#i still try to be as accurate as possible

[ringsreforged]

Natalie's *deep* Haladriel thoughts - BEWARE

Pau - When you read this later, let me know if you want me to move it to my personal account, yeah? If it even still exists...

I’m not really sure what this post is going to end up being. A defence of the show and the separation? In part! A critique of the show based off leak spoilers and my own gut feeling? For sure! A desperate ramble in an attempt to get my head in order? Absolutely!

I will say before we dive in that I’m absolutely a Haladriel shipper, but the way I ship isn’t always in line with fandom. I ship what I see as part of the narrative because it’s the narrative, and everything else is a bonus. I make this distinction because I think this is why I’m so okay with a lack of scenes when some others are not, and I don’t want to come across preachy. I don't think I'm in any way superior for this by the way. In fact, I wish I could be more *normal*!!!!

If you came to this show for Haladriel alone, and simply want to see them share scenes week to week – that’s your prerogative. I’m not trying to say you shouldn’t feel that way. What I might try to say is that I don’t think that makes the shows bad or suggests that the writers have baited with this relationship. I think that’s ultimately what I find frustrating…

But anyway, let’s get into whatever this is. A reflection on expectations, a five-season arc, and those STUPID spoiler leaks…

AND THERE WILL BE SPOILERS. STAY AWAY. HISS.

Alright, so this post is mostly brought to you by a sinking feeling I have that the leak spoilers are real. Because everything in that episode 7 promo matches up.

STOP READING if you don’t want to know the spoilers. And honestly? STOP READING IF YOU THINK YOU WANT TO KNOW because living with this knowledge has truly made this season less enjoyable for me (credit to it, then, because I still think it’s incredible). IF I’M MAKING YOU PANIC, STILL STOP READING because there very much is a world where these spoilers aren’t that bad in context…but I prefer to keep my expectations low…

Have you gone???

HAVE YOU GONE?????

SPOILER TALK

Okay.

So, the leak spoilers say that there is no kiss between Sauron and Galadriel (which, honestly, I have no great issue with – more to come on that later). Instead, the kiss is ELROND AND GALADRIEL, and I absolutely do take issue with this.

I can only hope and PRAY that it works in context, but I can’t get my head around it. And yet, the promo…it’s all falling into place. Elrond will be sent to discuss terms with the orcs before the battle. He’ll see Galadriel in chains, and he’ll ask for a moment to say goodbye. Adar will allow it because he’s a gent like that. This is where we get the chin touch with the thumb everyone speculated over and then…HE LEANS IN AND KISSES HER TO PUT A NEEDLE IN HER MOUTH? SO SHE CAN RELEASE HERSELF LATER??

To clarify, most of this is my spec, but THE KISS TO PASS HER A NEEDLE IS A REAL LEAKED SPOILER THAT NO LONGER SEEMS FAKE.

It's just…so convoluted and weird??? Does he store needles in his mouth like a squirrel? Why couldn’t he have slipped the needle into her hand??? WHY ARE YOU PUTTING ELROND’S LIPS ON GALADRIEL’S?

And look, maybe this spoiler IS still fake! But the details were so specific, and everything about the context seems to be accurate, so that feels like it would be a bonkers coincidence to me. Maybe when we actually see it play out, it will be fine.

But that does bring me back to the Haladriel of it all, just briefly. With my whole heart, I do not need them to kiss. After season 1, I didn’t think it would be possible, and I’m okay with that. But if you’re willing to let ELROND’S lips touch her, then MY GOD, you could have let Haladriel have ONE kiss where she’s trying to distract him or some shit. OOF.

My only relief is that it happens next week, so we can hopefully get it out of our systems and enjoy the finale.

That said, if these leaks are true then that also means the finale leaks are true. Now, I actually never wanted to see any of these spoilers (hence me making it VERY CLEAR what this post is about, because I wouldn’t inflict this stress on anyone unwillingly), so once I got the Elrond kiss details, I tried to get away without seeing much else. But there was some information on the big Haladriel scene.

I’m actually not going to detail it here, because – overall – I think we’ll still super enjoy it (just…lower those kiss expectations) AND because I don’t think all of it was spoiled. At the end of the day, there will be plenty to unpack, they’ll be back on our screens, it will be meaty, it will be layered. I’m really looking forward to it, in general.

