#i want a story from THAT point of view and also how do these people not play into the worlds politics??

[sarahreesbrennan]

Also also: is there any way, or will there be any way, for readers without whichever special edition (?) it’s in to read “Letters to My Lady from the Abyss…”? Reading your Reddit AMA in a desire to know more about this wonderful book and the idea of a tiny bit extra has me 👀

Thank you for wishing to know more! FairyLoot special edition is the special edition with bonus content. I will explain more. FairyLoot is a wonderful UK-based group who make fancy special editions for their monthly boxes. People sign up for FairyLoot and get books picked for them. You can get Young Adult, Adult Fantasy, or Romantasy, or a combination thereof - Long Live Evil was the August Adult Fantasy pick - and you can buy other special editions from their website. So the FairyLoot folks are Tastemakers as well as makers of beautiful objects. (ISN’T IT BEAUTIFUL? Pictures stolen. Interior art by Bon Orthwick who got Marius’s hair PERFECT.)

But you can’t buy the monthly boxes, unless they have extras! If they do have extra Evils to buy, I will put up a link.

There are many boxes now, but FairyLoot and Illumicrate are the two biggest and have made a lot more people embrace reading and see books as a special treat. Waterstones and Barnes & Noble have started making special editions of books because of them. A while back I knew none of this, because I was staying away from publishing, working with IP books (very different branch of publishing) and training for a different job. But then I did a catch-up call with my frien. She talked about FairyLoot. I did not understand her and thought maybe the deadlines had got on top of her and she believed fairies had looted her manuscript.

Holly: So these FairyLoot editions have (She holds up a copy of… I think… the Coldest Girl In Coldtown?) been amazing for UK sales.

Sarah: Sorry but why are these books so beautiful?

Holly: Because I just explained to you why, girl. Sarah: Can I have this.

Holly: No they’re limited!

So then I knew FairyLoot was a Giant Deal and they were offered Long Live Evil but I was sure they wouldn’t pick me.

My lovely editor Jenni: great news, the FairyLoot people picked you! Sarah: are you. are you quite sure.

Jenni: … yes? Could you write them some bonus content? Sarah: YES! A thing I can do for them? Oh yes! Here’s three things I can do. Tell them they can pick which one they would like!

I wrote a letter for them as well, to be bound in with the book. But the bonus content is an extra adventure or point of view you didn’t get to see in the main book. FairyLoot picks what they think their readers might like most.

I really like epistolary novels, where the action is told though letters, such as Jane Austen’s Lady Susan and Amal El Mohtar and Max Gladstone’s This Is How You Lose The Time War. So I thought it would be fun to do a story through letters!

Obviously I then had a moment of dark self-doubt.

Sarah: O my god why did they pick this nobody’s going to like him what shall I do! Holly: When I was writing Cardan’s letters you said ‘epistolary is so fun, you said, this is a piece of cake, you said, get in loser we’re writing romantically sinister letters, you said…’

Sarah: my Vision is a romantic The Screwtape Letters. Holly: … oh dear. Okay. Get in loser we’re writing romantically sinister letters.

And so with a lil help from my kind frien, I wrote Letters to My Lady From the Abyss, which is an epistolary short story with a POV we don’t get in book 1 and an adventure we don’t get to see. But I did write it, as you see, for FairyLoot so it belongs to them and it’s up to them. I think I might get it back in a year and then I’ll put it up on my website. I will let you know!

I am so sorry for this very long explanation, I just wanted to let you know what was up.

Should you read it, I hope you enjoy. And I will write more bonus content, I promise!

Also speaking of FairyLoot, they’re doing a readalong of Long Live Evil right now if anyone might like to chat about the book. Here’s a link to people talking about chapters 1-7 - they will do a different chunk every day! I like that people are choosing favourite characters, so far the Cobra, Key and Emer have the votes!

[applestorms]

actually. @moonlarked you wanted someone to talk about near & light as parallels? cuz uh...

ok SO, my big hot take on near is something like this: one of the most common criticisms i see about near is that he is simply too apathetic/bored/uncaring/etc, and that because he is not as emotionally invested as L, his win against light doesn't feel nearly (lol) as satisfying as it could've been. this is a view that often frustrates me, but for a very particular reason— namely, while i think it is somewhat accurate in content, i think it misses a lot of important context (and also misses a lot of the importance of light's character arc, but we'll get to that much later).

one of the most important things to remember about the wammy's kids is that, whether they like it or not, each and every one of them is defined almost entirely through their relationship to L. this is perhaps more obvious in the case of characters like BB and mello, who are very Aware of this shadow being cast upon them and react in very overt, emotional ways (e.g. becoming a literal serial killer out of seemingly pure spite & desire to be noticed, idolizing him but in a very emotionally complicated, kinda detached sorta way, etc), but it is true for Every wammy's kid, purely because of how the house itself functions. these kids are being raised to be L's successor— the greatest (and second greatest, and third greatest) detective on the planet. this is the ultimate goal hanging over every one of their heads, and it places a constant pressure on every kid there.

oftentimes, i think (perhaps both out of story and in it, as well?) people get so caught up in comparing near to L that they forget he also falls under this umbrella— only, for near, his position is slightly different because he actually somewhat succeeds at the task? like, yeah, L never gets the chance to officially call near his successor, but between the fact that he's constantly called the #1 kid at wammy's and that he. literally does actually end up becoming the new L after kira, i think it's always been pretty clear what his path was going to be.

going back to my starting point, this is one of the main ways that near makes a really good parallel to light in my mind, specifically the light that we see right at the start of the series. in both cases, near and pre-DN light, we see a kid who has succeeded at everything they've been handed, and more notably, we see a kid who is bored out of his fucking mind looking at the prospects of what he's got.

in the case of light, this is maybe a little more realistic/easy to understand— light does well in academics, he does well in sports, he does well with people. he is likely to follow in his father's footsteps with something criminal justice/police/law related, but even if he diverges from that path it likely won't be too big of a deal, as he has shown himself to be capable in enough areas that he's likely to succeed no matter what. by all measurable standards, light's doing pretty good at the start of the series. and yet— there is something so distinctly and inherently Bland about his life before he gets the DN. i've said before that light wouldn't call the DN a curse even if he wanted to, but i think in that moment when he's telling ryuk he disagrees w/ his father after visiting him in the hospital, when he says, "I've never once considered finding that notebook and gaining this power a misfortune. In fact, it's made me happier than I've ever been." (ch.22) he's still getting at something real and truthful.

again, going back to my equating of boredom with depression in this series— light's life is pretty good by all measurable standards. he has a family who loves him, presumably more than enough money to get by with a pretty cushy lifestyle, and does well, honestly better than well, in every single system he is presented with. but even so, he's still unhappy. there is something in his soul that has not yet been satisfied. he's bored of the world, bored of his place in it, how easy it all is. what the DN really offers him is a challenge, entertainment— just the same as L, and just the same as ryuk.

near similarly suffers from this kind of boredom, though it is perhaps less overtly stated than in the case of light, L, and ryuk, and less easy to catch as it is not as realistic/common. again: near basically ends up the winner of wammy's house. he is the one to take the title of L, he's declared the smartest, bestest kid at wammy's, and he gets all the power and privilege that comes with such a title. but still— he's so. fucking. bored. much to the embarrassment of mello, this shit was never really a challenge to him. it's pretty obvious that near isn't really even all that attached to the title of L— don't forget that his first real introduction to the story involves him explicitly saying that he'd be just fine working with mello as essentially co-L successors. and this is a viewpoint that he holds onto until the very end of the series, actually, claiming that he was only able to best light due to mello's sacrifice. near doesn't really give a fuck about the rat race he's been slotted into, though it's perhaps for that exact reason that he ends up winning it anyway, and getting all the responsibility that comes along.

that being said, i think there are still two main differences between light and near:

light fucks up.

near never gets past his boredom.

in the case of this first point, i do not mean to say that near never ever makes any move/judgement that could be considered a mistake— mello killing the entire SPK is the first thing that comes to mind, which i see as blood on near's hands for the same reason that L takes at least some responsibility for lind l. tailor. rather, i mean that near never makes a such a monumental fuck-up that he has to overturn his entire worldview just to account for it in the same way that light does when he accidentally kills two people w/ the DN the first time.

it's like, if you've ever known (or been) the kind of kid who always got perfect grades in school, straights A's for K-12, only to reach college and suddenly bomb their first test and have an existential crisis as their only real achievement in life is crushed into dust, then you know light yagami. only for light, it's on a whole 'nother scale, because not only does he fucking oopsie daisy kill two people, but he kills in such a context that he can mentally manipulate it back into seeming heroic. i hate to say that suffering causes character development because that's terrible advice (it's how you react to terrible circumstances that matters, imho) but to some degree, yeah, having conflicts/hard times in life is just necessary to figure shit out sometimes. near (and L, oh goddd i need to write about L properly sometime) has so many things smoothed over and handed to him, and on top of that, he's a super genius very rarely fucks anything up, at least according to base logic. he doesn't even really consider the morality of anything he's doing until light straight up asks him in a desperate bid to keep talking at the end, it's all just logic and factors to consider.

this all leads to my second point, which is that near never really gets the chance to overcome his boredom in the same way as the others. ryuk at least gets his entertainment for a couple years, and light and L (and mello) get so invested in each other and their game that it literally kills them, but near just kinda. keeps going. he keeps being L, he keeps solving cases, he does the duty he was given and enjoys his toys... and that's it. he lies around, the only one left to live, never even taking credit for the end of KIRA, never gets another haircut, and keeps the title going. what a life, for a kid who dragged a god back down to earth.

sidenote1: toys

am i reading too into things? maybe. near's toys hold a lot of significance throughout the story in more specific ways, most notably the finger puppets he uses at the very end of the story while tracking different people's/kira's actions, though you could probably read some kind of meaning into every toy he has and the ways in which he plays with them. what i want to look at here though is more the general reasoning behind playing with them in the first place— a desire for a childhood he didn't get to have? a love of games more generally? (could track with him seeing the KIRA case, or really all detective work, as just another game.) you could also read into his toys as another source for near's apathy/detachment from reality, literally breaking every notable person around him down into a doll by the end of the story, speaking a lot to how alienated he is from the world (again, very similar to both L and light, there). i don't have much more of a point to make here, just wanted to add this in somewhere since it's one of his most striking visual character traits.

sidenote2: light's arc

going back to my point at the start of this post... light's character arc.

uhh. near winning is a good thing, actually. and i don't just mean that as a moral claim— DN itself as a story isn't really concerned with trying to answer any moral questions about good or evil or the justice system, so it makes sense & is fair to me that it doesn't try all that hard to answer anything along those lines by the very end of the story. what i mean to say here is that near winning is a good thing on the level of the character arc, specifically as an end to light's arc.

i made a post a while back while mid-manga reread talking through some of the reasons why L's death can feel kind of unsatisfying/paint the second half of the story in a less interesting light (hah) for a lot of viewers, with the main point i ended up on being that L wasn't really able to win because he never really had all that clear of a win state in the first place. i still kiiind of agree with this point, though i think there's a lot more i could add to that post... anyways. point is, i bring up that post because it touches on a similar thing to what i want to talk about here: light's character arc being a tragedy.

this is more speculation on my part, but i think another part of the reason why people get turned off to DN post-L death is not just the fact that L isn't really a playable character in the game anymore, but the fact that light's character arc takes such a dramatic twist after the timeskip. i talked about this a little bit in my little ramble on light & titles (which a lot of you liked, apparently!! ty for all the lovely comments on there, i love reading what you guys have to say ^w^), but light's character arc in DN is a tragedy to me, full-stop.

tragedies to me are cyclical— revolutionary, if you will. since all stories necessitate some kind of something to take place, a tragedy to me is all about a character beginning in one point, then continually getting hit by Event, after Thing, after Event, only to end up in essentially the exact same place that they started. any character changes or development that seem to happen throughout the story are ultimately nullified by the end— the main subject does not truly grow, does not truly reflect on their actions or traumas, does not move on. two steps forward is two steps back. even ending up in a position worse than they started is sometimes better than a true tragedy, in my mind, as at least then there is some chance they may still reflect or change or grow in the future, leaving the hope that they may still overcome this new circumstance later on. a true tragedy ends in nothing meaningful ever getting the chance to truly change, at least in the case of the main subject of the story.

