#i want to do a full series rewatch and fall in love with the show all over again

[drowsydregon]

i can't wait to make my epix comeback (<<< has been sitting on like. 13 minifigure redesigns bc i still have abt. 11-13 more to do)

[rhysdarbinizedarby]

‘Our Flag Means Death’ Star Rhys Darby on Stede’s Transformations & Hopes for Season 3

[Warning: The below contains MAJOR spoilers for Our Flag Means Death Season 2 Episode 8 “Mermen.”]

Our Flag Means Death saw Gentleman pirate Stede Bonnet (Rhys Darby) transform from a fish-out-of-water swashbuckler into the romantic hero he was always destined to be in the latest season of Max‘s original comedy.

After realizing the error of his ways at the end of Season 1, Stede sought redemption in the eyes of the infamous Blackbeard, a.k.a. Ed (Taika Waititi), after recognizing he was in love with the pirate. While the path wasn’t a direct one, they eventually found their way back to one another with the help of a fantastical mermaid sequence, some much-needed apologies, and ultimately a better string of communication.

Reflecting on his journey, star Rhys Darby is opening up about Stede’s various transformations in Season 2, including the excitement surrounding that mermaid tail, as well as about where he thinks the pirate lovebirds might end up next should the series return for Season 3.

Congrats on Season 2! Now that we can finally talk about it, what has it been like getting to see fan reactions, especially during the SAG-AFTRA strike?

Rhys Darby: Yeah, it was like a pressure cooker that needed to burst, for us and for the fans. When it finally came out, the burst happened and there was so much love for us, [but we] couldn’t talk about it. We were still stuck in this bottle and the cork wouldn’t come off, and that was difficult, but it was really lovely to see all the love and the surprise from everyone. Obviously, as you know, the fan artwork, it’s what we would say in New Zealand is pretty full on. So yeah, it was super cool.

And not that anyone gives out numbers, but I think I heard on the ethos that people [are] watching it, and it’s rating really high and at a time when we need this kind of beautiful love fest of comedy with a whole bunch of silliness to take us away from the disasters that are happening in the world. It’s been lovely. I just wish it was longer. I know people watch and rewatch and they’re so fanatical, but it’s just a comedy show, so to have any effect means so much to us.

In Season 2, Stede’s gone through a few transformations, one of which is that he’s a real pirate now, at least comparatively to Season 1. What helped you get into that new version of him? Was it the writing, costumes, or a combination of the two?

Yeah, the costumes are the first thing that comes to mind because once he starts wearing different gear, he looks at himself and goes, “Oh my God, I’m a different man.” And he really is turning from a man who is wearing these beautiful gowns with high heels and things inappropriate for a pirate ship to becoming an Errol Flynn-type hero straight away. That’s what they wanted to do with the character. So he’s lost a lot of that beautiful pageantry and is becoming a more practical guy who has to survive. He returns to this nightmare of a world because he wants to fight for love, and for want of a better term, “man up,” whatever the modern-day version of that is, “person up?” To become the guy that he dreamt of being in the first season.

He didn’t dream that he was going to fall in love with someone. He dreamt he was going to be this amazing pirate and that just was not going to happen. But then when he found this love, I think he went away from that [dream] going, “I don’t deserve this.” And then when he realized upon returning home that he does deserve it, he had to fight for it. And so the only way to fight for it was to drop the battle armor of the gowns and actually become the pirate he imagined being. So it was great to become that and to fight for that love and to thank god that [Blackbeard] didn’t die. He would’ve actually lost it, I think, because it would’ve been like, “Well, what am I fighting for now?”

I think it was just so fun to see that character change, but also within that change, see a bit of the old self come through, especially when he found that cursed red suit. And all of a sudden it was like, “Oh my God, the old me again, look how good I look!” So it was lovely that they had those elements… I was missing a little bit of the old Stede myself. So it was great to find that again. And then again near the end with the British invasion scenario where I got to do the big coat and everything, which of course looked awesome. You can see that moment where I put it on and did that slow turnaround. It was way more filmic shots of me wearing that kind of stuff. And I think that gave Stede's strength as well. So much of Stede's embodiment comes from the things he’s wearing.

Speaking of costumes, the big one of the season had to be Stede’s mermaid look. How did you wrap your head around getting ready for such a fantastical, and ultimately, beautiful scene?

That was the highlight of the whole season for me. As a kid, I used to swim around like a little merkid. I would put my legs together and I’d swim under the water. I’ve always been into mermaids and things because I’m into cryptozoology. So when I got to be a mermaid or a merman, I really took to it. It was pretty easy, to be honest with you. I didn’t have any training to swim like that. So the only training I did was some breath work beforehand to help me hold my breath longer. But that was kind of almost superfluous. Once I got that [tail] on, I just became a mermaid. It’s hard for me to describe how I suddenly become these things, but I think I just got under the water. I could swim really easily with it.

And I had weights on. So one of the things was we had to make sure I was the right weight so that I wouldn’t just float. That thing was sort of buoyant. So once we sorted that out, I could actually swim really well, and then just sort of hover underneath the water for a long time while [Taika]’s looking at me, I’m looking at him. To see it on the day, on the screen when I knew they’d got [the shot], there were just so many cheers, and I think they even played the music to see how the scene would work out. It’s one of those life moments where you go, “Oh my God, I’m becoming a cryptid again. I’m never going to forget this.”

This season really does focus even more on Stede and Blackbeard’s romance. How did you and Taika prepare for that? Especially since Stede’s more transparent about his feelings this time around.

It was good, and it was time. And because I was the new strong Stede, it felt really natural for me. I think it just worked really well with the writing because of the aggression that I was going through. When I was fighting that really bad guy [Ned Low (Bronson Pinchot) and] threw a violin at him because he ruined Calypso’s birthday, that was a good moment because it is not just about Ed, it’s about the crew, Stede’s family, and they were going through this amazing moment there, and all of a sudden this guy turns up and next thing we’re getting tortured. And I’m like, “How dare you?”

I think that progression of strength helped [Stede] break into the moment of, “I’m just going to take my lover as well now, and do something with him.” He probably had no idea what he was doing because it’s Stede, but it worked out and it was the right time in the show. Taika and I are really good mates, so it’s really easy to do emotional scenes together. As soon as we put our gear on, we’re just looking at that character, and we admire each other.

You and Taika have been known to improv on the show. Was there any improv moment from Season 2 you were particularly proud to see onscreen?

Yeah. Well, one, I noticed that some people are talking about that they thought was scripted, which wasn’t — most of the [scenes where] I’m with Taika are improvised in those emotional close moments — is on the deck of the boat where we’d do the thumb thing. That was all improvised on the day. So that was fun that we got that kind of stuff in. And there were some more little bits and pieces, but that’s one that comes to mind. That worked really well.

By the end of Season 2, Stede and Blackbeard have settled in to open their own inn. Do you think the peace and quiet will last in a possible third season, or will they get bored and want to rejoin the excitement?

Well, obviously as it stands now, it’s very lovely and it’s a nice positive ending, which is lovely for Season 2. But in reality, if you think about the characters, even in the fictional world, they’re both outlaws, they’re pirates, and the British back then… they never gave up. They did track down all the pirates and either hang them or get rid of them. There was only a couple that got away, and it certainly wasn’t those two. So I think what they’re thinking is, yes, this is bliss, but both those characters must be thinking, this is not going to last because you’ve got to sleep with one eye open.

Even though they’re in the middle of nowhere, they’re still in an area where everyone knows what they are, so they’re going to be tracked down. So I think if it was me, [they’d] end up back in action one way or another, especially if their inn is popular, which it probably would be. Word would get around. I mean, in those days, had you heard the Blackbeard and Stede had opened up an inn, [you’d have] to check that one out. It’ll be like Planet Hollywood.

There would be a wait-list, for sure.

Yeah, absolutely. Basically, they’re too famous now that Stede’s killed Ned and everything. He’s a famous pirate. So death is going to come to their door at some point. They’ll have to deal with it.

Do you think this version of Stede and Blackbeard’s story could avoid the fate of the real-life pirates?

Yeah, no, I think you’re dreaming if you think they’re going to live happily ever after.

Our Flag Means Death, Seasons 1-2, Streaming now, Max

Source: TV Insider

[dropthedemiurge]

Love for Love's Sake | Things You Didn't Notice #6

Translations and comments for Episode 6 (I have ADHD don't come after me, I was too invested that I bingewatched episodes yesterday and now I need to rewatch the 3 and 4 to make thorough comments on the dialogues). I was prompted by @lurkingshan to pay more attention to the movie posters :D Please let me know your thoughts after!

At first, I wanted to say that the movie titles were translated (at least, in my version of subs) and there was nothing behind them beside obvious but I decided to research more and indeed found somewhat interesting things! (the post will be long so I'll pile screenshots together)

First thing we see – Myungha has agonizing thoughts about "I can't believe I am on a date with a guy (when I'm supposed to be just an NPC/Player in this game)" next to the movie poster with an interesting title "The Guy Who Will Give a Kiss for 10 000 won"

This movie doesn't exist :D However! The title and poster style is clearly based on the old manhwa from ~2006 that's called "The Guy Who Will Give a Kiss for 5 000 won" (lmao they doubled MC's price that's inflation for you).

The note at the bottom says "Top Secret Disclosure: Kissing Method" aka MC is the guy who promises to teach you how to kiss if you give him some money, and the same note is shown in the LFLS poster. I thought the guy on the poster looked similar to Myungha but I think they actually got Taevin (the actor) to pose for this fake poster xD

Which leads me to the first thought that these posters were born out of Myungha's imagination – come on, we just got the scene between him and Yeowoon where they kissed for the first time and Yeowoon asked Myungha to give him time to practice and improve kissing (Myungha with his slightly better experience probably feels like a mentor with some "shady" intentions who eventually falls in love xD) Coincidence? I don't think so.

The second poster on the wall is also about a non-existent movie but before diving into that, here's how Yeowoon comes into the picture.

Two things: "Wonderful Ghost" huge poster on the wall behind him and the caption on the wall next to him.

In case you haven't paid attention, it says "If you come at four in the afternoon, I'll begin to be happy by three," which is a popular romantic phrase that definitely reflects Yeowoon's feelings atm, aww.

Meanwhile, Wonderful Ghost movie (also called as "The SOUL-mate") actually exists! But it's not new, it was released in 2018 and the story is about a guy done with his life after tragic events who becomes haunted by an energetic ghost that changes his life and mindset. (I did phrase this summary deliberately non-specific to make you feel another connection to the current story of LFLS.)

The caption on the poster also says, literally translated, "Let's do it together until the end of the world". This movie has other poster versions with other captions as Google shows but this is the version shown in Love for Love's Sake. Actually, while we're on the topic – I have no idea where "Love for Love's Sake" title came from, does anyone know? Someone in my previous posts speculated about the story based on this title but the Korean title of this series is "연애 지상주의 구역" ("Dating Supremacy Zone", or just "Dating Zone") which is the term that comes up in alert whenever Myungha is close to Yeowoon.

Anyway, back to our zombies, gorillas and demons. The movie Myungha and Yeowoon actually went to watch on their date was "Zombie Gorilla VS Demon Crocodile". The caption on thte poster says "Who will protect the world?"

Again, this movie doesn't exist. Why would they make such a point of showing Myungha crying and experiencing genuine emotions (when he only shed tears after he got scared by the full-scale system error and when his grandma got into hospital)? Well, Myungha explains it to Yewoon by himself.

"Well, it was the first time I see someone crying for a zombie gorilla." "Do you know how epic this movie is? The crocodile was actually an extraterrestrial. He met the gorilla here and joined him to save the world." "The plot is really strange." "It was very emotional."

Does it ring a bell? I don't think I need to add any words. Myungha = someone who came from another world and joined Yeowoon to save him and complete the game with happy ending. Myungha relates a lot and cries. I just find it funny thinking about how "The plot is really strange" and "You have a very strange taste" can be also said to all the viewers of LFLS (well, we all are very invested in this a bit confusing mysterious story as well, aren't we?xD)

I also love how we keep being reminded about the "unreality" of the story, how system can experience bugs and things in the world can glitch and Myungha is never immersed in this new life or his new love story to the 100% (cue all the 'choose anyone but me, go date a better man' and patronizing way he treats all characters around him, instead focusing on preventing them and the world from bad events following author's instructions)

I don't think I have much to add to the rest of the episode, I mirrored the haters articles and messages which were written for the show but the comments are quite generic (I couldn't read all of them but I didn't notice anything unusual). One thing, the DM to Myungha technically says "Die, Tae Myungha".