My one fear is that it’s a season 1 finale repeat. And again, that won’t necessarily be bad per se, but it will feel a little bit underwhelming. Now, I’m not somebody that wants a true corruption arc for Galadriel. Normally, I love that shit, but not in this IP and not with this character. I want to see her explore her darkness, I want to see her face it and accept it, and I certainly want to see her be tempted…but I don’t expect or believe we'll ever actually get the whole ‘dark queen of Mordor’ vibe. Prisoner? Maybe. But not an actual dark queen.

That said…surely this scene doesn’t play out the EXACT same way as season 1? Sauron shows her a vision, she’s tempted, but ultimately resists and tells him she’ll never be at his side. I just don’t get why we’d repeat that, when there are so many other options that still keep Gal on the side of light.

I keep coming back to Galadriel’s line to Elrond in episode 4 – when it comes down to it, he has to choose to defeat Sauron and sacrifice her. I feel like if I hadn’t seen the leaks, then I would be 1000% expecting this to be the outcome. Especially with how Elrond’s theme comes in at the end of The Last Temptation track. He comes upon the confrontation but chooses to do the thing that will harm Sauron in the long run, rather than the thing that will save Galadriel.

I hope so badly for this, but I do worry that it will go the other way. What if it parallels Gandalfanger’s destiny/friend choice, and Elrond chooses her because THAT is how light wins or some shit? Not that this will be a bad scene by any stretch – I love their relationship and want to see their FRIENDSHIP (grrrr) reforged…but, again, the S1 finale! Sauron left her in the water, and Elrond was there to save her.

There’s also Galadriel’s conversation with Adar in the most recent episode – you succumbed, I resisted – but I guess this could go either way? He succumbed, so she resists. She insists she’s able to resist, so she succumbs. URGH. MY HEAD.

There MUST be a difference. SURELY??? Like, this season has been so well written…I just can’t comprehend the copy and paste.

Again, this isn’t anything close to a deal breaker for me. I firmly believe the showrunners when they say this relationship will remain the core of the show, but…hmmm. Okay, on that note…

DAMAGE CONTROL – MOVING ONTO THE DEFENCE OF THE SHOW

So, this is where I want to get into some stuff that I just…don’t agree with that I’ve seen being thrown at the show by shippers. And I’ll reiterate here that I’m truly not telling anybody what to feel. You can hate the show for its choices and feel how you feel. You can express yourself in your social media spaces, and if anybody doesn’t like it they can mute/block/unfollow. This chunk isn’t really aimed at you guys.

This is more for other people like me, because I’m cursed to be somebody that generally wants to just…enjoy things for what they are, while also being susceptible to the mood of others. I want to scroll tags and have a good time, rather than see negativity because it lowers my mood (this isn’t just ship related by the way, I really love this show overall…it’s just this tag that has been impacting my mood most this season). Regardless of the nonsense that might be in episode 7, and even if the finale scene is a repeat of S1, I’m still going to want to focus on enjoying what we get, enjoying the narrative being told etc. So, for those of you that have a little sinking feeling in your gut after the first half of this post, hopefully this second half will help.

This isn’t a ‘typical’ ship. This is a true ENEMIES ARE ENEMIES dynamic where the bad boy is ultimately going to be (is already) pure evil, and where our heroine is the embodiment of light. There are certain things that we just have to accept when it comes to loving this dynamic as part of the show – there will never be another season like season 1. Nor should there be?

Do I wish for s3 to have them in close proximity for at least a few episodes? Of course! Do I think it’s possible with or without finale spoilers? Absolutely (given how quickly characters travel from place to place on this show, they could end the season at opposite ends of Middle Earth and this would still be on the cards…). I’m also anticipating Season 4 as a good time for them to be in full MIND PALACE mode – where the rings are all ringing, but Galadriel hasn’t yet worked out how to shut him out yet. By season 5, there might just be one final scene before the final battle. But, again, I really do think there needs to be a little bit of acceptance of that. Or, at least, expectation of it.

Something I really want to push back against is this idea that Haladriel was baited or teased, but the writers don’t actually care for it. Honestly, that’s nonsense to me on a couple of levels.

First of all, almost EVERY dynamic this season has been reduced to a handful of scenes here and there. The most consistent relationships have probably been Annatar and Celebrimbor, and Durin+Durin+Disa (off the top of my head). Elrond and Durin (probably the other most popular dynamic of S1) have been apart all season, Elrond and Galadriel have too. Isildur popped up to say hello and we might not see him again.

