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unwhitewashthebadbatch · 3 years

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Disney Email Draft 2

(going under a cut because it's much longer. Here is the Google Doc link for anyone who would like to comment directly)

Reminder that we are encouraging critiques and comments regarding this email!

To Bob Iger, Kathleen Kennedy, Dave Filoni, Jennifer Corbett, and the creative team of Star Wars: The Bad Batch:

We hope this email finds you all well. We are fans of color, disabled fans, neurodivergent fans, and Jewish fans writing out of concern for the portrayal of our communities in the Disney+ series Star Wars: The Bad Batch. For several months now, we have been campaigning on social media to spread awareness about these concerns through #UnwhitewashTBB, a movement we began to raise awareness about the ways in which the series has poorly represented several minoritized groups of people.

Just like the creators of Star Wars: The Bad Batch, all of the creators of #UnwhitewashTBB grew up with Star Wars as the backbones of their childhoods, and for many of us, Star Wars: The Clone Wars was crucial to our development as artists, writers, creators, and lifelong Star Wars fans. We are all firm believers in the phrase “Star Wars is for everyone”, and we would like to see Disney support that message by hearing our plea.

As fans of color, as disabled fans, as neurodivergent fans, and as Jewish fans, we’ve seen ourselves on screen in both good and bad ways, but recently it has been more the latter than the former. One such reason is Star Wars: The Bad Batch, a show whose premise piqued many fans’ interest, but whose main cast has left an increasingly sour taste in the mouths of those who watched.

The series follows an elite squad of clone troopers who have named themselves The Bad Batch, due in part to their series of mutations that gives them an edge over regular clones on the battlefield. These mutations drastically altered the appearance of each of the members to a generally lighter, more Caucasian appearance--one that is inconsistent with how the original Jango Fett actor Temuera Morisson looks. Fans take issue with the implications in the writing and design of The Bad Batch: that in order to be elite, special, and better than one’s contemporaries--in order to have a story worth telling--one must also be white or as close as possible.

Merriam-Webster defines whitewashing as “to alter (something) in a way that favors, features, or caters to white people: such as to alter (an original story) by casting a white performer in a role based on a nonwhite person or fictional character” The #UnwhitewashTBB movement comes with two carrds explaining the grievances of the fans. A summary for each character is given below:

Sergeant Hunter, the leader, closely resembles Sylvester Stallone’s Rambo character, despite being a clone of a man of color. The importance of his character, the fatherliness he has with Omega, and his centrality to both their Season 7 appearance in The Clone Wars and the series itself sends the message that important people look

Wrecker is the demolitions expert, and he’s the only member of The Bad Batch with features similar to that of a Maori man’s, like Temuera Morrison/Jango Fett. He’s large with broad features, brown skin, and is a stereotype of men of color. His personality as first introduced to the audience was that of a loud, aggressive, impatient, slow man who called frequently for violence/destruction. He falls into the “Loveable Brute” trope, an observation that is supported by statements from supervising director Brad Rau and voice actor Dee Bradely Baker that Wrecker is like a little boy and has a heart of gold.

Crosshair is the sniper on the team, and he’s the most derisive of the “regs”--the regular clone troopers. Taken in conjunction with his appearance (inspired by Clint Eastwood), the various messages being sent by the writing and appearance of the other team members, and his comment about the regular troopers--the he and the Batch are superior and thus should join the Empire--his character pushes forth a message that there is superiority inherent in whitened or fully white features.

Tech, the technology specialist, has incredibly light skin and hair compared to the regular clones. His mutation made him a genius, with an IQ that outpaces that of any other clone in the Republic. Fans of color are upset that Tech’s genius mutation apparently also affected his skin color, as now this creates a direct link between intelligence and appearance/race. Contrast Tech with Wrecker, who is the exact opposite in every way, and this harm becomes only more apparent. In addition to this, many Autistic fans of The Bad Batch have noted that Tech, being “on the spectrum” (according to Dee Bradley Baker) is a popular stereotype of Autistic people: a nerdy-looking white man with a formal way of speaking who’s a genius but dismissive of others’ feelings. Baker also plays Tech with a British accent, further cementing the harmful message that intelligence is in some way connected to ethnicity.

Omega is the newest member of The Bad Batch. Despite being a pure Jango clone, she’s come out looking nothing like Boba Fett--she has lighter skin than he does, as well as blonde hair. Fans are concerned about the connection between genetic purity and light skin/blonde hair, as this is directly harmful to the people of color who don’t sport those features.

Echo is the ARC Trooper of the team, but many fans--disabled fans especially--fear that his series of disabilities have reduced him to the “droid sidekick”. Echo does not have a prosthetic, instead sporting a scomp-arm attachment that allows him to plug into computers but would otherwise hinder him greatly in daily tasks. He rarely is the focus of an episode, and the series has not given him as much attention as it has given characters like Hunter and Omega. Disabled fans worry about the lack of attention given to his medical trauma, and fans of color note that his skin color goes beyond what a brown man who’s been without sunlight for a few months would look like.

The issues do not stop here. Asian fans noticed and were harmed by a Tiananmen Square parallel in 1x10, “Common Ground”--a recreation that was led by an Eastern Asian-coded woman. Jewish fans are hurt by the antisemitic stereotype in Cid the broker, a greedy lizard woman who speaks with an accent commonly associated with New York Jews--and who is played by Jewish actress Rhea Perlman. Black fans were harmed by the whitewashing in Saw Gererra and the one other Black character in The Bad Batch being a Black woman who works for the Empire and burns civilians alive.

The full analyses can be found in the official #UnwhitewashTBB carrd: unwhitewashthebadbatch.carrd.co. We respectfully ask that you read this carrd and give a public statement in response to these criticisms.

Our movement has only gained traction since its inception on March 30th, 2021. A few months later, we wrote and released an open letter on Change.org to be signed by supporters of #UnwhitewashTBB, and every day it gains new signatures and draws nearer to the next milestone. A survey we released over a month ago has received over 1,100 responses and also continues to climb. The latter displays a range of opinions regarding The Bad Batch, but one sentiment stands out: Hunter, Crosshair, Tech, Wrecker, Omega, and Echo are written in stereotypical and actively harmful ways. Respondents were shocked at outdated portrayals of Autism, sickened by antisemitic stereotypes, and confused at how, in this current social and political climate, a family-friendly corporation like Disney could greenlight a series that sends a message that is the complete opposite of “Star Wars is for Everyone”. Some sample responses are below:

“I would just like to elaborate on the ableism aspect. As a amputee myself, I don’t like how Echo’s trauma has been ignored. The whole reason he is with the BB is because of what he went through. Losing one limb, never mind multiple, it’s extremely difficult. They made it seem like just because his prosthetic can be of use on missions, that means he isn’t grieving the loss of his actual hand. There is no healing or evolution. It also feels wrong to only address the fact that echo uses prosthetics for the sake of hacking into machinery. Prosthetics are so personal and become a real part of who you are as a person.” - Respondent 130

“...I can't believe Star Wars is still doing this, and that an entire team of animators with a huge budget can't get skin tone right. I didn't even know the clones were supposed to have a NZ Māori accent until a friend told me. That's a big deal, since I live in NZ and hear it every day…” - Respondent 209

“As someone who is neurodivergent myself, Tech and Wrecker just. sting, you know? in a “is that really what you think of us” kind of way. I grew up in an environment where intersectional equality was heavily discussed, and I can still miss things. Having Jewish friends does not mean that Cid’s antisemitic implications can’t go right over my head until someone points them out (thank you).” - Respondent 87

“As a fan of color, its irritating and painful to watch and be brushed off as "lighting issues" and see justifications made by white fans and producers...It also feels very bad to me that TCW spent 7 seasons with several arcs emphasizing that the clones were all as individual as a 'normal' person, but then undo all that with TBB, which centers a group of "special" clones (who are suspiciously white) and have them treat the "regs" as a homogeneous group who are lesser than them, and then expect us to find it within ourselves to put that aside to enjoy the MCs. The way the treat "regs" is very offputting and it made me dislike them since their introduction...Star Wars is no stranger to racist and antisemitic media, but I must say, the blantancy of Sid, a greedy lizard who essentially financially enslaves the protaganists, being Jewish-coded and being protrayed by a Jewish voice actress is really next-level even for Star Wars. As a Jewish fan, it really grates on me.” - Respondent 40

“I’m disabled and autistic, and the ableism is appalling to watch. Watching Echo be treated as subhuman for needing machinery to survive makes me feel like having implants to keep my spine from breaking itself would have me be the pitied member of any group. I am disgusted by the blatant antisemitism, as a fair number of my friends are Jewish and it hurts me to think that people can so easily hate others based on internalized stereotypes. Me and my friends have also critically analyzed the fact that, despite being clones of a character portrayed by Temuera Morrison, for some reason the bad batch look nothing like him in any way. No resemblance in any way: just a bunch of someone’s badly worked characters fraught with disgusting writing decisions and design choices that make no sense. It makes me angry to think that the writers for this show, and to an extent any modern writer, would believe that using harmful tropes to make a story is acceptable and someone brings in profit. I tried to watch it out of fact that my family likes Star Wars and we all grew up watching it, but all of these unhealthy assumptions and terrible choices in terms of writing and design leave a bitter and nauseating feeling.” - Respondent 605

In the survey, various questions were asked about fans’ feelings about The Bad Batch. Before reading the carrd, 34.7% of fans answered that writing was their least favorite aspect of the series, with the next being the main characters. Elaborations in the following free write made clear that the whitewashing and stereotypical writing were huge factors of these opinions. One a 1 to 5 satisfaction scale, 68.1% of respondents rated their satisfaction at a 3 or lower--again, due to the whitewashing and other issues respondents perceived in The Bad Batch. When asked to analyze pre-post carrd-reading feelings regarding the above issues, every category saw a marked increase in awareness of the issue at hand. The perceived prominence of the whitewashing went from 81.3% to 91.4% in respondents. The awareness of ableism jumped almost 30%, from 52.6% to 84.4%. The majority of respondents (59%) were not aware of the antisemitism in the series, but after reading the carrd, that statistic flipped to 80.5%, a near 60% increase from the original 26.7%. Regarding the other racist issues, the respondents went from 63.1% to 83.7%.

Fans of color, neurodivergent fans, disabled fans, and Jewish fans have been waiting for the day where we can see ourselves on screen a level of attention and care that makes us feel even more at home in the Star Wars community . If Disney’s message is truly family-friendly, if Star Wars is for everyone, then Disney needs to support these views with not just words, but with actions. Resolve the racism in Star Wars: The Bad Batch, take out the antisemitism, and treat your nonwhite, disabled, and neurodivergent characters--and fans--with the respect and dignity they deserve.

This will not be a benefit solely to the fans who are asking to be represented properly. In today’s time, popular media is facing a reckoning; media that is inclusive of and respectful towards minoritized groups ends up with leagues more popularity, high ratings, and good reviews than those that don’t. A recent and prominent example is Shang-Chi and the Legend of the Ten Rings, a movie for which the inclusion of Asian-Americans at nearly all levels of production boosted its image and aided in its successful box office release. Black Panther is another prominent example--a movie spearheaded by Black people that completed its box office run at more than five times its initial budget in total revenue. The proper representation of people of color is a two-fold benefit.

Star Wars: The Bad Batch already has beautiful animation that reminds many longtime Star Wars: The Clone Wars fans of their childhood.

It is our hope that you will take our concerns as well as the concerns of others into account, and address the issues that we have outlined in order to better reflect the Walt Disney Company’s commitment to inclusive, diverse entertainment for audiences of all ages. Thank you for your attention to this issue.

Respectfully,

Fans of The Bad Batch

#mod CH #email #disney #star wars #the clone wars #the bad batch #unwhitewashtbb #swtbb #racism #antisemitism

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crystal-moon-101 · 4 years

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Right! So I’ve decided to do some redesigns again, planning on doing the main villains of Generator Rex, Ben 10 and The Secret Saturdays. Vilgax and Argost will be coming up soon, but I thought I’d start with Van Kleiss, as this fellow has been an interest of mine for sometime, in terms of the potential of his character. Unlike the other two, I’ve always just...felt like Van Kleiss didn’t need to be dog kicking evil to be a villain for Rex, that being evil for the sake of evil wasn’t something they needed to do to make him and Rex opposed to each other. I’m not saying to make Van Kleiss soft hearted and kind to every person he meets, but add more of a complicated story to him, show more to this man than just a jerk who likes being a jerk. After all, this is a show about things not being so black and white. So I shall share my rewrite background for him! I should also note that I mentioned in the Hong Kong Gang redesign that Circe is his daughter, so that will tie into this. Warning for mentions of deaths by illnesses and murder!

“Van Kleiss is a man you could say has not had the easiest of life, especially when it comes to social things. Raised by strict parents with high expectations, he felt like he was never good enough for them, eventually kicked out of their home for not living up to their ideals. He wasn’t exactly good with making things either, coming off as odd, a strong loner who was easy to mess with. Most of this resulted in him being anti-social for quite sometime, afraid to reach a out hand to people incase they bite back. Then, while trying to live his young adult life the best he could with what he had, he was caught up in a terrible accident, one that resulted in him losing his left arm. He was stuck in recovery for a long time, with no visitors of course. He was quite use to being alone at this point, a cast out in people’s eyes, so you could imagine his surprise when meeting his physiotherapy, a bright, young woman around his age by the name Cassandra, who was in no way put off by Van Kleiss’s demeanor. He will admit, he was taken aback by how pleasant she was, so chipper and ready to strike up a conversation with him, kind and gentle towards him as she helped him learn to live with a prosthetic, and yet would also respect his boundaries, treating him....human, for a lack of a better word. At first, Van Kleiss was keen to just stay quiet and ignore her, mostly uttering how short sentences to try and make things process quicker. But there was just something about her that made him feel alright, calm, as if those walls he built up to protect himself weren’t needed when she was around. It was like some strange magic Cassandra had, slowly able to get him to open up more, share stories, ideas, goals, dreams, thoughts, never once judging Van Kleiss for the person he is, while others had been so quick to. Quite the people pleasing person she was, the opposite to Van Kleiss, but he wasn’t complaining, especially when the fool started realizing his he beginning to fall head over heels for this woman. He was a bumbling mess when asking her out the first time, and yet it somehow worked. Life seemed to be going up hill since then, the two hitting it off so fast, becoming a couple, then finances, and suddenly marriage was right around the corner. And just when Van Kleiss felt like he didn’t need anyone else other than her, another surprise came in the presence of their daughter, Circe. A family life wasn’t something he had thought about, nor did he think he would ever get the chance, but here he was and he was happy to be there, he had even gone back to school to study. But...he bad luck in life would soon return. Circe had only just turned five when it began to happen, and no one had seen it coming. Cassandra was starting to seem off, tired, dizzy and feeling faint often, at first assuming it was the flu or something...but she didn’t get better, instead getting worse. She started collapsing, struggling to breath, eventually coughing up blood. She had gotten sick, a disease infecting her that had no known cure. The best they could do was pray that she could recover, could beat it, after all she was a tough woman, with a lot of hope and love from her family. Sadly, love isn’t always going to be enough, and Cassandra passed away after saying her final goodbyes to her daughter and husband... Struck with grief, Van Kleiss went quiet, a haze with his manners. He wanted to scream, cry, yell at the world for taking away his love, the one who showed him why he should keep going in life. But he didn’t allow himself, for he had to keep himself steady for the sake of his daughter. Circe needed him, and he was afraid to see what would happen if he gave into those painful feelings of grief inside him. So he locked it away, and pushed forward in life, eventually graduating school and began looking for a job. He applied and worked for a few places, but none of them really stick, especially since he still struggled to get along with people. Many were still uncomfortable around him, or quick to crack a nasty joke at his expense. He did his best to ignore it, again locking it all away, pushing forward for him and his daughter. And then, one day, he caught word of a project in the making. The nanite project, rumors of microscope machines being built to do many tasks, like solve world hunger, regrow limbs and even cure disease. The thought of something able to help others survive something his wife could not...it caught Van Kleiss’s interest, something he could do to honor his late wife. And so, after some applications and interviews, Van Kleiss eventually found himself landing a role in this project, which also meant him and Circe would move to the labs location. It was hard to pull Circe away from the life she already knew, but he felt it was for the better. But there were to noticeable issues right away. Again, the way people saw and treated him, and his general demeanor sparked some problems with other scientists. Most kept it professional, but many cast doubtful or harsh clears his way, or mutter whispers about him. He was use to most of this, though...he did end up caught in quite the nasty rivalry with a certain man. Caesar Salazar. Neither of them knew exactly why, but right from the bat the two did not like each other. Maybe it was because they were similar in many ways, maybe it’s because they both were bad a socializing, maybe each other’s backgrounds caused some sparks. They just could not stand each other, quick to criticize the other and speak badly. It did help that Van Kleiss felt like he had no one backing him up, as many were already familiar with the Salazars and were even friends with them, while Van Kleiss was alone in the ordeal. Strangely though, the opposite could be said with the younger brother, Rex Salazar. It didn’t take long for Circe and Rex to meet and become friends, given they were the only two kids there, which often resulted in Van Kleiss watching and babysitting the two in his lab space, sometimes even getting dragged into their games. He was happy that his daughter wouldn’t be lonely out here, but Rex being her friend wasn’t why he thought the kid was good, it was rather his friendship with Van Kleiss himself. Rex was a lovely kid, very kind and understanding for his age. While he cracked jokes and often got into trouble, he treated Van Kleiss like a human being, and often liked talking to the man and asking him many questions. Van Kleiss was a little stand-offish at first, but the kid managed to soften his heart a little. Things seemed to be going as good as they could for a while, but then things started happening. It first started with Rex’s accident. Van Kleiss had been watching Circe and Rex, but when he got caught in something, the two snuck off to play hide and seek. Next thing anyone knew, Rex got caught in a lab accident in the main nanite room. It took a while to get him out of there, as there had been a lock down to prevent any loss nanites to escape, but he was quick to be rushed to the medical section of the labs. He was found to be close to death, with no normal means to save him, but Rex also had a few nanites in him from the accident. However, instead of taking them out, the nanite project group, including Van Kleiss, decided in the end to try and use the nanites to save him, with the help of the Omega to the side. After a long struggle, it eventually began to work. Things became complicated for Rex, now being used in testing, developing strange technological powers he was struggling to control, now feeling off...different. Van Kleiss and Circe were there to support him, but because Van Kleiss had been the one who was suppose to watch him before the accident, there was tension between the Salazar and Kleiss families. Eventually, while there were new changes, lab life started to go back to focusing on the project, even a new member called Ebony Hale (Black Knight) joining as an assistant. Things started going back to normal, or as normal as they could be, until that fateful day. Word got out in the chief scientist that their sponsors, The Consortium, had no only put a unknown spy among them, but were planning to use the nanites to take over the world. A large debate broke out on what to do, some arguing to destroy the nanites and all the data on them, some saying to keep the project going but find a way to keep the Consortium out of it, and some even saying they just wanted to do the project and didn’t care if the Consortium taking control. Van Kleiss was part of the side saying to keep the work, but kick out the Consortium. But eventually it was decided to destroy the project. But the spy must have caught wind of this, as while they began to remove their work, the Consortium sent in a heavily armed team to take out everyone on the project. During the chaos many things happened. Not having time to get rid of everything, members of the project decide to give Rex the Omega to hold onto, as he has enough experience with nanites to handle it for a few hours. Van Kleiss did try to say otherwise, not thinking it was fear on Rex, especially when his parents and Caesar agreed to this. In the end they did end up giving Rex the Omega, with the plan that he would meet Caesar at the docking bay. Van Kleiss had originally wanted to go with him and take Circe, but next thing they knew armed soldiers came in and everyone spilt. Rex managed to wander by as not only did the soldiers have no interest with the kid, but Ebony, who turned out to be the spy, ended up letting him past without knowing what he was hiding. Van Kleiss and Circe ended up running into Rex’s parents, who were busy trying to wipe the computers. The three parents got into quite the arguments, with Van Kleiss eventually leaving the room with his daughter, only to be confronted by some soldiers. They noted that the room that Van Kleiss just left was locked, so they made him an...offer. Either he unlocks the door and let them in, or they kill him and Circe where they stand. Despite how harsh the Salazars were on Van Kleiss, even he didn’t want to make this choice...but after everything, and looking down at his own daughter...he made the choice to let them in, holding his daughter as they heard gun fire. With everything coming to a head, it suddenly happened. With scientist messing with computers and machines, soldiers raining bullets everything, and Rex off somewhere glitching out with the Omega, it just became too much and the nanite event happened. A massive explosion that sent out a wave of unfinished nanites across the world, and for Van Kleiss, everything went white briefly... Then, he opened his eyes...finding himself feeling different. To his shock, he found himself to be mutated, his prosthetic arm gone, now replaced with an arm of wood and vines, a deep connection to the earth around him. Thankfully, his daughter was still by his side, but she two had changed, with the agility to emit a powerful scream. As days turned to weeks and then to months, Van Kleiss found himself turning his old home into something new...into a place that him and the out cast could belong into...But after everything that happened, the things he lost and was hurt by, he began to put up those walls again. He could no longer risk getting attached, not if he were to complete his goals....” And there we go! My tale about Van Kleiss in my rewrite. It does go into other things that I will eventually write down that happened in this rewrite, but it’s a good place to start as any. I wanted to give him a tragic back story, something that shows why he behaves the way he does today, and how it ties into his goals. I like the idea that he does believe in the dream of turning everyone EVO and ruling them, but so that he can start a new age and era where people don’t have to be out casts anymore. After all, if everyone is different a monster, then no one can be judged, at least in his mindset. So Abysus is a safe haven for EVOs that need a home, and he does want the best for his subject. The only problem is that one, Van Kleiss doesn’t want to get deeply attached to anyone, as many past friendships eventually failed on him, so it’s bound to happen again, and two, he can get a little power made because well, he’s spent so long being the underdog and kick to the ground, so it feels great to be able to be the one standing tall. It also helps make him feel like Rex’s opposite, not only with the nature vs technology design for the two, but the idea that one is someone who wants to get attached to people, while the other is someone who doesn’t want to get attached anymore. A tragic hero and a tragic villain, who have history tied together. Anyway, I hope you enjoy my version of Van Kleiss, and for hearing me ramble! 💙

#Generator Rex #GR #Generator Rex Van Kleiss #Van Kleiss #Generator Rex Rewrite #redesign #Generator Rex Redesign #Generator Rex Circe #Generator Rex Rex Salazar #My Art

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kamuisthoughts · 3 years

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The Actual Rant:

I’m going to begin by saying that I think the ABO dynamic is interesting.