light's character arc in the first half of the story is an upward, underdog kind of story. yes, light has the power of a shinigami, of a supernatural force that the rest of the world doesn't even know exists— but part of the real appeal of his conflict with L is how powerful L feels in comparison, having the wealth and respect and title to command a world's worth of forces against him. fuck, even taking down naomi misora feels like an incredible hurdle overcome, a teenager managing to charm and yap and flutter his eyelashes out of a shitty situation he was only just lucky enough to stumble across in the first place, to stop someone who could've ruined his entire plan with a few words. killing L was always going to be light's greatest accomplishment when it comes to his rise to godhood, not only because of L's great power but the comparative position of light at the time that he did so— not yet an adult, not even really out of school, perhaps barely out of his parents' house.

in contrast, light's arc for the second half of the story is a downward spiral. we see all of the consequences light has been miraculously avoiding smack into him like meteors in this half, his ever-growing ego torn to shreds as he's yanked back down to earth. and in comparison to the anime, the manga really beats this point into you, dedicating the entire second half of the story to light's fall from grace as he loses his mind and loses his humanity. like, while i do kind of prefer the manga ending to the anime, i have to admit that light's death there is fucking brutal. light goes through pages, chapters, purely dedicated to near tearing him a new asshole, only end the story bloody and delirious and crawling on his knees begging a god of death to fix everything— all just to die the exact same death as everyone else he's killed. i mean, look at these fucking pages (ch.107):

(that last fucking picture of him. clawing at the sky. it always fucking gets to me.)

it hurts to read this shit!! we spend the entire first half of the story watching this dude's rise to glory, the entire time stuck inside of his head, emotionally connecting with him even if we don't really mean to or disagree with his actions or question his morality. watching his fall back down, especially after all of that, is fucking painful— an in no way does near make the process any easier. if anything, his blunt, snarky bitchery, saying all the quiet parts out loud, calling light out for being a terrible replacement L and pointing and laughing at his failures to his face, only shoves more salt in the wound, only proves just how human he has been all this time, how meaningless any of his supposed "rise to power" ever really was. light got his fifteen seconds of fame, sure— but near is armed and ready to make sure that's all he'd ever get, that the name Light Yagami would never even be associated with the position he held for so long. six years was all he got— and it was all he was ever going to get, because light yagami did not do this for humanity, he did it for himself. all near did was collect the debt that L prescribed. he fulfilled his duty as told— nothing more, and nothing less.

i just have to wonder... is this why people hate him? because he has no sympathy for the fall? maybe. i don't know.

either way, i don't think i could ever really hate him. it's a big responsibility, being the only one left behind. but near has always been the one to hold such weights on his shoulders.

[luniviravosshipper]

Did Lissa Go Back to Soren and Claudia After Leaving?

I’ve actually had this post saved up in my drafts uncompleted for over a month now, but I got inspired by this post to finally talk about the theory I’ve been developing.

Buckle in because this is going to be a pretty lengthy post.

It seems to me that a lot of people are confused, as was I initially, about how old Soren was supposedly when everything happened, from him first getting sick to his mom leaving and the events from Puzzle House taking place.

Seeing that the little boy he was depicted as in the show could barely even speak and seemed extradionarly young, a lot of people didn’t understand if he was supposed to be the same age as he was shown to be in Puzzle House.

A lot of people just kind of assumed with the show depicting him so young and small compared to how we saw him in the graphic novel, that the writers were just diverging from their original canon and switching up what ages they wanted Soren and Claudia to be when everything happened. And others have just assumed the writers must have forgotten what ages they initially showed them as or that this is just another one of those cases where the writers weren’t able to write a proper timeline of events.

But… there’s kind of a lot of issues I’ve found in the logic of both assumptions. There’s actually a lot of things the writers have put in the show and its corresponding graphic novels and short stories that could point to neither of those two options being the actual case. I also think it’s incredibly unfair to suggest that the writers must have just been so stupid to have made such a slip up, if they did make one.

Regardless of what’s true, however, the one thing that’s clear is that the inconsistencies with how the creators choose to portray Claudia and Soren’s ages throughout the series has stirred up quite a bit of confusion and conflict within the fandom. So the question must be asked. Why?

Why so many inconsistencies? Are these inconsistencies evident of some sort of issue on the writers’ part, like one of the possible ones that’s been suggested by others that I’ve listed above? Or are these inconsistencies more evident of how the writers have actually intended to cause such confusion in the fandom space for an ulterior purpose that has yet to be revealed?

So, having those questions in mind, I’ve done a little digging and I think I might have figured out what’s going on from my investigation. Or I at least figured out part of it.

Let’s get into it.

From what I’ve seen online, Soren’s age in particular seems to be the main focus within the discussion surrounding what the kids’ speculated ages were when everything happened. Probably because of how most of these events specifically revolve around him and the fact that we’ve mainly seen him at different ages from Viren’s perspective. So I’ll start by talking about him first.

We first see Soren as this little kid who can almost barely pronounce his words with ruffled up hair and chubby cheeks back in episode 2 of season 5.

And for a very large part of season 6 we see him to be of that same age and of that same physical description in the flashbacks.

We even get a retelling of the same scene we saw when this version of him was first introduced back in season 5 in season 6. And it seems safe to assume that this retelling is supposed to be more representative of what actually happened than what we saw from Viren’s dream sequence, given that it’s a lot more negative.

So, right off the bat, that might already be an indicator that Soren was this young at some point in the series of events between him first getting sick and what happened in Puzzle House and this isn’t merely a distorted view of young Soren from Viren’s perspective.

Besides Soren, we also do see Claudia at a younger age in the series compared to how she first appeared in the Puzzle House graphic novel a couple of times.

And even earlier than that as well, back in season 5 in Viren’s dream sequence.

I wouldn’t say she’s as young as she’s been shown in the flashbacks in season 6 when she had the pig tails, but I also don’t think she’s quite the same age as she was in Puzzle House. It does look like she’s wearing the same undershirt as she was in the graphic novel, so maybe she’s closer to her age in Puzzle House here. But I think she looks like she could be more in between. (I actually have a smaller theory that this is supposed to be showing Claudia and how she looked like when she first learned dark magic because of the whole “I’m following in your footsteps” motif here.)

For the majority of the scenes we’ve seen of Claudia as a little kid though, we’ve mostly just seen her with those pig tails. And we haven’t seen her nearly as much as we’ve seen Soren. So we’ve been kind of led to believe that was her age when most of the events with Soren getting sick and healed and their mom leaving took place. I mean, we quite literally see her chasing after her mom leaving when she was that little.

But… Claudia does not look to be that young in the Reflections story “Lost Child”.

In fact, Claudia looks like how she did in Puzzle House here. And her mom is riding horseback when she’s leaving, making the setting of this image seem entirely different to the one we saw in season 6 of what we assumed to be her mom leaving.

I saw some people claim that Scholastic has restrictions for what ages characters can take in comics, which I haven’t found a source at all for yet, but some people think that that might have messed some things up with their age depictions in the show. But, this image comes from their official website where they don’t have to be subjected to such restrictions. And I just don’t see why they wouldn’t adjust their ages or the timeline of events in the show to make everything line up.

Puzzle House was first announced in September of 2022 with cover art and previews before season 5 was released in August of 2023. Even though it wasn’t officially released till after season 5, they were clearly working on it and planning the story for a much longer time before the season came out. They would’ve had plenty of time to fix their storyline so that it would make sense. But they didn’t. They still choose to depict Soren much younger then how we saw him in the graphic novel, and later on Claudia too in season 6. And we haven’t really found a good reason yet for why they would want to diverge from their already established canon. So, what if it was intentional?

So when I first started investigating everything, I went back to episode 8 of season 6 to look for a certain image. Because I could have sworn I did see Soren aged up, like he was in Puzzle House, in one of Viren’s memories. Which initially confused me because I had no idea what age we were supposed to have figured he had been when everything happened. And I did find it. It was this lovely shot of their entire family.

And Soren does not at all look like how we’ve been seeing him in any of the memories the creators have been showing us thus far of Viren’s. He has a different hairstyle and looks less chibi like. And he looks a lot closer here to how he looked in Puzzle House.

And so did Claudia.

At first, I was left even more confused about what was happening. Because I thought Lissa left when they were way younger. But this image seems to imply that she could have still been with the kids when they were older. Older then in the image we saw of Lissa leaving. And, a lot like many others, I originally thought that they were just trying to completely disregard the fact that they depicted them way older in the graphic novel and were trying to pretend that they were way younger in the show. Because this is perhaps one of the only shots in the show that we get to see them to be around the same age as they were in the comics and reflections stories.

But the thing is, only a couple seconds before do we get this shot.

And in this shot, do they actually look like how we’ve been seeing them so far in Viren’s memories. As very little toddlers.

So… what is happening here? How old were they actually when everything was happening?

Well, let’s review everything we know so far. Soren and Claudia were first depicted older in the reflection story “Lost Child” back in May of 2023 and the Puzzle House graphic novel back in September of 2022 way before season 5 came out in August of 2023, so there was plenty of time for them to change their depicted ages in season 5 to align more with the ages we’ve been previously shown of them having. And there was a large enough gap between the release of season 5 and season 6 for them to fix any issues with their timeline and depictions of their ages if there were any. And, in spite of how young they were depicted mostly in seasons 5 and 6, we still do see them depicted as similar ages as they were in the reflection stories and comics, so that obviously indicates that the writers are very much aware of the differences in their shown ages between those different stories. And it overall just seems like it’d be way easier and convenient for them to keep them aged up in the series to align with the ages we’ve already been shown of them having when a lot of these events first occurred if that was what they really wanted.

None of this information seems to point to the creators making a mistake or an accident in their different depictions of Claudia and Soren’s ages throughout the series. If anything, it seems to point to the opposite. Because why would they make any of these decisions in the first place if they weren’t for a specific intended purpose?

So, why exactly were Soren and Claudia’s ages so inconsistent and why were they mostly shown to be so young in the series? I think there’s only one answer here that really makes sense. Because they never really had a fixed age when everything happened. It all happened over a very long period of time. Spanning from when Soren was perhaps, like, four and Claudia was about two or three all the way to when they were around ten or something.

And this might mean that we have also been misled on one other thing (although it’s likely more on many other things, but that’s not the point here). When their mom actually left. Because there’s a chance that she might have left when they were much older. Long after Soren was actually healed from his sickness.

Because, a) what was that image in the reflections story about? And b) what’s up with Soren, Claudia, and Viren all being so emotionally distraught in the Puzzle House graphic novel about Lissa leaving if she left such a long time ago?

Okay, before I start explaining my second point, I should probably clarify something here. I initially thought and claimed awhile back that Atticus said that everything happened during a span of a year. I was completely wrong and I don’t know where I got that idea from. (I might have gotten confused since I saw someone else suggest awhile back ago that Harrow and Sarai got together only 5 to 7 months after that scene of Viren and Harrow talking in season 6. But in retrospect, that doesn’t really make all that much sense. Not that it’s their fault for having that misunderstanding, they were probably as confused as I was on the passage of time between, well, everything that happened in Viren and the children’s lives. The writers really did make it seem like everything happened all at once, but there was probably a lot more space between all the events that occurred as I’m trying to examine and explain in this post.)

All that King Atticus says is that it all happened one after the other. But he in no way specified a time frame of when and of how long.

However, after rereading Puzzle House, I have found that there is an indication made about the time frame between some of these events. That being the time between them first exploring the Puzzle House and Lissa leaving them.

It’s implied here that it’s only been a couple of weeks since she left because it’s only been a couple of weeks since Claudia has started to act more emotionally off.

I mean, I know that he also says that she’s been acting odd since Kpp’ar disappeared too, which we now know from season 6 that he disappeared before Soren got healed and when he was likely smaller. (This is actually where things seem sort of weird to me and I have trouble understanding the timeline of events most. I feel like he should have gotten coined when they were older because of the clear influence he’s had in their lives. But maybe they were actually older when he did and the two scenes that we saw of Lissa leaving and Viren shutting out Soren happened before Viren got the staff and was still trying to figure out how to heal Soren. But I don’t know. Why would Viren start resenting Soren so early on before he even healed him yet? Why would Soren be so much older when he actually got healed if we have only seen him be heavily implied to be young when he did? Why would Lissa leave then in the very beginning of everything, unless maybe it was in immediate reaction to Viren taking advantage of her and using her tears? But then why would she leave if Soren was still sick? Maybe that’s why she came back?? Because she felt guilty?? Maybe Lissa officially left later when Viren got the staff and she found out that he might have done something to Kpp’ar ??? I don’t know. This is all just speculation and I’m just not sure. Anyways.) But the fact he specifies that it’s been weeks since she hasn’t been speaking a lot and that she seems a lot more affected by what’s happened in their lives, I feel like that’s more of a sign that that’s the time frame from when their mom first officially left to them being in the Puzzle House.