When you actually stop and look at this season…Sauron and Galadriel had to be separated. She could not be anywhere near him while he’s working Celebrimbor, and there’s no world in which they were ever going to change that narrative. And yet, the Sauron and Galadriel dynamic has been consistent across the season. With Galadriel predominantly (and depending on how the finale goes, I may have thoughts on this), but it has also been easier with her because people have talked with her openly about Sauron. It’s been harder on his side, but the fact that Mirdania seems to have been cast to look like Galadriel honestly – right now – feels like it was done with the express purpose of giving Sauron a Galadriel reference.

Again, I’m not saying you have to like the lack of scenes, but it’s not bad writing to respect the overarching narrative of an ensemble show. Galadriel’s season has been all about him, and we’ve had countless insights to make that clear – building up to their final confrontation. If Sauron was running around mentioning Galadriel every five seconds with Celebrimbor or with the dwarves, it would be horrendously out of character.

This next comment is…somewhat dependent on the finale…but as somebody that loves Elendil and Miriel, everything in Numenor has been somewhat crammed in. I would firmly argue that the Galadriel/Sauron dynamic across this season has been treated with care and reverence, all building to a climax designed as the high point of the season. Will we be 100% satisfied? Who can say! But it IS what the season is building to.

I think this brings me around to a particular gripe I have, and maybe the people that believe this came to the show after S1 had fully aired or something…but there’s this idea floating around that the showrunners don’t like this dynamic and are just giving it crumbs to bait people into watching. This makes me want to scream.

These showrunners literally took a few lines about Galadriel being tempted by Sauron and PITCHED THE ENTIRE SHOW OFF OF THAT. The Tolkien estate wasn’t only pitched by Amazon BUT CHOSE THIS PITCH OVER ANYTHING ELSE. Season 1 was written pretty much like a prologue centred around GALADRIEL AND SAURON HAVING A PERSONAL CONNECTION WITH ROMANTIC UNDERTONES…and guess what?

They wrote all that…they filmed ALL THAT…before knowing anything about the audience reaction! That was ALL the showrunners, the writers, the directors, the actors. They ARE the narrative. They are not bait.

Does that mean the fundamentals of their dynamic will always please you, individually? No, of course not. Some people want outright romance, some people want soft Sauron, some people want Dark Galadriel. Will they kiss? I doubt it. Do I wish they would? Sure! Will they be separated again next season? Probably! Will I also wish that they could at least be stuck together for a run of episodes again? Absolutely!

But the idea that any of this is bait, or unimportant to the show drives me a little bit bonkers.

I guess my personal feeling of frustration comes from the fact that I feel so lucky they are exploring this show from the perspective of this dynamic, regardless of specific details/scenes. I’d bet my house (I don’t own a house) that every other pitch hinged on Elendil or Isildur as the protagonists of the show. Now, I love those dudes, but just IMAGINE? The fact that we’re on this path at all is still WILD to me.

ANYWAY, this is what happens when Paulina goes on holiday and I have nobody to ramble too. Sorry for the explosion, but I’ve been dreading the stupid kiss spoiler since I stumbled on it after EPISODE BLOODY 3 and so I needed to vent somewhere.

TL;DR: You are welcome to feel the way you feel, and if you hate everything you go right ahead, but maybe this makes sense to somebody. IDK. IDK.

[jezabelle9299]

Intimidating S.R x FEM! reader

Overture-While you're cataloging a new collection in the archives, a young Spencer Reid wanders down in search of an art print stored in a different archive.

Inspired by the opening of season 2 episode 14 'The Big Game', when Gideon visits the Smithsonian to look at Havell's Audubon paintings. (We're going to pretend this isn't the episode Reid gets kidnapped in) Later piece is inspired by any of the many times prostitutes flirt with Reid throughout the early seasons. I looked at a few maps and online catalogs of the museums current collections to kinda figure out how long it would take to walk there, and what pieces are stored where, but it might not be 100% accurate so don't hold me to it.

Cws- Brief mentions of robbery and prostitution (separate occasions)

A/N- This has been bouncing around my brain like a DVD menu screen, I'm so excited about it. I'm a museum studies major so I'm making this girl live all of my dreams.

Your favorite part of the job by far, was cataloging the new pieces. Whether they were from other museums or private collections, unpacking those boxes let you indulge in a bit of nosiness everytime. This particular collection was from a recently closed exhibit, so you were doing the overnight shift. No one else was in this part of the museum, and your boss was doing a showing of some prints to a collections enthusiast so you had the place to yourself. 