That being said I’ve noticed some recurring and very disturbing themes that are attached to this type of AU, regardless of what fandom you’re reading in. It makes sense to me that a universe where people have secondary genders and are more susceptible to animalistic instincts would have different types of societal issues. This being the disturbing themes I mentioned. The disregard of rape, the gender oppression, the objectification of certain genders, and various forms of dysphoria.

Obviously these themes are extremely dark and unsettling, but what’s worse is how the people that take it upon themselves to write about these things romanticize these horrific issues. Using them as a tool to build a parallel world that would cause the reader to think or reflect on our own society is one thing. That’s what I would like to read. But instead I come across these ABO AUs and find authors downplaying these abominable problems, making it seem as if it’s okay to have these sorts of things happening.

If you tell me beforehand what you intend to do okay, I can just avoid that.

But anyway there’s a difference between building a world with dark elements like these and presenting it as something that is truly disgraceful, but many people in the world do not care or fear fighting against it, and creating a world where it’s obvious that the writer is fetishizing these elements. You can completely change the tone of something depending on how issues are presented, how the characters react to their circumstances.

I hate to see rape happen in a story. I honestly feel it’s the most unforgivable, egregious thing you could do to a person beside murdering them. It’s a form of torture, and I honestly believe this, so it turns my stomach to see people writing stories where characters go through this awful thing, sometimes repeatedly and it’s not accurately addressed. There’s rarely lasting trauma if any. They just kind of take it, they don’t fight, they might even accept it just because the character doing it to them is objectively attractive and that is nauseating to me.

I also hate to see kidnappings and forced marriages in this type of AU, where the author tells you the main character is a “BAMF” or “Strong” individual but this is never actually displayed. Not mentally which I often respect to see in characters and not even hinted at physically either. They’ll maybe have a sassy mouth but still won’t really do anything when their abuser is hurting them. And this is usually moot since the main character oftentimes just simpers for their alpha abuser in the end. They’ll either be too scared to continue to mouth off or be too enamored by the alpha’s physical appearance and scent.

I also noticed Stockholm Syndrome is really common in these stories as well, (should the author actually deign to touch upon the immense trauma rape would cause a person), despite how rare this condition is in reality. This I find maddening. Now, I understand sometimes reality is so painful that someone needs to escape it through delusion so that they can function somewhat coherently. But the fact that there are so many stories where a character is kidnapped, ripped from their life, forced to mate with someone who doesn’t respect them as a fellow human being, raped, forcefully impregnated, and then somehow still falls in love with their abuser is utterly repulsive.

And the thing that really upsets me is the fact that I deliberately exclude tags in my search that denote rape/non-con, underaged, and major character death yet still I come across stories where these things are mentioned. Are happening. They’ll be in the story but not in a story’s tags and just glossed over. I’m not sure if this is deliberate or if some of the writers just don’t understand the magnitude of the themes they’re pushing but regardless I find this unacceptable.

If someone says no and you stick your penis inside of them anyway, that is rape. If you lull them into a false sense of security due to pheromones after they’ve said no and have sex with them, that is rape. If they give up fighting because they know it’s hopeless it’s still rape. I don’t care how physically desirable you are, or how good you smell, or if you feel it’s your “right” to take the other person because you managed to pin them down and you’re stronger. They said no, and even if they didn’t say “no” they didn't say yes .

If someone didn’t say they accepted your advances, that is not dubious consent. That. Is. Rape . And women can be rapists too. Let’s stop pretending that’s not a thing and that it’s not just as bad no matter what gender the attacker is. Can we not try to sugarcoat the horrible things people are writing about and call it “dubious” so people can feel better about romanticizing sexual abuse and getting off on it? Because even if you don’t call a spade a spade it’s still a damn spade.

Now let’s talk about fetishes. I hate when male characters are forcefully feminized when they don’t want to be. Like seriously, a male omega in this type of ABO story could literally say, “I’m a man, don’t call me a wife or a mother” and the other characters will just brush it off, they won’t even address it. They’ll continue to label him incorrectly, continue to treat him in ways that make him uncomfortable, and eventually he’ll just stop getting upset or annoyed and go along with it. This is NOT okay. This happens when a writer likes writing about feminine men.

There’s nothing wrong with a feminine man, that’s not what I’m saying. What’s wrong is when a man is overly sexualized because of his physical appearance and incorrectly labeled by others despite him stating what he identifies as. If you want to write about a gender fluid male omega, do that! Do not write about a male omega who identifies as male and call him a wife just because he can give birth. He is still a husband. He is a man and the other characters should be respecting that.

Then we have the fetishizing of birth or breeding in these AUs. This element of this AU has always been so creepy to me. (And I’m talking about FORCED breeding. Edit added because I didn’t specify this at first).

Omegas in these AUs are seen as the lowest of the low because they have heats, are softhearted, physically weaker, and motherly. Yet despite being chained to the bottom of the societal hierarchy they are objectified by other secondary genders. They are desired just enough for alphas and betas to want to breed with but they aren’t worth equal rights such as choosing their own “mate”, their job, or even walking down the street without fear of being forcefully mounted.

Seldom do I see this issue actually portrayed as an issue. The omegas in the story bat their eyelashes at alphas, and even manipulate them because they know that they are objectified. They aim to get claimed by “strong” and “virile” alphas and to have “beautiful pups”. Like, what?

But okay, I can see that.

You live a certain way you can get used to almost anything, but the fact that it’s rarely more than the main character who wants for more is astounding to me. I guess this is a writer’s way of hammering home how different and “before their time” they want their main character to be but it just comes off as forced, and the main character becomes a novelty. Alphas just want the main even more because they want to break them so they can force them into the role of a “good little omega”.

It angers me to see this type of world building with no consequences. There’s no simmering rage at the lack of justice and equality, there’s no conflict. It’s just, “omegas are cute and sexy and they smell nice”. This just makes all of the characters seem like morally bankrupt sex addicts who’re all some form of insane and I can’t stand it. But I’ll digress.

The true reason I decided to write this rant?

A story.

Yes, I came across a story and for some reason despite the harmless looking tags and my knowledge of how misleading this AU can be I clicked on it. I just wanted to see if I was being too harsh on the ABO AU, if someone could write a story in this type of universe that I could actually bear to read that wasn’t extremely hard to find. (Most of the fics in this AU I come across are the really dark ones).

So, I tried to read an ABO AU for MHA, and I'll tell you now I couldn’t even get beyond the fourth chapter. I just couldn’t bring myself to do it.

Izuku was of course a rare male omega, born in a fantasy world where All Might bestowed upon him the powerful magic of One For All and then dipped. Of course despite having this power Izuku was still a weakling, even though the author tried to say he was strong willed and “unlike most omegas”.

Izuku had to hide his secondary gender. He lived as a quirkless beta with his mother. One day he stumbled across Katsuki, who declared Izuku his “true mate”. Despite Izuku saying he didn’t want to mate with him, Izuku was abducted and forced to be with him simply because it was what Katsuki wanted.

Izuku repeatedly said he didn’t want to be there, that he didn't want to be with this literal stranger, and that he didn’t have any desire to be a baby factory for him but was of course ignored. Long story short Katsuki got his way and Izuku eventually was down with it. Because Katsuki was handsome, well built, and smelled nice Izuku didn’t even bother to stay angry at the injustice of his own situation.

This is one of the many stories in this type of AU I personally find problematic. I don’t care if people write these fics, I just wish they were more responsible about it.

I’ve seen stories where alphas threaten to kill an omega’s family or the omega themselves to force them to mate with them, and are forced to comply. Instead of acknowledging how horrible this is the other characters just sort of treat it like the omega is misbehaving and that they’re cute for being “annoyed”. Like, what? Literally what the fuck. And this is sometimes never brought up again.

Alphas could burn down a whole village, slaughter everyone and take the omegas as sex slaves and still in certain stories this could be romanticized. I can’t get with that. Especially not when the victims aren’t even upset for more than a few days. What the heck!? That was your family!

But what really makes me uncomfortable? When an author makes sure the reader is aware of the fact that an abuser is extremely physically attractive so that people will be less inclined to be disgusted by their atrocious behavior and mentality.

I get it.

Sometimes the inevitable fall is due to true mates and all that. But at the same time, that is absolute bullshit. I wouldn’t give a damn if you were Jesus Christ himself, if you threaten to kill my family, or me, DO these things, disregard my feelings because of what you want and what you have to gain I am not giving you the time of day. Or at the very least if I have no choice I’m gonna utterly despise the person harming me. Come on!

True mates/Soulmates could be so freaking cute. It HAS been. I’ve seen it. There’s good fics out there, I just wish there was more of a selection where certain tropes are implemented in a way that isn’t toxic.

I don’t care how objectively attractive someone appears. I don’t care what “fate” says or what “instincts” denote. What reason do some of these characters have to love their abusers? Let alone be attracted to them? Especially if they never get a heartfelt apology and the alpha doesn’t bother to change significantly to be a tolerable human being. But okay, ABO instincts. Lack of control. I know, okay? But come on, can we switch it up a bit?

Out of morbid curiosity, sometimes when I come across stories I just can’t read because the Non-con is there but it’s not portrayed as traumatic and the author doesn’t even TELL you it’s in there... out of some masochistic need to punish myself I scroll down to read some of the comments and no one, I mean no one addresses how skewed and warped the themes in these stories are. The readers eat it up. And it’s honestly sickening.

But you know what? That’s kind of a lie. Some people do complain but they’re usually just straight up hateful flames and I don’t support those. I wish people could be more constructive when commenting on people’s work.

But anyway, since it was the MHA ABO AU fic that set me off I’ll just continue to use Izuku and Katsuki as examples for my griping. With Izuku as the omega and Katsuki as the alpha.

Many fanfic writers set up their worlds as a means to impregnate Izuku. That’s what I believe. Not ALL fanfic writers that write about this AU do this. SOME of them do! And I’m not saying this is always problematic, but it is when they put certain elements together because they want to write about BakuDeku in a sexual form and don’t bother to note how dark the story elements they’re implementing actually are.

I’m not sure if this is because some of them don’t understand how serious and damaging these things are and can be (rape/sexual coercion/forced pregnancy) or if they just don’t care and find them cute and sexy.

Either way, the things some authors have alpha Katsuki pulling on Izuku are wrong and downright perverted.

Now, I’m not opposed to smut. Sometimes I read stories with smut, that doesn’t bother me. Sex is a natural thing and people do it to show how much they like someone, or even just because it feels good. Whatever, that’s fine. But putting two characters together and saying “this is how it is because fate and forget gradually becoming attracted because I want that sexual tension now!” is something I find greatly unsettling.

If I could see this idea displayed differently maybe I could be equally disturbed, but could grow to accept Izuku and Katsuki (or whoever are the focus of the story) as a pair. Why? Because if the things the alpha is doing are horrible they should be acknowledged as horrible.

A lot of stories could be more interesting to me if the author wrote the things I mentioned above as they actually are, despicable. Instead things a lot of the times are sugar coated, treated as a joke, or downright wrongfully sexualized. Sometimes all three at once! A lot of these fics could have been something I could stomach if treated soundly. Say, Katsuki for example decided Izuku belonged to him and he forcefully mated with him, not allowing Izuku to be with anyone else without serious backlash. If he began to realize that his outlook on life was entitled and morally bankrupt I could totally get with that!

The author in this fake scenario could take the steps to better Katsuki as a person. Izuku of course should rightfully hate this man but could grudgingly begin to see and acknowledge Katsuki trying to change for the better. Then when Izuku manages to let go of his anger for his own sake, (not Katsuki’s) I could probably accept him beginning to notice Katsuki romantically. NOT sexually.

Now if Izuku just has to notice Katsuki’s physical body from the beginning and finds him irresistible because you know, ABO AU instincts and all that jazz—but hated this about himself, the juxtaposition of physical desire but mental and emotional disdain could be fascinating, engaging. It would make Izuku seem more like a person in these stories and less like the idea of a mentally strong omega. (Again, not saying all ABO fics lack good storytelling or compelling characters or any of that).

I could accept this eventual forgiveness and romance scenario because it could be amazing storytelling wise. Allowing the reader to experience a range of emotions due to world building, characterization, character growth, and plot line.

But anyway, I’m not trying to bash the specific story I used as an example above. I realize a lot of people love it and a lot of my language was crude and even rude but I just felt the need to express exactly what I was feeling, and above is what I felt. (I had to cut some things because it was way too obvious which fanfiction set me off and that’s not what I wanted. Didn’t want to throw shade, just wanted to prove a point).

If people want to read those types of stories that’s fine, at least they’re not going out into the world and doing what they’re reading about. Or at least I hope that’s the case.

But anyway, if people are going to read these types of things I think the reality of the content should be aptly acknowledged. No rose colored glasses, because that just makes it so wrong. And no, I’m not talking about being partial to any kind of kinks. I’m talking about a type of ABO fic that is problematic for me. I wrote a whole damn rant, if you can’t glean what I’m saying here I freaking give up.

But more presently, I guess it really comes down to what you prefer. Other people like things that come off as more sensual and carefree.

Personally I make it a point not to read those types of fanfictions because it’s just not my preference. I prefer to read things with dark world building with what I perceive as realistic consequences and real justice. Or maybe just downright cold blooded revenge sometimes. That’s nice too. Everyone is different, and I think I’ve just become frustrated because I’m not finding many stories like that in this AU.

That being said I’ve decided to write a story that I could read. A few, actually. You know what they say, “if you don’t do it, nobody else will”.

#ranting #I’m butthurt #read the whole thing #Kamui’s ABO Rant #my hero academia fanfiction #Problematic Portrayals of Trauma Complaint

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jeongyunhoed · 3 years

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Past-Present-Future Black Dahlia

Two major tragedies bring Lee Mirae closer to the edge as she goes through the stages of grief in a more violent manner that would affect not only her relationships with her boyfriend Jeong Yunho and her half-brother Choi San, but also has her becoming closer with the immortal mutant Kang Yeosang. Fueled by rage, grief, and pain, along with a very rude awakening that has Mirae spiraling out of control and questioning everything she holds dear.

Group: ATEEZ Member: Yunho Pairing: Jeong Yunho / OC Genre: Action, adventure, angst, fantasy

Watch Out! : Violence, blood, death, grief and loss, major character deaths, use of weapons, some jealousy (but no cheating ofc), implied smut (not sure if there is any but i’m putting it out there nonetheless), mental illness (probably?), gambling and alcohol

Anything else? : Mentions of other idols of course as well as other characters. SuperM, Dean, Chanyeol, Zelo, soloist Park Jihoon to name a few.

Author’s Note: SuperM hello. Also, sexc car chase scene with Yeosang driving. This hasn’t been proofread much, so sorry for the errors you might see.

Listen to: Dark - Hans Zimmer

Masterlist

Chapter 4

Yeosang glanced over at Mirae, who was still blankly staring out the window. She had been that way in the first few hours of the drive. He wouldn’t admit it, at least right away, but with the silence coming from her, Yeosang was even more convinced that she was that sad. Dare he say it, he was beginning to feel a little concerned yet knew that sometimes the polite thing to do was not to say anything about it. The music playing on the radio acted as white noise between them, and Yeosang was hardly even listening to the songs.

Mirae looked down at her hands, feeling the deck of playing cards in her jean pocket. She barely had time to think about how expensive the clothes she was wearing were - Yeosang’s excuse was that the Dior boutique was the nearest. Mirae wanted to scoff right then and there, but she was impressed at how he got her clothes that fit her.

Her thoughts were going back to how she left Yunho. How she left him unconscious in Yeosang’s apartment while hoping San got to him, or anyone at least. A feeling of guilt was setting inside even in the midst of the overwhelming feelings of sadness and rage. Was it even possible to feel like this? She wasn’t sure. “How did you meet them?” She suddenly asked.

“Who, my dear?”

“The one you’re taking me to.”

“It’s not just one person. They’re a small group of people, people like us,” Yeosang replied, glancing at her from time to time as they entered a flyover, cars intersecting above and below them. “They felt they were above the place we lived in, so they uh, how should I say it? Created their own little world.”

“So how did you meet them?”

“I met them through another immortal. His name is Mark Lee. I’ve known him for centuries. We were rivals for the affections of Emperor Octavian’s daughter, Julia. Amazing woman in every way possible,” A smirk crept up on Yeosang’s lips as he remembered. “I nearly became an emperor if Mark hadn’t intruded that one night.”

“To this day, I still don’t know how old you actually are.”

Yeosang chuckled. “My dear Mirae, age is not important, especially my age. When I met Mark again, in recent… shall we day, decades? Or at least some few years ago, he introduced me to a group of mutants he was friends with. Some of them are quite powerful, one of them, I think, is an omega-level mutant like you.”

“I guessed as much, if they thought they were so superior,” Mirae looked out the window.

“We’ll see about that. Sometimes, mutants only intimidate others just by mentioning their powers, empty threats even though they could deliver on it, lessens the dirty work but it gets into their heads,” Yeosang said. Glancing at the rearview mirrors, he noticed three black cars in a formation behind them. “My dear, if you could assist me a little bit, I think we are being followed.”

Mirae looked over her seat at the three cars that seemed to move closer while Yeosang kept his foot on the gas to drive faster. “I wonder who they could be,” She watched for any signs of movement from the driver’s seats. Mirae saw a set of small rockets come out from the lights on the bumper. “They plan to kill us. Do you know them?”

“No I don’t, I promise you,” Yeosang swerved a few times past several cars only for the three black sedans to be able to keep up.

Mirae shook her head at the sight of the sedans keeping up, one of which was already across from them. There were spikes that extended from the rims of the wheels. The car bumped into them, Mirae clutching the armrest. “They plan on destroying your car while they’re at it,” She said, her eyes glowing red as she stared at the car next to them. The tires exploded, sending the car skidding, the rear hitting their vehicle.

“Damn,” Yeosang kept the car in its lane. “Very good, my dear Mirae. Perhaps you can do something about the other two?” He said, swerving several times so as not to bump into the cars surrounding them to get ahead.

Mirae took out one card from her pocket and threw it as hard as she could at the other sedan that caught up to them. The sedan exploded, the impact of the explosion moving them forward. “If they’re your friend’s bodyguards, then I think they don’t want us coming,” She said, her eyes still glowing. “Not that I care.”

She eyed the remaining black sedan that was following them that launched a rocket. Mirae looked at both the rocket and the car, both exploding in the middle of the road. The remaining cars began to cluster towards them. “Apparently, they were everywhere all along. The way must be heavily guarded, or that they don’t want us going,” Yeosang glanced at the rearview mirrors.

Mirae stayed still, staring at all the cars in front of them. Her eyes were glowing brighter than ever as she kept her gaze on them, the vehicles exploding one by one. She glanced at the rearview mirror on her side, the cars behind them exploding one by one as well, the smoke from the explosions blocking their view of the road.