And if it had only been just a couple weeks since Lissa left before they went into the Puzzle House, then that would better explain the image from the reflections.

It would also explain why a lot of the conflict in the graphic novel revolved around Claudia struggling to come to terms with her feelings on her mom leaving them and why Viren is shown to be so emotionally distant in it.

Then there’s the other hints that have been made outside of the graphic novel and the flashbacks we’ve seen.

There’s the information that we know about how Viren made attempts to win back Lissa’s trust, most notably by using the Sunray Monarchs to change his corrupted appearance. But Lissa wasn’t won over. And there was a lot of conflict that grew between them as a result which eventually encouraged them to split.

Of course, Viren could have tried to change his appearance and gain Lissa’s trust before the image we saw of Lissa leaving in season 6. But I think it would make more sense if it happened afterwards so that they would be fighting for longer and it would be while Soren and Claudia were old enough to be able to remember it.

And, I mean, just stating the most obvious explanation here. It’s like what people have been saying. How could they ask them to make such an adult decision? How could Lissa and Viren ask their kids to choose between the two of them? Probably because they could actually make the choice at the time. They could actually articulate their words and were grown up enough at the time to understand what was happening. They weren’t as small as we might have been led on to think they were. They were much older when she officially left them.

Anyways, I’m sure that there’s even more evidence I haven’t picked out yet that could also be hinting to Lissa leaving at a later point in the kids’ lives then we’ve been led to believe. (I would try to gather more intel from the novels but I sadly do not own either one of the two as of right now.) But in general, those are some of my biggest pieces of evidence I have to support my theory.

So, this very significant scene showcasing when Viren first started to resent Soren…

Might have happened way before Lissa actually left. And, given this added context that she hadn’t left yet (or at least permanently left), this completely reframes this scene and what it means.

And, that just leaves what is still largely unknown.

What is happening here exactly?

Not only does it completely contradict the image from the reflection story, but it also just outright doesn’t really make sense on its own.

Where does this fit into the timeline and what is its relevance?

Is this supposed to be showing Lissa trying to leave for the first time, even though she later on decided to go back, like I’ve been speculating? But then why would she go back? And why would she leave again only permanently that time if she chose to go back after the first attempt? What sparked her to try to leave both those times?

Truth is, I have some ideas and some of those ideas I’ve already listed and insinuated to having in this post, but overall I quite simply don’t know. The only thing I’m truly certain of is that this image alone suggests that there is a lot more going on here than we fully know about yet.

[punctuation-completionist]

you don’t have to answer this ask but wow how are you supposed to be the bad guy fucking apologizing for reacting badly to being told to kill yourself?? i hate this website

well okay hold up i never said i was the bad guy. i said there were misunderstandings on both sides and that i was sorry for an issue in one part of how i handled it. just one.

[musingmycelium]

. noncoherent but also thoughts

[timeisacephalopod]

Y'all are aware of that 10 hour Harry Potter retrospective but the thing that gets me the most out of that whole thing that I never considered when reading the series is that wizards can obviously chose to adhere to the Statute of Secrecy but like... Magical creatures can't make that choice and Fantastic Beasts literally starts with Newt chasing down a rogue niffler, meaning that muggles probably frequently encounter magical creatures. There's no way that muggles and magical creatures could reasonably be segregated- Hermione's cat is half magical creature so how many muggle cats are also half neasel?

Like why on earth would you invent a world in which you have scores of animals, and also plants, that cannot reasonably consent to secrecy from muggles and the excuse of witch trials falls flat when actual magic exists that should factor into how those witch trials play out but never seems to come up. Anyway, the most unrealistic thing about a universe with magic and dragons and shit is that muggles would somehow never run into and remember a magical creature, there's zero way the wizards could catch every muggle who has seen something and obliviate them that's a herculean task designed to fail I refuse to believe no nifflers have ever stolen some muggles shit enough that they'd know what them little bastards were.

[vivalasthedas]

i hope when veilguard comes out people will like... let people dissect it and be critical and very 'the curtains were blue symbolized xyz' and not get shitty about that way of engaging with things you enjoy and claiming that any negative opinion is 'fandom drama'.

like for sure if you don't like talking about that shit, great, don't engage, leave it alone. But the amount of times you'll be having a perfectly fun talk about biowares Unfortunate Implications because of their constant statement of real world parallels and inspirations and their handling of shit in game and how that unintended outcome effects their intended story or something and someone comes along and like fandom high horses about how it's not that deep let people enjoy things why are you being so negative whine whine bitch bitch about it is wild.

Let people engage with fandom however they enjoy. For some that will be Big Think. It will be analyzing shit, no matter their skill level at doing so, and digging into it. If that's not it for you, that's awesome! I'm sure most people like both at different times, different moods, different media properties. Sometimes you want to get in the fandom place and go 'i bet this blorbo would cry if their tamagotchi died' and other times you want to talk about the accidental 'colonialism is good' narrative in the scifi movie you just watched or how xyz thing is part of a larger character motif about 123.

Respect whatever the fuck fandom means to other people, and just don't engage with shit you don't want to. Either direction. Don't go on posts of people being silly goofy and happy and be a jag, don't go on posts being negative or critical about something and get mad about people being negative. Grow up. Move on. None of it matters.

[clonewarsahsoka]

Just had to write a draft intro paragraph for the prompt "since films are occasionally used in English curriculums, should video games be included too?" Which I think is an interesting prompt and I want to write a proper essay on it now

[darlingletters]

gorgeous girl ln4

lando norris x fem!reader ( fc: sabrina carpenter )

in which y/n y/l/n breaks up with her cheating boyfriend and fans are rooting for her and lando norris to get together.

warning: swearing, fluff, the timelines of song releases and races are not in order, cheating with multiple people, breakups, relationships, some spelling errors or grammatical errors. lemme know if there’s anything I missed xx

an: I’ve never done a face claim but I wanted to try and see how it works out. I might not do one again but I am not sure yet. ALSO I am very unsure about the name of this cause I feel like it sounds cringe, so I might end up changing it.

driver list navigation

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yourusername

liked by landonorris, carlossainz55, y/nfan14 and 334,567,13 others

yourusername over it 🎀 album coming soon loves <3

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user gorgg

user ALBUM PLEASE PLEASE PLEASE

yourusername liked this comment

user so prettyyyyy

user MUSIC?

⤷ user omg I am so readyyyyy for an albummm

landonorris beautiful as always

⤷ yourusername 🤍 thank you loveee

⤷ user ARE YALL DATING?

⤷ yourusername only friends xx

user please date lando

user that’s it love!!! he ain’t with your time

user I’ve been listening to espresso and please please please on repeat

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music.f1gossip

liked by y/nbiggestfan, espressolover and 55,622 others

music.f1gossip are lando norris and y/n y/l/n dating?

it’s known that y/l/n’s recent breakup was one that didn’t end happily because of her ex boyfriend’s infidelity. y/l/n made a story a few weeks after the breakup stating “he had three different side pieces during the whole relationship” which left fans absolutely shocked.

her ex has been getting a lot of hate from y/l/n’s fanbase to a point where he blocked his comments. he has been flaunting around his new girlfriend since the breakup all while texting y/l/n to take him back which we saw because y/l/n posted their messages on her story as seen above.

however, her next story was one with lando norris which was captioned “my saviour fr” which many speculated it was a mention to norris supporting y/l/n during the breakup and defending her from hate comments that she received. she then made a story showing she was at the miami grand prix.

norris and y/l/n have been best friends for quite a while now and many always thought that they’d end up together, however, neither of them have announced anything about their relationship.

in recent times, norris has been so called ‘flirting’ with y/l/n in her instagram comments which has left both their fans going crazy.

now, do you guys think y/l/n and norris are dating? or they just good friends?

let me know in the comments xx

view comments

user that change up is scary

user damn

user lando’s better anyway

user 💀 I love you right after he called her a bitch is crazyyy

⤷ user frrr like what is this guy on?

user THATS ONLY FOR LANDO

⤷ user HE CALLS HER GORGEOUS GIRL

⤷ user they’re so datinggg

user I love themmm

⤷ user SAMEEE

user SAVIOUR!!! it’s actually so cute how he defends her all then time and even promotes her music

⤷ user THEY’RE cuteeee

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yourusername

liked by landonorris, carlossainzz55 and 456,822,821 others

yourusername P1 BABY!!! I am so proud of you lan more then you will ever know. congratulations love, you truly deserve this 🤍

tagged landonorris

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landonorris thank you gorgeous, couldn’t have done it without your support ❤️

⤷ yourusername ❤️❤️

⤷ user they’re so in loveee

user so cuteeee

user dating!!!!

user please be dating

carlossainz55 you never did this when I had my first win 😔

⤷ yourusername I AM SORRY

landonorris you look so gooddd

⤷ yourusername I am not in the photos

⤷ landonorris yeah but you’re in front of me

⤷ user OMD

user the way he’s shamelessly flirting now, he ain’t even try and hide it.

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“LAN! YOU CAN’T BE SAYING THAT!” she tells him sternly, looking up at him.

he had a boyish grin on his face as he looked at her, “what? can’t tell people that my girl- oh sorry best friend looks good right now?”

“you just exposed our relationship. we agreed to wait three months before saying something.” she spoke softly, standing up as she placed her phone down on the coach.

“I can’t wait that long. I want everyone to know that after eight years you are finally my girlfriend.” he says with a smile as he shrugs his shoulders.

“you’re an idiot.” she replied as she tried to hold a serious face which soon fell into a blushing smile the more she looked at him.

“yeah but i’m your idiot.” he says smugly as he pulls her onto his lap to straddle him.

she places her arms around his neck and rests her forehead against his as she strokes the back of his head whilst he keeps his hands on her hips, using his thumb to lightly stroke her hip.

they stay in silence for a few more moments, letting themselves enjoy a rare peaceful moment before she breaks the silence, “I am really proud of you lan, you really deserved that win today.” she says softly, looking into his eyes.

“thank you baby.” he smiles.

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landonorris

liked by yourusername, carlossainz55 and 453,722,763 others

landonorris P1!! got a win and a girl (ive been her’s for two months now. be jealous)

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user BEEN HER’S!!!

yourusername really?

⤷ landonorris you’re very beautiful

⤷ yourusername 😐

⤷ landonorris gorgeous girl

user just saying what we already knew

user yesssss love tjemmm

user FINALLY

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danielricciardo proud of you 👍🏼

⤷ yourusername I am a huge fan

⤷ danielricciardo I AM A HUGE FAN

user thought they’d never get together

user TWO MONTHS

user I love you y/n

⤷ landonorris I love her more

⤷ user I’ve been with her though girl meets world. don’t try me norizz.

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[elodieunderglass]

On the topic of the monarchist animals I'm just really curious. What makes the winnie pooh real animals bourgeois? It's not like they own much more than the others. Do they just have bourgeois energy?

(In reference to my addition on this post; https://www.tumblr.com/elodieunderglass/748488762087047168/hold-on-lets-do-this-properly-paddington)

In the post I state that none of the stuffed/toy animals in the Winnie the Pooh series are monarchists, but that the real animals are bourgeoisie. Obviously this is tongue in cheek, but it’s still politically interesting to me because nobody ever reads Winnie the Pooh as an actual book. They just draw depressed Disney Eeyore and think they’ve done something.

Owl and Rabbit are real wild animals that live in the Hundred Acre Wood. The other characters in the story are Christopher Robin’s stuffed animals.

The “real” animals (reasonably) consider themselves to be separate from the stuffed ones, but where it becomes unreasonable is how they assume superiority and how they use this to exert authority.

(A charming response about how the stuffed animals view this: Piglet points out that Rabbit is both clever and Has Brain, and Pooh replies that this is why Rabbit “doesn’t understand anything.”)

