#i need a beta for my novel

[headfullof-ideas]

I’m halfway through writing the first film, and I’m taking a minor pause to do a deep organization of the shows that follow and their seasons, so I know what stuff to hint at earlier in the story, and not get stuck with the dreaded plot hole that I may have to go back and rewrite something in order to fix. This involves character arcs, season arcs, and all sorts of other fun stuff to think about, but not so much write.

HOWEVER.

I’ve only been focusing on the HTTYD stuff. As it takes up a majority of the first part of the story. Ant doesn’t meet his family until halfway through RTTE. I haven’t gotten that far yet in finer planning. I am now. I am now also being faced with the dawning realization of figuring out what parts of the story from The Deep to sew into this story, and how to translate what the characters do into this universe. Some (the Dark Orca pirates) are easier than others (Alpheus). I am also designing a number of other side-side (I guess background, technically) characters who might get involved later or in certain episodes, and still planning episode by episode how each season will go.

…this is fine🥲

[gojonanami]

I appreciate the comments on my planning and flow of the prof geto series so much

…honestly I planned each as it came up and parts 4, 5, and 6 only exist because me and Hannah were too ambitious with the events of part 4

aside from just key plot points I just kinda made it up as I went along—and even some points were added on (like the end of part 5 was not planned to happen at all until I was in the middle of writing it).

but anyway, this is all to say I am ✨unorganized✨

[i-can-even-burn-salad]

Allosexual romance. From what I gather, you don't read it, but is there anything that might tempt you to?

From this ask game!

Wait wait wait wait what makes you think I don't read it? Then I wouldn't read anything 😂

(I currently barely read anything, but that has time reasons 😭 don't try to juggle 3 projects and a mmo, guys. I need a new number on the exhaustion scale.)

I spent years reading the genre of bodyguard/ex-soldier/whatever romance, because there's a good bit of violence and a guaranteed happy end. I also spent years digging around for queer love stories, which honestly ends up being m/m 90% of the time, which usually means there's 2 more penises than I care to read about.

Most of the books in my book recs tag are definitely very allo.

Do I think that drawn out blowjob could have been replaced by a nice whipping? Hell yeah. But oh well. What can you do. With the exception of fewer books than I need my fingers for to count, there just isn't anything out there once you leave middle grade behind.

Sure, there's completely romance-less fantasy epic, but I don't have the energy for that anymore, either. Sex scenes are easier to skip than politics.

But finding so many ace chars (and authors 😅) here has been the best thing that's ever happened to me, and they definitely get a headstart on the scale for falling in love with them.

[asteria7fics]

Waiting for my betas to read my next fic like

[zombizombi]

gosh we're SO close to finishing this book. so close.

and we're at 80944 words!!

i think we've got. maybe 2-ish chapters to go.

[blackwldcw]

@headlessbutnothopeless asked: ♚ ((Mentioned it in DMs, but I really like the short drabbles of RP events - do you write/post fanfiction at all?))

{Hey! Thank you for sending one of these in <3 I very much enjoy your blog, too, based on what I’ve seen.

And I used to. Unfortunately, not anymore. I’ve been working on a novel unaffiliated with any fandom in my free time, as well as this blog.}

[antique-symbolism]

DO I have to be insane about my history and science research for the second draft, or can that be a third draft problem?

[emeryleewho]

Saw a fun little conversation on Threads but I don't have a Threads account, so I couldn't reply directly, but I sure can talk about it here!

I've been wanting to get into this for awhile, so here we go! First and foremost, I wanna say that "Emmaskies" here is really hitting the nail on the head despite having "no insider info". I don't want this post to be read as me shitting on trad pub editors or authors because that is fundamentally not what's happening.

Second, I want to say that this reply from Aaron Aceves is also spot on:

There are a lot of reviewers who think "I didn't enjoy this" means "no one edited this because if someone edited it, they would have made it something I like". As I talk about nonstop on this account, that is not a legitimate critique. However, as Aaron also mentions, rushed books are a thing that also happens.

As an author with 2 trad pub novels and 2 trad pub anthologies (all with HarperCollins, the 2nd largest trad publisher in the country), let me tell you that if you think books seem less edited lately, you are not making that up! It's true! Obviously, there are still a sizeable number of books that are being edited well, but something I was talking about before is that you can't really know that from picking it up. Unlike where you can generally tell an indie book will be poorly edited if the cover art is unprofessional or there are typoes all over the cover copy, trad is broken up into different departments, so even if editorial was too overworked to get a decent edit letter churned out, that doesn't mean marketing will be weak.

