, figure out what the next part of your story needs to include and write however many words it takes to get that chunk across. Varying your chapter lengths is a normal thing to do and not something to stress about.
The next thing that I find important personally may or may not be relevant to you, but I find that I can't plot anything in much detail. If I get too into the nitty gritty with my plotting, it just feels like I've already written it. I need to keep it at the level of "And then A and B meet C and hijinks ensue." I can figure out the particular hijinks later. It's the characters meeting up that's the next important thing for me to figure out. Getting too far ahead of myself is a death knell for me in writing long fics, but there are other writers who swear by it. Test out different ways of approaching it and see what works for you.
As someone who tends to write more briefly, another feature that's common to longer fics is more extensive descriptions. People spend time painting visual pictures of the setting or the characters or the actions that are happening. Write the more bare-bones style that focuses more on dialogue (if you're like me) and then go back and read through what you've just written and see if there are opportunities to add in more detail. This can lead to some really interesting characterization choices and also help you out with worldbuilding.
When it comes to worldbuilding, you don't have to get it all on the page. You just need to share what's relevant for the reader in that moment and what is useful to lay out now so that it's already there in a future chapter. You can have an encyclopedic knowledge of how your world works in your head, but it's not actually necessary. No one is going to be quizzing you later - and if they do, you can always figure it out at that point.
Most important for me when I'm trying to get myself to the end of a longer fic, have a friend or a group of friends who are also into what you're writing - or at least willing to hear you get excited about it. Being able to get excited about your work is so important. It's like a bottle of water being handed to you on mile 10 of a marathon.
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sheyshen · 1 year
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i think for the headshots i’m just gonna sketch partners for the ocs i’m settled on and have 0 plans on changing and just put the rest together as the single/up in the air ocs, lol
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solarisfortuneia · 3 months
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— 𝐤𝐢𝐬𝐬 𝐜𝐚𝐭𝐚𝐥𝐨𝐠𝐮𝐞.
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✦ in need of a kiss? well, feel free to pick an experience from our finest collection! perhaps you’ll find one suited perfectly to your tastes?
(or, in other words, the types of kisses they give, and what it’s like to kiss them.)
✦ featuring: aventurine, dr. ratio, jing yuan.
✦ warnings: very kiss focused, not proofread.
✦ notes: these characters with this concept were particularly inspiring today, so i jotted down a little something really quick (might add more characters later in a pt. 2 later? idk)
also forgive me for any characterization errors please i'm still studying them
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aventurine.
his kisses are greedy. 
he’s greedy, far too greedy, and selfish to boot— he wants everything you have to give, all for himself. he tastes like a burst of citrus on your tongue, always, always keeping you on your toes, his lips sneakily capturing everything they can, right down to the slightest sound that leaves your lips.
he wants as much of you as he can possibly get, and he’s perfectly capable of drawing it all out from you, bit by bit. he just needs the right bargaining chip, and he has it already, doesn’t he? 
a kiss, for a kiss.
 a fair trade, wouldn’t you say?
(he doesn’t make deals that don’t pay off, after all. and this thing he’s doing with you? well, it sure is raking in the profits.)
veritas ratio.
dr. ratio doesn’t do things in half measures. when he kisses you, it’s all or nothing; he will put his all into it.
he doesn’t confine himself to your lips, either. the philosophy is simple: what kind of learning would one hope to achieve by limiting themselves?
his hands travel all over, learning the wheres, the whens and the hows, almost as if he’s trying to see how you tick, while his lips embark on a journey of their own across the skin of your face, your jaw and your neck.
he kisses with diligence and precision and passion, meticulous and methodical, quickly adapting his methods to even the slightest of hints you send his way. every action he does is intentional and deliberate, so why should this be any different? 
oh, but make no mistake, for all his versatility and straightforwardness, he will not make it easy for you to keep up with him. 
but you can take a challenge, can’t you? 
jing yuan.
he is gentle, he is soft, he is slow— he kisses in the way that honey flows; lazy, languid, almost hypnotizing, like he has all the time in the world. he savors you the same way he savors the tea that lends his lips the subtle bitterness they carry, but they taste sweet all the same.
when he pulls away, a smile graces his face, one that lights up his eyes with adoration. soft as they are, they still command your undivided attention with the way you cannot seem to tear your gaze away from him. his hands still remain on your person though, holding you impossibly close.
and when he tenderly cradles your face in his palms, worries evaporate into air, thoughts slip away to spaces unknown, and moments stretch into lifetimes.
