#i really like the general plot of that two parter

[sallysellsseashellssundays]

Rewatching the Human Nature/Family of Blood episodes made me think:

To a confused John Smith with impossible dreams he likely felt that Joan Redfern should be the woman of his dreams but I feel like he was desperately trying to substitute for the woman in his dreams...

Ten yearning for a blonde (a specific one, he didn’t just wake up with a craving) could have translated to John setting his sights on the Matron

She seemed to be the only woman around his age and social standing that he could chat with at that school so maybe in his mind his time with her was the closest he could get to the flirty and witty banter plus camaraderie the Doctor and Rose had with each other-- it probably never felt right, he doesn’t flirt with her back when she makes certain comments, and it comes across like he only asks her to the dance to distract from the conversation about saving the baby

John drew Rose in his journal, later drawing Joan and kissing her, perhaps he was trying to see if he could recreate the feeling he'd had when sketching Rose, just imagine the incredibly intense emotions he must have associated with her when he wrote in his journal “she’s my s----”

Joan had some unsavory/racist/horrible moments as a character but she was also a nurse and John probably saw her patching up injured students reminding him of Rose’s acts of kindness....she was always reaching out to help people (Gwyneth, the Ood, Elton, Flora etc)

It doesn’t really come as a surprise that he visualizes himself with a family since  Ten was a very human Doctor and it’s obvious from the Tentoo situation that he immediately jumped at the chance to have that life with Rose

I'm wondering if John didn't fall in love with Joan but if instead he sort of imprinted on her b/c she was the closest he could get to replicating the Doctor's love for Rose?

[sevensoulmates]

Buddie 7x06 Meta

HURRAH! It's not a four-parter this time!! Just a one-parter! It's a Madney/Chim-centric episode (which by the way I loved) but the buddie we got was AMAZING! I'm so excited for the rest of the season. We're just gonna dive right in!

First, I want to say that with the hindsight of this episode, we now know that the bachelor party was not ACTUALLY something that needed to happen, narrative-wise. It didn't actually contribute anything to the Chim plot, as that would've happened with or without buddie going crazy in the hotel room. So, all of the Bachelor Party was written purely for the purpose of watching Buck and Eddie have a good time. Maybe for comedic relief, maybe for the purposes of furthering their story at a later point in the series. Time will tell.

First, I've seen other people point out that Buck expected Eddie to be early (even though he's the first person there) because he wanted Eddie to help him set up for Chim's party. To Buck, Eddie is the person who helps him with everything. This is Buck's idea, yes, but Eddie is the proverbial co-host in this married dynamic. So Eddie being "late" feels more like Buck being disappointed his partner wasn't there to help him behind the scenes to make everything perfect. It really does make the whole scene feel like Buck-and-Eddie (the bro-in-laws) throwing the party. So of course Eddie's breaking the unspoken rules by being late.

I love how Eddie walks in completely ready to be fawned over by Buck with their couple's outfit. It's hilarious to me because 1.) Tommy was planning on coming, Buck could've told Eddie he wanted to do a couple outfits with Tommy instead?, and 2.) Eddie was fishing for compliments and it just makes me giggle. If Buck wasn't so stressed out over this bachelor party, he likely would've reacted how Eddie wanted and given him a bunch of compliments on his look. It was jaw-dropping. If most of us (the audience) were blown away seeing Eddie in a pink suit for the first time in the bts (to the point where most of us were like "no way he's in character, this has to be Ryan's wardrobe choice"), I know that the other characters were too. It's not Eddie's typical wardrobe choice. In fact, it's such an out-of-character fashion choice for him, that it's unlikely that Eddie just had this lying around in his closet to throw on. He probably had to go and buy a suit like this just for the occasion. Eddie had to put in a lot of effort to do this couple's costume with Buck, and he did it all happily and enthusiastically. We'll come back to this in just a second because...

CLIPBOARD BUCK IS BACK! sans clipboard but you get my drift. I love how this visually connects Buck to his sister and harkens back to a lovely Buddie moment "This is Eddie's house, I'm not really a guest" back in season 3. This time around, we have Eddie assuming he would get special husband privileges and is pouty when Buck doesn't allow it.

BUT at the same time, he's not getting on Buck's case too much about it beyond the initial pouting. He may not know why Buck's so insistent on throwing a party, but he knows it's what Buck wants, so he moves on, and even watches with somewhat amusement when clipboard Buck gets turned on Ravi for doing the same thing later.

I also want to point out that Eddie has never once, ever, been upset with, annoyed by, or irritated with Buck when he's in Clipboard Buck mode. Most of the time, Eddie either finds it amusing cute, or is just generally accepting of it. This is no exception, however, this later devolves into Buck and Eddie going absolutely wild. This further exemplifies how Buck and Eddie accept and support each other, even when the other is being lowkey stupid (everything they do at the bachelor party) or unreasonable (clipboard Buck). It's all very much partner in crime coded.

Framing. Jesus Christ the FRAMING. Tommy walks in and not even two seconds into the interaction, the camera frames Eddie FRONT AND CENTER between them, watching Buck and then watching Tommy. Buck and Tommy hug and when they pull back, there's Eddie watching them with an odd look on his face. I'm not going to go so far as to call this jealousy/pettiness, but it is odd. There's an intimate physical moment between Buck and Tommy, and then Eddie, who constantly haunts their narrative, is just there. And he's actually objecting to Tommy's presence there. Not in a mean or hostile way, but just a second ago he was high-fiving Tommy, welcoming him in, but once the physical special relationship between Buck and Tommy is established, Eddie starts to bristle a little bit.

This entire exchange is just odd. Eddie knows that Tommy is friends with Chim. He has every right to be there for Chim alone. He's also aware that Buck now has a closer relationship with Tommy, and Buck's the only one who wants this bachelor party, so it should be obvious that Tommy would come. And yet...Eddie is questioning Tommy's presence there. He's reducing Tommy to Buck's "date", not Eddie's friend or Chim's friend, or someone who's slowly integrating into the group. No, it only becomes a problem when Tommy is there as "Buck's date".

This is then proven by Tommy, who's actually known Chimney longer than either Buck or Eddie have known him. He has all the right to be invited. But what's especially interesting is Buck's face when Eddie starts expressing objections to Tommy's presence. He looks shocked, a little worried, loss for words. Like he's worried Eddie is disapproving of them. It could be worry lingering from last episode, where Buck was afraid of his queerness pushing Eddie away. It also showcases a bit of awkwardness between Tommy and Eddie too. Eddie has been established as enjoying spending time with Tommy, and now he's hesitant to have Tommy in spaces with Buck as a romantic partner. It demonstrates that maybe Eddie isn't as comfortable with Buck and Tommy together as he led Buck/the audience to believe. But where is that uncomfortablity stemming from? That's yet to be determined canonically.

Buck then goes on the deny that Tommy is his date (for the bachelor party) and insists that Tommy is only his date officially tomorrow at the wedding. I personally don't understand why Buck would need to clarify that Tommy isn't his date to the bachelor party. If they're dates for one, it's usually assumed they're dates for the other, especially given how close the events are. I get that Buck wants to make the night about Chimney, but it can be about Chimney and still have Tommy there as a date.

This is also an interesting line that I've pondered over. Because while it's true that taking Tommy as a date anywhere would be hard launching both Buck's queerness and his relationship with Tommy, which could draw attention away from Madney and to Buck, but it also shouldn't be that big of a deal (and is proven at the end of the episode too). If the wedding had gone to plan originally, then Buck and Tommy going together wouldn't have had to have drawn too much attention. He could've told Chim, Hen, his parents + everyone separately before the ceremony even began. It didn't have to be such a huge deal, so I was wondering why Eddie brings out the usual phrase the show tends to use when they want to remind Buck that not everything is about him. But Buck wasn't trying to make it about him. Eddie should know this. As much as Buck has had issues in the past of taking things far too personally, and believing things to be more about him than they actually are, that's not what is happening here.

I actually think Eddie saying this line is more revealing of Eddie's feelings than it is about Buck making it about him again. It's revealing that Buck, his relationship with Tommy, and Buck's queerness are a big deal to Eddie, enough so that he believes it will draw a lot of attention. And maybe Eddie's not as cool with the idea of everyone knowing about Buck and Tommy as he tells himself. I want to reiterate that I don't believe any of this stems from legit homophobia towards Buck and/or Tommy, but more so a discomfort Eddie harbors about Buck's queerness, what it means for Eddie, and what Buck being with Tommy takes away from Eddie. All of this is unconscious, confusing, and frustrating for Eddie, and therefore what comes out of Eddie's mouth is a barb at Buck's expense. And it's why his reaction to BuckTommy at the end of the episode is kind of muted but mostly positive. He's confused.

Buck had told Tommy previously that it was an 80s theme party and asked him to dress up. This brings me back to my previous point that Buck could've asked Tommy to dress up with him. Instead, Buck and Eddie are framed as the literal "couple" here visually, and Tommy is framed as the odd one out. Not only that, but what he is wearing is a Henley, which as most of us know, is a staple of Eddie's wardrobe. (General author's note: I don't usually harp on about wardrobe choices in the show because that's not my specialty but I will here because it is a textual part of the plot).

We've previously established in the last few episodes that Tommy is a narrative mirror to Eddie. Tommy's meant to be like Eddie in almost every way, same interests, similar personality types, etc. He's even paralleling Eddie here by dressing the same way Eddie normally dresses. But it's being juxtaposed by Eddie standing right beside him (once again Eddie is framed in the middle throughout this entire exchange with Buck/Tommy when Eddie very easily could've just stepped off to the side to let them have some privacy). EDDIE is dressed way differently than he usually is in a bright pink suit, going out of his way to make Buck happy even if it brings him out of his comfort zone wardrobe-wise. And in contrast, Tommy did not take the time to dress up, even though he knew Buck wanted him to. I'm not saying that this makes Tommy a bad person, or inconsiderate of Buck, but it's just one of those little things. One of those forethought things that Tommy just isn't aware of because he's only been dating Buck for a few weeks at this point.

Others have pointed out that Tommy would've had to change out of his clothes and into his uniform regardless if he was on standby, so why couldn't he have at least just added a little bit of 80s flair to his current outfit? It wouldn't have been any more time-consuming. Maybe it would've put Tommy out of his own comfort-zone, or maybe he would've been a bit embarrassed, but that's the kind of thing that one might reasonably risk in order to make their partner happy.

Tommy isn't aware that by not dressing up, he's hurting Buck's feelings. That's just one of those things he wouldn't know about Buck because he does not have the lived experience of what Buck needs emotionally from his partners. Eddie, on the other hand, has years of experience with Buck and knows that if he really wanted to he could be just like everyone else who didn't dress up and that Buck would put on a face of being fine with it, but deep down inside, it would make Buck feel ignored and hurt. Eddie doesn't want to ignore Buck, and as we've seen from his last line about "making it about you", Eddie can't ignore Buck. So even if it means pushing himself out of his comfort zone, Eddie's going to show up in full costume, ready and enthusiastic to be with Buck.