Owl is characterised by being a bit of a fraud. The stuffed animals respect him for his presumed education and literacy, but even a preschooler understands that Owl can’t actually read. he actively deceives the other characters in order to maintain a higher social status over them. (Actually, Rabbit’s the most literate character in the Wood.) Owl gains relatively little advantage from this status, apart from his belief that he is superior and the pleasure in everyone deferring to him. A notable theme throughout the written series involves characters approaching Owl for advice, based on his self-made reputation of being wise and thoughtful, and him giving explicitly bad advice, rather than admit that he has no idea how to help. Also, they forcibly give him someone else’s house, in such a way that the actual possessor of the house (Piglet) feels he can’t speak up. Pooh immediately offers to Piglet that he move in with him, which even as a kid felt like an incredibly unsatisfactory solution to having the shyest character’s actual house given away to the character who casually lies about everything just to feel superior.

Rabbit is a grown-ass adult real wild animal. He is the social leader of a massively large family and an extended group of hangers-on (he has fifteen or seventeen close relatives, and the extended Friends-and-Relations are a sort of army); he is the only actually literate person in the narrative, so it is understandable that he feels this (although he also believes Owl can read.) literacy and Brain are considered very important in the Wood.

Rabbit believes in his own superiority and believes himself to serve as a sort of cadet to Christopher Robin. In the series Christopher Robin is the ultimate judge, and a kindly ruler; Rabbit positions himself constantly at Christopher Robin’s right hand and wants to be his enforcer. Christopher Robin, who is five and a fairly distracted God, does not really enforce anything. This does not stop Rabbit from trying to organise the entire Wood. It’s frequently mentioned that Rabbit wants to feel important, he wants to be the Boss. A beautiful, beautiful commentary on his character is when he wakes up feeling “important, as if everything depending on him… it was a Captainish sort of day, when everybody said “Yes Rabbit” and “No Rabbit” and waited until he had told them.” Fantastic!

However, we can see where this leads him. In the first book Rabbit is shown being hostile and actively anti-foreign in his approach to other people. When kanga and roo arrive in the forest - sanctioned by Christopher Robin who has received new toys - Rabbit instantly says they have to get rid of them. Like there is NO friendship in Rabbit’s heart here. There is no “god has placed a new friend in the wood so we have to get on with it.”

Rabbit’s anti-immigration stances are funny, and in-character, and shown by the narrative to be wrong and unfair. But they’re pretty unleashed.

His plan is to kidnap the baby and hold it hostage until the mother agrees to “leave the forest forever and never return.”

This is not a normal response to a new character. It is in fact fucking unhinged. Coming from the most normal-adult real animal in the story, it comes out of nowhere. “We have to eliminate them instantly. Take the baby hostage, blackmail the parent and deport them” Rabbit these are war crimes.

Anyway it’s all very heartwarming as Rabbit learns that he likes Baby Roo. (Their relationship grows warmer as Baby Roo says “yes rabbit” and “no rabbit” better than anyone else.) We never really learn why Rabbit is so violently anti-immigration that he instantly jumps to doing crimes, but it’s possible that he doesn’t like the threat to the status quo. Baby Roo, by deferring politely, thus turns out to be a valuable social inferior for Rabbit’s power base.

But in the next book we also get another new character introduction: Tigger. rabbit does not like tigger. In fact, he stops visiting Roo because Tigger lives with them. Rabbit, frustrated by Tigger’s bounciness, also decides to deliberately trick and bully Tigger in order to make him “small and sorry.” The fact that this comically backfires on Rabbit is part of the Pooh-lore storytelling style, of course, but it’s still something obvious even to the preschool audience - that isn’t how you treat your friends.

In conclusion, due to their hoarding of (social) capital and behaviors that prop up an unjustly unequal social system, I think the real animals in Winnie the Pooh are a bit bougie.

[nikibogwater]

Actually while I'm thinking about it, I just wanna say that the more live-action remakes Disney shlups out like shoveled manure, the more amazed I am that Cinderella (2015) exists. It breaks literally every standard of Disney's LA remakes.

It's not a shot-for-shot remake of the original 1950 animated film, though it does include small references and homages to it, but only when such things can be incorporated organically into the story.

The creators understood and respected the cross-cultural significance of the Cinderella story. They didn't want to "fix" it, or add some wacky twist to it, they just wanted to make the best possible version of the Quintessential Cinderella that they could.

Everything that could be done practically was done practically. The carriage was a real, the horses pulling it were real, and all of the other animals (with the exception of the mice and lizards, since their performance was a lot more involved than the others') were real living animals, the lizard footman and goose carriage driver were wearing prosthetics instead of just having their animal features added in post, the Fairy Godmother's dress had little LED lights sewn into it so that it would actually glow for real, the ballroom set was built by hand and included real chandeliers with more than 2000 total candles that were all actually lit for the scene, and I could go on but you get the point.

There's a ton of attention paid to little details that make the world feel real and lived in. Ella's shoes are always a little scuffed and dirty. Her farm dress is faded and wrinkled. When she breaks down and runs away to the woods, she rides her horse bareback (which, once again, was a thing Lily James actually did, no stunt-double or editing in post), because not only is that something a country girl like her would know how to do, but it also makes sense that with as upset as she is, she wouldn't want to waste time with saddling the horse. When she's dancing with the prince, it's visually obvious that he is leading her and giving her cues because of course Ella wouldn't know the latest ballroom dances, and would need him to guide her through it.

Hey speaking of dancing, y'know what else this movie does that no other LA remake has been allowed to do (at least not to this extent)? ROMANCE. Land sakes alive, this is one of the most unabashedly and yet still tastefully romantic movies I've ever seen. Ella and Kit are just oozing romantic chemistry from the moment they lock eyes for the first time. It all comes down to the fact that these two characters both have the same core values of courage and kindness, which makes their admiration for each other feel grounded and believable. Richard Madden also really sells Kit's feelings for Ella with the way his eyes go all big and soft whenever he looks at her. And don't even get me started on Lily's performance as Ella. Her quiet awe that someone as powerful as the prince loves her. The timidity and fear that she's not really worthy of that. The selfless determination to protect him from her family's cruelty, even if it means she'll never see him again, I'm just-- *banging my fist against the table and screaming into a pillow*

Absolutely god-tier costume design. No notes, I think Sandy Powell's work speaks for itself. Btw, in case you were somehow still wondering, yes, Ella's ballgown is fully practical--those layers upon layers of dreamy silk skirts are real. CG was only used to brighten up the blue color to make her stand out from the crowd more.

Wicked stepmother was allowed to actually be wicked. The movie never tries to make you sympathize with Lady Tremaine, or shift the blame off to someone else. And her villainy is given an extra layer of depth with the reveal that she is a dark reflection of Ella. They've both lost people they loved, but where Ella refused to let her grief get in the way of kindness, Lady Tremaine became utterly consumed by it. She views the death of her first husband as a sort of twisted justification for pursuing all her worst impulses. She despises Ella for her ability to flourish even while enduring terrible suffering, for being everything Lady Tremaine was either unable or flat-out refused to be.

Also Cate Blanchet absolutely SLAYS in this role. Hands-down my favorite portrayal of the wicked stepmother character.

Anyways, TLDR: Cinderella (2015) is the only Disney live-action remake that can justify its own existence and that's because it actively defies everything the LA remakes are today.

[ihavenomouthandimustmouth]

It seems like a lot of the anti-transmasculinity/transandrophobia discourse revolves around the ideas that either this does not occur, does not occur in real life, or is just transmascs viewing criticisms of transmisogynistic transmascs as oppression, so here’s a story.

I live with some other people around my age, and I stopped using my deadname with them earlier this year. it hasn’t been that long, about 3 months, but generally, they use my correct name with an occasional mistake, usually followed up by a correction. one of them, however, just cannot seem to stop deadnaming me, often without correcting afterwards. when they do notice they’ve gotten it wrong, it’s usually followed up by a big thing about how they don’t know why they’re so bad at it or blaming it on being drunk if they’re drunk, but often not an apology.

an additional piece of this—my partner, who is a trans woman, changed the name they use around the same time, but this person almost always gets her name right. this person knows me a bit better/longer than they do her, but not that much better/longer, and generally, when I am around them, my partner is also there. (adding a cut here because this is gonna be long)

I talked with my therapist about this at my last session. I was seeking advice on how to handle it, but I also spent a lot of time just complaining and running through different incidences of this happening. I ended up telling her about some of the weird things this person said to me when I first started socially transitioning, including them saying that they were sad when I came out because they (direct quote) “didn’t want to stop seeing me as a genderless elf” (???!?) (I had previously identified as nonbinary and used any pronouns) and followed that up by saying that they hated men, which they then followed up by saying “not trans men though” (which like okay but then why bring that up in this conversation).

In talking my therapist, I circled back to the deadnaming issue and said that I thought this person was doing this to me and not my partner because my partner is more feminine than I am masculine (in social behavior and the way we look as two people that have not started medically transitioning). my therapist pushed back on this and said that, based on all the things I said, it seemed more like this person just didn’t want to see me as a man.

this blew my mind a little because I, a transmasculine person who spends way too much time on trans and transmasc internet, did not put the situation in this context while my therapist, a cis woman who is supportive but not super aware of the trans experience, did. it made a lot of sense though, and fit into the context of my other experiences and interactions with this person.

this person is a nonbinary person who has never identified as or been seen as a man. they are supportive of trans people generally and of their rights. they are also someone who believes that woman are inherently better than men. this generally doesn’t have much of an impact on the cis men we live with—for them, this more comes as being around for jokes that might make them a little uncomfortable, but doesn’t stop them from being seen as men. for me, this means I have to deal with the fact that this person doesn’t want to see me as a man and deadnames me accordingly, seemingly because they see me transitioning as a loss.

my point here is that when transmasculine people say that there are issues they face specifically related to them being transmasculine, that’s not a lie or a hypothetical. there is a stark contrast between the way this person treats my transfem partner and myself (and, after talking with someone who’s lived here with this person for longer, other transmasculine people who have lived in the house). they are supportive of trans people as a group, but not of transmasculinity, and I have to deal with the consequences.

[livwritessometimes]

Enough For You - Lando Norris

: Lando Norris x Reader

: All Y/n wanted was to be enough for Lando

: Series Masterlist

: Main Masterlist

: Author's Note - I had been so busy with work that this kept on getting delayed but anyways it's finally here! lmk what you think.

…

liked by landonorris and 72,393 others

👤: landonorris

Yourname: Running around the city with my favourite papaya boy (Osc yk it's always you he paid me to say that)! At this point I deserve an award for how many years I've put up with your antics <3

view all 56,921 comments

oscarpiastri: Wow so this is what betrayal feels like (It's okay i know I'm your favourite, let little Lando Norris have his fun)

-> landonorris: i- bitch please I'm older than you

-> yourname: @/landonorris shhhh let the grown ups talk

*liked by oscarpiastri*

landonorris: oh please you love it!

-> yourname: do I now?

-> landonorris: 😏

-> User73: THIS SEXUAL TENSION AHHH!!!!!

-> User21: And then they say "we're just friends" ya just friends my ass

User93: Hmm so Lando spent his only day off during race week with y/n....interesting

Y/n waved as she watched Lando drive away from her doorstep. Today had been like a fever dream. When Lando called her, asking to spend time with her, Y/n was over the moon. It was like wishing for something and having it come true. As she entered the house, she got a text from Lando:

Lando 🧡: I had a lot fun! thanks for keeping me company today!

Smiling to herself, Y/n made her way into her bedroom. There at the vanity mirror was a photo of her and Lando from when they were 18 years old. It was the night they both went for a bonfire with some of their friends. It was also the first time Y/n realised that she was madly in love with Lando. She doesn't know if it was the melted marshmallow that he somehow managed to get in his hair or the fact that he noticed her getting cold amongst so many people at the bonfire and offered her his hoodie, a hoodie that she still wears to this date, but somehow, surrounded by friends, all Y/n could see was Lando, sitting on a wooden log, looking back at her from between the flames that rose from the wood. 