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yanderemommabean · 7 months
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Oh, oh, oh! Yandere virus, but it one day coming into school, the girls who normally bully you are acting strange. When you see them in the hallway, you are expected to be laughed at or shoves to the ground. However, you didn't expect to be shoved against the wall as they stare you down with a dangerous and lustful glint in their eye, telling you about all the plans they have in store for you. They force you to wear matching clothes and make sure everyone knows who you belong to and not to even try anything. Maybe you're forced to live in the house. Bonus if the other hold you down as the ring leader eats you out, as the others tell you how cute you are uwu
“Ah ah ah. You aren’t going anywhere” A voice chirps in your ear. You wince, sighing as the three surround you once again as class is dismissed and everyone heads to the dorms for the evening. Honestly, if you were perhaps a bit stronger, a bit less self conscious, you might spit in their faces and make a run for it. Sadly, you aren’t some badass (and admittedly, one dimensional) character and are frozen in place as they wait for the others to leave. 
They don't intervene. They know better. These young women have power, wealth, and beauty in their arsenal, and aren't afraid to use it to get what they want, and to silence anyone who complains. Phoebe, Sadie, and Naomi, all from powerful families who more or less run this college and the town. You don't doubt they paid the administrators and dean to get into this place, while you had to work hard and prove yourself. 
None of that matters at the moment. Currently, Phoebe was twirling her fingers in your hair like you two were close friends or even dating, smiling almost wickedly at you as her eyes, usually hazel, now with an odd pink ring, stare at you like you were some prey about to be eaten and devoured. Usually they just shove you around and make fun of your clothes, but today…Something's off. Very very off. 
“Isn’t she so cute you guys?” She says, sickly sweet, you want to say mocking but no, it's like there’s something more flirtatious with it. “Oh definitely, I just want to sink my teeth in her, you know? Make her whimper” Naomi adds on, hand to her cheek as she stares at you like one would a puppy being precious. Oh god hearing that made you think they were about to hurt you or humiliate you in some way. 
Sadie just sighs, not in your direction, looking over her shoulder to make sure the halls were clear, and once they were truly empty of everyone else, she made sure the grip on your wrists were tighter. “Listen up. We have some new rules set in place, and you, adorably obedient as you are, are going to follow them”. Oh wow. The audacity. Then again you never really put up a fight so, are they really wrong? What other choice did you have anyway? If they wanted to, they could make your family kicked out of town and their jobs nonexistent. It’s best to just grit your teeth as best you can. 
While you tried to listen, Phoebe made sure she got closer, her hand on you as well, but more exploring, sliding up and down your sleeve and trying to dip her fingers into the hem to feel your wrist, dragging them up and down softly as Sadie began to speak again. “You’re ours. Simple as that. No more avoiding the lobby when we’re there, no more trying to get little study dates away from the school library, no more trying to hide from us”. “I'm sorry what-” “Ah ah, she’s not finished cutie” Naomi says with a gentle touch slowly sliding to your waist, her cold fingertips acting like they wanted to slide under your shirt to feel the warmth of your skin, her brown eyes also having that odd pink ring in her iris. “Go on Sadie, she’ll be good and listen. She always is” 
You felt your cheeks grow impossibly hot, words failing you as all three of these girls began to more or less feel you up and tell you that…That you were theirs? Whatever that could mean? Sadie just sighs, more playful this time as she cups your cheek and makes you look at her, the same weird coloration in her eyes. “You’re ours. No more private study dates, no more drabby clothes, no more avoiding food when we’re in the commons or cafeteria, just a lot more rules and a lot more dress code for you. Tsk, I can’t tell if I want you in a skirt, or if I'd stab any bastard who’d look at you when you wear one. Maybe some cute pants? Ugh they’d still lay their eyes on you either way, makes me want to just call mom and have the banks foreclose their houses”. 
“Please Don’t-” “Ah ah, don’t even try it. You’re ours, if we want to punish people for looking at our puppy, we will” Phoebe comments, her fingers moving to hold your hand and give the top of it a gentle kiss. “Speaking of puppy” Naomi mentions, nodding her head towards the others, and before you can blink you’re turned over, face to the wall. You hear Sadie murmur something as she rummages through her bag for a moment, and you feel her hands slide around your throat before something clicks behind your head, and your eyes widen in horror.
“There we go! I made sure it wouldn’t be too tight, the guy who made it for me was such an artist about it, I love it! If he would’ve said no, you know I’d have his business ruined” She mentions casually, getting a few soft giggles in agreement. 
