#i think i just want to use the same brush for the shade and highlights on the jacket next time tho

[pluto-glow]

This one took a bit, but next up from MyStreet, Gene

[lordprettyflackotara]

fill the void || fred weasley

SMUT. MINORS DNI. 18+

It felt odd in a way, being alone for the first time.

Usually you were surrounded by your fellow Slytherins, the smell of cigarettes and cologne something your nostrils had grown accustomed to. The sound of vicious insults or bitter rants making a nest in your ears. The sight of scowls with liquor in their hands, their knuckles typically bruised and bloody.

But right now, all of that was gone. The air in the courtyard was clean, the breeze blowing past you providing you with the smell of the earth. Your sights were centered on a giant oak tree, as well as the moon that dimly illuminated the area below. It was an odd change, your surroundings being so settled. You couldn’t help but wonder what you would’ve become if you hadn’t been placed in Slytherin. Maybe yellow would’ve suited you better.

It wasn’t that you despised your housemates, even if they were a group of misfit toys. Mattheo protected you, Theo tutored you, Draco was always glued to your side. It wasn’t them that troubled you. It was what wearing the sickening shade of green meant. Submission to the dark lord. Following the ideology of pureblood nonsense. Especially being one of the only prominent girls, there was always the lingering question who’d you marry and reproduce with.

Yuck.

“Am I interrupting?”

You didn’t need to turn around. You’d recognize a Weasley’s voice anywhere. “Unfortunately not,” You admitted. You hated to admit you knew which Weasley twin it was, a lanky Fred Weasley plopping down beside you on the concrete steps. He stretched out his long legs, mere inches separating both of you. “Is there a reason you’re perched out here instead of doing shots with your friends?” Fred asked. How could you explain why? Oh yes, I am having an existential crisis because of the fact my dress is emerald. Want to go inside and split a chocolate frog?

“Where’s your other half? Didnt think you two separated,” You quipped, brushing off his question. Fred took the hint, leaning back on his hands. “Currently snogging Angelina Johnson,” He answered. This caught your attention, your head snapping to look over at him. “The chaser that wiped the floor with Blaise last season?” You asked. Sometimes you forgot how small this dreaded University actually was. Fred nodded, shrugging. “Aggressive on and off the field, just the way George likes em,” He replied.

You snorted. “Ahh yes. Makes sense a Weasley would enjoy being slutted out,” You snickered. It was too easy of a jab. Fred began to man spread, his long legs in your personal bubble. “I wouldn’t be so hasty little serpent. A few of us know how to put a brat in their place,” He smirked. The cocky motherfucker winked, heat dashing across your cheeks. You must be in a different dimension. There’s no bloody way a Weasley made you blush. “You’re cute when you blush,” Fred praised. He couldn’t help but notice how good you looked in the moonlight, the beams highlighting your features.

“Are you complimenting me Weasley?” You questioned. You avoided his gaze, trying to ignore the fact your heart skipped a beat. “Obviously not, i’m flirting with you,” Fred replied, unable to control the smile creeping across his lips. You were just so easy to tease. “What makes you think you can flirt with me?” You asked, turning your head to look over at the ginger. He shrugged, meeting your firey gaze with ease. “Perhaps it’s because we’re in the same boat, sitting out here alone in a bloody courtyard while the yule ball is less than five hundred feet away,” Fred explained. You audibly scoffed. “Weasley’s can’t afford a boat,” You spat.

Fred chuckled at your insult, your venom harmless to him. “Considering you’re out here I think it’s safe to say your boat has sank. Guess we’re on the same island together then,” He replied. You couldn’t help but find his facial expression smug. “Great,” You grumbled. You rested your chin on your knees, contemplating your life decisions. Fred sighed. “Well, if my presence really isn’t that valued i’ll relocate,” He said. He began to rise to his feet, your body doing a one eighty. You didn’t realize your hand was gripping his wrist until it was, desperately holding him in place.

“Sit down Weasley. I-,” You paused, looking up at the ginger. “I’d prefer it if you stayed.”

Fred grinned down at you mischievously, resuming his place beside you. “Figured you’d say that. Just wanted to hear you say it,” He gloated. You slapped his arm. “You’re unbearable. You know that don’t you?” You grumbled. Fred couldn’t help but laugh. Your annoyance was adorable. “You seem to like it,” He replied. You frowned as he stood up in front of you. “Do not,” You argued.

“Do too.”

“Do not!”

Fred extended his hand in front of you. The faint sound of classical music could be heard over the stillness, the wind having faded out. “Care to dance?” He asked. The choice was standing right in front of you, demanding an answer. You could say no and continue moping on the stairs. You could say no and go back inside, all eyes on you once again. Or you could say yes, potentially having a good time with a boy you didn’t belong with. Dancing with a Weasley? Draco would have a field day with this one. But Fred’s hand never looked more appealing than it did in that moment.

Hesitantly you took his hand, allowing him to bring you to your feet. Even in heels he easily towered over you, the ginger not hesitating to bring you close to his chest. “You know you can drop the bad girl act with me, I won’t tell,” Fred said, guiding you back and forth. You were an awkward dancer, despite the endless ballroom dancing classes your parents put you through. “It’s not an act,” You argue. Fred looked down at you, his face painted like he knew you. Like he could see right through your hollow shell.

“Sure it isn’t. And i’m not the best prankster in Hogwarts,” He quipped. You slowly spun you around, giving you time to catch up as you almost tripped in your heels. “You’ve really got quite an ego, don’t you Weasley?” You asked. Fred grinned as he pulled you back close to him. “Thats a bit hypocritical, don’t you think?” He asked. You glared up at him. “I think not,” You argued. Even though your words were laced with venom, you couldn’t deny how much you enjoyed his touch.

So gentle but so assertive, guiding you. Your mind strayed away, imagining him guiding you a different way. Guiding you to take his cock, to ride him until the sun came up. “Hey? Are you listening little serpent?” Fred asked, his voice coming back into frame. You blinked a few times, trying to regain your composure. “Sorry, what?” You asked. Fred slowly guided the dance to a stop, the song ending. You couldn’t help but wish it’d last forever. “I was asking what you’re thinking about,” He said.

You could feel yourself turning red, your filthy thoughts flooding to the forefront of your mind. You felt tongue tied, unable to confess your dirty fantasies. “Ohh, I see,” Fred said. You couldn’t bear to look at him in the eye, embarrassed enough to be in this position. You felt his slender fingers slide under your chin, guiding you to look up at him. You allowed him to guide you, his eyes boring into yours. You liked that, allowing him to guide you. Even if he was supposed to be bad for you, his touch put you on cloud nine.

“Do you like that? When I guide you? Take control?” Fred asked, his voice dropping an octave lower than before. You could’ve dropped to your knees in an instant. “Maybe I do,” You replied, not wanting to cave, not just yet. Fred leaned down further, pressing his lips against yours. His lips were warmer than you thought they’d be, filling the void inside of you. The void that craved approval and validation. His lips provided all of that and more. He guided you towards the giant oak tree, pinning you against it.