You threw on some headphones and got to work, once you finished this you could go home. You’d just cataloged and packed the first half of the pieces, but as you were about to start on the rest, you saw something move out of the corner of your eye. Archives were a slightly creepy place to be at night anyway, the shelves looming over you, and the underground structure providing little light outside of your small workspace, but that was definitely unusual. When you finally turned around, there was a full-on stranger walking towards you. He was about your age, but he definitely didn’t work here, you would’ve remembered 

“Jesus! Walk louder! I didn’t hear you come down here.” 

“I called out twice to try and see if there was anyone down here.”

“Point taken.” You shrugged it off, you’d never seen him before. He definitely didn’t work here, he was cute and about your age. You’d remember him. You both stood there just kind of looking at each other, not fully sure what would happen next.

“Are you going to like— rob me now? Or maybe introduce yourself?”

“Oh! Sorry, my name's Spencer Reid, I was here with a colleague. He was looking at some ornithology prints upstairs, and he told me to come down to find—well you I assume, and get the last print in the set, and ask for directions to the coffee machine?”

“Sure! Just come over here and I’ll look it up for you.” You set down your clipboard to head back to your little desk, the only one with the lamp still on. 

“So, what exactly are you looking for?”

“It’s a Robert Havell, Frigate Pelican.” You typed in the name into your system to make sure, but you knew now why your boss didn’t come to get it himself. It wasn’t in this museum, it was in the archive under the Renwick gallery, almost a mile away. 

“Alright, I can be back with it in like an hour, it’s at the gallery on 17th street. This was a split collection and it’s still in that archive. There’s a coffee machine down the hall on your left, and I can meet you back in my boss’s office.”

“An hour? Are you walking this late at night?” 

“Yep. But I’ll go as quickly as possible.”

“I can’t in good conscience let you walk that far by yourself this late at night, would it be alright if I came with you?” 

“Alright! Only if you want to though, I promise you don’t have to.”

“I want to, if that’s ok.”

“I was hoping you’d say that.” You smiled at him, and while you were grabbing your keys and ID, he went from relieved you said it was ok, to completely red at the idea of being around you alone for the next hour. He was stuck in place as you passed him and got halfway down the hall, before he started running to catch up. 

“Where exactly are we going?”

“We need to go up the elevator, through the garden, and then it’s pretty much a straight shot down 15th and through Lafayette park.”

“I thought we could get through the archives?”

“We could, but it would take longer. I get distracted easily, and it’s a nice night out anyway.”

*****

About halfway through your walk, you’d already felt like you knew him. When you were passing through a particularly busy part of the street, someone called out to you. Well not you, they called out to Spencer. 

“Hey cutie, you’re back. I told you I’d remember you.” A woman in high heels, a fur coat, and shorts entirely too short for the chilly weather, called out for him. You didn’t place any judgment on her, but the look you gave Spencer. Shock, and trying your best to stifle laughter at his panic.

“Oh–um. Have a good night.” He rushed off, in his haste grabbing your elbow to pull you along with him. Once he’d gotten far enough away for his embarrassment to pare down, he let go of you, realizing with a whole new sense of self-consciousness that he touched you without even thinking about it. 

“That was not what it looked like. I swear– I was talking to her with my boss last week, we were doing interviews for a case; and she well– she called me cute, which is what that was about.”

“You don’t need to explain yourself to me. I would tend to agree with her anyway– you are pretty memorable.”

“I– thank you. You’re memorable too.”

You walked the rest of the way with Spencer almost trailing a half step behind you. You were so mesmerizing, he just couldn’t help it. 

By the time you finished the walk, arriving at the security booth to get back inside the archives, you already felt like you knew Spencer. 

“ID please.” The security guard spared a singular glance towards yours, and you realized you forgot to ask Spencer if he had his on him. 

“Oh I forgot they check IDs of any guests coming into the archives, you have your driver's license on you, right? Or any ID is probably fine. I didn’t even think about it.”

While you were rambling about it, Spencer pulled out his credentials, showed it to the guard as if it were nothing. Because he’s a federal agent -apparently- he didn’t need a visitor badge. 

“You’re in the FBI?”

“Yes?”

“How on Earth did that never come up on the twenty minute walk here.” You finally got moving again towards the art storage, now trailing alongside Spencer, more focused on him than looking where you were going. 

“It did.” 