“Here sweetie! Have a look at how cute you are when you show that you belong to us” Naomi says, handing you her phone as a mirror. You feel weak and shaky as your fingers come up to touch the bright pastel pink leather, a metal heart in the center pressing against your throat. You reach around to feel the back and feel a harsh shock to your fingers, making you yelp. 
“Oh, sweetheart, don't try and take it off! It was so expensive but I got a cute one to work as a shock collar. Shower safe but anytime you take one, one or all of us will be with you, so you won't have to worry about taking it off yourself. We’ll talk more about the rules later in our dorm”. You shiver, unable to think of how to talk. What in the fuck could you even say? You just had a designer shock collar put on you by your bullies! Who are now acting like you were their chew toy or pet no less. “O-our dorm?”.
Phoebe nods, gently stroking your hair “Yeah, duh! How else will we keep a better eye on you? Cameras are fine and all but I prefer to make sure you’re warm with one of us sharing a bed with you. Plus, it’s easier to kiss you good morning faster”. “K-Kiss?!” You almost shriek, only for Naomi to softly hush you with a finger to your lips. “Now now, don’t get loud! We don’t need that just yet”. She pouts, hearing her phone going off and checking the time. “Well, we have to split for now, I have a dinner with mom and dad. You two take her to the dorm and tell me how she acts! Don't do anything more pretty please? We said we’d share her”. 
You don't get much out before Naomi heads off, Phoebe and Sadie gripping your arms a bit too firmly to lead you, talking back and forth like you weren’t making a practical death march down to their dorm room. 
Oh God what’s going to happen once that door is shut?
-Mommabean (Hiya! Sorry for lack of smut but I am proud I wrote this much at least lol. If you beans want i can do a part two! Wanted to try and flesh this out before anything too intense ya know? Anyway I hope you like! Lemme know if you do!)
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meanbossart · 1 month
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I LOVE DU drow and I love your art style! I also really like how you draw Astarion's hair, it looks flowy but still with his trademark curls.
Can you give any advice on drawing Astarion's hair? I find it a nightmare to draw. Whenever I free hand it, it just doesn't have the amount of curliness I want, and when I try to use a reference it ends up looking rather stiff.
Take care and thanks for the art 😊
THANK YOU though to be honest I'm shocked to find this ask in my inbox because every time I draw Astarion a war is waged between me and his hairdo. But sure, lets give this a shot!
First of all I feel like its a good idea not to be too attached to his in-game model hair when drawing unless your style is very realistic. The only reason why that dry-noodle helmet looks so regal and bouncy is because of the high-detailed graphics. Like you mentioned yourself and many of us have experienced, if you try and stick to it too closely in most art-styles it just ends up looking terribly stiff.
Instead, I suggest just keeping growth-direction and shape in mind and applying as much movement as you want to it when you draw it. Here's some things to remember that might help you with that:
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-I employ the liquify tool a lot when sketching his hair because I never get it big enough on the first try, lol. This can also aid you with "distorting" more curliness into your lines if you aren't used to doing that right off the bat, just try not to become too reliant on it!
-I usually leave the areas around the ears and back alone but imply a lot of movement with the top and front of the hair, taking as many liberties as I want even if it's not entirely faithful to the model. I feel like the impression of curliness comes entirely from the silhouette of the hair and little fly-ways that I add, and everything else I just try to do without overthinking it too much for a more natural look.
In truth, I feel like a lot of times we get stuck on things like parting-placement, right amount of curl, which brush we're using yada-yada when in reality we are neglecting what actually makes a character's hair recognizable: Hairline, growth pattern, and shape. If you get these three things right I feel like everything else is entirely just stylistic choice. It's worth pulling away for a moment and checking on these things if you feel like you're continually unhappy with your outcome!
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-Astarion has a hairline capable making most men over 30 cry. It's very low on the forehead and tight on the temples with the slightest hint of a widow's peak. As someone who drew a lot of big-foreheaded characters with receding hairlines prior, this was a STRUGGLE for me to get used to and a big reason why I felt like I couldn't get his hair to look "right" for the longest time.
-His hair swoops to the right side of his face in a fanning kind of shape and is the longest at the front and top. You can imply a strong part if you want, you can split it into sections, you can have it falling over his forehead or not at all - as long as it's going in the right direction you will probably be fine.
-A mistake I would catch myself making often was getting the shape totally wrong - making it too slick at the top and putting all the volume in the back when that's pretty much the exact opposite of what his hair does. IT'S ALL AT THE FRONT AND TOP, REPEAT IT TO YOURSELF LIKE IT'S A MANTRA: IT'S ALL AT THE FRONT AND TOP.
