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fyorina · 2 days

Text

ᡣ𐭩 I, CARRION

FEATURING: beast dazai osamu

SUMMARY: the day of the event has arrived and dazai is second guessing everything, but it's too late for him to back out now.{wordcount: 12k; fem!reader; romance & tragedy}

AUTHOR'S NOTES: PART FOUR wow guys we're really getting into the meat of the fic now. HAHAH this is the chapter i had to split into two parts, initially it was going to be one big one but then it would've been a whopping 23k words and that's a bit much even for me. i didn't want to cross the 20k realm HAHAHH. anyway, this chapter really was a pleasure to write, the second scene was my favorite but the ending was SOOOO close to usurping it

GENERAL WARNINGS: again, i'll just leave this warning on every chapter - dazai struggles a lot with disassociation/derealization & losing himself in the pages of the book. as always please let me know if i forgot any warnings

SEE: UNREAL UNEARTH SERIES MASTERLIST READ: BADLANDS SIDE A

“Gin-chan, I’m so nervous.”

You pace around Dazai’s penthouse anxiously, twisting your fingers in front of your body. The event is taking place tomorrow night. You still don’t have an outfit for it—Dazai told you not to worry about it, you’re still worrying about it because what does that even mean? You don’t know what to expect from the event, and Gin is evasive when you ask her about what will happen, just keeps telling you that it’ll be fine as long as you stay with Dazai.

“There’s no reason to be nervous,” Gin says, as she always does, still tapping away at her laptop. Glasses hang off the bridge of her nose and there are dark circles beneath her eyes. You feel a bit ashamed about constantly going on about your nerves when you know damn well she, Dazai and all of the other executives of his company have been working nonstop the past few days trying to finish preparations. “Dazai-san will be with you the whole time, and if he has to talk business, someone will sit with you until he can get back so you’re not feeling awkward.”

Somehow, you think that might be even more awkward because you doubt a random person is going to want to babysit you while Dazai is busy, but you don’t voice your thoughts, instead just withering as you circle the large room for the sixth time in the past five minutes.

You’ve hardly seen Dazai all week. You don’t really mind, you know he’s swamped with work and you’ve been keeping yourself busy going out cafe hopping and shopping. Gin comes with you when she can, but it’s usually Nakajima Atsushi or Tachihara Michizo that joins you—Gin had introduced you to the two security guards a week ago when she’d been too busy to come with you to a cafe downtown. You don’t mind the company but you can’t help but wonder why Dazai is so insistent that someone comes with you.

Well. You can’t help but wonder about a lot of things, really. You’re pretty certain that Dazai is still hiding something major from you. You don’t know a lot about business, and you especially don’t know anything about his business, but something isn’t right. You’re not stupid and everyone is not as slick as they think themselves to be, you see how tense and anxious people get when you mention him to them, more so than the average worker would be at the mere mention of their boss, and everyone in the entire damn building is armed, even though they clearly try to hide it whenever you’re in the area.

You and your friends have joked about the uber wealthy before, and how no one above a certain tax bracket obtains their wealth without some sort of blood money; you’re about 99% sure that’s what’s taking place here too, and it would certainly explain all of the secrecy. More so than trade secrets at least, you feel a bit dumb for that to have even been an explanation in your mind. You just don’t know the specifics. You don’t know if you want to know the specifics, you think you’d prefer to remain ignorant because 1) you definitely don’t want to have any sort of culpability, not when you’re on path to graduate school and hopefully a very prestigious job with the government, and 2) … you don’t want to face the reality of what that would mean.

You like Dazai. More than like him. You’ve been slowly coming to terms with the fact that you really, truly care for him, and if you end up learning the… specifics of his job, then you’re going to be forced into making a decision you don’t want to make: preserving your future and morals or risking them for him. And you’re not going to sit around and claim to be some upstanding, virtuous person. You’re not. But you are ambitious, and you’ve had your mind set on your future since you learned how to pick up a pen and write. You’ve worked your entire life to get where you are now, slaved your way through a prestigious undergraduate school in Japan and spent months preparing for the entrance exams for graduate school, only to what? Throw it all away for some man?

God, you almost feel sick. Distantly, you wonder how awful of a person you must be for the threat to your future success to be the main reason why you’re questioning yourself, and not the fact that it’s very likely that Dazai and his conglomerate have some sort of business with Japan’s underground, maybe even direct dealings with the mafia itself.

You pause from where you’re pacing around the room, eyes widening a bit as another realization hits you. You had thought it was odd that Dazai and Gin and all of the executives of the conglomerate have been so stressed and anxious over an event that they’re not even hosting, but what if… Your throat spasms a bit as you swallow, wondering if Dazai is about to bring you not to an event hosted by their rival, but to an event hosted by the mafia. You don’t think he would put you in danger like that, you don’t want to think he would put you in danger like that and you wonder if you’re just sending yourself down a spiral of unnecessary paranoia.

But it doesn’t make sense. Dazai is enamored by you, and you don’t think you’re being conceited by saying that because he has made it abundantly clear. There’s no way he would ever put you in danger like that. Not unless… you feel a bit green remembering his reaction to you saying that you’d go out on your own and stay with your friend the weekend of the event. You could feel the anxiety radiating off of him for a split second before he asked you to come with him. You also remember how he always makes sure someone is with you when you go out, and god, you swear you’re not a conspiracy theorist but nothing is making sense when you look at it through your rose-tinted lenses but looking at it through these lenses. The lenses of a man who is obviously smitten with you, and who might have dealings with the mafia—of course he wouldn’t want you to go out on your own because he’d be scared that you might be targeted as a means to get to him.

Oh, you feel dizzy. What have you gotten yourself into?

“Are you okay?” Gin is looking up at you, brows furrowed in concern. “You look a little sick.”

“I’m fine,” you say, but the words sound pathetic even to your own ears and you know Gin doesn’t believe you from the way she tilts her head to the side to study you.

Luckily, you’re saved by the bell. Literally.

Your head snaps to the side as the elevator dings, and ordinarily, you would be ecstatic because who else would be coming up to the penthouse besides Dazai and while you’ve certainly missed him over the past week with how busy he’s been, you’re not sure if you’re ready to see him right now with the way your thoughts have just spiraled, because you think you might blurt something out that you can’t take back.

But, for better or for worse, it is not Dazai that enters the penthouse.

“Good morning, ladies,” a familiar voice croons as the elevator doors slide open. Your eyes light up as you whip around, eyes falling upon a face you haven’t seen in almost two weeks. “I come bearing gifts.”

“Albatross!” you say, excited, a smile splitting your face, because yes, even knowing about the possible affiliation with the mafia, you’re still excited to see the blonde—he’s never been anything but sweet to you, and he’s really the only one besides Gin and Chuuya who doesn’t treat you weirdly because of your relationship with Dazai.

“D’aw, look at it, Lippmann, told you the doll would still remember me,” Albatross grins, dark glasses hanging on the bridge of his nose as he tosses you a wink and then looks back toward the elevator.

Your gaze follows his, and your eyes fall upon a vaguely familiar person stepping out of the elevator and into the penthouse, carrying a few boxes. Pale hair cut into a bob, a pretty, androgynous face, dressed to the nines in a light purple waistcoat and matching pants—where have you seen him before? Wait-

“You’re-!” you begin, eyes wide and lips parting in shock.

“Walter Lippmann,” the man greets you with a kind smile and soft eyes, you feel a bit flustered, you can hardly meet his gaze. “Everybody just calls me Lippmann though.”

You try to speak, but you’re a bit starstruck—the last thing you’d expected was for a movie star to step into the penthouse. You’re looking between Albatross and Gin and then hesitantly back at Lippmann as you try to figure out what’s going on.

Albatross cackles. “Looks like she’s gotta crush, Lippmann. Better not let the boss find out, he’ll get jealous.”

“Albatross,” you complain, hands flying to cover your hot face. “Not true, I’m just surprised. Am I allowed to be surprised?”

“Yeah, sure, doll, that’s it,” Albatross says, clearly not believing you at all as he throws himself onto the couch next to Gin, looking up at you. “The boss asked us to pick up a dress for you. Go try it on, I’m going to raid his liquor cabinet while you do—if he asks, you better take the blame.”

You see Gin roll her eyes. “You will not raid his liquor cabinet, Albatross,” she says firmly, but the man only winks at her.