All of this is being done for a purpose. It's to show us that while Buck and Tommy are still learning and developing their relationship, something is off, specifically in comparison to Eddie. The show is purposely framing Eddie as a better partner to Buck than Tommy is being in the current moment. Which is kind of unfair, if you think about it. If the show was setting Tommy up to be Buck's newest love and future endgame, they would instead be giving them opportunities to grow together, to get to know each other. Instead, the show is telling us in every subtly way it can that hey, wouldn't Buck fit so much better with Eddie instead? It's contradictory and doesn't further the plot if BuckTommy growth was the purpose. These bachelor party scenes as plot devices only work if the purpose is to show the audience that something isn't fitting with Buck and Tommy, but whatever that missing piece is, it does fit with Buck and Eddie.

Tommy then doesn't understand that they're supposed to be dressed up as the Miami Vice characters. He instead assumes The Wedding Singer (1998). First, I want to say that this is the 2nd Adam Sandler/Drew Barrymore romcom that's been mentioned in canon in relation to Buck (the first being 50 First Dates in the season 5 finale) and as a huge fan of those movies, I'm fangirling. Second, it aligns with Tommy's s2 characterization where he loves romcoms (Love, Actually, and now The Wedding Singer). Third, it's an interesting choice from the writers here to pick The Wedding Singer as the movie that springs to Tommy's mind. There are plenty of 80s movies with bright colors that could've been name-dropped. They instead purposely went for a movie about the 80s but made in the late 90s, for the express purpose of having Eddie point out that Tommy's wrong. This is all very subtle, but it definitely does feel like Eddie is trying to lowkey one-up Tommy. But why would he feel the need to do this?

I've seen others point this out as well, but The Wedding Singer is about two people who are engaged to other people who are very obviously not right for them, though they might try to convince themselves differently. I rewatched the movie yesterday morning and I found it very enlightening. Adam Sandler's character is very much in love with Drew Barrymore's character, and almost tells her to leave her fiance for him, but in the end, he assumes incorrectly that she's happy with the other guy, and leaves them be. Drew Barrymore's character was ready to settle with someone she didn't fully love for security, and the only reason she doesn't tell Adam Sandler's character the truth is because she thinks he's still in love with his ex. It's all very miscommunication-y, but at the same time, it's reflective of Buck and Eddie's characters currently too given that neither of them really knows what they're looking for, they're just seeking a feeling, and may or may not be finding it in their current respective partners. But in the end, even after all the miscommunications, there's a HEA in The Wedding Singer.

Something else of mention was how in the movie, Adam Sandler's character was asked how he knew that things weren't working out with his ex and he said something along the lines of "It was the little things. Like, one time we were going to the Grand Canyon, and I had never been there before and she had, and instead of letting me take the window seat in order to see the beauty of it from above, she took the window seat for herself." This reminded me of this scene with Tommy, where it's just the little things that aren't fitting between him and Buck. I will come back to the topic of BuckTommy and misalignment later.

There have been many posts discussing how Crockett and Tubbs are another one of those "manly" buddy-cop pairings who were very queer-coded best friends who obviously never got together. Many people believed Crockett to be bi-coded as well. What's interesting to me is that this marks the second/third time in the last two episodes where they argued about who is the bi-coded character. I just find it interesting meta-textually when you think about the fact that fans used to argue incessantly (still do honestly) about whether Buck or Eddie could be queer and now that Buck is confirmed to be queer, people argue that Eddie can't be queer now. Additionally (I don't watch Miami Vice but I looked at a lot of the pictures) it seems that visually, Eddie should be aware that he is dressed as Tubbs, since most of pictures of them feature Crockett in blue/green semi-casual and Tubbs in pink/elevated suits. Visually, their roles should be obvious to anyone who is familiar with the show. Just like how Buck's queerness is now obvious. But now, the argument is well, there's an argument to be made that Eddie could be Crockett, and subtextually, also queer.

The narrative continues to hint with every single episode that passes that it's very likely Eddie will discover his own queerness at some point in the show. Just like there's no need for Buck and Eddie to argue over who gets to be Crockett, they can both be Crockett for christ's sake, they're both gonna end up queer. Of that I am certain.

So not only was Eddie totally down to clown with Buck at this karaoke bachelor party, but he was the one who suggested the couple's costume. We see more instances of Eddie not trying to tell Buck "hey, Chim said he didn't want a party, so don't do it", instead he goes along with it and finds a way to be even more enthusiastic about it. And I don't think that that was just because Eddie really wanted to party. I think it was because Eddie realizes that Buck must be wanting to do this for a reason. Possibly Buck might be doing this because he wants to show Chimney just how supportive he is of him and Maddie, maybe it's because Buck never got to be too involved with Maddie's last wedding because Doug hated him. Maybe this is his way of trying to make up again for his actions in season 5 when Maddie left and Buck didn't tell Chim. Or hell, maybe it's just now hitting Buck that he's going to have a brother, for real now, after realizing all he lost with Daniel, and wants to make this day special for Chim to showcase his appreciation of their brotherhood.

Buck is obviously overcompensating for something, and Chim and the rest of the gang don't realize why the bachelor party is so important to Buck. Hell, Eddie might not know entirely either, but he does sense that there is something more than just "I want to party" going on with Buck and this bachelor party. And so, as always, he is ride or die for Buck.

Then, when everyone else gets up to leave karaoke, Eddie doesn't even get up. He doesn't make it look like he's also considering leaving either. He doesn't check his watch or phone or make it seem like it's a burden or an inconvenience to be there or like there's somewhere else he'd rather be.

Once again, this scene with Tommy and Buck is framed with Eddie clearly in the picture, to show how he's just chilling, drinking, and ready to stick it out with Buck regardless of what happens. And then Tommy is the last one to finally leave and disappoint Buck that night.

And now I want to bring it back to BuckTommy, misalignment, and the ever-present Screaming Universe. If this was real life, it would just be a coincidence, but it's not. This is scripted fiction and everything is done with a purpose. What purpose did the writers have to get rid of Tommy but keep Eddie around to party with Buck all night long? If the writers wanted, they could've had Tommy stick around, more so to show a juxtaposition between the three of them hanging out. Or the writers could've had Eddie leave, and Tommy stay. It would've served the same purpose. Tommy still could've left the next morning for work and come back sooty for the kiss. Instead, the story/universe wanted Tommy to leave and this undeniably creates a micro-conflict between Buck and Tommy. It's undeniable that Buck is disappointed that Tommy's leaving and that he didn't really seem all that enthused to be there in the first place. Tommy then leaves, he's gone for the majority of the episode and comes back at the end. This is now a pattern for the third time in a row.

In Tommy's introduction episode 7x04, he and Buck have a moment at the beginning of the episode, a conflict between Buck and Tommy is introduced, Tommy is there a couple times throughout but he and Buck do not have any one-on-one scenes again until the end where their "miscommunication" is resolved by their kiss. In 7x05, they have their date at the beginning where weirdness happens and Tommy ends it, is gone the rest of the episode, until he returns at the end for Buck to make up with and rekindle. And now in 7x06, Tommy is there at the beginning, there's a misconnection, Tommy leaves for the rest of the episode, and they reconnect at the very end.

That's three whole instances of conflict with BuckTommy all written in a very similar way back to back to back. All of these conflicts revolve around the theme of misalignment and not knowing what they want personally nor what the other person wants. All of this harkens back to that first little moment with Buck and Tommy in 7x03 where Buck pats Tommy's arm, Tommy reaches to connect their hands and misses. I predicted that this would be a metaphor for the rest of their relationship, and so far I've been right. Because it seems like no matter how hard both of them try, they aren't quite connecting, not to the fullest. There is always a conflict that pops up that pulls them apart every single episode and they have to find ways to resolve this at the end. Again, if this was irl it'd be a different story, but as part of a narrative where they're not only trying to showcase Buck's first-ever queer relationship but also strongly comparing it to his "platonic" relationship with Eddie, it feels pointed and poignant. Buck and Tommy's constant misalignment feels like the "universe" trying to tell them something but they're not yet at the point of understanding what.

I highly doubt Buck would've wanted to party with a bunch of strangers if he wasn't feeling so disappointed by both Tommy and Chim. Eddie too, I'm wondering why he didn't want to go home or go be with Chris and visit his family. Or maybe go and see if maybe Marisol wanted to hang out. In fact, Marisol not being in this episode at all, or even mentioned, after the last episode is telling as well.

Many people have pointed out that the karaoke scene parallels Maddie and Chim, and this is even more pointed when the song that is playing when Maddie and Chim get married is Island in the Stream which is the song they first sang karaoke to. Buck and Eddie we know sing "What I Like About You" by the New Romantics, which Oliver, Ryan, and Tim all described as the best song for them to sing to/with each other at this point in time. I still think of it as canon even though we didn't hear it (I get why, they had little time and also licensing is expensive). This song is a romantic song, that's undeniable, and it also makes me think of Shrek and Fiona so it's double iconic. It's also an interesting choice in the moment where Buck is at a low emotional point, and Eddie chooses to stick around with him, indulge with him, and have fun together. It really is a great moment to show how not only are they there for each other in serious and emotional moments, but they also just enjoy spending time with each other, and would choose to spend time with each other any time they can.

Now I wanna talk about just how close physically Buck and Eddie get in this episode. For a lot of us, it's kind of whiplash because while Buck and Eddie have hugged and touched before, never so much in this way, or this much, or this intimately. Buck has his arm around Eddie's neck, their faces closer than they've probably ever been before? Buck is literally whispering into Eddie's ear ("keep on whispering in my ear, tell me all the things that I wanna hear because it's true, that's what I like about you") pulling Eddie into his chest. Eddie's leaning his entire upper body onto Buck, resting most of his weight on Buck. They're pressed together thigh to thigh, leaning their knees on each other. All of this demonstrates not just an emotional closeness, but a physical closeness (thank you, ABC, fuck u Fox), and not only that but an intimate physical closeness. All of this coming right after an episode where Buck came out. I love this because it shows a lack of Eddie being weirded out by being physically close to a queer man as a (seemingly) straight man. But it's also just so telling because Buck and Eddie have not been this physically close before....like ever...in this show. And now they are at the turning point of Buck's queerness being made textual and Eddie's queerness being STRONG subtext? Oh my goodness it's such strong storytelling.

This might be reading into it, and I acknowledge that, but this dialogue exchange felt to me less like they were talking about all the nameless people who were around them and more so like they were talking about each other. These are strangers, they don't know Chim, let alone love him. Neither do these people know/love Buck or Eddie. Instead, this conversation reads to me more like Buck talking about how Chim should be here because his friends (Buck, Eddie, Hen, etc) love him, and Eddie agrees. Looking even deeper, given that Chim didn't show up and the rest of their friends left them for the night, this feels more like Buck and Eddie talking about themselves. Because why is Eddie here? There's no reason for Eddie to be here partying it up except for the fact that he loves Buck and he wants to make him happy and enjoys spending time with him. This exchange is Buck recognizing that, and Eddie agreeing that he really, really does love Buck. And that's why their shenanigans continue as they all move on to Chim's hotel room.

They could've given up/left once Chim's door was locked, but Eddie encourages Buck to keep on going. Touching Buck like how Eddie loves to touch Buck, in the way that's most appropriate for them, on the shoulder like this. Then he kicks the door in and when Buck is ready to go wake Chim up to party, Eddie's like "Eh let him sleep", because, for Eddie, he doesn't really need Chimney around to have fun. Despite what they were just saying about bringing the party to Chimney so that Chimeny could feel the love too, Eddie's perfectly content just partying it up with Buck and only Buck.