The sharp bark scraped at your back, a groan escaping your lips as Fred’s refused to stray from yours. You raked your hands throw his hair, pulling at the roots roughly. Fred whined into your mouth, smirking as he pulled away. “Cute,” He murmured. His eyes flickered behind you, ensuring no one was around. “As much as i’d love to make you squirm, we can’t do much here,” He whispered. You pulled him back to your lips, sliding your tongue into his mouth. You couldn’t get enough, your body craving him.

“That eager, are we?” Fred asked, pulling you back in for another kiss. You gently bit his bottom lip, pulling it towards you. “Fuck me, at the very least Weasley,” You ordered weakly, your body betraying the attempt at dominance you were spewing. Fred grinned mischievously. “Turn around for me pretty girl,” He purred. You did as asked, his large hands pushing you against the tree. You could hear the clinking of his belt, your core throbbing in anticipation.

His large hands pushed up your dress, pulling your panties to the slide. “You’re lucky we’re in the courtyard, otherwise i’d make you beg and scream for me to fuck you,” Fred purred. You felt his tip brush up and down your folds, a moan escaping your lips. One of Fred’s hands flew to your mouth. “Gotta keep quiet little serpent. Dont want anyone to hear you being a whore for a Weasley, do you?” He taunted. He pushed himself inside of you slowly, your body feeling like it may split in two.

“You’re fuckin soaked for me,” Fred mused, placing a sloppy kiss against your shoulder. Your moans were muffled by his hand, your walls struggling to accommodate his size. “I’m bigger than Malfoy aren’t I?” He asked teasingly as he bottomed out inside of you. You grabbed onto his wrist, yanking it away from your mouth. “In your dreams Weasley,” You spat, whimpering as he bucked his hips ever so slightly. Fred began to suck at the side of your neck, harsh enough to leave a hickey. “Dont leave marks on me,” You argued, moaning as he began to thrust into you. Fred released your neck with a pop, satisfied as the skin began to turn purple.

“Whys that? Afraid your boy toys will find out you’ve let me in between your legs?” Fred asked, beginning to pick up the pace. His pace was brutal, his hand flying back over your mouth to muffle your sinful noises. “When they ask tell them. Tell them how I ruined you. How a Gryffindor made you cum in a courtyard like a dog in heat,” Fred huffed. He continued to viciously snap his hips into yours, his cock abusing your g spot with each thrust. You moaned his name into his hand, gripping one of his wrist and the tree for support.

“You’re so fucking tight, so perfect,” Fred groaned into your neck, his breath hot against your skin. He removed his hand from your mouth, his hands taking their rightful place on your hips. “I’m going to make you cum on my cock. You understand me? You’re going make a mess for me,” Fred ordered. His orders were hypnotizing, your legs beginning to shake as he held onto the fabric of your dress. You could feel the knot inside of you tighten, a familiar feeling coming.

“Please make me cum Freddie, fucking please,” You pleaded, your orgasm coming faster than you’d like to admit. Fred chuckled, fucking you mercilessly against the tree. “There she is, there’s my sweet whore. Go on, cum for me,” He panted. You squeezed his wrist tightly as you came, euphoria washing over you as you came on his shaft. Your legs trembled, threatening to give out on you at any moment. You felt Fred’s hips stutter, the ginger pulling out of you.

He guided you onto the ground, your bare knees hitting the dirt below. You stuck out your tongue, allowing Fred to cum inside of your mouth. “Holy shit,” Fred moaned, watching as you swallowed every last top. You both sat there for a moment, your highs subsiding as you soaked in what you had just done.

“Hey y/n?”

“Yeah?”

“You wanna grab a butterbeer sometime?”

“Shut up Weasley.”

[headspace-hotel]

Minecraft 1.20 thoughts:

The highlight is, of course, the cherry blossom grove biome and cherry trees. The cherry wood just looks SO GOOD with everything. I've made so many builds incorporating it already and it's so easy to work into a color scheme. Cherry wood. Hhhhhnnnnghh. Such a delicious shade of pink. I want to eat it.

Also really excited about the bamboo wood set, it looks amazing and adds a lot of functionality to bamboo.

Feeling pretty positively about the armor trims, though I wish there were more where the decorative material was more dominant in the color scheme.

Trail ruins and archaeology: Mixed feelings. I think archaeology is a fun mechanic, I like exploring the trail ruins, but they really, really turn inventory management into an absolute nightmare.

There are many different varieties of pottery sherds, I think at least 20. Sherds of different types do not stack. There are 4 armor trims that can be dropped by suspicious gravel in trail ruins. Trims of different types do not stack. The trail ruin structures themselves include many different varieties of terracotta and glazed terracotta, (at least 6 different colors of each) and—you guessed it!—each type stacks separately.

Additionally, suspicious gravel in trail ruins may drop any of several colors of candle (I have found red, purple, green, brown, and blue candles) and any of several colors of glass pane. The process of digging the ruin out will fill your inventory with at least 6 stacks of gravel as well as a lot of dirt, coarse dirt, cobblestone, and flint.

To top it all off, unless you want to enchant your brush with Unbreaking, you will need to carry multiple brushes because the brush breaks before the ruin is fully cleared.

Even with multiple shulker boxes clearing a ruin fully in one trip is impossible. What were the devs even thinking??? Are we expected to throw away the candles and other "junk" drops and ignore the glazed terracotta, mud bricks, and other tedious-to-obtain blocks in the structure itself?

This update shares with 1.19 the bizarre attribute of the devs supposedly being very focused on the player experience, while seemingly not noticing key parts of the player experience. The new mechanics and features in both have some incredibly fun and engaging elements to them but also some glaring problems.

I'm pretty much just indifferent to the clay pots? They would be more fun if they incorporated some basic colored patterns and/or actually could be used for something.

Changes to sign editing, and hanging signs are both fantastic.

The "Netherite Upgrade" is shit and I'm not sorry to say it.

Like...netherite is already so incredibly tedious and difficult to obtain that it's almost not worth bothering with. 4 ancient debris is needed to craft a single netherite ingot. You need 16 ancient debris to upgrade a full diamond armor set to netherite, and 8 more if you want to upgrade a sword and one pickaxe. If you don't have Mending on all of them, basically go fuck yourself, because from that point you will need multiple netherite ingots to repair a piece of equipment in the same way you would need multiple diamonds to repair diamond equipment. All of this for a set of equipment that will be fucking gone if you die and can't recover it.

And yet the devs have decided to??? fucking...add a generic, painfully uncharismatic new item to provide another barrier to obtaining netherite gear? because it's too easy or something???

I haven't broken into the other new additions very much, but I will try to obtain a sniffer egg soon...

[reflections-in-a-critical-eye]

Are You Sure?! Episode 4 observations

8.5/10 ☆

When will Army cancel Jimin and Jungkook? When will ot7 jikookers and vminers and vminkookers make call out posts for them? Jimin and Jungkook should express that all encompassing love for the entire members of their group all the time. Pointing out throughout the entire first day that Tedros is their guest or that they he should leave if he doesn't like it, that he's looking for attention or that AYS is their show, not for other people, was giving mean girls behavior. How is that nice? They love their guest but they're shading him. I think we should totally cancel Jikook!