And lastly, if you absolutely hate how his hair looks or hate to draw it, you can forego all of this and just do whatever you want. These tips are only worth something if you like how I draw his hair specifically.
Hopefully this was helpful at all!
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generalsmemories · 9 months
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The general has escaped... again
✧ jing yuan x gn!reader
✧ synopsis: what's more stressful than managing the internal affairs of luofu you ask? making sure that your husband actually stays in one place when he's ordered to.
✧ contents: established relationship, fluff, humor, mentions of other characters, spoilers for 1.3 trailblaze mission, spoilers for the end of IL Dan Heng's companion quest
✧ a/n: under one patch update (1.3) this man has managed to run away from bedrest a total of 3 times, as such i'm obligated to write this - behold, the brainrot of the week. once again, jing yuan only appears at the very end, but this whole fic is just how everyone is stressing over how this overgrown cat can escape from right under their noses. not beta-ed as usual fellas.
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There's a heavy silence lingering in the air around the Realm keeping commission. For once, the commission has been closed to the public for an hour to discuss internal affairs - is what the citizens of Luofu believes at least.
You don't seem affected by the tense silence, Yanqing notices. He's standing before you, glancing around the other tense officials that's seated by their own desk. The two alchemy commission members present with him seem equally as confused as to why you've summoned them here.
It's only when they hear you place your brush down that they all stand up straight, attention back on you now that you've started to move again.
"I have a favor to ask," you start off, looking at the three people in front of you.
"The general is currently still on bedrest, and the master diviner has temporarily taken his role as the acting general master while he rests, correct?" you ask, to no one in particular.
But it's the newly appointed chief alchemist, Yuluo that answers you, "That is indeed correct."
"However, knowing the general he might start to move the moment he feels some sort of movement come back to his muscles," you point out, having risen from your chair during the (mostly one-sided) conversation to stand before your desk, leaning slightly back towards it with your arms crossed.
"Which is why, I need you all to keep an eye on him," you declare in the end, "The general won't be straying far away from the Exalting Sanctum for reasons you all might know, so I would have to trouble both you and Jinwen to make the trips back and forth from the alchemy commission to assess his conditin from time to time. But Yanqing, you'll mostly have the responsibility to ensure that he doesn't try to do anything else than rest, okay?"
You were already fully aware that you gave the three people before you an impossible task.
And the three people before you was also aware of the fact, but what more could they do but bow their head slightly in confirmation with a resounding, "As you order."
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Yanqing is pouting before you, picking at his food before you whilst you merely gaze at him from the other end of the table, "Not hungry? I thought this was your favorite restaurant," you say, in response Yanqing merely levels a glare at you. It doesn't reach his eyes because he has no animosity, you're pretty sure he's just irritated.
"... I tried," he membles after another few minutes of silence. The quiet confession making you chuckle, "I'm aware, I'm surprised you even managed to keep him laying down for so long."
"... I even nailed down a few swords by the covers so it would be harder for him to pull them off," he adds, stabbing a stray tomato with one chopstick to emphazise his point before shoving it in his mouth, "But then he's already dressed and waiting by the door when I went to the toilet to attend the ceremony that was held for the deceased! [Name], he was even waiting for me with a smile!"
Your smile softens upon hearing his complaints, a finger pushing a glass of water towards the boy before you as a silent suggestion for him to drink it, "I already anticipated that he would do that, so why the long face still?"
"Because he refused to go back to rest right after the ceremony ended! And what else can I do, but heed his order with so many people around?" Yanqing huffs, crossing his arms as his food is now forgotten with his irritation overturning his appetite.
"Well he's resting now isn't he? Jinwen is currently staying at the manor to make sure he doesn't step foot outside. The day of the ceremony would've also been one of the last times he could get in contact with our guests from the Astral Express too, I'm sure he wanted to give them that jade abacus himself."
Not to mention the fact he personally went to the shackling prison right after handing it- alone nonetheless.
You omit the part of information from Yanqing. The topic itself still brings a tense atmosphere between you and Jing Yuan after all.
But before you can placate the small lieutenant any further, you can feel hurried footsteps making their way towards your table. And when you turn your head around to look at the commotion, you find Jinwen panting before you, right behind her one of the Cloud Knights assigned to the manor. And even with a mask on you just know that they're not looking at you.
"[Name]..." Jinwen starts, and you hum whilst fishing up your wallet, "Yes?"
"The general..." she starts, reluctantly looking around, fiddling her thumbs in nervousness. You just hand Yanqing the money before standing up, "He's escaped again, hasn't he?" you confirm, eyebrow raising up in question.