These three clips in the bachelor party montage....I'm just gonna be frank with you, they're so obviously meant to look sexual. So CONTENT WARNING**** for me about to talk about sexual positions and such.

I don't have to tell you that although Buck and Eddie are technically partying with a bunch of other people, none of them are actually important. They're NPCs there to give Buck and Eddie an excuse to do all of this stuff with each other. So everything they do in this scene is more so a reflection of their relationship with each other, as well as their metaphorical queerness than it is about just general partying.

We know (due to bts) that at some point Eddie was leaning over to pour alcohol into Buck's mouth. It looks like Buck is leaning back on the couch in his most favorite/frequent canonical sex position (girl on top/riding) that we've seen in the past. This time with his mouth wide open with a phallic symbol pouring a liquid directly into his mouth. It looks like a blowjob/cum shot. Then we have Eddie with his clothes being pulled off and torn away. From the bts, we know that Buck is behind him and helps the girls pull off his sleeves. Other than the obvious "ripping each other's clothes off" metaphor, there's also the "orgasmic" look on Eddie's face as well. Others have also discussed how Eddie appears to be recreating the "crucifixion pose" /Jesus on the cross with his arms out like that in a reference to his catholic guilt arc and how before he's very much let that guilt control him and now in this scene with his close being ripped off, it can also be a metaphor for Eddie's eventually freedom from compulsory heterosexuality and guilt.

The last still with both Buck and Eddie vigorously shaking champagne bottles near the crotches (mimicking mutual masturbation) and then both of the champagne bottles "explode" mimicking both of them reaching a mutual climax, which then cuts immediately to both of them waking up the next morning. It's very very obviously a metaphorical gay sex scene.

Separately from that, I want to discuss this specific still, with both Buck and Eddie in between 2 very clear-as-day drag queens. This inclusion elevates the scene subtly yet very clearly to represent both Buck AND Eddie in proximity to queerness/the queer community. It further cements the queerness of this entire montage scene.

Finally, to conclude the bachelor party scenes, I just want to reiterate, that Buck and Eddie could've figured out Chim was missing any which way. They could've gone over the next morning w/o partying there. Buck could've gone by himself, etc. There were many ways the "Chim is missing" plot could've been done without needing to go this route for Buck/Eddie. Which means that this plot was not for any necessary reason other than to bring Buck and Eddie together.

Then while they're going on their chase to find Chimney, Buck and Eddie are paired up together the entire time, working together as a team, once again looking more like an established couple than anything else.

Then, as if fitting with the BuckTommy "beginning and ending only" episode pattern, Tommy comes back only at the very end of the episode, and he and Buck kiss, transferring soot onto Buck's face and providing a very quick and easy way to come out to all the rest of the people who haven't yet known about Buck. Most people look surprised, others smug (Henren, we'll get to them) and Eddie gives an interesting close-lipped smile. This moment in and of itself isn't very loud. His face is purposely vague here (hats off to Ryan, king of microexpressions). Of course, Eddie's going to look happy for them, he's not going to look jealous. But his smile could be brighter, his eyes could be warmer. There's again just something off about his expression there. I think it's confusing for a reason, because Eddie too is confused about everything he's feeling.

Hen is incredibly smart, so I'm not surprised that she clocked Buck's queerness a while ago. Her telling Karen this, and Karen's agreement means that this is something they likely discussed in private as well. In my opinion, if she was able to clock Buck, there's no way she hasn't also clocked Eddie. She just isn't saying anything because she's a respectful and empathetic person.

Hen wasn't really there for most of Buck's Tommy-arc, but she WAS front and center for all of Eddie's "performance anxiety" around dating women. Trust me, when Eddie figures it out and he and Buck finally get together, Henren will say something along these lines again, I'm certain of it.

And that's the end of this episode! It was such an emotional ride! I loved everything they did with Maddie and Chimney, and the Buddie plot was so fun! I had a blast, and I'm so excited for next week! I get the feeling the latter half of the season is gonna dive deeper into Eddie's storylines. Yay!

[yakuzabrainrotlive]

Did start Yakuza 5 yesterday! I played for 6 hours, had a BLAST. Finished chapter 1 and got a good amount of time put into chapter 2. I enjoyed going around town, grinding and doing side content. Had to gather my thoughts so posts had to come later. Yes, this is a two-parter.

My stats at the end of my little session:

Some thoughts below! I made NOTES for myself on characters and such this time around. This post is gonna be more plot and character speculation-focused; the next post will be more about gameplay mechanics, side content, general thoughts etc.!

Small-ish rant/monologue about protagonist numbers in the last section, though. Could have gone into part 2, but wanted it off my chest asap lmao

This title screen is sooooo not ominous!! I did not shiver in fear of what's to come when I saw it!! I'm sure Kiryu will be having a BLAST this game!

....🥲😭

SO! We're in 2012. Two years, huh. Seems like everything has kinda gone the opposite way from my wishes after the end of Y4, especially in regards to Kiryu.. or should I say, Suzuki's character. I really wanna know what happened in these past years to make him run away like this. He seems MISERABLE!! I feel bad for him😭

Daigo infodumping to Kiryu about Tojo business while Kiryu was just trying to get his paycheck was kind of funny to me, not gonna lie. But also kind of sad. Kiryu seems to be trying even harder to cut off anything Tojo from his life, even as Daigo was trying to reach out. I'm so curious about this time skip era!! Give me the tea!!

Okay. I was kinda assuming Morning Glory was gonna be left behind or kind of in the background (based on Kiryu's outfit), but... Haruka as well, huh. That's. Yeah. And he (debatably) hasn't straight up just abandoned them 100%, he's putting SIGNIFICANT and harsh distance between himself and the people he cares for. Ouch. Feels eerily similar to what he did in Y0 with Nishiki, Kazama, Reina and Kashiwagi.

This is all very... drastic. Changing his name, moving away and leaving EVERYONE behind? Including Haruka? This is exactly the opposite of what Kiryu was vowing to himself, to Daigo and even to Saejima in a way back in Y4. Either the writers changed their minds about his arc or something is off. I'm dreading finding out which one it is. Currently I feel like he's either actively in major danger right now, and hence decided to resort to such measures, OR something happened that he blames himself for.

I love Nakajima. He's so good! In general as a person (at least it seems that way) AND to Kiryu. Which probably means he's gonna die. RIP in advance, King🫡🫡

This dynamic is either gonna be absolutely insufferable, or maybe kind of okay. I have no predictions on how this will turn out, I was completely wrong about Kiryu's possible character arc in this game so... idk. Kiryu has blindsided me. But for now I don't think this will become a romance.

What I find interesting is the tidbit Nakajima gave about the situation where Kiryu saved her, where Nakajima also met him for the first time - Kiryu was getting DESTROYED in a fight. Kiryu, destroyer of whole clans, the one-man army, getting his shit kicked in by random local yakuza? Was he trying to refrain from using any sort of violence (even in self-defence??), or... was he recovering from significant injuries he got before the fight?

Now, I'm just assuming, based on Mayumi's character profile section and Nakajima's description of the woman Kiryu saved (she was very pretty) that Mayumi IS the woman Kiryu was defending when Nakajima first met him. I'm quite sure it was her.

What I wouldn't give to hear his thoughts in this scene... I was very conflicted the whole time; on one hand I wanted to SHAKE Kiryu and side with the Tojo guys. Why abandon Daigo? I understand it's probably just so he doesn't get stuck in another Tojo mess, but... it's Daigo!! Come on!! But I can also see that Kiryu feels... guilty?? Conflicted?? There was a storm of EMOTIONS brewing in his eyes. What a mess. He clearly doesn't like the situation but he also really wants NOTHING to do with it.

Kinda off topic, but massive props to those two for taking Kiryu on so boldly despite knowing who he is (was? I have no idea). They are Tojo men, they've heard the stories. Yet, they still tried. The balls on these guys!!

As for the man of the hour... Daigo. MIA - conveniently right before this alliance (opposed by some important people) gets to fully come to fruition, as the current leader of the Kansai group is dying soon🤔

I feel as though Daigo knew something would happen. He sought Kiryu out and was quite insistent to talk to him. At the beginning of the game I found the lore dump he dropped on Kiryu's unwilling mind weird and almost amusing, but looking back on it now... it almost feels like he was giving Kiryu information he'd need to solve the case if he happened to go missing. He even named possible suspects.

Why not go to a trusted clan member? They'd probably throw a hissy fit and wanna call everything off, maybe even start a new, very bloody conflict. All just because Daigo suspected something might happen to himself. This whole situation stinks.

Current theory: one, or all three, of the Kansai leader hopefuls are in cahoots with the uhhh *checks notes* Yahata(?) dude. The Yamagasa family captain. Why? To stop the alliance because they all hate the Tojo clan. They probably have Daigo locked up. Or maybe Daigo is dead already.

One final thing: was NOT thrilled to see "Part 1: Kiryu Kazuma" 😬 I was kinda hoping for a single-protag game, tbh 👉🏻👈🏻

Okay, hear me out! IF the other protag(s) is/are the Yakuza 4 lads, I'll be okay! But if there's a new guy (or, god forbid, 2 of them), I don't know if I'm gonna like that. I liked Y4 a lot, but it was also a lot to keep track of, and it felt like everyone got very little time in the spotlight - especially Kiryu and Saejima.

I'm almost suffering from... new protagonist fatigue after 4. I'm okay seeing many new side characters, but new playable characters with their own fighting styles that I have to learn, human relationships, backstories and motivations... Getting to know and to "bond with" another batch of new playable people seems like a very tiring task to get through at this point.

If we have 2+ protagonists, I want them to be from Y4 or earlier, because I already know them in a way and I'm not opposed to seeing more of them because it doesn't seem as overwhelming. I wanna see more of Saejima at least, if we HAVE to have alternating protagonists.

[blackbullet99]

What do you think of this discourse.

https://www.tumblr.com/allnewalldifferentwildspider/748861203442434048/what-do-you-think-of-zuko-and-aangs-friendship?source=share

Alright, fine. I generally don’t know if I wanna read posts like these much, but alright. Considering this is coming from the-badger-mole, who has no understanding of A:TLA and makes it her life‘s mission to hate on a fictional 12 year old, and the other guy throws a hissy fit the moment a book brings up that the imperialist nation that would commit genocide doesn’t put women in many positions of power, their opinions really don’t matter.

Of this person thinks Aang isn’t a good friend who never supported anyone. Ignoring how Aang literally saved Zuko’s life, was the one who allowed him to join the group because he came to believe he had changed, the two go on a whole journey to re-discover Firebending, Zuko literally trained Aang. They both discuss their feelings to each other several times. Their parallels and interactions were a key part of each season. Honey, you blatantly don’t understand A:TLA beyond your middle-school crack ship.

This idiot don’t understand A:TLA either. “Bryke wanted Zuko in the gang as little as possible cuz Zutara”. If the Zuko joined the gang too soon, it would’ve diminished his arc. The reason why Zuko’s arc works so well is because he actually gets what he wanted in Book 3, to go home, to get his father’s approval, only to realize that isn’t what he wanted and he lost sight of who he was. I think Book 3 - Part 2 should’ve been longer, but this has nothing to with Zutara, get a life.