But how the tables have turned once the kid that tagged along went to bed and the adults could play. Oh, we were back to Connecticut vibes once again. Which are basically the usual jikook vibes in where every little game needs to have a hint of flirtation (I wonder what Jimin would have done if Jungkook wouldn't have warned him about the glass part in the pool? Jimin was in slytherin mode the minute he took off his clothes).

From enganging in intricate rituals to touch each other (as always) to go through a long negotation over eating ramyeon or not (what's ppeuriri got to do with everything? I love their inside jokes and hate them at the same time. Let me in!!!! I was waiting for the bj brothers and when they deliver even some innuendos, it riles me up).

I'm not a BL fan of regular watcher, but this looks like the beginning of one of those steamy scenes where they show them fuck on some balcony or in the pool. Just sayin'.

Say yes and eat the damn ramyeon, Jungkook!

I like Jikook's nighttime routines. Although so far they have been quite tame, no drinking or other shenanigans. They do teeth brushing yoga or they cuddle up and talk about work and their schedules before bed. And there's no bed without Jimin's legs all over Jungkook (I'm sure he must be dreaming of those thighs at this point).

Can it get more domestic than Jungkook talking to his mother and her already knowing about their schedule?

I have a feeling she and Jimin text each other regularly. Oh, if only they had filmed just a bit during their Chuseok weekend in Busan (I do assume Jimin went too, but 🤷‍♀️). I need to see Jimin with Jungkook's mother. She would dot on him and Jimin would be so respectful but shy and oh, I get all giddy just thinking about him. Busan boys, please visit your home town one day and share that with the world!

I refuse to accept the existence of Jimkook, sounds ugly, forced, it doesn't roll off the tongue. But Jikook? Yeah, that works. And they were in full jikook mode on the boat. That embarrassing CPR manouver by Jimin is yet another sign that they will remain that cringe couple. How did Tedros survive on that boat? No wonder he took a step back from all that up until the end.

The entire afternoon on the boat really gave us a glimpse into their original plans and how once again, they just click. They never push it, they want to do the same things and they have fun. And we still got the cuddle and drawing whales out of clouds without that moment turning into something else.

When Jimin is in top shape, without any other illness looming over their vacation, then we know we're in for some entertainment. He's much more engaging and laughs at everything while Jungkook is right there next to him, ready to joint whatever Jimin wants to do.

(Who would have thought that Tedros headbanging the first day would make him take a step back and allow them to do their own thing how they originally planned? I have lots to say about him, but for another post, there's too many nice things that happened and I focus on that at first)

And now, a few more highlights:

What is this? Cutie Jiminie who can also get angry while stuffing his face with rice and noodles and chicken all at the same time? You are what you eat. Or whom 🤭

Jungkook has always been an expert at such lines, how can Jimin still be surprised after a decade? That's what you get. You have the tattoed guy who's really into bikes and Jimin who is clearly into all that, but he's gotta take the lame lines too.

[38sr]

Hi! I really love the way you color, and I was wondering If you could make a tutorial about it, I of course completely understand if you Can't/don't want to do it thanks in advance If you decided to do it and have a good day/night.

Hello hello! Ooooh, a color tutorial! I've never done one before so I'm not sure if I'll be any good at it haha. But I don't mind sharing my thinking process when it comes to coloring my works. So when it comes to color, I very much have a traditional painter's approach since that's how I learned color in art college. My painting professor never allowed us to use black or white paint, we could only use other colors to create darker colors or new colors altogether. And you're probably thinking, "What the hell? That's insane." And I wouldn't blame you haha. But this approach helped me a lot to not rely on tints (colors mixed with white) and shades (colors mixed with black) when I color. For the most part, I purely thinking about value and hues when I'm coloring.

Finding the right values:

So for this drawing, I did two different takes (one with direct harsh lighting and one without). The reason why I'm showing this is because when it comes to color it's very important that your values aren't clashing with each other. When I started out, all my coloring felt flat because I was using colors with the same values so there was little to no depth. A lot of people don't realize this but color does have value!

If we put the primary colors on greyscale, you notice how each color has its own value. Blue tends to be a dark value, red has a mid to dark value , and yellow is a much lighter value. This is why if you ever look at my work, the color I use for shadows lean into blue/purple tones. You can also have warm shadows since red does have a deeper value compared to yellow. But these values are when the primary colors are at the highest saturation. What would happen if we knocked down the saturation levels?

The values start to become more similar. Since we're not always using the most saturated colors, it's important to understand the values behind the colors you'll use. Once you unlock that, you can pretty much do whatever you want with color haha. That's why I hardly ever use black or white in my digital art when mixing (also I don't mix color with a brush, I just pick from the color wheel which might be insane).

While it's not wrong to use white or black to create darker/lighter colors, color in real life doesn't always act that way. Shadows and highlights can have color. For myself, letting go of white and black has opened a world of color combinations that I didn't think of before taking my first ever traditional painting class. Now, I can freely pick colors and experiment with palettes since I've blocked out what values I need (like the image below).

Even if I'm using blending modes like in the next image, I'm always thinking about making clear value separations. If I can't understand the image in black and white, then I'll have a hard time seeing it in color.

And when you get very comfortable, you can start placing characters in different color environments and match them (which essentially is the job of a color designer in TV animation).

The right image is the official color palette for my character which already uses a lot of blue/purple for the shadows. But on the left side, she's in a night-time environment so I leaned even more into the cool colors to the point that the white T-shirt is actually a very very light purple/pink color haha.

Or like this example where the left drawing gives a more sunset/golden hour lighting while the right one is more blue hour/night time lighting. But you can read the colors clearly 'cause the values are clear to begin with. While that wasn't really a tutorial this is pretty much my thought process when I'm coloring my digital works. ^^; I very much do follow an academic approach to color theory but even then I think it's okay to break the rules. As long as you have understanding of colors' value, I think you'll be able to unlock any color style you want! I hope that answered your question and was helpful!

[lunalikestowriteanddraw]

Okay, I normally don’t post my art if I use a base as a starting point (which, I’ll be frank, I tend to do. Mostly just because I view them as dolls and they help me get character/outfit designs down), but yall. I had a fucking VISION. I started this yesterday at like 1 in the morning, didn’t stop until I finished the outline (at 3 in the morning), and I just finished it today (also at 1 in the morning…huh). And I am so fucking proud of everything in this and I just need to share oh my GOD

It’s he!!!! It’s human Kremy Lecroux!!!! And I know I don’t have his top hat, and that’s for a few reasons

1) the hair was already a learning experience on its own and I didn’t want to overcomplicate things and get myself frustrated because of it

2) the hairstyle I went with wouldn’t really allow for his hat

3) I can’t draw hats. Like at all. They always look like shit.

