#i will answer any questions you have

[riverpancakes]

Ae-Cha and Byeol, my only two mystic kids who are genuinely in love with each other.

Ae-Cha is Jaehee and Iseul (MC3)'s only child. Byeol is Zen and Mi-Cha (MC1)'s oldest child.

[uncanny-tranny]

The leftism/anticapitalism leaving people's bodies the zeptosecond you imply that disabled people who aren't "productive" still matter in society and need to be treated like intrinsic equals who have a place in this world:

[shepscapades]

7. Lincolnshire Posy: II. — Composed by Percy Grainger, Performed by the Dallas Wind Symphony

It’s been on my mind lately that I had a lot of these Spotify song requests that I finished and never got around to posting, so I’m gonna try to chip away at posting these over the next few weeks! BUT Hi Ghost :] It’s so funny this was the song you ended up getting the number for; I had actually listened to it on loop during the deepest trenches of ranchers brainrot however many months ago, so I’m really happy I ended up being able to draw something for them!! <3 This is also the part where I expose myself for being an unashamed band kid =w= Grainger’s one of my favorite composers, so I listen to his works a lot and couldn’t help associating the really soft hopeful horns with this kind of healing period for the ranchers ;w;

I probably won’t ever really go into the details of the m-1 server’s overall plot, but I think the general vibe for m-1 ranchers is that these little moments of soft sunlight and healing bones were some of the most needed for them, so that’s why scenes like this always stand out in my mind <3 Context aside though, I think m-1 ranchers are just super sweet so!! figured I’d Full-Send share this soft doodle of them :]

[claraoswalds]

It's racist, my dear, to be blunt. People come from outside, they think we're all witches and druids. For God's sake, child, you walked into a piece of string!

[glassedplanets]

a few months ago giffy was like "haha hear me out, what if tattoo au" and then we blacked out and talked about nothing else for like three weeks

[sergle]

yall are about to piss me off by not having any PASSING basic knowledge of the way the u.s. military manipulates its recruits into joining by typing up one of your uninformed, unresearched, unempathetic, individualistic, unbelievably annoying posts about how 100% of the people in the military ended up there because they just Love America So Damn Much! they're extremely mature and informed at time of recruitment, they can totally leave anytime they want, they totally had tons of other avenues in life they could've taken, there was no rush at all to get income as fast as possible, and everyone in the military also totally is part of the combat divisions and personally enjoys being IN the military very much, big believers of violence. everyone in the military is shooting guns all day, that's how that works. they LOVE BLOODSHED. also I love the "amewicans haha" twang to this type of shit because you're actually TOTALLY stealing our Thing, which is turning systemic issues into Individual Issues. Instead of talking about the powers that be, it's so Personal Choice up in here. It's, "well you shouldn't have done it then. I totally wouldn't because I know better." you don't wanna talk about the military industrial complex as a whole, and you don't want to talk about recruiters, you just want to pin the blame on Specific Individual People one-by-one, as if they're responsible for the system that they're being ground up in. someone was in the military? bad person, no matter what. it's easier to believe that, I guess, than to acknowledge that Normal People (with high school educations) are manipulated and incentivized into joining a system that is Bad. at like age 18. but yeah no that 18 year old should have just been smarter lol haha anyway here are some screenshots for no particular reason

side note this reply of someone going "umm just get loans and go into a high paying field it's easy XD" as a direct response to someone trying to explain how most americans joining the military are being funneled in that direction out of a need for money.

and another person who Decided that americans join the military just CLENCHING their teeth thinking of other people, and not thinking completely selfishly about their own selves and their own income/housing/healthcare.

[sadclowncentral]

hi would you say the barrier of entry for sailing is very high?

my family had a house near the beach so i spent every summer in the sea so i absolutely ADORE IT and wanted to learn how to sail recreationally but it's always seemed so expensive + hard to get into

advice or opinions are greatly appreciated if you have any to offer<3

btw i love ur blog ty :)

i would absolutely encourage you to try sailing out and i think it's a great sport to get into! i have introduced dozens of people to sailing so far and almost all of them hit the ground running. the learning curve is steep and even just joining for the first times without touching anything is exhilarating so no moment learning is wasted. strong motion sickness or a paralyzing fear of the ocean notwithstanding, i truly think everyone can learn the ropes (haha) and that quickly! we always joke that it is very easy to get a boat sailing and very hard to get it sailing fast, but you have the rest of the life to figure out the latter and even if you don't you will have a grand time on the water.

you did not specify if you want to get on a sailing yacht (that you can sleep and do long tours on) or a smaller dhingy so i will answer both and i hope it is helpful!