You turn your attention back to Lippmann, who’s carrying the dress in a garment bag, a shoe box tucked under his other arm. He gives you a small smile and then motions for you to follow him; you’re still starstruck as you follow him into Dazai’s bedroom, pointedly ignoring the way Albatross snickers.

You watch as Lippmann hangs the garment bag up on the closet, placing the shoebox down on the bed. He turns toward you after and says, “Try it on and make sure it fits properly. And make sure you like it.”

You nod, lips parting to speak but no words leave your lips. You look up at the garment bag, down to the shoes, and back to Lippmann and then you ask, “How do you… how do you know Dazai?”

Lippmann gives you another gentle smile, tucking a strand of hair behind his ear. You notice, a bit curiously, that he seems to take a moment before he speaks, as if choosing his words carefully.

“I knew Dazai’s father,” he says after a few seconds. “I work with the Mori Corporation sometimes regarding press and political matters. Like a spokesperson when Dazai is unable to.”

Hm, you think to yourself before nodding, a movie star as a spokesperson for a corporation, that’s a bit odd, isn’t it?

Your brows furrow slightly as you try to fit the new knowledge in with all of the rest you’ve put together over the past few weeks but it’s just another jagged puzzle piece that’s not fitting in anywhere.

“I’m a huge fan of your movies,” you finally tell him, rubbing the back of your neck as you toss him a sheepish smile. “Like, no joke, almost cried when you had your discussion panel for The Good Society three months ago because it was two days before my entrance exam to grad school so I couldn’t go.”

Lippman laughs, pale cheeks flushing as he looks down at the ground before back up at you. “Honestly, you didn’t miss out. The whole panel was a mess, and the AC broke twenty minutes before, so it was ridiculously hot.”

You don’t really know what to say to that, cursing the fact that you are 1) still half dazed on top of 2) already being naturally awkward, but Walter Lippmann is Walter Lippmann, so of course he knows just what to say and do.

He nods to the dress that he hung up on the closet. “Try it on and then give us a show,” he says, winking at you before he makes his way out of Dazai’s bedroom back into the other room with Albatross and Gin.

You sigh when you’re alone again, tilting your head up to look at the ceiling for a moment, wondering what your life has become before you make your way over to the dress. You unzip the garment bag, curious to see what Dazai had picked for you, and your eyes shoot open when you see the red gown within the bag. Smooth and silky, off-the-shoulder, it’s probably the most expensive thing you’ve ever laid your eyes upon; you feel like you shouldn’t even touch it, much less put it on.

But Lippmann and Albatross and Gin are out there waiting, you can hear them talking through the door, so you force yourself to gingerly pull it off of the hanger, careful to not be too rough with the material. It doesn’t take you too long to get your clothes off and the dress on, but when you do, you can hardly bring yourself to move away from the mirror.

You look beautiful. You do. The dress is a perfect fit, it compliments your skin, it compliments your hair. You look beautiful, but you feel like a fraud, like a clown in a ball gown, hoping that the beauty of the dress would draw attention from the fact that it’s not meant for someone like you.

You don’t know how long you stand there, staring at your reflection. Too long, evidently, because you hear a sharp knock at the door and Lippman’s concerned voice asking if you’ve gotten the dress on.

“Yeah,” you say quietly. “I’m dressed.”

You hear the door to Dazai’s bedroom creak open but you don’t turn to look.

“I think this costs more than my student loans,” you breathe out, staring at yourself in the mirror. You smooth your hands over the silky material, eyes catching the way it clings to you perfectly. “God, where the hell did he get something like this? It’s like it was made for me.”

“Probably was,” Lippmann says from where he’s leaning against the doorframe, lips quirked up into a half smile as he tosses you another wink. “Perks of dating one of the richest men in Japan.”

You let out a noise caught between a whimper and a laugh, suddenly feeling very, very out of place.

Lippmann clearly catches your sudden change in attitude and his brows furrow. “Do you not like it?” he asks curiously. “There’s plenty of time for him to send for something else.”

“No, no,” you hurry to say, voice catching. Although you’re unsure how twenty-hour hours constitutes ‘plenty of time’, but you digress. “It’s perfect. It is.”

“What’s the issue then?”

“I just…” you trail off, eyes lingering in the mirror. “I feel silly, I guess. How obvious is it that I’ve never worn anything like this before?”

“Silly?” Lippmann asks, amused, peeling off the doorframe to make his way over to you. You swallow thickly as he straightens your posture and then uses two fingers to make you raise your chin. “You look stunning. Like a woman who belongs on the arm of the most influential man in Japan… Like a woman who doesn’t need to be on the arm of any man.”

Your face feels a bit hot as you let out a puff of laughter. “Now you’re exaggerating.”

“I certainly am not,” Lippmann says firmly, taking a step back. “You’re only getting in your head. From what Chuuya has told me about you, you’re more than suited to outwit and outclass anyone in attendance at that event.”

Your face feels hotter now, smiling as you roll your eyes. “Flatterer,” you say, but you feel a bit better, chest lighter as your gaze turns back to look at the mirror. “... Do you-”

A sharp whistle from the door draws your attention from Lippmann; there’s a lecherous smile on Albatross’s face as he leans against the frame and looks at you, glasses hanging off the bridge of his nose. “Damn, if you weren’t the boss’s girl…”

Gin slaps him hard on the back of his head, glaring at him before turning a small smile to you. “You look beautiful,” she says softly. “He’ll be speechless when he sees you tomorrow.”

Your throat feels tight as your lashes flutter, a smile on your lips as you look down at the ground. Even though the concerns of your realizations from before still weigh heavily in the back of your mind, you can’t help but feel a bit giddy at the thought of seeing Dazai tomorrow.

The giddiness is long gone.

You still haven’t gotten dressed.

You’re sitting at the edge of Dazai’s bed in your bra and panties, staring at the wall with your knees pulled to your chest. Your dress is hanging on the closet on the far side of the room, heels sitting on the floor beneath it. You’ve done your makeup and you put your earrings on already—pretty, dangly diamonds that are the most expensive thing you own, the last thing your brother gifted you before he cut you off entirely. You need to be getting dressed, Dazai will be up here any second to pick you up to leave for the event, but you just can’t bring yourself to put the dress on, anxiety eating away at you.

It’s not even because of the realization you’d come to yesterday, it’s because you think you’re about to make a fool out of yourself. Even if you’re wrong about the theory that you might be heading into an event hosted by the mafia and their associates, you’re still heading into an event that’s going to be attended by people who are much wealthier than you, and you already feel out of place and you’re not even there.

The dress is beautiful, but you think you’ll look like a clown in it, everyone will know that you’re not from the same sector of life as them with a single glance. Lippmann’s words from yesterday are in one ear out the other now that you’re closer to the actual time of the event.

You’re so lost in your thoughts that you don’t even hear the bing of the elevator arriving at the penthouse, and you don’t notice Dazai until he pushes open the cracked door to step into the bedroom. And you feel like you should be embarrassed sitting half naked on his bed, rather than being dressed and waiting for him, but you can’t muster it, eyes dragging up from the wall to land on his concerned expression.

And he’s a sight, you think. He’s so handsome. Absently, you think he might be more handsome than the last time you saw him but you think that’s a bit ridiculous because he hasn’t changed at all. He’s wearing the same long black coat and burgundy scarf, but the sleek, dark suit he wears beneath it is different, more expensive than all of the others that he’s donned the past few months you’ve known him.

His lips are turned downward as he approaches you, placing a blue box down on his dresser, dark eye soft with concern, and you also can’t help but notice that he still wears the bandages around the upper left side of his face, covering his eye. You want to know what’s beneath them desperately, but you can’t bring yourself to ask, hoping that he’ll show you on his own terms.

He stands in front of you, and you rest your chin on your knees as you stare forward, staring at his abdomen instead of looking up at his face. But he doesn’t let your gaze linger there, bringing his right hand to cup your cheek so he can gently lift your face upward, forcing you to meet his eyes. You can feel the rough edges of his bandages scraping against your skin, and you instinctively lean into his touch. You try to remind yourself of all of the realizations you’d come to yesterday, tell yourself to not be as at ease with him, at least have some semblance of your guard up, but you fail.

“What’s wrong?” he asks you softly, letting you lean into his touch as he brings his other hand up to tuck a strand of hair behind your ear. “Are you okay?”