“When?”

“Why did you think I was interviewing a prostitute?”

“I don’t know! I thought you were like– a lawyer or something. You’re so fancy! And nice! And you know– Young!” 

“I–you think I’m fancy?”

“You’re wearing a suit with a sweater vest at 9pm on a Saturday night.” 

“Fair enough. But no, I'm not a lawyer. I’m glad you think I’m nice though.” It was your turn for your face to heat, and for you to hide your head. 

“Of course I think you're nice.”

When you finally found what you were looking for, you started heading back. He told you about some of his interests, but mostly he wanted to know about you. All you wanted to hear about was him though, he was so interesting. 

“What do you do for the FBI?” 

“Behavioral Analysis”

“Oh my god. Oh if I’d known that I would’ve changed everything I’ve done so far. That’s– I mean that’s so intimidating” And now he was laughing at you. 

“I don’t think anyone has ever described me as intimidating. Off-putting and annoying sure, but intimidating is new.” 

“You’re very intimidating. I’ve never met a guy who knew that much about historical art without even being in the field before, and now I know you could read my behavior? I must’ve come off like a total idiot like–15 times by now.”

“I don’t think so, quite the opposite actually.”

“Well thank you, but I was making a conscious effort not to make it clear I have a huge crush on you, and then you tell me you could tell anyway?” 

“You have a crush on me?”

“Well–yeah. I thought you could tell.”

“Not really.”

“Oh.” It felt like an eternity before he responded.

“I have a crush on you too, for the record.” 

“Yeah?”

“Most definitely.”

An older man came out of the building before you could walk back in.

“Reid! Where’d you go? JJ called, we need to leave for the office.” 

“Oh–um, I’ll call you? What’s your number?” You checked your lanyard and your pockets as best as you could while holding the flat-packed print. 

“I don’t have a pen or anything on me.”

“You can just tell me, I’ll remember it.”  After you said your goodbyes he disappeared again, and you went to put away the rest of the collection. Spencer called you the next morning to set up your first date, and though he never stopped amazing you, you wouldn’t describe him as intimidating anymore.

[atticoratticus]

im always going to be so glad that Rollo didnt get a 'redemption' scene or even really change his ideals or goals at the end of GloMas. Even though thats likely something a lot of people might want (hell, Ive even seen some people say his lack of change was 'bad writing'), its just not realistic. Development doesnt happen instantaneously, especially not when someone doesnt even WANT to change in the first place.

While the confrontation with Idia, Malleus, and Azul might have sparked some sort of realization in him, this is a matter of changing something he has thought for YEARS. We dont know how old he was was his brother died, but it was obviously young. This is a hatred hes let fester ever since then, and its presumably only grown stronger with time. His grudge against magic and magic users is embedded in him, and it takes a LOT to actually change that sort of thing.

And, as I said before, Rollo doesn't want to change. He says it flat-out after hes defeated - his defeat might have been a roadblock, but hes still going to keep trying to eradicate magic (obviously not an exact quote, but thats basically the meaning in what he did say). Theres no sudden realization of 'maybe im wrong' or 'maybe I should change my ways', because those sorts of sudden developments are not accurate to his character.

Rollo as a whole is incredibly set in his ways, even down to the exact meal he eats for lunch every day of the year and the type of stationary he uses. He is all about careful self control and routine, not to mention the fact that he is likely INCREDIBLY stubborn. He just isnt the type to make hugely impactful changes to himself at the drop of the hat.

I do think its possible for him to eventually learn to let go of his hatred in the future, but that would also require him to actually open up to people and allow himself to face this head-on rather than falling back on habits - something that he is very averse to and in itself will take a lot of development on his end in order to happen.

Such a major change is something you work on over the span of months to YEARS, not a single night. Rollo not doing a 180 change isnt bad writing, its realistic.

[idontwanttospoiltheparty]

hi! I'm new to the beatles lore and I've been trying to catch up on an insane level of information for weeks. it's been fun but also heartbreaking 💔💔 anyways, I wanted to ask a couple of questions if that's ok? for example, I keep seeing this narrative that john was using yoko as some sort of weapon against paul... what was john trying to achieve by that I mean where does this idea even come from? according to this, john was hurting paul on purpose while he was singing him love songs in the studio asking him to be partners again (as in songwriting creative partners) WHAT WOULD JOHN ACHIEVE DOING THAT? also it sounds very one sided like paul is the most innocent in the break up eventho he was the one who came up with a secret album and a lawsuit. I don't know what to think. before knowing them I used to think lennon was in love and on drugs so he got so annoying to the point that he broke up the band but now...