But anyway! I am so proud of the hair yall. I didn’t actually want this hairstyle, i actually wanted them to be down, but the hair just want hairing. The Timelapse doesn’t show the amount of times I hit the back arrow (which was a lot. Especially in the sketching phase. Especially for the hair), but it was A LOT. So I just kinda went with this. I think it fits Kremy though, probably moreso now than it would’ve before

Also, I used this watercolor brush when sketching out the hair, and then when it came to outlining, I traced over the individual brush strokes. I think it worked out beautifully. I then used that same brush later for the individual texturing when i started on the detail work.

Also, that tattoo on his neck was actually inspired by Kremy’s cane and Dr Facilier as a whole (I actually wanted to use the background of Dr Facilier’s shop during “Friends on the Other Side” as the background for this, but they all had Dr Facilier in the picture and I didn’t feel like copying all those details). That’s also the reason why I gave Kremy a shadow, instead of the thick white outline I have a tendency to do on my other works.

Also, notice the ring? I’m just gonna say that’s his wedding ring. Bc why not. It’s cute, it’s him, and the ruby in the middle is vaguely inspired by this fanart I saw on here that essentially had Kremy using his wedding ring as a makeshift lighter on the rare occasion his personal space heater of a husband isn’t there to light his cigarette for him. Just…ignore that it’s NOT on his left ring finger

(Btw, it’s also loosely based on my own personal headcanon—where essentially Kremy, Gideon, and the pixies all got these magical fae wedding rings that magically appeared on their fingers bc it was technically a fae pact so…)

And please ignore the hella inconsistent shading. I had intended on doing highlights as well, but I forgot. I also forgot his mustache. Ah well. I think you can still get the Kremy vibe without it lol.

Idk man I am just so fucking happy with this. I very rarely get so into a drawing that I just…draw. Like this. Most of my artworks lately are just simple shapes and flat colors.

[sexilene]

figured its time for sum more chatting!

the springtime angel bombshell!!

makeup & tips to look like a glowing sweetheart angel! its spring! 🤍

here is my spring makeup routine that will leave you looking like a cherub, vs angel, glowing goddess! ᥫ᭡ᥫ᭡

wanna look like this, this spring? 🌸🐇🧁

remember to moisturize, spf and tone before hand! here's what i use as prep 🌸

-charlotte tilbury magic cream or laneige water bank blue hyaluronic cream moisturizer

-beauty of joseon sunscreen relief sun

-lancome hydrating toner or the caudalie natural salicylic acid pore minimzing toner

now for primer here are my go to's (water based)

-charlottle tilbury invisible UV flawless primer SPF 50 ($$$ but heaven!)

-laura mercier pure canvas primer illuminating

-benefit cosmetics porrfessional lite primer water-based (classic, does the job!)

for foundation i usually use a minimal coverage or a skin tint...💁🏼‍♀️ (again, water based 💗)

-charlotte tilbury hollywood flawless filter (can you tell i love charlottle tilbury? lol)

-dior backstage face & body foundation (my forever re-stock)

-dior forever skin glow foundation SPF 15 (love this so so much)

-saie slip tint

-nars light reflecting advanced skincare foundation

concealer!! 💘

-charlottle tilbury beautiful skin medium to full coverage radiant concealer

-huda beauty glowish bright light hydrating sheer concealer

-MILK makeup hydrating concealer

-hourglass vanish™ airbrush concealer (omigodddd!!)

-dior backstage concealer (forever fave)

powders and blush! 🙋🏼‍♀️

-nars powder blush (classic, make sure you get a shade that will give you a rosy almost 'cold' look that matches your skin tone! you wanna look flushed!

-nars afterglow liquid blush

-westman atelier baby cheeks cream blush stick (very 80's)

-GXVE dewyplump collagen boosting cheek tint

-dior forever glow maximizer longwear liquid highlighter (make sure you get it in pink! ik its highlight but it works just the same, glowy and flushed!) 🌸

-drunk elephant rosi glow drops with vitamin f

-too faced cloud crush blurring blush (soft pink!)

-M.A.C mineralize blush (any of the pinks, omigodd woww)

-M.A.C extra dimension blush

-charlottle tilbury mini hollywood blush & glow palette (mix them with ur brush!!)

-givenchy powder

-charlottle tilbury airbrush flawless finish setting powder

-huda beauty bake powder

-hourglass powder

bronzers! wanna look sunkissed!!

-drunk elephant bronzing drops

-hourglass bronzer

-charlotte tilbury filmstar bronzer

-patrick ta bronzer (literally so 80s)

-l'oréal paris true match lumi glotion

setting spray to lock it in!

ive found that this one work best on me and i'm addicted to the smell! but honestly anyone that works best for you should do it! 💕

-charlotte tilbury airbrush flawless setting spray

eye-shadow! you wanna stick to whites, creams, light pinks, light browns

-maybelline expert wear eyeshadow in seashell

-clinique shadow in angel eyes + sugar cane!

-M.A.C eyeshadow in yougurt + blanc type

-too faced natural eyes eye shadow palette (i love this soo much, this is the perfect vibe)

-too faced born this way natural nudes mini eye shadow palette

mascara and lashes! thank goodness i was blessed with amazing lashes lol! i find that if you start by separating the lashes with a semi-dry fluffy mascara, then with a thin brushed mascara, then again with a non-dryed fluffy brush, it works wonders!

-lancome monsieur big volumizing mascara (i loooove thick fluffy brushes)

-too faced better than sex mascara

-lancome lash idôle lengthening & volumizing mascara

-glossier lash slick lift

-hourglass lengthening mascara

i do like to buy the individual natural cluster lashes to place on the outer corner of my eyes to give it that "eyeliner" look, like my lashes are so much longer there and i think it looks so ethereal!

lips! 💋 you want to stick with nudes and pinks, like you just ate red fruit and now your lips are stained, or like a glossed bombshell!

-charlotte tilbury lip cheat liner (ofccc! in pinks and nudes)

-this set ofc!

-too faced lip liner in post-op pink

-any of the pinky/nude nyx creamy long-lasting lip liner

-dior addict lip maximizer plumping gloss in 065 icy blue

-charlotte tilbury collagen lip bath in refresh rose

-fenty beauty gloss bomb universal lip luminizer in FU$$Y

-charlotte tilbury lip lustre in shades blondie, ibiza nights, portobello girl, pillow talk and hall of fame (my signatures)

other tips!! ᥫ᭡‎₊˚⊹ 𐦍༘₊ ⊹

🌸 try and wear mainly white! and def try to mix in some pastels! white makes you look more kind and if you happen to meet the loyl white also gives the wife effect, look it up! its real! 💍

🌸 style your hair! make and effort its fun! you could also add some hair glitter/shine and hair perfume! (i'll make a rec list for these soon!)