“Thank you, my dear,” Yeosang drove on through the thick smoke in the air. “All this smoke means we’re getting close.”

The color of the smoke changed from the usual gray and black to white as he moved forward. The glow in Mirae’s eyes faded just as the smoke began to fade, only to see that their surroundings had changed.

Past the wide roads of the highway, they were at the entrance of a dreary lakeside village. “This is where they live?” Mirae glanced at him.

Yeosang chuckled. “No, they live up there,” He pointed to the nearby cliff. There was a white mansion molded in the usual 1930s art deco style that Mirae noticed in the immortal mutant’s apartment.

Mirae noticed that the residents in the village seemed to dress differently, as if wearing different variations of the hanbok. The anger seeped in again, knowing that they were approaching the home of who may have been behind the explosion of the Danger Room, behind the deaths of Chanyeol and Hyuk. Yeosang drove on, down the route of the mansion’s driveway, the sight of the house growing bigger and bigger until they finally approached the gate.

Two guards were standing by and stopped them. “Name?” They asked.

“Kang Yeosang and Lee Mirae. One of them is expecting me by now,” Yeosang replied.

The gates opened on its own and the guards stood by for their vehicle to enter the grounds. As soon as they pulled up, they saw someone standing by the front doors, dressed undoubtedly like he owned the place, but also that he was strikingly handsome. One half of his coiffed hair was blonde, the other side was red. His eye on the blonde side was also blue, the other a dark brown. He was smiling as they pulled up, opening Mirae’s door.

“Hello,” He said as she got out, taking her hand and kissing it.

“Taeyong, quite a greeting you’ve got there,” Yeosang pointed out, tossing the key to the valet.

The male with the name turned to Mirae again. “Forgive my manners, or lack of. I’m Lee Taeyong and I own this house. It’s nice to meet you at last.”

Lee Taeyong was an omega-level mutant like Mirae. Taeyong was an omega-level psychic that could not only read minds, but could also control a person’s mind and manipulate their memories. Taeyong also had the extraordinary gift of turning into organic diamond, making him almost invulnerable to harm and giving him added strength and a psychic shield. However, Taeyong’s limitation was the fact that he could not use his telepathy while he was in his diamond form.

Mirae glanced at Yeosang and before she could speak, he shook his head. “It’s not him you’re going to see,” He advised.

Taeyong smirked. “You must be jumping for joy now that you’re on a drive with the apple of your eye,” He glanced at Yeosang. Turning back to Mirae, he let go of her hand. “That’s what he was thinking. He thinks very loudly.”

“My thoughts are not for you to read, Taeyongie, as I’m sure your brother has taught you that much. Taemin, where is he?” Yeosang asked.

“He’s attending a business meeting. He won’t be here until tonight. But Mark is here, I guess you haven’t seen him in a while,” Taeyong replied. “Come in, come in, I can’t read your thoughts but I can read his and I know who you plan on seeing. Don’t bother taking off your shoes in the main area.”

He turned around to lead them inside. The interiors were decorated in shades of black, gold, and white on marble similar to Yeosang’s home. Mirae and Yeosang followed him further down the hall and they stopped in front of two mahogany doors. “At least one of us couldn’t be read,” She muttered to him.

Taeyong opened the doors, leading into what looked like a parlor, with red velvet couches and chintz chairs, mahogany chests of drawers in the same art deco style, and a crystal chandelier in the ceiling. They saw two people by the fireplace drinking champagne in crystal flutes, watching a drama on a tv that was placed above the mantle. Mirae felt her heart drop as the two figures, whose backs were turned, looked familiar.

“They’re here,” Taeyong announced, making the two people turn around.

Mirae’s eyes widened, looking like a deer caught in the headlights upon seeing their faces. “...Baekhyun? … Jongin?”

The shorter and paler of the two, Baekhyun, smiled. “Mirae, Mirae, Mirae, long time no see,” He said.

Byun Baekhyun was skilled in manipulating and creating light and light energy. Baekhyun was also skilled in hand-to-hand combat, specializing in hapkido. Kim Jongin had the ability to teleport, leaving a wisp of black smoke in his wake.

“It’s been years, hasn’t it?” Jongin spoke this time, approaching her. “You look like you’ve been through a lot.”

Mirae still couldn’t speak. She was too stunned to utter a word. All this time, Baekhyun and Jongin survived the Seoul attack but had never made themselves known. “Hello to you too, Yeosang,” He glanced at the vampiric-looking mutant, who nodded. “You look like you’ve seen a ghost,” He said to Mirae.

“I couldn’t blame her, we haven’t exactly seen her since that day,” Jongin patted her shoulder. “Do you like our new place? It’s not underground like the Center, but it’s here in this little village, it’s cozy,” He gestured for her to sit down while they did the same. “Mark’s here too, by the way, he’s probably off playing tennis or something.”

“So, what brings both of you here? I doubt it’s because the weather’s nice in this place,” Baekhyun poured her a glass of champagne. Mirae quietly accepted the drink, staring at the bubbles.

“Don’t act clueless, you know why they’re here,” Taeyong chimed in, giving the elder a look.

“Taeyong, it’s rude to read other people’s minds without their permission,” Baekhyun chided. “Even if I already know, it doesn’t hurt to ask to make sure. They might be misleading you, even in that respect.”

“I don’t have the capability to be paranoid when I can read everything like an open book,” Taeyong rolled his eyes. “Dinner is already prepared, by the way, I’ll call Mark-”

He stepped back when out of thin air appeared Mark himself. Unlike Baekhyun, Jongin, and Taeyong, Mark was dressed in a pinstripe suit. Yeosang’s expression stiffened upon seeing him. Mark Lee was, like Yeosang, an immortal mutant whose fortune over the centuries led him to own a business empire that had bases in both South Korea and Canada. Mark had the ability to teleport anywhere and everywhere he chose while also possessing a strong telepathic ability. Mark was also considered a doctor among his peers who studied Languages though he barely put that knowledge of his to the test as he usually tackled his businesses.

“No need,” Mark said, stopping at the sight of Mirae and Yeosang. “Brought her here to meet them, ‘Sang?” He asked.

“As a matter of fact, I did. Ruined anyone’s pursuits lately, Mark?” Yeosang shot at him, watching him take Mirae’s hand and gently kiss the back of it in greeting.

“As long as it’s your pursuits, which I can tell is this lovely woman in front of me,” Mark said.

“I’m taken,” Mirae pointed out.

Mark glanced at Yeosang. “Oh? You have pursued her? This is going to be fun.”

Mirae pulled her hand back, seeing Baekhyun and Jongin’s amused expressions. “I’m guessing you’ve been living your lives here all this time,” She said.

“Well, yeah, since the Seoul attack,” Baekhyun nodded. “Before you two arrived, we were all discussing a business venture we were looking to carry out in the capital. Maybe you could help us out, Yeosang?”

“Me?”

“Yeah, Mark and Taeyong have the capital to build it on, maybe some added manpower would help make the project solid. Let’s talk about this over dinner,” Baekhyun said, gesturing to the doors. Mark disappeared in an instant.

The dining room of the mansion had a view of what was outside. Yeosang and Mirae noticed that it had gotten much darker, realizing how late it was getting. Mirae still couldn’t believe that Baekhyun and Jongin were alive all this time, that they actually survived the explosion from the Seoul attack, the impact caused by her own powers. She was still trying to process this new situation.

Could they have been the ones who tampered with the Danger Room? The question reminded her of why she was there, having dinner with them, with other mutants who were also quite powerful, especially psychics as powerful as them. Mirae could only hope that Yunho would be able to read her mind at the moment, so he would know where they were.

“So, as I was saying earlier, Jongin, Taeyong, Mark, and I are looking into setting up a new business venture and Yeosang may be able to give it the added credibility it needs,” Baekhyun broke the momentary lull when everyone else tucked into the food. Mirae poked around the courses on her plate as she listened.

“Is that what you’ve been up to since the Seoul attack?” Mirae asked, glancing at him from time to time.

“Yeah, killing monsters and aliens wasn’t fun for me anymore, I’m sure you understand that,” Baekhyun smiled. “Knowing that Taeyong, his brother Taemin, and Mark are businessmen, when Jongin and I found each other and in turn found them, the business world seemed a little more interesting.”

“What kind of venture is it?” Yeosang asked. “I’d like to know what it is before I make any deal.”

“It’s called Project Apocalypse,” Baekhyun said with a grin on his face. “Project Apocalypse is going to be the next big thing among mutants and non-mutants.”

“It’s more of a think-tank. People come to us for answers, we give them the answers,” Jongin added.

“What kind of answers would those be?” Yeosang asked in between a sip of wine.

“Political answers, mostly, economic answers, diplomatic answers, you name it,” Mark replied. “You and I both have the experience for that. Didn’t you meet the adviser to Chun Doohwan during the uprising?”

“I have. I killed her,” Yeosang replied, both Baekhyun and Jongin looking surprised at how nonchalant he was about it.

“She could’ve been useful to us, you know,” Mark said. “Oh right, I see. You killed her because she was trying to get to Mirae over here,” He added, having read his thoughts.

Mirae sighed and ate a forkful of her salad instead. “You know, Mark and I can read everyone’s minds here, except for her. Why is that?” Taeyong raised a brow.

“Psychic shield, Taeyongie. I remember Junhong telling us about it when we first started training,” Baekhyun chuckled, glancing at her. “If you can’t read her mind, her psychic shield must be that strong.”

“We can’t read everyone after all, it would be too easy if we could,” Mark chimed in.

“How is Junhong, by the way? Has he been well? He’s alive, isn’t he?” Jongin asked her.

“Very well. Fixed my staff the first time we met again. He’s fixed a lot of other things, sometimes without me knowing,” Mirae replied.

“The three of you go a long while back and yet you’re acting like you don’t know each other,” Taeyong chuckled in his place.

“It has been a while since we last saw each other. We did, however, spend a few years together in the Center for Paranormal Research,” Baekhyun nodded, finishing the food on his plate. “I remember it was me, you, Minseok hyung, and Tao that were put forward because of our fighting skills.”

“Do you have any idea what happened to them?” Mirae asked.

“No idea. I thought I was the only one left, until I saw Jongin from the corner of the street, teleporting out of that place in time,” Baekhyun glanced at her. “I guess the same could be said of you.”

“Yeah, and Hyuk, and Chanyeol. Remember them?”

He smiled. “Why don’t we go take a walk? Just us, you can play catch up with Jongin after,” Baekhyun suggested.

“Yeah, I’ll tell you more about Project Apocalypse after we pitch the idea to Yeosang over here,” Jongin nodded eagerly, exchanging knowing looks with the older male.

Baekhyun and Mirae got up from their seats. Mirae eyed Yeosang, who had a look of concern all over his face at the suggestion. She followed him towards the patio doors and out into the well-manicured backyard of the mansion that had a swimming pool with a diving board and several patio chairs. The question was still nagging at Mirae as a silence came between them while they walked along the cemented areas of the estate. “To answer your question, I do remember them. Vividly, actually,” He said. “The tall dope and the guy I remember you used to like but is also your best friend.”

“Years have gone by since the Seoul attack,” Mirae said.

“I know. It changed everything. It changed everyone. You with that streak in your hair, still playing with the same stick you always used to lug around. It’s almost like a part of you, isn’t it? That staff of yours?” Baekhyun said.

“I never leave without it. Even when I go to work, it’s with me,” She pointed out.

Baekhyun nodded. “I see. No matter how much has changed, you still seem to be the same person. It didn’t help that when Professor Jang died, Ino took charge and started to play favorites.”

“You were one of them, Baek,” She said carefully, remembering the nickname he would often go by.

“That I am, Tao too. Minseok hyung too. We were like, how should I say it? Like the four horsemen of the apocalypse. We led the fighting for the rest of them,” Baekhyun grinned as he remembered. “Too bad things went the way it did, otherwise we’d all still be there, cooped up underground with all of those simulations.”

“That’s a memorial now. A lot of things happened since then, at least to me,” Mirae recalled everything, feeling her heart sink further upon remembering Jihoon, then Hyuk and Chanyeol.

They stopped in front of a ceramic bust perched on top of a small pillar. Baekhyun looked up. “What brings you here, then? You didn’t know I was alive, much less Jongin.”

“I came here because Yeosang told me I’d find answers here,” Mirae replied. “Chanyeol and Hyuk are dead now, and I find out that the Danger Room was tampered with leading to them dying. I’m trying to find out who did it and why.”

Baekhyun smiled. “I knew you were going to say that. Actually, Taeyong knew just by reading Yeosang’s thoughts over there. He was thinking of what you were going to find out upon coming here. I can hear him telling me now. Yeosang’s looking out for you, he’s kind of worried about what you will know, and how you’ll react when it’s all revealed.”

“You know who did it, didn’t you?” Mirae stared at him. “All this time, you were alive and you never meant to make contact? Not even with Junhong? You didn’t even bother to look for us in the places you figured we’d be?”

The male chuckled. “For a trained assassin like yourself, you’re getting pretty bad at stealth, aren’t you? I’ve come across you quite a few times since then, but you never saw me, much less took notice of me.”

She raised a brow. “Well I never got any message from you. Not even a hi or a hello.”

Baekhyun shook his head. He leaned closer with a satisfied look on his face. “No, no, no. My way of making contact with you was through the tragedies you have experienced. Jihoon, and now Chanyeol and Hyuk. To be honest, I was surprised at how I managed to hit two birds with one stone with both of them. The tall dope and the music producer.”

“What do you mean?” Mirae had a feeling she knew what he was about to say.

“It was all me, Mirae. Jihoon’s death, Chanyeol’s death, and Hyuk’s death? It was all me,” Baekhyun revealed calmly. “I am the author of all your pain, of all the grieving you were and still are doing.”

Mirae stared at him, feeling a chill down her spine at the revelation. “Jihoon was killed by those Utopian cult thugs.”

He shook his head. “I had a little help. I met Mark around that time, and when I told him what I wanted to do, he gladly possessed the body of the man who pulled the trigger on your dear friend, the friend you thought of as a brother,” He explained.

Mirae was still staring at him, as if prompting him to continue explaining. “Jongin, you know, of course, teleported me there once Taeyong found out the location of the so-called safehouse you put up, saw that Junhong was creating a simulation room like the one we used to have. With his help as well, I was able to make a few adjustments like rerouting some circuits to overload,”

“I was actually thinking of getting Chanyeol first, out of sentimental reasons. I knew him longer than Hyuk, so naturally I thought he should get the first strike. Little did I know,” Baekhyun smirked. “It would get Hyuk too. I doubt Junhong had a clue that the systems were hacked. Taeyong and his brother run a tech empire.”

She could feel her eyes well with tears at the explanations, the tension she was feeling slowly getting replaced by sadness and rage. “It was you all this time. Why? Why are you doing it?” She asked.

“Because I wanted you to know the pain and grief I felt after that attack happened,” Baekhyun replied, looking her in the eye. “My family thought I was dead when that came in. I was thrown into the ocean from the explosion you caused. They had given up on searching for me, in turn, they gave my brother all the money that was meant for me. Knowing you made the final blow to those goblins, all of the trouble I experienced, I knew I had to make you pay.”

Mirae looked away, fighting back the urge to break down the more Baekhyun talked. He sounded so satisfied. “And now you’re all alone, Lee Mirae. And you know the best part?” He tilted his head as he looked at her. “Ino knew all this time. Ino knew it was me. Yet he allowed it to happen anyway.”

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superhusbands4ever · 3 years

Text

The Chain - Chapter 2/15

Now to check in with The Bad Batch.

Chapter 1 | Chapter 2 | Chapter 3 | Full Work | AO3 Link

Fandom: The Bad Batch (Star Wars)

Characters: Crosshair, Hunter, Howzer, Rex, Wrecker, Tech, Echo, Omega, Various Clones

Relationships: Crosshair & Howzer, Crosshair & Rex, Crosshair & The Bad Batch, Crosshair & Omega, Hunter & Rex, Hunter & Omega

Additional Tags: Crosshair Redemption, Angst, Hurt/Comfort, Humor, Found Family, Emotional Hurt/Comfort, Graphic Violence, Eventual Happy Ending, Angst with a Happy Ending

Summary: One year after the events of The Bad Batch, Crosshair struggles to reconcile his choice with the harsh truth of the world around him. He finds enlightenment in the most unlikely of places and realizes he may have made the wrong decision. But is it too late to do something about it?

Two years after the events of The Bad Batch, Rex reluctantly agrees to allow Hunter and his squad to help him rescue a man who's been captured by the Empire, an Imperial double agent who's cover has been blown. What Hunter thought to be a simple extraction ends up having far greater consequences for their squad than he could have ever anticipated.

At any moment the decision you make can change the course of your life forever.

- Tony Robbins

“How much longer until we’re there?”

Hunter turned from the navicomputer to look at the young girl beside him.

“We should be dropping out of hyperspace in a few minutes, so not much longer,” he said, fiddling with buttons on the computer. “You should go ahead and get your stuff ready for when we land.”

“Okay,” she smiled, bouncing on the balls of her feet excitedly. “I can’t wait to see Rex. I want to show him how much better I’ve gotten with my bow.”

Hunter smiled. “I’m sure he’s excited to see you, too. It’s been awhile.”

She nodded, skipping away to her room to gather her things.

She’d grown so much since the day the Batch met her on Kamino two and a half years ago. Sometimes Hunter wondered if maybe Omega did actually have advanced aging with how quickly she’d shot up in so short a time.

Before where the top of her head had only come up to his chest, now she was tall enough to lean her head on his shoulder when standing together (though the others teased that had more to do with his own height than Omega’s.) Her hair was longer too, down to her shoulders in a frizzy mess of blonde curls. Her face had lost some of the baby fat she’d had nearly three years ago, and she was slowly but surely looking less like the awkward child they’d saved from the Empire, and more like the young teen that she was becoming.

She’d settled into her place in their squad much more comfortably now, too. Going on supply runs and various jobs for Cid would be impossible without her — she factored into all of their plans, worked fearlessly and flawlessly with the others, and had become so proficient with her bow it made Hunter’s chest ache when he watched her.

Her confident shooting and various games on missions with Wrecker reminded him so much of their missing family member it hurt. They hadn’t seen nor heard from Crosshair at all in the two years since they’d left him on Kamino. Since he left us, he tried to remind himself. He made his choice.

Their squad worked their hardest to stay under the Empire’s radar since Tipoca City, picking and choosing jobs that weren’t too risky, that didn’t grant too much exposure. Rex was right that day on Ord Mantell — being dead in the eyes of the Empire had its advantages. Especially when that meant the leftover bounties from the Kaminoans on Omega disappeared. From what Tech could glean from Imperial channels, as far as the Empire was concerned, the sole survivor of the destruction of Tipoca City was Commander CT-9904. The longer it stayed that way the better.

They couldn’t figure out why Crosshair would protect them, would lie and tell the Empire that they had perished in the bombardment. They thought maybe it was only a matter of time before they were caught out, before Crosshair’s anger at them got the better of him and he let it slip that they were still out there somewhere in the galaxy. But as a month turned into six, six months turned to a year, and a year turned to two with no Imperial bounties on their heads, they began to accept that maybe this was Crosshair’s last gift to them. A chance to survive the Empire, at least by him not giving them away.

Hunter would be lying if he said that knowledge hadn’t given him hope. That maybe his little brother, who’d slept in his bunk during bad storms as a cadet and gave him Lula to hold when the sensory overload got too bad, was still in there somewhere. That the cold, angry, and jaded man they’d seen on Kamino wasn’t all that was left of their kih’vod.

Nowadays he wasn’t so sure. As far as they knew, Crosshair was still with the Empire. And with each day as the Empire’s list of crimes and atrocities grew, Hunter’s hope for his little brother realizing his mistake and coming home to them dwindled. Maybe Tech was right. Crosshair was severe and unyielding and nothing could change that. Crosshair had made his choice.

This… is who I am.

Maybe this was who Crosshair had been all along, much as it pained him to consider.

The navicomputer beeped and pulled him from his ruminations just as the ship shuttered, dropping out of hyperspace in the Yavin system.

He stood and walked toward the cockpit, watching as the forest moon in front of them grew larger as they grew closer.

“Entering atmo shortly,” Tech announced, pressing buttons on the dash. “We should be landing at the base momentarily.”

“It’ll be good to see Rex again,” Echo said, stretching his arms above his head. “I wonder if he’s found any more clones since we were here last.”

“He seemed optimistic last time we talked,” Hunter agreed. “There were more clones than I expected there already a few months ago.”

“Rex is a proficient and effective leader,” Tech added as he brought the ship down through the clouds, “it is not surprising that he would have decent success on his mission.”