As she got ready for the night Y/n got another text from Lando:

Lando 🧡: Just got home

Lando 🧡: Again thanks for today, everyone I called was busy or just didn't want to go. I don't know what I would have done if you hadn't been there

And the bittersweet feeling was back again. For Y/n, Lando was the sun; he was the center of everything. There was not a day that went by without him not being on her mind - their impromptu coffee runs, their inside jokes, their stolen glances. Yet every time Y/n let herself believe that something was going to happen between them, she was always met with disappointment. It seemed like she was always a convenient option for Lando. Someone he'd come to when he had no one around but would easily disregard when he found someone more exciting. Y/n thinks about all those times she spent crying because she felt used. About the time when Lando threw her a birthday party and then proceeded to spend the entire night hitting on almost every girl present at the venue. The worst part is that Y/n wasn't even mad; instead, she was sad about the fact that she wasn't one of the girls. All she would ask for at every birthday wish, every 11:11, every rainbow she saw was for Lando to finally see her.

Y/n could feel herself get emotional, so she decided to browse through her phone, when she got a notification on Twitter.

liked by User32 and 87,989 others

👤: landonorris

LN4Updates: Lando Norris in today's twitch stream!!

view all 78,932 comments

User32: hmm ok let me quickly just go and bleach my entire head 🏃🏻‍♀️

User43: He does seem like he would like blondes more

-> User51: What do you mean?

-> User43: Idk blondes are prettier, they seem to have more fun and lando is the kinda guy that enjoys that ig

Yourname added to their story!

seen by carmenmmundt and 65,821 others

| User93 replied to your story

-> are you perhaps maybe idk just taking a wild guess here could be absolutely off dying your hair b****e??

One thing that Y/n was extremely grateful for in her friendship with Lando was being able to befriend George. Over the years, he had become like a brother to her, and because of George, she also got to know Carmen. She was like a breath of fresh air, and Y/n doesn't know how she would manage her life now without Carmen by her side. The moment they met, it was like they had known each other their whole lives. Carmen was always protective of Y/n. All those times that Y/n found herself crying over Lando, Carmen was always there with her, consoling her. She knows that Carmen wants the best for her and that she's disappointed that Y/n is dying her hair to make Lando like her more, but how can she not? The boy of your dreams likes blondes more, and she would do anything to make him like her. Looking up at the mirror, Y/n stared at her tied-up brunette locks. In the reflection, she caught sight of a book kept on top of her table. She let out a bitter chuckle, remembering the time Lando had posted that book and talked about how impressed he was with it. Like an idiot, Y/n got that book and read it word for word, in hopes that Lando would think that she is smart and that they have more in common than he might think. Instead, Lando barely even registered her comment about the book; he was more focused on the waitress who was taking their order. 

liked by landonorris and 4,92,372 others

👤: yourname

whowhatwear: In this month's cover story, we uncover all the aspects of Y/n L/n's personality we don't get to see on the internet. From starting her modeling career to being heavily involved in Formula 1 ("I got into F1 because of a close friend of mine and since then I have done everything I can to support women in motorsports"), we discuss life struggles, personal growth and more in this month's cover at the link in our bio.

view all 81,372 comments

Yourname: Thank you so much for having me!!! I can't wait for everyone to see this month's edition <3

*liked by whowhatwear*

User88: umm hello since when did you go BLONDEEEEE 👱🏻‍♀️

-> User02: I swearrr! i screamed so loud when I saw thisss

carmenmmundt: SO PROUD OF YOU!!!!!

*liked by Yourname*

-> Yourname: Ahhh thank you Carrr 💕

-> User66: I want what they have!

landonorris: You look absolutely breathtaking in this one @/yourname

*liked by Yourname*

User09: I feel like I have died and reached heaven <3

User69: Serve queen 👸🏼

landonorris: Can't takle my eyes off this post!!! Running to get the copy 🏃🏻💨

*liked by Yourname*

liked by landonorris and 76,730 others

👤: landonorris

yourname: Did someone say tanning season ☀️

view all 68,488 comments

User88: And then they say "we're just friends"

-> User02: I swearrr

landonorris: Prettiest blonde I know

-> yourname: 🙈🙈

User93: @/landonorris whatever you're recording over there, we better get that clip or else

landonorris: The sun came out pretty good didn't it 🤭

-> yourname: It did! I wonder who the artist was

-> landonorris: Must be someone amazing, I mean mad skills right there 🔥

-> User43: HE DREW A SUN ON HER!!!!!!!

liked by yourname and 102,832 others

👤: team_quadrant, riabish

landonorris: SPEEDCO is out now on quadrant.gg check it out!!! Also watch me and ria slay

view all 85,925 comments

riabish: Letsgooo 🙌🏻

riabish: The best looking duo out there!!!

-> landonorris: you know it 😏

User62: you guys look soo goood togetherrrr

-> User55: ikrrr like date already!!

landonorris added to their story!

seen by User06 and 91,298 others

| User06 replied to your story

-> Love Party Boy!Lando 🍾

Lando quickly posted a story before he kept his phone back and continued to talk to the girl in front of him. George, Lando, Charles, and a couple of other drivers had decided to go clubbing before race week, and so here Lando was surrounded by friends, enjoying himself. So lost in his conversation, Lando did not notice three pairs of eyes on him. From afar, Y/n, Carmen, and George watched Lando interact with some blonde girl. The three of them had decided to come together for the club.

Y/n felt like laughing at her fate; no matter what she does, he still won't pay attention to her the way she wants him to. Even with her now blonde hair, he was still talking to someone else. Lando made his way towards the trio with the girl from earlier. "Hey, mate, how's it going?" he asked George before turning towards Carmen and saying, "Carmen! It's always a pleasure to see you. You look fabulous, by the way." Lando turned towards Y/n and gave her a nod before taking a sip from his drink, not bothering to say anything else. 

"Good mate, don't you want to, say, compliment Y/n too?" George asked, having seen the look of hurt on Y/n's face when Lando didn't say anything about her. "Nah mate, yk it's just Y/n; she's not the compliment type," Lando said before laughing and throwing an arm around Y/n's shoulder.

Pain, hurt, and embarrassment. That's all Y/n felt under Lando's embrace. She could see the girl from earlier smirking at Y/n after Lando's comment. Suddenly she felt hot, the kind of hot that makes you want to disappear entirely. Carmen saw right through Y/n's fake smile after what Lando had just said. She knew Y/n needed a moment alone, away from this scene and, most importantly, away from Lando. "Y/n I wanted to go touch up my makeup. Would you accompany me to the restroom?" Carmen said and grabbed Y/n's hand, pulling her towards the restroom. 

George and Lando went to the bar to get another drink when George said, "You know, that was kinda mean back there." Lando looked at George, confused. "What you said to Y/n," said George. Lando just shrugged and said, "Yk, how it is with me and her, we're always like this." "Do you know she likes you, like more than a friend?" George couldn't help himself; he knew he'd hear from Carmen and Y/n about this, but he just couldn't control himself. "What?" Lando looked at George, a little shocked. "Ya man, she does. Idk why you keep on chasing these meaningless girls when you have someone as amazing as Y/n by your side, and what for some hours of pleasure?" George said this before he took a sip of his drink and looked at Lando. "Why didn't she say anything?" George just shrugged at that. Lando's mind went back to all the interactions they've ever had, trying to piece together a moment that might confirm this theory that George had just blurted out. 

Meanwhile, in the restroom, Carmen was trying to calm down Y/n "He's just stupid; don't listen to him. You know how many people have come up to try to talk to you today. Don't let him ruin your night," said Carmen. Y/n running hands through her hair, "Ya, but none of them were him, and now he just went ahead and embarrassed me in front of everyone like that." Taking a deep breath, Y/n said, "I think I want to go home. Ya, I'll see you tomorrow for the practice." With that, Y/n rushed out of the restroom and towards the exit. 

Lando saw Y/n leave in a rush and followed her. "Y/n,"  "Y/n wait up." She heard Lando's voice but continued to make her way towards the exit to book a cab for herself. "Wait up, where are you going? And are you booking a cab? It's not safe to take a cab this late," Lando said as he caught up with her at the exit. "It's okay; I'll manage just fine. You can go back to the party now," Y/n replied bitterly before typing in her address. Just as she was about to confirm the cab, Lando took her phone from her hand. "WHAT?" Y/n said a little louder than she had intended to, making a few people look their way. "I'll drop you; please, let me," Lando said before he took her hand and led her to his car. 

The journey was filled with silence; not a single word was exchanged between the two of them. Not even a single glance—well, not from Y/n at least—because Lando kept looking at her every few minutes or so. Growing tired of this weird air in the car, Y/n asked, "Do you want to say anything?" Lando just looked back at her without saying anything. "If not, then please stop looking at me again and again," Y/n said. "I can't help it; you look absolutely stunning," said Lando. Y/n scoffed at that comment before saying, "Oh, why the praise? I thought I wasn't the compliment type." Lando internally regrets saying that now. "Look, I know that you like me. George told me," Y/n felt her heart drop, waiting for Lando to continue, to tell her that he was not interested in her and that she could never be his type- "And I want to give this a try," said Lando, breaking her from her thoughts. "Whatt?" Y/n, not believing her ears, asked again. "What do you mean by you want to give this a chance?" Lando stopped the car at the traffic light before turning to look at Y/n. Taking a hold of her hand, he said, "I want to see where this goes. We have such great chemistry, and everyone else also seems to think the same. I want to give us a try." "So, what do you say, Y/n, L/n? Will you date me?" Lando looked at Y/n, expecting her to answer; what he didn't expect was for her to pull him in for a kiss. It was only when the car behind them started honking that they pulled away from each other. Lando drove Y/n back to her house. The car was filled with silence again, but this time, rather than tension, it was filled with this newfound excitement. 

liked by yourname and 182,822 others

👤: Yourname

landonorris: Another week, Another race!! let's make the most of this one 🧡

view all 85,925 comments

User22: Ummmm so are you not gonna talk about how YOU'RE KISSING Y/N

User01: Ofc betrayed by my favourite driver 💔

Yourname: Let's get podium this week

*liked by landonorris*

-> mclaren: Yess let’s goooo 🏆

*liked by landonorris, Yourname*

liked by User22 and 101,282 others

👤: f1

Formula1Updates: Sebastian Vettel bids farewell to Formula 1. Lewis Hamilton organized a celebratory dinner in honor of the legendary Vettel. All drivers gather together with their wives/girlfriends to celebrate the fantastic journey of Seb. Here is a photo of all the drivers outside the restaurant. Click the link in the bio to learn more!

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User22: The end of an era!!!

Y/n looked around at all the people that had gathered here to celebrate Seb. She had not known him for that long, but when she needed him; he was there for her. It is funny how they first met; it was the race after Y/n's birthday, and Lando had invited her to the paddock as a way to make up to her for ignoring Y/n during her birthday party, which he threw. Y/n was so excited to spend time with him, but all that excitement died down when she got to know that Lando had also invited some of his other friends. Still, she tried to get along with everyone for Lando's sake but it was of no use. Lando barely exchanged a few words with her, instead he spent his entire time with his other friends, which included a bunch of models from Instagram. Y/n remembers how she had gone for a walk in hopes to make her self feel better when she ran into Seb. He just had a way with people, upon seeing her Seb immediately knew something was wrong and what was meant to be a quick 5 min walk to clear her mind turned into a 2 hour ranting session for Y/n. Rest is all history, since then Seb sort of took Y/n under his guidance, always giving her advise when she needed it.

Y/n felt someone stand next to her, and when she turned, she was face-to-face with the man of the evening himself. "Not getting bored, are you?" Seb asked Y/n while giving her a little nudge. "Of course not, just sad that I won't get to see you in the paddock anymore," Y/n said as she let out a sign. Gently pulling her in for a side hug, Seb said, "I see you got the guy!" This caused Y/n to turn her attention to Lando. There he was, the boy she had fallen in love with a long time ago, falling in love with her too. It was as if he could sense her gaze, because at that moment Lando turned to look at Y/n and smiled at her before going to talk to more people present at the party. "Yes, now you no longer have to listen to me mope over him, huh?" Y/n said as she smiled at Seb. "Just know that if he ever breaks your heart, I'll slash his tyres," Seb playfully threatened as he took a sip of his drink. Y/n laughed at his comment before excusing herself to go talk to Alexandra and Carmen.