SAILING YACHTS:

when it comes to sailing yacht, the real challenge is not sailing but owning a boat, and that is where the financial barriers come in. i will not lie to you - owning a boat is really expensive, and i am talking 5 to 6 figures a year expensive for a middle-sized sailing yacht including mooring, fixes, equipment, utilities, tools, and everything else. you can absolutely find cheap boats sold at every coast line - but buying a boat is not expensive, having a boat is. (guy who just bought a rope for 600 human dollars voice) heed my warning.

THE GOOD NEWS: you absolutely do NOT need a boat to learn sailing on a yacht. everywhere there is a marina there is people looking for crew, and many sailing clubs have programmes for beginners to get you on a yacht and try it out! there are also many summer programmes to join on larger tours and learn sailing. i would encourage you to bring a friend or two because it's much easier to flounder around on a new ship in groups, but it is absolutely worth trying out and again - even being on a boat is exiting, and you learn by doing!

now. sailing is not a dangerous sport and this is my heightened sense for safety of a sailing instructor speaking. but! if you join on a boat even as a visitor please think of that sailing tumblr blog in your life and tell the captain that before you go out of the water you would like to know: 1) the number for local search and rescue, and 2) the position of the fire extinguisher, the lifeboat/life ring, and the emergency shut-off and 3) that you want to wear a life vest unrelated to weather conditions. if they make jokes about you being a worry-wart, take them in stride, but if they refuse to do any of this, you tell them that they are irresponsible and leave. things rarely go wrong but they can and i want you to know what to do. okay? sailing is not scary but being unprepared is. okay PSA over.

DHINGY SAILING:

dhingy sailing is the most fun, the closest to the water, and the fastest way to learning sailing because you are together with one other person max facing the winds. yes you will most certainly get wet, but it is very safe, close to shore, incredibly fun and exhilarating, teaching you self-reliance, reflexes, trains your sense of balance and gives you abs. it's the perfect sport. can you tell i teach dhingy sailing

if you want to learn dhingy sailing, again, do NOT immediately buy a dhingy. while they are far less expensive they are still a hassle and setting up the mast without knowing your way around a boat will discourage you from sailing forever. instead, again, join a sailing club or a short course to learn dhingy sailing!

many places can give you intensive courses and certificates that qualify you to lend out dhingys afterwards our you join a sailing club with their own dhingys (which there are a lot of everywhere!). most offer weekly or even daily sailing lessons and group sailing and faster than you know you will flying over the water. the financial barrier here could be the course cost as they vary widely (my students pay 50 euros a year but some places will cost you that or more an hour it's hard to gauge). apart from that, you will have to invest in a neoprene suit and a sailing west, but that's the extent of it.

all in all, give sailing a try! it is the most rewarding hobby i can think of and my heart aches for everyone who lives at the coast and doesn't best the waves one way or another. and again, i cannot stress it enough: being on the water is half the fun. everything else will happen in due time. the ocean waits for you! happy sailing!

[paintpanic]

Res AU Joronia drawings. Character rambling and bonus doodles under cut.

This AU takes place a good while after the events of Triple Deluxe happened. Since then, Taranza's mostly recovered mentally from everything. He was able to move on from his grief and (somewhat) forgive himself. Now that Joronia's in his life again, seemingly back to her former self, some of those wounds he'd thought were fully healed have started to ache again. He still feels ultimately guilty for what happened to her.

He's thrilled that Joronia's been given a second chance at life, but is somewhat wary deep down. This feels to good to be true, that she's just back with seemingly no strings attached. The other shoe could drop any day now, and he could lose her all over again. Fearing this, he wants to make the most out of what could be a short time to be together again with his friend.

Joronia senses that there's a distance between the two of them now that wasn't there before. It shouldn't be surprising; he's probably still hurt from what she did. Other people definitely are. She's determined, though, to work hard to make it up to everyone she's hurt, and to prove to them (and herself) that she's not really like that, that she's capable of being better.

