i understand that alina is literally the main character of the original s&b trilogy, but the way it ended pissed me tf off. zoya’s storyline in KoS & RoW is something that is really important to, not only me, but so many people. and they’re sort of giving some of it to alina if she is going to become queen. one of the major plot points of nikolai’s duology was zoya becoming the FIRST grisha queen, and if alina is going to be married to nikolai it would be her. don’t get me wrong, i love alina, but giving her things that another female poc character in the series gets is completely unfair to zoya.
im really mad about all of this.
like zoya’s character development is something that is really important to me, because i relate to her a lot, and alina is amazing and i love her, but i don’t think that she should be given other characters major plot points.
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I just found the worst thing on this earth and I'm gonna be a hater for once (disclaimer: i have nothing against Junko Shimada but i disagree with all her choices about this)
the fuck is this
Pointe ballet shoes but make them fucking WORSE
it is double the worst feet experience i can think of. all the bad wirh NONE of the good
1. This looks fucking uncanny. ballet shoes do NOT look like that on demi-pointe bc they break ACCORDING to the foot. ballerinas spend a weird amount of time developing their own shoes for these fugly things to look like that
2. if you are gonna put that transparent platform at least make it the way pointe shoes go when on demipointe??. The platform is already shaping the foot to go on heels why not do the design work to make it look like pointe shoes if that's the goal? but noooo the angle is whatever the designer thought pointe shoes do instead of opening google and finding someone breaking on pointe shoes
ALSO, and the thing that enrages me the most, is the velcro wtf. Ballet ribbons look so nice, they are so pretty, but these abominations? they use the cheapest fabric for it and it shows.
... I want to say there is ONE decent thing and it is the ribbons are on the correct spot BUT THATS FUCKING IT
And the stupid little knot in front? awful. we do not like things to break the line, and that shit looks bad. The idea is that the shoe EXTENDS the leg and having those two antennas look weird, makes me so angry
another thing, the width of the heels also is so awful. I'm against people who don't know how to get on pointe to go on pointe, bc injuries are real BUTTTTT, these platforms make it worse. Like, when someone was creating a shoe, found cheap satin midway, and thought it would be a good idea for a clown show.
I've been personally victimized by pointe shoes, but the heel version is just worse. They look bad, look cheap, don't even respect the idea of a pointe shoe and don't even look like they fit the models at all.
in conclusion, I hate them
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ghost stares at the ceiling, chest heaving in a harsh pant; sweat ice on his clammy flesh and soaked into the sheet he restlessly kicks away.
ears still ringing, his fingertips blindly drift down to trail along his vivisection scar. he half-expects blood to smear in their wake. his own line of solomon, who ordered him split in twain; half of him given to a grieving mother and half left with the grieving to be.
just for both his broken halves to be rejected.
what did it make him that his mother grieved him more than she loved him? that she begged to be relieved of him more adamantly than she begged to receive him? why did his worth spill out with his drawn blood? why was his pain lesser than hers?
his hand flexes, digging into the raised scar like it’ll part beneath his fingertips to plunge into his mangled insides. no one knows the cruelty of reforming the halved; his name, his being, not nearly as important as his body when he was stripped from himself. no one knows the pain of healing and understanding losing pieces of yourself means losing your value along with them.
how many more pieces did he have to lose before he was halved once more? before his very presence incurred grief so strong it was better to be rid of him than cradle his bloodied remains?
did the infant fight himself? did he age always at odds with himself; his halves never truly whole? he hopes he wasn’t, that he was spared the loss of self; the fear that one may be welcomed over the other.
who will he lose when the inevitable comes? when he’s ripped apart again? simon? or ghost? is it better to be cursed with choice just like his mother or live with an aftermath chosen for him? does it matter if in the end, he convinces himself there was nothing of him left to lose?
his head lolls to the side and the wild buck of his chest slows. he watches johnny beside him, his face lax with the rare peace of sleep; his cheek squished against the pillow, his lips pursed as long breaths escape him.
johnny. soap. never torn asunder but two all the same.
he carefully reaches out and ghosts his fingers along the jagged scar on his chin. even in sleep, he presses into his bloodied touch. he’s never fled his half-flesh, never shies away from his gore as it spills unbidden from his cleaved torso. he holds on where his mother let him go; cups his stomach to hold his insides in place and never minds the blood that drips through his fingers.
simon will never let him become his own solomon and cannibalise himself. he will never let him question which half of him has more value; which pieces he can afford to lose before he’s cast aside.
ghost’s soap. simon’s johnny. his.
whole, in any incarnation.