“I just wish we could help him more than doing the occasional supply drop,” Echo said. “It feels wrong to not be helping with the vode. To not be joining the fight.”

“Keeping off of the Empire's radar is more important right now,” Hunter reminded his brother for what felt like the hundredth time, “which we can’t do if we’re running rebel missions to help clones defect from the Empire.”

“I know, I know,” Echo grumbled, crossing his arms petulantly. He sighed. “I just…”

Hunter laid his hand on Echo’s shoulder, squeezing gently.

“I know.”

“Beginning landing sequence now,” Tech called as he flipped the landing gear.

As the ship touched down on the landing pad hidden away from the base in the trees, a loud crash came from the back racks, followed by twin groans.

Hunter squinted back at the pair. “What was that?”

“Nothing!” Omega and Wrecker both shouted back.

Omega stepped out of the hold, bow strapped to her back, fiddling with the strap of her pauldron. She saw Hunter looking at her and smiled brightly and innocently at him, moving to stand in front of Wrecker as he rushed to clean up the knocked over crates. Hunter rolled his eyes.

Soon after the five of them were offloaded and walking through the trees toward the base. It didn’t take long to reach - as they drew closer Hunter felt worry stirring in his chest at the sounds of raised voices, scraping crates, and the general sounds of chaos that, in his experience, indicated something bad was happening.

He sped up a bit, the others following behind him, and he heard them all make their own noises of concern as they drew close enough to the base for the others to hear.

A couple of Regs standing at the entrance of the hangar bay moved forward as if to stop them, but waved them through once Hunter pulled off his helmet.

“Captain’s inside,” he said, nodding to the chaotic scene behind him.

They all walked inside slowly, Omega jumping out of the way of a frantic looking nat-born woman, the upper half of her jumpsuit tied around her waist, waving a datapad threateningly and shouting at someone on top of the freighter in the middle of the room.

“What’s going on here?” Wrecker grumbled as they watched clone and nat-born alike clamber around, gathering supplies and loading them into the freighter.

Hunter’s brow quirked as he watched two men load a crate of explosives while another loaded a crate of ammunition onto the ship.

“It would appear they are prepping for an urgent mission,” Tech said, adjusting his giggles as they watched the chaos.

“We just commed Rex an hour ago and he said everything was fine,” Echo looked toward the group, concerned.

“Hello boys!”

They all turned at the sound of a familiar voice and watched Gregor walk toward them, fully armored, with a wave and a grin on his face.

“And lady,” he added once he was next to them, smiling down at Omega and offering her a high five which she accepted.

“What’s the hustle for, Gregor?”

“Bit of an emergency came up in the last hour or so,” Gregor said with a sigh, face falling into a serious expression as he looked around. “One of Rex’s main operatives sent out a distress signal. Looks like he’s been busted and needs extraction.”

“I didn’t know Rex ran stealth ops,” Hunter said, surprised.

“Oh, he doesn’t. But this one is a bit of a special case,” Gregor explained. “He’s had a man playing double agent in the Empire for about a year now. He’s the guy who’s been helping us save all these clones.”

Glancing around, Hunter couldn’t help but be impressed. He knew Rex had made it his mission to fight the Empire and save all the regs he could, but Hunter hadn’t realized just how many Rex had managed to accumulate even since they were last on base four months ago. There had to be dozens of clones just in the hangar bay. Who knew how many were in the rest of the base.

“One man helped smuggle all these clones out?” Hunter asked, surprised.

“Them and more,” Gregor nodded. “Even helped some get their chips out first.”

“And now the Empire’s figured him out.”

“Aye, vod,” Gregor sighed. “Rex wants to try and extract him as soon as we can. He’s done so much for us… we don’t leave men behind.”

Hunter nodded, very carefully ignoring the way Echo shifted at his back.

“Trooper! Make sure you load a couple emergency field kits and a med scanner into the cargo. I don’t know what sort of condition he’ll be in when we get to him.”

The group turned to watch as Rex rounded the freighter, fully kitted up in his customary 501st blue armor, helmet tucked under his arm. Captain Howzer followed close behind him, similarly decked out in full armor. Rex stood and directed a few of the troopers around before turning to the group huddled to the side of the chaos.

“Evening, Bad Batch,” he greeted as he walked closer, chuckling when Omega ran forward to wrap her arms around the man’s waist.

“Hey there, ‘Meg.”

Howzer nodded respectfully to Hunter and the others.

“What’s going on here, Rex?” Echo said as he stepped around Hunter.

“Emergency extraction,” Rex said simply, accepting the gentle kov’nyn from Echo when the man reached forward. “Bit of a sketchy situation. We need to leave as soon as possible.”

“Heard about your man,” Echo said, “how deep was he?”

“Very deep,” Rex sighed, expression pinched. “Hopefully we can get to him before, well….”

Hunter nodded as Rex trailed off. By this point, they were all familiar with the Empire’s idea of justice against those they felt had wronged them.

“We should head out,” Rex said, nodding at Howzer and Gregor. The two saluted and Gregor slid his helmet on. “It’s a couple hours to Daro and I don’t want to waste any more time.”

Hunter started. “Wait, Daro--?”

“Rex, wait!”

The group turned to watch as a rather gaunt looking clone with a handlebar moustache ran up to the three captains.

“I’d like to request permission to go on this mission, sir,” he said, snapping breathlessly to attention and saluting.

Rex looked at the other clone with concern clear on his face.

‘I don’t know, Boil. You’ve only been here a couple of days, you should be taking time to recover--”

“I understand,” the clone - Boil - said, relaxing. “But I owe it to the Commander to help him. It’s my fault he got caught in the first place.”

“No it wasn’t,” Rex argued, reaching out and clapping Boil on the shoulder. “He knew the risks and it was his decision. Besides, you have no way of knowing--”

“That signal went out within days of getting me out,” Boil said quietly. “I know how high of a risk I was, but he did it anyway. I owe this to him.”

Rex held the other man’s gaze for a long moment before sighing and turning to Howzer.

“I hate to ask,” Rex began apologetically, “I know the two of you are close, but--”

“I’ll stay here,” Howzer agreed, reaching up to pull his helmet off. “Man the fort, as it were.”

He glanced over Rex’s shoulder at Hunter and the others before turning back to the other man.

“Just…” Howzer sighed, face pinched, “bring him back safe, okay?”

“That’s the plan,” Rex assured him as the two braced arms.

He unclipped his bucket from his belt and slid it over his head.

“Sorry to dash on you like this, boys,” Rex said, turning back to Hunter and the rest of their squad. “We’ll have to catch up another time.”

“I understand,” Hunter said, reaching forward to clasp the other clone’s hand. “Good luck on your--”

“We can go too!”

Everyone in the cluster turned to look at Omega, who pushed her way forward between Hunter and Boil to stand next to Rex.

“You can?”

“We can?”

Hunter and Rex glanced at each other before Hunter turned back to Omega.

“Yeah!” Omega insisted, looking imploringly at Hunter. “We’ve been to Daro and broke out Gregor before, you know the facility. You guys are trained in special ops, and if this guy is as important as Gregor says he is then they’re going to need all the help they can get.”

Rex glanced back at Gregor who shrugged.

“Omega,” Hunter sighed, “we can’t-- they’re going into a major Imperial base. If something happens and we get caught, we’ll be in serious trouble. The Empire thinks we’re dead and we need to keep it that way. Besides, Gregor knows the inside of that base better than any of us.”

“But we can help!” Omega argued, frustration clear on her face. “Whoever The Commander is has saved so many people, if our help gives Rex a better chance at saving him, I think we should do it!”

“Omega, we can’t risk--”

“We can’t run from the Empire forever, Hunter,” Omega said softly, grabbing Hunter’s hand.

“Besides, I--” she glanced over to Rex who had yet to speak, before turning and leaning closer to Hunter.

“I have a feeling about this mission,” Omega said quietly, eyes bright as she looked at her brother. “This feels right. I think this is where we’re supposed to be. I can’t explain it, but I… I think we need to do this.”

Hunter sighed, staring down at Omega’s hand on his.

He knew logically that their safety from the Empire wasn’t meant to last. He knew that he wouldn’t be able to hide Omega and his squad from them forever. The Empire certainly wasn’t going anywhere for the foreseeable future, so running into them again was ultimately inevitable. It was hard enough keeping his squad away already, Echo arguing with him about helping Rex and the rebellion more and more as the Empire grew. Wrecker and Omega were starting to back Echo up whenever he and Hunter argued, so he knew it was only a matter of time.

He just thought they’d have more time than this. Two years was admittedly a long time to continue on without Imperial detection, but Hunter had been hopeful their peace could last a little bit longer. Omega may have been growing up quickly but she was still a kid. Kids shouldn’t need to worry about rebellions and Empires and bounties and missions and death.

Besides, this seemed like an unnecessary risk to Hunter. Whatever feeling Omega had about this mission, Hunter wasn’t getting it. It felt like a waste to risk their tentative peace and safety from the Empire on a rescue mission for some man they didn’t even know. No matter how impressive his work against the Empire was.

But as much as Omega was a bleeding heart about helping those in need, she was also stubborn as hell. A trait she shared with all the clones, really, but it had gotten worse in her time as a member of the Bad Batch.

Hunter looked back into Omega’s wide eyes and felt his resolve crumble. He sighed, glancing back to the rest of the squad. Tech and Wrecker looked impassive as they stared back at Hunter, likely waiting for him to make a decision and follow whatever option he chose. Echo was looking back at him with the same amount of hope, the same determined resolve that Omega had in her eyes and Hunter knew he was losing the battle here.

He sighed tiredly, turning back to Rex.

“Got room in that ship for five more, Captain?”

Rex was frozen in place as he stared back at Hunter. His body language gave no indication as to what he thought of this development, though the incredulous tone he’d used to question Omega indicated that this was not a turn of events he was planning, or even hoping, for. With his helmet on and staring blankly at him, Hunter had a hard time getting a read as to what the other man was thinking.

Rex’s head tilted just slightly to glance briefly at Howzer, who was standing to the side watching the exchange with a strangely intense look in his eyes.

“I don’t know if--”

“Please, Rex?” Omega said, stepping up to the older clone.

Rex shuffled under Omega’s intense gaze, a feeling Hunter was very familiar with. Finally he sighed, dropping his chin to his chest before turning back to Hunter.

“I don’t have time to argue about this— fine,” he said, ignoring Omega’s happy whoop. “But you have to do exactly as I say, okay? No matter what happens.”

If Hunter didn’t know any better he’d say the Captain sounded tense, almost nervous. Hunter nodded and heard the others agree as well.

Rex kept his gaze on Hunter for another moment before shaking his head and turning toward the freighter.

“Let’s go,” he ordered, commanding tone back as he barked orders at the men around them. “We’ve wasted enough time as it is.”

Hunter turned back and nodded at the rest of his squad, who all nodded and slipped their helmets back on their heads as they checked their gear.

“Good luck,” Hunter heard Howzer mutter to Rex, who just shook his head. Something told him they weren’t talking about the mission.

Together they followed Rex, Boil, and Gregor up the ramp of the freighter, Rex and Tech headed for the cockpit. As everyone else got strapped in and the engines on the ship started, Hunter couldn’t help but wonder if he was making the right choice.

Omega may have had a good feeling about this mission, but Hunter had a feeling this mission was going to change everything for them, and he wasn’t sure it was for the better.

#cady writes #the chain #the bad batch #tbb #the bad batch fanfiction #tbb crosshair #tbb hunter #tbb tech #tbb echo #tbb wrecker #tbb omega #captain rex #my fic

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looniecartooni · 3 years

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Okay- I’m distracting myself from all my work to analyze these lines from Sonic 06...

Mephiles: “Its futile. The world will betray you. Why fight at all? Why risk your life for those who will persecute you later?”

Shadow: “If the world chooses to become my enemy... then I’ll fight like I always have.”

(Warning: Very lengthy analysis. Skip to the next time you see these lines for the main point.)

So first off- let’s start with the Sonic world implications. This is the last exchange between Mephiles and Shadow in Sonic 06. I don’t know the original Japanese script, but these lines are telling for both characters. As I’ve analyzed before, Mephiles himself was betrayed by humanity by being separated from Iblis perhaps more than once (given how the King of Soliana knows how to seal off both him and Iblis and was pretty adiment on trying to get his wife back). And being a time traveler guy/ god of time’s conscience, he’s probably seen Shadow’s past and future. That and/or “The ‘I’ I now absorbed from your shadow in the past” connects him deeper to Shadow.

Anyway, Shadow up to this point has lost his best friend to the organization he now works for, lost his memory and told he may not be himself, got tricked by a bunch of aliens he’s related to in letting them invade the earth all while being blamed for the death of his best friend and an enemy of humanity by his now boss- he’s been through a lot! And he’s been used a lot too! Eggman, Black Doom, Gerald Robotnik, the GUN, now Mephiles. Mephiles tells him he’s going to get locked away again for being too powerful (which I think is what happened to Shadow originally- but then you’ve got the 326 endings of Shadow the hedgehog where he might not even be Shadow the hedgehog- but we aren’t going to touch that). Mephiles even tells one of Shadow’s friends (Omega) that he’s gonna be the one to seal off Shadow and betray him. Rouge is the first one to swoop in to say “That’s not fair!” and that even if Shadow feels isolated, she’s gonna stick with him. The funny thing is... until Mephiles told Omega he’d be the one to seal off Shadow, Shadow was quick always to say “That’s absurd. Whatever it is you want to do, you can do it alone.” Shadow is done being used. He knows better now. He has people he can trust. When one of his friends is told he’s going to be the one to betray him, they tell him (and being Omega/ a really awesome protective bestie just machine guns him- man, I wish the graphics and editing were better for that scene). Suddenly, Mephiles has penetrated into Shadow’s world. Humanity won’t just betray him, one of his closest friends will. Omega and Rouge are Shadow’s like only actual “I’ll acknowledge you as friends but never say it” group. Shadow doesn’t truly trust anyone else. Sure he’s rotten to them like “My assignment was to rescue you. Nothing more.” but they’re the kind of friends with clever rebuttals to his claims knowing he truly does care and won’t admit it (not because he’s edgy but probably because when he usually displays trust in someone, they end up using him *cough cough* Black Doom *cough cough* Eggman). Having a friend say “I’m going to betray you in the future” probably hits Shadow a lot harder given how many times he’s been used and betrayed and unlike Mephiles, he let Omega into his trust bubble. Shadow doesn’t speak a word, but Rouge is quick to defend Shadow which you may or may not have not really expected from her. But considering all she’s done with Shadow and through every pit fall, she’s managed to support him and in the scene where Omega says he’ll be betraying Shadow, she admits she’ll stick with him even through the worst pitfall he may have to fall in. And that’s exactly in that moment what he needed to hear.

Ok- now that I’ve dedicated a... lengthy paragraph I don’t know how to shorten to Shadow, let’s get back to Mephiles. Mephiles has no one he truly trusts. Those who he did “trust” he manipulated an have now come to the understanding they shouldn’t have trusted him. He sees Shadow as an opportunity. Maybe not just an opportunity, but an ally. Someone just like him the world betrayed or took advantage of his power. He quite literally reflects Shadow/ Shadow reflects him. At first, Mephiles hated Shadow for sealing him away and then seemingly not recognizing him. But he sees how they’ve lived similar lives (admired for their power, sealed away for decade(s), betrayed and used by the world) and thinks that Shadow still wants what he wants- to persecute humanity. And Shadow’s been told many times reasons he should betray the world, but not as personal as Mephiles makes it. Mephiles even seemingly over does it by saying things like “Let’s end this foolish world of humanity. Its only fair to give back what was intended for you. You have every right to want justice.” And when Shadow says “no” for things that haven’t even happened, Mephiles goes over the top mad, transforming and fighting Shadow. Later on, when Silver confronted him about being a liar, he was a lot more calm and collected and just walked away like nothing happened. Why would Shadow make him more upset about saying he’s absurd than Silver? Mephiles either thought Shadow would be an easier pawn to control like Silver or Shadow has been known to nearly kill or be on parr with Sonic multiple times so having him as an ally would be essential- but for the sake of this lenghthy analysis, I’m gonna over look all that.

(You still there? Cool!) Let’s get to the final confrontation! Mephiles tries a third and final time to get Shadow as an ally which at this point is kind of silly but may also indicate just how personal wanting Shadow as an ally is to Mephiles. Shadow accuses Mephiles of having no desire for revenge and just wanting to eat all of time until there’s noting left of it to which Mephiles replies, “Its a pity, Shadow the Hedgehog... Truly ashame you wish to go against me.” Mephiles probably thought that of everyone in this world, Shadow would understand how he felt. I always found it off putting that Shadow just accuses Mephiles of being just a common bad guy, but going back to Shadow’s trust issues, making others just seem like bad guys probably helps him not feel bad for when he becomes an enemy with someone (he does it all the time- but this analysis is too long. I’ll do that one another time). Mephiles doesn’t reject Shadow’s claim, but even through bad graphics and lack of a mouth and eyelids, you can see he’s genuinely disappointed Shadow didn’t want to join him. Now I feel like someone’s going to say something like, “maybe he wanted Shadow to join him because Shadow was going to be the one to seal him again.” I won’t deny that that could have been a possibility, but given how confident he was when he broke free of the scepter when Shadow tried to seal him in again, he basically said “ I copied your shadow- you can’t seal me because I’m like this now lol.” and right after that... we get to the lines I was analyzing. He says after making a bunch of clones, “You must realize now you can not hope to stop me with your limited power.” (man-I love these lines!!!!) To which Shadow refutes with, “So you say.”

Mephiles: “Its futile. The world with betray you. Why fight at all? Why risk your life for those who will persecute you later?”

This is coming from someone who was honored like a god before being split into two entities that were sealed away from each other for 10 years after being labeled as threats. He has an understanding of Shadow and his future and quite possibly his past. He knows Shadow will be betrayed by one of his closest friends and sealed away again. Why would he continue fighting? Why doesn’t he want to end it all like him?

Then Shadow responds while freeing himself to full power: “If the world chooses to become my enemy... then I’ll fight like I’ve always have.”

After losing someone he loved, sealed away for 50 years, manipulated countless times, almost closing off his closest friends after Mephiles told one that they’d betray him... Shadow simply tells him he’ll just keep fighting. Fighting for what he believes is right.

Now- if you’re still reading after this whole essay of thought (or just skipped to the end) let’s take into account how these lines fit into our world. How many times have we felt betrayed by the world and tempted by our demons to just end everything after injustice? To just want to get rid of our enemies or the enemies within ourselves? Why bother fighting for what’s right? Why stand up for what you believe? Shadow and Mephiles went through similar experiences and yet both want to do something different. Mephiles just wants to end humanity, just get rid of his problems, just end everything. Shadow wants to keep fighting through it. If it gets worse, he’ll just keep fighting. They’ve both lost people they loved(Maria and Iblis) and want to be with again, they’ve both been betrayed and fear/know they’ll probably get betrayed again. But where Shadow prevails is that he’snot going to let those feelings of anger and betrayal weigh him down anymore. He now has people he can truly trust (Rouge and Omega- Omega even told him what Mephiles said as a warning) while Mephiles just manipulated people to believe what he said and do his bidding.

The point I’m trying to make here is when times are tough, be careful not to fall into being like Mephiles. Mephiles didn’t really have anyone to fall back to or stand up for him or any reason to want to keep fighting after the world hurt him. Shadow allowed himself to be vulnerable and trust his friends. When you feel the world is against you, don’t turn against it. Don’t try to get rid of the pain because you don’t want to feel it anymore. You have to fight through it like Shadow does. And how Shadow fought through his pain was choosing to trust people. Even though in the past that hurt him, he still managed to let Rouge and Omega be close enough to him to where they wanted to protect him even when his demons were telling him to isolate the world because it was only going to hurt him more. A true friend stays by your side, even when the monsters tell you otherwise.

I don’t think Shadow truly considers Sonic a friend. They have a frienemy relationship where they always have to one up each other and Sonic’s usually pretty cocky when it comes to helping Shadow like, “Oh- you’re in trouble again? Alright. You’ve better play it nice then.” and Shadow’s usually like, “Fine- whatever. Do what you’ve got to do and leave me alone.” But I’ve always wondered what would happen if Sonic and Mephiles truly crossed paths if the events of 06 would have been different. Ah- but that’s another theory for another time. Beware of your demons, kids and sorry for all the rambling. Share thoughts or find a way to summarize this if you’d like and I hope you have a good day.

#sonic the hedgehog #sonic 06 #mephiles the dark #shadow the hedgehog

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maxwell-grant · 3 years

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Downfall of a Dark Avenger Part 2: Shadows of Manhattan

Having finished reading Al Ewing’s El Sombra trilogy and having had enough time to digest it, I’d like to talk about the trajectory of it’s titular protagonist, the character and series’s relationship with it’s influences. Relating to The Shadow and Zorro and general pulp archetypes, and also the way it incorporates Astro Boy’s Pluto into the mix.