And you feel selfish, you realize, as you try to figure out what to tell him. You can’t even fathom the amount of money he spent on your dress and the shoes, and here you are being a baby because you’re self conscious. You don’t even want to reply to him, so you try to turn your face away but he doesn’t let you.

“Tell me,” he says quietly. “I’ll fix it, whatever it is.”

“It’s silly,” you finally breathe out, averting your gaze to the ground as you let your eyes flutter shut, turning your face in his hand to kiss his palm before leaning back into it. “I’m being a baby, I’m sorry.”

“It’s not silly if it has you upset,” Dazai tells you, and he kneels down in front of you to catch your gaze again and briefly, you think it’s absurd that you have such a powerful man at your whims like this, kneeling before you, willing to do anything to make sure that you’re content and happy. It makes your throat swell a bit, those inferior feelings rising back to your chest with a vengeance, because what the hell did you do to deserve this? There’s nothing special about you. “Tell me what’s wrong, let me help.”

“I just don’t understand.”

Oh my god, your voice cracks, you can feel your eyes go a bit misty, and instantly, Dazai’s concerned gaze is narrowing, as if trying to calculate what exactly is the source of your distress so he can remove it, and it only makes you want to cry more because what did you do to deserve all of this?

If you’re right about all of the assumptions you made the other day, and Dazai is bringing you to this event even though by all means he should not because there’s likely going to be a lot of shady business occurring that could incriminate him and all of the other people at this event, then why? Why would he risk that just for a girl he met a few months ago? You can’t fathom it.

God, you know better than anyone the effects imposter syndrome can have on a person in school, but the last thing you expected was to be dealing with it in love too.

Love, the word makes your stomach churn because you do love him, you realize, as he stares up at you desperately trying to figure out what’s wrong so he can fix it. And how scary is that, considering only twenty-four hours ago you came to the realization that he’s very likely involved in the underground, in some way or another, and you had to come to terms with the fact that you’d have to choose between your future and a man. But he’s not just a man, he’s a man that you love in spite of everything you’ve put together.

A tear spills over your cheek and Dazai’s gaze becomes alarmed as he instantly wipes it away with his thumb before caressing your cheek gently.

“What don’t you understand?” he presses quietly. “Talk to me.”

Where do you fucking start?

You want to cry even more but you force yourself not to, you can’t afford to let your makeup get anymore messed up than it already is. Instead you sniffle a bit and try to blink away the tears.

“This,” you finally say, and your voice cracks again, you take a wet breath. Dazai’s lips part a bit, as if he wants to speak but he’s not sure what to say, brows furrowing. “There’s nothing special about me, Dazai, and I don’t understand why you’ve gone to the lengths that you have for me. Meeting me at that club every Friday as if you’re not always swamped with work, indulging me whenever I want to do things. You gave me a place to stay after only knowing me for a few weeks, gave up your own room, your own bed, so I could be comfortable while you slept at your desk. You’ve made sure people are always with me so I never get bored or lonely. You’ve given me literally everything I could possibly ask for and I’ve just been freeloading off of you for two and a half weeks now. Now, I’m going to go with you to this event and end up embarrassing you because I’m going to stick out like a sore thumb compared to everyone else there. They’ll know I don’t belong there and I just-”

You cut yourself off, and you want to avert your gaze from Dazai’s but you can’t bring yourself to. Instead, you watch as something akin to amusement flashes through his eye. He takes one of your hands into his and brings it up to his lips, eye sliding shut for a moment as he kisses your knuckles. You let out a shaky puff of air as his lips linger for a moment before he looks up at you again through his lashes.

“Let me help you get dressed,” he murmurs, and you look down at the ground now as you nod, letting him help you to your feet and lead you over to where the dress is hanging up on the closet door.

He pulls it off the hanger and guides you into it, pulling it up and adjusting it so that it covers you properly. He steps behind you, and you realize that he also has you standing in front of the floor length mirror set up on his closet door. You sniffle a bit again as you look at yourself in the mirror.

Your makeup looks a bit smudged beneath your eye from the tears gathering at your lash line, but somehow, you still look beautiful. You think it’s only because of the dress, the way it clings to your body so nicely and brightens all of your features. You take in another shuddered gulp of air when you feel Dazai begin to zip up the back of your dress slowly, each brush of his fingers against your skin lights your nerves on fire, and once he finally has it zipped to the top, he kisses the nape of your neck, hands falling to your hips to caress them gently. Your eyes flutter shut as you lean back against him, his comforting hold settling your turbulent emotions.

“I met you at the club every Friday because you were the only relief I had from reality,” he finally says, resting his forehead on your shoulder as he holds you. “I indulged your requests because I was indulging in you myself. Every moment I spent with you, I allowed myself to be Dazai Osamu, the person, and not the… Not what I’ve had to become to keep this organization running.”

Your breath catches, lips parting at his words but no sound escapes them. He kisses the nape of your neck one last time before he moves to stand in front of you, kneeling down again as he grabs one of your heels and undos the buckle. You watch with bated breath as he lifts your left foot from the ground to kiss your ankle before sliding the heel on, deft fingers fasting the clasp.

“I gave you a place to stay because I was selfish and I wanted you around more,” he sighs, resting his forehead against your knee now as he lingers there for a moment before moving on to repeat the process with your other foot, kissing your ankle and slipping the heel on. He continues, “Likewise, I have kept you surrounded by people because I have been desperately afraid that you’re going to get bored and want to leave because work leaves me little time to be around. Unfortunately, I’m not the generous person you’re making me out to be, I’m horribly self-serving and greedy, especially when it comes to you.”

He looks up at you now from where he’s kneeling in front of you, gaze searching your face. You want to reach out and cup his cheek, so you do, and immediately, he’s turning his face to kiss your palm just as you’d done to him before letting his eye slide shut as he leans into your touch, as if basking in it.

“I would give you anything you want,” he admits softly, keeping his gaze shut as he holds your palm against his face. “Anything. And if it was something outside of my reach, I would make it in my reach. There’s nothing I wouldn’t do for you, no lengths I wouldn’t go to and no lines I wouldn’t cross.”

You think your lungs might be burning, you don’t think you can breathe as you stare down at him, heart thudding in your swelling chest, tears building in your eyes again but this time not out of insecurity. Dazai finally rises to his feet after placing one last kiss upon your knuckles, and he doesn’t say anything as he makes his way over to the dresser where he’d placed the blue box.

You don’t move, watching as he opens it and pulls something out before making his way back over to you, standing behind you. He looks at you through the mirror as he lifts his hands to place a glittering diamond necklace upon your collarbone. You can’t breathe again, you realize, it’s cool against your skin and you think it might be the most expensive thing you’ve ever laid your eyes upon, dozens upon dozens of white diamonds shimmering in the mirror in front of you. Your skin feels like it’s on fire as his fingers brush the nape of your neck as he clasps it onto you.

“You are beautiful,” he says, voice so raw that you almost shiver at the intensity of it. His fingers brush your hips as if he’s afraid to touch you. “You are beautiful, and intelligent, and everything I have ever wanted. You deserve so much more than me, more than you’ll ever be able to understand, and I’m sorry that I’m not a good enough man to do what’s right and let you go. The last thing you should ever be doubting is this.”

His eye slides shut again as he lets out a soft puff of air, the warmth fans across the back of your neck and you think you could spend forever in this moment with him, wishing that you could freeze time.

“You said that you thought it was fate that brought us together,” he finally finishes, voice quiet as he references what you told him the first time you met. “Don’t ever doubt your place with me. Wherever I am, you belong, whether it’s a club, or an apartment, or an event.”

“I thought you hate the idea of fate,” you say, voice a bit choked as you try to force the tears back again.

“I do,” he affirms, “but if fate brought us together, then far be it from me to deny the one thing in this world that has ever made me happy.”

You love him.

You feel sick to your stomach—be it from butterflies or the implications of the realization. The words threaten to burst from your lips but you swallow them, instead, another tear trails down your face and he sees it through the mirror, lifting his hand to wipe it away before leaning a bit over your shoulder to press his lips to your jaw.

“I’m ruining my makeup,” you rasp, letting out another shaky breath.

He smiles against your skin.

“You’ll be beautiful still,” he murmurs before pulling back, admiring you for a moment before he asks: “Are you ready to go?”

You nod. “Yeah,” you say, a bit breathless. “I’m ready.”

“Everyone is staring at us.”