“If ANYONE was Zuko's "best friend" in the gang, it would be Katara. And that's not zutara glasses talking”. Yes it is the Zutara glasses talking. You’re another braindead ZK fanatic who clearly can’t even take Fire Nation criticism and treat Aang like he’s an abusive horndog. Your opinion means nothing.

I’ll say this much, Zuko and Katara are close friends, but only at the very end of the show, and I wouldn’t say they’re the closest in The Gaang. One they become friends, nothing about their relationship stands out especially from the others. Especially seeing as Sokka and Zuko had a close bond, they have a good amount of similarities, they share a two parter and Zuko goes to him asking for advice about Katara.

Once again this moron proves they don’t understand or care about the story of A:TLA beyond their Wattpad ship. Lemme set the record straight, Zuko and Katara’s dynamic is a notable part of the show yes, but Aang and Zuko are two of the key cornerstones of the show. Aang asking Zuko if they could be friends is important because it brings up the fact that the Fire Nation was more peaceful back then, it also shows that Aang is willing to show kindness and offer friendship even to this enemies and Zuko’s expression and the fact that Zuko thinks about many months later shows that despite wanting to capture Aang, it’s something that Zuko did consider, adding more depth to their dynamic. But then again, the-badger-mole thinks Aang didn’t go out of his way for anyone and spends their whole life hating Aang, so of course they’d wouldn’t notice this.

“Aang and Zuko are friends because Bryke said they are. Same reason Mai is a good guy, or Katara was always in love with Aang.” No we see Aang and Zuko as friends several times, we see that Mai is a anti-heroine but isn’t a villain, especially in Book 3 and when she stands up to Azula, we see that Katara has feelings for Aang, multiple times throughout the whole show, but because this has nothing do with Zutara you’re either blind, delusional, stupid or all of the above.

“Very little involving Aang's development or his relationships is important enough to be shown on screen, and as a result, Aang isn't that important to the development of the plot.” Oh boy, we got another “Aang had no importance to the story, he’s a plot device”. F*ck off. You objectively don’t understand this show and don’t care about it at all beyond your crack-pairing, stop making your lack of media-literacy everyone else’s problem, know your place and stick to Wattpad Zutara fics fitting for someone like you.

There are a total of three episode where Aang admires Katara’s beauty and even then it’s a minor thing, that hardly changes anything. It’s painfully obvious you’re just a bitter loser who upset that Bryke didn’t give into your petty entitlement and make your self-insert middleschool Wattpad good girl/bad boy ship canon. Whiny ZK fanatics like you will complain if Aang so much as looks as Katara, but their pants will be soaked if Zuko touches Katara’s necklace and forcefully grabs her. Y’all have issues.

Avatar: The Last Airbender is the greater cartoon of all time (after SpongeBob SquarePants of course). But lost on media-illiterate obsessively Aang hating Zutara obsessed fake fans like y’all who don’t care about this show, nor do they have the capacity to understand it because their pissy that their dumb@$$ ship ain’t canon, so all they can do is cope and seethe for the rest of their lives.

Hope you appreciate my response anonymous asker. Have a nice day.

[kaleen-art]

Lupin Zero Sucks (Clickbait)

Spoilers. Duh.

Lupin Zero is a 2022-23 6 episode miniseries following the adventures of Lupin III and Daisuke Jigen as teenagers. I watched the full series recently. It’s very rare I watch a show and am both in awe and also disappointed. Here are my thoughts:

Chapter 1: Aesthetic

Lupin III Part 1 is my favorite Part. It’s where I think the characterizations are at their best and the A-Production episodes with the involvement of Hayao Miyazaki and Isao Takahata are some of the best Lupin adventures to this day (not a big fan of Osumi’s “deep and emotional” episodes, will make another essay about this probably). Zero takes a lot of influence from Part 1 and I love it. The music is on point and matches with the very late 60s-early 70s stylings of the first series. The animation and expressiveness is also on point. The artstyle is always distinctive and it’s amazing how they were able to translate the artstyle of the original series into a digital era when I felt like previous attempts (see: digital Part 1 art, Return of Pycal (sorry Shmeepy)) failed. I hate the filter applied over the series though. Besides it just muddying up very nicely done backgrounds and artwork, it also makes the whole series feel like a TikTok “edit”. It’s gross. But at least everything else about the series’s aesthetic is strong enough that this is only a minor nitpick.

Chapter 2: Lupin and Jigen

The best part of Lupin Zero is definitely the relationship between Lupin and Jigen. Jigen is a stone-cold criminal with experience to his name at the start of the series and Lupin is (though he wouldn’t admit it) a rookie crook. Both have exactly what the other one needs. Lupin gives Jigen the love Jigen seemingly gets from nobody else, and Jigen provides Lupin with a partner in crime. Their dynamic as the show goes on, especially prominent in Episode 4 (The Best One) and Episode 5 (Had the great scene between them) is great and the highlight of Zero. The gay vibes are strong on this one and I’m pretty sure this is the part of the show the writers wanted to do the most. Like I said earlier, the show ties in with Part 1 very nicely and the Lupin-Jigen dynamic is no exception. I love Part 1 Jigen so it’s no wonder why Zero Jigen is also great. I like when he Has Fun and Smiles I wish they let him do that in Part 2 and the new stuff.

Chapter 3: Lupin and his legacy

I really like how they executed Lupin’s relationship with his family. Lupin (the Third) and Arsene Lupin both want him to become a thief, but Lupin the Third wants to forge his own path instead of adhering to his grandpa’s expectations. Meanwhile, Lupin II wants Lupin to follow the “straight and narrow”. I think this show not only speaks to the feelings of teenagers of every generation, but especially the generation growing up in the 50s and 60s who would become adults in the 70s. Speaking as a teenager who is in the Gen Z generation I understand how it is to feel the weight of the previous generations and their expectations for you, but I also know this was an especially prevalent issue amongst the youth of the mid 20th century, and I think Lupin in Zero really represents that. At the end of the show, he is able to forge his own path and later becomes the Lupin we know and love, resolving this generational conflict. This is another aspect done great in Zero.

Chapter 4: Lupin and Yoko

Fuck Yoko. She ruins the show. This isn’t a joke.

Yoko is… I think? Lupin’s love interest? “But isn’t that Jigen-” THAT’S WHAT I’M SAYING! The show felt the incessant need to add a female lead so they could have boobies on screen. The problem is it’s really gross in Zero. Yoko is an adult ass woman flirting with Lupin the 13 year old and it’s very groomy. In the first episode she even sings about forbidden love (with someone younger than her) to Lupin and Jigen. She contributes close to nothing to the show up until Episodes 5 and 6 (a two-parter). In those episodes, she has a plot with this guy named Gaucho who is like, the villain, and like… She loves him but she also loves Lupin, and it gets really convoluted and dumb. If it seems like I don’t care, it’s because I don’t. 

At the end of the show Gaucho dies and Yoko is in a life-or-death situation, so she decides to kill herself to die with Gaucho. She does this in front of two children, one of whom she is fully aware that he's in love with her. This is a character we are meant to feel sad about when she dies.

She's a total creep and throws me out of the show whenever she's on-screen. I feel like if she didn’t show any interest in Lupin besides an innocent friendship, and Lupin just fell in love with her anyway, that would be significantly better. As is, she gets way too flirtatious with someone literally less than half her age for me to give a fuck when she dies.

I think if they really needed her to be in the show (she does not need to be there) they should’ve removed her and Lupin’s “romance” entirely and instead tried to parallel Lupin and Jigen’s romance plot with her and Gaucho, showing how she and Gaucho are like a bad version of the two. That, in my opinion, would’ve worked a lot better.

Chapter 4: Too Much, Too Little

My biggest problem with Lupin Zero is it tries to cram too much into 6 episodes. If it had just stuck with Lupin and Jigen’s relationship blossoming + Lupin vs. his family, it would’ve been killer, but the stuff with Yoko as well as the final two episodes’ weird war-government plot just muddies up a great idea. It leaves me disappointed because I think Lupin Zero had so much potential but it was ruined by the writers forcing in ideas that detract from the themes already present instead of adding to them. 

Conclusion

Overall, is Lupin Zero worth a watch?

I mean it’s only 6 episodes, you might as well if you like Part 1 or Lupin x Jigen or anything of that sort.

But do I think it’s as great as people have said it is?

God, no. It’s messy and I think overall it’s a 6 or 7 out of 10. 7.5 on a good day.

Good but nothing remarkable. But if this kind of show is what Lupin III series…es went forward with? I wouldn’t be mad, not one bit.

Anyway don't forget to like and subscribe for more bad takes, ok bye see you when I remember I have a tumblr again

[karatam]

Top 5 video essays. Go!

oh this is such an interesting questions hmmmmmmmm

(my problem is that I'm an idiot who has not maintained a playlist or anything of my faves, which I'm going to do starting now lmao)

not in any particular order, though I ended up with more than 5:

Line Goes Up - The Problem With NFTs by Folding Ideas. Does a great job at explaining what they are and how they work, and particularly how they don't work. Talks about the toxic culture that surrounds them and now they're often just scams. I've rewatched it twice.

ROBLOX_OOF.mp3 by hbomberguy. Starts off as a light-hearted look into who made that ubiquitous sound effect. Goes right off the deep end into the teeming insanity of the liar at the centre of it all. Incredible and utterly unhinged.

Disney Channel's Theme: A History Mystery by Defunctland. Related to #2 in general idea, but totally different in execution. Starts off by trying to find who composed a short little jingle used by the Disney Channel. Ends up a study of being an artist and what that means. I cried.

Disney's FastPass: A Complicated History by Defunctland. A truly interesting look at the history of the management of queues at amusement parts, culminating in the FastPass, for better or worse.

The Church Play Cinematic Universe by Jenny Nicholson. Not a video essay like some others on this list, but simply one of the most entertaining 80 minutes I've ever spent. A weird church puts on incredibly elaborate plays based on existing IP by twisting every story into a christmas or easter play.

The Rise, Lies, & Demise of Jan Hendrik Schön by BobbyBroccoli. Actually a three part series about a man who almost faked his way to a Nobel Prize in physics.

The Bob Emergency: a study of athletes named Bob by Jon Bois. Another two-parter. This is exactly what it says on the tin. It looks at the rise and fall of the number of athletes named Bob.

Into The Omegaverse: How a Fanfic Trope Landed in Federal Court by Lindsay Ellis. Truly batshit, truly incredible. Everyone needs to watch this at least once.

The Failure of Victorious and The End of Victorious by Quinton Reviews. These are a combined 13.5 hours about a show that I only kind of watched. And yet I was fascinated.

An appropriately unhinged recap of Pretty Little Liars by Mike's Mic. Like above, a truly batshit recap of a batshit show that I didn't really watch. Honestly it's more fun when you haven't seen it, because every new plot point is like being hit in the head by a baseball bat.

I Debunked the Entire Manosphere by munecat. A terrifying but funny examination of that part of the internet that I've been trying very hard to avoid.

The Making of Horizon Zero Dawn by noclip. One of my favourite games and a very interesting look at the process of bringing a video game from pitch to end product.

[booksteaandtoomuchtv]

Burn The Ships (1/?)

THIS IS/WILL BE MATURE.