After a while of chatting, Y/n started to wonder where Lando was. Making her way around the room, she saw him talking to some brunettes. So many people were invited that Y/n had no clue who most of them were. As she made her way towards Lando, she saw the girl raise her hand to fix his hair. Y/n could feel jealousy brewing in her. Quickly making her way towards him, she threw an arm around his waist and greeted him. "Hey, babe, where have you been? They are about to serve dinner; I thought I should come and get you," Y/n said as she looked at the girl in front of her. "Oh yeah, let's get going. I'll talk to you later, Luisa. It was lovely meeting you here, and again, you look amazing. Have a great night," Lando said as he wrapped his arm around Y/n and started walking towards the dining area with her.  Y/n forced herself to smile; she told herself that it's okay; Lando is with her now. All these meaningless compliments to other girls are not going to do anything to change that. At the end of the day, she gets to go home with him, not them, and that's enough. Y/n knew there was no point in dwelling on this; it was not going to do her any good, and if she brought it up, it might cause a fight between them. So instead, Y/n turned her attention to the food in front of her and the people around her. Taking part in their conversation, so she could forget the thoughts plaguing her mind.

liked by landonorris and 76,730 others

👤: landonorris, carmenmmundt

yourname: Too many memories, too many people to tag! What a dinner it was Lewis! Gonna miss having Seb around 🫂

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sebastianvettel: Gonna miss terrorizing mclaren with you @/Yourname

*liked by Yourname*

-> mclaren: 😟

lewishamilton: Thank you Y/n <3 Really glad you we're able to make it

*liked by Yourname*

carmenmmundt: It's you and me against the world 💕

-> Yourname: Forever and ever 🤞🏻

*liked by carmenmmundt*

User68: Okay but way hasn't Lando commented???

liked by yourname and 120,732 others

👤: maxfewtrell, luisinhaoliveira99

landonorris: Had one of the best trips in Dubai!!! Can't wait to visit again 🌵

view all 82,032 comments

maxfewtrell: Best part was when you fell from the camel 😂

-> landonorris: what the hell mate!! you were supposed to keep that a secret

User01: Shirtless landooo 🤤

User48: Omgggg Lando and Luisa look so cuteeeee

-> User03: Dudee he has a gf why would you ship him with her??

-> User48: Honestly I think they look better together

Y/n felt hurt and disappointed. Boys trip! That's what Lando had said, so when she saw him post pictures with Luisa, she felt her heart sank. For a moment, Y/n was still ready to ignore this; maybe she was there at the same time, or maybe they did plan to go. Who cares? She trusts Lando, and that's all that should matter. But all the comments under his post talking about how he looks better with Luisa and how Lando and Y/n should have never gotten together made her question everything.

Unable to think straight, Y/n called Lando:

Lando: Hey, babe (he greeted cheerfully)

Y/n: (For a second, Y/n wanted to forget about all of this and just not make things worse between them) Hey Lan, How was the trip?

Lando: Oh, it was great. I had so much fun; the boys and I went on a safari and all too!! It was just amazing

Y/n: Oh, did the boys have fun?

Lando: Yes, it was honestly one of the best trips I've ever been on

Y/n: Why was Luisa with you guys? (Y/n went straight to the topic, tired of beating around the bush)

Lando: (hesitant) What do you mean, she came on the trip with us?

Y/n: You never told me she was also going. Why did she go anyway? I thought it was just an "all boys trip," or is Luisa one of the boys now?

Lando: What do you even mean? Of course not. Luisa came because I invited her. That day at Seb's dinner, we had such a good conversation that I asked her if she wanted to come with us. I mean, what's the big deal anyway?

Y/n: What's the big deal? The big deal is that you failed to mention to your girlfriend, who is still me, that you were going on a trip with another girl who, by the way, you met a couple of weeks ago. And now you're telling me you invited her?? Do you see why I am having a hard time trying to wrap my head around this?

Lando: Honestly, you're making a bigger deal than it actually is. Ya, so I invited her. It's not like I fucked her or anything, and forgive me if inviting a friend on a trip is a crime.

Y/n: A friend I'd still understand; she's not your friend Lando, and if anything, you should have asked me to come and not her!

Lando: Is that what the problem is—you're jealous I didn't invite you? Honestly, Y/n that's just pathetic, even for you. Your constant need to be around me 24/7 is so annoying sometimes. Do you ever think that maybe I invited Luisa because I can't stand this clingy behaviour of yours? But, of course, you'd never think about how you might be at fault here. I just feel like you can never be satisfied, like ever. Every time I talk to a girl, you have an issue. I mean, if it's such a huge issue, then let's just end things. That would make things a lot simpler for the both of us.

Y/n: No, wait, I didn't mean it like that. I'm sorry if you felt like that. I had no idea that you were feeling like that. I swear, I don't have an issue with you interacting with other girls. It's just all these comments online that have been getting to me.

Lando: You know, they always say random things. People ship me with any beautiful girl they see me with, but that doesn't mean that it will come true. You should be so easy to control that even meaningless comments get to you.

Y/n: Ya, I'm sorry

Lando: It's okay. Now, what are you doing tonight? There is a party I want to attend, and I wanted to know if you'd like to come with me

Y/n: Oh, nothing, I'm free. Pick me up at 8?

Lando: You got it! Anyway, I should get going.

Y/n: Bye, I love yo-(Lando hung up before she could finish)

Signing to herself, Y/n opened her chat with Carmen

Y/n: Hey, sorry to inform you at the last minute, but something came up and I won't be able to make it tonight. (Y/n felt guilty about ditching Carmen on their movie night. She knew if she told her the real reason, Carmen would be extremely upset with Y/n, but more than that, angry at Lando)

Carmen 🤎: Is everything okay??

Y/n: Ya, ya, everything is fine. I just remembered this thing I had to complete that I forgot because I kept on procrastinating.

Carmen 🤎: Ofc you'd do that 🤦🏻‍♀️ How many times have I told you to use the planner I gave you? It would make life so much simpler for you

Y/n: Ikkkk I'll use it again next time!! I swear 🫶🏻

Carmen 🤎: Good 😌

Yourname added to their story!

seen by carmenmmundt and 73,028others

| carmenmmundt replied to your story

-> You're out partying again??

Yourname: Ya! Lando got invited to this club so now we're here patyinggg

| landonorris replied to your story

-> Where did you gooo?? come backkkkk i msisss youhhh

Yourname: are you drunk?? lol ok I'm omw to find you <3

liked by User82 and 81,728 others

👤: landonorris, luisinhaoliveira99

LN4Updates: Lando Norris and Luisinha Oliveira were spotted in the Mclaren vicinity. The two previously went on a trip together to Dubai. Fans on Twitter are convinced that these two are seeing each other and that Norris and Y/n L/n have broken up, but there is no confirmation from all the parties involved. From what we can gather, Norris and Oliveira seemed to have a friendly conversation. Some fans present at the race claim that they saw Norris being a little more affectionate towards Oliveira, but nothing can be said for certain. Is this the end of Norris and L/n, or is there more to the story?

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User20: NOO don't tell me they broke up!!!

User82: Honestly I kinda knew this was gonna happen. I mean Y/n is not really Lando's type. I was really surprised when they had announced they were dating

-> User08: Okay but who asked you for your opinion?? They are perfect

-> User77: I'd have to disagree. Lando and Luisa are more compatible you just don't want to accept the fact that lany/n are not that great

Y/n was fuming. She felt as if someone had slapped her right across the face. Even after letting Lando know about her concerns and reservations about him hanging out with Luisa, he went ahead and did it again. Was this the reason why Lando urged Y/n to take a break from the constant travelling? So that he could have Luisa in the paddock with him? Y/n was disgusted; she felt used and discarded. She changed everything about herself—her hair, the way she dresses, the way she talks—hell, she even started to go to his stupid parties with him to make him like her more. There is always a breaking point in everyone's life, and Y/n had reached that. 

Y/n could feel hurt and anger taking over when she heard the front door of her house open. Lando was home from the race. Without wasting a second, Y/n barged into the living room, only to find Lando relaxing on the couch. "How dare you!" Y/n screamed at Lando. If she wasn't so mad, she would have laughed at Lando's confused expression. "What? What do you mean?" asked Lando. "Don't play dumb with me. I told you how I felt about her, and yet you still invited her to the paddock." Y/n could feel tears pricking her eyes. "What? Luisa? How many times do we have to go through this? At this point, I might as well date her. Because clearly, that's what you think I am doing anyway. You might as well make your wish come true," Lando finished. "I hate you, Lando Norris. I fucking hate you so much. I changed everything EVERYTHING for you. I wanted to be like all those girls you usually like. I changed the way I wear makeup; I changed my freaking hair color because you said you liked blondes more in a stupid stream." Y/n let out a shaky breath before continuing. "When you told me you wanted to give us a try, I was so happy. It felt like the universe had finally heard my prayers. I was so happy that I spent the entire night lying on my bed with a huge smile on my face. You know, I always feared that this would happen. I knew that you'd leave me the second you'd find someone more exciting," Y/n said as she wiped the tears streaming down her face. "I had no idea you felt like this," Lando said. For a second, he almost sounded genuine, like he finally saw how his actions had affected Y/n. "I'm sorry you felt that way," Lando said as he looked back at her. "It's a little too late for sorry now, Lando. You have done the damage," Y/n said. "I said I was sorry. Why can't that be enough for you? What do you want me to do? Stop talking to every girl I ever see." Lando said, getting frustrated with how things were going. "I should have known that this was just a waste of time. I would have had such an easy life if George hadn't opened his big mouth and blabbered about how my life would be much better if I just gave you a try and stopped chasing after meaningless pleasure. If only I had known that I was just choosing one meaningless pleasure over another," Lando said as he finally let his frustration take over. Y/n couldn't take it anymore. "Get out! Just get the hell out of my house. I don't want to see your face ever again. I regret the day I met you. I regret it with every fibre present in my body," Y/n said as she watched Lando leave her house, but not before slamming the front door shut. 

Y/n broke down, sinking to the floor. She took her phone out to text Carmen.

landonorris added to their story!

seen by luisinhaoliveira99 and 91,298 others

| luisinhaoliveira99 replied to your story

-> ❤️‍🔥

liked by luisinhaoliveira99 and 100,789 others

👤: luisinhaoliveira99

landonorris: Have I known you 20 seconds or 20 years 💕

view all 71,873 comments

User02: Wait does this mean that Lando and Y/n are no longer together??

-> User54: Did you not see the story Lando posted the other day?? I think that was enough to confirm that 💔

User98: He used lyrics from loverrr!!!! this boy is down bad

luisinhaoliveira99: Can we always be this close! Forever and ever <3

*liked by landonorris*

User82: I'm happy that he is happy but isn't this too soon? like he just broke up with Y/n. I mean the least we can do is wait for a month or something not just a few days!!!

-> User66: That's so true! I was thinking the same thing. I mean unless....This has been going on for a while! That's the only explanation cause why else would he jump into a new relationship so quickly??

-> User82: I mean it could be! Do you think this is why George unfollowed Lando??

Y/n saw Lando's post, confirming that he was with Luisa. Y/n hated that girl. She had everything Y/n could have wanted, and she didn't even have to change herself to get Lando's attention. Tired of feeling sorry for herself, Y/n made her way to her bathroom. Standing in front of the mirror, all she could see was a part of her that she no longer liked. A pathetic part of her that tried everything just so she could get a boy to love her longer. Frustrated, she got into her car and drove to the salon she always goes to. It was about time she felt like her old self again, and the easiest step in that direction was getting rid of the sad blonde locks that covered her head.

Yourname added to their story!

seen by carmenmmundt and 65,821 others

| User93 replied to your story

-> Yessss the queen is backkkkk 👑

liked by User22 and 101,282 others

👤: Yourname, shawnmendes

F1Gossip: Bye bye Lando! Y/n L/n, the former girlfriend of Lando Norris, was spotted getting cozy with singer/songwriter Shawn Mendes. The two reportedly first met when they were doing a campaign together for Tommy Hilfiger. Ever since the announcement of Norris's new relationship, L/n has become radio silent. Apart from posting a single story and work-related content, L/n has left her fans guessing about what's been going on with her life. Neither Mendes nor L/n have commented on the paparazzi photos that captured them looking anything but friendly. Is there a new couple on the block or are they "Just Friends?" Stay tuned for more updates on this situation!

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User11: Ohhhh not the "Just friends" shadeeee 🫢

liked by Yourname and 143,086 others

👤: Yourname

shawnmendes: Nothing to see here, just me, my beautiful girlfriend, and our little baby 🦮

view all 121,872 comments

Yourname: The most perfect family I could have ever asked for <3

-> shawnmendes: ❤️

*liked by Yourname*

carmenmmundt: When do i get to meet the most handsome boy in the world???