All I can say is that the online anonymous bullying is really prominent and a huge problem in Korea that leads to celebrities' depression and sometimes suicide. All influencers (and there are a lot of them in SK) are held to unimaginable 'perfect' standard and forums often have anonymous commenting which makes messages even more cruel (but later they addressed the issue and I think at least under news articles in Entertainment/Celebrity section the anonymous function was turned off, still, there are a lot of ways to ruin someone's life online). It happens in every country, of course, but stalking/online bullying is something that can be understood very easily by Koreans because it's often on the news and in the community.

Another little detail – even though Myungha does talk to students who are technically "younger" than him by one school year like he's old and wise, he doesn't use the word 'kid' nearly as much as you'd think xD (but the subs are doing the right thing anyway because how else are you supposed to show that subtle cultural difference between saying Cha Yeowoon and Yeowoon-ah, or Myungha calling Sangwoon by his name when he's frustrated with him instead of cursewords or titles?)

In the phrase "Get it together, kid!" Myungha actually uses the word 새끼 (saekki) which can be a curseword (like 'asshole, bastard', used by school gangster in previous eps) but it also literally means 'a child' that can be used by grandparents for their grandson or by parents, for example. So basically, think of 'son of a bitch' which can be used both as cursing and have literal meaning. Koreans have the same (개새끼 - son of a dog) phrase.

But it doesn't have an affectionate connotation when said by teenagers or adults (unless it's said to close friends without heat), and I am sure Myungha says it with more of "Get it together, you brat!" meaning. I just used this screenshot to tell you about Korean cursewords, he-he.

+ bonus: there is no translation or anything, but since we were talking about posters, I just found it funny and adorable how Yeowoon visually replaced here the poster behind him xD

[levithestripper]

how the members of the survey corp and marley warriors would train with you

masterlist

warnings: gender-neutral reader

included characters: eren yeager, armin arlert, mikasa ackerman, jean kirstein, marco bodt, connie springer, sasha braus, reiner braun, bertolt hoover, annie leonhart, porco galliard, levi ackerman, erwin smith, and mike zacharias.

length: 1.5k || read on ao3 || join my taglist

a/n: hi y'all. i never thought i'd be writing for attack on titan again, but here we are lmao. i've been rewatching the series from the beginning, and this is the result of that. anyways, some are more 'x reader' than others, but i hope y'all enjoy it!

— Eren Yeager

When you ask Eren to help you train, this boy gets so smug you can practically see his ego grow three sizes larger. You know you’re probably better off asking someone else who’s better, but you know Eren appreciates it when you go to him. He likes to show off and impress you, so you get more of a show than actual training assistance. Still, you appreciate the effort Eren puts into trying to help you out. Eren falls on his ass more than he likes to admit, making you hide your laughter behind your hand. 

— Armin Arlert

Asking Armin to train with you surprises Armin more than anything. Him? You want to train with him?! He immediately rejects your offer, saying he can’t possibly help you with anything that isn’t tutoring. However, you insist upon it, assuring him that you want his help and prefer it over others. The training you guys do isn’t intense; instead, it focuses on the areas you said you needed to improve. Armin always pulls his punches, never wanting to seriously harm you. But if you insist upon it, he will come at you in full force, just not very happily. Afterward, Armin apologizes profusely for possibly hurting you, and you reassure him you’re fine. Expect a flurry of hugs from him and a part of his supper rations, but he denies knowing anything about where your extra food came from. 

— Mikasa Ackerman

Mikasa isn’t keen on helping you, viewing you as something that will only slow her down from achieving her goal of being as strong as she can be to protect Eren. It takes you a few minutes to convince her that you won’t get in the way or be a burden, simply wanting to shadow her, spar with her, and pick up any techniques that make her such a good fighter for yourself. Realizing you didn’t want her to teach you, Mikasa accepts your request, warning you that she doesn’t go easy or pull her punches. It’s safe to say that you hurt all over come supper time, wincing from the hard wooden benches in the mess hall. 

— Jean Kirstein

Similar to Eren, Jean is cocky as hell when you come to him for training help. He doesn’t stop until you threaten to ask Eren instead, which makes him shut up and behave. Jean’s a decent spar partner, so you’re in good hands with him. You’re decently matched against him, winning about half of the rounds and losing the other half by only a second or two. He’s better at the knife-disarming move than you are, though, which he teases you for.

— Marco Bodt

Marco is flattered that you picked him out of everyone else. Being the definition of an average fighter, Marco didn’t think there was anything he could help you with, but he’s ecstatic to spar with you regardless. After all, it’s time Marco gets to spend with you. And if you think he’ll go easy on you because you’re his partner, you’re sorely mistaken. Marco loves you and wants you to be as prepared for the world as possible, seeing no benefit in pulling punches. But that’s not to say he’ll beat you up, obviously. After all, this is only an exercise, so you’re relatively unharmed, ignoring the scattered bruising. 

— Connie Springer

Connie is more than eager to train with you, joking around and laughing the entire time. He knows he should take it more seriously, but Connie can’t help having fun with you instead, completely ignoring the current exercise. He’ll hide behind you and tap your shoulder, waiting for you to turn around before ducking just out of your view. When you finally catch him, you’re dizzy and out of breath from laughing so hard. Your efforts are rewarded with a peppering of kisses all over your face &lt;3

— Sasha Braus

Like Connie, Sasha is just as obnoxious during training but takes it a bit more seriously than he does. If you are serious about training, she’ll do her best to take it seriously with you. She’s not immune to Connie making faces at her from across the field, and frankly—you aren’t either. Typically, if you’re sparing with Sasha, you’ll end up with Connie, too. 

— Reiner Braun

Training with Reiner is like training with your long-lost twin. You read one other perfectly, evading and blocking each other’s swings like it’s nothing. You duck underneath his outstretched arm to kick him in the back of his knee, but Reiner is two steps ahead, spinning on his heel to knock your feet out from under you. He expects you to yield, but you don’t give up that easily. Sneaking between his spread legs to pop up from behind, it was your turn to knock him unsteady, twisting his arm behind his back and disarming him of the prop knife he wielded. It goes on like that until the quittin’ bell rings, except the roles reversed themselves every few rounds. 

— Bertolt Hoover

Bertolt is still such a sweetheart, even when he’s trying to pin you to the ground. He wants to win, but that doesn’t make his timidness disappear. You win more often than not, but you let him get the better of you sometimes. Watching a blush spread across his face and neck is worth letting him win. His blush worsens when you point it out, too. Still, he likes sparing with you, regardless of how well he does or not. 

— Annie Leonheart

Training with Annie is very similar to training with Mikasa. It’s not that Annie believes you’ll hinder her progress; it’s because she’s simply not good with people. Annie knows you can hold your own against tough opponents; she’s seen you go against people like Reiner and Eren and win. The best way to put it is that she feels awkward, not knowing how to help you or what she should say. You’re the only one able to render Annie speechless, a talent that immediately raises you above the rest in her eyes. 

— Porco Galliard

If you want to spar with Porco, you better be prepared to have your ass beat into next week. He’s out to prove he’s the best, and not even you can get in his way. He’s stubborn and afflicted with tunnel vision, blinding him from remembering how talented you are at it, too. Porco’s favorite move is pinning you on your stomach, twisting your wrist until you forfeit your prop weapon of choice. He’s stupidly cocky about it, too, straddling your hips and spouting snark while your face is shoved in the dirt. You may be talented at that day’s exercise, but somehow, Porco always has the upper hand, no doubt due to his Shifter abilities giving him heightened agility and reflexes. He’s always stupidly proud of himself afterward, bragging to his friends about how many times he’d pinned you. It earns him a sharp flick on his forehead from you.

— Levi Ackerman

You must be a glutton for punishment if you seek out Levi as a sparing partner. His version of training isn’t just sparring, oh no, no. First, he has you running laps around the courtyard for at least thirty minutes. And if he catches you jogging, he adds another ten minutes. You wanted the best, so you’ll have to endure everything he throws at you to get it. Next is calisthenics. Push-ups, thirty-second planks, burpees, sit-ups, dips, and wall sits are the bane of your existence for the next hour and a half. By now, your entire body aches, and your legs are shaky and exhausted. Levi gives you a break, allowing you to drink nearly your weight in water and grab a quick snack before his torture resumes. He gives you enough time to ensure you don’t vomit, but finally, it’s time for sparring once you’ve finished your snack break. Once he deems training to be done for the day, you ask him why he put you through such an intense workout just to spar. Levi’s reasoning? If your body was tired, you’d fight better. If you’re exhausted, you’ll seek out more ways to end the fight quicker and discover new techniques as you go. If you get frustrated enough after losing to him so many times, combined with your body’s exhaustion, you’d eventually find a hole in Levi’s attack and utilize it. 

— Erwin Smith

Training with Erwin isn’t much different than training on your own. He acts professionally throughout the exercise, seeing it as nothing to take lightly. Erwin doesn’t go easy on you, but he does pull his punches, not eager to send you to the infirmary just because of sparring practice.

— Mike Zacharias

Believe it or not, Mike is like a combination of Levi and Connie. Training with him will last hours, but he’s having fun with you while he does it. Mike is quick on his feet, darting this way and that, always out of reach. It’s almost like a dance you’re engaged in. Every time you miss, he’ll pop a teasing joke as if he’s goading you into catching him. When you think you’ve cornered him, Mike’ll knock your legs out from underneath you, claiming the win for himself. He’ll help you back up and reset the round, giving the prop weapon to you this time.

taglist: @myglitteringstardust, @alicchis-badonkadonks (sorry if this isn't you, it's the only blog that popped up when i typed in the user from my taglist form), @nxuvillette, @killeva, @aestosia, @aangzeo, and @fantasy-and-love.

[choster33]

Gambit- X-men 97's Romantic Hero

I love Gambit and after watching X-men 97 I'm sure that he's a lot of people's favorite right now. After watching and rewatching, season 1 I think that the writers have set him up as the Romantic Hero which is not just that he's a main part of a love triangle which he is but Romantic in the Byronic literary archetype way of "possessing the qualities of being larger than life, enjoying suffering, being isolated from society, being always haunted by an unseeingly unidentified sin and is known for being quite cynical" according to Brainly.com. Not to mention having a long suffering love interest!

He is not in the series for a lot of time, but his arc through episode 5 and the impact that he has throughout the whole show is monumental. He begins with a splash looking hot in his iconic pink crop top. I mean, there are very few people who would make this look good and he really does. He also comes off as way more interesting than Scott who bores me to tears. I sometimes skip Scott and Jean stuff to be quite honest and that comes from Remy being a good guy, but not boring. He has a sense of humor, a sense of adventure, and an all around down to earth personality. He is a strong fighter and loyal X-men, but even from the beginning he is seen as charming, funny and right. There is less of a threat after Xavier's death and Scott, Bishop and Ororo did have it handled.

Then we get to the club and Gambit is the ultimate lover in that he pairs up with Rogue and then proceeds to look at her lovingly whilst telling her what any worthwhile man would do to be with her. Swoon.

Then we have episode 2 where Rogue and Magneto reestablish their connection. We may cheer Rogue for being able to touch someone, but look at Gambit's hurt and sad eyes. Long suffering relationship indeed. Romantic heroes seem to love suffering and what is more painful and self inflicted than falling in love with someone who can't touch, but also is full of insecurities about love and commitment. I love Rogue, but she's afraid of love and terrified of hurting someone else which shows in how she handles relationships.

Mon dieu, it's freaky Rogueneto telling him what he tells himself, his deepest fears. A good Romantic hero always has demons and haunted by past sins and who is more haunted by his past than Gambit. I have to say here that some people might be thinking who is more tortured than Magneto, but I disagree. Magneto has a dark past, but he thinks he's right. Whereas Gambit is wracked with guilt and feelings of not being worthy of being called a X-man and being Rogue's man. He grew up a Cajun swamp rat from a Thieves guild raised by thieves, assassins and other nefarious people and lived most of his life as a thief. What makes him interesting is the tortured guilt and modesty that Gambit has.

