#i think there's a lot of POTENTIAL for an interesting story about him dealing with internalized homophobia

[stagefoureddiediaz]

This quote is so heartbreaking

Newly estranged relationship😭😭😭 is bad enough but then to follow that with there’s no one in Eddie’s life really is soul destroying.

Buck supporting Eddie through this is a given - the very literal visual metaphor of Buck being at Eddie’s back - of having his back as well as being the supporting hand on his shoulder we saw at the end of the season as Chris left. This is the next phase of that and how it looks remains to be seen. The way this is worded suggests that Chris is going to refuse contact with Eddie - at least initially and that is going to really hurt Eddie.

To me it feels like we might see Buck being in contact with Chris and therefore being able to feed back to Eddie to be the one connection to Chris he has. But also then become some sort of mediator for them as things settle and time and distance allows perspective to be gained and anger to settle. This channel of communication between buck and Chris and Eddie is something we’ve seen develop through the seasons - Buck being a safe space for Chris - someone not his father he can talk to and open up to or go to for help, and also someone Eddie can do the same things with.

It feels like it’s very much going to be a continuation of that established dynamic and a way of tightening the bonds between the three of them further in the long run. It truly is very coparent loaded and really a compelling narrative to explore.

The no one in Eddie’s life really quote also is loaded. It gives rise to the concept that his reltionship with his parents is going to deteriorate as well - that they may refuse to give him information on Chris or not take his calls, not involve him in decisions about Chris that really should have his input.

I found Ryan saying Eddie’s going to lean on buck very interesting as well - especially as he also said

Bucks going to lean on Eddie as well. (Also second mentions of the relationship flourishing and being stronger than ever!)

The fact this is in direct opposition to what Tim said - that Eddie is going to end up feeling a bit out in the cold because Buck will be spending more time with Tommy is interesting. Because which one is it?

Obviously Tim likes to spin his words so they never mean what he actually says. So I take all his interviews with a pinch of salt but I do think we will see that distance he spoke about because it’s good for Eddie to have that space for himself.

Well it can actually be that both are true and that is really interesting from a story telling perspective - and not exactly as a point of conflict, but as a way of juxtaposing Eddie and Tommy - it’s the pulling of the triangle that Buck Eddie and Tommy form.

This idea that Buck is going to be dealing with Gerrard and pushing back against a very different authority figure to bobby has a lot of potential for Buck and his journey of self discovery and self love and acceptance that his arc seems to be set up for this season. I don’t want to talk about Buck and BT in a meta about Eddie though!

I’m really interested to see how Eddie let’s buck lean on him and what that support looks like. Because it will be exactly what Buck needs - Eddie understands Buck and how to nudge him in the right direction - it’s a key part of their dynamic and, I’m of the opinion that we’re going to see s8 as a sort of s3 redux so I think this next iteration of buck and Eddie’s relationship - with Eddie also leaning on Buck is going to be the fight club/ lawsuit arc but in juxtaposition. Whereas in s3 they didn’t lean on each other and support one another, this time they will - it will show how much they’ve changed and grown and trust one another since s3 and how much depth there is to them as a unit. (Which will also be a perfect juxtaposition of how little buck and Tommy know and trust one another!)

[hesgomorrah]

less generic homophobic macho man trapper more trapper with catholic guilt

[tofixtheshadows]

Sorry but Kabru is so fascinating to me as a character, in a pure mechanical sense, because of what Ryoko Kui does with him. Everything about him is a red herring. He's deliberately introduced as some kind of rival for Laios, a party leader who is hopeless against monsters but absolutely brilliant with people both in and out of combat, and who has good reason to oppose him.

By the end of chapter 31, you might even think Kabru's going to end up as some sort of anti-villain, an antagonist with the best of intentions who nevertheless tries to foil our hero's plans. He wants to defeat the Mad Mage himself, he suspects Laios of being too irresponsible to be trusted with control of the dungeon, and his crew even thinks that Laios's party stole from them (and they're kind of right!). All signs point towards an inevitable showdown.

And then ... none of that happens.

Confrontation over the stolen treasure? Kabru is literally too smart to fall for the classic miscommunication trope and correctly decides it's not worth making a big deal of.

Kabru's deadly PVP skills? Aside from trying to take down Falin, he never fights another human again.

Wanting to be the one who defeats the dungeon? Turns out he was only doing that because he didn't think any other adventurer would have people's best interests at heart, and he's more than willing to play a support role in the whole affair.

Thinking Laios is up to no good? He really did just want to get to know the guy more. He has his misgivings, but ultimately ends up trusting Laios with his life.

Is Kabru going to get some sort of comeuppance for hating monsters and not appreciating their ecosystem? Well no, he has good reasons for hating monsters. He ends up wanting to learn about them through Laios's eyes, but he's never forced into any "Wow, guess I was wrong about them!" revelation.

Hell, even his implied ladykiller ways, which might lead you to think he'll end up being the stock "chivalrous lech" type of character, don't really manifest. He has a lot of opportunities to act flirtatiously around women, but doesn't. He's just a guy whose natural charisma makes him into human catnip.

And that's all hysterical to me, to pull it off. It's a fascinating way to tell a story. To introduce a character explicitly as a rival, potentially even a villain, and instead make them a deuteragonist. It's like a magician making a coin disappear, then slowing down their trick to show you the misdirection. "Did you see what I did there?" they ask with a wink. "The coin was in my other hand the entire time."

[lazycats-stuff]

Ummm hi I just wanted to ask if you know the Netflix series called The Queen's Gambit? If you know, can you make a story where the reader is Bruce's son Is a chest master. Where he beats everyone in his chess game. Well I would love it if you retained the Queen's Gambit title but if not that's fine too🤣.But in the middle of the story he was angry because someone had managed to beat him in his match so he became annoyed and locked himself in a room to find a strategy.To defeat the person who defeated him. If possible, the one that will distract the reader is the OC. Thank you. Sorry if there are too many requests hehe

Oh I heard about, saw a few clips and all, but never watched it. But I know about it so no problem. I absolutely can do it. Also, I know nothing about chess. If there are people who play chess reading this, I don't know chess.

Summary: (Y/N) is a chess master. Until someone takes the title away.

Warnings:

All of his children were smart and had their specialties, so to speak. And Bruce was more than happy to help them explore that. Bruce wanted all of their sons to be explore their potentials. Why not? He had money and resources to help them out. That's also what he did to (Y/N), since (Y/N) was very interested in chess, since he was a small child.

Often asking Alfred to play chess with him. Which is ironic since Bruce taught him the rules for it, but hey. (Y/N) was happy whenever he played chess and since he was the youngest out of the 5 of them, he had 4 people to play with. Damian was more than happy to play, since his grandfather taught him.

Damian couldn't beat him. No matter how hard he tried, he couldn't. That made him even more stubborn, making it a life long mission to beat his younger brother. And if it's the last thing he does, then so be it.

Tim was also good in chess, but couldn't beat (Y/N) as well. He has tried every single strategy he could find and think of. But nothing. (Y/N) could not be beaten. Not in the slightest. Just like Damian, he swore to beat him one day, even if it's the last thing he ever does in his life. Until then, he was going to research every single strategy and make sure he takes the honor of beating his brother.

Dick simply enjoyed playing chess, even though he always lost against (Y/N). He didn't mind it, he has always liked spending time with his youngest brother, although he always lost. He always allowed (Y/N) to use different strategies during their plays. Had it been Damian, he might have exploded.

And Jason?

Jason isn't well versed in chess, but that didn't stop (Y/N). He was patient when teaching Jason, explaining the different pieces and the way they moved. Jason felt frustrated, wanting to sometimes flip the table. But (Y/N) was patient, knowing that not everyone liked chess and he liked the fact that Jason didn't kill him yet.

So all in all, (Y/N) was happy whenever he played chess. Whether it be at home or at tournaments.

And once Netflix aired its Queen's Gambit, that was his nickname from that point forward. (Y/N) hated it at first, but then he didn't care. He could deal with it, since it was in reference to Beth Harmon, although a fictional character, but still one hell of a chess player.

And yes, (Y/N) was participating in many tournaments. He got the title of chess master, since he beat a lot of amateurs, but he wanted to have the title of grandmaster. He wanted to be the best. He wanted to be respected doing something he loved more than anything in his world.

(Y/N) came into the manor like a bat out of hell. He stomped upstairs, slamming the doors of his room. Bruce was confused as to what has happened, but knowing (Y/N), talking to him while upset would do him no good. (Y/N) would only snap back at him.

Teens need some space to cool off and collect their thoughts.

The only thing that could happen to upset (Y/N) is losing at chess. So Bruce went to his detective work and sure enough, (Y/N) lost in a tournament. Bruce sighed. Losses are a normal part of life, because you need to know how to deal with set backs in life. Bruce made sure to teach (Y/N) how to lose gracefully.

And his opponent is a known chess player too. And Bruce has decided to check the clip too, just to make sure that he wasn't a sore loser. Because he didn't raise his boy like that. Thankfully, (Y/N) was polite, smiled at his opponent and shook hands, congratulating him.

Bruce sighed in relief as he saw it. He would have been disappointed if he didn't lose gracefully. But holing up in your own room is not a healthy coping mechanism. Hopefully food will coax him out of hiding and make him talk about his feelings.

(Y/N) is a growing boy and needs to eat.

Soon enough, (Y/N)'s brother's caught wind of it and tried to help (Y/N) out, trying to coax him out with food and talk. (Y/N) took the food like a goblin and went to investigating different strategies on how to beat him opponent. He said to them all that he'll beat his opponent, no matter how long it took him.

Bruce wasn't sure how to feel about that. (Y/N) needs a distraction. Bruce is slowly but surely out of options. He doesn't know how to pull his son out of the slump.

Jason had the idea to call (Y/N)'s friend, Simon Moore. Simon Moore is a good friend of his and Bruce suspects something more, but he still didn't ask about, thinking that (Y/N) isn't ready to come out yet. Either way, (Y/N) needs help.

" Simon is here. " Jason walked in with him, a tall blond boy with blue eyes.

" Hello everyone. (Y/N) lost a match and won't come out? " Simon asked and Bruce nodded.

" Alright. Just to warn you, if you hear yelling, don't be worried. " Simon walked up the stairs and Jason smirked to himself.

" (Y/N) is going to blow a fuse. "

Bruce sipped his coffee as he heard the door being kicked in. (Y/N) would have never opened up on his own and Bruce could always pay someone.

Perks of being rich.