-> georgerussell63: what do you mean? I just saw you

-> Yourname: 😀

-> shawnmendes: 😀

-> carmenmmundt: 😀

-> georgerussell63: 😌

georgerussell63: The baby in question is a grown ass dog that tried to chew my shoes the other day

-> Yourname: Your fault, should have just let him bite you instead 😒

-> georgerussell63: 😨

-> mercedesamgf1: please give us our George back safe and sound 🥺

User33: Omggggggg Y/n looks so hapyyyyyy and they have a doggggg together!!!! my hearttttt

liked by User22 and 68,028 others

👤: f1

AllthingsF1: Trouble in paradise? Lando Norris and Luisinha Oliveira were seen engaged in a heated argument right before today's qualifying. This comes at a time when Norris has been going through a rough patch these past few races; from constant crashes to DNFs, Norris can't seem to catch a break. Is this off-track drama affecting his performance, or is this simply a coincidence? Some also believe that this could also be the result of Y/n L/n announcing her new relationship. Could this be the downfall for Lando Norris, on and off track?

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liked by User22 and 101,282 others

👤: landonorris, mclaren

F1Tea: Lando Norris is out of the race again! After yet another crash, the chances of Norris and McLaren doing well in the championship seem to be decreasing, race by race. Many fans blame Norris for getting distracted and not performing at his best. Some believe that this poor performance is the result of issues Norris has been facing in his personal life. After his breakup with Luisinha Oliveira, Norris has not been coping that well. Norris also seemed to like a few tweets (now unliked) about his relationship with Y/n L/n. Norris broke up with L/n a few months ago, after which the two have not been in contact. He also immediately got together with Oliveira after their breakup. It's about time that Norris gets out of this slump he's been going through if he wants to hold on to his Formula 1 dream.

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Y/n closed her phone when she heard the front door open, following which she heard a loud bark, and before she knew it, through came her little fur baby, ready to give her all the cuddles in the world. She looked up from her spot on the cough and saw Shawn enter the room holding up a bag of muffins. "Blueberry?" Y/n asked with a hint of excitement in her voice. "You know it! I saw it on my way back and knew how you were craving these. So I got a bunch of them," Shawn said as he kept the baked goods on the counter and made his way towards the couch. "What happened?" Shawn asked, noticing how Y/n looked a little distracted. "Nothing; I just got a text from Lando," Y/n said before looking back at Shawn. "Why? Did he say anything stupid? If so, let me know, because then he'll have to deal with me," Shawn said as he stroked Y/n's leg. "No, he just said he misses me. You know, if I hadn't met you and realized what being in an actual relationship is like, I actually would have gotten back with him," Y/n said as she petted their dog, who was exhausted and almost asleep after a morning run with his dad. "But I am glad that I found you. I have never felt more like myself than when I am with you. I just want to say that I love you so much and I love our little family," Y/n finished. Shawn quickly got up from his place and tackled Y/n. "I love you too. So much, you won't believe it, and I can't wait to expand our little family," Shawn said, smirking at Y/n before he started peppering her face with kisses. Laughter was the only sound that filled the L/n-Mendes household as they spent the rest of the afternoon talking and watching old movies.

Yourname added to their story!

🎶 I Like Me Better by Lauv 🎶

(I knew from the first time, I'd stay for a long time! I like be better when I'm with you 🩵)

seen by landonorris and 93,842 others

| shawnmendes replied to your story

-> 💙

Lando looked at Y/n's story, and all he felt was pain. Not only did he lose a person who truly loved him, he also lost one of his best friends. Being with Luisa was exciting; it made him feel young and full of life. The idea of settling down seemed so foreign back then that Lando couldn't have cared less about how his actions might have affected Y/n. He knew it was wrong to flirt with multiple women, even though he was in a committed relationship, but all of that felt like nonsense to him back then. But as he lay in bed, sad and alone, Lando realised just how much of an impact Y/n had on his life. He lost the girl, and now he's on the verge of losing his career as well. Lando felt a tear roll down his face. One became two, two became four, and before he knew it, he was full of tears. There was nothing Lando could do; he laid the bed with all his actions, and now he has to sleep in it. Tired of it all, Lando finally let sleep take over him, hoping that when he wakes up later, his heart will feel a little lighter.

[3hks]

Writing Character CHANGE

Character development is absolutely CRUCIAL to a story, but having spent more time thinking about this topic, I came to the realization that I misunderstood a lot of points other people have made when teaching how to write character development.

There are a lot of factors that play into character development, but in this post, I'll cover some overall, but the main thing concerns any change to your character! (Which is also a huge part in development, really.)

So with this post, I'll be teaching you MY personal tips regarding this subject!

*The Basics*

Before we really get into the developmental stage, there are some things you want to establish, in which I'll explain later!

A couple of flaws.

How your character views themselves at first.

Your character's morals/ideals and how they think.

These things may vary, but you want your readers to be able to at least roughly predict how your character will act during specific events!

*Change*

Character development is just about how your character changes throughout the story. I like to say that there are several different ways one may change, (we'll get into that later on) but your character should NOT stay the same as the same person during the exposition and during the resolution!

"During character development, your character should grow."

This is a common piece of advice; your character needs to grow. And while I've assumed for the longest time that I understood what it meant, it never truly clicked.

While they will use words such as grow, what they really mean is that your character should mature. By the end of your story, your character may not always end up as a better person. When I say mature, I mean that they have reflected back on their life and have understood the consequences that came with their actions (if any) or how they could've done things differently.

Your character will not always end up as a better, fixed person, but they should understand their world and themselves better.

*Negative/Passive Change*

Alright then, so how does a character develop if they don't necessarily change for the better? Well, I'll get into that!

No matter what, your character should have learned a lesson through their experience. Even if they haven't exactly improved as a person, there should be a moral they can learn from what they have gone through.

If not, then did they really grow?

Additionally, how did their qualities negatively impact themselves? If they are bad traits, then it needs to be clear. And the best way to achieve this is by demonstrating how it hurts your character! However, it is rather uncommon for a character to undergo little to no change after a story!

*Positive Change*

Let's circle back to the basics, real quick. Remember how I said that before any development takes place, your character should be anything but perfect? That same thing applies to after the change.

Do NOT create a flawless character by the end of your story. Instead, focus on one or two flaws that get fixed as the story continues. These don't have to be huge, life-changing imperfections, but they can be minor ones that still shape their life in one way or another.

"Fixing" too many shortcomings can make your character seem, well, out of character, producing a character development that's more forced. The same thing applies if you're attempting to FULLY alter a fault that's just too big. The change will be too noticeable.

What am I talking about? Here's an example!

Imagine a character who's incredibly closed off to other people, wanting to ensure that he never gets too close to others.

That's a pretty sizable flaw, no? By the end of your story, you do not want to completely change because you need to preserve character, but you can change it a bit. Does he have a few friends now? Does he understand that there are some people worth trusting?

He may still be closed off to majority of people, but at least it's not everyone, and that's a realistic change.

*Different Changes*

As I continue to read more stories and watch more shows, I have realized that character development is not always about fixing flaws or personality, but it can extend far past that line.

So listen up, because I feel like no one really talks about this.

Your character can change their IDEALS, MORALS, and how they VIEW THEMSELVES.

Hear that? If your character has strong morals, they will hardly stay the same as they reach the end. Remember the requirements I mentioned at the beginning?

See how it connects now? There is SO much more to character development than changing a few imperfections. Like I said in the start, your character needs to grow and mature. Things like new morals or ideals assist with that!

*SUMMARY*

In order to start character development, you need a couple of flaws, an idea of how your character looks at themselves, and their morals. This is because those are the main parts of you character that may change through time.

Growth = Maturing (gaining a better sense of who they are and the world they live in.)

NOT ALL CHARACTER DEVELOPMENT IS POSITIVE!

For negative or passive change, make sure to clarify how their imperfections affected or hurt them and have some sort of moral that follows.

YOUR CHARACTER SHOULD NOT BE PERFECT!

They should not be perfect in the beginning, and not perfect in the end! Do not 'fix' too many traits because you want to preserve character.

I think that's all! It's quite the post for something so simple, eh? But hey, character development is absolutely PIVOTAL to a story so I hope I at least explained the 'change' part of that well!

Happy writing~

3hks <3

[dollypopup]

I truly cannot overstate just how much I adore Colin Bridgerton as a male love lead, and how important his story is, in particular in a current, modern reading. We live in a time of alpha male machismo that in many ways mirrors the sexism of the historical time period Colin is in, and we have a hero who explicitly rejects it. More than that, we have a hero who first tries on the persona, first tries to fit in, and then determines, with no outside influence and all on his own, that it's wrong. That he doesn't want to be like the men of his society, that he doesn't like the expectation of sex without love and commitment and connection, that he doesn't want to be 'one of the boys', even if it comes at their derision.

Because when Violet says he has always been her most sensitive child, when he has always considered others before himself, when he has always offered a joke or a moment of levity- for so long, he felt he had to. That there was no other choice.

Colin Bridgerton, The Great Pretender, is finally coming into the light.

Take my hand. Come walk with me.

Colin's arc is incredibly clear, and incredibly dear to me. We can track his progress throughout the seasons he has been in, but if we consider his backstory, it comes even more in clarity.

Piecing together a timeline with some influence from the books and loose historical accuracy, Colin loses his father at 12 and then is sent off to Eton. And he is a tiny thing when his father passes, shorter even than his 9 year old sister, Eloise.

(Yes, I checked!! He's half a head shorter than Eloise, and an entire head shorter than Daphne. This boy is SMALL)

So it makes a lot of sense to me that this is the start of his fake-it-to-make-it personality. He cannot grieve with his family in these circumstances, he's been sent off to school with other boys who are bigger and stronger than him, and he must realize relatively quickly that weakness in their eyes will never be tolerated. In fact, Eton was well known for corporal punishment and bullying during this time. Older boys were well known to mistreat the younger once, and considering just how small and soft-hearted Colin is, and just how vulnerable he is having lost his father-

Of course Colin would become a target of such.

And despite that, we meet him in Season 1 with an endearing earnestness and hopefulness in the world. Something inside him, something sweet and gentle and warm, thrives to live. And fights against grief to do so. How easy it would have been for him to lose his father and be bitter. How easy for him to see his father die from the steps of Aubrey Hall, to be sent to a boarding school away, and withdraw in on himself.

And yet, he doesn't.

At least, not in the way one would suspect. Instead, Colin becomes a chronic people pleaser. If the people around him are happy, then he will be safe. Will not be hurt. And they have no space for his own hurt, regardless. There's hardly even any space for his mirth, as most people didn't even reply to his letters on his travels the previous season.

In Colin's confession in Season 3, he says 'I have spent so long trying to feel less', and this numbing begins early in his life. He's a consummate gentleman in Season 1. He does everything by the book, everything as he should. He wants to be accepted in his society, wants to be taken seriously, wants to belong. So he sees a pretty woman, and he gets along with her well enough, and he courts her. Openly, honestly, in full view. It isn't a heart-stopping love, but he has numbed himself for years at this point, so affection will do, and if proper men of his society are married, well, maybe he'd finally be taken seriously.

And yet, no one notices him, even still. No one except Penelope. His own mother doesn't recognize his behavior, and worries for him after she does. How long has it been since she's actually seen him? We know from the show that he's incredibly close to his mother, and loves her dearly, but we also know that after Edmund's passing, Violet was mired in grief and post-partum depression. Colin misses much of this as a firsthand witness since he's at school, but that doesn't mean he wouldn't be able to tell, wouldn't be affected by losing his mother and father in one fell swoop. In fact, Colin loses his connection to the majority of his family in being sent to school so soon after the tragedy. So of course he comes back and he tries not to make waves. Tries to do things correctly.

His friction with Anthony proves time and time again that nothing he does is entirely ever able to fully please him, and this causes contention in their brotherly bond. Of all the siblings, Anthony is arguably the most harsh with Colin. And he is also the model for who a man should be in the family, as the head of the family.

So when Anthony sees Colin earnestly try to marry, he scoffs him off. Accuses Colin of only wanting to marry to have sex, and then claiming "It is my fault. I should have taken you to brothels." This is the first on-screen shaming of Colin looking for connection before sex, and Colin doubles down. He wants to marry for love.

