#i probably could if i fucked up my life

[ghirahimbo]

evil time loop escape conditions where you can't get out until you've fuucked up your life in the most spectacular way possible, confident that the next night will reset the slate as usual.

instead, the next day comes.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[adriancatrin]

soulmark au sketches. the idea of sokka in proven ‘soulmates are real’ universes consistently intrigues me—how would that impact his skepticism/interpretation of fate/destiny/free will? personally i think he’d be very angry for a very long time and probably not even understand why

[fungi-maestro]

Quick bedtime doodle I wanted to share.

[non-un-topo]

All it takes is a wee little nightmare to make you too scared to step foot outside for fear of Bad Things happening, like it’s an omen lol

[designernishiki]

it’s kinda funny to me how that dumb scene in kiwami 1 of majima getting shot and left for dead in the harbor was basically just added as a half-assed way to explain majima not being around for a bit of the plot, but they accidentally(?) just made it seem like start of a chain reaction where majima ended up feeling slighted and heartbroken after being abandoned like that and then lashed out about it via smashing a big truck into the building kiryu was in. and yeah that isn’t inherently a romantic thing as-is but then they go and add the part where majima grabs a hostess and performatively hits on her as in-kiryu’s-face as possible, she says she’s already in love with someone, and majima lets her go immediately, no questions asked, making a big fucking point of it just to say see THAT kiryu? I appreciate when people are HONEST about their FEELINGS. people who won’t just BACKSTAB someone who CARES about them to save themselves. is that so crazy kiryu?? huh??? anyway make it up to me get down here and fight me right fucking now

[imaginedmelody]

Listen, we all know from 2016 that I fell hard and fast for the beloved tumblr obsession that is the Foxhole Court books. But the author surprised-announced not long ago (late last year I think?) that there was a new book coming out in the series when she never gave any hint that this was a possibility, and it released yesterday night, and well...

I'm right back on my bullshit y'all. 15% in and I can feel myself being re-consumed by this fandom as completely as the meteor that killed the fucking dinosaurs.

[andthebeanstalk]

Betty is so relatable I would do the same shit for my wife

[darkipt]

The eye in TMA has no power over me, ill tell anybody anything. Some random guys asks me deep personal questions about a traumatic event?? Yeah sure. Getting me to shut the fuck up is the real special ability.

[carnivalcarriondiscarded]

why do spiders exist and how can i get rid of them. permanently. with no damage to the ecosystem just cut and delete

[uncanny-tranny]

The reality of being a survivor is that the person or people who hurt you might just get to live full, rich lives and leave you behind. It's a perverse feeling, and it's true that that is fucked up. It feels like they still control you even when they're out of your life, and you feel trapped. However, you still deserve to be happy, to be fulfilled. Your life hasn't ended because they stole parts of it. They will never truly be able to take the essence of who you are.

Remembering this has taken the edge off of this thought. I won't ever give my abusers that power over me ever again. They never fucking deserved that.

[field-s-of-flowers]

Hey. Hey what if one of the OG lyctors was Jewish pre-resurrection. Wouldn’t that be so fucked up

[agaritas]

i know we’re shifting into springtime but climate anxiety has me genuinely unsettled and nervous abt the temperature not being freezing anymore 😭 like i let out a big sigh of relief when i saw the forecast predicting snow this weekend as if i was seeing a negative pregnancy test. this is all almost exclusively ronald reagan’s fault i will not expand upon that

[distraughtlesbian]

literally the best part of this whole stupid book iwlove weird obsessed horndogs thee villain archetype of all time. he’s so silly. “we could’ve had a life together”, he says to his lesbian ex-neighbour who he’s just shot with a crossbow bolt meanwhile her girlfriend who he’s also just shot is half dead across the room. god i love it here he said me and the bad bitch im going to fumble

[rotisseries]

everyone debates about elmike like oh they're the best of friends no they would never hang out on their own they don't even know each other, when the true answer, much like everything else about them, is that there is so so much and also nothing at all

[bidaryl]

time travel fix it au's are done to death in this fandom but also they're my favourite thing in the world so au where the entire show happens as is and it's heartbreaking and inspiring etc but then. restart button. waking back up at the start of the end except only the people that lived remember

wanna think about what would happen when daryl and carol wake up at camp, remembering everything that happened; carol stronger, knowing in her gut that everything that she remembers is real, and daryl fucking terrified, because if everything in his head actually happened, then what the fuck is this

wanna think about a rick dragging a hostile merle and a wide-eyed glenn back to camp, memories completely intact, and running to reunite with his family. not letting daryl go and hugging carol so so so tight, collapsing to the ground with carl in his arms

wanna think about them dragging the atlanta group to the farm, maggie leaving the front porch light on for them, and everyone reuniting. rick seeing hershel again, daryl seeing beth, carol pulling sophia close, and maggie being unable to even breath, looking at glenn

wanna think about them tossing up whether to even go to the prison, but they met important people there, and alexandria's a long way, and if they're gonna survive this time–if they're gonna live–they're gonna do it right

so they go to the prison so they can figure out their next step, and michonne's there and waiting, andre on her hip, and they deal with the governor before the governor deals with them, and sasha and tyresse finally show up, they find the prisoners, and then one day they get a knock on the front gate, and it's negan

negan showing up, no baseball bat in hand but his leather jacket still in place, a sick but alive lucille by his side, laura and doctor franklin behind him, and all he's got to say is at the end of the world, i know which side i wanna be on

the fallout of that, of maggie being against it, of rick never having gotten to see negan at the end, not knowing the choices he made, the good and the bad. daryl and carol looking at glenn, seeing him alive and in love and having no memory of his last moments, and never wanting anything to ruin that, but negan saved judiths life, helped save all their lives. he chose, in the end, and now it's their turn

wanna think about a future where beth doesn't die, but they go on a rescue mission to get noah anyway. a future where tara turns up with her niece, led by eugene with abraham and rosita following right behind him

wanna think about how they'd handle terminus, how they'd handle the claimers. wanna think about them trying to find father gabriel, except gabe made it the first time around, and he wasn't wasting his second chance. he saved his flock, and he led them to alexandria, and he's waiting

wanna think of connie's group searching for hilltop. not finding maggie, or alden, but finding jesus. wanna think about lydia, being a fucking child, and watching her mother kill her dad, and remembering aaron telling her how loved she was

wanna think of the growing pains of them being able to save so many more family members this time, but god, a larger group is harder to keep alive

daryl trying to run interference with merle and everyone else, getting the jack of it one day and telling him he's already mourned him once, and he won't again. if merle wants to stay–to live–then it's up to him. daryl's not gonna babysit him anymore

rick trying to find his footing between lori and shane and judith, with carl, with michonne and andre. michonne looking at a weak but alive lori grimes holding a screaming and crying newborn in her arms, and knowing that she's never gonna be her daughter the way she was before, but knowing she'll always be something to her

carol struggling to be the mother sophia needs her to be, emotions too sharp and constantly fucking terrified. doesn't know how to hold onto someone like that anymore, either gripping too tight or not at all

maggie trying to exist in a world where she has everyone she's ever loved back, so close and so fucking dear, except it cost her her son. not knowing if she'll ever get him back at all. doesn't know how to live with the grief of losing someone she never technically had in this world

they make it to alexandria and it's aaron opening the gate for them, waiting to welcome them home