" Alright Queen's Gambit, up and at them! " Simon yelled and (Y/N) was yelling back.

" Simon is a friend we all need to be, " Jason stated and Bruce sipped more of his coffee as he listened to the commotion.

" What's going on up there? It sounds like World War 3. " Tim walked in to get some snacks and coffee.

" Simon came by to help (Y/N) out, " Jason explained and Tim nodded as he poured himself some coffee.

" Father, what is going on upstairs? " Damian popped in to get himself some tea, looking through the different flavors in his box.

" Simon dropped by to help. " Jason leaned on the kitchen island and Damian nodded.

" Moore came to help. Good. Are we still in the belief that they are a couple? " Damian put the water to boil and Bruce nodded.

" Nothing is confirmed though, so not a word to (Y/N). " Bruce extended his cup to Damian to refill it for him.

" Is (Y/N) okay up there? " Dick walked in through the back door and Bruce nodded.

" Simon dropped by to help us, " Bruce gave a short explanation and Dick let out an oh.

" Well that explains it. "

Bruce nodded as they listened to the commotion upstairs. Soon enough, everything calmed down and Simon came down.

" (Y/N)'s in the shower, " Simon announced and everyone nodded.

Bruce took his cup of coffee back from Damian and sipped it.

" Does he look like death warmed over? " Damian asked and Simon chuckled quietly.

" Oddly enough, no. But the room stinks a little bit so I opened all the windows. Also, my apologies about the door mister Wayne. " Simon rubbed the back of his neck sheepishly and Bruce smiled and shook his head and wave at his dismissively.

" Oh no worries Simon. Also, don't call me mister Wayne, just Bruce will suffice. "

Simon nodded. " He said that he would come down to get some food too. And he's hungry, let me tell you that. "

" That boy will be the death of me, I swear. Thank you Simon. "

[kaizokuou-ni-naru]

So. Hear 5. Nika. Loony Tunes Luffy, if you will. Tell us your thoughts on him and any potential meta? 👀 I’ve been aching to hear it from you since we first saw him go Full Silly Boy.

it's hard to answer this, because i have so many thoughts. i'm just going to try and start from the biggest points and move down.

i like gear five a lot, and i think this development feels very appropriate as a culmination of both luffy's character and the themes of one piece as a whole because of how it interacts with three extremely dominant motifs that have reoccurred throughout the story: freedom, laughter, and the sun.

from the very beginning of the story, luffy has acted, in small ways and big, as an agent of complete freedom. from his first meeting with coby to his breakout at impel down to the liberation of wano, what luffy does is destroy systems that control and oppress, if only because they are in his way. every strawhat is somehow trapped and held back from pursuing their own dreams when they meet luffy, and he frees them all, along with hundreds of others along the way, whether he's inspiring shirahoshi to venture outside or crushing yamato's manacles. his talent for this has always seemed almost preternatural.

luffy is not necessarily a benevolent person; he doesn't care much about helping people in the abstract. he's selfish. he values freedom for freedom's own sake, not because of any greater moral convictions. he doesn't think much about the negative knock-on effects of things like causing a mass breakout at impel down, and he doesn't really go around seeking out downtrodden and oppressed people to free out of a charitable or selfless instinct, nor does he really do anything because it's the right thing to do. he's dismissive of the idea that he might be a hero.

but because he is a completely uncontrollable free agent, and he doesn't really want anything but for himself and everyone he cares about to be completely free, he constantly collides with the systems of oppression that control his world, and when those collisions happen, it is the systems that fail, time and time again, because oppressive systems always do eventually. they can't withstand the light of day. and because he lives completely confidently and unapologetically, he is constantly inspiring others to do the same.

so by the time we are told about nika for the first time, we already know that what nika is said to do is what we've seen luffy doing for more than a thousand chapters: he frees people, and inspires them, and makes them laugh.

i also find luffy-as-nika to be very interesting and thematically appropriate when positioned in opposition to the various antagonists in one piece who have declared themselves to be gods, frequently some of its most tyrannical and oppressive villains- enel, the celestial dragons, doflamingo. all enslave and imprison people, robbing them of their freedom.

nika is a god of slaves, and a creature of liberation. the natural enemy, as rosinante might say, of that sort of megalomaniacal 'god.'

one piece has also consistently connected the theme of freedom, as embodied through luffy, with the sun since very early on. the sun pirates, former slaves, used the symbol of the sun to wipe away the brand of the celestial dragons. (and aren't i curious to know what jinbei might know about nika- he never did answer who's who's question about it.) the fishmen more broadly view the sun as something to be reached when they are truly free. on wano, the coming dawn is understood as the coming liberation. impel down and the florian triangle, places of indefinite imprisonment, are lightless dungeons where the sun doesn't reach. the sun is freedom.

and luffy has always been thoroughly sun associated, from the visual of his hat to his origin on dawn island in the east blue, to his ship, the thousand sunny.

finally, one piece has always placed a great deal of emphasis on smiles and laughter (laugh tale, joy boy, roger laughed, etc)- but that joy must be real. it can't be forced. we're told again and again, through koala, dressrosa's toys, and most obviously the victims of the failed SMILE fruits, that to force someone to smile, denying them the right to cry, is nothing less than an atrocity. people can't be forced to be happy- they should be happy because they're free.

luffy in gear five is laughing nigh-constantly, but it's just because he's having so much fun. unlike the victims of the SMILE fruits, his endless joy is genuine, because in this form, he is completely free- nobody can stop him, and nobody can control him. as he says himself, he can do whatever he wants.

i know that some people felt this moment was in some way a deus ex machina, but it just didn't feel that way to me, because of how well it plays on the story's established themes and trajectory, as well as concepts like devil fruit awakening having been established hundreds of chapters back.

luffy is the sun, the sun is freedom, freedom is joy. i think it makes total sense.

[cer-rata]

An incomplete but very angry diatribe about the missed potential of the Star Sapphires

So back in the day Geoff Johns and co decided to open up the Green Lantern mythos and add some more flavor and expand the concept of sci-fi tech powered by elemental emotion to more than just willpower. Which yes, is not an emotion, we ignore it and move on.

Anyway we got some really cool stuff! A rage tyrant fueled by experiencing incredible injustice on a personal and cosmic scale, whose vendetta twisted him into something terrible. An avatar of greed who was never allowed to have anything, not freedom, not family, not safety, who takes and takes and takes to fill a void that can never be satisfied. A priest who lost everything but presses on through his unshakable hope that the future can and will be better. It's a lot of fun stuff!

So in this great creative re-imagining, they had to do something clever and fun with the idea of an all female corps powered by love right? They took the opportunity to move past the purely romantic, sexual idea of love and the obsessed femme fatale archetype, because they had the chance to really explore different types of affection now that there were a bunch of different avatars with different stories to pull from right?

Right?

Nope! The only Sapphires we ever learn about are heartbroken over a cursed romance like Carol, grieving a dead fiance like Miri Riam, forcibly mind controlled to be one like Fatality, or just Miss Bloss who...kind of said she wanted to join up? No clue what her deal is, as far as I'm aware that's never really explained. And then we just never learn about anyone else, and still haven't. The hell is "The Lost Sapphire"? No idea, we'll likely never know.

It's frustrating because not only is this a glaring example of the depth of plotlines offered to women in comics compared to their male counterparts, but also a wild lack of imagination. Love is one of the most complicated emotions we experience. Fear, anger, hope, all pretty easy to quickly define. Love is multifaceted, cultural, incredibly contextual and a factor in so many different kinds of relationship. Just thinking logically it should be much easier to flesh out the motivations of a group pulling from such a nuanced source of power, versus something as clear-cut as rage. But no, the red lanterns got so many varied reasons for their rage, the male ones especially: Bleez being the woman was of course given the SA narrative, which I don't think is inappropriate on its own, that's an incredibly valid reason to be angry, but as the ONLY truly prominent female Red Lantern it's like...c'mon guys. But still, at least she and Atrocitus had different reasons for becoming what they are, and that variation was played for plot and drama.

But there's not a single Star Sapphire that personally champions something other than romantic love. And before you shoot me, it is explicitly mentioned that they DO protect other forms of love, so there's no reason for them to all be sexy and obsessed with kissing people. There are no Sapphires that are driven by:

The love of their children and families, even in a tragic sense, like Atrocitus and Saint Walker and Larfleez are...

Their love of their people, or their culture. It would have been interesting if Fatality was inducted BECAUSE of her pain at losing her world, but no, they just...replaced her anger with lovey vibes and called it a day.

Their love for nature. Not everyone is social, but social love isn't the only way to strongly experience the emotion.

Their love for themselves. Where is the fun narcissistic ass who loves their own self image to the point of getting powers? It would have been a fun twist and a cool way to get another villainous Sapphire if you wanted to.

Their platonic love of ANYTHING really. Are ace/aro people just...not capable of love then? It doesn't mean anything to be willing to drive cross country to help a friend move just because they needed it and you care? No? You need to be fucking for it to count?

It's like...fascinating if you really think about it. In this vast fantasy universe full of alien races with wildly different perceptions and life cycles, and where the other corps have plenty of non-human, truly alien looking members, that the women's only love corps is full of only hot hot scantily clad baddies. Most love that people experience in their lives isn't even romantic! You will have far more experiences with friends and family members and even loving strangers than you will have with romantic partners.

Like the reason is clearly sexism, duh, but we know sexism is bad, that's obvious, what I really want to make clear is how much this blatant, unexplored sexism just completely desecrated the potential of the worldbuilding here.

From another angle even: Let's say this this WAS the sex and romance all the time corps. Let's say that you wanted to keep it all women. I hate the idea that women are capable of love in a way that men aren't, that's such a bad take and just regressive and unhelpful, but let's just play ball for a moment. They're not even hot? Their designs are such ridiculously narrow versions of feminine attractiveness that they're not even successful at really being mass appeal sexy. I haven't even reached the point of complaining about the fatphobia and criminal lack of different body types yet, I'm still just saying that from the standpoint of fantasy sexy it's not even good at being stereotypical offensive fantasy sexy. It's just boring! They're all so visually boring! You can be scantily clad and still have an interesting and coherent character design! But that is not what they gave these women! They actually redesigned the classic Star Sapphire costume and made it MORE sexist and boring:

Yeah it was cheesy but it was also cute and fun? The design is playful classic sci-fi girl and this is when she was still a dangerous unhinged villain. Its fun to look at and feels tonally coherent next to Green Lantern.

And then they just...

No actually, I will not explain this one, you have eyes.