One person said that some publishers put more money into marketing than editorial and that's why this is happening, but I fundamentally disagree because many of these books that are getting rushed out are not getting a whole lot by way of marketing either! And I will say that I think most authors are afraid to admit if their book was rushed out or poorly edited because they don't want to sabotage their books, but guess what? I'm fucking shameless. Café Con Lychee was a rush job! That book was poorly edited! And it shows! Where Meet Cute Diary got 3 drafts from me and my beta readers, another 2 drafts with me and my agent, and then another 2 drafts with me and my editor, Café Con Lychee got a *single* concrete edit round with my editor after I turned in what was essentially a first draft. I had *three weeks* to rewrite the book before we went to copy edits. And the thing is, this wasn't my fault. I knew the book needed more work, but I wasn't allowed more time with it. My editor was so overworked, she was emailing me my edit letter at 1am. The publisher didn't care if the book was good, and then they were upset that its sales weren't as high at MCD's, but bffr. A book that doesn't live up to its potential is not going to sell at the same rate as one that does!

And this may sound like a fluke, but it's not. I'm not naming names because this is a deeply personal thing to share, but I have heard from *many* authors who were not happy with their second books. Not because they didn't love the story but because they felt so rushed either with their initial drafts or their edits that they didn't feel like it lived up to their potential. I also know of authors who demanded extra time because they knew their books weren't there yet only to face big backlash from their publisher or agent.

I literally cannot stress to you enough that publisher's *do not give a fuck* about how good their products are. If they can trick you into buying a poorly edited book with an AI cover that they undercut the author for, that is *better* than wasting time and money paying authors and editors to put together a quality product. And that's before we get into the blatant abuse that happens at these publishers and why there have been mass exoduses from Big 5 publishers lately.

There's also a problem where publishers do not value their experienced staff. They're laying off so many skilled, dedicated, long-term committed editors like their work never meant anything. And as someone who did freelance sensitivity reading for the Big 5, I can tell you that the way they treat freelancers is *also* abysmal. I was almost always given half the time I asked for and paid at less than *half* of my general going rate. Authors publishing out of their own pockets could afford my rate, but apparently multi-billion dollar corporations couldn't. Copy edits and proofreads are often handled by freelancers, meaning these are people who aren't familiar with the author's voice and often give feedback that doesn't account for that, plus they're not people who are gonna be as invested in the book, even before the bad payment and ridiculous timelines.

So, anyway, 1. go easy on authors and editors when you can. Most of us have 0 say in being in this position and authors who are in breech of their contract by refusing to turn in a book on time can face major legal and financial ramifications. 2. Know that this isn't in your head. If you disagree with the choices a book makes, that's probably just a disagreement, but if you feel like it had so much potential but just *didn't reach it*, that's likely because the author didn't have time to revise it or the editor didn't have time to give the sort of thorough edits it needed. 3. READ INDIE!!! Find the indie authors putting in the work the Big 5's won't do and support them! Stop counting on exploitative mega-corporations to do work they have no intention of doing.

Finally, to all my readers who read Café Con Lychee and loved it, thank you. I love y'all, and I appreciate y'all, and I really wish I'd been given the chance to give y'all the book you deserved. I hope I can make it up to you in 2025.

[dice-wizard]

Okay writers listen up

I'm gonna tell you about how I wrangled my shitbird brain into being a terrifying word-churning engine and have written over 170K words in under a year.

I wanna be clear that before unlocking this Secret Technique I was a victim of my unmedicated ADHD, able to start but never finish, able to ideate but not commit and I truly and firmly believed that I'd never write a novel and such a thing was simply outside of my reach.

Now I write (and read!!) every day. Every. Single. Day. Like some kind of scriptorial One Punch Man.

Step the First

Remove friction between yourself and writing.

I personally figured out how to comfortably write on my phone which meant I didn't have to struggle with the insurmountable task of opening my laptop.

I don't care if this means you write in a Discord server you set up for yourself, but fucking do it. Literally whatever makes you write!

(if you do write somewhere that isn't a word processor PLEASE back your work up regularly!)