But he doesn't actually love Marina. Neither of them truly know each other, and so when it all blows up, and he is humiliated to the entirety of his community, Colin gets his first taste of romantic failure. He tried to do it right, and it ended more wrong than he could have ever imagined. So, maybe Anthony was right. Maybe he is just a foolish, green boy, who has no idea how to go about things. The fallout of his failed engagement echoes in the persona he puts on in Season 3, and the choices he undergoes during them. Is it any wonder he ends up going to brothels to have unfulfilling sex if even his own BROTHER, the head of his family, tells him to do so?

It doesn't happen right away, though. Despite the fact that no one truly checks on him or sees how this breakup effects him (Eloise dismisses the hurt he must feel in light of such events with an honestly rather accurate wave-away "Men are always less affected", and that is true), it is evident that he is NOT okay.

We leave Colin in Season 1 putting on a mask, a happy face to his family, a 'you inspired me' to Penelope, and then spends his travels sad. Depressed. Taking drugs to try to ease his mind, occupying himself with writing to Penelope. In Season 2, he spends the entirety of it trying to be useful. And he does this with Penelope. He feels deeply for her, he cares so much for her, and he even says it to her aloud 'You are special to me' and 'I will always look after you' and how he could never give her up. Season 2 is a season of healing for Colin- he closes his chapter with Marina with a relationship post-mortum conversation after he does a wellness check to make sure she's alive (let's be real here, no one else was going to reach out to her. She made it clear to him that even her own father didn't want her), makes amends with Will, proves himself useful to Penelope, and departs on a high: he thinks he threaded the needle. He thinks he was successful sending Jack off, that he made Penelope happy, and that he's in with The Boys.

But whilst the person he is around Penelope is genuine, the person he is around these men are not. We know from Season 3 that they don't actually like him. They make snide, underhanded comments toward him, and laugh at him. I stand by the idea that end of season 2 is Fife and Co. laughing at Penelope AND laughing at Colin. They don't care about their friendship, they're teasing him for caring about her so openly, and Colin is protective of the relationship he has with Penelope. So he makes a comment for the boys, and puts on his mask. 'I would never court Penelope Featherington' (look, I'm just like you. I walk like you, talk like you, speak like you) 'Not in your wildest fantasies, Fife' (I am one of you one of you one of you- so why does it feel so hollow?)

He gets, now, his first taste of acceptance from them. They come to him to Mondrich's bar, he repays his slight against him, and he feels he is one of them. (Does he truly *want* to be one of them?) And so when we open Season 3, it's a smooth progression.

Colin is walking the walk and talking the talk, and yet his heart isn't in it. He's not one of these smarmy men, but he mimics them. Their behavior. In part, at least. Whilst Fife is out preying on 18 year old women in coat closets, Colin is telling gaggles of girls how pretty they are and how with such nice dresses, they're sure to find a husband. He makes it clear he's not an option, but that he doesn't mind being a fantasy. And Luke Newton does an amazing job making that clear: there are three sides of Colin. The Colin portrayed to his society in the light in good company (1) and the Colin portrayed to his society in the dark, in. . .less savory circles (aka: The Lads)(2), his 'armor' as his mum calls it. And finally, the most important but the one kept closest to the chest: the Colin of truth. The Colin who cries alone in his room after a breakup, the Colin who doesn't burden others with his feelings, the Colin who writes to Penelope, the Colin who loves deeply and feels deeply.

But his society has no use for a man like the real Colin, they do not *want* a man like real Colin, so he puts it under lock and key. And so much of this is centered around his feelings about sex, so here comes my 'Colin is Queer' soapbox. Colin does not experience sexual attraction like the rest of the men of the ton. He is expected to find it casual and be cavalier about it. To just want to fuck for the sake of fucking. But Colin needs love and romance and connection to actually enjoy sexual interactions. Nowadays, we recognize this as being on the asexual spectrum, of being demisexual, but he didn't have words for that in the time period he's in, so he has to forge ahead to figure himself out without a community identity to find solidarity with. That's what makes the brothel scenes so interesting as a narrative device: in the first, he's masking even in the midst of it, and in the second, he can't. After kissing Penelope, he finally, for the first time in his life, has a sexual interaction that means something to him.

It's the first one he truly enjoys, and the first one that feels right to him. It clicks for him that oh, that's what it's meant to be like. And the strain of that realization whilst still having to be what his society expects of him puts immense stress on his shoulders. You see how he grows more and more uncomfortable about the conversations, until finally he rejects it outright.

Even when it's very much not encouraged for him to do so. He's even told "You are much more fun this season." That's why he hides himself. From near everyone, even his family, even his brothers. It's telling how Anthony's positive interaction with Colin is when they're at the club, and Anthony praises him for his most recent attention. Have we seen much of Anthony being proud of Colin, otherwise? Not really. So he's reinforced in his persona. Doesn't boast of his travels because it didn't have anyone liking him for it, before. Doesn't even say how many cities he's gone to. Except with Penelope.

In the books, there's a line about their kiss, referencing how his world will never be the same. And it won't be. Because when Colin says that she helps him see the world in new ways, it's in a multitude of meanings.

Penelope refuses to let him wear the mask, because in truth, Penelope is the only one who doesn't like it. Not only does she see the real Colin, but she enjoys the real Colin. Whilst everyone else is simpering over Colin's new look and attitude, rejects who he is in reality, Penelope dismisses it, wants the person she knows him to be instead. It's only when he strips down the facades that Penelope allows him into her life again. And her Whistledown article was harsh, but it was also true. He *is* masking. He *is* putting on a persona and a role. But she was wrong when she asked if Colin even knows which is real: Colin knows very well which is real. And he also knows the realities of him haven't been accepted.

When Colin tells Penelope charm can be taught, he speaks from experience. When he says 'living for the expectations of others is a trap' it is because he has already fallen into it, and if he can't dig himself out, maybe he can keep her from it. Colin tells her 'you do not need lessons' and that she is fine exactly as she is, because just as she sees the real him and loves him, he sees the real her, and loves her, too. But they both live in the constraints of their society, and so they both put on the masquerade. Even sometimes to hide from each other.

The current climax of his arc is when he's out with the lads, after they all go off to the brothel again, and he disassociates from the experience. Playing cards and insisting on sharing sexual exploits, to which he does not want to take part, and makes a lighthearted dig at them. 'There is no gentleman at this table'. He includes himself in that, and then clarifies. He speaks aloud for the first time to them the truth of his heart- 'Do you not ever tire of the expectation to remain cavalier about the one thing in life that holds genuine meaning? Do you not find it lonely?' Can it really only just be him?

And it is. Or, maybe it isn't, but the rest of them aren't brave enough to admit it, so they're okay in making him feel like it is, in outcasting him for being a romantic, for caring about a woman beyond what she can provide for him sexually. Colin professes he doesn't like who he's become, doesn't like the expectations for him to behave the way he has, and they laugh at him. Again. He is made fun of, again.

He goes home and he falls in his bed and he feels like he lost it all. Lost Penelope to his own advice, and lost his newfound shine in his community. But when he's faced with which one matters more to him, he chooses Penelope. Unhesitatingly.

Colin chooses to be sensitive. He chooses to be a warm-hearted, gentle man in a society that prefers sexist machismo. Act one way in the light and another in the shadows. Colin wants to live authentically, as a man he doesn't really have a role model for. He is brave and he is tender, he sees the sexism of his society and he rejects it. He sees the importance Penelope has in his life, the way she makes him feel, and he embraces her wholeheartedly. He wants love and romance, he wants connection and meaning.

Colin, The Great Pretender, sick of pretending. Colin, walking into that ballroom and giving Fife the cut direct when he invites him out. Colin, cutting into a dance in the middle of a ball between Penelope and a man the entire city knows is about to propose. Colin staring deeply into her eyes with such unfiltered longing even *Cressida* can't help but notice what's going on. Colin running off after Penelope in full view of his society, outrunning a *carriage* to see her. Begging her to let him in. Colin on his knees, all but flaying his chest open for Penelope to see his heart. Colin made a choice when that candle flickered out, and his choice was Penelope. His choice was himself. And his choice was to flip off societal expectation and to live for love, damn the consequences.

I think our own world would be a better place if modern men took his example, too. Colin Bridgerton as male love lead in Bridgerton, a global show, is such a refreshing, wonderful example. A man who tried to be like what the world wanted, and who decided to go against the gender norms of his time. A man who prioritizes the woman he loves, who risks ridicule in doing so and comes to realize that he doesn't care. He doesn't care anymore about being one of the boys, one of the lads, one of the guys. Fuck his society if his society can't recognize the beauty of what he feels with Pen. He cares about being the best self he can be. And that best self is around Penelope, inspired by Penelope.

Because how he is with Penelope? God, I could swoon. At every turn, he prioritizes her comfort and personhood. He validates her, he sees her in beautiful, positive light and he helps her see herself that way, too. He encourages her to be brave because he already feels she is, he refuses to let her call herself stupid or a laughingstock, he apologizes without excuses, he checks in on her every step of the way. He's so passionate in that carriage, he's burning for her, he's yearning, but he doesn't do anything until she agrees for him to. He confesses his feelings and when she says they're friends, he backs off. He listens, he cares. He apologizes for overstepping her boundaries, and then when she gives him her consent, the only thing on his mind is showing how much he wants and appreciates her by providing her pleasure. Colin, the people pleaser, dedicated only to pleasing two people in that moment: Penelope, and himself. Because he wants to do that, to give her an orgasm that exists just for her. He's a witness to it, and that's pleasure for him, too. He waits for her nod of consent, he revels in seeing her enjoying herself. And the aftercare- I could cry.

Colin is a man who had every single reason not to be a kind, sensitive soul, and still he chose it. Chose to share it because the headline, even a wallflower can bloom, that's not just for Penelope.

It's for Colin, too.

[thebibliosphere]

I both believe "poor people deserve art" and "artists deserve food", but it's hard to reconcile those beliefs. I blame capitalism. And I suppose it mostly matters who you're stealing from?

I don't mean to question you at all, I'm against people pirating your stories. I guess I was just wondering if you had more thoughts regarding the reconciliation the two beliefs I quoted above.

I think the reconciliation is working toward a future where things are better, and authors and artists don't have to beg people not to steal from them because they think every author is Stephen King, who wouldn't notice if you stole the pennies found under his couch when in reality most of us are hunting for spare change down the back of the couch because we are earning below minimum wage.

We need people to embrace the idea that art belongs to the working class, both in terms of consumption but also creation.

If you don't support the working-class creators, you'll only end up with rich fucks with no scope of the world beyond their own narrow view of privilege.

Indie creators are actually working very hard to change the way the industry works, and the publishing industry is shitting itself over it. They don't like the success some of us are having. It's why they keep upping prices while slashing corners on their own production (while never affecting the man at the top) to try and stay competitive within the rat race they've created.

They're not interested in the proliferation of art. They're not interested in making sure their authors can afford to live. They don't want more diversity. They don't want inclusion. They want profit at whatever the cost.

And while indie creators very much need to get paid because we live in a capitalistic society and everything is burning down around us, and a carton of eggs now costs more than what I earn per hour, our creativity is directly at odds with the type of profiteering big publishers want.

The money should go to the writers. Not the CEOs. The money should go to the workers in the print houses. Not the CEOs. No one needs the kind of wealth these people have. It's obscene. We need direct action against these conglomerates. We need unionization. We need a means to fight back so that we can make art and make it accessible.

So, how do we do that? I don't know. I'm just a very tired, disabled creator doing my best to keep my head above water. But I think getting people to realize that art and books are worth saving up for would be a good start.

That putting money in the pockets of creators is just as important as your own enjoyment of their art. Because if there aren't any artists, you've got nothing.

Getting them involved with their local libraries would also be a great start. Educating them on how the industry works is part of that. The number of people telling me they had no idea libraries paid authors is staggering. And that's intentional. It's a by-product of right-wing propaganda to make you think libraries are worthless and just sap taxpayers' money.

They're not.

If they were, the fash wouldn't be trying so hard to take them away.

Basically, we need working-class solidarity and for certain people on the left to rid themselves of the idea that just because something isn't borne of manual labor, it doesn't have worth. We need the artists and the dreamers as much as we need to bricklayers and the craftsmen. Otherwise, what's the fucking point of it all?