And yeah they fixed her costume finally,

But! She's still stuck as Hal Jordan's romantic punching bag, and has not gotten to have any new adventures on her own.

So.

What I'm saying is it's a flop all around. 2/10, and only because despite everything Fatality STILL managed to serve. I actually think that all of the corps have been poorly used since blackest night, even the greens actually, but they never even gave the Sapphires a chance. They last showed up in...a WW annual I think? During the whole dark gods event, they needed Diana to help them fight the evil god of love, and there was a guy in the corp finally, and they talked about sisterhood and then we haven't heard a peep from them since. I think Carol might be due to get her ring back in the GL ongoing but she's not really been treated well so far, so I'm not hopeful for anything fresh and well reasoned.

So my lovely ladies (and that one unnamed guy), until they let you get it together it may be time to

[daenysx]

Hey! Id love to request something for Modern!Aemond fluff/ hurt comfort. If you're not interested no worries at all! But maybe something where you're not together but you're also not 'just friends' and reader is kinda insecure bc they don't have a lot of experience with partners and Aemond starts to notice them acting weird and then it goes from there. But yeah idk if this is a good request or not lol, if you don't feel like writing this no worries at all! Love your writing!

thank you so much for requesting!! i hope you like it ♡ requests are open

modern!aemond targaryen x fem!reader, hurt/comfort

"what's wrong?"

sometimes you think aemond has super hero senses, how can he feel your distress when you're standing behind his chair? he can't see you but he somehow knows you are fiddling with your fingers, something eats you up inside.

he turns, still sitting on the chair in his room. he looks up to your face, still questioning what's gotten you so nervous.

"um- nothing's wrong, it's just-"

he holds your hands when he realizes your nails are hard on your skin. he separates them and keeps them in his huge palms on each side. "come on."

you take a breath. "do you remember the guy i told you about last week? he was a friend of-"

"rhaena." he completes. "yes, i remember."

"i was thinking- i don't know it sounds stupid now that i think about it but-" you start. you feel close to aemond, you're not ashamed of telling him a story about other guys. "he was acting like we're flirting you know? he was really nice and- i don't know maybe i was expecting him to ask me out after all that flirt."

your voice feels so small. "what happened?" aemond asks, he sounds like he could kill the guy for upsetting you.

"i saw him kissing a girl today." you say. "i don't know if she's his girlfriend but no matter who she is, it means i was hoping for nothing."

it's just a guy. nothing to be upset over. you're not in love with him, he could kiss anyone he wants. still, this is only a little piece of a bigger disappointment. you think no one will ever want you.

"i'm not sad, but i feel bad." you say. "why is it always someone else?"

aemond looks at your curled lips, he always thought you look cute with the frown. he keeps holding your hands, not quite knowing what to say. he's never been the best person to comfort someone but he cares. he cares about you. he doesn't want you to think you're unworthy of anything, he can see the walls of sadness and disappointment you build in your mind.

you straighten your posture when you see him say nothing. what were you thinking anyway? maybe you're looking for some reassurance from a man you're close to, you think he'll tell you you're pretty and smart, that guy should go to hell for making you feel like this. you close your eyes to take a proper breath, pull your hands back to your sides. aemond has an unreadable expression on his face.

"you know what?" you start, trying for a smile. "forget it. i mean, it doesn't mean anything right? there's nothing we can do."

aemond sees you blushing. "i'm sorry, i was just-"

"it's okay, aemond." you say gently. "i wasn't looking for pity or anything else, i'm sorry for overwhelming you with my insecurity."

you're being too honest. you don't care. it's no secret most of the guys you like don't like you back, even when they do, you don't know how to keep them. you have too little experience, the only guy you feel comfortable around is probably aemond. one of your friends said you look like a couple once and you were so surprised at her words you couldn't look at aemond for a week. you can't bring yourself to have romantic feelings for aemond even though there's a potential. you can't lose him.

"your insecurity?" aemond asks with a disbelieving voice. "i don't understand."

so he wants to hear all of it. he can deal with it then, you don't mind telling him.

"i don't think i'll ever be loved by someone i love. it's just- i'm full of half finished stories about that, i'm so sick of feeling like this." you say, taking another deep breath. "i'm not saying this because i expect anything from you. we're close and- you asked."

aemond's lips part open. you're so clearly blind to yourself, you don't even know how you make people feel. you don't know how pretty he thinks you are, how kind and sweet. he doesn't want to ruin his relationship with you- he doesn't even know what to call this thing between you two. friends? friends who secretly like each other but being too afraid of losing one another because how inexperienced you both are in relationships?

he holds your hand again, squeezes your fingers in an attempt to comfort you just one bit. you let him do that, you close your eyes when he rubs the back of your hand with his thumb. he brings your hand to his lips, brushes a tiny kiss on your skin. is that what affection feels like? you're a stranger but you could love it.

"aemond, what-"

"i know how much you hate being wrong but- you are in fact wrong, sweetheart."

he kisses your hand again, it feels nice. "you think you're unloveable? do you even see yourself?"

you can't help a tear escape. "i'm-"

"no, you don't." he answers his own question. "you don't know how pretty you are. you don't know your effect on people. your effect on me."

you try to pull your hand back. "you don't have to prove anything. i didn't tell all these to get something in return, i don't want your pity."

he is strong as he holds your hand. he looks up to you, gives you a smile. "i'm not pitying you. if there's anyone who needs pity it's me."

he promises himself that he's not gonna ruin anything. he will not mess this up. he can't. aemond targaryen's life is full of ruined relationships and sad stories, he'd be damned if you'd be one of them.

"aemond, we shouldn't-"

"no, i know." he stands up. "i know exactly what you think. i've been thinking the same things since i met you."

you look unsure. this is a dangerous game to play, you don't know if you're brave enough.

"tell me about them." you say, can't control your thoughts or your words. "tell me what we think."

aemond takes a deep breath, he places your hand on his heart. "we both think this is too fucked up. we don't want to lose each other but-"

you look deep into his eye, consequences be damned. "but?"

"we are losing the chance of a perfect pairing." he says with a low voice. "i can be better than all those guys who made you upset. you really don't know how i see you."

it feels exciting, your heartbeat goes into madness. can you let yourself accept buried feelings for him? his look is promising and confident. your brain stops thinking when you rise on your tiptoes to kiss him.

the kiss feels like true insanity. you don't know if you'll feel satisfied or regret what you did minutes later. aemond kisses you back and the clouds of madness disappear. he holds the back of your neck, a possessive kind of touch that you've never felt before.

"we still have a lot to talk about." you say, breaking the kiss.

aemond presses his forehead against yours softly. "i know." he says. "just let me kiss you one more time."

[fushiglow]

Gojō Satoru's rude awakening

I'm refusing to let myself seriously entertain the possibility that Gojō can come back after chapter 236. However, that's because I'm trying to protect my future self from disappointment, not because I think it's implausible — and I really want to talk about this image!

A couple of days ago, @runabout-river shared an interesting theory about what might happen next for Gojō. The post itself is well worth a read, but it was the choice of the above image that really set my mind alight. This scene is fresh in our minds after the anime adaptation of Hidden Inventory, and timing is clearly never an accident with Gege Akutami. So, why is it relevant now?

We see Gojō giving himself over to his past, lost in his happy dreams of his youth, only for Megumi — Gojō's first student and a symbol of the future that he envisions — to bring him back to the present by telling Gojō, "You're the one who called us here, please don't go dozing off."

In other words, "You're the one who dragged us into all of this, don't go pretending this isn't reality just because it's nicer in the past."

In my immediate reaction to 236, I said:

Gojō's dying bloody smile shows he's at least happy in his final moments. [...] Although, if Gojō actually is at peace in death, maybe that's the reason Gege will bring him back. He'll *never* let that man be happy, I swear.

It was just a joke, but seeing @runabout-river's post made me realise that Akutami has already set a precedent for 'punishing' Gojō for looking backwards. When he's dreaming about his past, Megumi scolds him and brings him back to the present. When he 'lets his mind wander' to his blue spring in Shibuya, he literally gets locked in a box where time doesn't pass, only to immediately find himself at the bottom of Japan's deepest ocean trench when his students bust him out to fix the problem he created.

As a side note, in both of these moments, the anime adaptation played a melancholy version of Gojō's Limitless theme — the audio representation of Gojō's youth. I'll eat my hat if it doesn't play again when chapter 236 is eventually adapted (I shared some more insights into some of the easter eggs hidden in the season 2 score in my mini review of the Hidden Inventory soundtrack if you wanna read).

If Gojō dies here, looking backwards to his youth, then he's taking the easy way out and that's what I find hardest to swallow about 236. Gojō leaves what is potentially the most difficult conversation he'll ever have — telling Megumi the truth about his father — to Shōko. He leaves his students to deal with the fallout of his failure to cremate Getō's body. He's saddling the people he loves with the responsibilities he leaves behind, and that's not fair.

However, we won't know if that's what's happened for sure until the whole story is told. Gojō doesn't mention his students in this chapter, and lots of people were bewildered that he seems unconcerned about their safety in a world without him. While that could simply be explained by his faith that they've "got it from here", there's a chance that he genuinely didn't think about it and he's about to get a rude awakening as his punishment — hence, "I pray that this isn't just a delusion".

I would *adore* it if Shōko dragged him back to life kicking and screaming, hauling him away from his pleasant fantasy of youth to tell him, 'No, you and Getō don't get to leave me behind to pick up the pieces again'. Because isn't that Shōko as a character? The one who's left to pick up the pieces in their wake? The one to heal the wounds and lay the bodies to rest while everyone forgets she's even there?

It would be the most character development she ever receives, and I'd love to see how Gojō and Shōko's dynamic changes when he's not the 'Strongest' anymore. So, in Shōko's own words:

[bloodyshadow1]

Adaine's Furious Fists part 1

Or

Porter takes Adaine under his wing au Day 1

Just a quick story/summary of how things would go if Porter took Adaine under his wing throughout the series. I made a post about how she is the perfect candidate for him with her anger throughout the series and this happened on a whim. Adaine and Porter actually could have had a really interesting story given how their lives actually intertwine a lot if you think about it. So Regardless, read this if you want, I just thought it might be a fun idea.

First day of freshman year porter is scoping out potential prospects in the courtyard not coming up with much.