Step the Second

Make that shit a habit. Write every day.

For me, I allow myself the grace that ANY progress on writing counts. One sentence? Legal. Five thousand furious hyperfixated words? Also legal.

Every day, make progress. Any progress.

I deleted Twitter from my phone and did my best to replace doomscrolling with writing. If I caught myself idly scrolling I'd close whatever I was looking at and open my draft and write one (1) sentence until I made THAT a habit, too.

Step Two-point-Five

DO NOT REWRITE. If you are creating a first draft, don't back up or restart. Continous forward motion. Second drafts and editors exist. Firsts are for ripping the fucking thing out of your brain.

If you're working on revisions after an editor or beta readers or whoever has given you feedback, then you can rewrite that's OK (and it counts as your writing for the day!)

Step the Third

Now that you've found a comfortable way to write and are doing it every day, don't stop. Keep doing it. Remember, just one sentence is all you need. You can always do more, but if one lousy sentence is all you can manage then you're still successfully writing.

Remember: this is what worked for me. Try things until you find what works for you.

You can do it. I believe in you.

[gotchaocha]

Ughh stuck on writing a scene again 

On the bright side, I already got 3 chapter of the possible-novel written! 

I try not to think about the fact that I´m trying to write a nove because I feel like understanding the long ass path of trying to acomplish such a thing will stop me from trying in the first place. You know normal stuff

[navybrat817]

His Favorite Person

Pairing: Librarian!Ari Levinson x Female Reader

Summary: You want to be more than friends with Ari.

Word Count: Over 1.5k

Warnings: Fluff, sweetness, friends to lovers (of sorts), Ari Levinson (he's a warning, okay?).

A/N: More Beach Fun Nonsense! Hope you lovelies enjoy. @lovebittenbyevans requested Librarian AU, friends to lovers with Ari, and to dig his Toes in the Sand (fluff) with prompt #7 in bold. Not beta read and written on my phone, so any and all mistakes are my own. Please follow @navybrat817-sideblog for new fics and notifications. Comments, reblogs, feedback are loved and appreciated!

You stood on your tiptoes to reach a book on the top shelf. You huffed out a breath and tried to stretch a little bit more, but your fingers barely skimmed the spine. It would’ve been easier to ask for some help, but you didn’t want to bother Ari. You bothered him enough during his shifts.

You should’ve known he was only standing a few feet away, watching the display with a smirk on his ridiculously handsome face. “Need some help?” He asked.

Managing not to fall into the shelf from the slight scare, you pointed to the book you tried and failed to grab. “If you wouldn’t mind?” You asked, dragging your eyes from his chest to his eyes. It was like looking into a storm, but warmth lingered in a way that told you not to fear any destruction left in its wake. “Please?”

Rugged was the word that came to mind whenever you glanced at him. A dark beard to match his long hair and jeans that showed off his large thighs, he even had the sleeves of his tight shirt rolled up so you could see his veins. The man could've easily passed for an adventurer instead of a librarian and you were certain he caught you staring at him more than once.

It wasn’t polite to stare, but was it fair for him to be so good looking?

“Don’t mind at all,” he said, plucking it from the shelf and placing it in your waiting hand. “You could’ve just asked me to grab it from the start, but you just had to be stubborn.”

“I wasn’t being stubborn,” you argued. He raised an eyebrow in response. “You just have a lot to do and I didn’t want to bother you,” you said, hugging the book to your chest.

“You were being stubborn, you’ve never once bothered me, and it’s part of my job to help.” Ari made a show of looking around, his silky hair flowing with the motion. “But I guess you’re right. I have so much to do since it’s so crowded today,” he joked.

It wasn’t a secret that the library was hit and miss in town. So many wanted their stories electronically and didn’t appreciate the feel of a book in their hands. Ari did what he could though since he took over as head librarian. Between overseeing the daily operations and managing his employees, he took his job seriously. You had no doubt he’d bring a much needed spark back to the place.

“Yeah, well, thanks for your help,” you said.

“Another romance novel, huh? Didn’t you just bring one back today?”

Your face grew warm before you nodded. Of course, he’d notice that. “You know me,” you mumbled, hugging the book tighter.

He took a step closer, searching your face with a gentle gaze. “Hey, there’s nothing wrong with reading what you love.”

There was no judgement in his eyes and that made the corner of your lips lift in a smile. “I appreciate that.”