The Mirror's influence twisted her mind and her perception of reality. It made her feel like she was inadequate, and that everyone else were enemies to be subjugated. Now, she's supposed to be normal and better, but she still feels like there's something wrong with her head. She still doesn't feel good enough, and it still feels like everyone hates her. It's hard to trust herself. She's not sure if it's some lingering effect of the Mirror, or if there's just something inherently wrong with her now. She's scared.

She's afraid that something will happen, that she'll revert to how she was as Queen, and that she'll hurt Taranza again. Someone who'd always helped her, who'd stuck with her even when she was absolutely horrible to him, and who's kindness she's relying on again now, staying at his home as she worked on getting her life back together. She's a burden on him, and she always has been. She hates it.

Still, her deepest, most selfish wish is that they could be real friends again.

---

These two need to have a long, honest discussion about their feelings toward each other and themselves. Both of them are absolutely terrified about that prospect, though, because they each think that the other secretly resents them to some degree. If they actually talked through it, they'd quickly realize that they both want the same thing.

[luck-of-the-drawings]

"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.

[pink-pkmn-trainer]

honestly cannot stop thinking about the concept of gangle and zooble fused together into one conscious, steven universe style. like, as in they attach to one another and combine into one character. so i drew the fuck outta that concept and here it is (don't ask about the fire background i thought it looked cool)

here's the original doodle below 🔽

idk i just thought it would be cool if they could like....become one being or something. like garnet from the universe of steven

[plead-au]

a compilation of recent PLE:AD AU-related drawings. sorted by oldest to latest

[thefloatingstone]

Literally begging people to watch Best Guest's videos.

[txttletale]

“it’s not my job to educate you” is something you can say if you’re, like, just some random person of colour being put on the spot to explain why racism is bad. if you’re a Communist it is, in fact, your job to educate people. it should be your number one priority! lads this is literally what we are meant to be doing! if someone asks you a question and they seem to actually want to hear the answer, it is, in fact, your job to explain it to them! otherwise you’re a pretty shitty communist!

[voidcat]

— the maker, far away and the muse, ardent

characters: endo yamato, you

notes: this is more in the style of my typical dazai content so iykyk. artist!reader, gender neutral pronouns used. small picture of dorian gray reference. a mini post explaining my vision for this fic basically

Drawing Endo Yamato is a tricky feat.

Despite his simple looks, you realize there are more details to him that meets the eye. Sharp edges and curves, eyes and lashes that cut through, wavy locks of hair that fall with an order to itself.

It is difficult but so is to create. That’s the thing with art, and that’s what you love about it until the very end.

No matter how hard, how detailed something is, no matter how long it’ll take you to reach that level of skill required to make it, it is never impossible.

And so you sit back and keep observing him, smoothing out the page before you, you sharpen your pencil.

Despite the numerous pages adorned with his face, you’ve never spoken with Endo Yamato, not even once. Nor did you feel the need to.

Does god often seek an audience with their followers, does a nature artist eat the apple even after days of mold has accumulated— does everyone kill the thing they love? Or do they just leave it be, to their happiness or misery.

To you he is nothing more than a pretty face, beautiful features and an impressive body, one he uses as his own canvas, recording his life and feelings onto his skin permanently.

Endo Yamato never sits still, as if offering a challenge to you. Another thing that helps you in the long run, your pen begins to hasten, your sketch line improves and you begin to remember and transfer every small detail of a millisecond to paper without breaking a sweat.

It begins piece by piece, part by part. When one thing proves difficult to grasp, you have no choice but to dissect it one by one.

You begin with his structure, how he carries himself and his body. You have confidence in your figure drawing but it takes something extra to show off his pride and nose high up attitude in his posture. You don’t know Endo Yamato all that much but you know enough that you don’t like him or his kind at all.

Then comes the face, the edge of his jaw and the softness to his cheeks despite coming off as thin. It’s the details that prove the real challenge. When drawn apart, be it his eyes or the hooked nose, you’re good. Yet the way they have been placed on his face, you have to remake the dough figurine over and over again. His hair proves a great distraction, you’d suppose it is the real source of your problems. It hides everything characteristic to him, every small detail, the arch of his brows, the wrinkles on his face when he smiles or furrows them, the angle of his nose and how the bridge comes down, the light in his eyes though they are absent majority of the time.