You’re not wrong, exactly. As soon as the two of you had entered the room, all attention was sent your way, and though the music was loud enough to drown out most chatter (intentional, of course, so unsavory ears can’t overhear even more unsavory dealings), Dazai couldn’t help but notice the hush that spread through the room at the sight of you. The boss of the Port Mafia with a date on his arm was certainly a sight to behold to all of the rest of the occupants of the event hall,.

“Can you blame them? You look beautiful,” he says, voice laced with a teasing edge that is certainly not matched in his expression. Dazai knew people would be looking at you if he brought you here. Still, he wants to gouge their eyes out.

His arm tightens around you as he tucks you into his side, cold gaze sweeping across the massive event hall. At least two hundred people are attending Nabokov’s event—an even mixture of pharmaceutical tycoons, technology barons, politicians and mafiosos.

At first glance, he recognizes four different mafias in attendance.

Mishima Yukio of the Sun and Steel stands by one of his associates, the president of Mitsubishi Chemical Group; the man’s dark eyes card over Dazai with lazy interest, before his head tilts to the side as he studies you.

Dazai thinks that the Sun and Steel might be the Port Mafia’s only allies in attendance, and even then, allies might be taking it too far. The extent of Dazai’s dealing with Mishima was a general agreement to not encroach the Sun and Steel’s monopoly over the narcotics industry—which Dazai never intended on doing anyway because the industry is far more trouble than it's worth—and an unspoken promise to protect Japan’s underground from foreign mafias.

Dazai wonders if that unspoken promise still holds or if the Russians have cut a deal with him.

Nabokov’s Pale Flame, obviously, is in attendance, along with the remnants of Leo Tolstoy’s Three Deaths. Tolstoy himself is sitting at the bar, a glass of whiskey in hand as he leans back on the stool, gaze focused on you. Nabokov is off to the left, making his way across the room to greet Dazai, a curious expression on his face. Dazai recognizes Cao Xueqin of the Red Chamber sitting near Kitazawa Michihiro of Fuji Electric, one of the Port Mafia’s closest associates; and Dazai thinks that might be a bit foreboding, both because of the presence of the Chinese and the company he’s keeping.

Dostoevsky’s House of the Dead is nowhere to be seen, but Dazai knows that they’re here. Somewhere. He just has to find him—and he will.

More eyes are on you than him, and although that was to be expected, Dazai can’t fight the doubt that suddenly swirls in his chest, wondering if he’d made the right decision. If you hadn’t been on people’s radar already, you definitely are now, and the thought makes him a bit sick to his stomach. He tries to console himself with the fact that this was the lesser of two evils—the mere chance of you being on the radar of any of the mafias in this room, no matter how slim it might be, was not something he could gamble with. There was no way he could let you go out alone and unprotected. People like them, people like him, would jump on the chance to take advantage of the weakness and he couldn’t let that happen.

But is this really any better?

He’s thrown you into a pit of snakes, and you’re ignorant to all of the threats around you. His gaze drifts back down to you, catching the way your brows are knit together slightly, the way your lips are pressed in a thin line. There’s an indecipherable look in your eyes as your gaze shifts over the room, and Dazai wonders if you know more than you’re letting on. That’s another scary thought, but he can at least find comfort in it for now because it’ll have you keeping your guard up around these people. He’ll just have to deal with the consequences later.

He dips his head down to your ear, speaking quietly before Nabokov finally reaches him: “Just follow my lead, you’ll be fine.”

The look you shoot at him is nothing short of withering, and Dazai can’t help the smile that curves at the corners of his lips as he lifts his head back up to subtly brush his lips against your temple. He catches sight of movement from the corner of his eye and any softness that might’ve been visible in his expression washes away instantly.

“Dazai,” Nabokov greets, beady eyes flickering between you and Dazai, partially curious about you and partially nervous about Dazai. Dazai tilts his head to the side, becoming increasingly more unamused the longer Nabokov’s gaze lingers on you. “I’m glad you came. I wanted to apologize for not being able to attend our planned meeting a few months ago.”

“So I heard.” Dazai’s voice is short and distant, more focused on the feeling of you tucked into his side than the conversation at hand. He has to force himself to keep his gaze steady on Nabokov, wanting to look down at you, but he contents himself with letting his hand slide down to your hip, rubbing absent circles against the silky material of your dress.

Nabokov fumbles over Dazai’s clipped response, a bead of sweat gathering at the corner of his forehead. He wishes he could peer into your head and see what you’re thinking, about him, about this, about everything. He doesn’t know if he’ll be able to get through the night without you realizing who he is, what he is, and that thought scares him because he thinks that maybe he should have been the one to explain it to you, so he could at least try to paint himself in a better light. Although, he’s not sure what sort of light would make anything about him look better.

“Who is this?” Nabokov finally asks, turning his attention toward you. Dazai doesn’t like the way he looks at you, eyes raking over you like you’re a piece of meat.

“My partner.” To Dazai’s credit, his voice is much smoother than the turbulent emotions in his chest would suggest. “Where is your wife, Nabokov?”

Nabokov doesn’t even respond to the question, laughing loudly. “Never thought I’d see the day you found yourself a lover, Dazai,” he chuckles and then holds his hand out to you. “Vladimir Nabokov.”

You shift a bit to take his hand, but Dazai is faster, lithe fingers wrapping around Nabokov’s wrist in an agonizingly tight grip. Nabokov winces, Dazai’s face is cold as he stares down at the man.

“Keep your hands to yourself,” he warns, keeping his voice low.

Vladimir Nabokov. Invitation to a Beheading. An ability that grants its user to draw a target into an interdimensional space through physical touch—Dazai isn’t sure what the space entails because no one has ever left it alive.

Nabokov tries to laugh it off, weaker this time as he takes his hand back and shakes out his wrist. “My, Dazai, possessive, aren’t you?”

“Very,” Dazai agrees idly. “Be sure to remember that.”

Nabokov gives him another wavering smile, and Dazai can’t help but wonder how Dostoevsky could have possibly thought anyone would believe the man could head the tripartite alliance of the Pale Flame, Three Deaths, and the House of the Dead. Anyone with half of a brain would know that Dostoevsky is behind their union. Maybe that’s what he wanted, Dazai notes absently as he watches Nabokov’s gaze flicker to the upper left corner of the room. Dazai follows it to where a camera is positioned, encompassing most of the event hall.

The smile on his lips is nearly as chilly as the air-conditioned room around him.

There you are.

Dazai’s gaze cuts back to Kouyou, who’s standing a few feet behind you and Dazai with Chuuya, Ace and Piano Man. The woman inclines her head in recognition of his silent order as she fans her face lightly, taking a step away to make a call to Hirotsu, who should be stationed around the building with the rest of the Black Lizards by now, prepared to move in at the first sign of danger.

Nabokov looks as if he’s going to speak again, which inclines Dazai to believe that he’s seeking something out in particular for Dostoevsky, and from the way he keeps glancing at you, Dazai assumes it has to do with you. So as the man's lips waver, eyes darting as he tries to formulate another conversation opener, Dazai speaks before he can get the words out.

“If you don’t mind,” he says, voice cold and clipped as he all but dismisses Nabokov, who flushes a bit, nodding and apologizing before stepping away.

Dazai realizes that he probably has not prepped you enough for this event, but in his defense, he’s been swamped with his own preparations and how is he supposed to prepare you when he can’t even fully explain all of the dangers? But now, it’s making him anxious, because at some point tonight he’s going to have to step away from you to meet with Nabokov in one of the backrooms, likely with Tolstoy, Cao, and Mishima. Dazai’s executives will have to be there with him, and Tachihara is supposed to slip from the shadows to join you while you wait for his return, but there’s likely going to be at least a good two to three minutes where you’ll be alone until Tachihara can get to you. That’s assuming he doesn’t get caught up on the way over.

He needs to talk to you, at least warn you about the ability users attending the event so you don’t accidentally stumble into a potentially lethal situation without him around.

If he goes to the bar, Tolstoy will take advantage to try to sweep you into a conversation, picking up right where Nabokov left off. If he goes off to the left side of the room, Cao will make his way over to interrupt. If he goes off to the right side of the room, Mishima is there. The only place… Dazai inhales as his gaze focuses on the massive dance floor of the event hall, dozens of couples are spinning around already, and it will be loud enough there for the music to drown out his conversation with you from unwelcome listeners.

He turns his attention to you, holding his palm up and tucking one arm behind his back as he asks lightly, “May I have this dance?”