NOW WITH BEAUTIFUL COVER ART BY @snowbellewells

AO3 | 2 | 3 | 4 | 5 |

Summary: Pan and his pack of gruesome werewolves torment and put an end to individuals who find themselves unlucky enough to be a guest of Neverland. After being betrayed by her ex, Emma finds herself the game in this month’s hunt.

Captain Hook has never found the sport particularly alluring, preferring to spend his change far from Pan’s cruel crew. When he catches the scent of his mate, he is forced to join in the hunt to find her before the others can.

Saving her will mean betraying Pan and no one betrays Peter Pan and lives to tell about it.

@anmylica, @deckerstarblanche, @elfiola, @goforlaunchcee, @jrob64, @kmomof4 , @pirateswhore, @stahlopp, @teamhook, @tiganasummertreee, @undercaffinatednightmare, @xarandomdreamx, @zaharadessert

Author Note: This little fic is a birthday gift for the always encouraging and absolutely wonderful @kmomof4. I was initially drawn to Moonlight Sonata because it is also one of my favourites and the story behind the song felt like Killian meeting Emma for the first time. (I also love Für Elise but it doesn’t make me think of CS as much as Snowing and I cannot really explain that.) Then, I thought “oooh, CS PHANTOM OF THE OPERA?!” for about thirty seconds before realising that maybe I did not want to take that on while I was trying to finish up Witchy Woman and plotting the CS Miraculous Fic and that one Bridgerton-based CS Fic. But, then, I listened to Burn the Ships and read about the inspiration behind those lyrics and absolutely knew that was the one. What is more Captain Swain than battling demons (internal and external) and enduring together? Anywhoosies, HAPPY BIRTHDAY (this month)!! Thank you so much for all the flails, the sanity checking, the gifs, the cheerleading, and for just generally being one of the brightest lights in all of our lives. (Edit: atge birthday is on the 15th, I know. This whole thing happened where this was a two-parter and now it is a whole long thing and the posting schedule SHOULD work out so the whole thing is done by the 15th.)

Emma woke to the harsh sunlight infiltrating the discoloured curtains hanging limply over the large window her lumpy mattress had been pushed against. This was the worst part of her day - these moments in which the lie of her dreams, even the worst of them, gave way to the nightmarish truth of her reality. She fought against the dread seeping into her heart and tried to hold on to the last remnants of her dream, but it faded away as the scarred wardrobe came into clearer focus before her.

Despair, however, was less easily shaken. That endless emptiness accompanied her as she started toward the water basin to splash cold water on her face. Her gaze lifted to meet the empty emerald eyes she knew would stare back at her. She had watched helplessly as the hope drained from them, over the last several months, taking with it the anger and defiance that once glimmered behind them.

Fantasies, like hope, were for those with people or a pack, who cared. Lone wolves, orphaned at birth and betrayed to the monster who ruled this island by their shitty ex-fiancées, weren’t missed. And without any to notice your absence, who would know to rescue you?

“Cheer up,” a cheerful boyish voice chirped from behind her. She jumped and spun around - having your back to the demon was never a good idea. Pan was there, in the middle of the dreary room, looking at her with a dark sort of crazed humour dancing behind his eyes. That look meant he had a new twisted game to play. Her stomach fell and icy fear gripped her heart - losing came at a high price in Neverland and she always lost.

“As you doubtlessly know, the moon will be full tonight.” Pan paused and waited for her to respond. As if any wolf would be oblivious to the phases of the moon, she buried her annoyance at the patronising question and nodded for him to continue. “Tonight, I am letting you out of the garden. You’ll get to run the length of the island.”

Emma knew there was a catch, but after spending several transformations pacing the tiny gated garden, the prospect of running had her heart racing with excitement.

“As you lead us in tonight’s hunt.”

Her blood turned to ice in her veins. She was going to die tonight.

§§§§ §§§§ §§§§ §§§§

“OOOHHHH, CAPTAIN!” A sing-song voice called from somewhere high on the main mast.

“Pan, to what do we owe this unexpected visit?” Hook called back genially. He swept his arms out wide, in a welcoming gesture, discretely sliding the small vial into a hidden pocket of his coat.

Pan flew lower, hovering just above head height, forcing Killian to look up at him. A sweet scent filled the air between, something soft and warm. Killian couldn’t hear Pan's next words as the wolf within tried to locate the source of the scent. With the change coming so soon, Killian knew he would struggle to fight the impulses of the wolf. He had to get away from this enchanting distraction before Pan noticed his attention was elsewhere.

“Let’s discuss whatever business you have away from listening ears.” Hook gestured toward the ladder leading to his quarters, hoping the breeze would not penetrate the boards.

“As you well know, the hunt will be tonight. I do hope you and your crew will attend.” Pan started, as Killian filled a glass with rum in an effort to steady himself. The room around him was saturated with the warm - Vanilla? No, not quite. What is the point of being a bloody wolf if I can’t determine a bleeding smell? - scent. Could a scent be alluring and inviting? Because Killian felt an inexplicable sense of contentedness, something cosy he was drawn to like the heat of a fire, that seemed directly related to the sudden arrival of the scent. Was this possibly a new torture device derived from this cruel realm?

"What do you say, Captain?" Pan sneered, the last word sounding as an insult rather than a well-earned title.

"I'll not be joining your pack of savage, cruel beasts as they set out to torment an innocent you have captured for a barbaric ritual of bloodlust and cruelty."

"We're all wolves, Hook," Pan responded. "You can keep to your ridiculous code, acting as though you are a gentleman despite the tasks you perform in your service to me. But, you cannot deny that the same blood-thirsty animal lives under your skin. One day, you'll relish letting the darkness play alongside my pack. We're the same at the heart of it."

"I am nothi…"

"Ah, ah, Captain, you wouldn't want to say anything regretful, now, would you?" Pan smiled his cruelest smile and Killian swallowed down his annoyance. The last time Killian had crossed Pan still hurt as fresh as the night Pan’s pack had stolen Milah’s pup from his ship. Killian heard Bae’s weak howls from the depths of the Mermaid Lagoon and raced toward his ship as quickly as possible in the dense jungle. When his paws landed with heavy thuds on the wooden gangway, the overly sweet, coppery smell of blood filled the air - air that was notably barren of any of the sounds or scents that had made the Jolly Roger home. Without even a single survivor to share the burden of grief and burial, laying his sailors to rest had taken days - purging the Jolly of all evidence of the massacre had taken much longer.

“Aye,” Killian growled out.

“Good, lad.” Pan evaporated, leaving him alone in his cabin. The sweet scent that had entranced him moments before faded away. Realisation dawning, Killian swore but did nothing to soothe the sudden rage burning hot through him.

The bloody demon had his mate.

[tarisilmarwen]

Rebels Rewatch: "Ghosts of Geonosis"

Packaging this two-parter as one big episode because shut up, you're not the boss of me.

I could have sworn I had a live reaction version of this already, but I can't for the life of me find it. Oh well.

This cue here sounds like it comes from TCW, maybe Saw's theme if he had one, anyone wanna confirm that for me?

This whole opening interaction between Ezra and Sabine is cute, she watches him as he plops down into her seat, gives a long-suffering eye roll, and dope slaps him across the back of his head for asking a stupid question and aside from a silently-mouthed "ow" he doesn't object to any of it lol.

Sign of the tightly-written continuity, we are returning to Geonosis to check out the missing populace and also pick up a Saw Guerrera guest appearance post his prominent role in Rogue One. (Out of text-wise that is.)

Empire cleaned up their mess pretty well.

Early establishing of the plot complications of the underground tunnels blocking comm signals, which features throughout the episode as a major element. The GFFA equivalent of establishing "no cell service", essentially.

The sandstorm also obscures things, visually and sensor-wise. And provides us with much humor as Sabine complains about it frequently.

Ho man, I remember how much I loved the banter and dialogue this episode, it was so much fun. Felt like a return to the early days of the show.

This episode was another really great one for subtly showing off Kanan's blindness. He mentions the stillness of the air, his hearing picks up on Klik-Klack before anyone else does, Saw has to let him know to watch his step...

As we already know, abandoned helmet = they 100% dead. The showrunners would use this visual shorthand very effectively in the promo image they did for "Heroes of Mandalore", with a whole pile of empty Mando helmets littered across a scorched landscape.

Kanan plays the voice of caution here, almost like he's the genre-savvy one in a horror movie, lol. Fitting, some aspects of the episode are played up like one. (We got the "Monster POV" shots, we got the cryptic remains left behind, we got no cell service, we got a storm.)

Badass boys shot. <3

Unlike Kalani's decrepit troops, these B1s and Destroyers have been better maintained and repaired, and give the group a bit more of a hassle until Saw shows up.

There's excellent teamwork between all the hero parties involved, Kanan and Ezra work smoothly as oil to slice up the Destroyer once its shield is gone, recalling Obi-Wan and Anakin from TCW.

Something I loved about this season was that characters would offhand mention, "Oh, we don't have this." or "The Rebellion really needs this." and then a couple episodes later they would manage to either acquire them or have them come into play.

Some examples: Proton bombs, this shield generator, spacesuits...

Ooof, was I the only one who caught the similarity between Saw urging them forward to satiate his obsession, Ezra agreeing, and Kanan choosing to trust him and, well... [gestures vaguely to the whole Malachor thing with Maul].

The tension this episode is great, the communication problems lend a sense of urgency and anxiety during both groups' separation and you get a feeling like the messages are coming almost too late to save them.

The Zeb and Sabine banter. <3

Kanan asking Ezra to look for him. <3

There he go, lol.

Kanan is really impressive, Force-wise, this episode, tossing Ezra aaaaaall the way across that chasm, separating and levitating that bridge for Saw and Rex to cross, and still somehow having enough energy and stamina to leap across himself.

And the Force theme that accompanies said above is lovely. <3

Ezra's pretty cool himself, using Force sense to find Klik-Klak when it seems like the bug has given them the slip. His theme is even excerpted a bit.

(Possibly he actually forms a connection, because he's very empathetic towards Klik-Klak after this and defends him from Saw repeatedly.)

Already having some Concerns about Saw's methods lol.

I love how this show depicts Ezra's compassion as one of his major strengths. It's natural for most Jedi and combined with Ezra's natural affinity for connection it's practically a superpower. Ezra's really sweet with Klik-Klak. :)

DEATH STAR-SHADOWING. Oh man the Dramatic Irony was painful, like any time TCW alluded to or called forward to Order 66 and a mental scream rings in your head and you want to yell at the characters and shake them as if that can somehow help them avoid the inevitable doom. Same feeling.

Saw, those binders do NOT have a tracker in them, don't lie.

Obligatory "Stab the TCW fans in the heart" moment.

Ezra seeing shades of himself in Saw's grudge against the Separatists, god his face this whole scene.

Once again touching on those Star Wars archthemes about breaking the cycle of revenge, about not turning your internal pain outwards on the rest of the world, no matter how righteous your cause, about not becoming a monster in your efforts to slay the dragon, about showing compassion to everyone, even your enemies. Saw is representative of the Well-Intentioned Extremist, and even though his ultimate goal is noble--destroying the Empire, exposing their secret superweapon so that the galaxy will finally wake up and deal with the tyranny they've come to complacently accept--Saw loses parts of his humanity in the process, emotionally and ultimately physically. He becomes almost like Vader in the bitter end, for his efforts. (And he's also a shadow of Thrawn.)

Brunsen! I love her.