This part is focused on Gods of Manhattan and El Sombra’s first appearences in Pax Omega and the ways in which the urban vigilante manifests itself in the books.

In Gods of Manhattan, El Sombra takes a backseat to it’s central players, Doc Thunder and The Blood-Spider. I’ve mentioned how Thunder, while ostensibly a Doc Savage/Superman amalgam, also combines aspects that allow the character to condense the entire history of the superman into a single being, but to a character very much centered on the future and in progressive ideals, described in the book as someone considered both the city’s ultimate savior as well as viewed as "a faggot, a liberal and a miscegenationist”. In that regard, the Blood-Spider becomes his opposite. Perhaps the most comprehensive savaging of the dark detective/The Shadow ever put on paper, that has a larger point behind the questions and criticisms it brings up to what this kind of figure can be.

"You can hardly have a war on crime unless you are the one defining what a crime is. First rule of the war on crime: everyone is guilty or something"

Us am vigilantes! Am us not men? Us use violence to effect social change! Am us not men? Us bring terror to underclass, make streets safer for overclass! Am us not men? Am us not men?

Making them loved rather than feared. Having them fight crime, or the right kind of crime, at least. Created a persona designed to appeal to the worst in people, to bring the citizens of New York around to his cause, his war on crime, which would, of course, then become a war against ‘urban crime’. Or some other little euphemism. ‘Inhuman’, for example. Sounds a lot more relatable than subhuman, doesn’t it? Comes to the same thing, though.

Although The Blood-Spider is an evil take on The Shadow, most of his character traits are taken from characters that followed him. He’s got the moniker, savagery, fright tactics and branded murders of The Spider, he climbs buildings and has a civilian identity akin to Spider-Man’s, with constant name references to characters like Stacey, Jonah and a redhead named Mary Watson, with him sharing a name with Peter Parker as well as Batman villain Jonathan Crane, he’s got Rorschach monologues that are echoed by his associates past his demise in white supremacist organizations dedicated to carrying off Spider’s legacy, predating HBO Watchmen’s take on Rorschach legacy. If Doc Thunder is all about taking the superhero’s past to create a better future with it, Blood-Spider takes the future of the urban vigilante and uses it as a conduit to enact a barbaric and reactionary agenda in service of undoing everything Thunder stands for, even before he’s revealed to be a Nazi agent.

Blood-Spider is what happens when the absolute worst aspects of said characters are brought to the forefront and twisted by a dose of reality. He’s to The Shadow what Plutonian is to Superman, the most sour way said character and legend can be twisted into something horrendous. He’s the Doutrinador in a fedora, everything I vehemently argue that The Shadow wasn’t, and yet seems sadly ever closer to as more and more comics dehumanize the character. He’s Howard Chaykin’s Shadow, naked and raw and exposed for what it ultimately is. An insult and a wake-up call, if a necessary one.

In fact, said poisoning of a legend is explicitly a plot point in the book, because the book establishes that, before The Blood-Spider, the city’s main vigilante used to be a man by the name of Blue Ghost, friend of Doc Thunder and, although a mysterious public figure, still firmly on the side of good. Unfortunately, moral victories aside, “good” alone doesn’t cut it in the world of El Sombra.

You took a look at the Blue Ghost - mysterious masked avenger, operatives all over the place, big fan-following with the working classes, and you figured...we need one of those. Just take away the Japanese orphan kid and replace him with a foxy Aryan chick.

Blue Ghost is almost a textbook Spirit analogue, even defined as being beat up a lot as his main asset, except here, he’s placed as Doc’s counterpart that died before the story began and is now replaced by a darker and more horrendous counterpart, and because The Spirit was influenced by The Shadow, it opens a roundabout connection. You can read this as a comparison between the shift from Adam West’s Batman to Frank Miller’s Batman, or a comparison between The Shadow and earlier more straightforward pulp vigilantes like Jimmie Dale, or a comparison between the pulp/radio Shadow and later iterations of him or analogues to his archetype that upped the nastier aspects. Again, nothing in El Sombra is ever quite just one thing.

And at last we come to El Sombra, who spends much of the book caught in between the duels of Doc, Untergang and players in between. And it’s interesting that here, while El Sombra’s final victories over the story’s major conflict lie in his willingness to team up with Doc, despite knowing of his origins as a Nazi weapon, his victories over Blood-Spider instead come from turning tricks of The Shadow against him. First, when he discovers Spider’s true nature, spying on him by pulling a Fritz the Janitor. And then in the finale, when he schools Spider on what a real shadowy avenger looks like.

"Amigo...that's my sword"

The voice came from the darkness above them, where the gaslight did not reach. The Spider's blood ran cold for a long moment, and then he grabbed hold of his other gun, tearing it from its holster and raising it to fire a volley of bullets into the darkness. "Where are you? Show yourself!" he hissed, turning in place, the gun raised to fire at the slightest sound or movement.

"You're not the only one who can hide in the shadows, my friend. I've got very good at it, over the years."

"Show yourself!" Another volley of shots, with no result. Was he throwing his voice? Was he everywhere at once? Was he a shadow himself? A ghost?

The voice echoed from another place now, continuing his speech exactly where he had left off. And still that mocking voice echoed from the shadows above.

"See, I didn't know if you were a good guy or a bad guy. I mean, sure, you killed people, and you were kind of a dick about it, you know? But I didn't know if you were one of the bastards. I didn't know if you needed to die or not, amigo."

The gun clicked empty. He was out of bullets. He turned again, and there was the man in the red mask. Just standing there, in the middle of the concourse. His smile didn't look human. And his eyes. Oh, his terrible eyes...

"Stay back." The Spider whispered, and his voice sounded in his ears like a frightened, animal thing, waiting to curl up and die in its hole.

The man in the red mask only laughed. A rich, deep, joyous laugh, a laugh that echoed and filled the whole station, bouncing from pillar to pillar, careening through the great vaulted arches. Such a laugh!

Then the laughter stopped, and he fixed the Blood-Spider with a look that would freeze the fires of Hell.

And suddenly - quite suddenly - there was no Blood-Spider. There was only Parker Crane, the Nazi. Parker Crane, the traitor. Who thought he could destroy America, and only managed to destroy himself. Parker Crane. Just a man wearing a mask. He ran, and left the sword behind him.

"Nice trick," Doc murmured, turning to the masked man. "Throwing your sword from up on the balcony - good aim, by the way - then throwing your voice and a little mental suggestion to make him think you were up in the arches where he'd been. Where did you learn that?"

The masked man shrugged, lifting up his weapon. "In the desert. You can learn a lot in the desert, if you put your mind to it."

By the story’s end, once Lars Lomax, Thunder’s arch-enemy and Lex Luthor, takes center stage as it’s ultimate threat, Parker Crane is left a traumatized, broken shell unable to even move, utterly stripped of any mystique or power that his mask and guns may have brought him. And in the end, El Sombra finds him, neutralized and no longer a threat to anyone. And he makes his choice.

El Sombra knew what it was to hate, to hate so hard and so long that you knew nothing else, to hate so strongly that it crossed that line into something beyond reason.

He lifted his sword, resting the blade in his palm for a moment, considering. Crane only stared, weeping and making his soft, mad noises. El Sombra sighed, shaking his head. "You know, I don't know if I can kill a guy who's already dead. Even if he is one of the bastards."

"Don't let him in here." Murmured Crane, his eyes wide.

"Shhh, I won't let him in," smiled El Sombra in response, trying to be reassuring. "You'll never have to face him again. I promise. It's okay, amigo. It's okay."

It was strange. He knew he should feel hate for Parker Crane. It was Djego's job to bear things like pity and doubt, to feel sorrow and shame. That was Djego's role in their team of one. El Sombra was there to take never-ending revenge and to laugh and to never look back. But to know that his murder of Heinrich Donner - his righteous kill - had resulted in so much harm coming to so many... and now to see the leader of Undergang, the man he'd come to New York to kill, just an empty, broken madman, a shell of a person... El Sombra wondered if he was changing.

"Don't," whispered Crane, a tear rolling down his cheek. "Don't let him back in."

El Sombra smiled, placing a hand on his shoulder. "It's okay, amigo. I'm going to go and make sure nobody ever needs to see him again. And I couldn't have done it without you." He squeezed lightly. "You didn't mean to, but you did some good. Remember that."

Then, gently, he pushed the tip of the sword through the front of Crane's skull and into his brain.

He was not incapable of pity. But he was who he was, and he did what he did.

And broken or not, the bastards had to die.

We’ve seen El Sombra struggle and be faced with choices, choices between Djego and El Sombra, choices between kindness and violence, between peace and conflict. We’ve seen the conflict in his soul between things that he knows are right, because Djego is a good man with a good soul who wants good things for himself and others, and things he knows he must do, because he is El Sombra and El Sombra was created to kill the bastards that brought his world to ruin and therefore it’s what he must always do. And in the end, El Sombra is simply stronger. He has to be. But strength and violence and hatred can only get one so far.

Gods of Manhattan is the trilogy’s moral compass, the book that most clearly defines the morality the series operates on. And in between the spectrums of justice embodied by Doc and Crane’s approach, between the two urban avengers in The Blue Ghost and Blood-Spider, El Sombra made his choice. And it’s the first choice that dooms him.

Enter Pax Omega, and we learn that, 4 years since the previous book's events, El Sombra joined a squad of agents called Yankee Bravo Seven, who work for an organization named STEAM, who enact missions against Nazis to turn the tides of war. He is joined by several other types of characters, including The Blood Widow, Crane’s former assistant Marlene Lang now having taken up the moniker (just as Nita van Sloan did for The Spider, even with the “Widow” prefix). We see that El Sombra has joined a team of bantering heroes and even formed a friendly rivalry with a man named Savate, modeled after Batroc the Leaper.

But we see that the hunger for vengeance still burns, still burns beyond reason, restless because it’s been 4 years and the war still isn’t over and Hitler still isn’t dead by his sword. And it’s that restlessness that again dooms him, when he once again makes the wrong choice and betrays leader Jack Scorpio, Scorpio who had personally brought him on board and gave him the best shot he ever had at getting to Hitler.

El Sombra frowned. "We need to make our move now."

Scorpio shook his head. "Not yet."

"What?" El Sombra looked incredulous.

"Wait for my signal, I said! Damn it, I need you to trust me!" Jack Scorpio reached up to brush the back of his finger across his forehead, and realised he was sweating.

Through his special glasses, El Sombra's aura was glowing an angry, pulsing red, like a throbbing vein. "Just...trust me. I'm asking you to hold back for just five minutes. There's more going on here than you know."

El Sombra just stared at him, his lips pulling back from his teeth in a cold snarl.

"Trust me. That's all I ask." Jack Scorpio looked into the blazing eyes behind the bloodstained mask, and spoke softly, soothingly, almost desperately. "Can you just hold back for one minute?"

The eyes behind the mask narrowed.

"Can you?"

PERSONNEL FILE: DJEGO "EL SOMBRA". TO EYES ONLY: THIS INDIVIDUAL IS HIGHLY DANGEROUS. IT IS STRONGLY RECOMMENDED HE NOT BE INCLUDED IN ANY OPERATIONS CLASSIFIED ABOVE TOP SECRET OR HIGHER. (I'll take the risk - J.S)

El Sombra spat in Scorpio's face.

"Chinga tu madre."

Then he drew his sword and leaped down into the fray.

After the mission is over, with the base destroyed and a major victory secured, although with Jack Scorpio having been killed, the team disbands. El Sombra continues to wander the forests near the Luftwaffe base for about two weeks, killing as many Nazis as he can, until an explosion blast hits near him, knocking away his mask and portions of his leg and arm, and rendering him unconscious for 8 months. By the time he wakes up, the war has ended, and so has El Sombra for the past 7 years.

Djego was afforded the best of medical care at the hospital in Venice. El Sombra was nowhere to be found.

His mask had been torn off in the explosion, along with some of the meat of his leg and arm. He walked stiffly, now, with a pronounced limp, and his left arm was all but useless, hanging limply at his side. The Wildcat crew had salvaged his sword, but Djego had little interest in using it.

Gradually, he regained his mobility. The back of his head itched constantly, and he suffered from horrendous mood swings, when he would rage against the Fuhrer and the bastards, or weep helplessly, like a child. But gradually, he found his personality stabilising in the gentle, antiseptic atmosphere of the hospital. He found that Djego - so long despised as a weakling, a coward and a fool - was capable of a kind of gentle, melancholic wit that made him popular.

Djego healed and grew, and the itch in the back of his skull began to subside, as El Sombra relinquished his grip.

Djego felt his heart seize in his chest. The cloth was missing a scrap at the end, and there was mud ground into the fabric along with the old bloodstains; but it had two evenly-spaced holes in it, and was unmistakably a mask. It seemed to be looking at him.

He takes up gardening and establishes himself in the city of Brandenberg, he becomes a fixture of the city and a friend of it, he enters a relationship, and El Sombra never appears again.

Until a mysterious stranger named Leonard Lorraine, walks through his door one day, saying he’s got a mission to fulfill, and hands him his mask. And, once again, El Sombra is simply stronger, and he makes the wrong choice again.

Djego shook his head and tried to step back from it, but his legs wouldn't move.

"No," he whispered. "No. Please"

"I was happy," pleaded Djego. "Doesn't that matter to you?" He picked up the cloth in trembling fingers, looking into the empty eyeholds. "Doesn't that mean anything?"

There was no answer. The patrons of the bierkeller did not even notice anything was happening.

"I was happy," Djego choked, and then, in one spasmodic motion, he pulled the mask onto his face, and secured it tightly, so that the knot once again rested in the back of his head, where it belonged: so tightly that it might never come off again.

El Sombra looked at his hands.

He prodded his belly, amused at the rounded shape of it, and took a couple of steps back from the bar. The limp was gone.

He laughed, very softly, so as not to disturb the patrons.

Djego and Lorraine walk through the desolate streets of Berlin, which in the years since has completely sealed itself from the outside world through an impossibly thick dome, and Djego discovers the city completely bereft of life, with only a few lobotomized robotic citizens aimlessly wandering and chewing on the mountains of corpses in the city, as their Nazi ideology reached it’s inevitable outcome of total annihilation of any and all that the party could find an excuse to slaughter in the name of purity, which eventually included it’s few remaining members. In this world, Hitler has been a brain inside a robotic contraption ever since 1945, and it’s amidst this scenario that El Sombra, while thinking about how his final confrontation with Hitler would play out, eventually finds what’s left of Hitler.

All around them, there were the sounds of machinery, but the Mecha-Fuhrer was completely silent, utterly motionless. In the centre of its chest rested a tank of toxic green fluid, and on the surface of the fluid, a human brain floated, like the corpse of a goldfish.

It was quite dead.

El Sombra stared at the Fuhrer for a long moment. Eventually, he spoke, and his voice was cracked and raw, and choked with rage. "Is...is this a joke?"

De Lareine smiled his terrible smile. "The Fuhrer's body needed a great deal of maintenance and repair, you know. After two years, one of the processes delivering oxygen to his brain failed...and there was nobody left to repair it. He died, slowly." There would have been some pain, at the end".

El Sombra slammed his fist into the great iron throne on which the massive body sat, shattering his knuckles and tearing the skin from them. He didn't seem to notice. "Some pain," he choked, through gritted teeth."

El Sombra was still staring into the empty, dead eyes of the Fuhrer.

El Sombra again chooses poorly. It’s this moment, above all else, that truly damns him to his fate, as we come to see what is it exactly that a persona created for the purpose of vengeance has, when said vengeance is robbed from it. Like Parker Crane, his persona crumbles completely to expose the petty, ugly little feelings that drove it to such grandstanding antics in the first place, and the allmighty El Sombra is exposed for the all-too human failings that damned him once and for all.

"This isn't right," he said, eventually, in a strangled voice. "How...how can it end like this?"

"Why shouldn't it?" De Lareine shrugged. "Here's a thought. Maybe, despite his twenty-year tantrum and all his dressing up, spoilt little Djego is not the centre of the universe -"

El Sombra turned, face red, tears streaming from his eyes, and charged at De Lareine, slashing his sword. El Sombra crashed down onto the floor, into the soot scattered about, as De Lareine walked around him.

"Did you really believe Adolf Hitler would wait around for your sword? Did you not imagine that it might be better for him to seal himself off in a hole to die, instead of murdering and enslaving continents until you finally got around to him? Did you think you were the hero of your own little story, El Sombra, with your mask and your laugh and your-"

"Shut up!" El Sombra cried out, scrambling to his feet, the sword shaking in his hand, tears and snot running down his face. "He was mine! He was mine to kill!" He lifted the sword, the tip trembling. "Bring him back," he screamed, "do you hear me? Bring him back to life!"

De Lareine had to laugh at that.

And in the end, El Sombra is crushed, spiritually and physically as his spine is shattered by Lareine, who begins to experiment on him as he lays dying, ready to fulfill fate’s greater purpose for El Sombra. Ready to become not just the perfect machine Pasito’s conquerors intended, but a superior design. Ready to abandon his former life, ready to abandon everything that defined him, ready to shed any and all traces of Zorro and Shadow and pulp hero in his system, because the age of pulp heroes and superheroes has passed.

The metal man emerged from his hole, dragging the corpse of the Fuhrer behind him.

The brain in the metal man's chest would, perhaps, live for thousands of years. He wondered how he would spend the time.

He remembered little of his former life; he had been a man named El Sombra, or perhaps Djego. He had been stupid - he realised that now - but that was something he would never be again.

Apart from that, there was only a succession of faces, the memory of laughter and of a final, awful betrayal that had destroyed him. But there was also the sense that a great and terrible mission had ended at last, and it was time for a new life to begin.

The metal man took a last look back at the great dome of Fortress Berlin. Somewhere in there, the Leopard Man was hunting, freed from his own mission. And in the Fuhrer's old office, the empty, lifeless clay of El Sombra - or was it Djego? - lay, discarded, like a butterfly's cocoon.

The metal man thought on this, as the Fuhrer rusted at his feet and the tanks began to approach from over the hills ahead.

He would need a new name.

It’s now the age of Pluto.

#replies tag #pulp heroes #al ewing #el sombra #pluto

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terryballs · 4 years

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My favourite Doctor Who writers

10. Neil Gaiman

Neil Gaiman is one of the most talented people to ever write for Doctor Who. Of course, talent alone is not enough - Douglas Adams, Alan Moore, and Naomi Alderman all miss out on this list. What makes Gaiman special is his fairytale, fantasy approach to the show. He has big ideas, full of heart, and I am always delighted by them.

Why isn’t Mr Gaiman higher up on the list? Simply because he has only done four stories. One of them, “The Doctor’s Wife”, is an all-time classic, while the others are at least good. With a couple more stories, Mr Gaiman would surely be higher.

9. Paul Magrs

Coming in at #9 is one of the most important writers of non-televised Who. Paul Magrs has written nine Big Finish Main Range stories (most notably “The Peterloo Massacre”), three Companion Chronicles, and two Eighth Doctor Adventures, including the exceptional “The Zygon Who Fell To Earth”, as well as a huge number of spin-off adventures.

It’s in print where Magrs really flourishes, though. It’s quite hard to get across just how influential Paul Magrs has been. Firstly, his three books in the Eighth Doctor Adventures range - The Scarlet Empress, The Blue Angel, and Mad Dogs and Englishmen - are hugely ambitious metatextual delights. These stories introduce Iris Wildthyme and the Smudgelings to the Whoniverse, and have each inspired their own spin-off series, collectively called the “Magrsverse”. Iris’s parody of the Doctor is a rip-roaring delight whenever she appears - and as you know, she’s famous for it - and will prove a lasting legacy for Mr Magrs.

I suppose, at this junction, I should mention Lawrence Miles, who has had a similar influence, but I just don’t find to be quite as good a storyteller as Magrs.

8. Rob Shearman

You probably know Rob Shearman for “Dalek”, the first good New Who story. What if I told you that “Dalek” is Shearman’s worst DW story?

The titles of Shearman’s audio plays are enough to send shivers up the spines of those who have heard them. There’s “Jubilee”, the loose inspiration for “Dalek”, which explores the Daleks as fascist iconography. There’s “The Holy Terror”, where the Doctor and Frobisher the Penguin Shape-Shifter have a similarly horrifying experience with a religious cult. There’s “The Chimes of Midnight”, possibly the definitive Eighth Doctor story, and “Scherzo”, itself perhaps the most experimental story in Doctor Who history, and “Deadline”, in which the villain is Doctor Who itself.