He goes to Genosha because he's jealous and wants to make sure that there is nothing going on between Rogue and Magneto. Magneto even says as much. He wasn't even meant to be there and might have been safe on Earth, but we know what happened to him tragically. Plus we see how he is not cowed by Magneto and willing to ask questions no one else is willing to ask. Another reason why Magneto is not the Romantic hero, is that he is mutant MVP in this show, the heir to the X-mansion and the X-men, asked to be king of Genosha, and etc. where Romantic heroes are on the fringes of society like Gambit, who is a hero as a X-man but not wanting fame, glory, or power like Magneto.

Kurt is so observant and sees instantly the connection the two have and calls Gambit out on being theatrical. Gambit calls himself a scoundrel and yet again dismisses the possibility of a happy ending for himself. Then we get that iconic line of "There is no love without sin. Love is best measured in what we forgive." Gambit again falls into the Romantic hero trope of thinking he is too low for love, but isn't going to necessarily change his ways, just accepts that he is on the fringes of society and all that entails. One of the things I love about Romy is their understanding about one another. They both have murky pasts and are filled with self loathing and self doubt. They are strong attractive X-men but they are best friends because they GET each other.

Oof, the breakup scene. How more Romantic and tortured was this? He showed how amazing a man he was by patiently listening to her tell her story and then at the end not blowing up at her or making her feel like shit, but just wanting the truth from her and showing how much it hurt him. He played the Swamp Rat, because a lot of that was a game, a way for her to feel OK with keeping him at arm's length, dangling on a string, never fully letting him in because intimacy was too scary.

It's scenes like this that make me wonder if they have touched before even accidentally because Gambit as a character is so self loathing that if she touched him even by accident, she is holding so much of that loathing in her which may be something contributing to her doubts. A part of comic!Rogue leaving Gambit in Antarctica was because she absorbed him and was filled with self loathing.

He is such a gentleman that he even kisses her hand and agrees to be friends. And granted that the Magneto and Rogue dance was hot, but that must have been torture for Gambit. Then our Byronic hero becomes a man of action and hot damn we get James Bond level action and heroics. He shows his strength and does whatever is necessary to save his lady. Despite his differences with Magneto, he doesn't petulantly sulk but does what is required of him because he is a hero at the end of the day. He is brave and selfless and chivalrous. He is giving old school knight chivalry here and I'm here for it.

Then my heart breaks as does every other viewer at the death scene and the "can't feel you" line. It's very soap opera-y and dramatic to kill him after breaking his heart, but here we are. Rogue is the long suffering love interest and most Romantic stories don't necessarily have a happy ending. He wasn't even meant to be in Genosha and because of love and circumstance ended up dying tragically as the ultimate hero. He died a hero's death dying to save thousands, but more importantly to save the love of his life.

In later episodes, his death is a catalyst for Rogue taking action and even turning darker. Her love for Gambit shows more when he is gone and is going to be a fundamental chapter in her life. One that might make her think twice about being commitment phobic and using her abilities as an excuse not to feel intimacy and how wrong she got it with Gambit. It was love, true love and she didn't see it until she was too late.

This may just be a chapter in their story and we may have more drama and angst with Deathbit in Season 2, but even dead Gambit was the troubled Romantic lead that made X-men 97 work and be so interesting. Episode 5 was my favorite and probably the best episode next to the finale and that's due to Gambit. We relate to him and feel deeply in his pain, self loathing, jealousy, and love of Rogue. I find Magneto interesting and Rogueneto is fun to read and write about, but Romy is the OTP and Gambit is Lancelot.

[absolutebl]

BL recs (from any country) that don't have any s*x scenes? I'm too ace to enjoy them at all. Happy ending preferred, angst v welcome:)

BLs Without Sex Scenes

Oof, this is a hard one. Is a dead fish kiss okay? I do have a heat sorting on the spreadsheet of doom, and there are some with no kissing at all, but a dead fish kiss is in most of the HEA ones.

BLs with No Kisses

21 Days Theory (Thailand, YouTube) - the only thing I didn't like about this pulp was the fact that they don't kiss, so... yeah, this is my first pick for you. Very YA first love angsty, fantastic queer rep and side characters. RECOMMENDED

My Esports Genius Brother (China, Gaga?) - it's hella odd censored bromance but enjoyable. No real angst tho.

HIStory My Hero (Taiwan, Viki) - basically a BL with no sex or kissing, but also body-swap so is it BL? I can't remember the end but I think it's happy?

Silhouette of Your Voice AKA Hidamari ga Kikoeru (Japan, ????) - this 2017 yaoi adaptation is a full on BL just no kissing at all. The source manga (I Hear the Sunspot) is a favorite of mine and the casting was decent. HIGHLY RECOMMENDED for you (but not in general). Grey only.

Love of Siam (Thailand, ????) ALL THE ANGST, I'm pretty sure the most they do is hug, I could be v wrong though because too sad for me to ever rewatch. Very formative to the Thai BL industry.

The Lover (BL cut) (Korea ????) sometimes you can find the BL cut on YT, it has slapstick comedic sexualized moments that are maybe a little homophobic (or something), no actual sex or kissing, but no angst at all. (Korea's working some shizz out with this early offering.)

Kabe Koji AKA Kabesaa Doujin Sakka no Neko Yashiki-kun wa Shounin Yokkyuu wo Kojirasete iru (Japan, Viki) - I watched this and I was excited about it before it aired, but I seem to have expunged it from my memory and kept no screen caps in annoyance, so that's all I got.

Love in Spring AKA Spring of Crush (Korea, ????) - a crossdressing historical that flew utterly under the radar. I decided it just wasn't really BL, but it has BL aspects and it's kinda a little queer... or something. Grey only.

Evening Cafe (Thai pulp, YouTube) - No heat and no kisses, but a decent lead pair, about a boy who works in a cafe and the new employee who has a crush on him. That’s it, that's the whole story.

A Shoulder to Cry On (Korea, Viki) - Has no kissing and many people found it really good as @isisanna-blog reminded me, thank you). It certainly has ALL THE ANGST. (I did not like it at all, but I'm a terrible judge of this kind of BL.)

What Did You Eat Yesterday? (Japan ???) - this is such a lovely show, very warm and comforting and slice of life. There is very little angst, they too old for that shit, but little to no sexual content either. It's very warm and loving. A safe extremely yet queer show - and oh boy do we not get many of those. HIGHLY RECOMMENDED

Censored Bromances

So No Kisses (TM) for the gays but the hets might do stuff I didn't pay attention to. All these from China. Some happy, most not.

The Untamed

Word of Honor

Guardian

SCI Mysteries

Stay With Me AKA Addicted 2.0 (I never watched this so there may be rough play)

Mr CEO Falling in Love With Me

The Fairy Fox

Youth in the Breeze

Precise Shot

Advance Bravely

His Cat AKA His Cat Boyfriend

The Male Queen: Han Zi Gao

The "Ghost Boyfriend" series

Past Youth

I Go To School Not By Bus (Hong Kong short)

Recommended Shorts with no kisses, but cute & fun

The 8.2 Second Rule (Japan YouTube)

One Last Order (Korea, Gaga)

Love Advisor (Thailand, YouTube)

BLs with Dead Fish Kisses (maybe? only one, if any)

His the series: I Didn't Think I Would Fall In Love (Japan ????) - (NOT His the movie) this one has all the angst you could want in your whole life. ALL OF IT. Japan wins at emo, it's their THING.

Cherry Magic AKA 30 Years of Virginity Can Make You a Wizard AKA 30-sai made Dotei Da to Mahotsukai ni Nareru rashii AKA Cheri Maho (Japan ????) - there's sort of some bed tussling and implied sex but you could imagine them just being snuggles for the mains, the sides have dead fish kiss. In general there's some angst but not much. It's fluffy and great. HIGHLY RECOMMENDED

Bonus: overt ace representation for one of the side characters.

Meow Ears Up (Thailand Viki) - sides may kiss? I enjoyed this pulp especially at the start, the premise is fun. I think my biggest complaint was lack of kissing.

My Love Mix Up AKA Kieta Hatsukoi (Japan Viki), a case could be made for a demi seme in this BL. So much frenetic angst around bisexual identity crisis. HIGHLY RECOMMENDED

My Ride (Thailand Gaga) - my favorite Thai BL pulp the sides have a good kiss and the mains do kiss but it's v dead fish, not at all sexual, and it comes at the very end. Otherwise extremely chaste, I HIGHLY RECOMMEND this BL, queer and complex and engaging.

I Want to See Only You AKA Kimi no Koto Dake Mite Itai (Japan ????) - This is a beautiful piece of cinema well acted, about two boys who are opposite personalities and grew up together. The only kiss is the one pictured above, v dead fish. Full review here.

Nobleman Ryu's Wedding (Korea WeTV) - 12th Night goes BL in this cross dressing historical that ended up feeling like a Cinderfella fairy tale, lightly dramatic and utterly charming. Full review. There is one dead fishy kiss at the end but it's otherwise aggressively pure.

If you like this last style of KBL (with a kiss at the end being okay, I have quite a few more to recommend). Until 2022, most KBLs only had one dead fish kiss in them, so you are pretty safe with pre 2022 KBLs. They tend to be quite chaste and de-sexualized. Other good examples: Wish You, Light on Me.

That's all folx.

Some of the above I may be misremembering (since I don't rewatch this kind of BL and my memory is shit). And I may have forgotten some too, so I hope comments with jump in.

Others to consider:

(source)

[strawberrylollipop26-blog-blog]

Movie/Show Round UP

I haven't done one of these in awhile. As always, my thoughts are short and to the point. I don't go in depth. I'm not a professional reviewer, just my thoughts.

Under the cut there are reviews for Fly Me to the Moon, Inside/Out 2, Despicable Me 4, A Quiet Place: Day One, Dune Part 2, Godzilla x Kong: The New Empire, Kingdom of the Planet of the Apes, Bad Boys: Ride or Die, Ghostbusters: Frozen Empire, The Fall Guy, Furiosa: A Mad Max Saga, Civil War, Madame Web, Argylle, Abigail and The Bikeriders. TV shows: Legend of Fei and Halloween Baking Championship.

Fly Me to the Moon: I saw this movie during a three show day at the theater. It was the middle movie and the biggest question mark. Turns out, the whole 'did they or didn't they' land on the moon theory was actually interesting. While I have zero interest in a rewatch, definitely worth attempting for first time viewers.

Inside/Out 2: This movie was exactly the same as the first. There's nothing new here except for possibly children experiencing new emotions. As an adult, I was bored.

Despicable Me 4: Cute. This film added nothing.

A Quiet Place: Day One: I thought it was nicely done. Still, didn't knock my socks off like the first one. My spouse wanted to know exactly how people learned to be quiet. I tried to tell him that they showed it in the second movie. He wanted more of a show. He was also annoyed that we know nothing about the aliens and it's the third movie. Slight spoiler, I wish we didn't know something about a certain character because it would've made the ending decision so much more impactful.

Dune: Part 2: Well, he tried to warn them about what would happen. I like the action that happens even though it all folds into a pretty box.

Godzilla x Kong: The New Empire: I barely remember this movie. It was sort of reminiscent of the previous one. A typical unite to defeat the super evil blah blah blah.

Kingdom of the Planet of the Apes: Disturbing T!k T0ks regarding the leads aside, this movie was enjoyable. Although, I had no idea a new movie series was starting. There were quite the few holes left so I'd see the second one.

Bad Boys: Ride or Die: I saw this before the previous one so I was quite confused in certain parts. All in all it was enjoyable. There are some funny moments. I've had the urge to watch again.

Ghostbusters: Frozen Empire: I haven't seen this in awhile. From what I remember there's a side character hero in here that's pretty funny. Pretty textbook, you know what's going to happen before it does.

The Fall Guy: I've heard people talking about this one and disliking it. I thought the whole purpose was to have an outrageous fun movie showing crazy stunts the doubles do. Is it the best movie? No, but if you like action it's worth a watch.