Puts a maybe down for fabian, he seems more like a grandstander, but he did punch a kid bigger than him without provocation. Still more ropey than strong, but there are dexy barbarians. Gorgug is a likely candidate, he seems soft, but was able to go into a rage and pummel his attacker, Porter could work with that if he had to. But the metal flower and the singing ticks Porter off. Riz is a low maybe to a no, kids being bullied on the first day are usually a good source of rage, but the goblin kid just seems to take it. Fig he doesn't have a chance to see since she sneaks into the teacher's lounge so early. Kirsten is a hard no, religious trauma can bring out a lot of sweet rage, but with Daybreak breathing down her neck it would be hard to get close to her without alerting suspicion. Adaine is a hard no. A tiny trembling high elf wizard with a huge orb she could barely carry, wearing the uniform of the prissy magic school? No way, no how, Porter doesn't even bother to learn her name.

Later that day he sees Adaine have a panic attack over being given detention and he writes her off even harder because it's pathetic. But seeing Fig stand up for her, she's not the ideal barbarian, but she is a young tiefling girl full of rage and Porter see's his opportunity.

Even later he's called to the cafeteria and sees Doreen, Arthur, and Mr. Gibbons dead with corn everywhere. Goldenhorde explains vaguely what happened and tells them to watch. It would be a horrific scene for a bunch of freshman, but Porter has seen and done worse. Still, he doesn't want to talk to Jace right now. The guy is powerful, but too much of a talker for Porter's liking. He knows some of the kids died and were brought back, that's why Arthur and Mr. Gibbons are dead, but little else. He does notice that Doreen's skull is caved in. He thinks of what little he knows about the kids, of the maybes, only fig has a weapon that deals bludgeoning damage so he assumes it was her and now intends to take her under his wing now that she got her first kill.

Once the cops come, he and Jace leave, Porter goes to observe the kids. They all seems broken and beaten, and about to be sick, not surprising. Porter doesn't have any sympathy for them, but he does understand so it's not enough to write any of them off. They're clean enough but the blood on your hands doesn't wash out as easily.

Porter is intent on Fig, because he thinks she's the one who killed Doreen. When Sandra Lynn comes to pick her up he notices that she's an elf, and Fig was dropped off at school by a different elf, yet their daughter's a tiefling. That might explain why she's so angry the first day since she seems like a newly presenting tiefling. Trouble at home can be juicy, especially when fell blood is involved.

Last to leave is the pathetic little high elf girl, you could use her spine like a meter stick with how straight the girl is standing. Porter can understand being sick or scared after your first battle, but he feels like he's within his rights to mock this little elf girl when no one else is around. He has enough of stuck up high elves to deal with as it is, it's good to see them scared.

But speak of the devil, Arianwen fucking Abernant shows up to pick her daughter up and clearly doesn't want to be seen at Aguefort of all places. Porter knows Arianwen and hates her, she's another teacher and their town only has two so they're bound to run into each other from time to time. They're also technically allies through the Shadowcat, who Arianwen is the main liaison. They don't work together exactly, but there's no reason they all can't exchange favors when working on their own evil plans. Arianwen is a cold, stuck up bitch, but she's a powerful stuck up bitch.

The fact that she's hear means the little elf girl is her daughter, now Porter actually feels a bit sorry for the child. It's one thing to be scared after your first battle when you watched people, including your..., 'friends,' might be to early for that since it's the first day, but people your own age die. It's another to be forced to deal with Arianwen afterwards. Porter still finds it pathetic, but is more lenient since he knows what Arianwen is like, especially if the girl is here instead of at the magic school her mother teaches at. that explains the uniform at least.

Then something happens he's too far away to hear, but Arianwen says something to her, likely to berate her. Porter expects the little elf girl to flinch and cower, but to his surprise, she snaps back at her mother despite her fear. It's not much, but despite how afraid she looked only moments ago Porter can see the fury in her eyes when she snaps back at her mother and it's something that Porter wants to see more of.

Later on Goldenhorde/Kalvaxus is given the faculty the full rundown of what happened. Porter knows more than most of his fellow teachers, but when Kalvaxus mentions Doreen being killed he talks about how she was bludgeoned to death by her own ladle. Not Fig's bass like Porter assumed. One of the other members of the faculty, one of the casters that Porter didn't bother to learn the name of, asks which of the kids did it.

Goldenhorde says it was Adaine, for a moment Porter almost asks 'who the fuck is that' out loud. Since he didn't really learn the names of most of them yet. But Tiberia Runestaff, another frigid wizard bitch, chimes in as always 'Adaine Abernant beat Doreen to death with her own ladle? The girl is ten pounds soaking wet and a wizard, why did she use a ladle" clearly angry that one of her wizards would pop their kill cherry with a martial weapon instead of her arcane abilities, but Porter doesn't care.

Learning that Arianwen's daughter was the one who murdered Doreen, and with a ladle is interesting. And moves Adaine from a hard no to a solid maybe in his rage book.

Part 2

[raven-at-the-writing-desk]

thinking about book 6 battle simulations

I was thinking a lot about book 6 lately! (Not for any particular reason, I was just ruminating, haha...)

During the examination segment, Riddle, Azul, and Vil were put into one group and Jamil and Leona were put in the other group. Idia then put them into VR simulations in which (simulated) Trey, Jade, Rook, Kalim, and Ruggie approached the subjects to upset them. This is for the purposes of STYX to gauge their combative capabilities and blot accumulation. What I noticed on another read of these parts was that Idia makes sure to inform all the subjects they are about to enter a VR simulation BEFORE they dive in... and yet despite this, group 1 (Riddle, Azul, Vil) was still caught off-guard when Trey, Jade, and Rook attacked them. Meanwhile, Jamil in group 2 automatically defers to Kalim but Leona is the one who notices something is fishy about the situation. Now, now... this is interesting 👁️ Why might this be, I wonder~ (You bet I'm going to analyze the heck out of these small details!)

***Main story spoilers up to book 6!!***

First thing to consider: it's possible that perhaps the characters don't fully understand what "VR simulation" is, as most of them did take a while to come to their senses. Of the 5 subjects, Riddle is the most likely to fall into this category. He seems to be slightly confused by the concept of a "virtual space" when Idia explains the examination to them (which likely conflicts with Riddle's very traditional understanding of "tests"). Furthermore, Riddle has expressed in Endless Halloween Night that his mother did not allow him to play video games or to watch TV so he'd usually do crosswords or solve other puzzles for fun. He's not completely technologically inept (like Malleus), but Riddle does have a somewhat limited scope of how items and procedures are to be used, especially if it lies beyond its normal means. It's likely that he has not thought of VR simulation being used in the scenario in which he finds himself in now.

The other 4 subjects, however, most likely understand what VR is and shouldn't be confused by the simulation. Azul is very savvy and keeps up with trends, which can factor into his business(es). He even brings up streaming as a potential source of revenue in book 6; man has his fingers on the pulse of pop culture to know what will sell. Vil, being a celebrity and the leader of the Film Research Club, must have an understanding of various technologies used to achieve certain effects (especially as director of his own projects). Jamil constantly deals with Kalim's requests and, being in Kalim's social bubble, must get exposure to all kinds of crazy technologies. Leona, being a knowledgeable prince, surely must understand the concept of VR simulation.

Okay, so... why did they (mostly) still get "tricked" by the simulation anyway? The key words today would be "trust" and "dependence".

Thinking about it, there's one thing that separates group 1 from 2: the boys in group 1 have a tendency to rely on others for support and validation whereas the boys in group 2 are consistently shown to be more independent than their peers (even if they, too, seek validation). Let's go through them one by one!

GROUP 1

Riddle

Riddle is presented as a tyrant that rules with an iron fist, particularly in book 1 where he stars as the main antagonist. However, it's also pretty blatant that Riddle has become increasingly aggressive due in part to others enabling him. Ace specifically calls out Trey for this, saying that his failure to intervene or to quell Riddle's temper has resulted in Heartslabyul students suffering for it. Cater is also complacent, as he and/or Trey often follow Riddle's orders and remove Adeuce from the dorm multiple times in book 1. Riddle relies on these upperclassmen to listen to him and carry out his bidding, and he feels validated when they do. It's a lesson he has learned from his mother. He is the most powerful, and therefore he should be the most correct. Notice how Riddle is quick to anger when others refuse to obey him and how often he demands for them to conform. He becomes enraged when the Heartslabyul mobs rebel and chuck an egg at him. But what hurts him most of all is, perhaps, Trey turning too. Riddle was mad about the mobs acting up, yes, but he still did not overblot. Not yet, at least. No, Riddle overblots only AFTER he tries to attack Ace with the rose trees... and Trey steps in with his UM to overwrite Riddle's collar, turning it into cards. Trey's relationship with Riddle cannot be understated here. In this very moment, Trey, Riddle's childhood friend (one of his first friends), vice dorm leader, silent yes man, his most trusted confidant, has betrayed him. He is proving Riddle wrong, that the most powerful mage is not the most correct. "Are YOU going to tell me that I'm wrong too? After all I've done to protect the rule of law?! [...] I... I refuse to believe this!"

From these examples, we can clearly see that Riddle is someone who is reliant on others--not that he isn't a capable mage, but rather he is reliant on others for his own sense of self-worth. Indeed, even in his post-OB flashback, he indicates feeling proud and excited when his mother praises him for good grades or successfully performing a spell. This is reiterated many times over in book 1, in which Riddle feels satisfied and even smug when his students fall in line, and spirals into uncontrollable rage when they don't. There are a select few whom Riddle has chosen to place his faith in, and Trey is one of them. Trey, who gave him his first slice of strawberry tart and has been supporting him as his vice for over a year now (since Riddle became dorm leader in his first week as a first-year student; now is the start of Riddle's second year). That's why he feels so hurt when Trey is suddenly chastising him, telling him that he's behaving irrationally.

If we reexamine Riddle's post-OB flashback, you'll notice that Riddle says he is lonely without every outright stating the word "lonely". The phrasing makes it sound as though Riddle does not understand his own loneliness, like he doens't even know the word or want to acknowledge it as reality. He is awkward and unsure around Trey and Chenya, who invite him out to play. He follows his mother's rules because he believes that is what will bring him happiness. He wonders why, in spite of following all those rules, he still feels hollow inside. Then, once Riddle has awoken, he confesses that he always wanted to play more with Trey, and that he wants to talk with everyone after a meal. Riddle. at his core, craves companionship rather than dominating his peers. Trey was one of the few friends he ever had, and so Riddle puts a lot of stock into his support. This may be why he was quick to believe the fake Trey in the simulation, and why he looked so shocked when Trey started attacking him. Here is a boy who has already been betrayed once, experiencing that same betrayal again at the hands of his childhood friend. How scared must he be of losing his oldest friend, of Trey turning his back on him or seeing him as a monster? 😭

Azul

Due to the bullying he experienced in his childhood, Azul works very hard to maintain a new image of someone who is cool, confident, and composed. Part of that is passing himself off as someone who is large and in charge, while posing Jade and Floyd as his lackies who do whatever he tells them to. The reality of the matter is that the twins are very much... there to do their own thing, and they just kind of go along with Azul's schemes because they seem to be a lot of fun. When you stop to consider it though, Azul definitely puts a lot of trust into the Leech brothers even though they're both shady and can be flippant at times. It's the twins going around and advertising Azul's services to the student population. It's the twins who help him expand his business and acquire new items (as all three's Dorm Uniform vignettes are about the Octatrio conspiring to acquire the rights to and/or advertise their new drinks). It's the twins who are asked to run the Mostro Lounge whenever Azul is absent. Time and time again, Azul falls back on Jade and Floyd. They've been with him since middle school.