Like many of the writers on this list, Shearman has an eclectic back catalogue full of obscure oddities. But few people have quite his capacity for knocking it out of the park.

7. Chris Chibnall

It’s true that Chris Chibnall’s work before becoming showrunner is inconsistent at best. “42″ is bad and “The Hungry Earth” is uninspired. “Dinosaurs on a Spaceship” is a fun romp, while “The Power of Three” is a great story that is let down by the ending which had to be re-written hastily due to unforeseen production issues. And Chibnall’s contributions to Series 11 range from “fine” (”The Woman Who Fell To Earth”) to “bad” (”The Battle of Ranskor Av Kolos”). But in “Pond Life” and “P.S.”, Chibnall shows that he knows how to write affecting character beats.

It’s in Series 12 that Chibnall really takes things up a step. His stories become sprawling and ambitious: globe-trotting thrillers crammed full of ideas. He’s still occasionally guilty of trying to throw too many ideas in, but his love for the story really shines through. There’s barely a weak moment in Series 12, and that’s largely because Chibnall himself steps up to write or co-write hit after hit after hit. It all culminates in the epic three-part finale, “The Haunting of Villa Diodati”/”Ascension of the Cybermen”/”The Timeless Children”, a hugely ambitious story that crosses space and time and pulls together disparate elements from the history of Who. It’s a million miles from “The Battle of Ranskor Av Kolos”: a fan-pleasing story that is truly epic.

6. Vinay Patel

Why is Vinay so high? Good question. Thinking about it, I can’t really justify this placement. Patel reliably produces great stories - “Demons of the Punjab” alone marks Patel out as a great, and to follow it up with “Fugitive of the Judoon” shows that it wasn’t a fluke. But Mr Patel has only got four stories to his name - the aforementioned TV stories plus “Letters from the Front” and “The Tourist” - so for similar reasons to Mr Gaiman, a high position is difficult to justify.

So instead, let’s give this position to Terrance Dicks. Mr Dicks has a bit of a reputation as more of a “jobbing” writer than someone like Chibnall or Shearman, Terrance Dicks was, first and foremost, a script editor. Yes, he co-wrote “The War Games” and was the sole writer for “Horror of Fang Rock”, but he’s best remembered for script editing the Third Doctor era (and part of the Second Doctor era), as well as producing an absolute mass of Target novelisations. But that’s not all - Mr Dicks has written original novels (VNAs, EDAs, and PDAs alike), Quick Reads, audio stories, two stage plays, and even the Destiny of the Doctor video game.

Sure, Mr Dicks didn’t burn as bright as Mr Patel. But his contribution to the Whoniverse is unparalleled.

5. Nev Fountain

Comedy writer Nev Fountain has written several of the very best Doctor Who stories. For some reason, these stories tend to centre around Peri (Fountain is married to Nicola Bryant). “Peri and the Piscon Paradox” is the best Companion Chronicle by far, due to a combination of great acting by Bryant and Colin Baker and Fountain’s sizzling script. “The Kingmaker” is an outrageously funny historical with incredible dialogue and multiple ideas clever enough to carry a whole story.

Frankly, those two alone should be enough to convince anyone of Fountain’s brilliance. But there is so much more - “The Widow’s Assassin”, “The Curious Incident of the Doctor In the Night-time”, “The Blood on Santa’s Claw”, “Omega“... if you like Doctor Who, make yourself familiar with Nev Fountain.

4. Robert Holmes

More than anyone else, Robert Holmes is responsible for the esteem which the Fourth Doctor is held in.

Holmes first wrote for the show all the way back in Series 6, with “The Krotons”. He wrote the very first Third Doctor story, “Spearhead From Space”, in which he also introduced the Autons. They reappeared a year later in “Terror of the Autons”, which introduced Jo Grant and the Master. In “The Time Warrior”, Holmes introduced the Sontarans, a pastiche of imperialism.

It was in the Fourth Doctor era that Mr Holmes really made his mark. He took over from Mr Dicks as script editor. In his own right, he wrote “The Deadly Assassin” and “Talons of Weng-Chiang”, but he also turned “The Ark In Space”, “Pyramids of Mars”, and “The Brain of Morbius” into usable stories, even appearing in “The Brain of Morbius” as the Doctor.

After stepping back from script editing, Holmes returned as a hack to write stories like “The Caves of Androzani” (probably the most popular story in Classic Who) and “The Two Doctors”, before dying shortly after his 60th birthday.

3. Jamie Mathieson

Putting Mr Mathieson above Mr Holmes really shows my bias towards New Who, but honestly, I’d rather re-watch “Mummy on the Orient Express”, “Flatline”, or “Oxygen” than any of Holmes’ stories. Mathieson is very inventive and extremely good at maintaining pace and tension. I’m sure we’ll get more stories from him in the future, but the ones we have so far should be used as inspiration by anyone wanting to writing exciting Who.

2. John Dorney

It is hard to exaggerate Mr Dorney’s contributions to audio Who. He may lack the external fanbase of Mr Gaiman, the influence of Mr Magrs, or the legendary status of Messrs Dicks, Chibnall, and Holmes, but make no mistake, Dorney is exceptional. In almost every range he tries his hand at - Lost Stories, Novel Adaptations, Third Doctor Adventures, Fourth Doctor Adventures, Fifth Doctor Adventures, Dark Eyes, Doom Coalition, Ravenous, Time War, Companion Chronicles, Short Trips, Jago and Litefoot, Missy, UNIT, Diary of River Song... Dorney reliably writes the best story in the set.

In particular, Dorney’s stories are notable for the way they focus on character drama. Look at stories like “A Life In A Day” or “Absent Friends” for particular examples of stories that use sci-fi concepts to draw emotion out of characters, particularly the stoic Liv Chenka. Other highlights of Dorney’s include “The Red Lady” and the “Better Watch Out”/”Fairytale of Salzburg” two-parter.

1. Steven Moffat

What more is there to say? Moffat is truly exceptional, reliably writing the best stories in TV Who for several consecutive years. The classics are too numerous to list, but the stand outs amongst the stand outs are “Blink” and “Heaven Sent”/”Hell Bent”.

Some of Moffat’s best work comes away from TV. The minisodes “The Inforarium” and “Night of the Doctor”, the novelisation of “Day of the Doctor”, the short stories “Continuity Errors” and “the Corner of the Eye”, and lockdown stories like “Terror of the Umpty Ums” are Moffat deep cuts which deserve to be held in the same regard as his great TV stories.

Moffat’s imagination lead to him creating multiple iconic monsters - foremost amongst them, the Weeping Angels and the Silence. Moffat emphasised the use of time travel within the stories themselves; other themes in his work include memory, perception, paradoxes, identity, sexuality, and responsibility. He is, without a doubt, the greatest Doctor Who writer, and I am so lucky to have lived through the period where he was active.

#Doctor Who #top ten #Steven Moffat

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tokiro07 · 4 years

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I think I may have talked about this before, but I really hope that DBS: Broly sets a precedent for canonizing older, non-canon characters and plotpoints

That being said, I realized today that I don’t really want every single Dragon Ball movie to be rehashed into excuses for Goku to get stronger ad infinitum

Instead I think it would be cool if they were rehashed to be excuses for EVERYONE ELSE to get stronger!

It’s basically gotten to the point where Goku is incomparable to basically everyone else anyway, so when the “final” Dragon Ball villain finally shows up in the next X number of years, I think it would be good for the rest of the cast to be a bit more balanced with him. Sure, we know he’d still be the last one standing and would probably get another power-up to shoot ahead as always, but it would be a lot more engaging if the rest of the cast was at least able to put up a real fight. I don’t imagine they’d each be getting a movie, but I don’t want them to have super short OVAs either, so I think somewhere between 5 and 10 episodes each would do really well

So let’s say we bring back Dr. Wheelo from World’s Strongest; while it might be cool to get more scenes with Roshi, I don’t think we quite need the whole “stealing Roshi’s body” plotline anymore. Instead, we could use it as an excuse to bring back Android 13 using Dr. Wheelo as the impetus. From there, this plotline follows Krillin, 18 and 17 on a family trip, wherein we get to meet 17′s wife and children. Wheelo shows up with 13, maybe 14 and 15 too, trying to get 17 and 18 so he can use them to upgrade either his own robot body or further upgrade 13. After the group dispatches with 14 and 15, Wheelo has 13 upgrade himself into Super Android 13 with their cores like in the film; this necessitates that 17 and 18 get stronger by also finding a way to become Super Androids, which also ties in and canonizes certain aspects of the Super 17 Arc from GT. At the same time, Krillin is also finding a way to upgrade himself, leaving him to beat Wheelo while Super 17 and 18 beat Super 13

Lord Slug gets repurposed as specifically a Piccolo villain and showcases a new Namekian transformation, perhaps the armored form seen in Dragon Ball Heroes; in order for Piccolo to defeat Slug, he needs to also access this armored form. It’s been stated that in order for Piccolo to fully regain the power of the Nameless Namekian he would need to reabsorb King Piccolo and allow evil back into his heart. The need to attain the armored form may be what prompts him to bring back King Piccolo’s soul and absorb it, with the major character arc of the film being Piccolo confronting the villain he used to be and finally overcoming it once and for all. Garlic Jr. could also serve this same purpose, and I actually think it would be interesting for Garlic Jr. and Slug to somehow team up, but I also think it would be better if it were a bit more focused and only chose one.

Turles could be repurposed as a Universe 6 Saiyan, giving him an opportunity to be redesigned to look less like Goku so as not to overlap with Goku Black. Vegeta finally makes good on his promise to visit Planet Sadala and decides to bring his family with him so that Trunks can be closer to his heritage. Goten either sneaks aboard or Vegeta allows him to come with because he thinks it’s an opportunity he’d never get from Goku. After taking in the Saiyan culture and giving Vegeta some time to reflect on how things could or should have been for him and his race and family, the plot shifts to Turles betraying Sadala, possibly under Frost’s orders, and attempting to drain it with the Tree of Might. Because he’s draining the Saiyans and not Earthlings, he gets a massive powerup that far outstrips what he got in the original film, allowing him to easily dispatch with Cabba, Caulifla and Kale. This in turn requires either Vegeta fight him with the powers he’s currently learning from Beerus in the manga or Trunks and Goten gain a power up as Gotenks. I do think that Turles would be better served as a Vegeta villain specifically in this case, as while I think Goten and Trunks need more development, Vegeta definitely deserves to have a story where he’s the hero

Tapion and Hirudegarn could easily provide Trunks with the development that he’d otherwise be getting from Turles, repurposing the sibling relationship he developed with Tapion in Wrath of the Dragon to have a bit more of a lasting impact (actually forcing Trunks to be confronted with the choice of killing Tapion rather than just having Hirudegarn escape from Tapion’s body before Trunks does anything as just one example). This would not only build up Trunks’ character, but would give him a really easy powerup in the form of Tapion’s Brave Sword

Garlic Jr., if not a Piccolo villain, could then in turn be a Goten villain, as Garlic Jr. was previously always defeated by child Gohan. Goten could be confronted with Garlic Jr. while Trunks is busy with Hirudegarn, forcing Goten to fight without relying on fusion and ultimately finding his own way of fighting that’s distinct from Goku’s ever-evolving Super Saiyan forms and Gohan’s Potential Unleashed. This would also make it even more impactful when Goten and Trunks reunite into Gotenks later in a bigger final battle

Bojack would then return as Gohan’s villain, but this time Gohan would have Videl with him (who would also be given an opportunity to improve her skills), as well as a slightly older Pan who may exhibit the same kind of untapped strength as Gohan did at her age. Gohan would either find some way to surpass Potential Unleashed to defeat Bojack or would specifically be able to beat him because his family is there fighting with him. Perhaps something like “Bonds Unleashed,” wherein Gohan exceeds his potential through the power of his love for his family or something silly like that? It’d also be a good chance to revisit Bojack’s team and develop them a bit more, especially fan-favorite Zangya

Cooler could give us a chance to develop Frieza on his own a bit, allowing him to finally reach the Fifth Form and subsequently combine it with the Golden Form while also exploring the culture of Frieza’s species, or at least the dynamics within his family as galactic conquerors

Janemba doesn’t really have anyone in particular aside from Goku and Vegeta that he would make a ton of sense to be a villain for, but given how frequently Janemba is compared to Buu, I could see him being a way for Buu and Uub to team up, fully reintroducing Uub and giving us a way for Buu to level up, maybe somehow channeling his Super or Kid forms in a more constructive way

Baby of course would be a way to reintroduce Super Saiyan 4, but seeing as he’s a Tuffle Machine Mutant, I could definitely see him coming into conflict with Broly as a way to get Broly up to Legendary Super Saiyan 2 or beyond. That said, Broly’s probably going to be brought back long before they rehash Baby, I just think that would be really interesting, especially since Legendary Super Saiyan is such a similar concept to Super Saiyan 4 (going Super Saiyan while in a pseudo-Great Ape state as opposed to going Super Saiyan while actually in Great Ape). My main problem is that I’m not sure how SS4 can be introduced at this point since it might conflict with SSG and SSB, but that’s an issue for the writers. I also don’t think it’d necessarily be good to have Baby remove Vegeta from the plot by possessing him like in GT, so maybe Baby’s Saiyan body should be a Universe 6 Saiyan. Perhaps Cabba would be a good candidate, since he’s pretty clearly far weaker than Caulifla and Kale, so it might lead to some good development for him

Finally, the Shadow Dragons would be a good way to tie everyone back together, with each of them (barring Frieza, probably) taking on a different Shadow Dragon using what they’ve learned; since I couldn’t find a place for Tien or Yamcha, perhaps they can team up to beat any of the Shadow Dragons that the others don’t get to. I don’t think it would be good to end things on a repurposed villain, so of course Omega Shenron wouldn’t be the final Dragon Ball villain this time around, but perhaps this would be where Goku finalizes and masters whatever abilities he’ll be using against the true final villain

I don’t know if other people would like this as much as I would, I just think it’d be really cool to revisit all of these characters and concepts, tweak their designs a bit and also give the extended cast a way to powerup and get closer to Goku’s level. Probably won’t happen, but I’d personally love to see it

#dragon ball #dragon ball super #long post

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gale-gentlepenguin · 5 years

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Gale’s Top Ten: Favorite Pokemon Rivals in Game

Rules:

1. The character must be considered a Rival by the games themselves (bare minimum that you can fight them multiple times)

1.5: THIS DOES NOT INCLUDE THE ANIME VERSIONS OF THEM if they have them. Or else it would be a very different list.

2. I am focusing on the Main games only, no spin offs. I am not including their ANIME appearances (though I will use Gifs if they are available, if I did a best rivals in the anime, the list would be a LOT different)

3, This is not about who is the strongest Rival, this is about who is my Favorite Rival

4. This is purely an Opinion list. I would love to hear your thoughts.

Spoilers below

_______________________________________________________________________

10. Gladion (Sun and Moon/ Ultra SM )

When Sun and Moon first came out and I ran into this guy. I thought to myself.

Who the f*** is this edge lord?

Honestly when I fought him the first time, I didn't think much of him.

It wasn't until I actually got deep into the story did I find out how interesting he was.

Older brother of Lillie, Son of Lusamine (one of the most bats*** crazy villains in Pokemon)

He stole an Arceus clone and hightailed it out of there because he could tell his mother was going crazy, and didn't want her ruining this Pokemon, and the lives of others.

The reason he is cold and distant is because he doesn't know who to trust, keeping his distance from Lillie in order to protect her.

He is still low on the list because despite this he is kind of boring and I think he still tries to be edgy.

9. Barry (Platinum)

This Hyperactive, hardheaded rival is definitely keeps you on your toes. When it comes to battles he is one of the more fun rivals to fight, since his team is actually pretty tough, in Platinum. He gets one of the strongest teams IN THE SERIES. With the starter being level 85, which is one of the highest level Pokemon owned by a trainer, save for Red’s pikachu in SS and HG, which is level 88.

Barry also gets a bit of character development when fighting team galactic but he really doesn't have much character outside of it. He is really on here because his battles are fun and really, thats all you really need.

8. Bede (Sword/ Shield

This arrogant little s***! Oh when I first met this punk I rolled my eyes. A haughty arrogant trainer, how original. He acts like he is the best despite the fact you kick his butt. But then, oh, but then. He messes with your childhood best friend and Rival Hop. This guy makes Hop doubt himself and basically causes that boy an existential crisis. Which made the next Pokemon battle with him SO PERSONAL.

Of course, you learn more about his story and find out why he is such an arrogant d***weasel, he was an orphan that Rose found and adopted, so he wants to help the Chairman anyway he can. This results in him vandalizing a mural in order to get wishing stars for the Chairman, who was ashamed of the boy’s actions and kicks him out of the league as punishment. That was a shocking twist.

Bee ends up becoming Opal’s successor which also changes up his team a bit. This also shows his change in character and while still arrogant, he is at least a bit less of a jerk. Also, he is just so much fun to beat because he is a sore loser.

7. Silver (Gold/Silver/Crystal/ HG/SS)

The Pokemon thief. The jerk with Red hair. Silver.

In the games he starts off as a jerk rival who much like another rival, acts like he is better then you.

But this rival is a thief and he seems to have a strong dislike of Team Rocket.

As the games go on, you see him realize that he learns why his team is lacking, he realizes he needs compassion. When he does learn this, his golbat becomes a Crobat, a Pokemon that evolves with affection.

You also find out he is Giovanni’s son in the celebi event,

which is an interesting twist, because it means Giovanni got laid.

6. Wally (Omega Ruby and Alpha Saphire)

I really like Wally, out of the two rivals, he is the one that comes closest in terms of being an actual rival in Hoenn. May/Brandon is more focussed on research, but Wally wants to grow stronger with his waltz

I remember meeting him in Omega Ruby, when he was at the exit of Victory Road, he was waiting for you, having overcome the same challenges you had,

and then this starts playing, and really thats the main reason he is on here.

youtube

5. Hau (Sun and Moon/Ultra SM)

Hau was the first friendly main rival I found myself liking. His love of food and being a bro by picking the starter WEAK to yours. This guy was a stand up dude and I can respect that. It also helps that after the 3rd battle he actually gets pretty tough.

He is a pretty good trainer and he love of masaldas is relatable. He also really gives off the go with the flow mentality that Alola brings.

4. Marnie (Sword/ Shield)

I get why this girl has a fan club, she is pure and wonderful.

She is one of the league challengers you fight in the Galar league. I really like the inclusion of all of the Galar rivals, as they each have their own unique take.

Marnie is the younger sister of Piers, who is the gym leader of Spikemouth. She is seen as the beacon of hope for that city, wanting to become the champ to give those punk rockers of team yell some love and respect.

She may look like a rocker, but she is very sweet and encouraging. She treats people with respect and her battles are fun. Unlike her brother, she is willing to dynamax and I gotta respect that.

3. Blue/ Assface (Blue/Red/ Fire Red/ Leaf Green)

(You know he is styling)

The original rival, the d-bag, the guy that is always one step ahead. Blue.

He is a tough trainer and he always seems one step ahead of you no matter how many times you beat him, he collected the badges, beat the elite four and then waits for you to show up so he can beat you when you are tired.

His dialogue is iconic, his snark is legendary, and you all be respecting the power he wields.

You better bring your best or you are finished.

But nothing is more satisfying then beating this smug prick.

2. Hop (Sword/Shield)

My favorite rival in Galar, the childhood friend and he is a healthy mix of rivals. He is tough down the line like Barry, a charming warm personality like Hau, goes through growth Like Wally, but also has a depth that is beyond that. Unlike most of the other rivals, you see Hop actually struggle with who he is. Bede’s battle with him messed with his head, you see how that lost impacted him, you see how he wanted to make his big brother, the champion of Galar, proud. When he finally figures out who he is and what he wants to be, he becomes one of the toughest trainer in the post game. He even wins over a legendary Pokemon with his kindness, a gift few attain.

1. N (Black/White)

I fucking love N.

His character is so interesting. At the start, his team is always changing and he always seems to use Pokemon that he befriended nearby, only to release them later since he doesn't believe in keeping Pokemon contained. He believes in the goals of team Plasma, the liberation of all Pokemon. When he is introduced, you assumed he had some connection with those Pokemon Peta equivalent. But you find out he was their king, and he soon shows why he is a boss. He captures one of the legendary Pokemon for his team and soars ahead of you.

You battle the elite four only to arrive moments after N claims the title of Pokemon Champion. His palace emerges and that is where you learn more about him. He was raised around abused and hurt Pokemon to make him mistrust humans, he wanted to free Pokemon because he believed that was the best thing for them.

The final battle with him feels like a Clash between Ideals, and when you finally overcome that, with your own legendary Pokemon on your team, your realize the truth, Ghetsis was using him, he was a pawn in a game of world domination.