Hi there! Welcome to the fandom! don't worry about feeling overwhelmed at first there is a LOT to take in.

I want to say, I do get the feeling you are somewhat mixing things up here, though I don't particularly blame you for being confused. (if not then sorry! just want to clarify as much as I can)

Tedious as it sounds, I find keeping a timeline in my mind (ideally, accurate to the month) helpful to provide some clarity regarding the breakup era specifically, so the period of 1968-1971. John's studio taunting you're referring to would have happened between mid '68 and mid '69, but Paul worked on his solo album (what I presume you meant by "his secret album", though it wasn't all that secret – John had already released solo music of his own by that point*) in late '69 and early '70. He filed a lawsuit against the others in late '70.

*I think you're conflating the album itself with the fact that, along with the release of McCartney (said album), Paul "surprise revealed" he had quit the band to the public, which the other band members, especially John, were not impressed with.

That being said, the events of the breakup are still convoluted at best, even to "seasoned" fans, I'd say. One of my main pieces of advice I can provide as someone who's been doing this for more than 3 years is get comfortable with not knowing things and with some of the actors involved doing something fundamentally irrational sometimes. They're humans, they don't always make sense and they won't always be forthcoming about why they behaved the way they did.

Which brings me to the narratives you mention: I say this as nicely as possible, but sometimes people want to tell themselves the best story rather than the most truthful one. It's more important to some that John is taunting Paul out of some twisted form of love than why specifically.

To answer your question regarding where this particular idea comes from, I would say: Paul has indicated that he felt John replaced him with Yoko (in whatever way he meant by that – some think it's sexual, some it's about creative partnership, or simply as a best friend); John's behaviour clearly and drastically shifted for the worse in mid '68, which is around the time he got together with Yoko, left his family, and started doing heroin; footage from Get Back shows John both all over Yoko and trying to reach out to Paul periodically.

There's probably more, but I don't know if there's much point in getting into the weeds of it right now. My point is: it's not the only valid theory, IMO, and probably not the whole truth if it is true, but it's not unfounded.

I think it may be a misstep to dismiss a theory because "what would John achieve by that?" Again, people are not always acting in a way that strictly makes sense, especially not people with the issues John struggled with. Some people might say John was testing Paul, trying to make him fight for him. Some might say John had an outright sadistic streak. Others that he was too out of it to notice the pain he was inflicting on others. I think it could very easily be a mix of all three. When dealing with human emotions, I personally think it's a mistake to assume things are simple and straightforward, which is why a lot of tinhattery turns me off. It very often feels like a blanket-statement self-confirming axiom, rather than a truly thoughtful and multifaceted argument.

My most condensed version of events would be: John became incredibly difficult to work with in multiple ways (including but not limited to bringing Yoko to the studio) by mid '68; Paul, for the most part, tried to accomodate him, to diminishing returns, while having his own longterm relationship fall apart and being completely in over his head running a brandnew business; Paul deals with distress by burying himself in work, the other three do not – this leads to further conflict, along with issues over creative control; the band decide they need a new manager type to help them out with their new business and provide the guidance they haven't had since Brian died; cue John wanting Klein and only Klein and massively distrusting Paul's "nepo" choice of Eastman + apparently not trusting Paul's belief that Klein was bad news; extreme resentment over money issues which are incredibly underrated by the fandom because at their core they are boring, emotionally, ensue; John decides he's "over" the band and tells the others he's out; Paul is destroyed over this (and everything that led up to it), spends months spiraling and recording his album; wanting to get this all out of the way, Paul finally breaks down and admits he's leaving the Beatles to the world and to the band itself, even though he had asked John to stay quiet about his own quitting the band months earlier; John (understandably, IMO, though I don't blame Paul exactly – this is what I mean by not everything makes perfect sense) assumes Paul is using the band breakup for PR and gets a hell of a lot angrier than he already is about the money stuff; John undergoes primal therapy which opens up about 43273289635298 wounds; John does an interview in which he spills his guts and tears down almost everyone in his life except Yoko; meanwhile more financial issues. I cannot overstate that those matter too, tumblr is just not a place where finance peeps hang out; Paul is getting more and more fed up with all of this and he, as a last resort, files a lawsuit to no longer be legally tied to the others.