🌸 this stuff is like, wow, did you just come back from a tea party at a magical fairy garden where it was raining cotton candy?! ☁️ ☁️

🌸 i find this to be like my little lucky charm and i think it actually works, but, bring around a tiny picture of your fave forest animal and its like all animals love you and i seem to always get the compliment that i would be a woodland flower princess that talks to animals! lol and animal lover always radiates the most angelic glow ugh!!! 💞🐇

🌸 make sure you are keepin up with your hygiene routine and the best no.1 tip is to be kind!! the kindest people are the most beautiful. (ofc when people take advantage of this kindness, pull back bc they obvi do not deserve your presence!)

love ya!

-lene pilar

[verenvuoto]

to artist en— your work is so gorgeous!! may i ask a little more about your art materials/process? i work in traditional mediums because i find them the most comfortable, but i feel like my stuff never feels very clean when compared to digital art. meanwhile your traditional stuff looks very polished, and i’m curious just what tools you use to get there :0

(please do feel free to answer privately, i wouldn’t want to clutter up the art blog!)

Hello! Thank you so much, I'm super happy that people like my drawings <3 and haha, same hat, I definitely prefer doing traditional art but also feel it's waaay messier than my digital stuff, but I'm very glad you think it looks polished!

As for art materials, I basically use anything :'D for sketching, I always use a light red pencil (and then never erase it after I do the lineart oops) and then a blue pencil to define the sketch a bit more. For lining, I like using brushpens because I like me some line variation :'D but I also often use different colored fineliners if I want some less harsh lines. Or even colored pencils. For coloring, I basically use whatever I feel like at the moment (and what works best with the paper I'm using xD), so it can be watercolors, alcohol markers, colored pencils, paint markers, highlighters, and often it's everything at once haha. I love doing base color with alcohol markers and then shading with colored pencils, it creates a fun texture. Or if I color with colored pencils, then I like to go over the area one more time with a marker/highlighter in a similar but lighter color to have the whole thing look more blended out.

For the comics I post on this blog, I "color" them with water-based brush markers. And those tend to be kinda streaky, so I think the key here is to have a steady hand and find a good rythm for putting down the color???? Like, not go too fast or too slow, so the ink flow is consistent???? Easier to do for small areas, for bigger ones I gave up and accepted the streaks XD

Ahhh I feel this answer is kind of chaotic and not very helpful, but I hope you can get something out of it! If you need me to elaborate on anything, let me know!

[sygni]

colouring tutorial from sygni aka sima

DISCLAIMER 1. eng is not my native language 2. i am using techniques of a realistic art so it's not for everyone! but you may find some tips interesting tho

big text screamer

so obv 1. making our sketch (and after lineart if you're using it bc im not) 2. filling up background, then character. think about what atmosphere you want to create in result, try to use different background colours for your characters for diff effects in result. i've had a small post with a little explaining for choosing colours, you can use that too! i suppose i can make a post about emotional effects of different colours if someone interested bc that's really a HUGE part of final effect on viever. actually i can tell and explain in art so much feel free to send questions <:D so like that! (tbx i changed it like 3 times so it's okay to change your colouring desigions mid-drawing if you're feeling something feels off)

3. time to get some basic shading going! don't skip that step i swear to god you can think bruh sima for what do you they added overlays that i can use after i finish the art? are you a caveman or what please just trust me it'll add so much charm in your art so how to do it: 1. choose where your light sourse is. on my art it's in front of griande 2. use a CONTRASTING colour for each big part of a character (hair, clothes, face etc) and make shades with that. REMEMBER dark colours going next to light ones, light to dark. please don't use black for shades for god's sake. also shades are cold coloured most of the time thats important too ig 3. if you're confused where you shall place shades then find a ref or make a photo of yourself OR use a mirror (preferable!) and this things can help you understand face shading better too \/

don't feel not good enough that you need to study sth or use refs it's fully okay every good artist using that!

so i know this looks like mess BUT what did i do (guys trust the process): 1. desided i want a face to be a centre of viewer's attention so made everything else darker 2. put a light on a face, the most light shade on the parts which are closer to light sourse - at my art it's nose and a bit of forehead. and exact same thing but backwards with eyes remember face isn't flat! so even if forehead is in the light, it slowly goes back, so it won't be light all the way (you can see it on previous photo of the gypseous head)

then the longest part goes: we're using semitones (colour which are simmilar to base shade) to connect shades to light parts, to add volume to the art make sure your brush moves according to .. ehh.. face shape? just take someone and weirdly touch their face to understand how it goes and with your brush cope that example (look closely to the strokes):

so i've did something

i know this looks like "let's add some details" type of thing but: i've added semitones to the shadows to correct their forms -> to suit the relief of the face added a contrasting (to pink of the base) orange as blush, a dark blue to show the farthest spots from light added a basic reflects on the sides of the noce (orange spots), chin (peach). reflections on things are sooo important and add so much life in your art! yet it's easily done: you just create a little light blended line on the bottom of your shade. if next to thing you're making a reflection on is the diff-coloured thing, then pick a colour from it and mix them. example \/

made an edge on a forehead (dark-red line) yet i'd make it more accurate later, and will add it on the chin and sides of the nose to highlight them and separate from other parts of the face. actually this edges are just the darkest spots between the light of the item and reflection on the bottom of it. i like to make it noticible, yet someone tend to blend shades in. if you're just studying how to shade i'd reccomend starting without using blending yet you can notice how colours going more dull from forehead to chin to make her look like she's angling her head forward, i guess i'll make it more noticible later

AND i'm going to sleep but i have more to tell + i need to finish the work later anyway so put some feedback for part 2

[eltanin0]

I just found this blog and I noticed that a lot of your stuff seems, well, oddly 3D. I don't mean like in a bad way but it feels like rendered but untextured 3D models? I kinda want to ask what your art process is (sorry for mini-rant)

thanks for checking out my blog! and no need to apologize for anything.

hmm, my art process. honestly i have no idea what to say, i dont know how people normally answer this question so i cant base it off anything either. i'm still kinda new to this whole art thing but i'll try and answer, super sorry if i get this completely wrong and this was all a waste of time.

i guess i'll just talk about how i draw things step by step? for the high effort pieces at least.

ok, so for starters like step 0. when it's a high effort piece, i can already see the image in my mind. i see the pose, i see the general lighting, the layout of stuff, but it's a bit blurry. if i cant see this mental image, the drawing usually comes out extremely poorly.

this is kind of an example of what i see in my head? this might be all useless info idk, but this is i guess where i start.

well step 1 is just the sketch and line. i start with just sketching the general shapes, then slowly refining it until it fits close enough to the image in my head. then in the line layer i'll fix any mistakes the sketch had and add more details to it. oh and for brush, it's just a round brush, like default. i dont know how much of a difference using a drawing tablet does, but i dont use one so... yeah.

i should've put more effort into the sketch for this drawing, but i did not.

next i do flat colors. pretty simple, i just select the smart select the outside of the line layer, invert the selection and now i can't paint outside the lines. i dont really think about what colors i use, i just use whatever the characters normal colors are.