Furiosa: A Mad Max Saga: I'm an action girl. I highly valued the first Mad Max. This movie is obviously character based therefore slower to catch the stages of development (it's even told in chapters). I was bored. All the story shows in the normal character faced adversity, lived a hard life, finally goes for their revenge. Zero interest in a rewatch. I'll turn on the first one again.

Civil War: A weird movie full of numerous holes. A waste of my time.

Madame Web: I thought it was okay even though this movie was review bombed. There's nothing special about it, but it's not the worst movie that people complained about. Then again, to each their own.

Argylle: Another movie that was review bombed. I also guessed the likely story in this one. I think this movie suffers mostly from trying to be too many things. It goes for serious, yet wild and fun, yet logical. I think if the movie with the effects stayed 'out there' then people would've found it more enjoyable. Maybe.

Sidenote: My husband is always surprised that me (comedy hater) loves Rat Race and Joe Dirt. My response is always the same. Both movies are unapologetically insane. They don't take themselves seriously at all. I think Argylle should've done this as they had moments before deciding to become a serious spy movie.

The Bikeriders: First of all there's a narrator to this movie. Threw me off a bit at first, I normally don't watch those type of movies because i feel it leaves off clues. The movie's okay. Practically a drama in a bikerider setting. There isn't much mystery so another one that's easy to read.

Abigail: I enjoyed this movie until the ending. Not much I can say without spoiling.

Legend of Fei: I finally finished this show. Took me forever as it has good episodes, and others I cared less for (admittedly skipped scenes). Some characters were so annoying. Thankfully, Fei stopped passing out which was killing me. Xie Yun is my absolute fave. I might be biased, but all his scenes were so much fun except for the ones where he's sick :( . I've read reviews where people say they can watch this repeatedly, I'm not one of them. One and done. Sort of reminded me of WoH main storyline.

Sidenote: I love the one scene where he's reminiscing the past in his dreams and he no longer has money. The way this man kept opening up his pouch and dumping it over to make sure there were no coins. So relatable in my younger days.

Halloween Baking Championship: An era has come to an end or at least caught up in the seasons. I really like this cooking show. I hope people have some out of the box creations in the new year coming up.

[fernsnailz]

February 2024 Review Roundup

well i sure did watch some stuff and read one book this month

the things i finished this month reminded me that for every incredible piece of art i find myself enjoying, i end up watching some Hot Garbage immediately after to balance things out again. idk why i do this.

i have quite a bit to say about both the things i enjoyed and the things that brought me physical pain this month, so there is um. a lot under the cut. any previous desire for brevity i had in january has been completely thrown out the window as i use these roundups as an outlet to gush about things i like and complain about things i didn't. fair warning, if you open the readmore you will be scrolling for a while. enjoy i guess

House of Leaves

does any other book out there have the balls to write a completely fake interview with stephen king

House of Leaves is a novel you gotta throw around a little bit. It feels really weird that my copy is still in the pristine state I bought it in - It seems like it should have water damage and smell like mildew with its pages falling out and spine cracked into pieces. Getting the full story from this book requires flipping back and forth, turning it around, searching for answers. All things considered it’s not that difficult of a read, but its format still allows you to feel like you’re discovering every hidden piece for yourself, and I really liked that interactivity. I was engaged pretty much the whole way through.

I don’t really think I’ll be able to revisit this book anytime soon though. It’s difficult for me to format what else I’d like to say about it because to be honest, it caught me off guard and disturbed me on a fairly personal level. There’s a relief I feel when I remember that I don’t actually know what was going on with the house - maybe that was intentional on the book’s behalf, maybe I just didn’t look hard enough for answers. I don’t know. But the implication that something divine was down there was enough of an answer for me. The book's good. read it if you want a spooooooky time or if you never want to look at a hallway the same way again

Doctor Who (Series 1-4) (rewatch)

ok so this is a fuckload of doctor who to cover so i’m gonna give some thoughts on a few of the characters and my favorite + least favorite episodes

9th doctor: My favorite butch lesbian. Christopher Eccleston truly embodies the concept of The Doctor so, so well: otherworldly guy who knows too much, genuinely cares about life across the universe, and also has a bit of deep, unresolved rage. His moments of joy and careless fun stick with me the most, he absolutely radiates with life and brings so much to this character.

Rose: I first watched Doctor Who when I was in middle school, and I didn’t like Rose that much back then. And guys. I have bad news. I'm still not really much of a Rose fan

I definitely understood her more this watch through - that desire for adventure and some sort of control over her life, emotions so strong that she’s willing to throw near everything away. That’s just what being 19 is like sometimes. I think Rose is a very compelling character who just happens to frustrate me a bit. And that’s kinda the point, her co-dependent relationship with the Doctor is doomed to fail and it's meant to hurt. Ultimately, I think when I first watched the show I was too young to understand Rose, and now I’m just too old to relate to her.

Captain Jack: Jack is my favorite character. I fucking love this guy. Dude has the worst luck in the whole universe and still cannot be stopped. Legendary. Every episode with him is a goddamn delight because he has so much chemistry with every single cast member. No notes 10/10 i love my problematic bisexual king

10th doctor: About four episodes into David Tennant’s run I realized that he dresses like a Hazbin Hotel character and it made me very sad. Still, there’s a reason this guy inspired every middle schooler to buy a pair of converse in 2008. He has style, he has depth, he’s got the sauce. It’s genuinely terrifying to see his anger, I like that a lot of 10’s run is about his denial of godhood and power over life in the universe, something that the rest of the time lords desired. idk i like my sad pathetic little weasel but he's also a huge fucking asshole sometimes which sucks. especially when it's directed at Martha.

Martha: Martha I am so sorry for what this show put you through. Martha was my favorite companion when I first watched the show, and I still have a huge soft spot for her. Her ability to hold her own and navigate foreign worlds using her own intelligence absolutely rules, and her drive forward is unbreakable. But the show seems to put her down at every possible opportunity, most notably with how 10 treats her. Her struggles and wants are constantly ignored, and she's often treated as a rebound from Rose. And I like that she eventually chooses to end it by not traveling with 10 anymore, but it hurts because it feels like she was never given the same chance or care that Rose and Donna were. This era of Doctor Who really doesn’t treat its black companions well because Mickey goes through something similar - both Martha and Mickey are characters designed to be ignored or left behind, and it sucks.

Donna: Donna Noble is one of the greatest fictional characters to ever exist. Despite seemingly living a fairly average life and working a fairly average job, Donna reflects the idea that no one is truly "average" and every single person is brimming with personality, life, and love. I love that her relationship with 10 is purely platonic, personally their friendship feels like it has a lot more depth than either of the romance-oriented relationships 10 had with Rose and Martha. 10 and Donna bounce off of each other so well and it's delightful, Donna brings so much humor and life to every world she's taken to and it's incredible. I wish her and Captain Jack could have interacted more.

My favorite episode: The Runaway Bride is hard to not choose as my favorite. I have a blast every time I watch this episode and it’s such a good introduction for Donna. Also the Tardis car chase kills me, I love when it cuts to the kids in the back of another car clapping and cheering. I was also surprised by the episode Midnight - it’s dreadful to watch and I kinda loved it. So much spirals out of control when shit hits the fan, even though no one has any idea what they’re trying to fight against. Really interesting exploration as to how fear can drive people apart.

My least favorite episode: It’s Love & Monsters. I wish I liked this episode - stories that follow regular ass people living in this world are often some of the best episodes in the series (Weeping Angels and all that). And this episode definitely has some of that. It’s honestly really touching to see this group of nerds get together and enjoy life in the first part of the episode. I think the antagonist of “guy who absorbs people” ends up dragging down any charm this story had because he just. eats all of the interesting characters. But despite me disliking this episode, I honestly have a deep respect for it - it’s fucking crazy. It ends with the main guy telling us about his sex life with his girlfriend who is now stuck in a piece of concrete. Where else are you going to get a story like this. It fucking sucks and that’s hilarious

oh also the production design: GODDDDDD I FUCKING LOVE THE PRODUCTION DESIGN AND SETS ON THIS SHOW. I love how dirty and rundown a lot of the spaceship sets look with wires and lights scattered everywhere. And a number of alien designs also go CRAZY with the prosthetics - I keep thinking about the Hath from The Doctor’s Daughter and how every head prosthetic had liquid inside it that could bubble. Absolutely crazy. I also love the moments where you can clearly see they did not have that much time and just had to throw something together or pain a bald cap green. Jank is the nature of sci-fi production design and I dearly love and miss that Doctor Who jank.

Rebuild of Evangelion

Last year after finishing the original Evangelion series + End of Evangelion, I remember going through the Evangelion tumblr tag and being very confused by the number of slice of life/found family-esque fanworks of the cast. It left me puzzled and thinking “...did we even watch the same thing??”

APPARENTLY NOT

[spoiler warning here because these movies are very good and i give the best parts away. if you want to watch these movies then DO IT NOW!!!!!!!!]

I honestly never expected a world where these characters got a happy ending. I so, so badly wish I could see 3.0 and 3.0+1.0 in theaters - these movies are stunning. I know I say things “go crazy” a lot, but man. They go fucking CRAZY.

While I have a few issues with how the first two movies adapted the original show, I do think the changes they made better serve the story this rebuild is trying to tell. For example, my favorite episode in the original Eva series is episode 18, where Toji is chosen to pilot Unit 03. It’s absolutely terrifying because Shinji doesn’t know who 03’s pilot is, yet he’s forced to be inside Unit 01 as it tears 03 apart. His resolve not to kill anyone despite not even knowing who’s in danger is an aspect of that episode I love and speaks to Shinji's inherent humanity, and when he learns Toji was in there it hurts even more. The rebuild movies change Unit 03’s pilot to Auska, and Shinji knows she’s in there from the start. I think this choice works for the movies and is still an effective emotional beat, but personally I still prefer the version where Shinji had no idea who was in there. That lack of knowledge is infinitely more terrifying to me.

I really like what these movies did with some of the angel designs though. The sixth angel (the fuckin. blue diamond cube thing) works really well in 3D/CG animation. The way the thing warps and moves is otherly and terrifying - and it’s just a fucking cube. I’ve always really loved how the Eva series approaches angel designs and the divine - despite the alien-like designs, there’s often something extremely familiar about them. They’re often reminiscent of an animal, a machine, or a human. This is also how they approached the anti-universe in these movies, I loved how it takes the form of various locations from the series and turns them into a movie set. It’s deeply familiar, but ultimately just an illusion of familiarity like the angels and the divine.

Also I gotta say. I fucking love Mari. I think she’s hilarious. She first meets Shinji by accidentally parachuting into him and then immediately starts crawling on all fours to sniff him. This girl also introduces “Beast Mode” where the Eva pilots can go wild turn their mechs into a fucking. superpowered beast of some sort. And also she defeats a whole army by using the Eiffel Tower as a spear. She’s such an absurd character and I honestly kinda love it. The only thing I knew about these movies before watching them was this gif of her Backing That Shit Up and she truly lives up to the insane nature of this shot.

My favorite section of these movies is definitely the first part of 3.0+1.0 where the pilots are basically just living a domestic life in a small town - it’s truly beautiful. The growth that Rei’s copy goes through here is fantastic, I love stories about seemingly emotionless beings learning how to live. And right after she dies, we get the shot that absolutely broke me the first time I saw it:

This shit. The way you can just barely tell he’s been crying from the red around his eyes. They don't talk about it, they barely linger on it, but it's allowed just enough time to punch you in the gut. I don’t know why this shot got me as hard as it did but goddamn. jesus christ. i want to throw up

There’s some goofy shit in these movies. The infinite synch rate. Misato’s stupidass hat and sunglasses. Some goofy ass 3D animation that doesn’t age super well. The rainbow that shows up every time an angel dies. But these things really didn’t take me out of the core of these films, and there’s so much genuine emotion and beauty in this series that had me absolutely hooked - especially in the last two films. They go crazy. My favorite line is 100% “The only thing a son can do for his father is pat him on the shoulder… or kill him.” and man. ain’t that what Evangelion is all about. i love these movies

High School Musical 3

kinda slaps just a little bit

High School Musical 3 starts with a finale number. The last high school basketball game of Troy Bolton’s life - and it goes kinda hard. The classic pep band brass that’s essential to so many High School Musical numbers returns, and the constant theme of two feuding cheer teams in the background? Genius. This is truly art. I love listening to Now or Never without visuals because in the middle Troy just starts coughing and gagging seemingly out of nowhere

Unfortunately, starting the movie at such a high point means that the rest of the runtime doesn’t quite match up to it. The story lags and meanders quite a bit, but part of me kinda appreciates that - it’s their last semester of high school, which is always a time of confusion and turmoil. However, I do have a pitch for how they could have countered the constant falling action this movie seems to go through:

The Wildcats should have lost their last game at the beginning of the movie.