After that, you see the boy processing that maybe he didn't understand Pokemon or people and needed to find out what the Truth or Ideals he should hold, leaving with the legendary, off to find his answer.

#pokemon rivals #pokemon #trainer N #hop #hau #trainer hop #trainer hau #trainer blue #trainer wally #trainer marnie #trainer bede #trainer gladion #trainer silver

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0poole · 4 years

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The Best and Worst parts of past Pokemon games

I’ve watched ShayMay’s 7-hour analysis on Omega Ruby and as you’d expect it’s getting me to think about what are actually the best and worst parts of Pokemon in the past. I’m still glad he literally goes through the entire game going into both the good and the bad of the game, and I’m basically only bringing it up because of the sheer amount of effort put into it. Obviously the video was made before Sun and Moon came out so thankfully some of his quandaries have been solved, but still it’s interesting to see the on and off of certain things throughout the series. Most of the time it gets better as time goes on, but still, it feels like you could get an amazing Pokemon game just by piecing together the features of past games (even if you’d definitely need a few additions to get it perfect, if that’s even possible).

To be honest I really am slowly falling out of favor with Sword and Shield, and it kind of makes me hope that Gamefreak can still get better. Even though the games sold like hotcakes, hopefully they have the heart to realize a ton of people didn’t really like the direction, even though it still isn’t “bad,” just worse than it feels like it should be. Even though bad direction can’t be remedied by other things, the fact that they are a multi-billion dollar franchise really makes it feel like they could afford to make it better, especially when past games did do what people wanted...

Since it’s the most relevant...

DLC/”Enhanced” Versions:

I will genuinely take DLC over “enhanced” versions any day. Even though you’d think a lot could be improved between the base versions and enhanced ones, that’s usually not the case. The only ones that truly changed the game were Black and White 2, since they were treated more like sequels. Even golden games like Platinum didn’t divert much, even if it is an objectively better version than Diamond and Pearl. Considering the games are now going to be a solid 60$ each, it would be even crazier to expect someone to buy the base and enhanced versions. Only paying 30$ for multiple expansions (at least two, could be more) with the content of said expansions being put out as a free update otherwise is a much better deal. The only people this hurts are the types who reasonably wait for the inevitable enhanced version and only buy that instead, since it’s always better, even if only a little. As far as I know, however, Pokemon is one of the only game franchises that releases enhanced versions of games soon after their release (as in, not years later when technology advances and they can profit off nostalgia), so really they’re just becoming more normal by doing this.

Of course there’s the argument that there shouldn’t be any DLC or “enhanced” versions, and all the content of the game should be included in the base game. It would obviously be preferable to not pay for it, but as is painfully obvious, even the richest groups can still be money hungry. Considering they’re inevitably going to make one or the other, DLC is going to be the better choice overall because it’s much more expandable. You rarely got to see a substantial amount of content added on in the enhanced versions. If they made us pay 30$ for the Isle of Armor and Crown Tundra separately, that would be crazy. But, since it’s 30$ for both, they could easily insert more bits alongside the rest of the Expansion Pass, maybe allowing them to carry a game for multiple years under less resources on their part compared to trying to make a whole new game. That way, maybe they can devote even more resources to future generations and remakes. That’s all just speculation though. I’m kind of impatient, writing all this before the day it releases and when we get more info for the future, so basically just take this as my opinion the whole time before the DLC came out.

Honestly, though, I almost always fall into the camp of gamers completely misrepresenting the concept of DLC, saying they just cut off some of the content and made you pay extra for it. A few bad apples really soured the bunch in this case, because, even though Sword and Shield did feel kind of lacking in some places, saying the Isle of Armor or Crown Tundra would’ve been a seamless part of the game no matter what is just obviously wrong. The games felt “complete” in the sense that it is all they wanted it to be, and it has a clear start and end. Just because you don’t like it doesn’t mean it’s unfinished. Again, obviously it would be better if it was free/included already, but that’s just a given.

In a similar vein…

Remakes:

Basically, I love the usual formula for remakes. I actually really liked ORAS, and I feel like it improved on so much, making me actually like Hoenn as a region. Even though I played them closer to when they game out, RSE feel like a slog compared to modern stuff, especially with the lack of the physical/special split. I can definitely feel some nostalgia for the originals still, but 90% of the time I go back to those games looking for nostalgia, getting bored by the time I get to Rustburo, and turning it off. As mentioned by Shaymay, there’s still a ton wrong with it, but I’d much rather play them all the way through compared to the originals. I do still want to force myself through them eventually, though.

Heartgold and Soulsilver are widely considered to be the best games in the whole franchise, so I don’t have to say much. I’m not a Johto nut so I’m not the best at selling it, but I will say it feels so much more colorful and polished visually than the rest of Gen 4.

Firered and Leafgreen have the same problems that make me dislike RSE, but Let’s Go Pikachu and Eevee are the strange cases that make the future so uncertain. I liked them for what they were, but I swear God if they do that one more time it’s going to make the fanbase erupt. The Let’s Go formula worked for Kanto because a lot of the people playing Go are people who knew the original games but not the newer ones, making Let’s Go a good entry point with mostly familiar territory and slightly dumbed down gameplay. It may work again if they do a Let’s Go in Johto, but if they do it for Sinnoh, since it’s the next one on the chopping block, it’s going to fall insanely flat. Barely anyone who only loves Go also seriously wants to play through Sinnoh. There’s little nostalgia there, and the nostalgia with Sinnoh resides in everyone else who loves the games as they are/as they originally were. Plus, people say they’re some of the hardest games, so dumbing them down ruins part of the appeal more. Since remakes pretty much entirely profit off of nostalgia (and partially from people wanting to experience a region without the limitations of its origins) they really need to just, you know, remake the game. Same deal as any Pokemon game, just with better (if you’d call it that) graphics and modern sensibilities. Considering all remakes (IMO) look better than their originals, I don’t think we have to worry an insane amount about them looking as iffy as SwSh. I don’t think they look THAT bad already, but I definitely think they’re some of the ugliest in the series.

I will say that I do still want remakes to happen. I’m a sucker for nostalgia, and I love seeing graphically enhanced versions of past regions. Also, my favorite region is up next, so I really just want to see what happens. I’m a shill so it can’t make me hate the originals more. Or, you know, maybe that just makes me a normal, reasonable person...

Graphics:

Obviously we just want texture quality, model quality, etc. But, I think there’s something to be talked about with the overall art style.

I’m not gonna lie, I was kinda into the chibi-esque models of X/Y and ORAS. It did feel like it trivialized the more serious characters, like the villains and major legendaries, as they looked too cute, so it’s probably for the best if we stick to “normal” proportions. It felt weird when I first saw Sun and Moon, but I got used to it. I always wanted to make my character look as cute as possible so the chibi style helped with that, but I have gotten some good results from Sword and Shield.

For character customization (if it even counts as “graphics”) I think Sword and Shield really hit the nail on the head. I’m kinda biased, because Moon and Ultra Moon had a really shitty shade of purple as their designated “purple” clothing, and SwSh really got my favorite shade of it right. I do think it’s great to have one style of clothing under different, generally standardized colors. But, I definitely think we need more body types. Like, one of the main reasons I play as a girl in games like this is that the boy character doesn’t even look like me anyway, so there’s really no good reason to play either. Even if it’s just one separate character option for each gender, like a Skinny male/”Round” male/Skinny female/”Round” female I’d be fine. Obviously I’d want some character sliders at some point, like pretty much every other game with character customization does, but I can settle for one more generation. The alts could even be more shoehorned rivals like in X/Y, so they basically have the design cut out for them.

One weird graphical thing I want brought back is the little circular platform your Pokemon lands on in a battle. For some reason, I really liked that. It does make the battle feel more in tune with the overall environment without it, but sometimes the battle fields look really bland and flat without it. I’d at least want the floor to be designed in a way to look like there are devoted spots for each Pokemon to stand on, even if it’s not a separate thing like in X/Y. It just feels more satisfying. Not really a big deal though, since I’ve been able to ignore it for this long.

The big thing is animations. I am getting extremely tired of the X/Y models. That’s 3 generations so far that use them, and some of them aren’t even good. I’ll never hesitate to drive this point into the ground, but I really wish Pokemon like Xatu, Charizard, Dragonite, and Salamence are permanently floating/flying in air. If it isn’t obvious, this is the way it is because of Sky Battles in X/Y, since they didn’t want to do extra work for the Pokemon permanently suspended in air. The problem is that those four Pokemon (and probably many others) really don’t feel like they are supposed to be in the air 24/7. According to their official art and sprites, they’re all on the ground. Xatu especially was made to look super tall and stout with its geometric wings flatly put on his torso, like the totem pole it’s supposed to be. In the air, it basically just hovers with his wings out, and for some reason it looks like there’s a large gust of wind keeping it afloat. It looks really weird. Salamence is also in the same boat, since its wings are so weird and not wing-like that making it constantly fly just looks so unnatural. Mega Salamence was at least designed to look like it’s supposed to be flying, but normal Salamence really should just rest on the ground. He’s too fat to be permanently lifted by his weird wings. Charizard and Dragonite aren’t as severe, since both are clearly shown to be otherwise super capable of flight, but they do feel better on their feet. I remember watching TyranitarTube’s series on one of the Extreme Randomizer hacks of the game, and in there somehow they made a Dragonite use it’s Amie/Refresh animation of sitting still on its feet in battle. It seriously felt so much better to look at, instead of this giant, poofy dragon being carried by its comically small wings. Basically, the way you should tell whether to keep them on the ground is based on the official art/sprites. That is the way the designers intended them to be depicted, so that’s the way they should be. Some exceptions that I’m actually fine with are pretty much all the regional birds, except Unfezant. They all look pretty decent flying, since flying’s basically all they do… Even Swellow, who has the same strange gust of wind as Xatu, feels more fitting like that because it seems so much more aerodynamic.

Apart from that, I just wish they were at least a little different. I’m not super against the muted colors they have compared to the sprites, but I wouldn’t be against more saturation. Considering how much work was put into all the different animations of the battles, Refresh, and both walking AND running animations, I unfortunately don’t think they’re going to change any time soon unless they explicitly say they’re going to change them for quality improvement. I would say the Pokemon from Gen 6 up are still pretty fine, since they were more meant for 3D.

As for battles, one of my favorite Pokemon games is, in fact, Pokemon Battle Revolution on the Wii. Not only was it super Sinnoh-focused, but it had multiple body types (even if I still look like none of them) with character customization for all, and great graphics for the time. People always look to it after citing the lacking Double Kick animation from SwSh, saying how animated the models were and how they liked the Pokemon actually running up to their target when using a physical attack. I will say that the model quality for a lot of them were still kind of iffy, and that some of the animations were a little too much. Specifically Pidgeotto, who was on one of the rental cards, was super energetic so as to seem a bit crazy, and felt a bit low-poly for the otherwise high quality of the environments and humans. However, going back to such a formula would be extremely welcome. I’m totally fine with the Pokemon not running up to their targets, but I wouldn’t be mad to see it put in, especially since the walking and running animations are already in the game. They would need to be balanced in terms of speed, though, since some of the animations in PBR felt really, really slow with that animation in there. Plus, some moves just need speed, like Quick Attack.

In terms of the move animations themselves, I do think some of the water effects in PBR felt too realistic compared to the rest of everything. Also, people say Double Kick looked bad in SwSh (like it ever looked good), but a hell of a lot of Fighting type animations in PBR were literally just the Pokemon walking up to their target, smacking them with nondescript flashes, and that’s it. So many of them could hardly be pieced apart depending on whether they were kicks, punches, or whatever. It would’ve been better either way if they put the physical move attack animation in for Double Kick, but PBR has its fair share of shitty move animations too. Moves like Seismic Toss looked fucking insane though, and I loved it. Seismic Toss specifically is the true test of move animation quality.

Also, it’s kinda irrelevant to anything, but I could totally get down with the Announcer from PBR returning for major battles like Gym battles or League battles. He was so much fun, even if a bit repetitive. All you need for that is a setting to turn him off, and bam. He’s a true classic.

More generally, though, I think Sword and Shield is a seriously mixed bag of graphical quality. I give the SwSh haters a lot of flack, but the one thing I 100% agree with is the texture of the trees from the Wild Area. They are god awful, even if it was in a game a decade ago. I seriously don’t know how they messed that up, since you can download better bark textures for free on the internet. Surely someone at Gamefreak could’ve done better there. If this was just a random tree in the background of some random route, then who cares, right? But no, this is practically every single tree in the Wild Area, the biggest selling point for the region and the game, where you would always spend the most time. You see so many of these trees everywhere, and they look horrible. I also hate the look of the berry trees, since they don’t seem to use the same lighting effects as everything else (just a guess though), but even apart from that the batch of lighter leaves on top of the bottom ones just looks so artificial. It looks as if they dumped a sphere of leaves on top of another sphere of leaves, like it was ice cream. Maybe some trees in the real world look like that, but sometimes it’s an artist’s job to take what sucks about reality to make it better for fiction.

On the other hand, I think locations like Motostoke look genuinely amazing. The brick textures are pretty good (compared to the tree), and all the colors and shapes of the place look really good. Also, when they go into full-on cutscene mode, the models, scenery, and everything else really shine. Obviously I’m not the king of all visual media, but it’s just weird to see that. It’s hard to compare to past games, because everything else was either 2D or on the 3DS, which wasn’t as powerful. Even though the Wii is definitely less powerful than the Switch, it doesn’t really count since there’s infinitely less content to worry about in PBR. Much more of the work could’ve gone into the graphics. Really, there doesn’t feel like there’s any excuse unless crunching is involved on the business side of things, which I really hope isn’t an issue for their sake. I would honestly love to see them announce that they’re taking a year or two off to devote themselves fully to a new generation, instead of trying to keep a yearly schedule. Something something Miyamoto quote something something.

Stylistically, it’s also a mixed bag, but at least this time it’s all just subjective. It feels like a lot of the game is meant to be somewhat blobbed together in some ways, like its a painting meant to be looked at from afar. It feels like there aren’t major outlines for things. Specifically with the Pokemon, they don’t have that outline they’ve had for the 2 generations before. It’s never been a big deal, and I really hate how low quality the outline made the models feel, so I don’t really know which style I want. Even though it’s still decent, I feel like most 3D models made to have a super notable outline on them look a little funky sometimes with it, so I don’t know if I want that, but without it they just don’t feel as solid. I really just don’t know there.

Music:

It feels like, even if a franchise is kinda iffy, the music is still consistently top tier. Like, no one thinks Sonic games have objectively bad music, even if they don’t like it. If they do, they’re just wrong. Pokemon’s the same, so thankfully this isn’t a test of which past game had the highest quality music. I do think the Wild Battle theme in SwSh does feel like it has a weird melody, but that is super outclassed by universally acclaimed bangers like the Slumbering Weald, and the battle themes of Marnie, Bede, Oleana, and the Battle Tower. Those aren’t just the best the generation has to offer, they’re seriously amazing themes.

Back in Gen 7, we have the Kahuna Battle, all themes of Team Skull and the Aether Foundation, Lillie’s theme, the Ultra Beasts (which might be more contentious but I like it) and Hau’oli City at night. In Gen 6, I at least liked the themes of Laverre City, Team Flare, and ESPECIALLY the Xerneas/Yveltal battle theme. Don’t even get me started about Pokemon Battle Revolution. I could go on and on, but I at least want to spotlight ORAS here because they knocked it out of the park with Archie and Maxie’s battle theme. It was the perfect drop, because the intro felt super muted and boring, and I was afraid they completely snubbed it, but the drop completely blew me away, and absolutely perfected the theme with the crazy trumpets Hoenn is known for. Also, Zinnia’s theme is amazing, as well as many other themes that are just improvements over the originals. The one thing I’m semi-iffy on is the Regi theme, an amazing theme for my favorite trio, but I never think anyone really makes it feel as lumbering and deep as it should, considering what it’s supposed to represent. The beat is arranged as it should, but it never feels punchy enough for me.

I’m really just praising the music here. Frankly, I see no reason to think the music is getting any worse.

Difficulty/EXP Share:

They’re basically the same thing, at least according to Gamefreak.

I always keep the EXP share on, but I do think that making it a permanent addition to the game was a major mistake. As explained in Shaymay’s video, it actually increases the overall experience you gain in battle, at least before. That seems absurd to make a permanent addition (although they likely changed it in SwSh because of that). I honestly just use it because I’m not into a challenge in games, but it should definitely be optional, if for no other reason than to be a bootleg difficulty slider. However, What about the difference between the Gen 6+ version and previous versions?

I think it’s easy. Make it like pre-Gen 6, but give you multiple shares. So, if you want to train up two underleveled Pokemon, make it so you don’t have to swap it between them. That way, if you really want to just spread the EXP thin, you can give one to everyone you have, and that’s that. Also, I think it should perfectly split the EXP, not adding anything onto it. If everyone on your team has one and you get 120 EXP, that’s 20 EXP for everyone. Of course, I do actually love the mechanic of being able to switch the share holder in to give them a disproportionately larger amount of EXP compared to everyone else. It just doubles the effectiveness of switch training, and makes it better for when you want to train them up but specifically not the higher level Pokemon you’re using to fight.

Some part of me wants to keep my precious easy mode in, but then I realize… Just make actual difficulty differences. Just give us a choice. Even if it’s just a “How well do you know the Pokemon world?” with a “I know all about it/I’m a bit unsure” text box in the beginning. In the harder variant, tutorials will be skipped automatically, trainers will have higher AI, and better teams. However, I don’t think higher levels is a perfect foil, because that can just be beat with grinding, and grinding is boring. Also, I’d have to guess the main reason why Gamefreak didn’t do this in the first place is that trading Pokemon would differ a bit between difficulties with different level curves, although apart from it just sounding like a bad thing I’m struggling to think of a genuine reason why it is. But, for the sake of playing, grinding sucks. It’s not fun, and I honestly think you shouldn’t just bump up levels and call it difficulty, because you don’t actually need skill to beat a higher level, just a better level and maybe RNG. But, if you actually had to effectively train a team of more than six, with Pokemon you swap out depending on your opponent, you would actually need to think of how you play the game. I think the main reason Pokemon games are so easy is that you can basically choose whatever you want and do almost whatever and still win. Some fights, as far as my playstyle goes, are still decently challenging because I just choose what Pokemon I like and not as much what’s good (unless something genuinely just sucks), and those battles, even though I would probably get annoyed at losing over and over, feel so much more rewarding to beat. And, of course, that’s only like a few major fights. I’ve never had any real trouble with trainers. I only think I’ve had a bit of trouble with the elite trainers in Let’s Go because I always try to use my lowest level Pokemon first to level them up, and keep my team at completely even levels. If I always just switched in the foil to my opponent, which I inevitably had, I would almost never lose a single Pokemon, mostly because of the “switch” battle setting.

But of course that begs the question of Pokemon being balanced for children and inexperienced players. I know way too much about this game, so obviously it’s a piece of cake for me no matter what, and what I want is supposedly what would frustrate everyone else. But… again, just put in the choice. People can choose whether they want to be challenged, or if they just want to play Pokemon, and if they choose wrong that’s on them, not anyone else. They could just reset the game and try again on an easier difficulty. It’s crazy to have to vouch for this, since it’s a staple in pretty much every other game in existence. Even in my casual state, I want to play a harder Pokemon. I want to test myself. Online competition is a bit much for me, but the AI is too little. Even in me replaying Pearl right now, I’m trying to use weirder and weaker Pokemon than I usually use for difficulty, and even that game was mostly a cakewalk. I’m only stuck at the Elite Four because I was somehow super underleveled. In the generation where I experience the AI switching out the most, they still just do that at random and keep in certain Pokemon that get completely walled by what I have out, only for me to stall them to death. AI definitely should switch out (and I honestly can’t remember it happening once since Gen 5, if even then) so if anything, just give them a more solid switching ability. Considering we have the opportunity to switch in whatever we want when they are about to send out something, they really need to take advantage of the power of switching.

Gyms are a big piece of difficulty that falls apart 90% of the time. The gym puzzles are rarely hard, with only a few notable exceptions requiring major thought, like the Circhester, Snowbelle, Snowpoint, and Sootopolis gyms. See a pattern? Why the heck to Ice types/themes get the worst resistances yet the best gym puzzles? Otherwise, if you’re not just fighting trainers (which you were going to do anyway) you’re bashing your head against a wall until something sticks. The Trials of SM/USUM were universally a joke, and were it not for the Totem fight they would’ve actually made me mad by how easy they are, considering they had the opportunity to revamp the whole system and knock it out of the park.