next i do the shading, but first. i duplicate flat layer and recolor it to like a cream color

like so. for high effort pieces, i was told online to shade in pretty much black and white. now actually onto shading. there's 2 kinda shading i do, 1 from the proper light source, and 1 that's kinda just a shadow because things are close together (like corners and stuff). and i'll shade them on separate layers so i can adjust them individually however i want. oh right, i'll either use a very dark color, pretty much black and the the layer blending mode set to multiply. or i'll use a light kind of gray, tinted slightly yellow or something and set the layer blend mode to difference. then i just use a soft air brush and shade in the ways i described above. shading from regular light source, and the corner stuff thing.

normal lightsource - - - - - corner thing

then toggle both layers on and mess with the opacity of each layer until you get what you want.

then you can toggle the normal flats layer, the one that has color and it should apply the shading decently. you can mess with the opacity again on the shadows.

next i do lighting. i just grab a very light color, usually pretty close to white and set the layer blend mode to overlay. then i use a soft airbrush and "light" it? idk i just do like the opposite of the normal shadows, lighter the closer it is to the light source

mess around with the opacity as usual. then i do pretty much the same thing if there's another light source. in this case there was a blue light kinda coming from underneath, so i did that.

now from here i would go back to the flats layer, make a copy, and mess around with different layer styles and properties and settings. sometimes just messing around is useful. in this case, i felt it was too bright and colorful, so i decreased the brightness and saturation of it.

i think it helped a little bit but who knows.

now i do some kinda highlights and details. i grabbed the colors that were in the background and used those. it was a weird pale blue. i had 2 layers for this, 1 of them was specifically for his antenna things at the top, and one was just for his "skin". anyway, the antenna layer was normal, just kinda gave it an outline with the random reflective circles you see normally in pictures, no thoughts behind them. the skin tho had the layer blend mode set to soft light, i thought it looked best this way. it was just more random things to imply it was slightly reflective.

together the layers looked like this. i think it makes him look glossier which is what i was aiming for.

next, and it pretty much the end for pebbles, i got someone to look at it and let me know if they think anything was missing. they said it looked a little unsaturated. which it does. so i made a new layer, set the blend mode to saturation, grabbed the airbrush and made it pretty inline with the lighting layer.

that's kinda it. the background i didnt really care about, just drew and colored it. blurred it a bunch and added a bunch of shadows. i did add some like, "overshadows" is what i call it, i just draw some big shadows down the screen as the top layer.

but yeah thats literally everything i did to draw this. i would like to apologize if this was not at all what you wanted to know, i'm certain i've screwed this up bigtime. super sorry for wasting your time. if there's anything i can do to help, please ask. i owe you a proper answer to your question, i'm just really dumb. sorry for rambling. sorry. and sorry if the drawing i used for example didnt showcase what you wanted to know.

also, i really like your art! please keep up the great work!

[sansxfuckyou]

"I think he would like the pink."

So I was thinking about the cherry biome release date and I just, I wanted to draw something because of that, don't know why. I know I'm what, twenty seven days late, but it's still a contribution to the memory of him, so, I'd say it counts even though it's not perfect. I usually don't draw a lot, but I do like to do mixed media, so please excuse how shoddy Techno looks because I never really draw humanoids, mainly backdrops and scenery if ever.

Anyways, stuff I used to make it: pencil, marker, oil pastel, water color (dry on dry), and colored pencils! Most prominent being the water colors and least prominent being the pencil crayons

Tagging @h3xt0r @sobredunia @samathekittycat @plutoprophecy @lucifers-golden-bitch-apparently and @disasterofahuman because fuck it I worked hard on that art and I want everyone in the mutual tree house to see it

Also I splurged and wrote a ficlet to go with it, I assure you the quality of the fic is better than the art-

Techno gave a sigh as his hand ghosts through the stem of a pink flower, they were so small, so fragile and delicate. And he supposed that now he also was, stuck in this pseudo ghost form. His sense of touch and mortality comes and goes, but he can't be snuffed from this existence, so long as he's remembered. Even when his mortality is strong and he can touch and feel and live, a drop won't kill him nor will an arrow jutting through his skull.

He didn't know this biome existed, he didn't know there was a place so pink. He's shocked that the animals don't turn pink with how much they graze on petals. Cherry trees and Sakura petals litter the air as he drifts through the fields, it's like looking in a distorted mirror. So many hues of pink and magenta, like his skin, his hair, and his eyes, he loves it. He's aware his cape is phasing through the grass as it drags on the ground, velvet red fabric trailing behind him, the animals are curious. The rabbits stare at him from burrows betwixt roots, the bees flutter around his form curiously, and the pigs, they simply saunter past him.

He smiles a bit as he takes a seat on the ground below him, the sensation of the grass jutting into his form still makes him cringe. He knows it's only pressing into the memory of his form, the outline of what people saw him as- he barely grasps his own memories. He still doesn't like the way it feels having grass, twigs and leaves pass through his skin. He waits patiently for the creatures to crowd him, bees land on the petals around him, he raises a hand to brush across the striped fuzz. The bug doesn't shy away, it's like he doesn't even exist, Technos smile falters for a moment.

He gives another sigh as he stands up and leaves his space in the depths of the grove. The grass starts to give under his boots, his physicality returning even if only for a brief moment. His pace picks up just a bit, he can feel the holster of his sword hit his leg as it jostles, he usually can't. He's alive again, but he might as well be dead at the same time, just with a body and a mind left over in the process. He can feel his legs move as he walks, he can feel his breathing enter and exit. His chest rises and falls, the fabric against his skin is there and real once more. He has hands to grab stuff again, hands that'll actually work when he tries to grab stuff at that.

He's quick to trail them across the bark of the tree trunks and the petals of the cherry trees, the textures are there, he's not just phasing through them. The bark is a dark shade, nearly black and where it peels back he can see that the flesh of the tree is faintly pink. He let's his nails dig into it and the fresh wood gives under his touch ever so slightly, it's damp and soft, not suitable for building with. But he wouldn't mind a pink house, or one with pink highlights at least, it wouldn't be that bad.

Then he's climbing up a hill, one a bit steeper than he had accounted for. But the dirt under his nails and catching on his cape and his feet pressing into soft ground as he climbs make up for it. It feels like life again, what he remembers, the slight burn across his tendons, it's adrenaline. He misses adrenaline, the rush of blood as he comes further up the edge of the mountain, it's so familiar yet so distant and all he can do is hope his physicality doesn't falter.

When he makes it to the top he's heaving his breath, hands on his knees as he leans forward, trying to regain some oxygen in his body. His face is burning and his pulse is racing, he hasn't had a strain on his body (even though it's light compared too fights he's fought) in so very, very long. It feels good, even as he hobbles over to sit down next to a tree, he crosses his legs, one over the other. He's grinning, he doesn't know why though, it just feels good to be real again, he's sure that it'll fade soon enough.

But he loves it so much, to be real in a place with so much pink.

"You good man?" Sapnap asked gently as he sat down next to Dream, the latter gave a nod.

