I think that I've only drawn Ford like. 3 times in my entire life. so here's some Fordsy (and some Fiddsy. and a Bill I guess)
[image description: a page of drawings of ford, mcgucket, and bill cipher from gravity falls. near the top are two portraits of ford, one in the gravity falls style and the other in a more realistic style. next to that is a simple doodle of ford and mcgucket smiling and embracing with the caption "old man yaoi!" beneath them. in the bottom left is a simple drawing of a younger ford, and next to that is a drawing of bill with a speech bubble saying "i'm here too! also i'm hatless for spacing reasons". next to that is bill's hat, as well as mcgucket in an orange and brown 70s-style outfit and a braided beard, and he is sitting on the ground, lost in thought. end id]
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Escaped clone au
You know all those fics where Danny and Damian are twins but everyone first assumes Danny must be a clone? How about an au where Danny is Damian's clone who escaped the League after he was assumed dead. Damian could even have been the one to have "killed" him, back when Danny was a newly created, fully brainwashed clone minion and trying to kill Damian himself.
Danny gets adopted by the Fentons and canon goes on as normal, until Dan. Witnessing what would happen to the world should he turn evil really drove home to Danny how dangerous he is.
Even if he was confident he could be trusted with his absurd amount of power (which he isn't), what if the League of Assassins found out about him? Does he still have programming triggers from his evil assassin clone conditioning?
So, Danny does the responsible thing: he goes to Batman to turn himself in.
Cue Danny showing up on Bruce's doorstep with ghost hunting equipment, intel on the afterlife, and an almost unbelievable backstory. Somehow he still managed to be more well-adjusted than Damian.
More thoughts under the read more
Here's how I'm thinking Danny leaving the League went down:
After surviving his wounds but failing his mission, Danny (then an unnamed potential Damian replacement) knew there was no point in returning to the League. As a failure, he was meant to be disposed of. He even thought of simply allowing himself to perish, since that was what the League would do.
But he couldn't help but feel as though that would be a waste of a resource. Surely he could be of more use to the League alive than dead?
That tiny bit of rebellious logic is what caused Danny to go into hiding, only living on based on the off chance he would find opportunities to further the League's goals. Obviously, that mentality didn't last long after being exposed to the real world and meeting one Jazz Fenton.
Being adopted by the Fentons was the best cover Danny could have asked for, since any odd behavior he couldn't hide while he was learning how to be "normal" was totally overshadowed by the sheer bizarre eccentricity of his new parents. He was still the neighborhood weird kid, but even that was a major upgrade from disposable tool, so Danny considered it a win.
Anyway, if anyone likes this idea, please feel free to have at it! Interpret it as you please :)
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the magnus archives is a romcom—no what the hell it's not. it is, however, a gothic horror romance between jon and elias. because you see, the thing about jonelias is that their canonical dynamic is built around an absurd number of gothic genre tropes. jon sims obviously fits the mold of the tortured gothic protagonist quite nicely who's facing both external (the other avatars targeting him) and internal horrors (his progress as the Archivist weighing on his conscience). but he's also trapped in the gothic manor which is the magnus institute. there are secrets (the place being a temple to the eye), locked doors, forbidden chambers, and bodies in the attic which serve as evidence of past misdeeds (the panopticon; gertrude and jonah's bodies in the tunnels), the institute/archives is ultimately destroyed by fire - purging the gothic manor i.e. the symbolic destruction of the previous order with fire is a common motif in the genre. and jon's work in the archives is haunted by the figurative ghost of gertrude who remains a curious mystery he must unravel and will serve as a constant reminder to jon of his own inadequacies (just like du maurier's rebecca fr)
elias is then —
1) his personal bluebeard figure who murdered his predecessor, a comparison which only gets stronger with the jonah magnus reveal since he's been cycling through archivists for two hundred years, all having met gruesome ends in service to him and jon being his final and most notable choice. are you seeing the maxim de winter rochester imagery. are you.
2) his gothic double. doubles as a literary trope are your hidden self made manifest, the horror lies in the double (elias) revealing the gothic protagonist's (jon) hidden, true self to them. elias as an avatar of the eye is entirely unrepentant for his nature, he revels in it. which is a mirror to jon's own self-flagellation because despite how much he feels torn about his own metaphorical vampirism, he likes it. he admits as much to gerry as early as s3 when asked about his feelings on his ability to compel truths. and why wouldn't he! after being kept in the dark so long, why wouldn't he like it? and jon and jonah had in common their natural curiosity even before they found the beholding. elias is a mirror and jon looks in it and sees someone who is him, but not quite. someone who is what jon would be if he could simply let go, but jon can't. like most gothic protagonists he will kill his double because it is a reminder of a self-truth he can never escape.
and watcher's call. like what even is that. what do you mean that's a thing. what. literally wuthering heights. "why did you heed the call?" // "because this is the place i know i should be" <- normal dialogue to write for two guys definitely not starring in a gothic romance.
^ same genre of images. so the spider, the mother of puppets, the web which is the symbolic representation of narrative thread in the magnus archives universe WEAVED them together? red string fated, that's what they are? so they're soulmates. that's what you're saying. they're literally soulmates. soulmates as existential horror? just enough of an illusion of narrative agency for jonah/elias to claim, "the Chosen One is simply that – someone I chose" but paradoxically joined by fate, which isn't a good thing! because no god-like powers of hope, or love, or indigestion, or whatever, only fear. because even though both help the other achieve narrative self-actualisation (elias making jon the archive and jon making elias the king of a ruined world), their union also irrevocably destroys their lives as they hurt each other in deeply personal ways which signify their greatest fears. elias manipulating jon, whose biggest fear is mr spider, i.e. loss of control and jon repaying by being the very thing that kills jonah, who has spent multiple lifetimes trying to escape the end. and that's romance <3
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