What if the game is instead the inciting incident that leads Troy and his besties through their tumultuous last semester? Troy is still torn between basketball and theater, but his identity would be even further challenged here - is winning and success all that matters for him, or is it the love of sport and performance that keeps him going? idk whatever this movie came out 16 years ago i can’t be out here writing AUs for it jgnfsgfnjdksg

Some miscellaneous thoughts about this movie that i don’t care about formatting into larger paragraphs:

Ryan and Sharpay’s number (I Want It All) slaps as usual. The part where Ryan shouts “MADISON SQUARE GARDEN!!!!!!!” makes me so happy every time i hear it

The production design and sets go absolutely fucking crazy. I still have no idea how they pulled off the spinning hallway in Scream.

One of the classic staples of HSM is Chad’s shirts. Most of them are fairly silly and like something you would expect to find in the walmart clearance section. However, there’s one shirt he has in this movie that confused the hell out of me. It’s this one:

What the FUCK does Greenster mean. Is it just a combination of Green and Monster?? Why??? What green monster are we talking about here????? Where the fuck did this shirt come from?????????

Avatar The Last Airbender (2024)

There’s really only one word I can think of to describe what this show is like: sauceless. No flavor. No depth. No character. No sauce. This show is honestly so fucking boring and seems to fundamentally misunderstand what the appeal of the original Avatar series is - not necessarily because things are changed or removed from the original, but because nothing of substance is added in return. 

Most of the characters are mere echoes of their original counterparts when compared to their source material. Sokka is reduced to a guy who wants to fight good, Katara’s stubborn and confrontational nature is very rarely utilized, and Aang’s mischievous antics and love of fun is sorely missing. One of the major reasons for the dull interpretations seems to be the directing - While I have faith that most of these actors are trying their best (especially since a number of them are kids/young adults), the direction seems to be incredibly lackluster and takes away nearly every cast member’s stage presence or personality. There’s a number of reaction shots of the main trio that just look like this: 😐😐😐 as if they were just told to “look concerned” at the events unfolding before them. And these issues are apparent in the majority of the performances - for example, General Zhao talks like he’s in a board meeting up until the last episode, and it’s an incredibly flat performance. He talks somewhat monotone in the original series as well, but this live-action take on the character often meanders with his dialogue and lacks that sharp, terrifying quality that I think this character needs. Uncle Iroh also feels incredibly stiff in this adaptation, and it’s a goddamn crime that they took away the cunty little outfit and chains he was originally wearing when he gets captured by earthbenders. wait who said that

Credit where credit is due, there’s a few cast members that seem to be giving their best. It’s clear that Aang’s actor enjoys the role and does pretty well despite the lackluster direction and dialogue he’s given. On top of that, I think Zuko’s actor is honestly the best part of the show. His take on Zuko leans much more into teenage tendencies and sarcasm, which, although it can be silly, is a welcome take of the character in my opinion and pretty fun to watch. There’s this one line he has at the beginning of episode 2 where, in an incredibly whiny tone of voice, he goes “He RAN! The ultimate warrior! He’s a Coward :((((“ and the read is so. fucking funny

The case of bad direction isn’t limited to the performances, however. It’s also stunningly apparent in how everything is shot. Despite being in a widescreen format, most shots are incredibly centered - you could crop the entire runtime into a 4:3 frame and you wouldn’t be cutting out much of anything. I’ve seen some speculation that this was an intentional choice to make things more adaptable or readable for TikTok/phone video, but honestly I think that’s a dumb take. I think the issue stems from a lack of creativity and thoughtless composition. Keeping everything staged in the center can make shots feel disjointed, lacking much depth, or completely empty. It’s a boring way to shoot and indicates that the show lacks any unique vision at all.

Overall, this show doesn't really seem to understand what makes Avatar interesting in the first place. It's more interested in spectacle and action than the characters' relationships, emotions, and mistakes. I try not to compare it too much to the original since it's allowed to take liberties with its adaptation, but very few of its changes add much to the end result or give it a unique voice. It's just sauceless and boring.

Some YouTube videos i liked in February:

💥 My House.WAD - Inside Doom's Most Terrifying Mod (some supplemental House of Leaves material for ya) 💥 Martha Jones Deserved Better (this video explains how Doctor Who did Martha dirty better than i ever could) 💥 bringing JUSTICE to the worst garfield game 💥 Selling Kids for Clout: The Downfall of Family Channels

And that’s my roundup for February! Thank you for reading, I promise there are no more reviews left to scroll through below this goodbye. Nope, nothing else I watched this month. Bye!

…ok is everyone gone. phew, i’m glad no one noticed i pulled an hbomberguy and hid the largest part of this post under a false ending. Anyway holy shit i need to talk about hazbin hotel

Hazbin Hotel

well i didn’t like it

Hazbin Hotel is a weird, fascinating mess of a show. Every episode left me wondering what creative decisions (or lack thereof) led to the sequence of images I just watched. There’s been a lot of discussion of this show recently and I’m not interested in covering every critique I have, but there’s a few things that I'd like to talk about somewhat in-depth.

Hell is real and it's just Red Chicago

The setting of Hell is kinda boring in this show.

Let me try to put this into perspective. Aside from the hotel, here’s a list of the locations we see in Hell:

A boardroom

A video store

Vox’s evil lair (it has cyber sharks which is kinda cool)

Various streets

Another boardroom

A BDSM club

Carmilla’s house (it’s gray and has. balconies?)

A porn studio

A bar

Another bar

A town square (full of cannibals)

None of these locations really take on any sort of otherworldly form besides some vague demonic imagery scattered throughout (and the cannibals. i guess. whatever). In short, Hazbin Hotel’s setting resembles Chicago more than it does Hell.

I can see a world where that’s intentional. Perhaps making Hell resemble a modern city could be used as a thematic tool or point of relatability? But Hazbin doesn’t really do anything like that - since the characters rarely ever interact with their environments, these locations end up seeming like they lack creativity, like they’re just cardboard sets where characters go to swear. They all start to blend together after a while - every street feels the same, every boardroom fades into the background, and every bar feels like a google image search result for the word “club.” This world feels stunningly empty despite the busy designs and colors. Even though the backgrounds are painted and designed fairly well, nothing of substance is ever really added to them through the story.

However, a few musical numbers take effort to break away from these settings. This felt like a weight off of my shoulders whenever it happened, it was nice to see some interesting setpieces and backgrounds that weren’t red. I liked the bombastic and over-the-top broadway lights in Loser and the glowing alternate world in Charlie and Lucifer’s song. But these moments are few and crowded by the dull locations in Hell - or worse, the Hotel itself.

Despite being the namesake of the show, the actual Hazbin Hotel is… lifeless. Which, yeah, it’s a hotel where dead people go in the afterlife, but it’s missing any sort of personality or history besides “it’s old and falling apart.” I expected the hotel to be full of secrets - like maybe some hidden passages or rooms, or mysterious cabinets full of rotted meats, or old valuables hidden under the rugs by the previous owners. Something for the cast to explore and discover, and as they get closer to each other they also start to understand the hotel more. Alastor seems very intent on keeping the physical hotel standing for some reason, but I never really understood why. There’s nothing there. And that nothingness is fully realized when at the end of the show, they just rebuild the entire hotel to be grand and beautiful - an emotional beat that didn’t hit me at all because I never felt like I knew the hotel in the first place. Despite rebuilding it from the ground up, it will feel just as empty.

3 SHOTS THAT DRIVE ME CRAZY

I was truly baffled at how some of these scenes are timed and put together. Multiple sequences left me feeling nauseous and dazed - the camera moves like it’s being swung on the end of a rope, and there’s so many misplaced or meaningless cuts scattered through these episodes.

There’s a sequence of three shots in the first episode that I want to dissect. I will fully admit that I'm breaching nitpicking territory here, but the shot composition issues in this show are pretty rampant and my analysis here is just a hyper-specific look at a single part of that larger problem. Hopefully you can also use it as a quick storyboarding lesson too idk

First, we see Adam teasing Charlie.

Then, it cuts straight to this shot:

A few things here. 

Shot 2 is just closer on the characters, which is not a great idea to cut to after the previous waist-up shot. On top of being a jarring jump cut, there is no purpose for this new shot. All the information we see here (Adam laughs, Charlie fake laughs) could have just been conveyed in the previous shot.

Despite the characters being in the same position as the last shot, the background changes. This straight up just feels like an error. I think the idea is supposed to be that the camera is at a different angle, but the position of the characters does not convey that. It looks like reality changes behind them.

And if that’s not enough, this is the shot we get immediately after those two:

In this shot, the residents of the hotel sit on the couch as Vaggie walks into the shot, framing them between her legs. But there’s something… off.

Vaggie either looks like she’s floating or she’s three stories tall. Quick storyboard lesson as to why:

The main problem with this shot is that the perspective of the background doesn’t match up with where Vaggie is placed. The couch is framed as if the camera were above it, but Vaggie is framed like the camera is floor-level below her. I’ve traced the shot and added a perspective grid to hopefully better illustrate this:

Do you see what I mean? If the camera WAS actually on the floor like Vaggie’s position in the shot suggests, the composition would look more like this:

Notice how much closer the floor grid is to the bottom of the frame and how you can see the underside of the couch.

And to be fair, this is probably what the original storyboard for this shot looked like! Personally I think something went wrong in the compositing stage - this might be a couch background from another shot that was reused here to save time, or whoever approved this shot just let the error slide since the shot is so short (i've been there. sometimes you let the jank slide). Most animated shows will have some poorly framed shots and continuity errors because mistakes are bound to happen, but two egregious ones right next to each other like this is. pretty bad. It's so noticeable from a directing perspective.

Here’s the thing: these three shots happen in the span of like 10 seconds. Most viewers probably wouldn’t notice these issues, and that's fine. But even though these errors are quick, they stack upon each other so fast that even if you can’t pinpoint exactly what’s wrong, something still feels wrong. There’s so many other moments where the show breaks extremely basic shot composition, continuity, and staging rules - for example, the second musical number of the show breaks the 180 rule like four times for no good reason. The whole show feels like a dizzy, nauseating mess because the shots rarely feel like they form anything cohesive.

MY ROOMMATE TOLD ME TO GO TO BED SO HERE ARE SOME FINAL THOUGHTS

Here’s a rundown on some other thoughts that I don’t care to format into larger sections:

The show seems to lack much to say about sin and redemption other than “redemption good.” like sure, but what are they being redeemed from? Is heaven truly the place they deserve to go after being redeemed, even though it’s shown to be unjust? Are there sins that are too great to be redeemed from, or others that shouldn't be considered sins at all? I asked myself a number of questions like this, but never got many answers from Hazbin.

This show has a bad relationship with kink and sex. Both are mostly used as a punchline or a form of control. I didn’t like it. Perhaps the reason Hazbin never really comments on the nature of sin is because it needs you to consider sex and kink sinful or otherly for these jokes to hit.

Some of the animation is crazy good. I will praise any animator that even attempts to make these character designs move. A number of extremely talented people worked on this show, a few of the musical sequences in particular have some incredible movement.

Alastor is a very boring character. It’s wild that most of the side characters in this show only exist to talk about how much they like or hate Alastor, he mostly just stands to the side of some shots or kills random nameless goons. I expected him to have a much larger role in the story, but he just gets his ass kicked in the final episode and then crawls back to the hotel.