I for the most part left out George and Ringo here* and I'm writing off memory here without re-checking sources, so take what I say with a massive grain of salt. My main point is that this shit is complicated and don't let people tell you it isn't.

*I'm of the opinion that John and Paul are at the center of the breakup, but they also aren't the be-all, end-all of it. But because in the end George and Ringo fell "in line" with John and you didn't ask about them, I decided to mostly leave them out.

[bam-monsterhospital]

on the one hand, eso is allergic to pretty young men npcs and its engine affords absolutely ZERO aesthetic favours towards mans... which is why bastian looks wayyyyy older than 27 and craggy as hell visually.

on the other hand, his character is great and griffin puatu's performance is so goddamn wonderful and endearing that it overlays and makes up for any lacking visuals on the game's part...

all this to say, i treat drawing bastian a little like how all those oblivion fan artists approached interpreting lucien lachance back in the day.

not quite to that extent, but like, same energy.

[moonlights-shadow-warrior]

They're uniforms. Those are the same jackets just with some personalizations. Was anybody gonna tell me this or???

also based on the two gate keepers

there's blue ones

[dellovestorant]

Do certain words motivate you to win again in Misano?

"I'm always motivated to the max, then you have to be realistic about what you can achieve. I will try to give 100 percent as always. I repeat, the last thing I am interested in is getting into these games with a rider who is no longer active"

Do you think this is an attempt at a psychological attack on you?

"I don't think so, also because it wouldn't achieve anything, as happened in 2016, in 2017, it's all in the past"

According to you what was his intent?

"Ask him"

Do you think he's obsessed with it?

"Ask him. I don't care, I don't want to get into wars that bring me nothing"

[icewindandboringhorror]

There's always a slight yearning in the back of my mind wishing I had been born in the right place, time, family situation, income level, etc. to have just lived in one single house for my entire life. Imagine being born in a place that still suits you, even through all of your personal evolutions and etc. The idea of deep familiarity with an area because you've lived and explored it for 40+ years, being encased in a web of memories and connections. Being able to clean out your old childhood bedroom and find personal artifacts, to dig in the yard and remember. I know those lives can still be plenty imperfect, but there's just something so seemingly solid and stable and Grounding about it that I sometimes wish I could have.. (At least from my outside perspective as someone who's moved around a bit geographically and even within the same area, never lives in the same house/ apartment /etc. for more than a few years usually.) Like... having a place that is printed upon, fully your own, rather than chronically a visitor, every thought of a space always tempered with the notion that one day soon you'll have to pack it all up again, etc. There's something peaceful about the permanence.

[shannonallaround]

a hedgehog with his silly little flying chihuahua friend

[opens-up-4-nobody]

...

[fjordfolk]

also just bracing myself for if i eventually do pick out a sire for troja because frustrating and hypocritical etc etc but i will eventually end up sacrificing a known health result or two for untested factors

[angeltism]

god i fucking hate spa.rkle sm . most shit i'm seeing says she's being racist against roman.ians , but . . . considering roman.ians are . white europeans ? and i haven't heard of much oppression towards roman.ians . I kinda doubt it ?? but you know what people whose oppression i've heard plenty of in roman.ia and who sound similar enough they constantly get confused with each other ? roma . who were enslaved for fucking centuries and to this day still face horrendous oppression in roman.ia . is she . is she fucking racist towards the h.sr version of part of my heritage . hoyo can i kick her can i please kick and punch her please please please pleaaaase pl

[void-tiger]

Cptsd brain be like: SHUT IT DOWN protecprotecprotec (don’t look at me/okay I am ALLOWING you to look at me) imsorry imsorry imsuchaburden wHYareyouevenHERE this is it i’ve finally screwed this up theymustthinkimweakandanidiotandoverreacting

…then…finally… with processing feeling this way for days and people who HAVE doggedly chosen to stay

…maybe…I won’t lose old&new.

[orangebunnit]

Every year I draw my pet Flappy as a different old artwork. Here's the four most recent yearly chickens ♡ 2018: Poetry | 2019: Self Portrait with Straw Hat 2020: Water Willow | 2022: The Figure of Nathan

[oldmanyaoi-jpeg]

something i'm trying to remember when creating characters is that respectful and researched representation is more important than getting it absolutely perfect with 0 flaws bc (when it's something i'm not) i'm never going to get it perfect

[icewindandboringhorror]

Recent game related things .. hrmm...