"Fine," Dream answered with quietly, staring at the grove of trees in front of them, down at the base of the sloping mountain they built into.

Sapnap placed a hand on Dreams back, "You sure about that? You've been awfully quiet since we got here."

Dream gave a sigh, "I'm sure."

Sapnap nods, "Alright."

He follows Dreams gaze into the orchard of cherry trees and Sakura blossoms. His hands drop to tug at the hem of his shirt, unsure of what to say as an uneasy silence falls over them. He catches a glimpse of Georges familiar outfit, bright blues that stand out against the green of the grass. He's practically running up the hill, bundle of flowers in hand, bright pink petals and twigs. He has to stop and heave his breath when he makes it back up, falling back and sitting on the opposite side of Dream.

He props himself up on his elbows, "Found some flowers," he hands them to Sapnap who gives a brief thanks.

"Hey George," Dream begins, George gives a hum of acknowledgement, "Do you think he'd like this place?"

It takes George a moment to fully register the words, but he nods, "Definitely," He fully sits up and leans against Dream a little bit, "It's really nice down there."

Dream doesn't respond right away, focusing more on mechanizing his breath than reminiscing. It's something better to focus on than memories of days past, "It looks nice."

"Yeah, wonder if there's any cherries down there," Sapnap said gently, he let go of the hem of his shirt, returning his hand to Dreams back and nudging a little bit.

No response from Dream, Georges smile falters, Sapnap feels a little bit worried.

"Are you feeling alright?" George asked gently, he nudged Dreams shoulder a little bit.

Dream nods, "I'm fine, I just," He pauses to take a breath, "I think he would like the pink."

George and Sapnap share glances of mild concern.

"He probably would," George said softly.

"He'd probably want us to go check it out instead of sulking too," Sapnap added on almost nervously, he got a glare from George.

Dream gave a weak chuckle, "You're right," he heaved a sigh as he stood up, "Let's go check it out."

[shamedumpster]

your art makes me so happy omg!! what is your coloring process?

omg thank you!! I'm glad I can bring you some joy :))

Honestly, my coloring process is pretty simple. I use procreate, and this brush for fucking everything, from sketching to line work, to coloring. Literally it is my favorite and I swear by it.

I can walk you through in steps! I'm gonna use this icon of 1972 marius I made for @hamiltrash1804 a while ago as an example (Hi Obi!)

We start with lines! Simple enough.

Then, I pick a base color (usually a deep orange) and fill in that linework with it. This will act as our "underpaint". This isn't strictly necessary, but I think that adding some orange underneath the art helps in case there are any thinner spots; it helps there to be a consistent warmth underneath all of the other color, so it's a bonus if a little peeks out.

After that's in, I start blocking in flats of all the other colors. Sometimes I use the base color as a thing to layer clipping masks on top of, sometimes I don't bother, but it can help speed things up :)

I don't like to use pure white for irises or white clothing if I can help it; pure white is saved for highlights in eyes and such (sometimes), which helps them to pop :)

Next is blushing, which I'm making its own step because I find it really fun :)) Basically, I just pick a deep orange, or red, or pink, and scribble a little bit in any spots I want to have more life (cheeks, lips, knuckles, elbows), and then smudge it out until it's smooth. From there, I lower the opacity as much or as little as I want.

Look, he's alive!!

After that is shading. Usually I'm kind of lazy and just go for cell shading; for skin I pick the same, or close to the same color I used for the blush (so usually a deep red or orange) and block in shadows. For clothing, I take a more saturated version of whatever color the clothes are and use that. (Or sometimes drop to an adjacent color on the color wheel for funsies)

The last step is small, but I still like doing it. Sometimes, I like to make a clipping mask over the linework and start adding in some pops of color. Sometimes this means adding color to the irises and/or eyebrows, and sometimes it just means going over some of the skin lines with a dark red to soften and warm them up a little. It's subtle, but I think it looks nice :)

Then background colors, And bing bang boom we've done it, we've created a boy! Sometimes I put an overlay of a cohesive color over everything very softly, on the soft light or overlay setting, usually the same orange as the base tone. But other than that, that's all!

I hope this helped! Thank you for the ask! :D

[bathroomtrapped]

ur art is so, so amazing, is there anyway u could do a tutorial bc I wanna draw like u so badly

i can try but idrk how to explain myself or make tutorials lol

i think my style is just a product of my brush and what im trying to get out of my art, which is trying to portray the characters as accurately as possible. i rly just want it to look like it could be a stylized redraw of a deleted scene or something

my process is kinda everywhere bc i just move on to whatever step will probably make me hate the piece less when im done with it. i draw with a more square brush (blurring marker 1 on ibis) which i def recommend. its great for focusing on shapes in ur art and it helps me not overblend/forces me to think of more interesting lines/shapes. my sketch is a thicker size of the same pen, focusing on the major shapes and proportions and i just make as many additional layers overtop of it, lowering the size of the pen and adding details as i go

once im at the lineart i usually use a site that creates color palettes based off images (usually just steal some from old catholic art) and i steal my base colors from that. it doesnt matter how terrible ur base colors look as long as they make sense and r what ur generally going for.

these were my original base, i use colored line art and shade the basic shadows using the line art mixed with the base color, highlights r whatever is the lightest color in the palette. after that i duplicate and throw it through this filter

i play w the colors and use it as a color/hue/luminosity layer on top of the original version, lower opacity and render now that theres more colors on the canvas (the filter creates more contrast between the lame base colors i mix, then i can add bounce shadows and shit).

i use a shit ton of digital cheats. single color overlay layers at the end of a piece, pizza face overlay glow, using vignettes around the border to draw the eye towards the subjects at the center, filters, color palette generators, etc. they make things sm easier so u can worry abt experimenting with other things.

i dont rly know how to explain how i do clothes or hair other than focusing on the shadows and worrying abt lights later. this is honestly the best tutorial i can think of bc in my head im just drawing what i see as best as i can with the pen i use. use a fuck ton of reference, do actor face studies, and try to experiment with ur style everytime u draw. ur never gonna learn how to use ur programs or expand if ur bogged down by trying to achieve a specific look. sometimes that thing u were nervous abt bc thats not how ur style usually works is the best thing on the piece at the end.

actually draw only what u want to draw in that very moment and use that as an opportunity to experiment however u can. i just draw chainshipping and find ways to trick myself into learning 👍🏻 sorry this is so bad if u have any specific questions i can try to answer those better

edit: this is what i mean when i say just draw with whatever base colors and use the lineart to add value. i thoroughly hated this piece at this stage but once i adjusted the pallet it felt much more cohesive and i could continue on with the drawing. the best thing i can say is to have absolutely no process past the same few first steps and resign urself to a cycle of self hatred and throwing random bs at the wall to see what sticks

[tamelee]

hi tamelee!