Episode 4 is the most cohesive, and i think Angel is the best character in the show. Unfortunately, the fact that Hazbin takes so much effort to show Angel’s misery left me… concerned? None of the other characters get treated as poorly as Angel by the narrative. There’s a few smaller explorations of trauma, but nothing remotely compares to what Angel is put through on-screen. This isn’t to say that I think the whole cast needs to be extremely traumatized and constantly miserable, but rather that I find it concerning that the only character subjected to incredibly graphic abuse and torture (that we see or hear about) is the gay sex worker. Which sucks, because I think the concept of hypersexuality resulted from sexual abuse is an important topic worthy of discussing in adult media. I just think they tried to execute this theme without much critical thought beforehand.

I think the voice cast does a fantastic job for the most part. Keith David is way too good for Husk.

I really liked the one shot where Charlie opens her phone and we see that she has a contact for every individual egg minion.

I was very brave and got through this whole review without talking about my new least favorite character of all time, Vox. here’s what I think of him:

The overall vision and end result of Hazbin Hotel is just mediocre. While I don’t know what led to the messy state this show ended up in, my guess is that it was probably the result of inadequate direction, sloppy writing, and lacking creative support from the studios involved. Because of this, please understand that I have no desire or intention to put down any individual artists that worked on this show - I hope it's clear that most of my criticisms are directed at the larger vision these artists were given to execute and/or the lack of creative support they received while working on this show.

I also don’t really have much desire to participate in any further Hazbin discussion or discourse because it has wasted enough of my time already and I want to be free of this curse. please spare my inbox from hazbin hotel discourse. please. i'm begging.

You want to know what the most fucked up thing about this is though? Despite everything I said about Hazbin, Avatar the Last Airbender 2024 is still the worst show I watched this month. I would take Hazbin over Avatar 2024 literally any day.

well if you got this far. thanks for reading. also sorry you read all that. whelp alright back into my hole i go bye bye

[babyangelsky]

BL Challenge 2k24 ✨Day 8✨

Hello and welcome to @negrowhat's 15 Day BL Challenge! Full challenge can be found here.

The Trope You Hate Except When It's "This Series": Forced Separation with a Time Skip Cherry on Top

♡ gif by @radishayuan from this set

Except when it's My Only 12%

This show. This show is the source of the majority of my beef with New Siwaj and yet, I love it beyond words. I really do. It's the third BL I ever watched and it has a special place in my heart. I don't know what the hell P'New puts in his shows that makes them hit like nothing else. I have to be in a very specific mood to rewatch this show but when I get into that mood, I have to rewatch it because nothing else will do.

Now let me just say, I truly and incandescently hate the forced separation trope, but it's so much worse when there's a time skip added in. When it's done poorly, it's usually because the writers wanted to throw in a last second conflict before the end of the show (usually in episode fucking 11) just so they can resolve it in five minutes in the finale. I hate it and it needs to die.

Even when it's not done poorly (because it's rarely done well) it's usually still frustrating and devastating. Like what did I personally do to deserve this? Someone is always going to study abroad or getting transferred abroad or making a deal with someone's disapproving parents or moving to the U.S. and going radio silent for FIVE YEARS GAO SHI DE WHEN I GET MY HANDS ON Y—

*ahem*

But! My Only 12% is the only show I've seen where the separation and time skip don't only work, but are necessary. I just really wish it had been done better.

♡ gif by @loveisactivated from this set

As heartbreaking as Cake and Eiw's separation was—and fuck, it was brutal—I do really feel like it needed to happen. Eiw's entire universe revolved around Cake and his entire sense of self was tied to Cake. Eiw needed to grow and I don't think he would've been able to do so nearly as well if Cake and the comfort zone he provided were there for him to fall back on. Cake's absence didn't only give him the space to become a more self-possessed person, it forced him to become one, even if initially it was for Cake's sake.

Which is why I'm so sad we got to see so little of that separation, and therein lies my beef with New; if the show hadn't turned into an anti-smoking PSA and had everyone crying for the last two episodes, there would've been enough time for both the separation and for Cake and Eiw's relationship to develop after they got together.

Cake wasn't gone for even one entire episode! Yes the time skip needed to be condensed, but the four years they spent apart were an important part of the story! There needed to be more time dedicated to them. If they'd spent just one more episode with Cake and Eiw separated, we could've seen more of their development.

I wanted to see my sweet boy Eiw grow up and become more confident and make new friends and adjust to university. (I also wanted more of him and Title but that's purely selfish because I'm a Title Tanatorn girly and I can't believe I didn't get to see them kiss even once) I wanted to see Cake really coming to terms with the fact that he was always in love with Eiw and with his sexuality. I wanted to see him miss Eiw the way we saw Eiw miss him.

♡ gif by @loveisactivated from this set

Their reunion would've ultimately hit that much harder and been that much sweeter if only we had been given a chance to really sit with their separation.

Not to mention that because the pacing was done the way it was and because we got the ending that we got, we only had like five minutes of Cake and Eiw's boyfriend era before everyone started crying! THAT IS CRIMINAL BEHAVIOR, NEW!

♡ gif by @krystaljungs from this set

Look at them! We deserved to see more of this! We deserved more of them just being happy and disgustingly in love! After all that pain and pining you're only going to give me five minutes of happiness?! You're going to hurt my queer feelings for half a show with the sweetest childhood friends to lovers arc I've ever seen and then drop the ball and not make it up to me?! NEW WHEN I GET MY HANDS ON Y—

[kalena-henden]

Shows I finished in 2024 so far...

A Good Day to be a Dog - A woman accidentally kisses her co-worker and turns into a dog during the night due to a family curse. She has to get her co-worker to kiss her as a dog to break stay human full-time or she will permanently remain a dog after 100 days. The first two-thirds were fun hijinks and a cute romance. The final third with the past life curse origin was a drag. Still upset the mountain god didn't apologize after wrongly punishing the wrong people due to his misunderstanding.

My Demon - A high powered business woman becomes entangled with a deal-making demon when she saves him and his powers transfer to her. This show stole plot heavily from shows like Goblin and Doom at Your Service and failed to do make those concepts their own. However, I still enjoyed it to the end, mostly due to the chemistry between the leads. They had such a fun and lively relationship.

The Story of Park's Marriage Contract - A Joseon-era bride who is widowed on her wedding day is transported to the future where she falls for a man who looks exactly like her dead husband. The story was okay but I was mainly here for the chemistry between the leads.

Fixer Upper: Hotel - Chip and Jo work their magic on an entire hotel. I love seeing the process and the design is beautiful as always.

Memorist - A detective who can see people's thoughts when he touches them teams up with a genius profiler to take down murders. As mysteries unfold and truths are revealed, everything is not as it seems forcing them to confront their traumatic pasts. I binged this in 4 days. The first half is dark but, just when I thought I had the villains pegged, the story opens up to explore the various sides of people to reveal the good, the bad, and the morally grey. I'm still thinking about this months later. I especially loved our detective/profiler team. I really want to rewatch.

Be Melodramatic - This a satire on the entertainment industry, grief, motherhood, and love that is done with 100% deadpan humor which is why I thought the concepts were interesting but fell flat due to not connecting with the humor. This took me almost 9 months to finish.

Death's Game - A man kills himself and then is given 12 chances to survive in someone else's body or he will be sent to hell. It's an anti-suicide version of A Christmas Carol. It was okay. While a host of great actors shine in their guest roles, it was maddening that the man didn't seem to learn along the way until the last body. Where the story ended felt like a copout. If this were a movie where you don't have much time, I would understand, but I wanted to see what would happen next. We needed just one more episode.

Marry My Husband - A woman with terminal cancer is murdered by her husband and best friend who were having an affair, when she is transported back in time before she was married to change her fate and find the love she deserves. This was such a great revenge story. Some of the best villains in kdramaland. A cute romance with a man who adores her. Real friendships. And the OSTs will stick with you.

Queen of Divorce - It started off okay but went downhill quickly. Honestly, such a waste of a great cast.

Daisy Jones & The Six - An interesting look at a fictional 70s rock band as they rise to the top before flaming out. I had listened to the audiobook but I liked the series better.

Doctor Slump - Two young doctors who were academic rivals in high school find themselves grappling with depression and fall in love as they heal together. This was a solid, even keel show for me. I enjoyed their healing journey and their romance.

Live Your Own Life - An outcast chaebol whose parents died in a mysterious car crash falls for his hardworking trainer who needs to learn to become independent from her family. I watched this 50-episode family drama for Ha Joon. There were some interesting things that kept me watching but it was just okay.

Princess Hours - The crown prince and a young artist, who are both high school seniors, navigate the complexities of an arranged marriage and court politics in modern day Korea. This was a really interesting study in how people can change and grow and fall in love as they grapple with the expectations of a nation. It's an old school kdrama and alot is meant to be inferred. It's almost as much about what is not shown or said as much as what is which was frustrating at times. However, when someone explained things, everything started to click for me and I saw all the things that were implied increasing my enjoyment.

Wedding Impossible - A gay chaebol asks his best friend to marry him to hide his sexuality from everyone. His brother who wants him to marry someone else for his own good decides to break them up by seducing his brother's fiance. It's a ridiculous premise with a fun, bickering enemies to lovers couple. It lags a bit in the last part but I still enjoyed this romance. Moon Sang Min is a new fave.

High School King of Savvy - A high school hockey player is asked by his older brother to pretend to be him at his job as a corporate executive while he investigates something nefarious. The high schooler then has to juggle both school and work life as he unexpectedly falls for his brother's secretary. This is a crazy, age-gap romance with Seo In Guk. The only reason the romance works is because both the leads are so pure hearted and kind. Lee Soo Hyuk is doing his best sexy, self-sabotaging second male lead, who even smiles! It was a bit much but it settled down in the second half and I loved the big found family feel of the cast.

The Smile Has Left Your Eyes - The first half was interesting with many characters’ selfish and dark intentions mixed with a little mystery were set up in contrast to our optimistic, self-sacrificing female lead. However, the second half drowned in major events happening and then being dismissed as if they never happened, multiple secret keepers refusing to tell the secret multiple times an episodes even when asked point blank when the answers could stop so many bad things from happening, and the existential dread I felt about what the big reveal was going to be only for it to completely dismissed. I knew this was a tragedy going in but still I felt angry and exhausted by the end.

Vigilante - A police university student decides to take the law into his own hands after his mother's murderer is let back on the streets to avenge her and other's like her who have been failed by the justice system. A manhunt for him ensues, bringing together an unlikely and at times unhinged group who decides to reveal the truth and bring justice. At 8 episode (six hours total), it felt like it was just starting to gel by the end. Definitely set up for more potential seasons after Nam Joo Hyuk gets out of the military.

Love Me Love Me Voice - A newer voice actor and singer is one day noticed online by her secretive voice acting idol and a whirlwind courtship begins. These are the sweetest, kindest people ever. I love how the dramatic readings and song performances are seamlessly woven into the story. Multiple romances, great friendships, mouthwatering food, and beautiful locals. This is a feel good story of first love.

[zepskies]

bestie I just wanted to share I love your writing (especially your sharing a bed with Cas fic!! So good). I also love that you write for Smallville— it’s such a good but underrated show

Hello there, lovely!

Why thank you so much. 🥰 I loved writing that little "Sharing Is Caring" series with Sam, Dean, and Castiel. I'd like to do another little series like that in the future.

But I also love writing for Smallville!! I've been a huge fan of that show since my dad and I used to watch it together when I was a kid. And I recently did a full series rewatch (all 10 seasons). It made me fall in love with it all over again!

If people don't know, this is the show that preceded shows like Arrow, Supergirl, Flash, etc. on the CW (back when it was still called the WB). Featuring babyface Jensen lol:

Smallville doesn't have the popularity on here that SPN does, but that's okay.