Your eyes widen a bit in surprise, seemingly hyper aware of all of the hungry, curious glances of the other attendants directed your way, but he’s only focused on you, and the way your eyes glitter beneath the chandelier’s lights, and the way your dress clings to your body, and the way a soft smile tugs at your lips. He thinks that even if you hadn’t entered the event on his arm, all of the room’s attention would be on you still, because you’re beautiful, and captivating, and Dazai doesn’t think he’ll ever understand how he managed to pull you in one lifetime, much less all of them.

You place your hand in his and Dazai guides you across the floor, intent on finding the perfect space. It’s hardly obvious the way that the other people on the dance floor would inch away as the two of you passed by, intent on staying out of Dazai’s way and letting him have whatever space he wants, but you pick up on it, he thinks, seeing the curious look in your eyes as your gaze sweeps around the people around you. He bites back a sigh, because he’s sure that you’re tallying everything up in your head trying to put it all together, and once you get that final puzzle piece, everything will be over.

His chest sinks at the thought of losing you, but he forces it away. He has to focus on the situation at hand because even a single slip up could be fatal—not only for him, but for you too. As soon as he reaches a suitable spot on the dance floor, he tugs you a bit closer to him, hands sliding down to your waist. Your own arms instantly come up to loop around his neck as you look up at him through your lashes and Dazai suddenly feels breathless, vision tunneling and heartbeat stuttering at the way you look at him.

God, how is he supposed to focus with you around? He can hardly concentrate on anything but you. He’s flying too close to the sun. Has been since the moment he met you. Drawing you into his life and keeping you there, now bringing you here, so many gambles, too many gambles… the heat is scorching, and it’s only a matter of time before his wings burn. If he was smart, he’d let you go so that you don’t burn with him, but his fingers only bite deeper into your waist at the thought.

The music is slow, and the two of you sway in tune to it. The other couples give a wide berth, some casting wary looks at Dazai, ones that he’s sure you’re catching. He doesn’t know where to start, or how to start; what does he tell you that doesn’t condemn him? Luckily, he doesn’t have to start the conversation because you do, for better or for worse.

“Was that man the rival that Gin mentioned?” you ask curiously, and Dazai can’t help but notice there’s a strange look in your eyes as you ask it, one that he can’t place.

He hesitates, but then says, “No. He wasn’t. I haven’t seen him yet.”

You hum lightly, fingers toying with the hair at the nape of his neck in a way that makes him shiver. But his eyes narrow when he realizes that you don’t look the slightest bit surprised by his answer.

“You knew that already,” he accuses lightly, and he forces himself to swallow the lump that suddenly forms in his throat because if you figured that out on your own already, what else have you figured out? God, he knew this was risky, you’ve always been ridiculously perceptive—he just needs to get through tonight without you putting everything together, then he’ll be fine.

“I suspected it,” you finally affirm his accusation, gaze searching his face. “He was nervous talking to you. If he was your rival, I’d expect him to be a bit more… assured. And he kept looking up toward a camera, like he knew someone was watching that he’d have to answer to.”

Oh, you did pick up on a lot more than he expected. He doesn’t think that the smile he gives you quite meets his eyes, if the way your brows furrow have anything to say about it, but he distracts you by bringing his hand up from your waist to cup your cheek, thumb brushing over your bottom lip as he murmurs, “That’s my girl, always so smart.”

Your lashes flutter as you avert your gaze, a tell tale sign of you being flustered. His lips quirk up into a more genuine smile, hand dropping back down to your waist. He can do this, he tells himself, he just has to be careful, tell you enough to make sure your guard is up and you know to at least some extent that the people in this room aren’t to be trusted.

“There are a lot of ability users in here,” he finally warns, careful to keep his voice low even with the music covering his words. “Do your best to keep your distance from people. I’ll stay with you as much as I can, but I’m going to get pulled away sooner or later. Chuuya or Piano Man will stay with you when they can, and if they’re pulled away, Tachihara is going to come down to stay with you.”

“... That’s why you didn’t let him shake my hand,” you say, realization flashing through your eyes, another puzzle piece fitting behind your eyes and Dazai has to be careful because it’s only a matter of time before you’re given that final piece and everything comes together. “What’s his ability?”

“... Nothing good,” he answers after a few moments of silence, but you’re not content with that, brows furrowing. He sighs. “No confirmation on it, we only know it’s lethal. Many are in here.”

Your eyes widen and then you look a bit skeptical. “And you think they would use it here? In public?” you ask slowly.

To Dazai’s horror, it is not skepticism tainting your tone, but rather, you’re fishing for information, trying to put more pieces together, and he doesn’t have much choice but to give you answers because he can’t risk you setting your guard down even for a second.

He chooses his words carefully. “... There is little they wouldn’t do to get ahead in our business.”

“Hm,” is all you say in response, something akin to understanding flashing through your eyes and Dazai dreads to know what his answer has just told you. He feels distinctly like he’s playing chess against an opponent he did not anticipate and he’s at a disadvantage because the opponent is you. He can feel your shoulders slump suddenly, an unfamiliar expression crossing over your face; you look tired, as if you’d aged twenty years in a matter of seconds. “What did you get me involved with, Dazai?”

You say it so softly that Dazai barely hears it himself, and he knows. He knows that you’ve figured something out, he doesn’t know what and he doesn’t want to know what. He wants to evade it as long as possible, because the moment he has to have this conversation with you, he knows he’ll lose you. He can’t think about that now, it’ll throw him off and this is the last place he can allow himself to be thrown off.

Instead, his grip on your waist tightens again, gaze averting down toward the ground.

“I’m sorry,” he murmurs. The words weigh heavy on his tongue, not just an apology for tonight but an apology for accepting your offer for a drink two months ago, knowing he wouldn’t be strong enough to let it be a single night of indulgence; an apology for seeking you out again afterward, knowing that he would be sentencing you to death.

He feels sick.

What is he doing?

Why are you here?

What has he done?

“Dazai.”

You say his name but Dazai hardly hears you. God, he can feel it happening, where his fingers are pressed against your body, the skin suddenly goes cold and stiff, his surroundings are blurring, the people fading into the background. This isn’t the place. Nabokov. Tolstoy. Mishima. Cao. He can’t lose himself, not now, but his grip on reality is starting to waver, the pages pile around him.

“Dazai.”

What has he done?

Everything he’s planned for, seven years of careful calculations and planning gone down the drain. How does he even fix this? Can he fix this? His mind races, but he’s not even sure he’s thinking coherent thoughts, trying to ground himself to the present because he needs to stay here, he can figure out how to fix it later, when you’re not in danger but-

His vision swims. Not now. He can see it—he can see you. Still on the ground. Sometimes there’s blood, so much that he can hardly recognize you (but he can, of course, he can always recognize you, even when your body is littered with more gaping wounds than not). Sometimes it looks like you’re sleeping, so much so that Dazai kneels next to you, begging you to wake up (he knows in his heart that it’s futile. he can’t stop himself from trying). His head spins, he loses track of where he is and then-

“Osamu.”

His breath catches, gaze zeroing in on you. You. Alive. Your brows are furrowed in concern, searching his face to try to draw him back to reality. He thinks his grip on your waist must be painful but he can’t bring himself to loosen it at all. He stares at you, still desperately trying to keep himself grounded because although you’ve brought him back mostly, the corners of the pages still linger in the edge of his vision, threatening to consume him again.

“You can’t leave me,” you tell him quietly. “You brought me here. I need you here with me. Don’t go off somewhere I can’t follow.”

Oh.

He lets out a breath, slow and maybe a bit more shaky than he would’ve liked, but he tries to focus on the situation at hand. He loosens his grip on your waist, rubbing a gentle circle over your hip in an apology.

His gaze drifts around the room, Nabokov is in deep conversation with Cao, hardly paying attention to anything going on, but Cao’s sharp, dark eyes are pointed over Nabokov’s shoulder, scanning the dance floor. He’s looking for someone—not Dazai, which is a bit worrying, and he becomes all the more attentive to everyone in the vicinity, trying to make sure none of the Red Chamber’s assassins made it through the security. If any organization would be able to pull it off, it would be them.

Once he’s decided the coast is clear, he turns his gaze back to the bar. Tolstoy is looking at him—blue eyes sharp, blonde hair hanging in them, a curious expression on his face as he sips at his drink and watches as Dazai dances with you. As soon as Tolstoy notices Dazai has caught him, his lips curl up into a smirk and he raises his drink. Dazai’s expression is cold as he looks away, seeking out Mishima only to find the man nowhere to be found.