In book 4, both Azul and Floyd insist that they aren't really "childhood friends", but they do consider each other "equals". As Azul describes it, "I strongly doubt Jade or Floyd have any binding allegiance to me. This is all and elaborate game of pretend to them. [...] If I made a poor choice as leader--or even simply a boring one... They would turn on me instantly and seize the dorm leader seat for themselves." Floyd follows with, "We ain't got any plans to challenge him, either... for now, anyway. Aha ha! [...] We stick with [Azul] now 'cause it's fun. If it stops bein' fun, we drop him like a bad habit. Easy." The twins and Azul are both very aware that their relationship is a temporary and transactional one. Azul himself has even fully considered the possibility that Jade and Floyd may one day turn on him. This is all true--however, I also believe it's possible that the Octatrio are not being entirely truthful to themselves and do actually care for one another beyond the confines of their business ties or "having fun". In book 3, Jade and Floyd sense that something is wrong, and their immediate thought is to go check on Azul because of this gut feeling. Jade warns Azul of the consequences of misusing his UM. They are also the first to check on Azul after his OB and insist that he rest and find it within them to gently tease him over the situation. Even the way they address each other is "special". Jade and Azul have a tendency to be polite and use the honorific "-san" after everyone's name... except for each other and Floyd. Floyd, meanwhile, tends to give everyone a nickname... except for Jade and Azul. They drop these naming conventions within their group because that's how much they know and trust each other. Further proof of this is that when Floyd first meets Azul in the post-OB flashback of book 3, he calls Azul "Octopus-chan". Azul used to have a nickname, but no longer has one. This implies that a lack of a nickname actually indicates that Floyd is more intimate with someone than if he had nicknamed them. The same goes with Jade and Azul, who are usually so formal and polite.

I've already established that Azul acts in ways which indicate that he is close to the twins, as much as he tries to deny it and come off as tough. He drops the honorifics for them and he trusts them to do his bidding. What I find most telling, however, is when Jade and Floyd check up on him right as he's about to OB. "Jade! Floyd! Ahhh, you've finally come back to me," Azul says (if you listen to his voice, he sounds SO relieved). "Would you believe that thanks to these FOOLS, I've lost all of my contracts? Which is why I'm going to need your powers now. Come on, give them to me!" This is notable because, prior to this, he was forcibly ripping powers out of mob students. But now with the twins--Azul makes a CONSCIOUS decision to ask Jade and Floyd for them to willingly give up their powers to him. Azul is emotional and acting without tact here, but he STILL stops to ask the twins for them to surrender their magic. He cares about getting their consent specifically. When the brothers deny him and Floyd says Azul has become lame, that's when Azul snaps. His loyal henchmen are refusing his request and he's lost all his accumulated wealth. He's going to become the weak, friendless crybaby he once way all over again.

Knowing all of this, it makes sense why Azul was as startled as Riddle was when the simulated Jade attacked him. Azul claims that he anticipates this day--but he still seems to disturbed when it actually happens. It's true that perhaps this surprise comes in part from Azul having no indication that the twins were getting bored of him, so this is coming out of left field in his perspective. But... it could also be that he's hurt by the sudden shift, even if he and the twins have been telling themselves all along that they'd toss each other out without a second thought once they lose interest. This calls back to Azul's concerns right before he overblots: that his "business partners" (whom he refuses to call his friends) have lost interest in him and will now leave him alone and with nothing. He relies on the brothers not only for labor, but as his company and his confidants. When that's taken away from him... what does Azul have left that's worth anything?

Vil

Vil is another person who typically passes as very independent. He looks after himself quite well and is often the one nagging others to do the same. The thing with him is... he's still a celebrity at the end of the day, and a celebrity like him is always aware of his public image and the eyes on him. That's Vil's Achille's heel: as a celebrity, he is constantly concerned with how others perceive him. This is a lesson he learns in book 5--that he shouldn't let other people's judgment of him or a silly popularity contest determine his self-worth. Ah, but let's remember... book 6 begins like a mere DAY after book 5. Sure, Vil's character arc may be over, but that does not mean that he has suddenly completely changed. Up until yesterday, he was aggressively training to overcome his rival and to show the whole world his true beauty. Vil still, to some degree, finds value in how he looks and how others see him, as it strongly ties into his career. To this end, he sees Rook as a valuable individual.

Now, there's a lot of contention about whether or not Rook is a good influence on Vil or not, as some interpret his commentary as derogatory or unnecessarily critical. I'm not going to get into that; here, I am going to speak plainly about how Vil himself views Rook's feedback. In Vil's Labwear vignettes, he confides in Trey that he relies on Rook's keen observational skills to reflect the truth back to him. A celebrity must look at his best, and he can count on Rook to not mince his words and point out even the most minute of changes at a quick glance. (Vil himself is also extremely strict with himself, but lacks the superhuman abilities that his vice dorm leader does.) Rook has been doing this since long before he even transferred to Pomefiore, critiquing Vil's performances and such, not just his looks alone. This led into long discussions and debates between the two, which demonstrates how much Vil values Rook's perspective. Even back then, Rook was one of Vil's greatest supporters, but not exactly a totally blind "yes man". He is offering the kind of feedback that Vil seeks, not empty, sugar-coated niceties. This is why, in spite of his betrayal at the end of book 5, Vil eventually accepts it, as he trusts Rook's keen eye and judgment. What's interesting about book 6's examinations is that Vil seemingly takes charge of his group. When approached by the simulated classmates, Vil steps up and, after a moment of silence, says, "No... It's nothing. Let's go." (Vil is known as a skilled actor and can easily sniff out an act himself. Was the silence hesitation as he, Azul, and Riddle reevaluate the scene? Hard to say, but I'm assuming that STYX's state-of-the-art tech was able to perfectly simulate Rook, and thus confused Vil and co. for a while.) Rook strikes him with a spell, and that invokes a great emotional reaction from Vil, who seems to be the most aghast of the group. The fake Rook then declares that he's going to claim the dorm leader seat from Vil, which shocks him. "As you know, I appreciate beautiful things. Hence... I can hardly allow someone who's acted as ugly as you to occupy the Fairest Queen's throne!" The scene then cuts away to a battle. Now, while we don't get any extra dialogue from Vil to show his reaction, one interpretation could be that he was stunned into silence. Why is this a believable occurrence? Because the fake Rook called Vil out for "ugly" behavior. This is significant because back when Vil was overblotting, he was desperately shouting for people to "not look at him" because he's "so ugly". Here, ugliness does not mean literal ugliness or something that is visually unappealing. The "ugliness" being spoken of refers to being morally rotten, as Vil was speaking on his guilt after resorting to dirty tactics to try and take out his rival (when he had previously sworn to win on his own merits alone). The simulated Rook might be referring to this, which induces great shame in Vil, who is aware of the weight of his sins. Heck, book 6 even starts with Vil taking accountability and sincerely apologizing to the whole NRC Tribe for causing them trouble. Vil blames himself for their team losing, as it was his OB that forced them to fight and physically wore them out before their big performance. "What does it matter who forgives me?! I can't... I can't forgive myself!" He may still have lingering guilt regarding this incident, hence why he's the one predominantly reacting when the vice dorm leaders betray group 1. His mirror and huntsman, who speaks only the truth to him, now tells him of his ugliness. What else can that be, if not the truth reflected back at him?

GROUP 2

Jamil

To be clear, Jamil did not automatically go after the simulated Kalim. He automatically defers and tries to go along with his dorm leader (and only starts fighting once Leona declares the simulation for the sham it really is). Why? Surely Jamil is sharper witted than that. To this, I say... of course, it's just that Jamil's so used to being a servant that he reverts back to submissiveness as soon as he's put in a circumstance where there's a power dynamic. He’s not the one relying on Kalim—Kalim is often the one relying on him. You need proof of Jamil's servile mindset? He was intentionally talking down his own skills ever since book 4 and, according to Azul, has been purposefully maintaining painfully average grades (which, in of itself, takes a lot of effort). Admittedly though, those are conscious choices, not unconscious ones. But how about back in book 5, when Vil announces him as one of the lead vocalists and Jamil's immediate reaction is not to accept it, but to humble himself and insist that Kalim would be better suited for it (when Kalim actually isn't)? Jamil has to stop himself, back up, and accept the nomination, which he has earned for himself, rather than relinquish it to someone less deserving. Years and years of serving someone else, forced to play the part of the inferior servant, will beat that attitude into his mind, regardless of how much he resents the position.

Even now, Jamil feels like he usually has to follow someone else's lead. Leona, the upperclassman and dorm leader, provides that lead for him in the VR simulation. This leadership + independence is something they would butt heads over later in book 6, as Jamil begins to act overprotective of his current charge (Leona) as he does with Kalim. While Jamil has played the part of Kalim's attendant and childhood friend, the reality is that Jamil cannot stand those roles. He desires to stand out and to be recognized--something which is evident in book 4. Before he brainwashes the Scarabia students, he's always framing himself in a positive and helpful light to them and speaks humbly about his abilities. After he brainwashes the Scarabia students, he has them heap him with praise that he had never gotten in his childhood. In the post-OB flashback, we see Jamil's parents scolding him for outperforming Kalim, even in something as simple as a game. The headmaster of a great arcane academy overlooks him in favor of someone far less capable.