Being single, reading books like that allowed you to dive into various worlds and experience love. You could immerse yourself and imagine having a partner who would not only overcome obstacles with you, but would ensure that there would be a happily ever after. In a world often dark and negative, the escape gave you hope that one day you'd manage to find someone who could love you so deeply. You didn't want to think that romance only existed in books.

If only you were brave enough to take a chance and ask Ari out.

“Oh, I almost forgot to tell you,” you began, walking beside him to head to the front desk. He took up a good portion of the aisle with his beefy frame and you had to tell yourself again not to stare. “I spoke with my boss about adjusting my hours and they approved it! I can do Story Time on Tuesdays.”

“That’s great!” The smile on Ari’s face was worth moving your schedule around. “I really appreciate you doing that for me. I owe you one.”

You wished you would’ve teasingly suggested a date as a form of payment, but you shrugged. “You don’t owe me anything. You’re my friend and that’s what friends do,” you said, cringing inwardly. It sounded lame to your ears.

“Yeah. Friends.” His smile faded slightly as he walked around the counter. “Just this book today, right?” He asked, slipping into his professional tone. Still pleasant to hear, but a touch of the usual warmth was gone. Like you were just like every other person who walked into the library.

“Yeah,” you replied, passing over your library card. “Did I say something wrong?” You added, your voice barely above a whisper.

“No, you didn’t,” he said, his large hand placing your card on top of the book. He passed it over to you and you couldn’t ignore the jolt of electricity that moved through you when your fingers touched. “Why would you think that?”

“It’s just…” Putting him on the spot wasn’t your intention and you didn’t want to point out his slight change in demeanor. “You do consider us friends, right?”

You didn't have a lot of close friends, but you considered Ari to be one of them. At the very least, he was friendly with you. It was possible that you read things wrong. Engrossing yourself in one too many books could’ve blurred your version of reality.

“Of course, I do. You’re my favorite person,” he replied. You leaned on the counter with a relieved and dopey smile at his statement. Were you really his favorite person? “But just because you’re my favorite person doesn’t mean I have to be yours.”

“But you are my favorite person,” you blurted out, covering your mouth when your voice echoed. “Sorry,” you added in a hushed whisper. It was a library. You needed to be somewhat quiet.

He chuckled and leaned on the counter, too, his eyes zeroed on you. “Oh, I am, am I? So, you don't actually come here to borrow romance novels. You’re just really looking for an excuse to see me.”

Your heart pounded, but you took a breath to keep your cool and hopefully not make a fool out of yourself. “I come here for the books and to see you, Ari,” you said carefully, the corner of your lip twitching in a smile. “But you obviously want to see me, too, otherwise you wouldn’t have asked me to do Story Time.”

“Well, yeah,” he smirked before softly adding, “Seeing you is the best part of my day.”

How did your knees not buckle? “It is?”

“Yeah, it is.” He smiled, almost to himself. “Can I ask you something?”

“You just did, but you can ask me another question,” you teased.

He stretched across the counter a bit more. “If I'm your favorite person and you're mine, why haven't we gone on a date?”

For a moment, it felt like the room sucked up all the oxygen. Breathing should've been natural to do, but you couldn't inhale as you stared at him. Glancing down at the book to get your bearings, it dared you to take a chance. A leap of faith. With a deep breath, you did.

“Because I've been waiting for you to ask me out and you haven't yet. And I've been too chicken to ask you myself,” you replied. You regretted the words the moment he stood up straight, his expression unreadable. He didn’t actually want that, did he? “I’m sorry. Forget I said that. Please.”

A second passed and his lips slightly parted, but he didn't speak. His silence said it all. Nodding with a heavy heart, you turned to walk away from the counter. You could lick your wounds later as you read another happily ever after.

“Shit. Wait.” Ari moved with impressive speed to block your path, his grip gentle on your arms to stop you. “Did you mean it? You really want to go on a date with me?”

You nodded. “Yeah, I do, but I understand if-”

“Thank fuck,” he sighed, your eyes rounding at his words. “I’ve been wanting to ask you out for days and I got worried there for a moment with the ‘friends’ comment that you didn't want anything beyond friendship.”

Your stomach did somersaults. Ari liked you. He wanted to ask you out. God, you almost ruined things before they started. “I’m sorry I worried you, but trust me. I'm very interested in you, Ari,” you smiled, forgetting you were in the library as you stepped closer. “And if you ask me, some of the best romances come from friendships.”