Hm.

Chuuya and Kouyou are entertaining idle conversation with two executives of the Sun and Steel, both keeping a sharp eye on where you and Dazai sway on the dance floor. Piano Man is entertaining several politicians, doing a good job at ensuring that none of the other foreign executives get any chance to get their ears. Ace, Dazai notes, is in deep conversation in the shadows with one of the executives of the Three Deaths.

Interesting.

He finally draws his attention back to you, a small smile on his lips as he recalls what you’d said to drag him from his spiral.

Osamu,

“You called me Osamu,” he murmurs, a warm feeling spreading through his chest as he focuses on that instead, trying to ease himself back into reality. Technically, he’s heard you say his given name before. Well. Not technically. It was never you and it was never him, rather it was vague memories of other yous and other hims, but it was nothing in comparison to hearing you actually say it.

You look embarrassed, averting your gaze. “I didn’t know how to get your attention, I’m s-”

“Say it again,” he whispers, lifting his hand back up to your chin to tilt your face back up, forcing you to look at him. His eyes search yours, watching the way you can hardly hold his gaze. You look hesitant, so he continues with, “Please.”

“... Osamu,” you say again, breathless, and god, Dazai wishes the two of you were anywhere but here. He wants to press you back against his bed, run his lips up and down your body, map out all of your curves with his hand. He wants to watch you come undone on his tongue and on his fingers—he wants you, he wants you more than anything else in the world. Every time he’s tried to take the next step with you the past few weeks, he either got interrupted by work or he ended up getting cold feet, nervous about making a mistake.

Before his thoughts can spiral even more, the music picks up to a faster paced waltz. Your eyes widen, watching as all of the other couples shift into the respective dance. You look up at him, a bit panicked, clearly not sure what to do, and his lips curl up in amusement, beckoning you to lace your fingers with his to take the stance the other couples were taking.

“I don’t know this da-” you begin, voice hushed.

“Just follow my lead,” he repeats the same words he spoke to you when they entered the hall. “You’ll be fine. Trust me.”

You exhale, studying his face for a moment before sighing and mimicking the stance the other women took with their partners. He can feel your fingers wavering against his as he interlocks your fingers and he rubs his thumb over the back of your hand soothingly.

“Keep your eyes on me,” he tells you, just as the music finally picks up for the dance to start.

He thinks you’re worried for nothing. You moved smoothly in line with him and in tune with the music, gliding across the dance floor as if you’ve danced with him hundreds of times before, your body so in sync with his that the two of you put all of the other couples to shame. Not that any of them matter, of course, you’re all that Dazai can focus on. Your eyes never leave his, not even for the sparest of moments, and Dazai feels like he’s caught in a trance, lost in your eyes and the feeling of your body so close to his, hyper aware of the way your your hand rests on his shoulder and the way your fingers are wrapped tight around his.

God, there’s something so otherworldly about you. Doesn’t know if it’s heavenly or supernatural, if you’re his angel sent to lead him to salvation or his very own siren singing a sweet melody to lead him to ruin. Doesn’t think he cares either way—salvation, damnation, none of it matters as long as he has you.

“Not so bad, hm?” he murmurs, sweeping you out into a spin before pulling you back to him, closer this time. He can feel your chest brush his and he prays you can’t feel the way he’s lost control of his heart, painfully cognizant of the erratic thumping. His hand slides from your hip to the small of your back, holding you close to him. He could stay in this moment forever, surroundings drowning out; all he can see is you, all that matters is you.

“Yeah,” you say softly. “Not so bad.”

His lips part to respond but he’s interrupted when he sees movement from the corner of his eye, freezing.

“Dazai.”

Dazai stiffens as a familiar voice speaks from behind him, shifting to stand partially in front of you as his gaze cuts to the side to see Mishima’s familiar figure standing a few feet away. Turning to face him, he asks, “Do you need something?”

“I’d like to speak to you before we meet with Tolstoy, Nabokov and Cao.”

Mishima’s voice leaves no room for argument, dark eyes absent of any emotion as he waits for Dazai to follow him. Dazai’s jaw tightens, eyes drifting back to you as he tries to figure out what to do. He can’t leave you here, not with Cao’s hawk-like gaze trained on the dancefloor and Tolstoy waiting for the opportunity to make a move. But he does need to talk to Mishima, have some idea of where he stands with the Sun and Steel before facing all of the foreigners.

“May I have this dance?”

Dazai hadn’t even heard Chuuya approach, turning to the side to watch as he holds a hand out toward you expectantly, quick to step in to take Dazai’s place so that you’re not alone. You shoot Dazai a concerned glance, brows furrowing a bit, before you place your hand in Chuuya’s.

Chuuya leads you back onto the dance floor, Dazai’s gaze lingers for a few moments, a bitter feeling spreads through his chest because that should be him, and it’s wholly unfair that he has to deal with all of this unsavory business when he should be spending time with you.

He should just kill them all here and be done with it.

The words ring through his head, echoing, tempting. He inhales and forces himself to look away as you loop your arms around Chuuya’s shoulders, swaying in tune to the slow song playing. He turns his attention back to Mishima, voice cool and expression void of emotion:

“Speak.”

Dancing with Nakahara Chuuya is awkward. Awkward is even being generous. It’s not like he’s a bad dancer—in fact, it’s clear that he’s a very good one. He’s smooth on his feet as he spins you around the dance floor, but he’s so stiff. He’s careful to keep space between the two of you, hands never dipping lower than your sides, lips pressed together. He hardly even looks at you, his attention is more on where Dazai had stepped to the side to speak with the dark-haired man who’d interrupted the two of you, but you’re grateful for it, because it’s giving you a chance to gather your thoughts.

You think Dazai might’ve inadvertently confirmed your suspicions from yesterday. You don’t know who these people are, but there’s no way any ordinary business event would be dangerous enough for Dazai to genuinely worry that someone might kill you in a room crowded with two hundred people. A part of you wonders if it’s just different for ability users, that they’re not scared of committing crimes in public because they have an ability that prevents them from getting caught, but you know you’re just trying to make excuses at this point.

Your gaze drifts back over to the older, light-haired man with dark eyes who’d approached you and Dazai when you walked in. He’s off to the side talking with a Chinese man dressed in a red suit—your gaze lingers, trying to piece together the puzzle in your head desperately, but all of the edges are jagged and confusing, you can’t seem to figure out where they each fit with each other.

You’d thought maybe that Dazai and his business was somehow affiliated with the mafia, because no one with the amount of money and success that he has gets it cleanly, but now you can’t help but hesitate, reconsidering your original theory. Vladimir Nabokov had been scared of Dazai. And it’s not like you haven’t noticed the effect that Dazai has on people. Whenever you’re around people with him, they get tense and on edge, but it’s different seeing the effect he has on someone who doesn’t even work for him, a foreigner supposed to be one of Dazai’s associates if you understood what he meant about not showing up to a meeting.

Who are you, Dazai?

You don’t even know if you want to know. You love Dazai. You do. You knew it earlier in the night. You know it now. It’s something you can no longer hide or deny. You remember the concerned look on his face when he saw how upset you were. You can feel the way his lips brushed the nape of your neck as he explained why he kept meeting you at the club, the way he kissed your ankles as he knelt in front of you and told you how he was selfish for keeping you around, how he kissed your palm and leaned into your touch as he promised you anything you want. God, you love him, you don’t think anyone has ever looked at you the way he does; no one has ever spoken to you the way he does.

You love him, and it scares you because you’re realizing you still don’t know anything about him, not really, and you’re also realizing that there’s a high chance he’s been lying to you about what he does. It scares you even more that your first instinct isn’t to run. Because you should run. This should make you run. He brought you to an event with people so dangerous that he’s afraid they might try to hurt you, or worse, but you don’t want to run, because you’d be running from him and you don’t want to run from him.

Could you sacrifice everything for him though?

Fuck your morals—everything you’ve worked for, all of the years slaving away to put yourself on the path to success. You’ve told yourself your entire life that it would be all you would focus on, that it would all be worth it in the end. You convinced yourself that maybe if you proved yourself enough, your brother would return to your life; he’d be proud of you and he’d come back to you. You know he’s still out there somewhere, you get letters with no return address every month—the only thing in the envelope is a check with a dubious amount of money, but it’s in his hand writing, so you know it’s him.