You sketch over and over, the pencil glides off the pages. You change the materials but the subject remains the same. Noticeable changes begin to appear after some time. You’ve lost for how long you’ve been drawing, but it comes natural now.

So you switch up the medium, and try the process from the start with watercolors. The uncontrollable nature of the medium met with the difficult subject growing familiar on your muscles perfectly.

Too perfectly in fact, as you are lost in the thrill of it, that you don’t even notice how time passes nor the shift in scenery unless it contradicts your paintings— and you’re slouching over the papers once more, face contracting in focus as shadows disturb your view and lighting.

When you steal a glance above, you’re met with not a cloud but none other than Endo Yamato himself.

Hands shoved deep in his pockets and his confident yet relaxed posture, he glances down at you and the papers, wearing a smug smile the whole time.

You wait for a moment of breath then divert your attention back to the work before you, adding shadows currently.

You hear him let out a slight grunt, and maybe you’d see his expression shift into something of surprise too, were you to be carefully watching.

“It’s sublime knowing I have a fan.” He says, still not stepping one step to the side, adamant on blocking the light apparently.

His words register far too late for you, you let out a hum at first, “hmm… oh?” The sound fades into surprise on your end, “ah, no, you see-“

You dip the brush into water and to the shades of blue and purple, mixing and lightening the amount of paint on the brush. 

A tapping of feet brings you down to earth and reminds you for once you are not alone in your leisure time of painting.

“Ah… sorry.” You say more as an apology for forgetting he was right there up until a second, “it’s nothing like that.”

Your words take him out like a chain of inconveniences following one after another, building up until you’ve lost your temper.

You don’t notice this either, focus solely on perfecting the shading, calling it another painting done and complete.

To Endo, your nonchalance is odd to say the least. Here he stands, the subject of your attention for many a while now, from what he has seen, and you don’t seem to care one bit. Or is it the paper that is holier than him? Or is this another, albeit looser case of Takiishi, not caring for the people but for their reflections, their end products, what comes out of them and the hand that crafts them into something bigger, brighter.

Along the lines Endo Yamato says to you, you do catch something like ‘having the real thing before you already.’ An enlightenment perhaps, a revelation you didn’t need nor asked for.

So he is a charmer, you think, or tries to be. Considering the things at hand it’s the former most likely— walking up to you without a care in the world as if you’ve interacted before. It takes some sort of confidence, as most charmers carry with them. He is just not trying it to the fullest with you, but is it because he thinks he already holds a part of you in his hand, you’re unsure.

In the short timeframe of thinking over a man you couldn’t care any less, you notice your brush staggering, slowing down. Any more and the drops of water will be too much for the paper, ruining all your hard work on this completely.

“So… listen,” you begin, cutting off whatever he was saying. “If you don’t have anything important to say, would you mind-“ 

You wait and wait for him to catch on. Instead met with empty eyes looking at you with not a single clue inside that brain of his, you let out a sigh.

“The light at this hour is very good and you’re making me lose it minute by minute right now.”

Endo looks at you, in disbelief again. Not the reaction he was expecting and definitely not the words he expected to hear. And compared to how quiet and just shy you sounded up until the last sentence— that last demand, all that timid nature of you dispelled within a second. 

Deflated, he admits his defeat for the time being and leaves, stealing one last glance at the paper.

As the man leaves, you watch his back for a bit, waiting for your brush to dry.

Odd, you think. 

What did he really expect you to do or say? 

You may not know Endo Yamato but all you’ve observed is more than enough to deem him as weird. You are somewhat aware he is filled with burning passion down to his very being but that’s just not who you are as an artist.

The views people have on you, and by extension, on artists has always been far fetched from what you’ve seen.

Must art always be loud and intense, waging war upon any heart that gazes at it? Should you too be destructive and heavy— not all artists see their subject like Basil to Dorian, not all art is an all consuming fire, an endless devotion, a declaration of war. Art can be natural and gentle, like a breeze, like a stream of river.  Love can be accepting and gentle, unifying and kind with the familiarity it brings, the comfort hidden in the routine, as he fails to see.

By the time the painting has come to an end, darkness has fallen. Endo Yamato has already left, and the sunlight soon after him. The sky begins to darken, purple spreads of paint among the clouds. You turn the page and leave today in the past, crossing another thing off the list and moving on.

[anzuhan]

[arkiwii]