“They do.” He smiled back, his cerelain eyes lit up like yours. “And our story will be more romantic than any of those books you’ve been reading.”

Biting your lip, you watched as his gaze dropped to your mouth. What would it feel like if he bit your lip? “I don’t know. That’s a pretty tall order.”

He brought his mouth to your ear. “I’m a very determined man,” he whispered. No doubt he felt you tremble in his grasp. “Saturday night?”

“It’s a date.”

A date and the beginning of your love story.

We know this man would plan the perfect date, right? Love and thanks for reading! ❤️

Masterlist ⚓ Ko-Fi

[lenievi]

after midnight thoughts are never good, and I’m ready to get cancelled BUT

the Sarek’s son wedding Picard attended? 

Spock/T’Pring

after years, they found a way together again, but the story would also be spones, so it’s kinda like a marriage of convenience but also not, and I might elaborate tomorrow or not

[gallusrostromegalus]

I am constantly procrastinating working on my original fic by writing fanfic. Any advice for how to refocus and finish my novel?

Well. The novel probably needs a nap.

Procrastinating is a symptom that something is preventing you from doing the thing you "should" be doing. Most of the time it's an unrelated, but actually higher priority task like resting after an illness (society is fucking lying about anything else being more important) or filing your taxes (actually this one is pretty important).

...but if you're procrastinating on one creative project with another creative project, you're not procrastinating: something about the novel is off right now, the fanfic is more appealing to you.

Consider the following:

You may be writing fic because it brings you more joy than the novel. If you really want to get back to the novel, figure out what would make working on it more enjoyable. Engagement from a beta-editor? Skipping this really boring scene and coming back to it later? Adding more smut?

You may also be writing fic because it's got a lower spoon coat than the novel and you need to conserve your spoons right now. Any extra stress in your life? Moving? Toothache? Recovering from Covid? Annoying roommate? Sick family member? It's an election year? ANY of those could soak up extra spoons and make your novel too expensive for your spoons budget. Let it take a nap, and come back when you're feeling better.

You may be sharpening your artistic skills on a lower-stakes project before going back to the novel. This is pretty normal- even Michaelangelo took breaks to work on other pieces while sculpting The David, both for a change of pace and so he could try something out without fucking up the big block.

Fortunately, you're writing, so you can always try writing the challenging scene a dozen times in different docs or save the parts that were good but don't not in a spare parts bucket doc.

Or keep working on that fic, it's helping you learn on a subconscious level.

You don't love the novel right now. This is alright. This is usually temporary, and the solution is the same- put it aside and work on something else.

Maybe you are just bored of the novel. That's fine and normal, you just save all the documents to your hard drive and come back later. When the fic inevitably gets boring too, you'll come back to the novel and either go "oh hey this kicks ass!" And return to it with renewed enthusiasm.

...Or you'll come back to it and go "oh. This is actually a piece of shit" And that's okay too, because there's nothing more useless than polishing a turd, but that turd is still valuable as compost. You learned things writing it, and you can still rifle through the novel for good lines or scenes or turns of phrase and put those in your spare parts doc to ferment into The Good Shit in the back of your mind.

HOWEVER:

If you are experiencing a different phenomenon wherein you are actively distressed while writing the fic- either out of misplaced guilt, or the fic isn't actually fun you just feel compelled to do something, or absolutely every creative endeavor is stressing you out, you may be experiencing a serious mental or physical health issue and you should see your GP or a specialist ASAP. Pain is an indicator that something is wrong. Do not ignore your body's warning light.

That sounds really dramatic and hyperbolic but realizing I was not enjoying ANY creative work was the symptom that finally got me to sit down and go "huh. All these random pains, irregular sleep cycle, frequent migraines and weird bouts of vertigo aren't normal either, I should get this looked at." And it turned out I had dangerously low blood oxygen at night from undiagnosed sleep apnea. I have a CPAP machine now and it's AMAZING.

I really hope this is regular artistic shuffle and not a serious health concern, but if you're experiencing creative stress AND a bunch of other shit, it may be serious.