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*holds out a mic like a reporter* what’s your opinion on the current state of the mcu?
my opinion is that it should have died a long time ago and that everything they do is just abusing the corpse of a frankensteined thing that should have been left and buried a long time ago.
now, i am not that much up to date. i have stopped engaging with mcu after endgame, with the exception of watching the forst season of loki and wakanda forever and i think the eternals, which is good if its taken out of the wider context. my opinion is that the mcu is empty and soulless and a perfect indoctrination into individualist capitalism, warmongering patriarchy and the greedy capital-driven urge of mega corporations and billionaires to replace any sort of humanity with artificially, computer made caricatures of something that once moght have been called art.
i remember that article that tom hiddleston wrote as a response to i believe scorcese sometime way back in 2012, defending superhero movies. i am too lazy to find any refetences so whoever reads this can do their own research and correct me if im wrong anywhere, but i do believe he gave sir christopher reeve as an example. he wrote about the thruths that superheroes explore, how there is not one, but many. how it is the mundanity and the pure humanity that gets amplified and therefore explored and understood through the characters of superheroes, and it all brings us closer to the human experience. that article has stuck with me through all the years ive spent watching these movies and believing in the message - we are all superheroes in our own way. we all make choices, no matter on how much of a micro scale, to do the right thing. to protect, to shield, to fight against injustice. art is, after all, inherently political.
there is none of that in the mcu. ive seen it being chipped away piece by piece over the years, seen the ethical and moral dilemmas we all face in day to day life brought on the big screen to make us understand that there is always a choice, no matter how tough that choice may be, and that every single one of us is capable of both the biggest heroism and the most depraved atrocities, because we are, in essence only human; i have seen all that be replaced with american capitalist war and conquering propaganda, girlboss empty feminism and whatever the fuck those shit "christians" are now pandering and paddling as "family values".
the only god disney worships is obscene amount of money. the only value they respect is how little they can pay and how much they can exploit to get highest monetary value for their shitty cgi-ed recycled propaganda movies. they have turned every character into a twisted version of themselves, assigned value to only those characters who help them propagate their imperialistic capitalist world order, and are fine to spit out dozens of same content (because by now, it is content, devoid of any artistic ideation) and stomp on all that superheroes used to stand for and all that they used to teach us. they also do it in a most insidious way, giving token "other" characters, be it by their race or faith or sexual orientation or gender, while counting on the systematic lowering of critical thinking skills in people to ensure people are dazzled by the shallow representation and never look further away from the rainbow cgi and explosions to understand that mcu has become just another cog in the us imperialist war machine.
i lied. i looked up tom hiddleston's article because i think a shakespearean actor classically trained who quotes tolstoy for fun might have written a better punchline than i could write, in my despondent, disappointed and despairing state of seeing something i've loved with my whole heart be ruined ny human grief. i was right.
"Maybe playing superheroes isn't such an ignoble undertaking after all. "I still believe in heroes," says Samuel L Jackson's Nick Fury in Avengers Assemble. So do I, sir. So do I."
except. except i believe in real life superheroes. in the people protesting against the genocide in gaza. in the people on the ground risking their lives to tell us in the west, about sudan and palestine and uyghur muslims and armenia and congo, in a bid that we might turn our heads and watch the actual real life crises caused by the very imperialists who use these superhero movies to try and save their status quo of opression. i believe in a man who chose self-immolation over being party to the atrocity that is the us military. i believe in my friends in germany who go out every weekend and fight against the rising nazi regime. i believe in every person that has spoken out against the atrocities in the world, every person that has donated and educated and debated and wrote to the representatives and protested. and they still do it, and will continue to do it. these people are the real superheroes to me, and guess what? they are just humans. and those people comitting atrocities right now? they are just humans too.
this is what the superhero comics and movies that i used to watch taught me. that humans are those who have the capacity for the biggest heroism and most despicable atrocities both. we just have to choose. and that is not something that anyone will be able to learn from the mcu anymore.
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Congrants on the 100 followers 4402!!! You deserve much more for your amazing writing<3
For the event, can i request 28. princess carry with ikey? If im not wrong, he already said he likes being carried like a princess!!