I'll continue to write Jason Teague stories when they come to me. 😘 (I may or may not have entire outlined stories, both for Clark Kent and for Jason, that also might not ever see the light of day. lol)

I think Jason's character in particular had vast amounts of untapped potential.~

[questforgalas]

Doing my rewatch of the TBB for my "Sibling Moments" series has helped me catch details that I missed in my hundred of other rewatches because this one I'm zeroed in on the characters' facial expressions and body language in a way I never was before, and I've come to the conclusion that a lot of the criticism towards Hunter is fanon vs canon and people are just completely missing the tells in front of them (caveat that I always liked Hunter and I never agreed with the criticisms he got after S2 of TBB about his decisions, but I also didn't see these tells until I specifically was looking for them so it is understandable where a first-watch reaction can lead someone to that conclusion)

So what I'd like to offer is those of you who love fanon Hunter - you know the one in fics who's openly squeezing his brothers in hugs and playfully bantering with them post Order-66 etc - and criticize his lack of affection in the show is go back and watch the S1 finales and specifically hone in on Hunter interacting with Crosshair (esp E15). I point out a lot of it in my next "Sibling Moments". Hunter's body language and facial expressions are desperate, and I mean desperate, to get Crosshair back with them. The amount of times his eyes soften and plead when they focus on Crosshair had my heart breaking. His head is on a constant swivel to check that the other troopers aren't within earshot as he finds every opportunity to try and get Crosshair to see his reasoning eventually hitting a point where he doesn't care if they hear and just openly begs him. (This is a Hunter post so I won't ramble about Crosshair's expressions during these interactions, but he's another one I suggest honing in on too. These two killed it this episode).

Since fanon Hunter is the one who'd openly pull Crosshair into a bone breaking hug when they reunite, I used to not have expectations to see a scene like that in S3, but after my rewatches and S1 E15 in particular, I actually wouldn't be surprised if they gave that moment to Hunter because I think it would be the conclusion of his character arc to do so. It would be the final break of him desperately trying to hold onto being a sergeant and keeping the façade strong for his family to just let it all fall because he's done with being a soldier and just wants to be a brother. Giving him that full circle moment with Crosshair would be a way to show them both moving on from what's occurred over the last 2 seasons. It would be an interesting take if that's where the creators take the story for season 3

[saucy-mesothelioma]

I wanted to compile a very short list of some of my favorite M*A*S*H scenes and why I love them so much. It's a long post, so everything will be under the cut

Winchester and the Pianist. Season 8, Episode 19, "Morale Victory":

This was the scene that made me truly fall in love with Charles's character. This was his third season on the show, and in my mind he was still "Frank's cooler replacement"- stuck up but not as insufferable. He had his moments of course, but none of them truly got to me like this scene. Stiers puts the perfect amount of subtle passion that Charles has for the fine arts and uses that to not only connect with Private Sheridan, but with the audience as well. Charles, with all of his haughtiness that was very prevalent in his earliest seasons, went beyond caring for Sheridan's physical injuries but also the blows to his sense of purpose. He sees a man with as much passion for the arts as him, and he's determined to show Private Sheridan how much he really is capable of. He wants to keep that passion alive in the face of hardship, and the look on his face when he sits back and listens to Private Sheridan play says it all. He's done more that repair a man in the literal sense, but he's also done so with a man's hope. It was the turning point that made me see Charles as not just Frank's replacement in matters of minor antagonism and subject of Hawkeye and BJ's antics, but truly as his own character with so much more to him.

Father Mulcahy's Interview. Season 4, Episode 24, "The Interview":

This story was based on something a real army doctor that served in a Korean M*A*S*H unit told the writers, and it's such a visceral picture that even rewatching it I have to just stop and take it all in. And it's just a fragment of the horrible conditions that the doctors, the soldiers, the locals, and pretty much anyone in the line of fire in Korea at the time had to deal with. This show might be a dramady showing some of the antics of a fictionalized army hospital, but this is one of those moments where the show really just pulls you into the stark reminder that not everything they talk about or show in this series is fake. Despite all of the jokes and slapstick, at its core M*A*S*H is an anti-war commentary and it makes no attempts to hide it. This episode just happened to be one of the earlier instances where the majority of the comedy was removed in favor of really highlighting the brutality of war. Scenes like this cut deep, and that's exactly what they're supposed to do.

Sometimes You Hear The Bullet. Season 1, Episode 17, "Sometimes You Hear The Bullet":

I'm not afraid to admit that this scene made me cry. Not a full-out cry, but the kind that hits you so hard that you barely even register the fact that you're crying until you're already doing it. Even now I'm having trouble conveying how this scene makes me feel into words. It's another one of those scenes that holds nothing back when it comes to the message that war is a taker of so many lives, and it doesn't discriminate with its victims. Hawkeye's frustration with his disassociation with the deaths of his patients is just heart-wrenching, especially since it's something he essentially has to do because it's his job: "I've watched guys die almost every day. Why didn't I ever cry for them?". You can tell that it's not only the death of his friend that's affecting him, it's the fact that his job has forced him to distance himself to the idea that the people he operates on every day are people with lives, hopes, and dreams. When he's confronted with the death of a friend who died just as so many soldiers before him, Hawkeye is reminded of the fact that the soldiers suffering from unimaginable injuries that he operates on every day were just like him. It's a realization that I couldn't possibly fathom dealing with, and yet it's one that Hawkeye has to deal with every time he's in the operating room.

Through the Wisecracks. Season 11, Episode 5, "Who Knew?":

This episode is the one that hits me hard the most. I think what gets me about this episode is how it reminds me of the people in war who remain forgotten: the nameless soldiers, locals, surgeons, company clerks, and many others. And I think that's the point. We never see Millie. She is a faceless character who we know little to nothing about, and the people at the 4077th know little to nothing about her either. It's only when Hawkeye puts in the effort to learn about her and to read her diary, that Millie is given substance. We learn as Hawkeye learns, and it hurts for both him and the viewer. She almost went forgotten, just another casualty among a million other causalities, but someone took the time to remember her, and that's more than can be said about so many who died in war. Another thing that gets be about this episode is the same lesson Hawkeye learns: to care about each other and let the people you love know you care, because someday it might be too late for that. Millie was too shy to get close to anyone at the 4077th, so Hawkeye never knew that she cared about him until it was too late. Hawkeye reflects on how he hides behind his jokes, and we can see other examples of characters on the show doing the same thing such as Margaret hiding behind her military correctness and Charles behind his haughtiness. But Hawkeye refuses to hide behind his jokes during this moment and tells his friends just how much he cares for them. He knows that especially in their circumstance, the people that he grew to love in the 4077th could be dead tomorrow. So he decides he won't go a second longer without letting them know how much they mean to him. He ensures that not only Millie won't be forgotten, but neither will his friends.

[unlikelyjapan]

s2e5 rewatch notes

Ah, "Pop" - it's so weird to have one of the least-satisfying episodes of television you've ever watched be sandwiched in the middle of one of the most satisfying television series you've ever seen.

"But the viewer uneasiness, the juxtaposition, that's the point of the episode!" cry future Storer/Calo** in unison, tearing at their shirt collars and throwing themselves prostrate in the middle of their 7th podcast interview moderated entirely by men "in the spirit of John Hughes, we wanted to convey....."

** For the record, I respect/love them for creating my 2nd favorite TV show of all time, they just grind my gears with the offensive stance on these narrative choices that were, in fact, very bad.

It was an over-reach, an unenjoyable viewing experience for most people outside a specific segment of uncritical (mostly white) men and the women who placate them.

Alright, preamble over - let's dig in!

We open with Tina getting a crash-course in Syd's vision. I bet this woman has never been exposed to breaking food down in the abstract - "earth, air, fire, water" , nor the overwhelming prep of the daikon and the fennel - but her just being like "this is a lot for a tasting menu" and then reassuring her with "it's okay ma, I got you!" - she has my full heart.

Tina's intuition on the food is good, though - it is, in fact, too busy. Sydney is still learning how to be a mentor, and she negates that Tina's background isn't automatically going to make her know what a play on an XO sauce is, or even how to identify a panzanella.

Remember Carmy explaining Japanese plum wine to Marcus? That's how you do it. Sydney still has a learning curve to go through, but Tina will weather it gangbusters.

Sydney - "It's a lot, it's a lot...I'm seeing that its a lot"

I see that iterative recipe development between Carmy + Syd fell into oblivion three weeks earlier when he blew her off, and she's suffering greatly.

Carmy is trying to get the 7 seconds down to 5 between stations when Cicero comes in, and Cicero sees it as a fruitless exercise after Natalie points out that he's been at it for over an hour. I can almost see the flash in Carmy's eyes where we're back 5 years ago, his family seeing him and his work as weird and irrelevant. This was probably the first blow of the day that led him to flake out completely.

I'm including all of Cicero's dialogue here, because I didn't realize it was so weighted on my first pass through the show:

"I'm a little concerned that we're taking our eyes off the ball here, and I want to be hyper-clear - if I ain't seeing no progress, I don't want to keep pissing money away. I'm calling this out now, because we are - How far from open, Sug? - Six weeks! And I somehow anticipate that the coming six weeks, there will be more pissin'.

The thing is, I like to control the pissing to the best of my ability....your schedule is kinked. You're doing whatever the fuck you're doing here. Thundernuts is out there making sandwiches for his entire family? I mean, look, as much as I look forward to selling this place - and trust me, I do look forward to it - I think it's just in all of our best interests if we have a maximally efficient place of business. I really would like to tell you a story of complete and utter failure...."

Syd interrupts.

Holy shit - this is the second time he's tried to tell his Gonzalez/Bartman story. I can't believe I missed this, TWICE (s2e1).

Instead, he tells it to Carmy on opening night - and I think by then Cicero has seen the writing on the wall and knows that Carmy is the only person who really needs to hear it - this is a big CP.

The scenes that follow just reinforce Ciceros current narrative - it's too casual for essentially being a House of Usher - everyone is interrupting, Fak's pal/contractor wandering in eating a sandwich the electrician made him, the drywall falling, Timmy's "no worries, it's still billable hours" crack. Mobster uncle or not, the man has already spent $550k just to witness this.

Tina telling Ebra that it's weird she hasn't spoken to him in a few days, and can't recount the last time that happened - it's amazing that with all the talk of platonic relationships this season, no one is pulling this one out of their hats in comparison *smirks*

But again (like Sugar faux-charming Cicero moments earlier). women be managing men's emotions along with their own lengthy lists of challenges, as the men retreat wounded and overwhelmed.

Cut to Syd perfectly laying out dining wares for Carmy while Fak blathers about 'Can't Hardly Wait' being "the greatest High School Song ever written" while his contractor friend sits idle....

"That's $55 a plate for that silence" - "Okay, then we can use the shitty ones" - Carmy is being so frigging childish and dismissive, right after he called Sugar "fucking disgusting" for being cutesy with Cicero to de-escalate him, but both women are doing what needs to be done - not what they WANT to be doing.

This is when Carmy completely checks out to call Claire for the ridiculous errand run to Winnetka. In my memory, I felt like "oh, he wanted to see her and he took the first opening to bail", but watching this episode now, he feels defeated and infantalized, and so he runs to a guaranteed source of flattery/unchallenging comfort. I don't think it was initially his M.O for the workday, just "later".

He exits with "Um....chaos menu. I dunno? I'll get back to you?" after we already watched Syd suffer on it until the wee hours - he's off to provide himself with amusement and enjoyment, so he can take care of Syd others- he just wants to give the menu to her straight-up (as he thinks this will please her), and this is his way of apologizing for bailing.

The same goes for his non-thank-you to Natalie as he's leaving. "You're not doing this because I'm pregnant, are you?" - No, he's doing it to provide himself with amusement or enjoyment so he can be better for you - enjoy working the entire day at the restaurant pregnant, though! If it makes you feel better, he appreciates you.

"Total Control" by Motels is playing as Carmy and Claire drive to the suburbs - I included the link to the lyrics, because it was an....interesting choice.

I really tried to analyze their conversation during their first foray into the car, but my raw scribbled notes look like this:

"It's perfect timing, I had all this extra adrenaline after resetting this guys Tibia" - screaming

"Whoa" (but not really impressed/getting it) "Does that shit really fire you up?" - oh my god

"It really fucking fires me up. Plus, I love driving. I'm a horrible driver, but I love the risk." - oh my fucking god

I can't do it. I'm sorry.

I'll only note that the chemistry during the envelope drop is non-existent. I think it was supposed to be scripted as a funny/awkward scene, but it just came off as two actors standing in a mail room - before this moment, I never perceived JAW as a guy who's just acting in this show, and it's jarring.