[fixyourwritinghabits]

How to Handle Critique

I’ve got to admit, I wish I was one of those beatific saints that could take critique with a grateful smile. Instead, I am constantly suppressing a horrible little gremlin at the back of my head hissing at anything from legit plot critiques to grammar corrections. I’m well aware I used that comma wrong, GOD.

Don’t get me wrong, I’m very good at suppressing that gremlin, but the little bastard is still there. He exists because even though your brain knows critique can help, it also knows you worked damn hard on the thing being critiqued, and goddamnit, isn’t that enough???

Anyway, here are some tips on getting that gremlin to shut the hell up.

It is okay to be upset. You worked really hard on this thing, and now someone’s gone and pointed out all the things that suck about it. You cannot control how you feel about one thing or another, but you can allow yourself to feel that way and let it pass through you. Let your critique partner you’re taking time to reflect on it, and go for a walk. Do something else. Let those feelings pass through you before you get back to the page.

Give yourself time. Don’t feel like you need to correct things right away (unless they are minimal grammar tweaks). Some pieces of feedback might take awhile to sink in, especially when you’ve got a whole novel to wrestle through. Set it aside, think about something else for a week or so, and get back to it when you’ve reset.

Get a second opinion and/or ducky friend. It can be very hard to tell the difference between good and bad feedback sometimes. Someone who means very well could give feedback that just doesn’t work for you, and someone who doesn’t give two shits could have spotted that fatal flaw right away. You can bring in a real third party or just make use of the old rubber duck technique, where you talk through the issue with a friend or a Naruto poster telling you to Believe it. Working it out out-loud is a really effective technique to figure out what needs fixing and what doesn’t.

Guide critique-givers toward the feedback you want. I, a person who prefers straightforward fantasy and sci-fi, cannot give the fine-tooth points on how a romance novel should work. However, I can give feedback on what works for me and what doesn’t story-wise. Giving your beta reader or critique partner a list of questions to look for will help avoid vague feedback based on how they don’t like the genre. There are many ways to do this, but consider using the following as a base to tailor your own questions:

Did you get a good sense of the setting? Did the worldbuilding make sense to you?

Was this story clear? Where there any parts that seemed confusing?

What characters did you like and why? What characters didn’t you like?

Did any parts of the story feel slow or repetitive?

Did the beginning draw you in? Did the middle keep you engaged? Did the ending feel satisfying?

If you were to write [insert plot point here], what would you do differently?

Again, all of the above questions are up for debate depending on your goal, but we are rarely taught how to give good feedback, and a guided feedback session would work better for you than a free-for-all.

Figure out what kind of advice doesn’t work for you. It is really hard to give good feedback sometimes, even with guided questions. It can also be really hard to figure out why some feedback doesn’t click with you, and that’s a matter of digging deep to figure out what you really want. You may lean toward characters who are horrible fuck-ups, but your partner prefers more steady characters who always strive to do the right thing. Your characters, therefore, may never click with this person, no matter how much they want to help you. And that’s okay! Figuring out where your critique partner is coming from can help you figure out what parts of their feedback isn’t working for you. Sometimes the only thing you can do is thank them and move on, but you might also want to guide them to focus more on the plot or the worldbuilding when looking at your work.

And last, don’t focus on grammar. It’s great if they point that out, but if you end up changing everything, trying to fix that first is a waste of your time. Grammar tweaks last, plot points first.

And, I dunno, give yourself a treat to get that horrible little mind gremlin something else to focus on. Sometimes patting those bad feelings on the head and sending them away can help way more than ignoring them.

[tc-doherty]

TC's Practical Writing Tips

Like I said before, I'm not gonna sit here and pretend that I can teach anyone how to write – that's a level of hubris even I'm not capable of –but in honor of my rapidly approaching ~quarter century of writing original fiction anniversary~, I did figure I would share the tips that I live by when it comes to the act of writing.