A part of you wants to cry, frustration clawing at your chest: the future you’ve worked so hard for, or love? The question you’ve dreaded since your epiphany yesterday is finally thrown right in front of your face, and you need an answer. The two are mutually exclusive—you will not be able to pursue the career you want with Dazai Osamu, not in the way you want at least. And you don’t want to do all of this work to just end up being another shady politician.

“Penny for your thoughts?”

Your gaze snaps up to Chuuya, who’s suddenly looking at you, and you don’t really know how to respond.

I’m pretty sure you guys are part of the fucking Mafia and you’re all hiding it from me, but also I don’t want to know if you are because that’s going to force me to make a decision that I don’t want to make so I’d rather live in ignorance.

“My thoughts are only worth a penny?” You deflect with a grin instead, hoping it meets your eyes.

It doesn’t, evidently, because Chuuya’s eyes narrow a bit, and then he tilts his head to the side and hits you with a more direct: “What’s wrong?”

“I’m just worried,” you finally say, not entirely lying but also not telling the truth.

“About?” Chuuya presses and you sigh, exhaling a bit.

“He mentioned that there were dangerous people here,” you tell him quietly. “I’m just nervous for when you guys go to your meeting… I’m guessing it’s going to be soon.”

Chuuya’s brows furrow and you can see the thoughts racing behind his eyes before he speaks again. “You’ll be fine,” he tells you. “We have people all over the event hall, and Tachihara is going to sit with you until you Dazai can get back. Dazai shouldn’t have worried you with all of this. He shouldn’t have even-”

He cuts himself off, jaw tightening, but you know what he’s going to say: he shouldn’t have even brought you here.

“I don’t know what he’s thinking,” Chuuya says quietly, and you think he might be talking more to himself than anything else now, but you listen anyway. “He’s always been hard to read but this is…”

He stops speaking out loud, as if he’s realized that you’re there again, and instead he shakes his head. “You’ll be fine. Back at the headquarters before you know it.”

You aren’t so sure.

Your gaze drifts to the side as you watch Nabokov and the Chinese man make their way over to Dazai and the man he’s talking to. The blonde at the bar that Dazai kept looking at also stands up, drink in his hand as walks in the same direction.

Chuuya spits out a curse under his breath and gives you an apologetic look. Your heart sinks and your throat feels a bit tight—he doesn’t abandon you right away though, pressing his hand to the middle of your back as he guides you across the dancefloor to the bar, all the while keeping a keen eye on what’s happening on the other side of the room.

He pulls the barstool out for you, eyes still trained on where Dazai is standing with Kouyou, two men that work for him you haven’t met yet, and the four men you assume are business associates of his. Dazai is looking at you, an indecipherable expression on his face. You’re looking at him, suddenly anxious at the thought of being left alone, a bad feeling sweeping over you.

“Tachihara will be over here soon,” Chuuya finally says to you, tearing his gaze from his coworkers to look back down at you. He flags down the bartender to order a drink for you. “You’ll be fine. Knowing Dazai, the meeting won’t last long anyway.”

Your shoulders only slump a bit as you nod, thanking the bartender quietly for your drink as he hurries to bring it back to you, taking a sip of it. Chuuya doesn’t say much else—once you’re settled in your seat and have your drink, he squeezes your shoulder before making his way back over to the intimidating group of people standing on the opposite side of the room.

Your gaze meets Dazai’s conflicted one one last time before he’s forced to turn away and disappears down a side hall deeper into the building. You sigh as you twirl your drink around, the clear liquid sloshing dangerously close to the brim of your glass as your eyes twist around the event hall, seeking out Tachihara, or Atsushi, or anyone that works with Dazai because you’re feeling distinctly vulnerable alone. You find none of them. You can feel eyes on you—most you’re sure are harmless curiosity, wanting to know who exactly came in on the arm of Dazai Osamu, but you know some aren’t nearly as harmless, you can feel the hungry stares of vicious opportunists directed at your back and you don’t feel comfortable sitting alone.

You don’t even get five minutes to yourself.

“Is this seat taken?”

You’re startled by the unfamiliar voice, head snapping to the side. Your gaze focuses on a pretty man with soft features, shoulder-length black hair and gentle purple eyes. Your lips part to speak, but no words leave them, caught off-guard by his sudden appearance. He looks harmless enough, but there’s something about him that has you on edge—something simmering beneath the surface of his deceptive eyes that you can’t quite place but you know you don’t like.

“I mean no harm,” he says smoothly, lips curving up into an amiable smile. “I’m an old friend of Dazai’s. I only want to talk.”

An old friend. You don’t buy it, but you don’t want to risk antagonizing him, Dazai’s warning about the many lethal ability users prowling the event ringing through your head. You just hope that Tachihara shows up sooner rather than later as you finally shake your head.

“It’s not taken,” you say quietly, motioning to the stool as you take another generous sip of your drink.

The dark-haired man smiles at you as he takes a seat at the bar next to you, teeth glimmering like knives beneath the lighting of the chandelier. Instantly, you feel like you’ve made a mistake, a chill running down your spine as your eyes meet purple ones that are not quite so gentle anymore. Sharp and shrewd instead. Calculating. Dangerous.

“Fyodor Dostoevsky. A pleasure, truly.”

#dazai x reader #dazai x you #dazai osamu x reader #dazai osamu x you #bsd x reader #bsd x you #bungo stray dogs x reader #bungo stray dogs x you

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ariaste · 9 months

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The Magic Trick You Didn’t See: Being An Analysis of Good Omens Season 2

(or: Neil Gaiman, Your Brain is Gorgeous But I Have Cracked Your Sneaky Little Code And Have You Dead To Rights*) (*Maybe)

***

Soooooo I just spent the last 48 hours having a BREATHTAKING GALAXY BRAIN EPIPHANY about Good Omens Season 2 and feverishly writing a fuckin16,000 word essay about the incredible magic trick that @neil-gaiman pulled off.

Yes, it’s long, but I PROMISE your brains will explode. Do you want to know how magic works? Do you want to know what Metatron’s deal is (I’m like 99% sure of this and it’s EXTREMELY FUCKING GOOD)? Do you want to know about the Mystery of the Vanishing Eccles Cakes and the big fat beautiful clue I found in the opening credits? Do you go through the whole inventory of Chekov’s Firearm & Heavy Artillery Discount Warehouse?

Here is the essay, go read it: https://docs.google.com/document/d/193IXS11XN46lziHRb6eUpM17yK0BQkRqke1Wh64A_e0/ When ur done u can tell me I’m an insane crackpot, and u know what, i won’t even be offended

In case you don’t know whether you want to bother reading the whole enormous thing on google docs, I’ve put the first couple sections of it under the cut. JUST TRUST ME OKAY, HEAR ME OUT, THIS IS VERY EXTREMELY COOL, NEIL IS GOOD AT HIS JOB--

Proem

A dark theater. The rustling of the audience: clothes, breathing, whispers of anticipation. The lights come up. A man enters, stage left. He is a magician—a master magician—and he performs for you a magic trick so good and so subtle... that you don’t even notice you’ve seen it.

You know there must have been a trick—after all, you came to the theater to see a trick performed, didn’t you? And he claims to be a magician. So there had to be a trick somewhere. There had to be.

But maybe there wasn’t. Maybe there was just a man on a stage, talking to you, telling you a story with a strangely unsatisfying ending you didn’t quite understand.

I know. This is a weird beginning to an analysis essay. But hear me out, because I have to explain the mechanisms of the stage before I can show you what the trick was, where the trapdoor was hidden, and how Neil Gaiman pulled the whole thing off so gently and elegantly that you didn’t notice a thing. Ready? Here we go.

The Facts As We Know Them

Let us begin by establishing a baseline—some fundamental, logical assumptions that underpin the magic trick. These will seem obvious as soon as I say them, which is precisely the point: They are self-evident, loadbearing foundations for my entire argument, and if I don’t point them out, I’m going to sound like a crackpot conspiracy theorist. (Which! To be fair, I might be. I could easily be wrong about all this—but I don’t think I am.)

Our baseline, loadbearing assumptions that preface my Grand Unified Theory of Season 2:

1. Neil Gaiman is extremely good at his job.

2. Neil Gaiman loves these characters and wants with all his heart to do them justice; likewise, he has a great deal of respect, love, and admiration for Terry Pratchett and is striving VERY HARD to write the show the way Terry would have been happy with.