As for the Gym Leader, assuming we have to stick with the idea that they can only use one type still, they really have to cover their bases. Like, a Water gym leader would really have to have Flying type moves or Pokemon to counteract the easy Grass weakness, or something. You can’t get to the top with just one single type and nothing else. I do kind of think a master with no specific type speciality should only be reserved for the Champion, since it makes them more special, and because it seems like any old trainer can become one if they beat the last one, meaning it’s illogical for too many of them to have one special type. I can appreciate the choice philosophies of the Gyms like Raihan and Volkner, and Flint of the Elite Four, where they do specialize in one type, but they have a lot of different Pokemon involved who only have moves of that type. It still feels consistent, but also more varied. Also, I love the 1v2 dynamic of Totem fight. Not only does it blatantly put you at a disadvantage, but since the battles aren’t explicitly type based, they can put together some seriously unique strategies, like the Sunny Day Castform partner to the Totem Lurantis. It’s literally the most basic plan you can formulate, but it sure as hell made that one of the hardest early boss fights in the series, at least for me. It was pretty good stuff. Too bad other bosses like the Ultra Necrozma fight was just kind of cheap, with a +1 to all stats and super high level… Better than nothing though.

Versions:

I get that it’s a staple of the franchise, but I really hate version exclusives/differences. They’re just dumb. Specifically the differences of Black 2 and White 2 pissed me off the most, because guess what? They did have difficulty options! But… they were version exclusive. Like White Kyurem more than Black Kyurem? Or, maybe Reuniclus is your favorite Pokemon? (not bitter) Well, too bad. You’re only allowed the expressly easier mode of the game, which you only unlock after beating it normally????? That’s just stupid. I’d sort of be okay with it if you unlocked easy mode after normal mode, then unlocking hard mode after beating easy mode (like how I thought it was before I looked it up), but limiting stuff like that is just ridiculous. I mean, it’s dumb to have to unlock an easy mode after beating the normal game to begin with. I’m honestly considering trying to beat easy mode without evolving any Pokemon though. Self-imposed difficulty is fun sometimes, but yeah…

Also, the differences of Sun and Moon also are dumb. Like playing in the day, but like Lunala more? Maybe Purple is your all-time favorite color and you want to wear it? Well, too bad. Go ahead and flip your 3DS’s internal clock around, messing up all other time based games you play. It’s a gimmick that transcends Mega Evolution, Z-Moves, and Dynamax.

Now, there’s a completely new problem: Some people bought the wrong expansion pass for their game. Because there were two versions, people literally just wasted money on absolutely nothing. To be fair, those people are blind idiots, but still. I really just want one version. Please.

The whole semi-in-grouping that happens when the version exclusive Pokemon are first revealed is kinda fun, but 90% of the time people have to settle for a few Pokemon they like and a few they don’t. For example, I bought Sword specifically because I like Zacian more, and the legendaries would be much harder to come by than other version exclusives. In the meanwhile, I preferred practically every other version exclusive over Sword’s, including but not limited to my boy Reuniclus. I don’t use old Pokemon in newer generations anyway, but it still sucks to have to choose like that.

It was obviously meant to give people much more to look for, since they physically can’t get some Pokemon, and have them interact with others to get them. The only problem is that we just have the Internet now. It doesn’t help to just ask someone online for a trade for a version exclusive. It’s just an extra stepping stone that really isn’t that fun to deal with.

I was originally going to say that the games/console cost more so less people would buy them, but considering SwSh absolutely knocked it out of the park, overselling even the highest selling games from the past, that’s clearly not an issue. My sister even bought Let’s Go Pikachu after buying Let’s Go Eevee for herself, since we both initially got Eevee. Thankfully she seems relatively into buying the games now, so we can coordinate and get different versions. That’s how I was able to complete my Pokedex for the first time in Sword (although obviously there’s less Pokemon to find). I think she even bought a separate Sword version for herself too… Is this what the average consumer is like?

Honestly all of this is just sort of subjective because really it’s not a big deal, but it would be so much less of a deal and make the games much more perfect and reasonable story wise if they just used one version. For example, Circhester is clearly an Ice-themed location, but in Sword you face a Rock gym leader, instead of the Ice one. And, the opposite is true in Stow-on-side, because Sword has the more logical gym with the boxing gloves punching you around and the tough city that feels as Fighting as Fighting could be without being a literal dojo. But, in Shield you face some Ghost kid. To be fair, I do like that version exclusivity is bleeding into some of the characters too, so if there is to be version exclusives at all let there be version exclusive characters, but it would just feel so much better to have it all sorted into one place. Also, to consider past installments, Ho-oh is clearly more important to the overall plot of the world than Lugia is, as shown by Ho-oh always being an important, mystical lore figure in the Anime and such, while Lugia is just like “Wow, there’s Lugia! So powerful!” Thankfully the plot didn’t entirely revolve around them, but it could’ve if they just focused on Ho-oh.

Story:

Pokemon has definitely had its fair share of dumb stories, which is excusable because it’s not actually the focus of the game, but it doesn’t hurt to have.

You obviously can’t talk story without talking about Black and White. Also, you really can’t talk a Pokemon story without talking about the evil Team in each game, because they’re basically the entire motor for plot. Still, though, Team Plasma is easily the best Team in the franchise for story purposes. The biggest thing is that they seem like the most reasonable team, making them seem like people who are just so into their ideals that it looks like a cult. Also, in B2W2, they actually split up into the friendly division of Plasma, where they actually carry out their goals of wanting Pokemon to be happy and free, while Neo-Plasma does all the Team Rocket-level shenanigans that mess everything up. Not only is it just reasonable, but it answers a question that comes with the overall concept of the franchise: How can Pokemon want to battle for the sake of humans, etc? It doesn’t make sense, and naturally someone in the world would take that to the extreme when they realized it. It also makes sense why the grunts are so hellbent on wreaking havoc around Unova, because they are each led to truly believe what they are doing is right for the world. Other villains like Archie and Cyrus are just like “humans are bad, let’s destroy them” which is like a lite version of this idea, but it feels almost too supervillain-y to take seriously, and the grunts just feel like henchmen. Plasma feels just real enough, with somewhat level-headed people like N making it seem like they’re almost not crazy.

People always say Team Rocket is the best, but even though their motives are so simple enough so as to seem real and good story-wise, they do feel like they don’t really add anything to the overall idea of Pokemon. At the time it was just “Pokemon are strong so bad people can use strong Pokemon for bad” which makes sense, but really doesn’t feel like it extends beyond that. Don’t get me wrong, I would say they’re objectively second best (because subjectively Galactic is my #1) but I do think Plasma is better.

Since they’re the most recent, Team Yell is the most nothing out of this list. That only makes them second worst, above Team Flare, who felt like they were trying to do something big but fell flat. Team Yell as the resident “evil Team” feels weird, because they do almost nothing. They are only similar to Skull on the surface, that being all rough-and-tumble teenager types, as underneath them being a toxic fanbase is somewhat interesting, but they, again… just felt like nothing. The plot wasn’t even close by to them, like with Skull was, being tied in with the Aether Foundation. They’re just there to be goons and go away. At least they did lead to the first Dark type gym leader, but again… their leader is a Gym leader. We would’ve seen him no matter what he did, so it feels less interesting. I do want the Team to actually do something.

The problem is that, since Plasma already did good, how do you do something that’s original but still good? To be honest, I want it to involve Foundations, like a morally good alternative archetype to the evil Team. Our first run-in with a Foundation was led astray by a crazy leader, but it seems like they’re still good overall, so I at least want to see more of them. Maybe instead of the Team searching for world domination by using the box legendary, maybe you and the Foundation have to search for the box legendary so they can help you defeat the Team, who may or may not have the third/another legendary on their side, and you have to prove yourself to it to get it to trust you. Sort of like Sword and Shield, but more involved. Zacian and Zamazenta just sort of appear when things go bad, and that’s it. You just hear stories about them before that. That’s at least better structure-wise, although the motives and themes would still have to be dealt with. There are so many possibilities there it’s hard to choose.

One thing, though: I definitely believe that Pokemon was never even close to an open world game, and people thinking the new games are too linear compared to the old ones just have rose tinted glasses on. Kanto had bad crossing over, where you’d sometimes find yourself severely overleveled when interacting with a story event, and beyond that all other games were pretty linear too, with only a few slight special, optional areas that aren’t involved with the plot. Of course, I still think the game would benefit from being open world. Some games don’t have to be open world, and that makes them feel sort of empty, but Pokemon as an idea is exactly perfect for that. They were toying with the idea a bit with the Wild Area, and I do think if they really went crazy with that idea it could be fun. Everyone always wants to compare it to Breath of the Wild, but I do love how seamless everything is in that game. Even with the enemies popping up out of the grass/flying down from the air/just romping in a set area like Pokemon would. Gym leaders could just use different teams based on how many badges you have, like how they imply it works in that Pokemon Origins series. Then, you might be able to scale up the Pokemon you can find too that way, like with the Wild Area. BotW’s story was very light, but if you just either use a quest system/map markers you can still manage a decent story in an open world. Plus, Pokemon has a ton of side quests anyways, like all the ghost quests they always seem to put in. You can literally “get” the quest, get distracted, and completely forget you were even doing any sort of quest because they don’t remind you in any way. Side quests could even get you extra doses of EXP for your team, giving them a use.

The Gimmick:

I don’t want every generation to have a gimmick. Ideas are severely limited in that front, and when everyone’s special, no one is.

Mega Evolution was kinda cool, as it improved on old Pokemon without making them another part of an evolutionary chain. Also, it lets some Pokemon get different forms with entirely different strategies to them (even if they’re version exclusive…) But, as someone who plays Pokemon for the monster designs themselves, I actually kinda don’t like it. No, not because Mega designs are bad, but because they completely trump the designs they evolve from. For example, Mawile isn’t just “Mawile” anymore. It’s more of a “Not-mega Mawile.” It feels so much less complete now that it has a form on top of it that isn’t permanent. Same goes for starters like Sceptile, who feels kind of boring compared to its Mega. It always sucks when a Pokemon you like evolves into something you don’t like (Popplio for me) and you have to deal with the fact that, even if you like a Pokemon, you aren’t supposed to keep it like that, and it’s brought down because of it. I mean, I guess this is all just personal. Obviously it’s easy to like an early evolution, but it feels so much better to like a final evolution. Since Megas are both temporary in battle, not available outside of battle, and limited to the very late game usually, liking a Mega feels kinda pointless for in-game purposes, where you interact with your Pokemon the most. Plus, for Pokemon like Mawile, you’re using an “incomplete” Pokemon for as long as you don’t have the right Mega stone. It’s obviously fine when all your other Pokemon are incomplete as well, but yeah… Just kinda sucks sometimes. Plus, anything achieved by Mega Evolutions could just as easily be achieved by normal evolutions. The only issue is Pokemon like Beedrill not being able to evolve again, and Pokemon like the starters or legendaries who are already too good to get another stage. I feel like weak, 3rd stage Pokemon like Beedrill deserve that kind of treatment the most, but no one else. If they can evolve normally, evolve them normally, and if they’re already too good, just let them be.

Then there’s Z-moves, which solves one problem of Mega-Evolution: All Pokemon can get involved. No matter what, your Pokemon can unleash super cool but sometimes questionably named moves. And, apart from new animations, the special Z-moves aren’t so insanely preferable to the normal ones. It’s cool, but if every Pokemon gets to use them, it kinda gets old after a while. Also, it’s a one-time use, so if you fuck it up it’s wasted. It’s definitely not perfect, but I will say I love the special Z-move animations, mainly because it’s not just Pokemon doing stock animations for a quick little attack. They animated that Pokemon specifically for this attack, which is basically a cutscene, and it always looks better. It is a bit strange, though, that even though Z-moves are seemingly named after Zygarde, it doesn’t even get a special Z-move of its own. That dude really got the shaft when it comes to 3rd legend attention...

Now we have Dynamax and Gigantamax. I just want to say that, when it first was revealed that you can turn your Pokemon into Kaiju I was extremely hyped. More hyped than I had any right to be. Considering nothing else, Dynamax definitely is the winner in terms of visual concept. Not only does it just look cool, but I love how Gym stadiums are designed specifically to accommodate them. It’s a nice touch of worldbuilding (even though it’s basically necessary). Unfortunately… It’s easily the Jack of all trades, master of none in terms of gameplay. It’s like Mega Evolution in how you change the appearance and power of your Pokemon, and it’s like Z-moves because they have super powerful moves with special effects. Sounds alright I guess, but I really just wish they kept the previous two gimmicks instead of just making a new one that checks them both off. Also, Gigantamax actually annoys me. They try to make it seem like your Pokemon changes, but the vast majority of them either look worse or hardly change at all. Specifically, Copperaja looks like an absolute joke, even though normal Copperaja is one of my favorites of the region. But, ones like Hatterene, Corviknight, Garbodor, and Grimmsnarl hardly look any different at all. Even Appultun and Flapple have the exact same Gigantamax. Who cares? Even their moves have almost exactly the same animations as their type’s counterparts, with a slightly different particle effect. It’s so much less interesting than they make it seem, and it has all the problems of liking Megas over their base, but worse, since they’re more temporary and only allowed in certain areas. Plus, Gigantamax isn’t even a thing possible with all members of a single species. Obviously now they’re introducing a way to change that, but at that point why not just do it Mega style? It’s not even that much better, but there’s so much more work in it. It’s like less rare shinies. It did bring about a decent event in the games, those being the Max Raid Battles, which both have good rewards and good challenge to them. I don’t have friends so they suck for me, but with friends it looks awesome.

I feel like the worst part is that they probably are just going to retcon these gimmicks in the future, like they did with the Pokedex. It makes sense, but each thing was made to be such a massive deal in their respective regions, it feels lame that they’re just gone now.

But, oh my god. You have no idea. Regional Variants are the best thing to happen to Pokemon since, I dunno, whatever. They’re amazing, and something that should never leave the franchise ever. Like a Kantonian form more than an Alolan form? Sure. It’s still there with all its power, it just has a different style in this region. That is not only biologically logical, but it brings back interest in a Pokemon without outclassing the classics. Plus, now it feels like every single Pokemon has a possibility to shine that is both permanent and preserving of the original. I just can’t get enough of it. Then Sword and Shield introduced the idea of Regional Evolutions, which can be both plain evolutions and split evolutions from the normal form like with Cofagrigus and Runerigus, meaning the possibilities are endless. Then, even further, regional LEGENDARIES. It doesn’t make sense lore-wise but who cares, the new birds look awesome as all hell and I actually like them now. It’s so perfect, I don’t want anything more than this in future games. I would kill for some Sinnoh variants of post-gen 4 Pokemon in the remakes. Hell, I hope Sinnoh gets revamped with a ton of different options across the later generations so it feels significantly different from the originals.

As for things like Primal Reversion, I honestly don’t even know. It’s even less significant than Gigantamax, but since it has more interesting lore I’m sort of fine with it. I do hope they use it for other legends too, especially since Palkia and Dialga are just asking for it, with their respective orbs, and Dialga already having the “Primal” title elsewhere. And yes, I know he’s called “Dark Dialga” in Japanese.

If I may be so bold, I think a neat gimmick that can be both unique, interesting, and completely alter the strategies of battle, would be some sort of temporary type inversion. That is, everything going out of and coming into the inverted Pokemon will have reverse effectiveness. It’s like the fringe little Inverse battle you can go through in X/Y, but turned into a mechanic that’s inserted into normal battles. Visually, it would give the Pokemon a negative look, as in inverting their colors and shading. I don’t see how this could single out certain Pokemon in a special way, like with a form change or anything, but maybe there could be one specific Pokemon that has an ability that does something special when it inverts. Maybe items could be made for a special use too. I was sort of half-using it for a fan region I’m half-devoted to that will likely not be a full fledged idea, but I do like it.

Roadblocks/HMs:

I’m entirely fine with the way things are now, where you just get the HMs as key items you use whenever you want, but I can sympathize with the small contingent of people who like using their Pokemon to traverse the world, instead of anything else. I definitely think anyone who prefers HMs beyond that reason is an absolute lunatic, but I think there is some sort of a point to be made, and I think a combo of Let's Go and Sun and Moon have the answer. It is so much more fun to ride your Pokemon around than it is to get a bike (and put on some seriously ugly clothing, mind you), and I think Let's Go with giving you the option to ride your Pokemon instead of using a bike is seriously fun. I used a Rapidash almost exclusively for that purpose in my run of that game. Who the hell wouldn’t want to ride a Rapidash, assuming you weren’t going to catch fire? Plus, it’s YOUR Rapidash. Ride Pokemon in Sun and Moon were still pretty good, because they served functions you wouldn’t normally expect from HMs, like Tauros being both your bike replacement and Rock Smash, while Stoutland is a dowsing rod. It does get a bit weird when you “ride” a Machamp just so it can push rocks for you, but it’s better than forcing you to teach one of your team members a normal type move at the very end of the game since you absolutely need it to move on, and having to keep it until you can fly back to the move deleter. Honestly, if you could just delete HMs on the fly, they would be so much more acceptable. Still would be worse than what we have now tho.

Basically, I think Pokemon should have inherent HM abilities in them. That is, every single Tauros you catch can smash rocks, and every single Machamp you catch can push rocks. Each Pokemon would either be capable or incapable of a task, and you only need that species to go through it. That way, you’re both using your own Pokemon, while also not limiting their moves. It also makes it easy to tell why birds like Starly shouldn’t be able to carry you and fly you around, while birds like Staraptor can. I also think any road blocks using Rock Smash or Cut should be entirely optional, and for secrets only. In order to make Fly a limited option, maybe only fully evolved Fly-logical Pokemon can use it, so you can’t just fly somewhere in the early game. But, another thing: if you can fly early, so what? It’s not like you get extra options, you only can go back to places you’ve already been to. Even though it doesn’t make sense logically, it’s a very fair piece of game design that really doesn’t have a super obvious reason why it’s limited to the middle few gyms. If you have a strong bird that can pick you up, you obviously worked enough to get some convenience.

But then, what would be a roadblock to keep you from going too far? A horde of dancing men? Honestly, that’s just one of those things fixed by my open world idea. Maybe some areas can be super strong so as to tell you that you shouldn’t be there, and maybe implement the idea of the Wild Area where you can’t catch the strong-looking Pokemon, but apart from that make most of the world scale up with you. Surely some areas would be slightly higher leveled then the rest, though, for the sake of variety. The Wild area does get a bit stale when literally everything you encounter is exactly lvl 60. Obviously there could be some pointless story-focused roadblocks that only clear when you progress, because that is how it is in real life. You can’t just walk into some business’ office unless you have business there. Of course, you can’t exactly walk into random strangers’ houses either, but still.

I do want to praise ORAS again because the Soar feature with the Latis was extremely cool. It was like Ride Pokemon but using the objectively coolest possible HM to control. If they sort of nerfed the Fly mechanic and made it so you did have to ride your Pokemon and fly them there like the Latis I wouldn't mind that at all. Although, surely some other people would...

Other Bits:

- I still think that, even though having every Pokemon in the game would be great, I think if it can improve the game elsewhere I wouldn’t mind them saving some space. The problem is that Sword and Shield really wasn’t the best way to suggest it would vastly improve anything. I’ve gone on ad nauseam elsewhere about that so bleh

- I love seeing Pokemon in the overworld. I do think it would benefit from the Let’s Go treatment, where you can at least see if a Pokemon is shiny or not. Either way, it gives them so much more personality, like how some charge head-first at you while some walk up and casually examine you.

- I don’t really care too much about Pokemon following you to be honest. It would obviously be preferred over the alternative, but I’m not gonna riot if it doesn’t happen. It did give a lot of personality I didn’t expect in Lets Go, like Bellsprout being so darn speedy.

- I could probably make a whole nother giant rant about the overall designs of Pokemon but needless to say I’m fine with it overall. I do sort of wish they’d do something else with the starters though, since I haven’t genuinely loved a starter since Gen 4. Honestly Chesnaught was pretty close, but I still get the urge to replace him with something more interesting. Outside of them, though, I think things are going good. Some are duds, but some are bangers like Corvinight, Grimmsnarl, Hatterene, Frosmoth, and a bunch of others which I could easily list but this is supposed to be succinct comments so

- There definitely has to be some sort of endgame content, but everyone already knows that. Seriously though, what if the colosseums from PBR become the replacement Battle Frontier? That would be dope. Although the normal Battle Frontier would be fine too, I guess…

- PBR PBR PBR. PBR is great for it’s realistic sizes of Pokemon. If you’re going to use full-size models of humans, the Pokemon should match. Or, at least make it a little more true to reality. Yes, Wailord is too damn small.

#Pokemon #sword #shield #rant #rambling #dlc #isle of armor #opinions #it seriously took me 5 hours straight to write all this #ideas

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