So without further ado:

Write it now, fix it later

2. It is always permissible – and usually enjoyable – to write the stupidest possible version

3. "Inspiration" is great for poets, but poison for people who write prose

3.1: if you want to write often, you need to write often, and then you will find that you don't need to be "inspired" because you will have made a habit of it and it will come naturally 3.2: even one sentence a day is still one sentence a day. And even one sentence a week is still one sentence a week. It does not matter how slowly you go as long as you do not stop 3.3: believing in the concept that you need to be inspired to write will trap you into believing in the concept of writer's block 3.4: if you are having difficulty getting out words that satisfy you, lower your standards and keep writing (see point one)

4. A few months down the line you will not remember which words came easily and which words did not

5. It is always permissible to set a project aside for now, or forever, if you need a break

6. Read widely and often, both in your favorite genres and outside of them

6.1: pay special attention to both things that you love and things that you hate - study them, engage with them, learn what makes yourself tick and your writing can only get stronger

7. Never write for the lowest common denominator, via wise words I once heard: "if you open the window and make love to the world, your story will get pneumonia", have an audience in mind and the people who like what you write will find it

8. Never write for the bad faith critic, those people will always exist and you will need to deal with them at some point if you put your writing in the world, but they don't matter and you cannot live in fear of them

9. It's fine and normal to want engagement and praise, however you must find a way to make the act of writing joyful in and of itself – make the praise the cherry on top, not the entire sunday

9.1: writing is hard work, and it's a lot of work, if you lose the ability to enjoy the journey and are proceeding only for external rewards from others, you will gradually write less and less if the ratio of work to rewards is unsatisfying

10. For anything other than final copy editing, always write a new draft into a new document, or else the words you have already written will trap you from being able to make large, sweeping changes

10.1: any change you make will invariably snowball, and you must give space for that snowball to roll

11. If someone tells you that something doesn't work for them, believe them, because people know what they like. But if people try to tell you what to do to fix it, take that with an entire serving of salt because you are the author, not them

12. It is always morally correct to look at a critique that you received, even if you asked for opinions via beta reading, and decide that it's bullshit and doesn't apply to you

13. "write what you know" means "write what you're interested in"

14. "Show don't tell" applies to screenwriting, not novels. This is the thing that drives me the most insane every time I see it. Novels are words on a page, not images on a screen. They require a lot of telling. Not all telling, but a lot of telling. Become comfortable with that.

15. It is always, ALWAYS acceptable to use "said", do not listen to the lies of others

16. Have fun, do it out of love and you will never go astray

17. Become comfortable with who you are. Your work is always going to be yours and it is always going to sound like you wrote it, and this is a good thing! No one else is ever going to write exactly like you, and you should be proud of that

17.1: the concept of "originality" is vastly overrated, every culture has some version of Cinderella and we still love it. Your writing is yours because you wrote it, and it will always be unique because of that

[physalian]

“How do I know if my story needs work or if I’m just being hard on myself?”

As I sit here accepting the fact that at 70k words into Eternal Night’s sequel while waiting for my editor for Eternal Night itself, that I have made an error in my plot.

Disclaimer: This is not universal and the writing experience is incredibly diverse. Figuring this out also takes some time and building up your self-confidence as an author so you can learn to separate “this is awful (when it’s not)” and “this is ok (but it can be better)” and “this isn’t working (but it is salvageable).”

—

When I wrote my first novel (unpublished, sadly), years ago, I would receive feedback all over the chapters and physically have to open other windows to block off parts of the screen on my laptop to slow-drip the feedback because I couldn’t handle constructive criticism all at once. I had my betas color-code their commentary so I could see before I read any of it that it wasn’t all negative. It took me thrice as long as it does today to get through a beta’s feedback because I got so nervous and anxious about what they would say.

The main thing I learned was this: They’re usually right, when it’s not just being mean (and even then, it’s rarely flat out mean), and that whatever criticisms they have of my characters and plot choices is not criticism of myself.

It did take time.

But now I can get feedback from betas and even when I hear “I’d DNF this shit right now unless you delete this,” I take a step back, examine if this one little detail is really that important, and fix it. No emotional turmoil and panic attack needed. I can also hear “I didn’t like it” without heartbreak. Can’t please everyone.

The only time I freak out is when I'm told "this won't need massive edits" followed up by, in the manuscript, "I'd DNF this shit right now". Which happened. And did not, in fact, require a massive rewrite to fix.

So.

What might be some issues with your story and why it “isn’t working”.

1. Your protagonist is not active enough in the story

You’ve picked your protagonist, but it’s every other character that has more to do, more to say, more choices to make, and they’re just along for the ride, yet you are now anchored to this character’s story because they’re the protagonist. You can either swap focus characters, or rework your story to give them more agency. Figure out why this character, above any other, is your hero.