So maybe after a day out w him he starts complaining about how his feet hurt from wearing heels for such a long time and reader just starts carrying him like the princess he is
thank you for the compliment, i appreciate it!
kyaaaa… does anyone else’s heart lurch and jump and do a sick dance move when they think about being swept off their feet and carried like a princess or is it just me… i’m doing research, like, totally…!
tags: established relationship, fluff, gender neutral reader
#100 followers for 4402 - 28. princess carry
─── ・ 。゚☆: *.☽ .* :☆゚. ───
“Isn’t it beautiful?” You hold Ike’s hand within your own as the ocean waves lap along the shore. It’s a peaceful beach, with sloping sands and sprouted grass right where you stand, dividing the sand and the stable dirt under your feet. “I discovered it a while ago. It’s hard to find, so people don’t usually visit here, even though it’s so calm. It’s for just the two of us.”
“It is. I love it,” Ike says. He looks contented, but his eyes drift to his shoes. “It’s just that, when you said we were going to the beach, I thought you meant the side with the boardwalk.”
“Oh. Right.” You forgot. Ike usually wears boots with a high heel. Stilettos and sand are sworn enemies.
“Um, don’t worry! I’ll figure something out.”
“But how? You’ll sink.”
“Yeah… You have a point, I guess.” He sours. “My feet kind of hurt from all the walking, too.”
“They do?”
“It’s fine. I’ll manage.”
“But I don’t want you to get hurt.”
“It’s not the first time, and definitely won’t be the last. I’m used to it. It’s not that bad after so long, but still, the sand is going to be a problem – aah!”
Ike’s thought gets cut off as you squat, swing your arm under his legs, and gather him all up in a bundle. In his surprise, he grabbed the first thing his hands landed on – your shoulder – and your hands support him as you hold him gingerly.
He sputters, so small in your arms. “R-Reader! What are you – did you seriously just –“
“You said it yourself, the sand’s a problem, right?”
You readjust. Ike clings to your neck as he bounces once in your grasp, and shoves his head along your shoulder and out of sight. “How can you even carry me?”
You step forward to where the beach starts with a playful grin. “I’m much stronger than I look.”
Your shoes meet the doughy sand at a lower level than the grass. A short breath frosts down the scruff of your neck while you jump down and Ike buries himself closer to you. Out of the corner of your eye, you can see his ears glow red between the gold earrings.
“Look at me, princess?”
Ike shoots up at the pet name, and sure enough, the rest of his face glows in the same blush all the way down to his neck. He doesn’t even want to fight how that name runs straight through his veins and into his heart. He’s too set in your arms to resist.
He melts like a sigh as you hold him higher. Ike tastes like ocean against your lips.
The sticky, salty air glues his mouth to yours for a blink longer than intended. “Let me treat you like royalty,” you murmur.
Ike nods, transfixed.
For Ike, you are eternal. Your face is every reflection off the bubbling sea and every sparkle shed by the sun. To be held like this is enough. The kiss is enough. You are enough. The minutes pass but the world is stuck in a selfish pause, and he replays all your love on loop.
For you, he is loyal and love, and you know he is too precious to last another moment like this. The second goes by. You let it go.
So you hoot and holler, the quiet broken, and he squeaks in response as you run along the shore. “Incoming, please make way for Your Royal Highness, the lovely Princess Ike!”
Your princess cracks into songbird chirps and a red-faced smile. “What are you doing, there’s no one around!”
“Sorry, can’t hear you, too busy spreading the good word of my beloved princess.” You stop to stare at the ocean. The seafoam rises and falls flat against itself, and rustles out the music of the waves as the whitewater dies out on the wet sand. “YO, OCEAN, YOU’RE NOTHING COMPARED TO MY IKEY!”
You spin around, and his earrings swing with the motion. Ike squeals. The sea breeze picks up a spray of water that flicks against your faces, but his laughter is high-pitched and uncontrollable, and persists even when the saltwater gets in his mouth.
Bubbly like the ocean backdrop, but he’s far more breathtaking than the beach could ever be. Especially at this angle, where his eyes can barely stay open because he’s smiling so wide, and the tousled ends of his hair matches the bottle-blue waves behind him, and he is so close that his giggles breathe life back at you. Your hands are flush along his back where they belong. The sandy grasp treasures the tide.
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