Jamil knows he can be great, but he's intentionally being told to not reach those heights. He feels stifled and trapped, and no one understands his plight that he cannot escape from. This results in Jamil distancing himself from others and coming to rely on himself and himself alone to make his wishes come true. He can't rely on his family, who are beholden to their legacy of being servants to the Asims. He can't confide in friends because none of them are quite like him, and Kalim would ignorantly brush it off. He can't tell third parties because, as Crowley as demonstrated, they dismiss him outright. Jamil, as he acts throughout book 6, is doing so in an effort to find his own strength and to be able to act on it with the freedom he seeks. To play support not because he has to, but because he, the individual, wants to. As Jamil states before overblotting, he wants to "be free" from these precarious circumstances where a wrong move could doom him and his family... but he only has so many liberties to work with. This leaves him in a strange limbo situation where he still isn't fully independent but desperately wishes to be. We see him fighting against the restraints, and to varying degrees of effectiveness depending on the context and his state of mind within that context.

Leona

From a young age, Leona seems to have worked tirelessly to obtain recognition. Like Jamil, Leona was in such a position (second-born prince) that, despite his efforts, he kept being rejected and beaten down again and again. As we see in his post-OB flashback, this is what eventually broke Leona’s spirit and made him develop a pessimistic outlook on his prospects for the future. The thing is, even though Leona does not really have hope for himself, he still manages to inspire hope in other people, from underclassmen to the students of his dorm. Book 2 is entirely about Savanaclaw looking to Leona to save their own futures, and him trying to do so for their sakes. His club mates extol how he can so quickly hone in on their best skills and advise them on how to sharpen those skills. Jack admires Leona’s plays, so much so that he wished to one day play alongside Leona. He’s even able to get beastmen of different species to get along and live peacefully under his rule when this has historically been difficult for his older brother to manage. All in all, Leona has all the makings of a leader. He stands out from the crowd, knows when to leverage his power and intelligence (playing smarter, not harder), and commands with ease.

… That being said, Leona’s presence can be so powerful at times that it’s also isolating. This was the case for his childhood, which is depicted to us as many palace servants being fearful of Leona’s devastatingly strong magic. He also uses this strong magic against his dorm mates when their intentions clash in book 2–and he comes close to killing someone in the process. He’s also just notorious in general for being grumpy or unfriendly toward others, including one instance in book 5 when he seems upset that you’ve showed up in his classroom. Leona drives people away from him, whether because of his strength or because of his prickly attitude.

At the same time, i would also describe Leona as a tactician that keeps some degree of distance from those he commands. He makes it clear he's willing to use others to achieve his own goals and does so many times over. Book 2, when he tries to take out Malleus to help his dorm leaders while also trying to prove to himself that he's capable. Book 3, when he helps Yuu and co. dissolve the contracts including one of his own he made with Azul, etc. Leona knows how to best use his own abilities, as well as those of others. That's what makes him so formidable--he can read others and judge the situation extremely well, and he knows when it is smart to fight and when to tactically retreat (such as in book 6, when he immediately surrenders to STYX agents rather than make a scene). Leona is a self-sufficient man.

There’s the question of Ruggie, of course. Leona is often depicted as lazy and relies on Ruggie to do many daily things for him, such as laundry or fetching food. This obviously throws a wrench into the claim that Leona is more "independent" than those in group 1, doesn't it? He doesn't even come close to Jamil, who actually does all of these tasks himself. Well, not exactly. I don't think "independence" here really comes down to that alone. Riddle, Azul, and Vil all relied on Trey, the twins, and/or Rook to some significant degree to inform their own senses of self. Jamil had this belief of deferring to his "betters" (the Asims) instilled in him, regardless of his personal feelings on the matter. And Leona? Leona does not significantly rely on Ruggie for his self-worth (dude was 100% going to sand him in book 2). Yes, Leona was likely looking to help his dorm members in part to prove to himself he is capable of leading a pack, but he gives up when he realizes it was a fruitless effort. He doesn't become reinvigorated to keep it up or to try again, even when his dorm members (Ruggie included) plead to him. Leona is acting selfishly, and he refuses to acknowledge their perspectives--he's set in his own ways and is driven by his own thoughts, not those of the people around him. Perhaps this is what allows him to discern truth from lies with such clarity, as it is Leona who rouses Jamil to his senses and leads the charge against the VR simulation Kalim and Ruggie.

[queerly-autistic]

Right, I think it's time for some positivity, and also a reality check (and I mean that in the most loving way possible) regarding the campaign to save OFMD. I've seen a lot of people saying 'it's been nearly a month, we should have been picked up by now', and whilst, yes, some cancelled shows have received very quick movement to other streamers, it's absolutely not the story for all of them. We've seen numerous shows follow different journeys from cancellation to pick-up, and there's no way of knowing what journey we might be going on.

Are we in the fast lane where we get picked up the next month (lookin' at you, Lucifer and The Expanse)? The middling lane where it takes months for a pick-up deal to be hashed out (lookin' at you, One Day At A Time, The Tourist, and Warrior)? The slow lane where we keep pushing for years and then eventually crowdfund a film (lookin' at you Veronica Mars)?

I think we have to consider the fact that OFMD being cancelled was a last minute thing that blindsided the cast and crew (and shocked people across the industry). So we're going into it in a different position to other shows that had maybe had a hint/suggestion that cancellation was coming before it happened. This is because if there are rumours of cancellation circling, it gives a chance for feelers to be put out to other networks/by other networks before the actual cancellation is confirmed. That didn't happen here. Which is important.

It's not just wham bam thank you ma'am and now you've been picked up by Netflix (or insert streamer of your choice). It's a negotiation. It's a process. It takes time. There is a very good reason that people heavily suspect that Brooklyn 99 had already been picked up before the cancellation was officially announced, and that the cancelled-to-new-home-in-24-hours thing was pretty much just a marketing stunt. No way was that all negotiated to the point of announcement within a day,

There are many reasons why any potential pick-up elsewhere might take a bit more time. For example, if David is (hopefully) juggling interest from multiple different networks, then that has to be hashed out and negotiated to make sure the best deal is reached for everyone. Also, OFMD is potentially a more complicated show to negotiate than we imagine: at a very basic level, it has a large ensemble (a large international ensemble), which would need to be discussed and negotiated, and it's filmed in New Zealand, which would need to be discussed and negotiated. That doesn't work against it in terms of 'it's more complicated, so it won't be picked up' but it could very well mean that the time needed to negotiate a pick-up is longer.

Remember: One Day At A Time had a much smaller cast (which wasn't an international cast) and it basically had one single studio set (being a sitcom), and that took three months to be saved.

I chatted with my friend, also a fan, who has worked in television production previously and is currently working as a screenwriter, and she confirmed just how much time, discussion and negotiation this stuff takes. She basically said: yep, this all takes time and this is very normal. And this is coming from someone who is very firmly in the 'I am refusing to get my hopes up because I can't bear to get hurt again' camp of trying to save the show.

On that note, I think it's important to address David's silence, because I've seen a few people panicking about that. There's a very good chance that if he is in negotiations right now (and I do not know if he is, he might not be!) then there would be a lot he wouldn't be able to talk about. And he knows that we dissect every single syllable of his posts, so posting anything would be risky. Negotiations are tricky things that involve juggling multiple balls (and torches and knives and chainsaws), and a lot of push-and-pull, back-and-forth, variables-upon-variables, and so going silent on social media would be absolutely what I would expect from him if that was happening.

It's eerie for us because we had a burst of activity from David, a lot of noise and a lot of confidence, and then...nothing. That's jarring, and anxiety-inducing. But I want us to think of it this way: David did a big post about being back in New York, about things looking up, and then he went uncharacteristically silent, which is what would happen if things were going on that he couldn't talk about. I have no idea what, if anything, might be going on, but it's important not to see this as a bad thing.

As someone on Twitter, who also works in the industry (they work as an actor) said the other day: in this business, no news is good news.

(also important to note: if he suddenly reappears on social media, that also doesn't mean that any negotiations have fallen through, and we should all panic; anything could be happening, and I know we're little anxiety gremlins - me included, bigly - but until we are definitively told that this is over and there's no hope, then it's not over and there is hope)

There's no way of knowing what is going on, or how long whatever is (or isn't) going on might take. This might be a sprint, but it could just as easily be a marathon. The show not being picked up immediately does not mean there is no hope, as we have seen with numerous other shows. Look at fandoms like Shadow and Bone, who are still fighting tooth and nail for their show because they refuse to give up on it. They haven't given up, and neither should we.

We need to decide if we love OFMD enough to fight for it long-term, to settle in for a long battle, and keep pushing for as long as it takes. And I think, as difficult as it might be, we all know that this show, and its cast and crew, is worth it.

[thatanimeramenchick]

Headcanons for Vox and Alastor both falling in love with an extremely powerful Overlord known as the Pink Death, she is called that because she's thought of as an incurable plague that consumes and annihilates everything she comes into contact with and she's a Pink Bunny demon and she's so powerful all the other Overlords, even Zestial are terrified of her, since when she arrived in Hell, she killed every Overlord that existed in that time and took their powers?

Incredibly Powerful Reader

Since this is a yandere blog, this will be done with that in perspective.

I also want to do this with the mindset that it is impossible to technically permanently kill other demons without angelic weapons. It is true that Alastor has made other demon overlords “disappear,” but I feel like it’s implied that he has somehow destroyed them in a way that is much worse than death, perhaps in a horrific existence in between realities? I don’t know. Anyway, I feel like the killing people with diseases temporarily and being a major threat is still an interesting view though. The complete toll you could have on demon and sinner society by wiping them out in waves whenever you felt like it would give you a lot of power in hell.

Anyway, when it comes to the guys, I see them actually sharing quite a few things at first.

Both of them would hope that their experience and ability to play manipulation games would allow for them to outsmart you, even if you are significantly more powerful than they are. Whether they actually do or not depends on you and your personality, but I could see them getting the upper hand if you’re not careful, especially Alastor.

Both of them also would hope to win you into a contract that allows them to have you under the thumb, but they would present it as giving you a power boost to help you clinch full power over hell. The details of this contract and their way of going about it will differ, but ultimately that is the goal each of them would have.

Vox

Media thrives on disaster. You’ve created a gold mine of content for this man. His interest in you would simply start out as using your story to promote his own company, and it would later turn into an obsession. Considering how the Vees are able to stay safe during extermination day through extreme isolation, I don’t think he would be too worried about the infection for similar reasons, simply being annoyed that it’s hurting the company as it’s messing with staff and therefore production.