The healer before you merely nods, "I-I'm sorry, I have no idea where he went, I went back to the kitchen to prepare the next dosage of medicine and when I checked again he had suddenly just vanished - the guards didn't even know anything either."
"Even if they knew, they can't really go against their general, can they?" you point out with a laugh, patting the distressed healer on the shoulder before looking over at the Cloud Knight behind Jinwen, "Gather some more Cloud Knights and tell them to meet up at the alchemy commission as soon as possible."
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You let out a sigh, rubbing your templates as if that would soothe the headache that's about to form from listening to the Disciples before you yap away whilst getting their hands bound behind their back.
"I want to preface that with the main disaster onboard the Luofu is over, you are aware that we have more personnel at the ready to apprehend you?" you point out, directing your gaze away from the harbor of the alchemy commission where the trailblazer, Dan Heng and Jing Yuan were currently standing to face the Disciples of Sanctus Medicus before you.
Knowing your husband, he's already aware that you're here.
"... And the fact that even after you failed to eliminate Jing Yuan back in september 5 times, and yet still tried again today - and even trying to take two Vidyadhara's along with him? I understand the confidence you had back when the disaster first struck, but now?" you laugh is disbelief. You're aware that it's futile to try to discuss the matter with the Disciples, but everything was worth a shot.
They'll always give the same response after all. Once the general is gone, everything will go more smoothly, once you see the true vision you would agree with them and so on.
It was getting quite tiring.
"Either way, I've contacted the Ten-Lords commission, we will probably have to make a trip to Scalegorge Waterscape to check for any stragglers, but I'm sure the Ten-Lords will have this matter under control..." you mutter, noticing the trailblazer and Dan Heng approach you, "Trailblazer, and mister Dan Heng, have you finished the matters at hand?"
Dan Heng nods, glancing at the tied up Disciples before you, to which you only wave it off, "Yes... And thank you for taking care of the ones over here," he mumbles, giving you a curt nod.
"All in a day's work, do have a safe trip back home though," you voice, "And if you were to ever return to the Luofu for whatever reason, do send me a message. I can at least assure that you'll be somewhat safer than today. I apologize for the inconvenience that these people have caused you," you add on, gesutring towards the Disciples while ignoring the surprise in his eyes.
Dan Heng doesn't say anything, only giving you another nod as a confirmation before walking off.
"Well then, with all that done..." looking back over to the docks, you find Jing Yuan already staring up from his spot at you, giving you a small smile and a small wave of his hand.
"... Of course he's overexhausted himself."
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"Do you enjoy making everyone around you worry? I think Jinwen aged a couple of decades with the stunt you pulled today," you start to nag the moment you're within earshot of Jing Yuan - your husband merely chuckling at your exasperated face as you stomp over.
"I apologize, dear. I just had an inkling that something would go awry with their journey. Finding you would've taken longer and Lady Fu Xuan is already busy as the acting general in my absence. So I figured this was the best course of action," he tries to reason, but he can never reason with you when it comes to his wellbeing - no matter how many times he's tried in the past.
So you don't answer him. You only stare at him, close enough for him to see your dissatisfication, but far enough for him to not be able reach you or hold you in his arms.
"... I do admit I'm pretty weary though, I think this is the last time I'll violate the healers' order," he admits in the end with a defeated sigh, raising his arms a bit as a silent request, "Can I request the assistance of my dear spouse in these trying times?" he jests.
However, Jing Yuan is well aware of the fact that you're still very much weak to the few times he does request help.
As with any matter with Jing Yuan that you're inevitably forced to pick up, you can only sigh as you step closer. Weaving your fingers between his own to pull him a bit closer before leaning in to give him a brief peck on the lips.
You then weave your fingers away from his own in favor to wrapping your arms around his waist in a snug embrace, Jing Yuan taking the chance to wrap his own arms around yours before he leans his entire weight on you.
The extra weight makes you let out a grunt of surprise, but Jing Yuan has already buried his face into your neck, letting out a deep exhale into your skin which makes it tingle while his shoulders slump, "... You big lion, you're rivaling Mimi's clinginess at this point," you whisper with a chuckle.
"I haven't seen my dear spouse since they had ordered me to be bedridden, I'm sure you can handle a little clinginess," Jing Yuan mumbles back, kissing the juncture of your neck.
"Yeah, yeah. As an apology for caring about your health, what about we try to get home so that you can properly rest on a bed instead of leaning your entire weight on your dear spouse?"
Jing Yuan hums in appreciation, leaning back to cup your cheek with a smile, "I think that sounds wonderful," he confirms before pressing his lips back on your own.
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