Saw's personal grudge against the Separatists in general for killing his sister and his squad is blinding him. Ezra points out that Klik-Klak is basically the only survivor of a planet-wide massacre and is understandably a little defensive about invaders, trying to live up to his name again and "bridge" the differences between the two factions, only it doesn't work this time because Saw is too fanatic.

"Saw, we had this argument back at Command." Oh DID YOU now, Rex? Really could have forewarned the team that Saw might get a little deranged in his quest for truth.

I love Saw, he's the best example of an actually Morally Gray character in Star Wars. Unlike Thrawn, his "greater good" reason for going to such extremes, doing whatever it takes to achieve the goal, is actually directed outwards towards the whole of the galaxy, he doesn't selfishly focus inwards on his own interests. Part of it is of course that Saw has already lost his people and planet, so there's nothing left for him except to prevent it from happening to other people. We're encouraged to sympathize with his pain and sense of loss, but not necessarily be comfortable with his actions.

The narrative both condemns his extremism and, ultimately, vindicates him in regards to the Death Star. There's the same sense of futility about him in that neither he nor the Senate and Jedi before Order 66 could uncover the plot quick enough to avoid their fate.

Back to the action, though. Love how the Ghost is so infamous now that their capture/destruction leads to big promotions lol.

This music cue sounds full of adventure, I like it. :)

Klik-Klak trusting Ezra because Ezra was nice to him aww.

"Neither have yours." Saw has a reputation, oof.

It's cute how Klik-Klak keeps tugging on Ezra's wrist.

Yeeeeeeeah I don't think we're supposed to sympathize with Saw in this moment. It's very deliberate, they even have him throw Ezra across the room.

"Your methods are soft, Jedi." Shades of Tarkin much, Saw? I know this annoys people to hear but even if you're fighting fascists, there are lines you don't cross. Saw points a blaster at a baby for heaven's sake. You do not become like your enemy in order to destroy them, because then you're just taking their place, exchanging one kind of cruelty and violence for a different one, for your particular flavor of one.

War is hell but you don't have to become a demon.

Saw's long hesitation after Ezra uses the word "family", Ezra got to him a bit I think, lol. Rex reinforces that tactic, ha ha.

My only minor nitpick this episode, the show once again using the Empire as a Diobulus Ex Machina to make Saw play nice with the others. One more Persuasion Check would have done it I think.

Cue a very excellent action setpiece.

IIIIII think I heard this cue before, back in "Imperial Supercommandos" when Rau ambushed Ezra and Sabine in the shuttle. Interesting choice.

A nice little badass moment for Ezra. :)

And a hero shot for Sabine as we prepare to show off her new jetpack.

He adores her.

Kanan's the only one who can't see how awesome she is. :(

Her little "That's cute." shoulder pat when Ezra says he wants a jetpack too. <3

Love how this Imperial's hat gets sent askew slightly from Brunsen's slap.

HHHHHNNNNNN ONCE AGAIN THE DRAMATIC IRONY IS MENTALLY SCREAMING IN MY HEAD, NO NO THAT'S NOT WHAT HE MEANS.

Saw listens to Ezra this time, next time we see him he's even more apathetic towards the beings in front of him who need help now.

HOW AWESOME WAS IT FOR HERA SLICING THROUGH THIS LIGHT CRUISER? Eh? Eh?

You get such a sense of the speed here.

Ugh, the pictures of the canisters aren't enough, ow, that feels like some kind of Politically Relevant commentary.

And as I said before, the narrative lets Saw get off (this time) with some stern looks from the others, but it's still not completely approving of his actions. He's not the Empire, yet, but he'll come closer and closer to their tactics and methods.

This two-parter episode is almost perfectly paced and it's really well-written. Everything about it works so well.

Solid Rebels content. <3

[thegeminisage]

star trek update time. earlier tonight, my eyes were cursed with star trek generations, a very very bad movie. if you don't know the big spoiler for this movie (the character death), please stop reading here. or keep reading actually i'm not your mom. fuck this movie anyway.

with the tos movies, i tried to keep notes on notepad as i watched so as to better type up a "liveblog" later. i was a bit spotty at remembering to do that this time, but i have enough to put together a reasonable write-up. here's kind of how it went

cried multiple times during this movie. first time was when kirk showed up because i knew it was the last time we were ever gonna see him. got bonus aftershock tears when i saw scotty and chekov - i was under the impression it was JUST kirk. second time, i THINK, was when he showed up again, though i just misted up a little. big boo-hooing when he mentioned spock, naturally. MORE crying when he finally bit it, though it was mostly because i was angry!!! and finally, even though i promised myself i wouldn't cry over data, i did start sobbing when he was reunited with his cat. gave myself a crying headache.

it was difficult watching kirk be on the bridge and want to be captain and he's not captain. and then crisis strikes and oh yeah he is. and really, the captainly thing to do WAS to go down to the lower decks and do whatever the fuck. needs of the many. he saved that guy's life. that would have been a fine death.

it was a little ruined by chekov going "was there somebody in there?" like to me it struck me more as funny than anything

oh, spotting guinan in the tos era made me absolutely thrilled btw. i missed her so much in s7 it was UNREAL.

OH YEAH AND. sulu's daughter. wah. ik aos sulu is gay do we think tos sulu is gay too. either way i;m very happy for him

apparently one of the guys in this is from succession. i'm choosing to blame this whole debacle on him.

switching directly to a fucking holodeck scene KILLED me. i HATE the holodeck. at first i thought they were giving worf a retirement party to send him to ds9 but they were just doing all of that for fun. deanna's outfit was hot though. also, data shoving beverly WAS FUNNY tng writers just hate autistic people

i have mixed feelings about data and the emotions chip. i was surprised they never covered it in tng proper and i think it would have been handled better there...data having the chip WAS the reason soren got away, which makes it plot-important, but it felt like a b-plot to a normal tng episode and this is supposed to be a feature film. instead it was a tng two-parter with a budget and william shatner. it was fun watching data experience emotions (happiness, terror) and struggle to control them, but there ironically wasn't enough time to really get into it, except when picard gave him the tough love speech, which i think was uncalled for. why is he so against suicide when it's data when he was out here telling worf to kill himself over an empty barrel??

titty klingon sisters. i never remember their names or their faces but i ALWAYS recognize those boob windows. at first it was really annoying because it is pretty sexist but honestly i've become very endeared. it's absolutely devastating that this movie killed them too. they were everything to me 💔

hey, sorry, side bar, were they watching geordi bathe through his visor? freaks.

also, geordi in the bondage gear while he was kidnapped. ALSO, wasn't he growing new eyes in the tng s7 finale? whatever happened with that???

stellar cartography looks better than it did in tng but it brought back memories of picard running around on poor beverly. idk what he's so worried about continuing his family line for wesley crusher IS his affair baby

hey, also, the lighting??? the "distant sunlight" atmosphere when the lights are off vs the brightly lit interior of the show? truly, the upgraded lighting was probably my favorite part of the movie. it looked SO fucking good. i really felt like we were on a spaceship.

no, wait, ACTUALLY my favorite part was data getting to say "oh, shit!" that was really good. they got one bad word for this whole movie and used it in the perfect place

no, my favorite part was the spock mention.

did not like kirk referring to picard repeatedly as the captain of the enterprise. kirk's the real captain here, bitch. picard doesn't have what it takes to die for his ship. he doesn't love his ship the way kirk loved his.

i did like the nexus reference to the tmp wife. in the novel she was named lori but she didn't show up in tmp proper much less get a name so i'm ok with them calling her the wrong name, but i just know it's the same woman. less okay with kirk's nexus dream being all about some random woman we've never met. he's in love with the IDEA of a woman to come home to, sure, but it's just lazy writing. we don't have any reason to care about this girl. at least if it had been carol ruth marcus or something we'd have SOME basis to give a shit on. the nexus was the perfect place for spock and bones! i wish they and uhura and sulu had had cameos...

i also liked him warning picard to NEVER retire/accept promotion, bc retiring wound up being so traumatizing for him. this is not really consistent but i'm making it that way in my mind palace.

also, kirk being a horse girl is FAKE. they just made him be into horses bc picard is into horses. gross. he was really good at chopping wood though lol

the scene with the kids evacuating the spaceship...WHY WOULD YOU HAVE CHILDREN ON THIS SHIP. i also worried about the pets the entire time, which is part of why i lost it when data found spot :(

it's sad that a piece of guinan was left behind in the nexus...does that happen to everyone? is a piece of kirk in there too? i really wanted to write a fix-it for this someday but they have given me so little to work with that it's hard to imagine a fixit that isn't just 80% "yeah we're ignoring that" which isn't very satisfying.

the crash was SO long. also, why was data holding troi? she's got 2 different boyfriends who could be doing that for her

since i was going into this knowing kirk died, i expected that he was gonna die because the nexus swallowed him or something. i was expecting something grand. instead it was like, tos scene, an hour and a half of very mid tng content, and then half an hour of rushed and poorly paced kirk and picard scenes. typical tng episode that it didn't get to the point until it was almost over, but jesus. i can't believe they got shatner for their movie and then barely had him in it. like, kirk at the end was a total surprise narratively (obviously everyone watching it knows bc of the opening at LEAST that he'll be back, but imagine if this guy had been some rando - it would have been so unsatisfying and weird).

see, this is the thing. the nexus actually has the potential to be incredibly compelling. the way picard's scenes were shot were very very good, if one could ignore the clothes from 1790 and the horrific portrait of himself looking like he stepped out of les mis and also how creepy his kids were and WHY WASN'T HIS WIFE BEVERLY I HATE HIM. kirk's were rushed and messy (he likes horses? his dog? none of this connects us to the character we knew in tos...), and picard's involved, well, picard. but the CONCEPT absolutely fucks, and i did love the creep factor in spite of it all. this whole movie had huge potential and instead it's a steaming pile of shit. i could have learned to live with a good kirk death but living with a bad one is gonna kill me. at least he had good last words. "oh, my" right before he dies kinda fucks tbh.

my final note is that i think sir patrick stewart got sunburnt filming some of those scenes near the end. there were a few shots where he looked quite pink. give the man some sunscreen. oh yeah also why did some people randomly wear the ds9 uniforms...what on earth

anyway, terrible movie, 0/10 stars, i'm never gonna recover. tng never disappoints in disappointing me.

NEXT TIME: back to ds9, thank god. we're doing "meridan" and "defiant."

[bethanythebogwitch]

Doctor Who - the Empire of Death

This was honestly one the better season finales written by Davies, but that is a very low bar. None of the new series show runners have been anywhere near as good at writing long-running storylines as they think they are. Sutekh was kind of wasted as a villain. He got less to go on than in the original story, where he was obsessed with ending all life out of paranoia that eventually something might evolve that could surpass him. Here he's just a generic bad guy who wants to kill everything for no real given reason. His defeat was also pretty silly. You're telling me that the god who scared the piss out of the Toymaker couldn't get out of a rope? Yeah it's a science rope, but its still a rope. The Toymaker and the Maestro could casually alter reality but the guy who scares both of them is beaten by a hook. Also, Sutekh survives being dumped into the time vortex the first time and the big solution to him returning even more power is to dump him in the vortex again. Brilliant plan. The Toymaker and Maestro were beaten in a way consistent with their godly domain (losing a game and finding a specific sequence of music). It would have been a lot cooler if Sutekh's defeat followed that trend. Use some kind of symbolic defeat of death to undo his actions.