3. The devil, as they say, is in the details: Neil Gaiman and the entire Good Omens cast/crew are fully capable of doing extremely subtle detail work, as conclusively proven in Season 1 Ep 6, specifically the whole sequence of the body-swap scenes.

With me so far? Great.

The Elephant In The Room

Season 2 was... odd. It was odd, wasn’t it. This isn’t a matter of whether you loved it or hated it—there was just something odd going on.

I spent the entirety of my first viewing very much enjoying myself and being very happy to be back with these characters and this world, but I was also liveblogging to my groupchat as I went, and a theme soon began emerging:

“Neil, what are you doing? Where are you going with this?” “What in god’s name is going on here? I’m so lost lmao.” “What is going on with the music situation?” “WHAT ARE YOU DOING HERE NEIL” “zombies, ok, I trust u to pull this all together in the end, Neil, but I still don't know what you're up to” “What is going on LOL” “Incredibly what is going on here” “NEIL! WHAT IS HAPPENING!” “Literally what is happening” “Neil Gaiman why have you constructed a regency au for mystery VIBES reasons” “just????????? lesbians????????? dancing what's HAPPENING. just all the background characters are gay here ok sure sure sure NEIL GAIMAN WHAT IS HAPPENING--” “mmmmmmm neil what u doin”

All these are copied verbatim from my liveblogging, and apparently I am not the only one to have this reaction. And to be clear, I was having a good time! I came out to this theater to see a magic trick, and this Neil Gaiman guy on stage is a master magician—but I didn’t see the trick, even though there must have been a trick.

At first, I wasn’t sure how I felt about the season. I wanted to like it! Indeed, there were many things that I liked about it! But I felt a bit muddled and jumbled up and confused—I felt like there was something I didn’t understand about it, and so I couldn’t yet understand how I felt about it either.

I started chewing on this question in a friend’s DMs: Why is season 2 so fucking odd? What is going on here, Neil? What are you up to? The matter of whether he was up to something was never in question. I knew that he had to be up to something. Writers are always up to something, and as I watched season 2, it was as if I was watching Neil scamper around the room with a mischievous expression as he messed with things here and there and made little tweaks and adjustments to the arrangement of all the Chekov’s guns he’s stockpiling on the mantelpiece.

You see, Season 2 has some very bad writing in it. HANG ON, DON’T ARGUE WITH ME YET! THIS IS NOT A JUDGMENT CALL!! This is the rug that the trick’s secret mechanism is hidden under!!! This is the hidden mirror that makes the trick work!!!!! This is the trapdoor in the stage!

Yes, of course I will explain myself.

Neil Gaiman is a master magician, but I am a pretty damn good magician myself—I’m a professional fantasy author who has published nine books, and I teach workshops for apprentice writers online and at universities—and if there is one thing I have learned about the process of achieving mastery of your craft, it is this:

Regardless of what medium they’re working in, the apprentice artist is concerned primarily with achieving realism via an expansion of their control—control of their brush strokes as they paint a photorealistic eye; control of their deck of cards, the mechanisms of their magic tricks, and where the audience’s attention is being directed; control of all the little factors of voice, plot, character, setting, suspense and surprise that go into writing a good story. However, the master artist has achieved that control—so much so that it often looks effortless to an untrained eye—and sometimes the master artist returns to a messy, amateurish style simply because they have control even over this too.

As an example, consider Picasso and his entire body of work. He begins as an apprentice focused on achieving control, doing portraits of people that look like people—like what we expect a portrait of a person to look like. Then, as he grows in skill and gradually achieves mastery, he pulls away from realism. He develops a style, he experiments with faces that don’t look like any human alive colored in ways that do not appear in nature. He expands his control. His work becomes abstract. Towards the end of his life, he starts experimenting with what’s called “Naive art”, something that a 5 year old could theoretically draw... but you have to achieve mastery before you can do it on purpose and have it look good.

On one hand, Neil Gaiman is extremely good at his job. On the other hand, Season 2 has bad writing in it.

What does that tell us?

Well, we know from our Baseline Assumptions that Neil Gaiman is simply too good of a writer to fuck up through garden-variety clumsiness and lack-of-control the way an apprentice writer would. Additionally, he cannot fuck up by accident in this case because I am positive that the man is scrutinizing his work on Good Omens far too closely to let anything slide—for Crowley and Aziraphale’s sakes, for David and Michael’s sakes, and especially for Terry’s sake. The stakes are sky-high, and he cares too much to write a weird, kind of “bad” season by accident.

Which leaves only one option: He did it on purpose.

(Am I sounding like a crackpot conspiracy theorist? Baby, you ain’t seen nothin’ yet. I’m gonna get SO MUCH MORE CRACKPOT.)

If he did it on purpose, then the natural question to ask is: WHY!?!?!??

It’s a great question. Not “Why?” in terms of why he as an individual person with emotions would decide to do that, mind you. More like, “What purpose does this serve for the structure of the narrative?” There is a story he is intending to tell, and out of all the choices he could have possibly made, for some reason this one was necessary and correct in order to achieve that end goal—so what was that reason?

See? Intentionality. He knows exactly what details he left in, and he did it on purpose. (Editing! It’s important!)

So there has to be a reason. It’s like when a master magician “casually” rubs an itch on his nose—why did he do that? What is he sneakily slipping into his mouth by hiding it under the excuse of this little gesture that does not even register to you as meaningful? (If you haven’t watched enough stage magic to know what I mean, watch this.)

This question is, of course, impossible to simply answer out of thin air without any further evidence. It is a dead end—so we must adjust the question and come at it from a different angle.

The one I settled on when I was chewing on this was: Well, okay, what do I mean when I say “bad writing”? What is it about S2 that makes it feel so goddamn odd?

The Pledge, The Turn, and... The Conspicuous, Expectant Silence

There are three parts to a magic trick: Pledge, Turn, Prestige.

First, the Pledge: You show the audience something ordinary. Second, the Turn: You make that ordinary thing do something extraordinary, like vanish. Third, the Prestige: You bring the ordinary thing back.

To quote the 2006 film The Prestige just after its explanation of the first two parts: “You want to be fooled. But you wouldn’t clap yet, because making something disappear isn’t enough. You have to bring it back.”

You have to bring it back.

When I teach apprentice writers, I call this a “setup-payoff cycle”. Achieving control and dexterity with this tool is crucial, because the setup-payoff cycle is the engine of the story—it’s what makes the story run. You can have a setup-payoff cycle at any scale—I have read ones that were a single sentence long; I’ve read ones that were two books long. Additionally, all jokes, no matter how long they are, are structured on a setup/payoff cycle. These cycles work precisely the same way a magic trick does:

You set up the audience’s expectations. (Optional but generally considered stylish and elegant: You give those expectations a firm jolt to throw the audience off-balance.) You pay off the audience’s expectations in a way they weren’t expecting, while saying “TA DA!!!!” really loud with your arms flung wide.

Audiences really like this. A setup-payoff cycle executed just right makes the audience’s brains light up like Times Square and hammers on their mental “reward” buttons like nothing else. It’s like you’ve personally handed them a cookie and a gold star. They go wild for this.

Here’s an example of a setup-payoff cycle, though it’s not a perfect one—and you’ve probably heard it before, so you’re not going to be throwing chairs and tearing down the theater from sheer glee:

The Setup: Knock knock. Who’s there? Banana. Banana who? The Jolt: (the joke starts over and repeats several times without reaching the payoff (aka the prestige) while the audience grows more and more annoyed and frustrated about the unfulfilled expectations, until finally...) Knock knock. Who’s there? Orange. Orange who? The Payoff: ORANGE YOU GLAD I DIDN’T SAY BANANA?

Good Omens Season 2 feels so fucking odd because the setup-payoff cycles are incomplete—nearly all of them are, and the ones that do close the loop do so in really weird ways which, as a professional author, make me feel kind of, “Bwuh?????? But where’s my cookie? Excuse me??? Sir???? Neil????? My cookie, tho???”

When I realized this, when I finally put my finger on why the whole season was giving me some uncanny valley heebie-jeebies, a chill ran down my spine. (The rest is here: https://docs.google.com/document/d/193IXS11XN46lziHRb6eUpM17yK0BQkRqke1Wh64A_e0/ I’M GOING TO GO STARE INTO THE ABYSS NOW BYE)

#good omens #good omens season 2 #ineffable husbands #neil gaiman

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