If you decide to reject him, he can paint your powers to his advantage, threatening to use the media to paint you as a monster that hell needs to rally against at any cost. On the other hand, he could offer you a sweet deal if you want to get along nicely with him. He could make sure that everyone knows you’re the most powerful overlord in hell and that you should be respected and admired as well as feared. This is when the contract comes in, where he gets to portray you how you’d like as well as provide comfy living arrangements as long as you are willing to work alongside his company and only his company. He’ll make sure you’re on a higher position in the company than the underlings, considering how much power you have. Oh, and he’ll add a little clause that you’re not to turn your nasty tricks on him either.

Alastor

Alastor is more cautious than Vox is. While I see Vox as going the direct approach with you and a clear plan of aggression, Alastor would take his time, watching you from the shadows. He would want to get a clear idea of your personality and all its strengths and weaknesses before approaching you. Last thing he would want to do is simply irritate you.

I feel like his approach to you would be somewhat similar to how I think he is approaching Charlie. You are young and so perfectly easy to influence. Your potential is overflowing, surely you don’t want to waste it? If are just willing to submit to his ideals, he could make you the greatest overlord of all time, as well as gain total control of hell. The contract would be along similar lines. He would not rush the business like Vox would. He doesn’t want you to think he simply wants to use your powers after all. You have to feel like you’re giving in willingly because it benefits the both of you.

He would be subtle in his affection. He would make it seem like a business contract, but as you got entangled deeper and deeper in a mess you would come to see that he has a much more possessive and controlling relationship with you than you first thought. The details of the contract that at first seemed to exist to gain you some extra experience and security now seem like chains keeping you attached to a master has no intention of ever letting you become independent in your own right.

[deeply-unserious-fellow]

I've been seeing a lot of people talk about how Hazel is a boring protagonist(or I guess more like... people complaining about how other people are saying that? Idk I'm not on Twitter), and at first I kind of agreed with those takes because all I had seen were random clips. BUT, now that I've watched the show, I disagree. I don't think Hazel is a boring character, at least not conceptually. I think the issue is that the majority of her RELATIONSHIPS are really boring.

Hazel on her own has a lot of potential. She's caring, she's funny, she has a tendancy to overthink, her design is really good, she has realistic problems most people can relate to... she's just all around a really well built character. The problem is that almost none of the characters she interacts with consistently have any depth, and that causes her relationships with them to fall flat, which causes HER to fall flat because at the end of the day, a character is only as strong as their relationships with other characters. We're TOLD what her relationships with others are like, we're TOLD what the other characters' personality traits are, but we're never SHOWN those things. I think the episode where they deal with Jasmine's fears is probably the biggest offender. Jasmine herself acts as more of a plot device then anything else, with her fears being used as a stepping stone to teach HAZEL a lesson, rather then allowing the episode to focus on Jasmine overcoming those fears. The scene where Jasmine actually FACES those fears ends up being just thrown in at the end as a way to solve the conflict, which tbh wasn't that engaging in the first place because Hazel had no personal attatchment to any of Jasmine's fears... that's just kind of a bad episode overall tbh it's where all of the shows flaws are the most prominent but I DIGRESS-

Another really good example of the poor relationship building is her relationship with her brother, Antony, who we literally don't even get to SEE until well into the second half of the season. I haven't actually gotten to that episode yet, so I can't really judge Antony as a character, but I CAN judge how they've been setting him up so far! Which hasn't been very good! Instead of SHOWING US Hazel's relationship with him through flashbacks or something, the writers just have Hazel TELL US how she feels about her brother and things they used to do together. It just doesn't have the same impact as actually seeing their relationship play out would, y'know? They've been telling us about Hazel's relationships with other characters instead of showing us those relationships, and it's been hurting Hazel as a character.

The only relationships she has that we actually get to watch her BUILD are her relationship with Cosmo & Wanda and her relationship with Dev, which, while the ladder is genuinely really well done and interesting(aside from a couple pacing issues but honestly the show is chock full of those so whatever), the former ALSO falls really flat because Cosmo & Wanda aren't really... characters. They're iconic, sure, and they're really funny, but they're also mostly just plot devices. They're here to grant Hazel's wishes(aka cause the plot of the episode) and be funny. That's it. Which is fine, those kinds of characters obviously have their place, but when they're the only ones your main character consistently interacts with? That causes some problems. It's like if, in the movie Aladdin, instead of focusing mostly on the relationship between Aladdin and Jasmine, they focused entirely on his relationship with the Genie. The Genie is mostly just here to move the plot along and say funny things, so having him be the character Aladdin interacts with the MOST kind of breaks the movie. Having a story where almost all the interactions are between the main character and the comic relief just doesn't work.

Honestly I think the issues with Hazel's relationships are probably why people are more drawn to Dev as a character then they are to Hazel, because while Hazel almost exclusively interacts with characters who could be replaced by cardboard cutouts and nobody would tell the difference, Dev doesn't. Dev's relationships are a lot more engaging because all of the characters he interacts with are SIGNIFICANTLY more fleshed out then the ones Hazel interacts with. His relationship with Hazel is engaging because it's an emotional rollercoaster for both of them. His relationship with Peri is interesting because Peri is much newer to being a fairy godparent then Cosmo & Wanda are, meaning he's more likely to make mistakes. His relationship with his dad is interesting because it's literally the main motivation for his character, and we actually get to SEE WHY THEIR RELATIONSHIP IS THE WAY IT IS. His relationship with Irep is more interesting because Irep is a weird little shit who's mostly just using Dev to take over fairyworld, and he also has an interesting dynamic with Peri! Dev's relationships are all WAY better executed then Hazel's, and honestly I think a lot of that has to do with the fact that Dev is an antagonist who mostly interacts with other antagonists. He's at the center of almost every single ongoing conflict in the show, which is often times what makes a character and their relationships interesting: conflict. I also think he benefits from getting expanded on LATER in the show, since by that point all of the writers would've had a much better feel for all of the characters, making it easier for them to actually show what his relationships are like instead of outright telling us skgnvkdmfkekfndn

Now, was the point of all this to say that I think Dev would be a better protagonist then Hazel? No. Absolutely not no- he has a more interesting, better executed story then Hazel does so far, sure, but he just. Wouldn't be able to carry an episodic show like FOP on his own I'm sorry- we've seen the kind of wishes he makes, they're not particularly interesting. Because he's a rich kid who can do basically whatever he wants. Plus, his conflict with Peri just isn't really built to be stretched out over an entire season, which it would HAVE to be if Dev was the protagonist of a Fairly Oddparents, because the entire premise of the show is "this kid gets a Fairy Godparent, what kind of wacky hijinks will they get up to now?" Plus there's the fact that the narrative has been treating his parental neglect with a lot more gravity then Timmy's ever was, meaning if the show was from his perspective they'd have to tone down the things that make him interesting to keep the show from getting outright miserable- Dev is not a good character to make carry that kind of show. Dev should not be the main character. HOWEVER! Do I think the show would be more interesting if we got more episodes featuring him and Hazel hanging out together? Yes absolutely. They bounce off of eachother incredibly well, and once Peri is introduced we also get to see Peri's relationship with his parents and how THEY interact, and it's just. So much more interesting then seeing just Hazel and CosWan. Or Hazel's cardboard cutout friends. Honestly I'd go as far as to say he should've been Hazel's dueteragonist instead of just a recurring character, kinda like a(hopefully) better executed Chloe. It'd give Hazel a more interesting character to bounce off of then Cosmo & Wanda. Either that or I think Peri should've been Hazel's fairy godparent instead of Cosmo & Wanda, because he has more room to grow and develope as a character then they do, making his potential dynamic with Hazel a lot more interesting. Idk just in general I think having Hazel interact almost exclusively with Cosmo & Wanda was a mistake-

Also should be noted; I am saying this as someone who has never seen the original Fairly Oddparents. I don't know if the original show had these issues aswell or not, everything I know about the original comes from random YouTube videos I watched out of curiousity/boredom. Either way if the original DID have issues with Timmy's relationships being really boring then uh. That's not an excuse for A New Wish to do the same, I guess. Idk where I'm going with this... also sorry if this essay is incoherent! I have a lot of thoughts about how Hazel's relationships are really poorly executed and I just needed to get them out skfnvdkdjfndn- if you want me to elaborate on anything feel free to leave a comment or send me an ask :)

[loverofpiggies]

So now with that little blurb of character interaction, I am curious about who Mirror, Vulture and Sage are to each other? Mirror clearly hates Sage, but won't do anything to them without Vulture's approval. Vulture meanwhile seems kinda weirded out by Mirror's subservience and indifferent to their animosity. Sage meanwhile I fail to understand beyond very mild Fresh vibes. Very different characters, for certain, but all I can really infer from them is a very casual and slightly trolly persona, which may or may not be entirely wrong.

Hey! This ask is the best thing ever.

That's genuinely a great question! It's probably pretty clear from the little blurb, that this would be the beginning of their interactions and relationships through the story. They're still strangers to each other at that point. Sorta like a DnD campaign where three strangers are stuck through happenstance working together.

Now take this all with a huge grain of salt because this story is VERY much still in its early stages, but as of right now at least with Mirror, the idea is that he's a creature called a Corrupter. They're very powerful, ethereally beautiful, and usually, completely unhinged. And to exist consciously in the world with others, they're required to have a 'master' to order them around, otherwise they're unable to stay conscious. They literally exist to corrupt their masters and the surrounding area, slowly overtime.

By some horrible happenstance, Vulture accidentally became Mirror's master, and because she is VERY much not comfortable with the idea at all, she's sorta adamant on letting him have free agency and finding a way to free herself from this deal. Giving him free agency is a really bad idea, because he's just sort of wrath incarnate. For a lot of good reasons, but beginning of the story, that's just kinda all you know. So she tries to let him have free agency, but refuses to let him outright murder innocent people. Which I think is fair.

Sage's role is interesting, because she mostly just tags along and causes drama for fun, but I'm not sure how much I want to reveal about her here.

Sage is definitely god tier powerful, could pretty much end any living soul, but. She's having fun just watching Vulture suffer and struggle and try to survive her story. Sage is so, SO much worse than people know, but that's sort of why I love her.

Vulture? She's just trying to stop the apocalypse, and she's stuck with two of the worst possible companions she could ask for. But she can't do it without them, so this is what she has to do.

There's a lot more to her, but that's spoilers.

Also this story would end up being pretty dark. Obviously they'll still have comedic moments but, so far the story is nuts from what I've been thinking.

There's so much more I've been brainstorming about the world, and the depths of these three characters, that talking about here could potentially spoil major things. But what I've wrote is stuff you can gather quickly in the story, so I felt it worth putting here.

[aliteralsemicolon]

what do u think about Maeve as a character and as a love interest for Spencer?