Calling back to 73 Yards without even attempting to explain what in the sam hell was going on in that episode is kind of annoying. You could have tied the blatant magic of that plot into the pantheon, but nope.

The reveal of Ruby's mom's identity was silly. I guess I can buy Suteks thinking she was pointing at him and his paranoia of thinking she somehow saw him resulting in him accidentally imbuing her with powers by believing she had powers. That's not really what the show went with, but I can pretend.

Ruby referring to her bio mom as her real mom was a big oof moment. A real slap in the face to her adoptive mom.

Davies is so obsessed with giving bizarre hints to future stories he's now doing it as a season-ending cliffhanger. "Ooh, who is the mysterious neighbor? You'll just have to keep watching to find out!". Moffat did that too during 11's run and he ended up having too much hanging plot threads with the Silence, church, Kovarian, Trenzalore, etc that he had to slam it together in one absolute mess of a finale. Please don't do that again. That being said, it really speaks to how awful of a head writer Chibnal was that Davies can still write circles around him.

Consistently through the new series the season-long story arcs have been my least favorite part of each season. I much prefer the standalone episodes. The classic show almost never did running plotlines. The only ones I can think of off the top of my head are the key to time and trial of a time lord arcs, the latter of which was so bad it almost killed the show. I would love a season of nothing but standalone episodes with maybe a two-parter or two.

If you want a (in my opinion) better take on the Doctor fighting gods, the Big Finish audio drama elder gods storyline is a better one, consisting of the dramas House of Blue Fire, Protect and Survive, Black and White, Gods and Monsters, Afterlife, and Signs and Wonders. There's some backstory involved, but I didn't listen to most of that and still followed the story just fine. A Big Finish story featuring Sutekh that I liked better than this episode is the two parter of Kill the Doctor!, and The Age of Sutekh, found on the Fourth Doctor Adventures season 7 volume 2 collection. And if you haven't seen Sutekh's debut in the Pyramids of Mars, drop everything and go watch it now.

This season only getting 8 episodes was criminal. Next season better be at least 12. Fucking Disney+. 15 is a fantastic Doctor and Ruby ended up growing on me a lot even after the Christmas episode put a bad taste in my mouth. I do think the show has pulled itself out of the hole the late Moffat and Chibnal eras dug for it. Not saying there's weren't good episodes in those eras, but I do think this season helped bring new Who back to its late-RTD/early Moffat high point.

[pyroreadscomics]

What are your thoughts about Howard's Catwoman run?

The run being really gay doesn't save the writing from being really mediocre.

(More nuance below the cut)

Well that was snappy, unfortunately my thoughts are many and complicated and probably won't be entirely ironed out until a few months after she leaves the book or I reread the run again, or both. That phrase was something I said while reading through the series for the first time a some months ago that I still mostly stand by, but now feel the need to caveat and add nuance.

(Also, it feels weird that, because I put off answering this for months, the end of Howard’s run is just a few months away now, but I’m just going to assume the ending is neither so good it retroactively makes everything better or so bad it tanks the run with guilt by association)

When I say mediocre, I very specifically don't mean bad. I'm using mediocre to mean it's average, ordinary, of moderate quality. Not bad enough to hate, or even particularly dislike, but not good enough for me to shed a tear if it was suddenly canceled (which… seeing as it’s end is now on the horizon… I’m actually filled with anticipation as to what comes next.)

And like many multi-year runs, Howard's Catwoman has had it's ups and downs while it's low points are i think widely known: Her dialogue tends towards what i can only describe as AO3 generic, the plotting itself is sub-par, Gotham War disappointing even though there was no way to go into it with high expectations (joint effort i know, but even taking only half blame for it Tini Howard doesn't come out of that event looking remotely well), and I have an entire rant ready for how I dislike how Black Mask is used in that series.

1. The reintroduction of Eiko

But, that said, at this moment I do feel like calling out some highlights of Howard's run (or at least, the bits of it I really liked.)

Also yes, alot of this could be considered fanservice, but I’m at least acknowledging that things that make me happy don’t inherently make a run good. (but at least more enjoyable to slog through than Tom King’s batman or most of her New 52 stuff)

Okay, let me be clear, Eiko in this run is a shadow of her debut in Valentine's run but Selina's supporting cast has a worrying tendency to disappear without a trace after one, max two runs, so damn if it wasn't nice to see Eiko suddenly reappear in a major role in the Catwoman run after a 6 year absence and not have her confined to the dustbin of comic history alongside other Catwoman supporting cast members such as Gwen, Alice, Zee, Clutterbuck, Wilder, Arizona, and Cassandra Cartland (If you knew every single person i mentioned without having to check, I like you, and you like me also know too much about Catwoman)

If nothing else, if Eiko's appearances in this comic, and her guest appearances in other current Gotham stories (like Punchline: Gotham Game or Ram V's excellent Gotham Nocturne) manage to cement her as a persistent part of Catwoman's cast, this run will have done enough for me to earn a passing grade.

Also I like Eiko's new catsuit and not just because it makes it easier to tell her apart from Selina

2. Catwoman #43 & #44 (The Harley Quinn two parter)

Judging by the mood in the room, If anything gets me an angry response it's going to be this.

It's fun, it was a fun two parter, and honestly there are times when I wish more writers would stop trying to do the high drama stories they're kinda bad and instead write fun inconsequential side stories.

Also yes I do ship it. What of it?

Actually speaking of

3. The queerness.

It’s not a lot, but for a character who’s been out as bi since 2015 Selina is never written that way (at least in the main comics, I understand the HQ show and the recent movies have either explicitly or implicitly had bi Selina). Like it’s so bad Selina doesn’t even get pride tie in stuff, no appearances in the pride anthologies or even pride variant cover. JFC Nightwing gets one every year and last time i checked he was still canonical cishet. And… a bit like Eiko, but less important, it’s nice to have another run where Catwoman is canonically queer. Selina acknowledging Eiko as an ex, flirting with other women, that Selina and Harley sharing a bed scene. It’s just nice to have that part of Selina’s character acknowledged.

Also it’s so minor but the gay bar called Conroy’s got me just a bit.

4. Knight Terrors

On balance, despite me having criticisms of it, I did like it as a version of “What does Selina’s worst nightmares look like”. It’s not quite as good as Devin Grayson’s take on the matter (and ain’t that a sentence) but I’m a big fan of Selina’s mind dark fears conjuring force a lot of catholic imagery and doing something actually interesting with the Sister Zero concept. (It’s really just a shame that this story is clearly setting something up for Gotham War that never actually gets paid off, which is wild considering that was literally the month after Knight Terrors)

Lastly:

5. Valmont

Look, I really liked Valmont for two reasons, one of which is superficial, one of which actually had thought put into it.

Superficially: Selina deserves a whipped subby bisexual twink, as treat. Sure he's a cocky asshole, sure he looks like pirate au ghostmaker, sure he's ready to murder anyone who looks like a threat to his dom love (and honestly anyone in general), but honestly that's all part of the charm.

Because Bruce, as the whole wedding thing shows, is big on these concrete declarations of affection, even as he’s really bad at actually expressing his affection in more casual ways. And Eiko, as she says, is “comfortable with these declarations, names. Things like titles and vows.” So in dating either of them Selina would be consenting being put into a box and labeled, even if it's a box as unconstrained as “dating” and a label as loose as “girlfriend”.

But, putting a bit of thought into things, Valmont has this really interesting role in the story. He's the obviously incorrect choice in a love triangle, but also the one who Selina would pick anyway.

Like, the issue before he dies the story teases a bit of romance with Bruce and Selina, and earlier there were some teases (or.. maybe acknowledgement is the right word?) between Selina and Eiko. There's two existing love interests for Selina, Bruce, who's the moral and safe choice, the wedding bells and gaggle of step kids choice. And there's Eiko, who's a major crime lord, one who's conducting business with some of the worst in Gotham. If it was just the two of them (especially if Eiko was closer to her Valentine personality), it'd be a pretty classic "the good boy and the bad boy girl" love triangle but Valmont is here, and he adds an interesting angle onto that love triangle(?) (is it still a triangle when there's three potential lover interests?).

(A reversal on Eiko and Selina’s very undefined relationship in Valentine’s run, which could be seen as divergence for the character but also kinda makes sense. With Eiko ending that run by shedding Catwoman (and identity that embodied personal freedom and also rebellion against her father) to become the head of the Hagisawa family (an identity marked by responsibility to the family and her place as her father’s heir) that going forward she’d be a lot less likely to engage in a nebulous undefined relationship when her life is now, by choice, very defined. It’s still however one of those things that assumes a non-zero amount of character development happened off screen.)

But Valmont? Valmont doesn’t ask anything *of* Selina.

Sure he does initially, “hey here’s this cat, I know where you live, join my thieves guild”. But this tactic gets him shot down by Selina and at best relegated to “untrusted ally” status (and more likely “useful but dangerous”). But after this, and after a brief break during the CatQuinn two-parter, Valmont’s back with a new tactic called “I’ll do literally anything you ask of me, including stopping killing people, and ask for nothing in return.” Which… with Selina being somewhat adverse to long term commitment (or commitment in general depending on the writer) this works.

Valmont’s hardly a healthier romantic option (he might not be the worst person Selina’s ever dated, but he’s still at the end of the day an arrogant invasive assassin) but he puts a spin on himself that makes Selina let her guard down around him and they do eventually become some vaguely undefined item.

And then in his final issue, Bruce accuses him of still being loyal to the league of assassins and of manipulating Selina. Then he kills again in the process of undoing a problem he caused, and gets in a big fight with Bruce about it. And when Valmont goes to kill Bruce, she kills Valmont which… It’s a weird moment for Selina, she’s normally very reserved about killing people and while yes needing to save Bruce could theoretically push her far enough. But also, it’s the best thing this run could do with Valmont.

Because Bruce’s accusations (along with Valmont’s general sketchiness) lead to this question with Valmont: does he genuinely love Selina, or is he using her for some unknown end? Because he know what he’s naturally like (down with murder) and we know he’s changed his behavior, but we don’t know whether it was because he wanted to be with Selina enough to change himself for that chance (which… understandable) or, if he was on some deep cover mission to manipulate Selina towards and he changed behavior in order to further his own covert ends. And… imo the possibility of it being one or the other is more interesting than any story you could get out of committing one way or the other.

And by killing Valmont, the run gets out of having to answer this question, which, again imo, is the most intelligent narrative decision this run made aside from bringing back Eiko.

That said, If in the last two issues Howard answers the question of “what really was up with Valmont” I’m retroactively taking back all of this praise and will be downgrading this run to "of poor quality but at least Eiko's here"

[polygonal-trees]

EarthSpark Season 2 Part 1 Episode 7 reactions!

it's nice to have a true two parter

oh hey AM!

this'll be interesting 👀

I generally don't like bodyswap plots but they can sometimes really work for me so let's see

nooo this is exact bodyswap trope I dislike 😭

YES SHOW ME THE CONS

why are Ravage's eating sounds autotuned 😂

Twitch is better at being Spitfire than Spitfire is at being Twitch lol

NOOO poir Twitch this is so sad 😭

u got this Twitch I believe in you

MVTs..........