Why the hell didn't FX exert more pressure to get the chemistry read they asked for?

Sydney and Natalie's sit-down is just them acknowledging that they're managing the feelings and work of all the men that orbit The Bear, on top of the extensive labor demands they already have. Richie's interjections due to lack of purpose, Fak's inexperience with managing contractors, Carmy being checked-out and incapable of participating in things that don't rely on his existing ADHD skill-set.

One of these women is a bit green and needs support, the other is pregnant and overwhelmed, and all the men are mad or threatened by them for one trite reason or another - if season 3 isn't an overt celebration of female competence and resilince, I'm out.

"The menu is fucked - and I need Carmy, but he is....being Carmy, somewhere."

"At least he's hanging out with Claire, that seems moderately healthy, right?" - Sugar delivers this as not good, not bad, just completely ambivalent - a far cry from the Fishes discourse.

And Sydney's eyes fire up with the intensity of hell behind a smile and the "who's Claire?" - Ayo is such an amazing actress, that was a nice palate cleanser after the letter drop.

OK, we're back in the car - again, I couldn't extract much from the vapor, but here are some rough-hewn observations:

Claire saying "We've hung out so much, but we've never actually talked" - add it to the list of "telling, not showing".

I wonder if Molly Gordon is truly a great actress and intended to look at Carmy like that while he was talking about drawing pants (intense psychoanalysis eyes) or if she was attempting to look dreamily at him and just failed the assignment.

It's becoming a bit more clear to me that there's a weird brother-oedipal thing going on with Claire when Carmy talks about how she had so many friends, as Mikey did.

"Speaking of dead brothers, do you want to go to a party?"

Ignoring the totallykookycoolgirl line, I don't believe Carmy wanted/needed the tension to break there, he actually wanted to talk. The 'hmmmm' he lets escape is discomfort on multiple levels.

The party scene - "Pretty in Pink" by the Psychedelic Furs plays as they enter a house filled with 35-year-old fraternity dudes.

For those who maybe missed this, John Hughes also wrote "The Breakfast Club", wherein Molly Ringwald's character was named Claire. They just beat us over the head with this regression repeatedly, and I resent it. I came here for a high-caliber show, and I feel like I'm watching Zach Braff disassociate in a Scrubs dream sequence or some shit.

At least KJ (a 38 years old man with meth face) says that Carmy was in wrestling with him back in high school - maybe this will tamp down the "why is a chef so ripped" debate.

Even when Claire is comforting her friend (which is played by Mitra Jouhari, Molly/Ayo's friend in real life), the delivery is so wooden and sterile and not how adult women console one another in crisis.

Maybe it was the fact that she was forced to maintain the whispery voice through it for consistency in Carmy's presence, but even that seems out of sorts - imagine Syd, Tina, Sugar, anyone consoling a friend in a similar situation - and she uses that consolation to further her agenda with Carmy by dropping that no one has ever made her dinner before (at age 30???)

"Am I stupid?" "No, no....he's the one who sucks".

Wait, these are the lines of a very adult woman who has friends who are doctors getting over a 5-year-breakup? This script is stupid.

Jeremy Allen White is such a serious actor, I'd kill to hear his earnest drunk take on this.

"He's so nice. Why don't I ever meet anyone who's nice?"

*sighs deeply* - Again, y'all are 30.

Tina taking a shot and then getting up to sing "Before the Next Teardrop Falls" by Freddy Fender. I'd love to know if this song has a massive place of significance in Tina's life, but I choose to see it as her being a ballast of support for whoever needs her. Her heart is completely open - no notes.

Hold the phone - they chose "Here Comes The Night" to play as Claire is staring back at Carmy and comforting her friend leading up to the fireworks scene?

Here are the lyrics - Van Morrison/Them is great, but I wonder why they picked this song? Feel free to slap the Syd goggles off me, but this literally just chased Tina's ballad about being there when someone breaks your heart.

KJ saying "busted for having fun, busted for having fun!" as the cops are hauling him away. Loga....I mean, Carmy, was looking for "fun" in his life - I feel like this scene summarizes that pretty succinctly. He's not a man searching for fun, he's a man searching for meaning....and now he's going to conflate the fact that he's completely touch-starved with this type of fun, because the man is emotionally illiterate.

The one lyric from Strange Currencies (when they're driving to the restaurant) that they chose to flare prominently is "where were you when I kissed you" - at least they're driving home the message that these two aren't on the same wavelength.

Carmy walking into the Richie-fight-shitshow and being more concerned about the optics Claire receives when it's obvious that his whole staff has just been through a hellfire of a day, ugh. At least his acting chops are back on display in this scene.

Ahhhh, Claire's sourpuss face as soon as Sydney blurts out "I'm sorry you're here" - it almost makes this episode worth it. Almost.

For the record, I side with everyone who's stated that her introduction to the crowd was exclusively to draw Syd's attention to her.

The same goes for Richie's "Interesting." - if we based everything on what Fishes was trying to sell us, he would have thrown Carmy an arm-punch or something. It's more bemusement, not pride, in Carmy for "bagging Claire". Compare that with the "ooooooooohhhh" when Syd and Carmy are fighting - there's way more tension/acknowledgement of their dynamic.

Ugh - even Richie is like "Cousin, who's going to watch the copper?" as Carmy kicks everyone out. Even if they're ham-fisted about it (as Richie definitely is), everyone is concerned about something to do with the restaurant/their labor except for Carmy, who curtly dismisses them all with fake gratitude.

I won't talk much about Syd's exit, because it's already been discussed to death - yes, he's confused she's leaving. Yes, the only time he can look her in the eye is while Claire is distracted. Yes, he see's she's pissed and it's making him die a little inside.

I will offer a trite story, though:

When I was a young pup, I had a co-worker who had a massive crush on my friend - and the affection was mutual, but unacknowledged due to lack of experience.

He (being a traumatized, ill-equipped man-child) immediately sought out a less challenging girlfriend who even looked like a close approximation of my friend and excitedly brought this new girlfriend to a party I was throwing because he REALLY hoped that my friend would love her. She obviously didn't love her, he came to me confused/upset, and after I explained things slowly and carefully, he dumped the girlfriend a few days later. He dated my friend weeks after (and for transparencies sake, it ended terribly).

Where I'm going with this is that I think somewhere in the recesses of Carmy's damaged mind, he REALLY needed Syd's approval of him being with Claire since he was caught red-handed. He imagined her staying, asking leading questions or chaperoning the situation, or giving him a knowing smile or a "thata boy" - whatever. Even though he told everyone to leave. It's bizarre.

The Fak thing is so cloying - someone mentioned today about the Berzatto clan of fools wanting to live vicariously through Carmy and Claire, and they are 100% correct.

Finally, 30-year-olds don't kiss like this.

This whole thing was as unsatisfying to write as it was to watch. Hopefully, I caught something of use - thanks for sticking with me through this!

[bird-inacage]

1 YEAR WITH PRAPAISKY / FORTPEAT

My first post about Love in the Air was published on 1 September 2022, where I started speculating on what the Prapaisky storyline may have in store. But it was really when I shared my first meta 'Love in the Air: Sky’s Desire to be Loved' that I realised just how many others were invested in the Sky/Prapai story.

LITA was the first thai BL series that was on my radar before it aired, that I avidly followed during it's weekly release, and then far beyond. In those very early days, there were probably less than a dozen of us posting about Prapaisky here. And once LITA finally did start, it quickly dawned on us that the Prapaisky episodes wouldn't begin until the second half. The sound of crickets and the occasional sighting of tumbleweed would continue before we got some substantial content to feast over. Let me tell you, the wait was trying. Fast forward to just over a year later, and it's absolutely incredible to see how much this show and pairing has blown up since then.

I'm extremely grateful for how much joy both my mutuals and followers have brought me throughout this fandom. Even if this blog does shift to other shows or pairings, this couple will always have a particularly special place in my heart.

How did I come across LITA, was it love at first sight?

I happened upon the trailer, and these two immediately caught my attention. Sky entranced me with his big doe eyes, much like how Prapai was drawn to him that fateful night at the race track. I swiftly fell in the love and the rest is history.

What do I love about Prapaisky?

There's something I find very compelling but also comforting about the Prapaisky relationship. A story is more likely to stick with me when there is really poignant character development - something that can be found in both Sky and Prapai. Their relationship is a healthy union that makes them both better people. Prapai is humbled by Sky's love, and Sky is empowered by Prapai's.

(ABOVE: My full video edit "this is how you fall in love" is on youtube HERE)

Favourite Prapaisky scene?

I think the episodes I have rewatched the most are probably Episode 10 and Episode 13. But just to mention some of the scenes which I find most memorable: Sky holding back tears after his one night stand, Prapai coaxing a feverish Sky during a nightmare, Sky falling asleep in Prapai's arms during Last Cheer, Prapai's imaginary kiss whilst Sky is sleepy, Prapai's utter devastation when Sky breaks up with him over the phone, Sky's affectionate back hug when Prapai comes to him, Prapai begging Sky to cry, Sky wiping away Prapai's tears.

What do I love about Fortpeat?

My favourite aspect of this partnership is Fort being a hugely affectionate and clingy person, whilst Peat is smothered by his love. Peat tends to be the more quiet and measured one within the LITA foursome (probably due to being the oldest) but Fort brings out his inner child. I still can't get over the fact Fort calls him 'baby' because he acts like one when he's with him. You wouldn't have known this in the early days when Peat was considerably more reserved. Fort comes across as an unfiltered, energetic, massive softie. Peat is the grounded, silent assassin of a tease who is unapologetically himself.

The future of Fortpeat?

I desperately hope these two get a new series as a couple. LITA really put them both on the map, and I'd be incredibly shocked if they don't get cast in something new, considering their enormous popularity now. But please, please give them a decent script. We know what they're capable of and I want to see their talent given the material it deserves.

[dotthings]

Back on my slow, full series rewatch of SPN and noticing some things in S4 about the theme of Sam and Dean’s specialness and Dean’s love/hate relationship with hunting and the nature of Sam and Dean as heroes.

Sam post first. I’ll post the Dean one separately.

In season 4 leading up to 4.15 Death Takes a Holiday (written by Jeremy Carver) Sam’s been training with Ruby, drinking demon blood, and developing his demon-related powers more strongly. Dean’s been uneasy about that. And running alongside this is Sam increasingly growing drunk on power, as well as his detachment and sense of specialness.

SAM Look, I don't want them to die, either, Dean, but there's a natural order. DEAN You're kidding, right? SAM What? DEAN You don't see the irony in that? I mean, you and me, we're like the poster boys of the unnatural order. All we do is ditch death. SAM Yeah, but the normal rules don't really apply to us, do they? DEAN stares. DEAN We're no different than anybody else. SAM I'm infected with demon blood. You've been to hell. DEAN looks away. SAM Look, I know you want to think of yourself as Joe the Plumber, Dean, but you're not. Neither am I. The sooner you accept that, the better off you're gonna be.

It’s not that Sam is 100% wrong. Their job, their lives, are unusual, they do have to deal with weirdness most people don’t, in a highly dangerous, unpaid job, Sam does have demon blood powers, Dean has been to hell. But there’s also a bunch of things in Sam’s pov here that is linked to his S4 overall arc of going off the rails, moving away from who he is.

Way back in S4, there’s in-story comment on how Sam and Dean have plot armor while other characters don’t. Via Sam expressing an alarming sense of superiority—rules don’t apply to them, if other people die too bad it’s the natural order, they’re special. This isn’t Sam (and I really appreciate Sam’s sense of horror during the S14 reveal about the plot armor). Sam’s got his head twisted around here. Sam’s talk about specialness screams of Sam falling for Ruby’s cosmic trap, priming him to get where he needs to be to set Lucifer free.

One of the things that was so appealing to me about SPN is Sam and Dean’s ordinariness as heroes. They’re just a couple of guys from Lawrence, Kansas yanked into the world of the supernatural. They’re both the everyperson pov, while they’re also both outsiders and “freaks.” Sam and Dean often have to reject “great destinies” that cosmic beings try to force upon them, they rebel, tear up the pages, make the story their own. Free will was always a big theme on the show. Rebelling against the cosmic being manipulated system.