Well she definitely exists. She was definitely a canon love interest 😐 I choose to forget a lot of details from that whole incident on purpose. Talking about this is just beating a dead horse bc I think my opinion is just a general consensus.

but here's what I think anyway:

The storyline

I won't talk about it for long because I feel like it's obvious, but the whole situation was handled so poorly. It kinda just showed up out of no where on one random peaceful day. What do you mean Maeve didn't want Spencer to get the BAU involved because 'it could endanger him'? Babe, he's already in danger just by being in a relationship with you, but I guess that just doesn't fucking matter. Also, what the fuck do you mean that Spencer just went along with it? I'm sorry? Spencer Reid, who becomes very impulsive when it comes to the wellbeing of his loved ones? He just agreed to sit back? Not even investigate in his free time?! By the time ZUGZWANG happens, we as viewers know how the BAU operates. The BAU was more than equipped to successfully deal with Diane. We know what they're supposed to do in a stalker situation, but for some reason they ignore nearly every goddamn protocol and then they're surprised when Maeve dies??

Maeve as a character

Listen, I don't dislike her because she was Spencers love interest. I'm actually somebody who's very keen on love interests for Spencer. I want that poor man to be happy. I dislike Maeve because she's one of the worst recurring characters on the show. She's very morally annoying. Not grey, annoying. Maeve is a geneticist. Geneticists, for the most part, study gene interactions and evolution. She has no fucking business diagnosing and prescribing shit from one look at an MRI scan. I don't even wanna talk about how medically inaccurate the migraine bit of the storyline is. Somehow it gets dumber. I don't know what she said for sure, but I know for a fact that she said something like she had to get to know Spencer because of how interesting he seemed. FROM HIS MRI SCANS?! Are we ignoring how unethical this is? Please, I cannot fucking do this. But there's more. Apparently she loves Spencer. She says as much at the end of a phone call AND literally writes that one love quote in the Narrative of John Smith for him. She loves Spencer, but fails to mention how she was engaged literally not long before she met him. And she doesn't feel an ounce of guilt or sadness when he ex-fiancé (whom she also supposedly loved) gets shot in the head in front of her? Also there's certain times where she just comes off as very emotionally manipulative, but in the dumbest way possible. The thing is that I don't even hate her because she's like this. Some of these things actually give the character potential to become a really interesting and complex character. It's because she tries to come across as the opposite. The writers try very hard to portray her as an intelligent, good and innocent character, but everything she does is very selfish and stupid. Personally, if I was a geneticist and some fucker reached out to me to ask about his MRI scans I would redirect him to a fucking neurologist or something.

Maeve as Spencer's love interest

She's introduced to us a mysterious woman over the payphone. We get glimpses of her body in a dark room and we watch her fiddle with things while walking around, but we don't actually get to see her face until later. Her voice is meek and sultry. If this sounds like some wattpad introduction then that's because that's literally what it is. Maeve is introduced to us in a very Y/N esc way. The whole relationship is very much wattpad story written by a 14YO back in the day. Wait I take that back, even fucking 14YO's writer better shit. At least their stories were worth ruining your sleep schedule for. I can't even be upset, Maeve is literally not the first female character portrayed this way on the show *cough* Jane Seaver *cough*. MGG didn't want Spencer to have a love interest so Maeve was written to die. I just wish they at least tried to do the characters and the story justice. Viewers couldn't even connect to Maeve because she was just thrown at us one day and then literally killed a second later. Even if she wasn't unlikable I find it very hard to imagine that I would've cared about her death, because I literally had no time to bond with the character. It's also just very awkward when she shows up after her death because I feel disconnected with Spencer's emotions. Mentally, I know that she's his first great love or whatever, but emotionally, I do not give a fuck. She does not match Spencer's freak. What she is, essentially, is a female version of Spencer (but through the male gaze because she's a woman so ofc she's slightly dumber and Y/Nified). Spencer is one of the most complex established characters on the show and Maeve as a partner for him is just very boring. And even if she's was interesting, I PERSONALLY FEEL LIKE the actors have no chemistry together. He's had more chemistry with love interests that lasted for a way shorter period than he does Maeve. Ironically, the most chemistry he has is with the one person he despises the most (Cat Adams) and I think that speaks volumes. God, I wish so badly that they utilised the bar tender he did a magic trick for or the forensic scientist in that bombing episode.

Again, I'm pretty sure most of the fandom feels this way. I'm fairly confident that I might have more to say, but I cannot be bothered anymore.

[pinacoladamatata]

I am once again thinking about Solas and how his potential arc this game could go regarding the Veil being up or down and I'm gnawing at the bars of my enclosure [spoilers obviously] I don't like being intelligent/thoughtful on here I prefer to be stupid but here we go

In [yet another] article that came out, idk? today? Mark Darrah says the story "allows us to, hopefully, give a good conclusion to all the varied attitudes toward Solas that are going to be coming from people who love Solas, who agree with Solas, who hate Solas, people who want to kick Solas off of a building – I think that we give you the opportunity to bring that to a close, but then tell a greater story about The Veilguard and about the world as a whole."

and I don't know what to fucking think about this? They obviously know people's opinions are varied and I think it should be obvious that this is not a case where 'one ending fits all'

Because like, he is such a tragic character and I know there's gonna be an option to kill him, calm down, before you start in my inbox with "I WANT TO KILL HIM" like, you will be able to, that's kind of...almost a certainty. Especially for low approval Inquisitor/swore to stop him at all costs. Because if he Won't agree to stop trying to tear down the veil and causing mass destruction, (even after dealing with Elgarnan and Ghilly) then you'll have to kill him. Even trapping him forever isn't really an option because he created the fucking veil, man's crafty, he'd eventually find a way out. Like, If he will not and cannot see reason, then you, the protagonist, will have to end him.

It's the OTHER option that has me spinning because, you could, maybe, potentially, hopefully, talk him out of it. And if you did that, either as a romanced or friendly Inquisitor, or apparenty? Rook? based on this new info that Solas and Rook are going to have a lot of interaction, then he doesn't NEED to die. If he stops wanting to tear down the veil, he could potentially just disappear and do whatever he wants, like nerd out over magic.

And honestly, having him die on both paths is such a slap in the face for "your choices matter" because like clearly they do not if that happens; like what was the point of making me choose at the end of trespasser? If the only difference is 'stop Solas at all costs' leads to a boss fight where you kill him and 'redeem Solas' leads to ? him dying anyway somehow? Like I'm sorry but that is lazy and boring. His redemption should not end in death, he should have to live and deal with the consequences, because that could be so much more interesting.

[because I'll be real, I don't think they're going to let us have the option to tear down the veil/side with him AND have the option to keep the veil up. I think it will be one or the other no matter your choices; Simply because there is too much of a massive difference between world states of 'killed Solas to prevent him taking down the veil Thedas remains status quo' VS 'let Solas take down the veil, Thedas is now fundamentally different in an almost inconceivable way'. Like the setting for any future games depend on this; you would have to create 2 very different games. There has to be some uniformness to the world state, like; the veil remains, but it's thinned or whatever and the people of Thedas are living life more or less as usual if they ever want to make DA5. Would be wild of them do go the route of no matter what you do the veil comes down anyway. Which would be annoying if you swore to stop Solas at all costs and he just... succeeds anyway, even if he dies? Of course, there is Sandals prophecy, which I think is about the events of DA4. And devs have said in the past they had 'something' planned since Origins. "One day the magic will come back - all of it. Everyone will be just like they were" - The veil coming down and everyone gaining magic? Not just elves but humans, dwarves and qunari too? "The shadows will part and the skies will open wide" - Talking about the veil coming down?? Do shadows represent the abyss? "When he rises, everyone will see" - I'm actually convinced this is about Elgar'nan, or, something even worse; like the 'thing' that Mythal locked away, that the "evanuris in their greed could unleash" that "would destroy us all". So I think the end of DA:TV will be either the veil stays in place no matter what, or the veil comes down no matter what, which is, idk, interesting? Because again, they can't have both- that just gets too messy for the setting for the next game. They could have the veil come down no matter what, but, you would need to have a "better option" as Varric and Solas put it. Which, let's say for narrative purposes, this option exists and we tell it to Solas and he goes "Okay let's do that instead" and it results in a world state where the veil is 'down' but not in a catastrophic mega-calamity way. Even then though, some players are just not going to pick that and also if the veil comes down; what the fuck are we guarding it for???? I think it might come down temporarily. Maybe we have to make a new one? a better one? we have our fade tamagotchi fen'harel who happens to be the only fucker who knows how to make a veil too. Could this 'better veil' alleviate some of the problems Solas had with the old one? If there was like a set door way that allowed people and spirits to pass safely? One that didn't cause so much discord between spirits/people? Is our Veilguard a Fade TSA? I can dream. But who knows. Either way, I think we're only getting one endgame worldstate regarding the veil.

So; OK, back to Solas and how the fuck that could end. Harking back to that Varric/Solas conversation about the old man living alone. Solas is clearly speaking as though he is the old man, and he can't fathom just living a quiet life when there are literal world ending gods waiting for a weak moment to bust free. He Will not, Cannot stand by and do nothing while he knows his prison is failing. He HAS to at least deal with the 2 evanuris before tearing down the veil bc he doesn't want them to cause harm. He didn't want that before (hence locking them away) and he doesn't want it now, even for modern day Thedas (hence him helping Rook). He's got such a fucking heart under all that armor. He cares about people, he demonstrates it again and again. But my god what if, he finally *sees* that the veil may not have been a mistake, it doesn't need to be torn down, (maybe it has to be remade, better?or just altered?) and then us the protag, no longer has to kill him to stop him from tearing it down?

Like, I am very partial to the "what if love changes everything" trope especially for such a tragic character. Bc he's got death flags left and right; "I walk the dinanshiral" "there is only death on this journey" "this does not end in my downfall" his "dying alone" fear tombstone, and he's lonely he's miserable he's afraid. I'm so worried they'll kill him off anyway bc 'he was always doomed' trope and it would be easier to write, but motherfuck it would just, be SO so satisfying if, instead, there was a path where he wasn't doomed; whether it's bc of Rook or the Inquisitor or a combo of both. I feel like what if, either platonic or romantic; if there was just at least one path where love changes everything.

ofc this is massive amounts of copium and I don't expect bioware to give me anything so cool as "the veil starts to come down anyway and you, Rook, have to rebuild it with Solas' and the Inquisitor's help and at the end you can either kill him or convince him that this world is worth living in"

but hey, i can dream ¯\_(ツ)_/¯