2. Your pacing is too slow

Even if you have a “lazy river” style story where the vibes and marinating in the world is more important than a breakneck plot, slow pacing isn’t just “how fast the story moves” it’s “how clearly is the story told,” meaning if you divert the story to a side quest, or spend too long on something that sure is fluffy or romantic or funny, but it adds nothing to the characters because it’s redundant, doesn’t advance the plot, doesn’t give us more about the world that actually matters to the themes, then you may have lost focus of the story and should consider deleting it, or editing important elements into the scenes so they can pull double-duty and serve a more active purpose.

3. You’ve lost the main argument of your narrative

Sometimes even the best of outlines and the clearest plans derail. Characters don’t cooperate and while we see where it goes, we end up getting hung up on how this one really cool scene or argument or one-liner just has to be in the story, without realizing that doing so sacrifices what you set out to accomplish. Personally I think sticking to your outline with biblical determination doesn’t allow for new ideas during the writing process, but if you find yourself down the line of “how did we get here, this isn’t what I wanted” you can always save the scenes in another document to reuse later, in this WIP or another in the future.

4. You’re spending too long on one element

Even if the thing started out really cool, whether it’s a rich fantasy pit stop for your characters or a conversation two characters must have, sometimes scenes and ideas extend long past their prime. You might have characters stuck in one location for 2 or 3 chapters longer than necessary trying to make it perfect or stuff in all these details or make it overcomplicated, when the rest of the story sits impatiently on the sidelines for them to move on. Figure out the most important reasons for this element to exist, take a step back, and whittle away until the fat is cut.

5. You’ve given a side character too much screentime

New characters are fun and exciting! But they can take over the story when they’re not meant to, robbing agency from your core characters to leave them sitting with nothing to do while the new guy handles everything. You might end up having to drag your core characters along behind them, tossing them lines of dialogue and side tasks to do because you ran out of plot to delegate with one character hogging it all (which is the issue I ran into with the above mentioned WIP). Not talking about a new villain or a new love interest, I mean a supporting character who is supposed to support the main characters.

—

As for figuring out the difference between “this is awful and I’m a bad writer” and “this element isn’t working” try pretending the book was written by somebody else and you’re giving them constructive criticism.

If you can come up with a reason for why it’s not working that doesn’t insult the writer, it’s probably the latter. As in, “This element isn’t working… because it’s gone on too long and the conversation has become cyclical and tiring.” Not “this element isn’t working because it’s bad.”

Why is it bad?

“This conversation is awkward because…. There’s not enough movement between characters and the dialogue is really stiff.”

“This fight scene is bad because….I don’t have enough dynamic action, enough juicy verbs, or full use of the stage I’ve set.”

“This romantic scene is bad because…. It’s taking place at the wrong time in the story. I want to keep it, but this character isn’t ready for it yet, and the vibe is all wrong now because they’re out-of-character.”

“This argument is bad because…. It didn’t have proper build-up and the sudden shouting match is not reflective of their characters. They’re too angry, and it got out of hand quickly. Or I’m not conveying the root of their aggression.”

—

There aren’t very many bad ideas, just bad execution. “Only rational people can think they’re crazy. Crazy people think they’re sane,” applies to writing, too.

I just read a fanfic recently where, for every fight scene, I could tell action was not the writer’s strong suit. They leaned really heavily on a crutch of specific injuries for their characters, the same unusual spot getting hit over and over again, and fights that dragged on for too long being unintentionally stagnant. The rest of the fic was great, though, and while the fights weren’t the best, I understood that the author was trying, and I kept reading for the good stuff. One day they will be better.

In my experience beta reading, it’s the cocky authors who send me an unedited manuscript and tell me to be kind (because they can’t take criticism), that they know it’s perfect they just want an outside opinion (they don’t want the truth, they want what will make them feel good), that they know it’s going to make them a lot of money and everyone will love it (they haven’t dedicated proper time and effort into researching marketing, target audiences, or current trends)—these are the truly bad authors. Not just bad at writing, but bad at taking feedback, are bullies when you point out flaws in their story, and cheap, too.

The best story I have received to date was where the author didn’t preempt with a self-deprecating deluge of “it’s probably terrible you know but here it is anyway” or “this is perfect and I’m super confident you’re going to love it”.

It was something like, “This is my first book and I know it has flaws and I’m nervous but I had a lot of fun doing it”.

And yeah, it needed work, but the bones of something great were there. So give yourself some credit, yeah?