I think Robbie's starting to get a little suspicious

Wheeljack definitely is

aw looks like Starscream's got a soft spot

WHEELJACK NO

good thinking Robbie! wish you'd done it sooner but then we wouldn't have an episode lol

I can tell the animation has dipped but I still like these fight scenes

GET HER ASS TWITCH

uh oh

I actually enjoyed that! and I usually hate bodyswap plots! I think my main problem was actually episode 6, it just didn't make for a very good setup but honestly I feel like ES has always had this problem. I guess the "why won't you believe me" drama angle could've been better utilised but there's only so much time per episode and I think it was worth getting to see what the Decepticons are up to

also I've seen some criticisms that Wheeljack is killed and comes back inexplicably, but while I think it could've explained better I'm pretty sure that's not what happened because iirc, the Cyber Slayer was used last season on Optimus and Elita just to stun them. Like it can be lethal but not always. I don't think the kids were murdering any Autobots in season 1 lol

[decepti-thots]

right, i have been thinking and i have some honest to god earthspark Speculation TM. this only really spoils the flashback sequence in the opening two parter and general concepts the show establishes immediately, i think, but cutting just in case. anyway:

the fact the bots and cons are all stranded on earth after the spacebridge was destroyed by OP is a very obvious 'this will give us stuff to do in later series' gambit. the very obvious route to take is that you can, once you've done an arc or two on earth, make Getting Back To Cybertron a big deal. that's like... not even in question i think, haha.

one thing that is REALLY intriguing me though is. the quintus prime stuff has got to be set up for. something. it's a HELL of a deep lore pull- quintus prime is barely used even in the continuity family he was created for. aligned really only references him in the Covenant of Primus. he doesn't even actually come up in the Retribution novel the quintessons are IN, iirc? he is one of the least recognisable characters to be part of any version of the Thirteen in the franchise. fucking micronus has had more than him.

for those who don't know, his whole thing in aligned is indeed what we see in earthspark; he's a member of the Thirteen who goes around being an alien precursor and seeding new life onto other planets. he's responsible for the creation of Aligned's version of the quintessons, who later invade and temporarily rule over Cybertron after being the first species in the galaxy to make contact with them from off-world.

i can absolutely see a situation where they finally make contact with Cybertron again just to find out that shock, the Quintessons invaded while they've been stuck on earth. similar to cyberverse's recent and very successful reinvention of them as an antagonist in series three. for a long time the fact that Primus had superceded the Quintessons as cybertron's origin story in most media really put limits on them being included in new TF stories, but they seem to have settled on an approach that allows them to show up again in the past few years.

so i wonder if, when we see cybertron again, it will be a cybertron that is fighting or has been conquered by the quintessons.

this feels like it would fit in better than my original speculation, which was that they were gonna do a reveal that while they've been gone shockwave took over the planet, tbh. i mean the G1 influence is there and i totally expect it to turn out shockwave was left behind like in the cartoon, and he would make an excellent big bad, but the quintus stuff needs a payoff to be worth all the deep lore cuts, and the quintessons seem a really good choice for a villain that might finally fully unite the autobots and decepticons after the 'megatron and optimus fight the remnants, get inevitably betrayed by GHOST about it' plot wraps up.

[theboywithburninghands]

Hey everyone, so I’m still plugging away at the two fics.

Animals is actually nearing completion. The final chapter, “Dogs,” is going to be a two parter posted on the same day. I figured it was easier than making one enormous chapter. It needs some fine tuning but it’s looking good so far.

As for “Primum Peccatum” and the Arranged Marriage AU, I’m tinkering with that one as well. It’s gonna be way more chapters that are much shorter in length, but it’s by far my biggest undertaking since I have to write both the romance as well as some backstory, world building and… plot developments I guess I’ll say. Friendly reminder that we’ve really only scratched the surface of dark aspects in that story. I’ll give a proper warning for everything, since, duh, but when things get dark they’re gonna get dark.

On a lighter note! I’ve mentioned to you all before that music plays a big part in the creation of my stories. At the moment, my favorite band is Gorillaz, and I’ve taken a lot of inspiration from their music for my fiction over the past couple months.

My story Like Rhinestones, Falling From The Sky if the title didn’t give it away, was inspired by Gorillaz’ third album Plastic Beach, mostly in terms of general melancholy but hopeful and kinda cozy mood. If you haven’t heard this album, or haven’t heard it in a while, you should give it a listen. It’s not for everyone, but it’s turned into one of my favorite albums.

As for “Primum Peccatum,” it’d be the title track off of their latest album, “Cracker Island,” for the mention of an… island, as well as the idea of things being out of your control and society being one big cult.

As for “Animals,” it’d be… uh, the album Animals by Pink Floyd. It’s an exploration of three different kinds of people portrayed by animals. But it fits this narrative due to their being actual animal folk, as well as Jax’s profession as a butcher of animals, plus how Jax views the people around him.

Anyway. Hang tight. I’ll get around to finishing these, promise. Thanks for all the support. 😁

[tuiyla]

i trust your takes more than anyone else’s in the whole glee fandom. what would you say are the best kurtcheltana episodes?

Oh wow Anon that's very flattering considering I've dropped off the face of the Earth and barely interact with tumblr or the Glee fandom anymore, but I appreciate it! Because I've been basically gone for a year and abandoned my rewatch my Glee memory isn't what it used to be but I'll gladly go down memory lane with you.

Previously Unaired Christmas

As soon as I remembered this ep there was no question in my mind that it's the ultimate Kurtcheltana ep. Yes yes it's not even technically canon but I've famously never cared about that. For starters, it has their only trio song, technically a quartet that is admittedly a bit yikes but then also a final song feat Kitty and ND. Since it's "set in 2012" Santana doesn't even officially live with Hummelberry, she just chose to visit them and give them thoughtful and also Santana-esque gifts. I think that's really cute. And yeah, the Mall Santa stuff is a little icky but the three of them are so cute and fun. It's just a low-stakes Kurtcheltana adventure where they're being silly and young and delightful. I love the Pezberry moments, of course, but it also has some of my fav Kurtana shots and just in general they feel like a very cohesive trio. PUC is legit one of the eps that best showcases the chemistry between these three and I can't not love that.

2. Girls (and Boys) On Film

This ep is actually where I abandoned my rewatch and that's weird to me because I was really looking forward to seeing it again. Santana, following the iconic ending to Diva immediately establishes herself as a force to be reckoned with in Bushwick and it's so, so delightful. Her casual "yeah it's a thing I do" to going through everyone's stuff is something only she could pull off. There is some hostility here, of course, as Rachel and Kurt never actually invited Santana to live with them so they're understandably thrown off by Santana not only inserting herself into their flat but also firmly into their lives. Excellent moments for the whole dynamic, best of all being Santana's whole speech starting with "Kurt, sit down" and, of course, the final scene with Pezberry. That scene to me embodies so much of what makes Santana in her current state work as a ch, an agent of chaos who is ultimately trying to be there for her friends. It's an excellent showcase of what she brings to the NYC plot and a simply impeccable Pezberry scene. Really strong establishing ep for what having Santana in New York will be like. Actually, it's also a real shame because it introduces what this trio dynamic will be like and then there are barely any more episodes truly following through on it. Shame.

Honourable mention to the two subsequent eps as I consider this to be an NYC trilogy of Santana being accepted as a full-fledged member of the loft. Feud has her calling Hummelberry her family and Guilty Pleasures the wholesome scene of reconciliation where they really become roommates.

3. Love, Love, Love/Tina in the Sky with Diamonds

Unfortunately, in general we more so have episodes that have good Kurtcheltana moments rather than being Kurtcheltana eps. The Beatles two-parter is a good example, where the few Kurtcheltana bits we have are excellent but unfortunately they're less prominent as a trio and more so have duo moments, mainly Pezberry in the first half and Hummelberry in the second. But there's good stuff here, from Rachel and Santana during the engagement to their cute little promise to each other when Kurt starts working in the diner. As with many things Glee, this cute trio moment is soured in hindsight of the direction s5 ended up taking but nothing can take it away from us, or how Kurt and Santana celebrated with Rachel after that.

These are the only ones I feel like are worth actually ranking but some other honourable mentions:

Lights Out: overall I found Kurt and Rachel encouraging Santana to find her dream to be underwhelmingly executed but who doesn't love At the Ballet and the three mini-mes during the sequence

A Katy or a Gaga: the formation of Pamela Lansbury

Trio: gets a DIShonourable shout out as it should have been a strong Kurtcheltana ep but the Pezberry feud overrode all

Old Dog, New Tricks: honestly barely counts but it's the last of what I could even call an ep with a Kurtcheltana moments. The back half of s5 gives us a crowded NY scene with not NEARLY enough Santana, much less Kurtcheltana - i.e. Opening Night has Kurt call Santana as reinforcement for encouraging Rachel but they don't actually have a moment. Sigh. But 5x19 at least gives us the best hug and Kurt and Santana both supporting Rachel and Kurt being supported in return. It's wholesome and it's the very last trace of our favourite dysfunctional Bushwick family.

Utter disgrace I can't name any season 6 episodes that would fall into this category but special shout out to Kurtcheltana starting us off on Home in 6x02, a moment I treasure very much. Thanks Anon, it was fun to think about all this stuff again! And now, predictably, I have Pezberry feels.

[casa-supernova]

anyways, i'm still really annoyed that my master post about how badly race was handled in series 3 is gone, so i'm going to remind you all again. martha jones. black medical student who definitely would have been dealing with medical racism as well as general microaggressions. her family. the biggest in the rtd era and the most underutilised. making francine the angry black woman with little to no build up, making her antagonistic to the point of violence with barely any plot. no mention of the impact a father who ran off with a younger white woman would have.

shakespearean london. 1599. two years after the queen tried to expell black people from the town and ship them off as chattel, making martha's concern worryingly accurate. having the doctor dismiss these concerns making him sound like an idiot. shakespeare's fetishisation of martha. the doctor's unnecessarily aggresive, dismissive and simultaneously suggestive attitude with her. manhattan, 1930. excused away having to deal with the inevitable racism by throwing in a line by a black actor to show the writers didn't feel like dealing with it, despite race relation getting worse during the depression. still keeping at the needlessly suggestive scenes and lines aimed at martha - it is not funny or endearing for the doctor to pick up her knickers. i admit his "busy doing stuff" line with francine WAS funny, but overall, i'm not impressed with the borderline inappropriate innuendos levied at martha her season. right down to john smith asking martha what she 'does' for the doctor. and speaking of 1913. the only two parter to actively treat racism as if it exists...until it decides to reward joan (and john for the matter) with narrative sympathy. then we get 1969, another racially unstable era, especially as it's london. any black brit who was around in that era will tell you. and then the master and his jibes about ticking boxes off in demographics which is definitely supposed to be a jab at actual critique of the show but just makes him seem prejudiced also. which isn't exactly helped by him enslaving the jones', maid outfits and all.

not to mention subverting the first female black companion in the tv show's onscreen history into the doctor's. the first and only time they've done this thank god. to sideline her in her own story and constantly and negatively comparing her to the white predecessor was such a huge and avoidable error. not to mention completely forgetting her in 'the doctor's daughter,' seperating her from everyone for the majority of the s4 finale and pairing her off with the only other black male in the cast.

come on.