I'm here to ask for a little bit of advice if that's okay (: about a month ago I bought a Wacom drawing pad so I could start experimenting with digital art. artists like you here on tumblr have really inspired me to start making art. but I feel kinda.. lost. I've been mostly drawing naruto manga caps and I'm getting better but I guess I don't know where to go from here. coloring and shading scares me lol. I'm using clip studio paint and it's just a little.. intimidating. I feel discouraged, like I won't be able to do it. how did you do it tamelee? did you watch a lot of tutorials, or did you experiment until you figured things out? any advice you'd have for a beginner artist I'd really appreciate.

thank you veryvery much for your time ^^

Hi Nonee! 🧡 Sure!

Oh I think that’s a very good place to start. As well as drawing subjects you like ^^! Hmm, tbh I’ve just experimented a lot, but I don’t think my way of having done things was the most efficient. You might want to follow tutorials step by step? You can try coloring only with flat colors until you feel a bit more confident with that as well as cell-shading (toon-shading/non-realistic, like in anime) instead of rendering further as that can all be confusing at first. I personally never truly understood shading until I studied cell-shading and made my art a lot more readable. A lot of Anime uses this; 

You see how there is a base color, a darker color for shadows and highlights? (Sometimes not even highlights.) 

When you start to study it from existing work you’ll start to notice things like color always being in the same area of saturation and when you suddenly have a color that is way more saturated than the other it can look off. (See example.) But this is a guideline, not a rule. In your own art you can especially use saturation and brightness to help aid you to direct a viewer's focus and even tell a story.

I LOVE ‘How to train you dragon’ and ‘Kung Fu Panda’ for this because their coloring is so inspiring and if you truly want to learn from professionals... well those are the type of media to look for of course! I have an entire folder to inspire me just based on those.

Do you see how calculated those color combo’s are?!?! Here you see both analogous and complementary schemes and it is actually through looking at the things I like that I learned it >< The orangey colors stand out and are bright which helps you to focus on that area whereas the complimentary scheme is used to bring characters together.

If drawing Manga-caps is something you love to do, then maybe for coloring you can study screen-caps from Anime or even other animated films. I’d recommend to take it step by step, though I haven’t really applied it myself, from the video’s I’ve seen and artists I’ve followed it is always advised to have an art-goal that you can work toward. Maybe you first want to focus on lineart and then laying down a base color where the colors are harmonious and next would be cell-shading maybe and then you can start adding another light-source etc- eventually you can decide to create more depth or practice with monochromatic coloring, maybe even greyscale to learn values. But right away that can all sound a bit intimidating doesn't it? Find things that you like and then maybe you can open them in your program and just study. Find a brush you like, put on some music or a show on the background and for a moment play around with it without needing to create a finished piece. This is also how I learned how things like adjustment layers work or what all the different kinds of tools do. I have to agree with you, CSP is intimidating for me as well >< so this is kinda how I approach it as there are so many add-ons and additions within it but I try to only learn what I need for that moment so I don't overwhelm myself.  I definitely try to find video’s that can help me with creating Manga though! ^^ There are plenty!  It'll get easier eventually, you'll learn the program and you start to recognize placements for shadows and you will get a feel for the coloring- no worries 💪 Learning something new will always stay intimidating, every time I open up a new document I feel it too. It's not easy at all, but you kinda have to allow yourself to experiment and even make mistakes because practice is never perfect. I have some beginner tips written here- I hope any of this is somewhat helpful 🌷🫶

[galactic-knightmare]

I have a wonderful question

HOW DID YOU MAKE THIS!!!!

XD

Well, to put it simply, a looot of multiply and overlay layers XD

I used Zan's intro splashscreen whatever as a base so I knew how to make it look, and then got as close as I could with the fonts I have. the screentone was obtained via google- I don't have the right kind of screentone brush for the star allies title things unfortunately.

Phosphor herself was drawn how I usually draw her, but I used a scatter brush in white to ad some extra sparkle to her wings/tail and horns with an overlay layer.

the shading was two layers of purple in multiply, with varying opacity, and the highlights for her armor/metal bits was the same, but with white and overlay.

It was also during this that I realized that I could pop out the older reference picture and move it to my other screen, so I didn't have to keep going back and forth while working on it or using the color picker XD

If anyone wants I could just. make a video or whatever detailing my art process, but honestly I think that'd prob be kinda boring... XD

hope that answers your question! :3 <3

[sarafroot]

pls talk about technique!! sorry if i’m annoying you but i’m eating this up lmaooo. i appreciate your responses a lot!

i’ve been having trouble with coloring/rendering?? like idek where to start when it comes to that part of a drawing and every time i try it i get frustrated which just sucks

Answering this under the cut because its LONNGGG 😜😜😜 also you are so not annoying me I have been waiting for someone to be as interested in this as I am lolz

Here is a detailed walk through of how I'm going about coloring something for that band au-- I hope this helps!!!

For skin I start by putting down a base color; this is the color that shadows and highlights should be considered in relation to! I always set the layer to "alpha lock" so that when I start rendering my strokes stay within the silhouette I originally colored

From here I add redness to her skin first in the form of any natural flush her face may have. I pick a color for blush by beginning with her original skin tone and adjusting the hue to a slightly cooler color and increasing its saturation. I use a soft, buildable, and blendable brush to apply this (quoll). In this scenario, I want the flush to be subtle as she's supposed to be in a darker setting.

For shadows, the first thing to consider is where your light source is. In this scenario, the light will be hitting her from the right, so shadows should be most prevalent on the left. I pick a color for shadows the same way I pick a color for flush, only this time I don't saturate the color as much and darken the shade more. The color usually appears purple-ish. I use a more defined brush to apply shadows and blend them around where I imagine the contours of her face are softest.

Finally I color finer details like lips, eyes, scars, and freckles, and add highlights where a light source would likely reflect on her face. I love adding washes of neon oranges and pinks along harsh shadow edges and cheeks as well! I feel like this makes faces feel more alive.

When I use this method on a face in profile, here is my color placement:

For bodies, I use the same colors that I used on the face for the sake of consistency. I start with any natural flushing on the body, typically on joints, tummies, butts, upper backs, and hands and feet. I use the same brush I used for flush on the face.

For shadows on bodies, you really have to use your imagination or a reference to form a 3D image in your head. While face shadows are more straightforward as there's often a formula you can follow, body shadows are more diverse. If you were to break her body down into shapes, where does her body protrude most, and where do you imagine there are crevices? How will light interact with these shapes to form shadows? Again, I'm imagining a light source on the right so the shadows I place will be mostly on the left.

Then I go in and add highlights and other tiny details.

For hair, I start with a base color before putting down highlights closest to the light source and shadows in places that I imagine are hidden from a light source, such as underneath a particularly prominent strand of hair. Finally, I pick a color I feel like encapsulates the "true" color of her hair and scribble it over the base color I chose, making sure to leave some base color peaking through. I feel like hair has a lot of depth, and by doing this you can kind of mimic that complexity in color without sacrificing a simplistic art style. In total, I used four colors for her hair. I separated the darks and lights for a clearer demonstration of how I think her hair would fall.

You can apply these techniques to really anything, especially clothes!

Yayyy done!! I will absolutely answer any other questions you have